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Ana Sayfaya Dön

Believe it or not- Everything you see in this frame is falling. 😅 When I first reached the International Space Station, I had this strange hesitation: if I let go of something, won’t it just fall? On Earth, that’s exactly what happens. In space, though, my early instinct was... to politely hand over items to crew-mates (one of them is quietly smirking in the background at my dismal lens changing skills 😅) instead of just releasing them. The funny part? They were just as cautious at first—so we ended up passing things around like an overly careful game of “hot potato.” Here’s the catch: nothing actually falls away in orbit. As you see in this video if I let go of the lens, it doesn’t drop—it hovers. Why? Because both the lens and I are falling at the same speed around Earth. No relative falling = no “down.” This idea goes all the way back to Isaac Newton’s legendary thought experiment: imagine standing on a tall mountain and throwing a ball. Toss it gently—it arcs down nearby. Throw harder—it travels farther before dropping. Throw it so fast that as it falls, Earth’s surface curves away beneath it? The rate of drop matches the curvature of the Earth. Congratulations—you’ve just put that ball in orbit. It’s falling forever, but it never hits the ground. That’s what orbit really is: perpetual free fall. Astronauts don’t feel weightless because gravity has disappeared—gravity up here is still about 90% as strong as at Earth’s surface. We feel weightless because we and everything around us are constantly falling together. Floating in space is really just falling—forever. 🌍✨ #shux #iss #space #shubhanshushukla #isro #axiom4 #newton #tiborkapushow more

Shubhanshu Shukla

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484,213 görüntüleme • 9 ay önce •via X (Twitter)

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🛰️ Why Satellites Never Fall Back to Earth 🤯 If you throw a stone straight up, it comes back down. But what if you throw it sideways, and you throw it fast enough? Something strange happens. The object starts falling toward Earth… but it never actually hits it. That’s because Earth is round. As the object moves forward, the ground curves away beneath it. So it keeps falling, missing the planet again and again. This endless fall is what we call an orbit. No magic. No invisible strings. Just speed, gravity, and a perfect balance. Every satellite above your head is in a constant fall — forever chasing the ground, but never reaching it. Once you see it this way, space suddenly feels a lot less distant… and a lot more mysterious. 🌍

🛰️ Why Satellites Never Fall Back to Earth 🤯 If you throw a stone straight up, it comes back down. But what if you throw it sideways, and you throw it fast enough? Something strange happens. The object starts falling toward Earth… but it never actually hits it. That’s because Earth is round. As the object moves forward, the ground curves away beneath it. So it keeps falling, missing the planet again and again. This endless fall is what we call an orbit. No magic. No invisible strings. Just speed, gravity, and a perfect balance. Every satellite above your head is in a constant fall — forever chasing the ground, but never reaching it. Once you see it this way, space suddenly feels a lot less distant… and a lot more mysterious. 🌍

Night Sky Now

29,133 görüntüleme • 5 ay önce

Water has a mind of its own in space. The common memory justifies that if you spill water on Earth, it rushes to hug the Mother Earth and whatever intervening material may be there in between. In space, it refuse to settle. As you see in the video, it forms a neat sphere, the most optimal shape to minimize surface area when gravity is too weak to act against surface tension. Then I use a pencil lead to carefully rotate this blob (A trick I learned on the station). Notice how the shape changes - a cylinder. Under the influence of the rotational forces the neat sphere gives way to the new shape. The environment of microgravity introduces new dynamics between the forces unlike what we see on Earth. Incidentally, this is why our Earth itself is flatter at poles and bulged at equator. The rotation of the Earth causes that. Wait till the end to see what happens to this blob. Space is a great classroom. #shux #space #axiom4 #shubhanshushukla #india

Water has a mind of its own in space. The common memory justifies that if you spill water on Earth, it rushes to hug the Mother Earth and whatever intervening material may be there in between. In space, it refuse to settle. As you see in the video, it forms a neat sphere, the most optimal shape to minimize surface area when gravity is too weak to act against surface tension. Then I use a pencil lead to carefully rotate this blob (A trick I learned on the station). Notice how the shape changes - a cylinder. Under the influence of the rotational forces the neat sphere gives way to the new shape. The environment of microgravity introduces new dynamics between the forces unlike what we see on Earth. Incidentally, this is why our Earth itself is flatter at poles and bulged at equator. The rotation of the Earth causes that. Wait till the end to see what happens to this blob. Space is a great classroom. #shux #space #axiom4 #shubhanshushukla #india

Shubhanshu Shukla

10,504 görüntüleme • 5 ay önce

Elon Musk clears up the misconception people have about space being crowded: “Space is really big. It is not going to get crowded. Space is enormous. If you zoom in close to the satellite, it looks big, but if you actually look at it relative to the Earth, these satellites are so tiny that you cannot even see them. They are very, very tiny compared to Earth" We have about 10,000 Starlinks in orbit right now. We have a pretty good idea of how to operate just really large constellations and do it safely now We are the only operator that has any experience at that scale. It is a great thing that we have this background, so we know how tightly we can pack the satellites and fly them safely. That is a number one goal when we look at the constellation

Elon Musk clears up the misconception people have about space being crowded: “Space is really big. It is not going to get crowded. Space is enormous. If you zoom in close to the satellite, it looks big, but if you actually look at it relative to the Earth, these satellites are so tiny that you cannot even see them. They are very, very tiny compared to Earth" We have about 10,000 Starlinks in orbit right now. We have a pretty good idea of how to operate just really large constellations and do it safely now We are the only operator that has any experience at that scale. It is a great thing that we have this background, so we know how tightly we can pack the satellites and fly them safely. That is a number one goal when we look at the constellation

X Freeze

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Once you return from space, your body discovers that Earth is no longer as intuitive as it once was. After weeks in microgravity, it has become remarkably efficient at living in an environment where up and down are merely suggestions. Reacquainting it with gravity takes time. Post-flight rehabilitation is a carefully designed program tailored to each astronaut, gradually increasing the intensity and complexity of exercises to retrain balance, coordination, strength, and endurance. The objective is simple: keep challenging the body until Earth feels natural again. At times, I was convinced that my instructor, Emiliano Ventura , had made it his personal mission to find new and creative ways to make me fall. But that is how you learn. By falling. Whether after a space mission or in life. #shux #space #shubhanshushukla #india #axiom4

Once you return from space, your body discovers that Earth is no longer as intuitive as it once was. After weeks in microgravity, it has become remarkably efficient at living in an environment where up and down are merely suggestions. Reacquainting it with gravity takes time. Post-flight rehabilitation is a carefully designed program tailored to each astronaut, gradually increasing the intensity and complexity of exercises to retrain balance, coordination, strength, and endurance. The objective is simple: keep challenging the body until Earth feels natural again. At times, I was convinced that my instructor, Emiliano Ventura , had made it his personal mission to find new and creative ways to make me fall. But that is how you learn. By falling. Whether after a space mission or in life. #shux #space #shubhanshushukla #india #axiom4

Shubhanshu Shukla

66,730 görüntüleme • 1 ay önce

ELON MUSK: “The way to expand compute is really in space. There’s a lot of room in space. And if you look at the size of Earth relative to the Sun or relative to the Solar System, you realize just how tiny it is. We’re very, very tiny. We only receive about half a billionth of the Sun’s energy. So you can really think of Earth as being like a tiny dust mote in a vast darkness. So the way to expand compute without, you know, using up all the land on Earth is to do so in space. And then you can do it without using space for power and water on Earth; you can just do it in space. So I think we’ll probably be launching our first AI satellites next year, and then we’ll be able to do that, I think, at large scale in about two years.”

ELON MUSK: “The way to expand compute is really in space. There’s a lot of room in space. And if you look at the size of Earth relative to the Sun or relative to the Solar System, you realize just how tiny it is. We’re very, very tiny. We only receive about half a billionth of the Sun’s energy. So you can really think of Earth as being like a tiny dust mote in a vast darkness. So the way to expand compute without, you know, using up all the land on Earth is to do so in space. And then you can do it without using space for power and water on Earth; you can just do it in space. So I think we’ll probably be launching our first AI satellites next year, and then we’ll be able to do that, I think, at large scale in about two years.”

DogeDesigner

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The idea that we can send a weather balloon 23 miles up in the air, and it falls right back down where it took off despite the earth spinning 1,000 MPH beneath it because "gravity makes all air stick to the ball earth" has to be the goofiest lie we were ever taught in the modern matrix-deception camps known as "schools". It is impossible to prove the earth is moving, because it is not moving. We are completely stationary, and all celestial bodies move around us. "Why would they lie?" - because once you understand #geocentrism is the truth and WE are the center of our universe, you realize you are special, none of this is random, and God created you for a reason. [🎥IG: cmdrdavenport]

The idea that we can send a weather balloon 23 miles up in the air, and it falls right back down where it took off despite the earth spinning 1,000 MPH beneath it because "gravity makes all air stick to the ball earth" has to be the goofiest lie we were ever taught in the modern matrix-deception camps known as "schools". It is impossible to prove the earth is moving, because it is not moving. We are completely stationary, and all celestial bodies move around us. "Why would they lie?" - because once you understand #geocentrism is the truth and WE are the center of our universe, you realize you are special, none of this is random, and God created you for a reason. [🎥IG: cmdrdavenport]

₿en Wehrman

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Chanhyuk: Company doesn’t matter, but it’s about the people you work with. “There’s also something like this. Even though we say we created a “company,” we just used that word because it’s easier for people to understand. But in the end, it’s not really about the company, it’s about the people. Like, who you work with. And what kind of experiences you share with them, that’s what really matters the most. So with these people, whether we go, volunteering or travel somewhere, we always move together as one group. Because if not and later on, when I write and release a song, if we hadn’t shared those experiences, I’d have to explain everything. Like, “I went somewhere and had this kind of experience…” But since we’ve all lived it together, I can just say, “Hey, I wrote this kind of song this time,” and they’ll be like, “Oh, yeah, I get it. I know exactly what that is.” It just makes everything so much faster, right?”

Chanhyuk: Company doesn’t matter, but it’s about the people you work with. “There’s also something like this. Even though we say we created a “company,” we just used that word because it’s easier for people to understand. But in the end, it’s not really about the company, it’s about the people. Like, who you work with. And what kind of experiences you share with them, that’s what really matters the most. So with these people, whether we go, volunteering or travel somewhere, we always move together as one group. Because if not and later on, when I write and release a song, if we hadn’t shared those experiences, I’d have to explain everything. Like, “I went somewhere and had this kind of experience…” But since we’ve all lived it together, I can just say, “Hey, I wrote this kind of song this time,” and they’ll be like, “Oh, yeah, I get it. I know exactly what that is.” It just makes everything so much faster, right?”

akmerch ⚔️

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250709 | #ATEEZ #Hongjoong on how creative expression beyond music inspires his growth as an artist , TOKTOQ pop (voice) live (rough translation): I’m also studying design and slowly creating things on my own, step by step. I’ve said something similar before, but honestly - who knows what might happen in the distant future, right? For now, though, I’m still in the process of learning more about myself - my tastes, my design style, and how I work. And I know that if I ever do create something, our ATINYs would definitely take interest and support it. But as I continue getting to know myself, I just want to say - and I’ll say this clearly - I have absolutely no intention of starting a brand or selling anything at this point. Not even a little bit. Right now, I just see this - working and designing - as another way of expressing myself. That’s all it is. At least for now, I don’t have any plans beyond that. So I know there are people who hope I might do something more with this, and on the other hand, there may also be some fans who start to wonder, “Is he planning something?” - and maybe feel a bit uneasy about it. Because it could seem like I’m taking on too much or not focusing on my main work. But I’m very aware of that myself, and honestly, I don’t want that to happen. I really don’t. So to be clear - I’ll say it firmly - I don’t have any such plans right now. It all started simply because I wanted to try wearing clothes from different brands, and eventually, I thought, “I want to wear what I want,” or “I want to create something I’d like to wear.” That’s the situation I’m in. I just want to keep expressing myself. As long as it doesn’t become a burden for me or interfere with my schedule, I’d love to keep doing fun and creative things and share them with our ATINYs. So… it’s really just that. Since I’ve been using something like a stylized “HJ” - kind of like a personal mark - some people might start thinking, “Oh, is he launching a brand?” But absolutely not. That’s not the case at all. I’ve just been adding that mark to the clothes I make because I think it looks nice, and it kind of makes it feel like it’s mine. That’s really all there is to it. To be honest, I do want to make a tag eventually, but the design isn’t fully clear in my head yet - I haven’t figured it out. So for now, I’m just using the logo that’s in my mind. And honestly, it’s not like I’m trying to hide anything or doing something secretly behind my members’ backs. I just wanted to talk about it openly and put it out there. Because that way, I can really have fun with it. And if our ATINYs say, “Oh, that looks nice,” then I can just feel happy about it as it is. And even if I end up making something that doesn’t turn out so great sometimes, if ATINYs say, “You made that?” - even that, I can just laugh and enjoy it for what it is. So that’s what it is. That’s really the reason. Continuously creating - not just in music, but in other areas too - gives me so much energy. And I truly believe that this kind of creativity brings new inspiration to my performances as well. I think that’s what it is - the process of constantly making something new gives me another kind of drive, another kind of motivation. That’s what it feels like to me. So… that’s why I enjoy it. And honestly, that’s also why - even more so - I feel more motivated when it comes to things like choreography practice, or even just the basics of rapping. It makes me want to put in even more effort.

Irene | AhgaTiny🍋

27,502 görüntüleme • 1 yıl önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

22,952 görüntüleme • 6 ay önce

Erling Haaland couldn’t believe Norway knocked Brazil out of the World Cup “To win against Brazil and qualify for the quarterfinal was not on my bucket list” “I think we played unbelievable but to have 250,000,000 or how many it is in Brazil to expect you to win a football game is not easy. So the pressure is on them and you could kind of see that today” “We just played football and enjoyed it and I remember I said it right before the game started, guys, no matter what happens, just smile and enjoy it because just live in the moment because we did everything we can and now we're in quarterfinals with our shoulders down, just enjoying, enjoying playing football” “It still doesn't feel real because it's just so far off like I could never think of this happening, which also makes it so crazy in my head that we actually managed to beat Brazil and go through” “It's been unbelievable, so I need to call it a day now. I need to relax and then sleep because I'm absolutely knackered. So guys thank you again, this is incredible”

Erling Haaland couldn’t believe Norway knocked Brazil out of the World Cup “To win against Brazil and qualify for the quarterfinal was not on my bucket list” “I think we played unbelievable but to have 250,000,000 or how many it is in Brazil to expect you to win a football game is not easy. So the pressure is on them and you could kind of see that today” “We just played football and enjoyed it and I remember I said it right before the game started, guys, no matter what happens, just smile and enjoy it because just live in the moment because we did everything we can and now we're in quarterfinals with our shoulders down, just enjoying, enjoying playing football” “It still doesn't feel real because it's just so far off like I could never think of this happening, which also makes it so crazy in my head that we actually managed to beat Brazil and go through” “It's been unbelievable, so I need to call it a day now. I need to relax and then sleep because I'm absolutely knackered. So guys thank you again, this is incredible”

Jack

638,229 görüntüleme • 9 gün önce

This is from today's #WCWS game. This was ruled a base hit when it happened (you can see the 'H' pop up), but was changed to a missed catch error by the first baseman at the bottom of the fourth. This is an impossible catch for the first baseman with a ball thrown from that angle, that hard. This throw has to be to the glove, and while it's not a wild throw, it's low enough that the first baseman cannot get her glove around it in time. This is where replay gets you in trouble. The slo-mo replay makes it look like it's a catchable ball, but it isn't. In real time, at live speed, this isn't an error. This isn't a missed catch or a drop. I was loving the call of a single, especially because it was the first hit, and then, when it was changed, it felt like it was to protect a no-hitter. Everything about this screams "above ordinary effort" ... I would have left this as a single.

This is from today's #WCWS game. This was ruled a base hit when it happened (you can see the 'H' pop up), but was changed to a missed catch error by the first baseman at the bottom of the fourth. This is an impossible catch for the first baseman with a ball thrown from that angle, that hard. This throw has to be to the glove, and while it's not a wild throw, it's low enough that the first baseman cannot get her glove around it in time. This is where replay gets you in trouble. The slo-mo replay makes it look like it's a catchable ball, but it isn't. In real time, at live speed, this isn't an error. This isn't a missed catch or a drop. I was loving the call of a single, especially because it was the first hit, and then, when it was changed, it felt like it was to protect a no-hitter. Everything about this screams "above ordinary effort" ... I would have left this as a single.

MLB Scoring Changes

30,825 görüntüleme • 1 ay önce

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

HSNews

39,591 görüntüleme • 5 ay önce

WOL SiuFatBB: "My mindset has never changed. As long as the game isn't over, I won't stop encouraging them, telling them we can turn it around, right here, right now, let's do it. But I think this is what battle is about; you can't lower your head or give in to frustration. We have to stand tall and face it, no matter how far behind we are. It doesn’t matter; it’s all experience. And if we really don’t perform well? That’s okay too. We keep practicing. It’s not like losing means the sky is falling. So, honestly, what keeps me going is my brothers. When I see them and fight alongside them, why should I feel down? I’m happy to play with them, no matter how far behind we are. Ok guys, heads up!" #VALORANTMasters

WOL SiuFatBB: "My mindset has never changed. As long as the game isn't over, I won't stop encouraging them, telling them we can turn it around, right here, right now, let's do it. But I think this is what battle is about; you can't lower your head or give in to frustration. We have to stand tall and face it, no matter how far behind we are. It doesn’t matter; it’s all experience. And if we really don’t perform well? That’s okay too. We keep practicing. It’s not like losing means the sky is falling. So, honestly, what keeps me going is my brothers. When I see them and fight alongside them, why should I feel down? I’m happy to play with them, no matter how far behind we are. Ok guys, heads up!" #VALORANTMasters

VALO2ASIA

145,552 görüntüleme • 1 yıl önce

#WATCH | Delhi: Group Captain Shubhanshu Shukla shows a clip from space, says, "What you would see is the earth upside down and the green glow that you see is prevalent in the upper layers of atmosphere because of oxygen atoms, which are there, which get excited. On the bottom of the screen are the stars and the top portion would be the earth and we would be passing over India and so this is the general setting of the scene. The flashes that you see are the thunderstorms, the lightning that is happening... During this mission, for 18 days, I carried with me seven experiments which were prepared by the Indian researchers, and I never really thought, but it was really challenging to do this in space because everything changes, the space around you changes, your body changes..."

#WATCH | Delhi: Group Captain Shubhanshu Shukla shows a clip from space, says, "What you would see is the earth upside down and the green glow that you see is prevalent in the upper layers of atmosphere because of oxygen atoms, which are there, which get excited. On the bottom of the screen are the stars and the top portion would be the earth and we would be passing over India and so this is the general setting of the scene. The flashes that you see are the thunderstorms, the lightning that is happening... During this mission, for 18 days, I carried with me seven experiments which were prepared by the Indian researchers, and I never really thought, but it was really challenging to do this in space because everything changes, the space around you changes, your body changes..."

ANI

216,600 görüntüleme • 10 ay önce

This isn't just an animation-it's the actual orbital path of Star S2 around the supermassive black hole at the center of our Milky Way, Sagittarius A*. For 27 years, astronomers tracked S2 as it danced around a 4.1-million-solar-mass "invisible" object. The mind-blowing part? Look closely at the orbit. It doesn't trace a perfect, closed loop. Instead, the orbit itself rotates over time, creating a flower-like pattern. This is called Schwarzschild Precession. According to Newton, gravity should keep the orbit in a fixed ellipse. But Einstein's General Relativity predicted that in extreme gravity, space-time is so warped that the orbit must space-time is so warped that the orbit must shift. In 2020, the VLT (Very Large Telescope) finally confirmed this shift, proving Einstein's theory holds up even at the edge of a black hole!

This isn't just an animation-it's the actual orbital path of Star S2 around the supermassive black hole at the center of our Milky Way, Sagittarius A*. For 27 years, astronomers tracked S2 as it danced around a 4.1-million-solar-mass "invisible" object. The mind-blowing part? Look closely at the orbit. It doesn't trace a perfect, closed loop. Instead, the orbit itself rotates over time, creating a flower-like pattern. This is called Schwarzschild Precession. According to Newton, gravity should keep the orbit in a fixed ellipse. But Einstein's General Relativity predicted that in extreme gravity, space-time is so warped that the orbit must space-time is so warped that the orbit must shift. In 2020, the VLT (Very Large Telescope) finally confirmed this shift, proving Einstein's theory holds up even at the edge of a black hole!

Physics-astronomy

71,026 görüntüleme • 2 ay önce

Buttigieg: And my word of warning to my own political party is that we would make a terrible mistake if we thought that our job was to just take power somehow and then put everything back the way it was. That’s not what we’re here to do. We’re not out to go around and just find all the little bits and pieces of everything that they smashed and tape it together and say, “Here you go, I give you the world as it looked in 2023.” That’s not going to work. It’s not what we need. So much has changed, and the truth is they are destroying things right and left. They’re destroying a lot of good, important things. They’re destroying some useless things too, because they’re destroying everything. So now we get a chance to put things together on different terms.

Buttigieg: And my word of warning to my own political party is that we would make a terrible mistake if we thought that our job was to just take power somehow and then put everything back the way it was. That’s not what we’re here to do. We’re not out to go around and just find all the little bits and pieces of everything that they smashed and tape it together and say, “Here you go, I give you the world as it looked in 2023.” That’s not going to work. It’s not what we need. So much has changed, and the truth is they are destroying things right and left. They’re destroying a lot of good, important things. They’re destroying some useless things too, because they’re destroying everything. So now we get a chance to put things together on different terms.

Acyn

630,819 görüntüleme • 3 ay önce

Elon Musk: My initial plan was not to start a rocket company. I just wanted to fund a one-time Oasis mission to Mars. “I started off initially with the idea of doing something in the space exploration arena. In fact, it wasn't actually with the idea of creating a company. It was initially with the thought of spurring interest in sending people to Mars. So I put together this idea called Mars Oasis, which was to send a small greenhouse to the surface of Mars and get people excited about the idea of going there and thus increase NASA's budget in order to make it happen. As I got more and more into that, I discovered that the real issue was that the cost of space transportation was really high, and it was getting worse. So we're used to technology getting better every year, but in some arenas it actually does not. It gets worse, particularly when you consider that in 1969 we were able to go to the moon and then we were unable to go beyond low Earth orbit. And now with the space shuttle retired, we're not even able to go to Earth orbit at all, even with people. That was not the right trajectory. So I actually went to Russia three times to look at buying an ICBM to launch this mission. Just very crazy. After my third trip of trying to negotiate with the Russians to buy an ICBM and I did actually get a deal, so figured out what it would cost and everything. But I concluded that my initial assumption had been wrong, that it was not a question of trying to generate more will to explore. Because I think the United States in particular is distillation of the human spirit of exploration. Space exploration is fundamental to the American psyche. But people really need to believe that it can be done and it's not going to break the bank if it does. So that's when I decided to start a rocket company. And I actually didn't think it would succeed and it almost didn't. We started off developing a small rocket which was kind of a scale model version. It was about 100,000 pounds of thrust. So big, you know, big, big by normal standards, but small for a rocket. And developed the engine and the airframe and the electronics and the guidance control system and then proceeded to have three failed launches in a row. And so for various technical reasons, the first three launches did not succeed in reaching orbit. Launches two and three did get to space, but they didn't achieve enough speed to reach orbital velocity. So this is 2008. And so we were heading into the recession and we had one rocket left. And fortunately in late 2008, that fourth launch did work and we made it to orbit. And then we won a NASA contract after that. And so fortunately things worked out. But if that fourth launch had not worked, then SpaceX wouldn't be around. So it was very close call. In fact, when I started I thought, okay, I've got enough money, I think I've got enough money for three launches. Fortunately, it was just enough to make that fourth one.” Montana Jobs Summit, September 16, 2013

Elon Musk: My initial plan was not to start a rocket company. I just wanted to fund a one-time Oasis mission to Mars. “I started off initially with the idea of doing something in the space exploration arena. In fact, it wasn't actually with the idea of creating a company. It was initially with the thought of spurring interest in sending people to Mars. So I put together this idea called Mars Oasis, which was to send a small greenhouse to the surface of Mars and get people excited about the idea of going there and thus increase NASA's budget in order to make it happen. As I got more and more into that, I discovered that the real issue was that the cost of space transportation was really high, and it was getting worse. So we're used to technology getting better every year, but in some arenas it actually does not. It gets worse, particularly when you consider that in 1969 we were able to go to the moon and then we were unable to go beyond low Earth orbit. And now with the space shuttle retired, we're not even able to go to Earth orbit at all, even with people. That was not the right trajectory. So I actually went to Russia three times to look at buying an ICBM to launch this mission. Just very crazy. After my third trip of trying to negotiate with the Russians to buy an ICBM and I did actually get a deal, so figured out what it would cost and everything. But I concluded that my initial assumption had been wrong, that it was not a question of trying to generate more will to explore. Because I think the United States in particular is distillation of the human spirit of exploration. Space exploration is fundamental to the American psyche. But people really need to believe that it can be done and it's not going to break the bank if it does. So that's when I decided to start a rocket company. And I actually didn't think it would succeed and it almost didn't. We started off developing a small rocket which was kind of a scale model version. It was about 100,000 pounds of thrust. So big, you know, big, big by normal standards, but small for a rocket. And developed the engine and the airframe and the electronics and the guidance control system and then proceeded to have three failed launches in a row. And so for various technical reasons, the first three launches did not succeed in reaching orbit. Launches two and three did get to space, but they didn't achieve enough speed to reach orbital velocity. So this is 2008. And so we were heading into the recession and we had one rocket left. And fortunately in late 2008, that fourth launch did work and we made it to orbit. And then we won a NASA contract after that. And so fortunately things worked out. But if that fourth launch had not worked, then SpaceX wouldn't be around. So it was very close call. In fact, when I started I thought, okay, I've got enough money, I think I've got enough money for three launches. Fortunately, it was just enough to make that fourth one.” Montana Jobs Summit, September 16, 2013

ELON CLIPS

24,586 görüntüleme • 2 ay önce

Liv Morgan on her shoulder injury on Raw: “I just took a weird fall, tried to brace myself, which is stupid. As soon as it happened, I knew, just because you can’t feel anything. But first of all, it’s like such an intense pain, then it just goes away, and then you can’t feel anything because your shoulder is just not connected. “So yeah, I knew. I rolled out the ring. I tried to pop it back in. Medical came and tried to pop it back in, and it was kind of just like, I can’t continue, I can’t do anything else. So I had to throw in the towel, which I hated. I think I tried to be really optimistic until my MRI news, I was like, I think I’m okay, but I had done the same thing two years prior. So I knew it wasn’t okay, but I didn’t really want to speak it into existence.” (Chris Van Vliet)

Liv Morgan on her shoulder injury on Raw: “I just took a weird fall, tried to brace myself, which is stupid. As soon as it happened, I knew, just because you can’t feel anything. But first of all, it’s like such an intense pain, then it just goes away, and then you can’t feel anything because your shoulder is just not connected. “So yeah, I knew. I rolled out the ring. I tried to pop it back in. Medical came and tried to pop it back in, and it was kind of just like, I can’t continue, I can’t do anything else. So I had to throw in the towel, which I hated. I think I tried to be really optimistic until my MRI news, I was like, I think I’m okay, but I had done the same thing two years prior. So I knew it wasn’t okay, but I didn’t really want to speak it into existence.” (Chris Van Vliet)

J O H N

62,275 görüntüleme • 3 ay önce

my new song “BREAKDOWN.” is out on the 21st of June!!! 🖤🖤🖤 I wrote this poem because it’s been the hardest year for my mental health. In my life I’ve always never felt good enough, it’s just the thing that’s eaten me up. For as long as I can remember i have felt constantly afraid of how quickly my head can turn dark. It’s always been so hard to fight the darkness that i inevitably have. A lot of people will say it’s a phase and it will go away. But it doesn’t and the reality of the situation is I have to find strategies to deal with it. To put it plainly the things I don’t like about myself will probably never change, people tell me one day I’ll come-to terms with them one day but I want that day to be FUCKING NOW. This song is a message to myself to try and exist alongside my insecurities and my darkness by grounding myself and remembering what is real in life and the world is so much bigger than me. Try and get out of your head and notice the world around you, notice the things and people around you. Connect with them, the chances are they probably feel the same. Don’t let the bullshit inside your head consume you. It just wastes precious time. Remember what is real. Help people, be kind, help the world, help yourself. If you think you can’t do it, you can. You can get through this, trust me. Use this poem in a mornin to get u out of bed, use it when youre about to back out of something last minute, use it when you’re at your darkest. It’s got a little bit of light in it. Don’t forget to put your feet in the grass … Mind

my new song “BREAKDOWN.” is out on the 21st of June!!! 🖤🖤🖤 I wrote this poem because it’s been the hardest year for my mental health. In my life I’ve always never felt good enough, it’s just the thing that’s eaten me up. For as long as I can remember i have felt constantly afraid of how quickly my head can turn dark. It’s always been so hard to fight the darkness that i inevitably have. A lot of people will say it’s a phase and it will go away. But it doesn’t and the reality of the situation is I have to find strategies to deal with it. To put it plainly the things I don’t like about myself will probably never change, people tell me one day I’ll come-to terms with them one day but I want that day to be FUCKING NOW. This song is a message to myself to try and exist alongside my insecurities and my darkness by grounding myself and remembering what is real in life and the world is so much bigger than me. Try and get out of your head and notice the world around you, notice the things and people around you. Connect with them, the chances are they probably feel the same. Don’t let the bullshit inside your head consume you. It just wastes precious time. Remember what is real. Help people, be kind, help the world, help yourself. If you think you can’t do it, you can. You can get through this, trust me. Use this poem in a mornin to get u out of bed, use it when youre about to back out of something last minute, use it when you’re at your darkest. It’s got a little bit of light in it. Don’t forget to put your feet in the grass … Mind

YUNGBLUD

66,420 görüntüleme • 2 yıl önce

WE BLOOMING BEAUTY #PlantneryxWilliamEst #WilliamEst 🦈: i said i’m not going anywhere anyway. there are times when we feel like, maybe we’re not suitable for each other. i feel like i see everything and i realize that maybe i’m the one causing the problem. i think, well, if i step back, maybe it would be better. i’ve thought, like, if this problem didn’t exist, things might be better. it probably wouldn’t have happened. i feel like okay should we separate? but we’re talking about this from the perspective of we actually don’t want to separate. in terms of work, everything’s great. if it’s just the two of us, everything’s happy. but because of external factors, it causes a lot of problems. some of these problems make sense, some don’t. i don’t like having problems, and i feel like it’s okay to just leave it, but when i keep everything inside, it makes me sad and all kinds of things start building up. when we clear things up, we like to deep talk. once we start talking, everything gets more serious, because he doesn’t want to separate and i don’t want to separate, but why do we have to separate? that’s basically what it was like at that time. 🎸: how did we sort it out? i’ve been thinking that even if he tries to push me away, i won’t go. 🦈: i’m not pushing away 🎸: even if you try, or if you say you don’t want to do this anymore, i’ll find a way to make it work, because since we started the thamepo project, we’ve never had any problems. we just argue, which comes from outside issues. we had to talk about it. i feel like it doesn’t make sense for us to separate, so i said, i wouldn’t let him go anywhere. let’s live our lives together.

WE BLOOMING BEAUTY #PlantneryxWilliamEst #WilliamEst 🦈: i said i’m not going anywhere anyway. there are times when we feel like, maybe we’re not suitable for each other. i feel like i see everything and i realize that maybe i’m the one causing the problem. i think, well, if i step back, maybe it would be better. i’ve thought, like, if this problem didn’t exist, things might be better. it probably wouldn’t have happened. i feel like okay should we separate? but we’re talking about this from the perspective of we actually don’t want to separate. in terms of work, everything’s great. if it’s just the two of us, everything’s happy. but because of external factors, it causes a lot of problems. some of these problems make sense, some don’t. i don’t like having problems, and i feel like it’s okay to just leave it, but when i keep everything inside, it makes me sad and all kinds of things start building up. when we clear things up, we like to deep talk. once we start talking, everything gets more serious, because he doesn’t want to separate and i don’t want to separate, but why do we have to separate? that’s basically what it was like at that time. 🎸: how did we sort it out? i’ve been thinking that even if he tries to push me away, i won’t go. 🦈: i’m not pushing away 🎸: even if you try, or if you say you don’t want to do this anymore, i’ll find a way to make it work, because since we started the thamepo project, we’ve never had any problems. we just argue, which comes from outside issues. we had to talk about it. i feel like it doesn’t make sense for us to separate, so i said, i wouldn’t let him go anywhere. let’s live our lives together.

𝑛𝑎𝑛𝑎 ◡̈

137,780 görüntüleme • 1 yıl önce