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Better Call Saul was never supposed to be this dramatic. It was initially pitched as a 30-minute comedy. It evolved into a full-blown tragedy. When the show was first planned, the creators imagined a half hour comedy. They thought each episode would focus on Saul Goodman helping a different...

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Bob Odenkirk reveals how a cameraman's joke accidentally inspired Better Call Saul. "The first scene that I did in Breaking Bad when Saul has Walter White in his office somewhere after half an hour, 40 minutes of shooting, the director yelled cut. And one of the cameramen said, Can I get a job on the sequel? And everyone laughed because I guess everyone was thinking this character is pretty great, pretty fun to see." "From that point on, it was a joke that are they going to make a sequel with Saul? And every year, one time a year, Vince Gilligan would pull me aside somewhere and say, what do you think about that? Do you think there could be a show in Saul? And every time he'd ask me, I'd say, I have no idea. Only you know that. And if you want to write that, I'll do it." "It really wasn't until the finale of Breaking Bad, I want to say a year after that Vince Gilligan and Peter Gould, who wrote the first episode that featured Saul, called Better Call Saul, they took me to a lunch at the Chateau Marmont, famous Hollywood place, and said, We're thinking about creating that show, and what do you think?" "I said, First of all, you're going to have to make him likable. Saul isn't sort of fun on his own. He's fun in the context of Breaking Bad. And the other thing I said to them was, and don't forget I'm 50 years old. So, you know, please don't write him as a 30-year-old cause I'm not 30. And of course, then they went and wrote him as like 30. So, yeah. You know, they had to CGI the bags from under my eyes in like three scenes on Better Call Saul."

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George Clooney says “Gravity” was supposed to be an eight-week, $30 million “little art space film,” but Alfonso Cuarón spent a year and a half building technology from scratch until the budget hit around $100 million so much so that Warner Bros. thought the movie was a disaster and sold off a huge chunk of it the day before it opened, only for it to make over $1 billion. “When we were doing Gravity, we thought we were shooting here, and we thought we were going to be here for, like, that was an eight-week shoot.” “Like this little art I’m not kidding. This is absolutely true little art space film.” “We were going to shoot it for like 30 million dollars.” “And bit by bit he’s creating this technology while we were shooting, building a plane while you’re flying it, you know.” “And bit by bit you’re like, ‘Oh shit, this is getting bigger.’” “And it was a year and a half, literally.” “Yeah, a year and a half.” “And then Warner Brothers was like, ‘I think this is a disaster,’ and nobody wanted to show it.” “And Warner Brothers, the day before the movie opened, sold off a huge chunk of the movie because they were like, ‘We’re going to eat’” “I think it cost 100 million, which sounds like a lot, but for a movie that size it was really not much.” “And they were like, ‘Well, we’ll sell off 50 million back from this other group.’” “And then it opened and it was, you know, made a billion dollars and they all look like idiots.” “But it was Alfonso working as if it was a small little film and then getting swallowed up by a lot of technology.” “But it was still watching him in that room talking about behavior between two people and talking about events, you know.”

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