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Before CGI, Superman (1948) solved flight with hand-drawn animation. Artists layered animated cels over live-action footage to make Superman fly. It may look dated now — but back then, it was pure innovation.

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Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

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