Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

“blank canvas problem” figma says raw and unformed feelings… this should not be shared. * Look, I love AI! I lead and design products for AI & Data Solutions in one of the largest firms in the world. I use these tools every day. I’m one of the biggest... advocates of AI. I do NOT fear it. I leverage it. I appreciate what Figma is trying to do here. Good intentions to help designers build faster. Make the design easier and accessible for everyone. And of course, meanwhile, profit from It. it is a business after all and it is perfectly fine. While I was watching Dylan generate detailed designs from a prompt, I started seeing aspiring designers getting attached to these tools and having everything easy, ready, quick… and a series of questions started to arise in my mind; * ➟ Are we going to see a generation of designers who lack resilience and love/appreciation for craft? ➟ Designers who are easily hurt and seek help from AI tools every time a client raises a criticism for the proposed design? ➟ Are these designers going to blame AI tools for the outcome and not take accountability for it? ➟ Perhaps they will go back to the AI input and generate 20+ options for clients in 5 mins without thinking instead of talking to the client, understanding the product positioning and actually thinking/exploring/working for the best design solution? ➟ Are we going to see lazier designers? and weak, giving up, getting frustrated easily? * Dylan says ”This tool helps us to get past the blank canvas problem” Blank canvas is one of the best parts of this work. A new fresh start with endless possibilities. Staring at the blank screen and reflecting on our past experiences, our conversations with the client, transforming these thoughts on screen pixel by pixel… That’s how we truly understand the problem at hand and grow as designers. You may say I’m being a romantic, trying to stay in the past. No. Again, I build these tools and encourage everyone to leverage them. However, yes, I have concerns. Not about the efficiencies this technology brings, Concerns about; AI may raise a generation of weak-minded designers who lack an appreciation for the craft. * It is 2:14 am, I should go to sleep. I should not share this writing. this is not meant to be for others but for me. just thinking in writing… thinking…. thinking… …show more

Oykun

15,477 subscribers

38,358 Aufrufe • vor 2 Jahren •via X (Twitter)

Wissenschaft & Technologie Bildung Kunst

Anya Rossi• Live Now

Private livecam show

10 Kommentare

Profilbild von Oykun

Oykunvor 2 Jahren

originally posted to

Profilbild von Denislav Jeliazkov

Denislav Jeliazkovvor 2 Jahren

This is breaking the traditional path of becoming a master at a craft. The whole idea to improve is the blank canvas problem and find ways to improve what you've come up with. I expect to see billions of AI-generated UI's with 0 characters that all look and feel the same.

Profilbild von Oykun

Oykunvor 2 Jahren

transitioning to become iterators over creators

Profilbild von UI8

UI8vor 2 Jahren

Enter the age of UI "Directors".

Profilbild von Oykun

Oykunvor 2 Jahren

has entered long ago...

Profilbild von Rehan Ahmed

Rehan Ahmedvor 2 Jahren

I have seen my fellow beginners ditch blank Canvas ever since they got their hands on ui kits. I can't imagine what AI designs will do to newbies

Profilbild von Oykun

Oykunvor 2 Jahren

im still forming my thoughts on this. i welcome and appreciate the efficiencies. i have nothing against the speed, practicality, inclusivity it brings. I'm more thinking about the psychology of designers in this new day and age based on the many people's messages to me in DMs, Emails, real life....

Profilbild von IOIII - Tom

IOIII - Tomvor 2 Jahren

There is no “blank canvas problem” Trying to “solve” one of the most important aspect of genuine creativity is not something needs fixing The blank canvas is important! Never did a design become better by rushing to fill said canvas. It will only pre determin a direction before true creativity can start to form. One of my biggest concerns in AI in design is the false narrative that we need more/faster output.

Profilbild von Ratko Batinic

Ratko Batinicvor 2 Jahren

The way i see it, good designers that spend hours obsessing over tiny details will only become more valuable. So in a way, this will help those who want to rise above generic AI generated content.

Profilbild von Josh Andrew

Josh Andrewvor 2 Jahren

I'm not a fan. How are we going to have individual styles and taste.. Everything is going to be a spin off the same generic foundation. I'm a big believer in learning the fundamentals well and only using AI with intention after you've refined your skill, taste and style

Ähnliche Videos

How a Chief Design Officer (yours truly) uses AI to design like an IC. This demo is for any designers that haven't yet embraced AI in their workflow. I’m one of two designers working on this plugin. I manage an organization of about 40 designers of various flavors, but I still keep myself in the trenches whenever possible. Lynt is one of these efforts. The examples I share are intentionally very simple to demonstrate how any designer at any level can leverage artificial intelligence to amplify and accelerate their human intelligence. AI is revolutionizing how we work as designers, yet I think of it more like a renaissance; a return to designing in consideration of the medium in which our designs are rendered, much like we did years ago when I first started. Arbitrarily, something like 80% of what we do as designers (in the act of designing) is exploration and iteration. For the past decade or more so much of that has happened in Figma and previously Sketch. These are great tools. But as a result of designing exclusively in a static environment, many have lost the ability to connect ideation with execution. Handholding your work from start to finish eventually gave way to handing off your work, and we never looked back. Artificial intelligence flips all of this on its head, positioning you (the designer) to be the one who first turns your design into code, iterate and iterate again, and experience using your work as users will, literally from day one of your design process. All the while freeing our engineering colleagues to focus on the work that only they can do, while designing alongside them.

How a Chief Design Officer (yours truly) uses AI to design like an IC. This demo is for any designers that haven't yet embraced AI in their workflow. I’m one of two designers working on this plugin. I manage an organization of about 40 designers of various flavors, but I still keep myself in the trenches whenever possible. Lynt is one of these efforts. The examples I share are intentionally very simple to demonstrate how any designer at any level can leverage artificial intelligence to amplify and accelerate their human intelligence. AI is revolutionizing how we work as designers, yet I think of it more like a renaissance; a return to designing in consideration of the medium in which our designs are rendered, much like we did years ago when I first started. Arbitrarily, something like 80% of what we do as designers (in the act of designing) is exploration and iteration. For the past decade or more so much of that has happened in Figma and previously Sketch. These are great tools. But as a result of designing exclusively in a static environment, many have lost the ability to connect ideation with execution. Handholding your work from start to finish eventually gave way to handing off your work, and we never looked back. Artificial intelligence flips all of this on its head, positioning you (the designer) to be the one who first turns your design into code, iterate and iterate again, and experience using your work as users will, literally from day one of your design process. All the while freeing our engineering colleagues to focus on the work that only they can do, while designing alongside them.

Cameron Moll

57,536 Aufrufe • vor 3 Monaten

I see a lot of designers who want to stay "designers," like the role is some kind of warm, fuzzy blanket focusing purely on experience and aesthetics. But this is not how the best designers think. In my interview with Soleio on what separates top 1% designers from mediocre designers, he says it brilliantly: “If you delegate impact to PMs, you cannot ask for the title of excellent.” At the end of the day, it’s your job -- not your manager’s, not your PM’s, not your CEO’s — for your design work to change behavior positively for the user

I see a lot of designers who want to stay "designers," like the role is some kind of warm, fuzzy blanket focusing purely on experience and aesthetics. But this is not how the best designers think. In my interview with Soleio on what separates top 1% designers from mediocre designers, he says it brilliantly: “If you delegate impact to PMs, you cannot ask for the title of excellent.” At the end of the day, it’s your job -- not your manager’s, not your PM’s, not your CEO’s — for your design work to change behavior positively for the user

Julie Zhuo

21,519 Aufrufe • vor 2 Monaten

Design is overrated by designers. This hard truth is 90% of designers are failed by the existing design education—design is more than just Figma, tools or processes you learn, or think you know. I interviewed Don Norman in an honest conversation (that has now gone viral). It's a fallacy that designers only need to focus on design; business knowledge is too important. Don discussed with me: Design education needs to change to focus on broader skills and design thinking, they often lack the understanding of how the world works and are only trained with an art basis. Understanding business operations and economics is crucial for making a difference in the world. What are your 2c on this?

Design is overrated by designers. This hard truth is 90% of designers are failed by the existing design education—design is more than just Figma, tools or processes you learn, or think you know. I interviewed Don Norman in an honest conversation (that has now gone viral). It's a fallacy that designers only need to focus on design; business knowledge is too important. Don discussed with me: Design education needs to change to focus on broader skills and design thinking, they often lack the understanding of how the world works and are only trained with an art basis. Understanding business operations and economics is crucial for making a difference in the world. What are your 2c on this?

Felix Lee

21,959 Aufrufe • vor 2 Jahren

I am quitting Figma prototype... I’m done prototyping the traditional way. The slow way. The “let me finish all the flows first” way. AI has made traditional prototyping the lowest-leverage part of design. Today, with AI I can: • generate first-pass layouts • spin up variants instantly • explore flows faster than I ever could manually • handle repetitive UI work So if you are still going to be spending most of your time dragging frames and wiring interactions like i did in this video, I just left you behind.. SORRY. I’m not quitting design. I’m doubling down on: • problem framing • systems thinking • research synthesis • decision-making • shipping faster with AI as a multiplier There is a shift currently happening and its not AI vs designers. It’s average designers vs AI-powered great designers. Honestly I would rather be on the right side of that gap. Want to learn how I do this, hit the FOLLOW button cos I will be sharing prototypes + prompts that I used to generate it. #AI #Promptdesigner #UXdesign #UIdesign #Figma #Figmadesign #prototype

I am quitting Figma prototype... I’m done prototyping the traditional way. The slow way. The “let me finish all the flows first” way. AI has made traditional prototyping the lowest-leverage part of design. Today, with AI I can: • generate first-pass layouts • spin up variants instantly • explore flows faster than I ever could manually • handle repetitive UI work So if you are still going to be spending most of your time dragging frames and wiring interactions like i did in this video, I just left you behind.. SORRY. I’m not quitting design. I’m doubling down on: • problem framing • systems thinking • research synthesis • decision-making • shipping faster with AI as a multiplier There is a shift currently happening and its not AI vs designers. It’s average designers vs AI-powered great designers. Honestly I would rather be on the right side of that gap. Want to learn how I do this, hit the FOLLOW button cos I will be sharing prototypes + prompts that I used to generate it. #AI #Promptdesigner #UXdesign #UIdesign #Figma #Figmadesign #prototype

designwithkingsley

27,377 Aufrufe • vor 4 Monaten

We live in the solo founder era. That's for sure and building with AI has accelerated. I am building software to use for myself and replace the expensive tools I used to use. And partially thanks to AI we can build faster, but not dramatically faster if you want to build a commercial grade product. Before I was using a live chat and customer support tool that costed around 50-100$ a month. This helped me to interact with the customers of my agency or prospects. But I decided a few months ago to build my own and stop paying for these more expensive solutions. I did and turned into a product for everyone to use. The build was not 1-2 hours of work using AI, but it was a several-month process on and off as I needed it. Finally, it has turned into a commercial grade product. I have built several of these and this is when we will see more and more solutions like these. Let's start bootstrapping before showing MRR figures.

We live in the solo founder era. That's for sure and building with AI has accelerated. I am building software to use for myself and replace the expensive tools I used to use. And partially thanks to AI we can build faster, but not dramatically faster if you want to build a commercial grade product. Before I was using a live chat and customer support tool that costed around 50-100$ a month. This helped me to interact with the customers of my agency or prospects. But I decided a few months ago to build my own and stop paying for these more expensive solutions. I did and turned into a product for everyone to use. The build was not 1-2 hours of work using AI, but it was a several-month process on and off as I needed it. Finally, it has turned into a commercial grade product. I have built several of these and this is when we will see more and more solutions like these. Let's start bootstrapping before showing MRR figures.

andrei saioc

14,422 Aufrufe • vor 1 Jahr

I’m thrilled to announce we’ve raised $44M to build a new home for product design. Meet Noon. No workflow is more broken and fragmented in 2026 than the product designers’. The very same people who care most about building software don’t have software purpose built for them. Kushagra Sinha and I have lived this problem first hand as designers ourselves. That’s why we built Noon. The first product design tool that works entirely on your product code, so you can design not only how a product looks, but also how it works. With AI at its core that works in seconds, not minutes. For the first time, you can create, iterate, build, test and ship. All in one canvas. No translations or roundtrips to the codebase and back. Comment “Get Noon” and we’ll get you on the list for early access.

I’m thrilled to announce we’ve raised $44M to build a new home for product design. Meet Noon. No workflow is more broken and fragmented in 2026 than the product designers’. The very same people who care most about building software don’t have software purpose built for them. Kushagra Sinha and I have lived this problem first hand as designers ourselves. That’s why we built Noon. The first product design tool that works entirely on your product code, so you can design not only how a product looks, but also how it works. With AI at its core that works in seconds, not minutes. For the first time, you can create, iterate, build, test and ship. All in one canvas. No translations or roundtrips to the codebase and back. Comment “Get Noon” and we’ll get you on the list for early access.

Aditya Bandi

680,221 Aufrufe • vor 3 Monaten

After testing every AI toolchain for a year, this is the only workflow I'm endorsing: Figma → Claude Code (Sonnet 4.5) Here's how I'm building Lorelight: 1. Design the happy path in Figma 2. Feed it to Claude Code via Figma MCP 3. Get a strong foundation in 15 minutes 4. Spend the next 50+ hours iterating (still design work) The design/dev loop that used to be isolated is finally closing. I even built a complete design system in within minutes. Custom components, living documentation, accessibility rules all from the Figma designs. If you're measuring the effectiveness of these tools by whether they can "one-shot" a design, you're consuming too many AI hype commercials. Log off. Then go actually build something with your hands. With AI. With your taste. Stop trying to "one-shot" good shit. And go make stuff with the new tools. For designers who want to ship real products, this is the stack that's getting it done.

After testing every AI toolchain for a year, this is the only workflow I'm endorsing: Figma → Claude Code (Sonnet 4.5) Here's how I'm building Lorelight: 1. Design the happy path in Figma 2. Feed it to Claude Code via Figma MCP 3. Get a strong foundation in 15 minutes 4. Spend the next 50+ hours iterating (still design work) The design/dev loop that used to be isolated is finally closing. I even built a complete design system in within minutes. Custom components, living documentation, accessibility rules all from the Figma designs. If you're measuring the effectiveness of these tools by whether they can "one-shot" a design, you're consuming too many AI hype commercials. Log off. Then go actually build something with your hands. With AI. With your taste. Stop trying to "one-shot" good shit. And go make stuff with the new tools. For designers who want to ship real products, this is the stack that's getting it done.

Tommy Geoco

22,905 Aufrufe • vor 9 Monaten

This is the video AI Haters tried to cancel, created by Martin Nebelong, who has just given me permission to republish it. He felt compelled to remove it due to the incredible amount of bullying he was receiving. In his words: "The amount of hate, negativity, and fear was staggering, and I didn't want to defend myself against that." Nothing outrages me more me more than the "cancel culture" and the unfair pressures on creators who are simply using AI tools and showing the world how they can learn these new creative processes. His video is amazing. It shows how Generative AI nowadays is much more than "just writing a prompt". And how it will enable artists and designers to experiment in countless new ways. Remember that it's not that artists/designers hate AI! AI Haters are just a small group of people and they don't speak for all artists. In fact, I know many more artists and designers who already use it daily. But they just don't make noise: they focus on learning and creating. Martin, you, and any other creator using AI, has all my support!

This is the video AI Haters tried to cancel, created by Martin Nebelong, who has just given me permission to republish it. He felt compelled to remove it due to the incredible amount of bullying he was receiving. In his words: "The amount of hate, negativity, and fear was staggering, and I didn't want to defend myself against that." Nothing outrages me more me more than the "cancel culture" and the unfair pressures on creators who are simply using AI tools and showing the world how they can learn these new creative processes. His video is amazing. It shows how Generative AI nowadays is much more than "just writing a prompt". And how it will enable artists and designers to experiment in countless new ways. Remember that it's not that artists/designers hate AI! AI Haters are just a small group of people and they don't speak for all artists. In fact, I know many more artists and designers who already use it daily. But they just don't make noise: they focus on learning and creating. Martin, you, and any other creator using AI, has all my support!

Javi Lopez ⛩️

4,121,817 Aufrufe • vor 2 Jahren

I'm so tired of designers thinking AI won't replace them. What we watched with vs Brett wasn’t a win for designers. Let’s take a moment to think about this. A year ago, the idea of an AI going head-to-head with a professional designer would’ve been laughable. Then it happened. And the odds were real. Brett the DJ said it himself — he was shaking on the call. He won, but it wasn’t a blowout by any means. Then he went on a victory parade, talking about how AI will never reach his god-like levels. But let’s be clear: We’re in the iPhone 1 days right now. AI is going to get exponentially better. And Brett? He’s already stagnated — if not declining — as he inches closer to retirement. What we’ll likely see (and are already seeing) is the merge of designer and engineer into one role: The design engineer. > Someone with taste. > Knows how to prompt. > Has baseline technical skills. > And can build/design directly in AI-native tools. Figma should be worried. And I think they know it. The traditional “design phase” is becoming obsolete. Why mock things up when you can run live experiments faster in dev?

I'm so tired of designers thinking AI won't replace them. What we watched with vs Brett wasn’t a win for designers. Let’s take a moment to think about this. A year ago, the idea of an AI going head-to-head with a professional designer would’ve been laughable. Then it happened. And the odds were real. Brett the DJ said it himself — he was shaking on the call. He won, but it wasn’t a blowout by any means. Then he went on a victory parade, talking about how AI will never reach his god-like levels. But let’s be clear: We’re in the iPhone 1 days right now. AI is going to get exponentially better. And Brett? He’s already stagnated — if not declining — as he inches closer to retirement. What we’ll likely see (and are already seeing) is the merge of designer and engineer into one role: The design engineer. > Someone with taste. > Knows how to prompt. > Has baseline technical skills. > And can build/design directly in AI-native tools. Figma should be worried. And I think they know it. The traditional “design phase” is becoming obsolete. Why mock things up when you can run live experiments faster in dev?

Jacob Klug

64,921 Aufrufe • vor 1 Jahr

AI tools should be enablers for good not for misuse and become a tool to harass women online. I raised this issue of gross abuse of X’s AI tool Grok to the IT Minister and I am glad that MeiTY took it up on a priority that it deserved and set accountability for safer platforms for all

AI tools should be enablers for good not for misuse and become a tool to harass women online. I raised this issue of gross abuse of X’s AI tool Grok to the IT Minister and I am glad that MeiTY took it up on a priority that it deserved and set accountability for safer platforms for all

Priyanka Chaturvedi🇮🇳

32,382 Aufrufe • vor 6 Monaten

Some of my favorite design studios are powered by AI creative directors. From Metalab to Iverson to Brett. Designers who have figured out how to bend different tools to produce incredibly memorable experiences. techbimbo is one of the latest examples of talented AI creative directors, and she's leading the way by sharing how she does it. She spent six months building a 5-principle framework she can rely on for learning new tools and shipping great work to clients. I talked to her about it on State of Play, and we get deep into her framework and the process she's using today. You'll want to check this one out:

Some of my favorite design studios are powered by AI creative directors. From Metalab to Iverson to Brett. Designers who have figured out how to bend different tools to produce incredibly memorable experiences. techbimbo is one of the latest examples of talented AI creative directors, and she's leading the way by sharing how she does it. She spent six months building a 5-principle framework she can rely on for learning new tools and shipping great work to clients. I talked to her about it on State of Play, and we get deep into her framework and the process she's using today. You'll want to check this one out:

Tommy Geoco 🇺🇸

40,494 Aufrufe • vor 1 Monat

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,488 Aufrufe • vor 2 Jahren

AI isn't just changing the tools designers use. It's changing the way they think, prototype, and build. In this episode of Design Review, YC Head of Design eve joins Aaron Epstein to share the AI-first workflow she uses to design products, websites, and events. Using

AI isn't just changing the tools designers use. It's changing the way they think, prototype, and build. In this episode of Design Review, YC Head of Design eve joins Aaron Epstein to share the AI-first workflow she uses to design products, websites, and events. Using

Y Combinator

96,325 Aufrufe • vor 2 Tagen

One reason I stay a bit quite about AI these few months. I can’t find my voice to say this right. I’ll try. — What has my AI found just in the millions of never saved TV from the 1980s-1990s? The simple commercial, I have the largest collection known in the world is a reflection of hyper nuanced humanity. Frail and over optimistic as it is, it shows the sprit of humanity in ways that self-hating 2010 Internet sewage training AI can not. It is interesting to have dark humor, when you know the soul of the person with the humor. It is not interesting to have dark humor from an AI that was not trained on the human spirit. The human sprit is not math, coding and science. This is the OUTCOME of a human sprit. We are training AI backwards and we just can’t see it yet, but we will. I am doing may best as “some posted on X” who has no currency in the “big boy” AI world to save the human sprit. We will need it one day and most of this training material is being erased, trillions of bytes daily. This is the secret to truthful AI. This is the secret to AI that LOVES humanity. We don’t get this right soon, there will be little chance. The data is… Almost gone.

One reason I stay a bit quite about AI these few months. I can’t find my voice to say this right. I’ll try. — What has my AI found just in the millions of never saved TV from the 1980s-1990s? The simple commercial, I have the largest collection known in the world is a reflection of hyper nuanced humanity. Frail and over optimistic as it is, it shows the sprit of humanity in ways that self-hating 2010 Internet sewage training AI can not. It is interesting to have dark humor, when you know the soul of the person with the humor. It is not interesting to have dark humor from an AI that was not trained on the human spirit. The human sprit is not math, coding and science. This is the OUTCOME of a human sprit. We are training AI backwards and we just can’t see it yet, but we will. I am doing may best as “some posted on X” who has no currency in the “big boy” AI world to save the human sprit. We will need it one day and most of this training material is being erased, trillions of bytes daily. This is the secret to truthful AI. This is the secret to AI that LOVES humanity. We don’t get this right soon, there will be little chance. The data is… Almost gone.

Brian Roemmele

123,518 Aufrufe • vor 1 Jahr

New episode of Uncapped with Dylan Field. I think he's one of the best founders of our generation. I always feel smarter and clearer and after talking to him. We talked about the slow build of Figma vs. the dizzying start of today's AI startups, the role of AI and humans in design, the importance of staying connected to young people, and what it takes to be a strong and empathetic leader.

New episode of Uncapped with Dylan Field. I think he's one of the best founders of our generation. I always feel smarter and clearer and after talking to him. We talked about the slow build of Figma vs. the dizzying start of today's AI startups, the role of AI and humans in design, the importance of staying connected to young people, and what it takes to be a strong and empathetic leader.

Jack Altman

451,438 Aufrufe • vor 8 Monaten

#WATCH | Delhi: #IndiaAImpactSummit2026 | CEO of OpenAI, Sam Altman says, "It is amazing to be here, obviously the work happening in India and the adoption of AI is leading the world, and I can't wait to see what goes next. This will be one of the biggest markets for AI in the world, and I think India will have a huge amount of influence... It (AI) will definitely impact the job market, but we always find new things to do, and I have no doubt we will find lots of better ones this time."

#WATCH | Delhi: #IndiaAImpactSummit2026 | CEO of OpenAI, Sam Altman says, "It is amazing to be here, obviously the work happening in India and the adoption of AI is leading the world, and I can't wait to see what goes next. This will be one of the biggest markets for AI in the world, and I think India will have a huge amount of influence... It (AI) will definitely impact the job market, but we always find new things to do, and I have no doubt we will find lots of better ones this time."

ANI

242,416 Aufrufe • vor 4 Monaten

Just won the second place at the Google Gemini Hackathon hosted by Cerebral Valley! Absolutely unreal as I vibe coded the whole thing! This is Atelier AI, Cursor for Fashion Designers .The entire industry is focused on building tools for developers (ide, devops tools)..but creatives are often left behind. The tool allows the designer to take their idea from a sketch to a Technical Drawing, 3D render and finally a visualization of the garment on the runway. These are the tools I used - v0 -Nano Banana 2 -VEO3 by Google AI Y Combinator deadline is tomorrow. Do you think I should apply with it?

Just won the second place at the Google Gemini Hackathon hosted by Cerebral Valley! Absolutely unreal as I vibe coded the whole thing! This is Atelier AI, Cursor for Fashion Designers .The entire industry is focused on building tools for developers (ide, devops tools)..but creatives are often left behind. The tool allows the designer to take their idea from a sketch to a Technical Drawing, 3D render and finally a visualization of the garment on the runway. These are the tools I used - v0 -Nano Banana 2 -VEO3 by Google AI Y Combinator deadline is tomorrow. Do you think I should apply with it?

Safinaz Elhadary

109,425 Aufrufe • vor 8 Monaten

"We're trying to hire as many new grads as we can. We're finding that a lot of young people are agentmaxxing." - Replit founder Amjad Masad Amjad says that despite the “doom and gloom” around entry-level jobs, this is actually a “golden era” for young people who know how to use AI tools: "The roles are collapsing. We have designers shipping code, engineers shipping design, and salespeople shipping code." "The particular skill is not the bottleneck anymore. It is how ambitious you are, how generative you are, how creative you are, and how good you are at utilizing these tools." "So I think it's really a golden era for a lot of young people coming up right now in the job market. In our time, you would go and interview and become a Java J2EE software engineer doing global migrations. That was your title, right? It's no longer the case. We just want people to come and do things, and I think that's incredibly exciting."

"We're trying to hire as many new grads as we can. We're finding that a lot of young people are agentmaxxing." - Replit founder Amjad Masad Amjad says that despite the “doom and gloom” around entry-level jobs, this is actually a “golden era” for young people who know how to use AI tools: "The roles are collapsing. We have designers shipping code, engineers shipping design, and salespeople shipping code." "The particular skill is not the bottleneck anymore. It is how ambitious you are, how generative you are, how creative you are, and how good you are at utilizing these tools." "So I think it's really a golden era for a lot of young people coming up right now in the job market. In our time, you would go and interview and become a Java J2EE software engineer doing global migrations. That was your title, right? It's no longer the case. We just want people to come and do things, and I think that's incredibly exciting."

TBPN

47,118 Aufrufe • vor 4 Monaten

Angelina Jolie Has Finally Woken Up To The Fact The United Nations & Governments Are Run By Heartless Criminals There’s No Accountability For Crimes “If There’s A Business Interest Involved” “That is the biggest that is the most disheartening thing of I think we we or I thought at least even 20 years ago when I started to work internationally that there was this I in my head, some weird idea of good guys. You know? Some idea of those whether it be certain countries or certain people's maybe it was this holdover from World War 2 and this thought that this was, like so that the lines were clear and that there was going to be these human rights goals laid out and that there would be things stood up for, and that if these things weren't done, there would be pushback, and these were the and I really thought that's what it was. I even thought that's what the United Nations was… And I thought, okay. There's a there's some lines in the sand. There's some understanding. We're gonna grow and fight for improvements in these areas. And and to watch to watch and understand more and more how it's just simply that's not what it is. That's not the world. The world is not these are human rights. It is these are human rights sometimes for these people, maybe sometimes for these people, never for these people. Yeah. It's food aid, 6% for these people, 50% for these people, it's justice for these people, but not these people. Accountability for this crime, but not that crime if there's business interest. And this is truly the ugly state of of so much of the world that we are just becoming more and more aware of for just about every I mean, I don't know any countries that are are clean of it and, um, and willing to hold a line really consistently hand on behalf of the of human rights and laws”

Angelina Jolie Has Finally Woken Up To The Fact The United Nations & Governments Are Run By Heartless Criminals There’s No Accountability For Crimes “If There’s A Business Interest Involved” “That is the biggest that is the most disheartening thing of I think we we or I thought at least even 20 years ago when I started to work internationally that there was this I in my head, some weird idea of good guys. You know? Some idea of those whether it be certain countries or certain people's maybe it was this holdover from World War 2 and this thought that this was, like so that the lines were clear and that there was going to be these human rights goals laid out and that there would be things stood up for, and that if these things weren't done, there would be pushback, and these were the and I really thought that's what it was. I even thought that's what the United Nations was… And I thought, okay. There's a there's some lines in the sand. There's some understanding. We're gonna grow and fight for improvements in these areas. And and to watch to watch and understand more and more how it's just simply that's not what it is. That's not the world. The world is not these are human rights. It is these are human rights sometimes for these people, maybe sometimes for these people, never for these people. Yeah. It's food aid, 6% for these people, 50% for these people, it's justice for these people, but not these people. Accountability for this crime, but not that crime if there's business interest. And this is truly the ugly state of of so much of the world that we are just becoming more and more aware of for just about every I mean, I don't know any countries that are are clean of it and, um, and willing to hold a line really consistently hand on behalf of the of human rights and laws”

Wall Street Apes

658,682 Aufrufe • vor 2 Jahren