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Before Gordon Ramsay ever stepped into a professional kitchen, he was a footballer. Born in Scotland and raised in Stratford-upon-Avon, England, he was selected for his county's under-14 team at the age of 12. By 15, he had been spotted by a scout for Glasgow Rangers, one of Scotland's...

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This painting shows the most heartbreaking reunion in all of literature. To understand it, you have to know who the dog is... His name is Argos, and he belongs to Ulysses, the Greek hero also known as Odysseus. Before Ulysses sailed away to fight in the Trojan War, he had raised Argos from a puppy, a fast and beautiful hunting dog. Then the war called, and Ulysses left. He would not come home for twenty years. When Ulysses finally set foot on his own island again, he came in disguise, dressed as a beggar, so that no one would know him. His house was full of men trying to steal his wife and his kingdom. To survive, he had to remain a stranger in his own home. No one recognized him. Not his loyal servants. Not the people who had known him all his life. But lying in the dirt by the gate, old and forgotten, covered in ticks, too weak to stand, was a dog. Argos had waited twenty years. And the moment he saw him, he knew. He was the only one. Nearly blind, half dead, he lifted his head and pricked up his ears, and he wagged his tail for the master he had never stopped waiting for. Ulysses saw him. And because he was in disguise, surrounded by enemies, he could not run to him, could not kneel down, could not say his name. He could only look at his old friend and, turning his face away so no one would see, let a single tear fall. And then, in Homer's own words, "the dark shadow of death closed down on Argos' eyes, the instant he had seen Odysseus, twenty years away." He had held on to life for one reason only: he was waiting to see him come home. And the moment he did, he could finally let go... It is such a beautiful painting, and the look on that dog's face is so universal, so instantly understood by anyone who has ever loved and waited, that it is enough to bring a grown man to tears.

James Lucas

105,138 görüntüleme • 18 gün önce

The man who invented modern fantasy didn't publish his first novel until he was forty-five. By that age, J.R.R. Tolkien had already built a respectable life. He was an Oxford professor, an expert in ancient languages, with a wife and four children and a settled academic career. He was exactly the kind of man who might reasonably have decided that the shape of his life was already fixed. The work he would be remembered for, he had not yet even begun... The story, which Tolkien told himself, is that one summer he was grading examination papers, when he turned a page and found that a student had left it blank. Without quite knowing why, he wrote a single sentence on it: "In a hole in the ground there lived a hobbit." He did not know what a hobbit was. He had spent years inventing languages and mythologies as a private passion, and telling stories to his own children, never imagining any of it would reach the world. But that one line began to grow. It became a story, and then a book, and in 1937, at the age of forty-five, Tolkien published The Hobbit. It was a success, and his publisher asked for a sequel. Tolkien warned them it might take some time. It took 17 years... He wrote it in the margins of a demanding full-time job, revising endlessly, doubting it often. When The Lord of the Rings was finally published, in 1954 and 1955, he was in his early sixties. That book, begun as a middle-aged professor's private side project, went on to sell well over a hundred million copies, to invent modern fantasy as we know it, and to reshape the imagination of the entire world. Tolkien already had a full and respectable life behind him. And still, the thing he is remembered for, the thing that outlived him and reached hundreds of millions of people, was something he began at forty-five, at an age when it would have been the easiest thing in the world to tell himself he had already missed his chance. He didn't. It's never as late as it feels.

James Lucas

92,965 görüntüleme • 19 gün önce

Beethoven could not hear the music he wrote. At the age of 28, he realized he was no longer able to listen to a flute being played in the distance, and he spent the rest of his life composing the most enduring music in Western history in almost complete silence... He had been a working musician since childhood. His ears were everything. In 1798, in the middle of a heated argument with a singer, he noticed for the first time that something was wrong. The sound was thinning at the edges. He could hear voices, but high frequencies were beginning to disappear. He told no one for years. By 1802, the truth was no longer deniable. On his doctor's advice he moved to Heiligenstadt, a quiet village outside Vienna, hoping the country air would help. It did not. There, alone and surrounded by farmland, he wrote a letter to his two brothers that he never sent. It was found among his papers after his death. We now call it the Heiligenstadt Testament, and it is one of the most devastating documents ever written by an artist about himself: "You men who think or say that I am malevolent, stubborn or misanthropic, how greatly do you wrong me. You do not know the cause of my seeming so... what a humiliation, when one stood beside me and heard a flute in the distance and I heard nothing, or someone heard the shepherd singing, and again I heard nothing." He wrote, in the same letter, that he had thought of ending his life. And then he wrote the line that explains everything that followed: "Only my art held me back. It seemed impossible to me to leave the world before I had produced everything I felt called upon to produce." He went back to Vienna. He went on composing. Over the next two decades his hearing continued to fade. Friends began writing their words down in small notebooks instead of speaking them aloud, and waiting while he read. Modern scholars call these the conversation books. Around four hundred of them survive. To compose, he developed his own methods. He bit one end of a wooden rod and pressed the other against the soundboard of his piano, letting the vibrations travel through his jaw to his inner ear. He had stumbled, through trial and error, onto the principle that modern science calls bone conduction. The cause of his deafness has never been settled. What we do know is this: he realized he was losing his hearing at twenty-eight, and he could have stopped. He wrote the letter, he held the thought of dying in his hand, and then he put down the pen and went back to work. Most of what he is remembered for was composed after that moment: The Fifth Symphony. The Seventh. The Ninth. The Missa Solemnis. The late quartets. All of it was made by a man who could no longer hear most of what he was writing. There are people who give the world what they receive, and there are people who give the world what they were never able to receive. The most enduring beauty in human history has almost always come from the second kind... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: I write about beauty in all its forms. If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

153,966 görüntüleme • 2 ay önce

“For a long time, I was a guest in our house” Thierry Henry speaks from his soul. He has depth. He’s a man in touch with himself. I recall some years ago, he spoke about how much he wanted to please his father on Steven Bartlett Diary of a CEO podcast. Everything he aimed to achieve was to please the voice that rang in his head, telling him to do it better. His father stood behind him while he built a career, probably saw the good many never saw. As a father, he also mentioned how COVID-19 changed his life. It was the point he chose his family. That was probably why he said at some point, he became a guest in his house. Men become guests in their house. There was a Reminisce Alaga interview I saw. I think it was on ISaidWhatISaidPod. He said there was a point he went into his daughter(s) room and asked when they painted the wall pink. His wife told him it’s been there for two years. He said that was the point he thought it important to rest on the tours and be with his children. At that point, he probably was a guest in his house. Men’s lives are not easy. Footballers especially — elite footballers most especially are like tour musicians. They’re often on the road. You’re playing away games round the country, spending three days or more away from home when you have continental away games. Gabriel Jesus spoke about the same thing in his recent interview with The Players’ Tribune titled “A Letter to My Family and my Arsenal Family”. He said football made him distant but his ACL injury brought him closer. “I wasn’t the husband and father that I needed to be,” he said. When his wife gave birth to his daughter, he said he only held her for one day. Brazil called and he had to go. And he was a guy who grew up without a father. For his child at the time, he was there now but wasn’t there too. “I always promised myself: When I become a father, I will always be there for my kids. “When Helena was born, I was not living up to that. I was there, but I was always distracted, you know? Always catching a flight.” That’s the tough decisions men have to make sometimes. At the point of growth and ascent, life will ask questions, and difficult decisions will need to be made. Hopefully, it will be one that won’t damage the future. The future one is securing.

Rilwan

206,690 görüntüleme • 7 ay önce

Quentin Taratino said Lawrence Fishburne’s performance in King of New York was so incredible he thought - “he could be the greatest actor of his generation”. He explains: "As great as Christopher Walken is in this movie. To me, it's Larry Fishburne's movie - it was the rock that becomes a diamond aspect of the movie. It's why I could defend this movie against all comers, because to me, Fish's performance in this movie was comparable to a young Brando. It was the most exciting performance by an actor of his generation that I'd seen in a movie of that time. And I thought, well, that's it. There is a new Marlon Brando, and his name is Larry Fishburne - it was amazing, it was mesmerizing… He is the first hip hop gangster in movie history. That character had never been done before this. He invented that character. And he invented it as something to do. It wasn't in the original script. He came up with that himself… The three big Fishburne moments to me, is his opening sequence with…Tito. That's it, with Tito - black glove dude. And his reunion with Frank. And then it's the chicken scene (see below). Those are his three big arias. Not only that though - expressions that I would later hear for the rest of the decade, I actually heard for the first time in that scene. I'd never heard the expression; “I'll slap the black off you” before. That was the first time I heard it when Fish says it to Snipes. I've since heard it many times… And that was actually the first time I ever heard, “fuck you very much”. And I would proceed to hear that for the rest of the 90s. But those were the first times I'd ever heard those expressions… As terrific as he has been in other things - the level of excitement that I had over him when this movie was over, I have never had that excitement again. I thought, with this, he could be the greatest actor of his generation. That was an actual, real fucking thing. He could be the greatest actor of his generation after seeing this." Quote comes from The Rewatchables podcast

Gangster Cinema Central

655,921 görüntüleme • 1 ay önce