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Blonde keeps her legs raised while taking two dicks in her tight holes ✔️#bigtits #blowjob #milf #mmf #cumshot #facial #anal #HollyHalston #TommGunn #pornclips 🆓➡️

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12,993 görüntüleme • 1 yıl önce •via X (Twitter)

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King Nasir (KING NASIR ® / @kingnasirx) and DA Publicist (@dapublicist / DA PUBLICIST ‼️) lock eyes the second the camera starts rolling on their exclusive OnlyFans collab. She drops to her knees without hesitation, taking his thick, veiny cock deep into her mouth while he grips her hair and fucks her throat with slow, deliberate strokes. Spit drips down her chin as she moans around him, one hand stroking what she can’t fit while the other slides between her legs, already soaked. Nasir pulls her up, bends her over the edge of the bed, and slides into her dripping pussy in one smooth thrust, the wet slap of skin echoing as he starts pounding her hard from behind, making her ass bounce with every deep stroke. He flips her onto her back, legs spread wide, and drives back in deeper, hitting that spot that has her clawing at the sheets and crying out his name. DA Publicist rides him next, bouncing hard on his cock while he grips her hips and thrusts up to meet her, the camera catching every messy, filthy detail her juices coating him, his hands marking her skin, both of them panting and grinding until he pulls out and paints her tits and face with thick ropes of cum. They keep going for the full video, switching positions, making it nasty and raw, the kind of exclusive XXX heat that has subscribers locked in and begging for the next drop. #KingNasir #DAPublicist #KingNasirXXX #dapublicist #OnlyFans #OnlyFansCollab #XXX #AdultContent #NSFW #Pornstar #HotCollab #OnlyFansExclusive #Hardcore #RoughSex #BBC #Ebony #SouthAfricanBeauty #ViralPorn #ThirstTrap #SpicyContent #AdultCreators #OF #OnlyFansModel #Nasty #RawSex #Cumshot #Deepthroat #Doggystyle #Mature #Ebonyporn #Amateurporn #Milf #bigbooty #Granny #gooner #afterdark
1:03

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King Nasir (KING NASIR ® / @kingnasirx) and DA Publicist (@dapublicist / DA PUBLICIST ‼️) lock eyes the second the camera starts rolling on their exclusive OnlyFans collab. She drops to her knees without hesitation, taking his thick, veiny cock deep into her mouth while he grips her hair and fucks her throat with slow, deliberate strokes. Spit drips down her chin as she moans around him, one hand stroking what she can’t fit while the other slides between her legs, already soaked. Nasir pulls her up, bends her over the edge of the bed, and slides into her dripping pussy in one smooth thrust, the wet slap of skin echoing as he starts pounding her hard from behind, making her ass bounce with every deep stroke. He flips her onto her back, legs spread wide, and drives back in deeper, hitting that spot that has her clawing at the sheets and crying out his name. DA Publicist rides him next, bouncing hard on his cock while he grips her hips and thrusts up to meet her, the camera catching every messy, filthy detail her juices coating him, his hands marking her skin, both of them panting and grinding until he pulls out and paints her tits and face with thick ropes of cum. They keep going for the full video, switching positions, making it nasty and raw, the kind of exclusive XXX heat that has subscribers locked in and begging for the next drop. #KingNasir #DAPublicist #KingNasirXXX #dapublicist #OnlyFans #OnlyFansCollab #XXX #AdultContent #NSFW #Pornstar #HotCollab #OnlyFansExclusive #Hardcore #RoughSex #BBC #Ebony #SouthAfricanBeauty #ViralPorn #ThirstTrap #SpicyContent #AdultCreators #OF #OnlyFansModel #Nasty #RawSex #Cumshot #Deepthroat #Doggystyle #Mature #Ebonyporn #Amateurporn #Milf #bigbooty #Granny #gooner #afterdark

𝕋𝔼𝕄𝕀𝕋𝕆ℙ𝔼𝕆𝕃𝕌𝕎𝔸

421,817 görüntüleme • 20 saat önce

This amazing compilation shows us what the smoking day of a super addicted German hot milf looks like. Yeah, all these clips come from a single day. Cool, tatted blonde Sandra has a day off, so slept in and got up by lunchtime. She's still tired, and the first thing she obviously does is go outside to pump a delicious ciggie into her addicted lungs. She immediately makes it two to wake up properly. Then we see her again with her big box of ciggies, struggling through three empty lighters before she's finally able to spark up, relieve her massive cravings and dangling that smokie between her lips while she chats. Soon she's at it again with yet another ciggie, showing off just how cool she is by opening a can with her teeth. She's well aware of her huge habit, and later jokes that she does nothing but smoking while dangling yet another cigarette. And then we join her for her final evening smoke. Isn't she just amazingly hot with all her tattoos covering her body and with her lovely blonde long hair? She's so cool and friendly, chatting through her smokes while dangling the ciggies between her lips. And she already has several kids. Now here is a true Milf! Sandra's quite simply every smoking lover's ultimate dream woman. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokersday #lightingup #inhale #exhale #danglingciggie #morningsmoke #eveningsmoke #bigbox #tattedgirl #necktattoo #chesttattoo #milf #smokingmilf #coolgirl #hotgirl #sexygirl #germangirl #germansmoker
4:43

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This amazing compilation shows us what the smoking day of a super addicted German hot milf looks like. Yeah, all these clips come from a single day. Cool, tatted blonde Sandra has a day off, so slept in and got up by lunchtime. She's still tired, and the first thing she obviously does is go outside to pump a delicious ciggie into her addicted lungs. She immediately makes it two to wake up properly. Then we see her again with her big box of ciggies, struggling through three empty lighters before she's finally able to spark up, relieve her massive cravings and dangling that smokie between her lips while she chats. Soon she's at it again with yet another ciggie, showing off just how cool she is by opening a can with her teeth. She's well aware of her huge habit, and later jokes that she does nothing but smoking while dangling yet another cigarette. And then we join her for her final evening smoke. Isn't she just amazingly hot with all her tattoos covering her body and with her lovely blonde long hair? She's so cool and friendly, chatting through her smokes while dangling the ciggies between her lips. And she already has several kids. Now here is a true Milf! Sandra's quite simply every smoking lover's ultimate dream woman. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokersday #lightingup #inhale #exhale #danglingciggie #morningsmoke #eveningsmoke #bigbox #tattedgirl #necktattoo #chesttattoo #milf #smokingmilf #coolgirl #hotgirl #sexygirl #germangirl #germansmoker

Smoking girl lover

40,590 görüntüleme • 3 ay önce

A 2-day-old foal bouncing with excitement to see her mom 🐎💞 I watched this video and found it so adorable 🥰 It’s just a little filly, only two days old, named Miss Tehya. They were leading her out of the barn. And yet her legs kept bouncing, her head stretched forward as if she was about to meet someone very important. She wanted to run to her mom. Her legs were still clumsy, her steps unsteady, but you could clearly see how happy she was. It was as if the only thing worth doing at that moment was getting closer to her mother. Foals can usually stand up and follow their mothers just a few hours after birth. That’s an instinct that keeps them from being left behind. But watching Miss Tehya, it didn’t feel like just instinct. It felt more like a little child eagerly running toward the person she trusts the most. Miss Tehya was born at a rescue farm and is being raised safely. But while watching the video, I didn’t think much about that. I just saw a baby horse happy to be with her mom, and it made my heart feel a little lighter. For people who raise horses, this moment probably means even more. It reminds us that the bond between a mare and her foal starts very early, and that keeping them close from the very beginning really matters. Just a two-day-old foal, bouncing along toward her mother. But it was enough to make me smile ☺️
1:56

A 2-day-old foal bouncing with excitement to see her mom 🐎💞 I watched this video and found it so adorable 🥰 It’s just a little filly, only two days old, named Miss Tehya. They were leading her out of the barn. And yet her legs kept bouncing, her head stretched forward as if she was about to meet someone very important. She wanted to run to her mom. Her legs were still clumsy, her steps unsteady, but you could clearly see how happy she was. It was as if the only thing worth doing at that moment was getting closer to her mother. Foals can usually stand up and follow their mothers just a few hours after birth. That’s an instinct that keeps them from being left behind. But watching Miss Tehya, it didn’t feel like just instinct. It felt more like a little child eagerly running toward the person she trusts the most. Miss Tehya was born at a rescue farm and is being raised safely. But while watching the video, I didn’t think much about that. I just saw a baby horse happy to be with her mom, and it made my heart feel a little lighter. For people who raise horses, this moment probably means even more. It reminds us that the bond between a mare and her foal starts very early, and that keeping them close from the very beginning really matters. Just a two-day-old foal, bouncing along toward her mother. But it was enough to make me smile ☺️

Beauty of music and nature 🌺🌺

357,084 görüntüleme • 1 ay önce

The automatic doors slid open as Maria stormed into the Walmart, her receipt crumpled tight in her fist. What was supposed to be a routine grocery run had turned into a shock when she checked her bank app in the parking lot, hundreds of dollars gone, most of it from meat that suddenly seemed way heavier on paper than in her cart. Back at the counter, she held up a small ham. “This says five pounds,” she said, disbelief cracking her voice, “but it barely weighs two.” The manager barely glanced at the scale before shaking his head. Once it’s labeled, he explained, it can’t be reweighed. Phones came out. Shoppers gathered. Maria hit record as she lined up the receipts, the tags, the hams, evidence stacking up in real time while the manager repeated policy like a shield. By the time the video hit social media, millions were watching the same question play out: when a system keeps overcharging and calls it policy, is it a mistake, or a scam hiding in plain sight?
3:00

The automatic doors slid open as Maria stormed into the Walmart, her receipt crumpled tight in her fist. What was supposed to be a routine grocery run had turned into a shock when she checked her bank app in the parking lot, hundreds of dollars gone, most of it from meat that suddenly seemed way heavier on paper than in her cart. Back at the counter, she held up a small ham. “This says five pounds,” she said, disbelief cracking her voice, “but it barely weighs two.” The manager barely glanced at the scale before shaking his head. Once it’s labeled, he explained, it can’t be reweighed. Phones came out. Shoppers gathered. Maria hit record as she lined up the receipts, the tags, the hams, evidence stacking up in real time while the manager repeated policy like a shield. By the time the video hit social media, millions were watching the same question play out: when a system keeps overcharging and calls it policy, is it a mistake, or a scam hiding in plain sight?

Dr. CZ

467,877 görüntüleme • 8 ay önce

A security guard allegedly restrained a 22-year-old student using a wire around her neck and raped her on the terrace of a society in Jodhpur late on Saturday night. Anandnagar police said the accused, Dharm Singh, 27, a native of Uttar Pradesh's Hardoi district, was arrested from Hebatpur early on Sunday. He had been deployed at the society only six days ago. The woman, studying interior design in the city, was a paying guest in a flat in the society, and was on the terrace for a walk. The accused allegedly approached her with the intention of having sexual relations. When she refused, he allegedly assaulted her, restrained her with a wire around the neck and raped her. Police said the assault lasted nearly an hour. The wire prevented her from shouting for help. After he fled, taking her phone and locking her out on the terrace, she raised an alarm and was rescued by residents living on the floors below. She was taken to a hospital and police were informed. Sector 1 JCP Neeraj Badgujar said CCTV footage shows him taking the lift to the terrace around the time of the incident. Police said the accused had been deployed at the society for only about six days. He had worked for different security agencies for the past four years. DCP, Zone-7, Shivam Verma said while the woman's medical condition is stable, she is under severe trauma. "She has been in the city for around two years for studies," said Verma, adding that she tried to scream, but the accused had overpowered her and tried to strangle her with the wire. Police will next record her statement and probe if the guard knew of her routine. The security agency will also be questioned about his registration.
0:23

A security guard allegedly restrained a 22-year-old student using a wire around her neck and raped her on the terrace of a society in Jodhpur late on Saturday night. Anandnagar police said the accused, Dharm Singh, 27, a native of Uttar Pradesh's Hardoi district, was arrested from Hebatpur early on Sunday. He had been deployed at the society only six days ago. The woman, studying interior design in the city, was a paying guest in a flat in the society, and was on the terrace for a walk. The accused allegedly approached her with the intention of having sexual relations. When she refused, he allegedly assaulted her, restrained her with a wire around the neck and raped her. Police said the assault lasted nearly an hour. The wire prevented her from shouting for help. After he fled, taking her phone and locking her out on the terrace, she raised an alarm and was rescued by residents living on the floors below. She was taken to a hospital and police were informed. Sector 1 JCP Neeraj Badgujar said CCTV footage shows him taking the lift to the terrace around the time of the incident. Police said the accused had been deployed at the society for only about six days. He had worked for different security agencies for the past four years. DCP, Zone-7, Shivam Verma said while the woman's medical condition is stable, she is under severe trauma. "She has been in the city for around two years for studies," said Verma, adding that she tried to scream, but the accused had overpowered her and tried to strangle her with the wire. Police will next record her statement and probe if the guard knew of her routine. The security agency will also be questioned about his registration.

Hate Detector 🔍

45,590 görüntüleme • 1 ay önce

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker
5:31

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker

Smoking girl lover

27,359 görüntüleme • 1 yıl önce

Update to Abigail Afiba Andoh’s story. It keeps getting sadder everyday. This Ghanaian girl went to Nigeria accompanying her Nigerian female friend. She and the friend have been missing/feared dead. Yesterday I shared a video of Afiba’s l!feless body in the rich man’s/host house New update: One of The Alleged Body Of the 2 Girls who traveled To Abia State all the way from Port Harcourt to go and See A Wealthy Man Who They Met on Facebook has just been Found, Her Head, Legs and Hands were all Removed! The Wealthy man who Mysteriously passed away some days back in Police Custody while he was Being transported to Abuja from Abia was said to allegedly be into Organ Harvesting and he had unfortunately used the 2 Girls whom he lured to their untimely D3mise by sending them Money online. their family raised alarm and declared them missing. If you’re into fast life/WhoCup and you see this, maybe it’s time to change.
1:00

Update to Abigail Afiba Andoh’s story. It keeps getting sadder everyday. This Ghanaian girl went to Nigeria accompanying her Nigerian female friend. She and the friend have been missing/feared dead. Yesterday I shared a video of Afiba’s l!feless body in the rich man’s/host house New update: One of The Alleged Body Of the 2 Girls who traveled To Abia State all the way from Port Harcourt to go and See A Wealthy Man Who They Met on Facebook has just been Found, Her Head, Legs and Hands were all Removed! The Wealthy man who Mysteriously passed away some days back in Police Custody while he was Being transported to Abuja from Abia was said to allegedly be into Organ Harvesting and he had unfortunately used the 2 Girls whom he lured to their untimely D3mise by sending them Money online. their family raised alarm and declared them missing. If you’re into fast life/WhoCup and you see this, maybe it’s time to change.

WithAlvin 🇬🇭

75,496 görüntüleme • 2 yıl önce

🥵 Kyiv residents are escaping the heat on the beaches of the Dnipro River — while the war keeps many from taking a vacation Nadiia, 53, is staying in Kyiv this summer because her husband is serving in the military and someone has to look after their cats. "The most I can afford is a two-day trip to a friend's birthday. I have enough money, but I don't have the opportunity," she says with a smile. Another resident, Olena, says traveling abroad is simply too expensive, so she's spending the summer by the Dnipro or at her country house. Meanwhile, 62-year-old Svitlana says she'd love to go to the seaside, but long journeys have become too difficult. With no commercial flights operating in Ukraine, traveling by train is no longer an option for her either. 🌡 The heatwave that swept across Western Europe has now reached Ukraine. Forecasters expect temperatures of 30–37°C across most of the country from June 29, with the hottest weather expected in the western regions.
1:02

🥵 Kyiv residents are escaping the heat on the beaches of the Dnipro River — while the war keeps many from taking a vacation Nadiia, 53, is staying in Kyiv this summer because her husband is serving in the military and someone has to look after their cats. "The most I can afford is a two-day trip to a friend's birthday. I have enough money, but I don't have the opportunity," she says with a smile. Another resident, Olena, says traveling abroad is simply too expensive, so she's spending the summer by the Dnipro or at her country house. Meanwhile, 62-year-old Svitlana says she'd love to go to the seaside, but long journeys have become too difficult. With no commercial flights operating in Ukraine, traveling by train is no longer an option for her either. 🌡 The heatwave that swept across Western Europe has now reached Ukraine. Forecasters expect temperatures of 30–37°C across most of the country from June 29, with the hottest weather expected in the western regions.

NEXTA

79,111 görüntüleme • 3 ay önce

Youtuber Brittany Venti covers The Quartering, getting banned from the Ren Fair due to his weird, creepy behavior on a resurfaced livestream of him walking around the Ren Fair site, stating the following while filming: 1. pointing his camera at and calling women in close distance of Jeremy "MILFs" who are also holding their hand's with their children 2. pointing his camera at and calling a fat woman thick and saying "Rawr." 3. Pointing his camera at and walking behind a woman with her two kids while saying "that is what I am talking about," "she keeps it tight," and "you know she is DTF because she has kids." 4. points his camera at a nearly 10-year-old and moves his camera up and down as if hes checking her out. Brittany says that typically, the Renaissance Fair will not allow you to film and they will kick you out for it. She also says that it's pretty embarrassing to get banned from a place like the Ren Fair for being a sex pest. To which I agree.
1:33

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Youtuber Brittany Venti covers The Quartering, getting banned from the Ren Fair due to his weird, creepy behavior on a resurfaced livestream of him walking around the Ren Fair site, stating the following while filming: 1. pointing his camera at and calling women in close distance of Jeremy "MILFs" who are also holding their hand's with their children 2. pointing his camera at and calling a fat woman thick and saying "Rawr." 3. Pointing his camera at and walking behind a woman with her two kids while saying "that is what I am talking about," "she keeps it tight," and "you know she is DTF because she has kids." 4. points his camera at a nearly 10-year-old and moves his camera up and down as if hes checking her out. Brittany says that typically, the Renaissance Fair will not allow you to film and they will kick you out for it. She also says that it's pretty embarrassing to get banned from a place like the Ren Fair for being a sex pest. To which I agree.

Leigha Sapienti

60,394 görüntüleme • 4 ay önce

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.
13:14

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.

The Canadian Independent

1,423,528 görüntüleme • 2 yıl önce

A Little Drive, A Little Love ❤️ Seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic early-2000s consumer DV camcorder home video of a young Korean couple going for a casual afternoon drive through Seoul. The footage should feel like a genuine memory recorded by a friend, imperfect and spontaneous rather than a polished commercial. === CHARACTERS === GIRL: Young adult Korean woman in her early 20s, naturally beautiful, realistic skin, minimal makeup, long slightly wavy dark hair tied loosely with a few strands framing her face. Ll BOYFRIEND: Young adult Korean man in his early 20s, natural hairstyle, realistic skin, relaxed expression, wearing a loose white T-shirt, dark jeans and white sneakers. Keep his appearance consistent. === STORY === She waits outside her apartment building with a small shoulder bag, checking her phone and looking down the street. Her boyfriend arrives in an older compact car and smiles when he sees her. She opens the passenger door, gets inside and playfully looks toward the camera as if embarrassed about being filmed. They drive slowly through an older Seoul neighborhood. She sits in the passenger seat with the window slightly open, enjoying the breeze while her hair moves naturally. Her boyfriend occasionally glances at her and smiles while keeping his attention on the road. They stop at a small neighborhood convenience store. She gets out, buys two cold drinks and returns to the car. She hands one to her boyfriend, keeps the other for herself, and they laugh together before continuing the drive. Later, they park near a quiet riverside road. They get out and walk beside the parked car, talking casually. She takes a sip of her drink, makes a playful expression at the taste, and he laughs. She lightly pushes his shoulder and they continue walking together. A gentle breeze moves through her hair. He notices a strand across her face and gently moves it aside. She smiles and looks at him for a moment. They stand close together beside the car, sharing a quiet romantic moment. Near the end, she looks toward the camera and laughs shyly, then turns back toward her boyfriend. He steps closer, she smiles, and they share a brief, natural kiss. They pull back, laugh softly and remain standing close together as the camera keeps recording. The boyfriend looks toward the camera and jokingly shakes his head while she hides her face against his shoulder, laughing. === CAMERA / DV FEEL === Raw early-2000s consumer DV camcorder footage. Handheld camera operated by a friend sitting in the back seat and later walking with them. Imperfect framing, subtle handheld shake, autofocus hunting, occasional exposure shifts, faded summer colors, soft digital detail, mild sensor noise, natural motion blur and occasional accidental zooms. No stabilization and no polished cinematic movement. === AUDIO === Built-in camcorder microphone only. Car engine, road noise, turn signals, window breeze, distant Seoul traffic, convenience-store door chime, refrigerator hum, footsteps, birds, neighborhood voices, fabric movement and natural laughter. Their dialogue should feel casual and partially imperfect like a real home video. No music, no narration, no subtitles. === REALISM / CONTINUITY === Keep the same couple, faces, hairstyles, outfits, accessories and car throughout. Natural Korean facial features, realistic hands and fingers, believable walking, sitting, driving and kissing. Hair and clothing react naturally to the breeze and movement. Genuine expressions rather than exaggerated acting. === NEGATIVE === No cinematic commercial look, no gimbal shots, no drone shots, no dramatic lighting, no beauty filters, no plastic skin, no CGI appearance, no anime, no cartoon
0:30

A Little Drive, A Little Love ❤️ Seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic early-2000s consumer DV camcorder home video of a young Korean couple going for a casual afternoon drive through Seoul. The footage should feel like a genuine memory recorded by a friend, imperfect and spontaneous rather than a polished commercial. === CHARACTERS === GIRL: Young adult Korean woman in her early 20s, naturally beautiful, realistic skin, minimal makeup, long slightly wavy dark hair tied loosely with a few strands framing her face. Ll BOYFRIEND: Young adult Korean man in his early 20s, natural hairstyle, realistic skin, relaxed expression, wearing a loose white T-shirt, dark jeans and white sneakers. Keep his appearance consistent. === STORY === She waits outside her apartment building with a small shoulder bag, checking her phone and looking down the street. Her boyfriend arrives in an older compact car and smiles when he sees her. She opens the passenger door, gets inside and playfully looks toward the camera as if embarrassed about being filmed. They drive slowly through an older Seoul neighborhood. She sits in the passenger seat with the window slightly open, enjoying the breeze while her hair moves naturally. Her boyfriend occasionally glances at her and smiles while keeping his attention on the road. They stop at a small neighborhood convenience store. She gets out, buys two cold drinks and returns to the car. She hands one to her boyfriend, keeps the other for herself, and they laugh together before continuing the drive. Later, they park near a quiet riverside road. They get out and walk beside the parked car, talking casually. She takes a sip of her drink, makes a playful expression at the taste, and he laughs. She lightly pushes his shoulder and they continue walking together. A gentle breeze moves through her hair. He notices a strand across her face and gently moves it aside. She smiles and looks at him for a moment. They stand close together beside the car, sharing a quiet romantic moment. Near the end, she looks toward the camera and laughs shyly, then turns back toward her boyfriend. He steps closer, she smiles, and they share a brief, natural kiss. They pull back, laugh softly and remain standing close together as the camera keeps recording. The boyfriend looks toward the camera and jokingly shakes his head while she hides her face against his shoulder, laughing. === CAMERA / DV FEEL === Raw early-2000s consumer DV camcorder footage. Handheld camera operated by a friend sitting in the back seat and later walking with them. Imperfect framing, subtle handheld shake, autofocus hunting, occasional exposure shifts, faded summer colors, soft digital detail, mild sensor noise, natural motion blur and occasional accidental zooms. No stabilization and no polished cinematic movement. === AUDIO === Built-in camcorder microphone only. Car engine, road noise, turn signals, window breeze, distant Seoul traffic, convenience-store door chime, refrigerator hum, footsteps, birds, neighborhood voices, fabric movement and natural laughter. Their dialogue should feel casual and partially imperfect like a real home video. No music, no narration, no subtitles. === REALISM / CONTINUITY === Keep the same couple, faces, hairstyles, outfits, accessories and car throughout. Natural Korean facial features, realistic hands and fingers, believable walking, sitting, driving and kissing. Hair and clothing react naturally to the breeze and movement. Genuine expressions rather than exaggerated acting. === NEGATIVE === No cinematic commercial look, no gimbal shots, no drone shots, no dramatic lighting, no beauty filters, no plastic skin, no CGI appearance, no anime, no cartoon

Smiling Khan

73,688 görüntüleme • 7 gün önce

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡
0:30

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡

TechHalla

14,854 görüntüleme • 1 ay önce

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.
0:36

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.

Sharon Riley

68,710 görüntüleme • 2 ay önce

── Letters from Midsummer 《盛夏来信》 Li Youlin x Dong Yueyu Binge-watched this last night, and it was such a sweet slow-burn romance filled with everyday warmth and affection. The way their relationship develops is so well written, taking them from strangers, to friends, to lovers in the most natural way He suffers from a hereditary disease but initially hides it from her because he's planning to end his life in three months. His mother and younger brother both died from the same illness, and his condition leaves him unable to stand for long periods due to weakness in his legs. But when she and her family learn about his illness, they don't abandon him—instead, they shower him with even more love and care. He's calm, gentle, and kind, while she's optimistic, cheerful, independent, and strong. She truly becomes his salvation, helping him find hope again. They both have their own wonderful qualities, so it makes perfect sense why they're drawn to each other. Their interactions are incredibly sweet, especially when he's already fallen for her but keeps acting cool and aloof—it's both adorable and hilarious. I couldn't stop smiling while watching them 😆 After they officially get together, she thinks he no longer wants to die. But then she discovers that he's still planning to go through with it. He even writes a will, leaving everything to her. Furious, she writes a breakup letter and leaves. He lets her go because he still believes that short-term pain is better than long-term suffering. But afterward, he starts imagining her becoming a rich widow after his death, spending his money on new boyfriends every day and burning paper money for him during festivals. Suddenly, he doesn't want to die anymore 🤣🤣 060终于有好本子了，董玥妤也特别可爱
2:05

── Letters from Midsummer 《盛夏来信》 Li Youlin x Dong Yueyu Binge-watched this last night, and it was such a sweet slow-burn romance filled with everyday warmth and affection. The way their relationship develops is so well written, taking them from strangers, to friends, to lovers in the most natural way He suffers from a hereditary disease but initially hides it from her because he's planning to end his life in three months. His mother and younger brother both died from the same illness, and his condition leaves him unable to stand for long periods due to weakness in his legs. But when she and her family learn about his illness, they don't abandon him—instead, they shower him with even more love and care. He's calm, gentle, and kind, while she's optimistic, cheerful, independent, and strong. She truly becomes his salvation, helping him find hope again. They both have their own wonderful qualities, so it makes perfect sense why they're drawn to each other. Their interactions are incredibly sweet, especially when he's already fallen for her but keeps acting cool and aloof—it's both adorable and hilarious. I couldn't stop smiling while watching them 😆 After they officially get together, she thinks he no longer wants to die. But then she discovers that he's still planning to go through with it. He even writes a will, leaving everything to her. Furious, she writes a breakup letter and leaves. He lets her go because he still believes that short-term pain is better than long-term suffering. But afterward, he starts imagining her becoming a rich widow after his death, spending his money on new boyfriends every day and burning paper money for him during festivals. Suddenly, he doesn't want to die anymore 🤣🤣 060终于有好本子了，董玥妤也特别可爱

biee🎐*:.⋆°

20,140 görüntüleme • 3 ay önce

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.
0:13

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.

Sky Santana

111,080 görüntüleme • 2 ay önce

In Remembrance of Dorothy Malone. Born | January 29, 1924 in Chicago, Illinois, USA. Died | January 19, 2018 aged 93 in Dallas, Texas, USA. Video | Humphrey Bogart as Philip Marlowe and Dorothy Malone as Acme Bookstore proprietress in the classic film noir, The Big Sleep (1946), directed by Howard Hawks. The blonde, sultry, dreamy-eyed beauty of Dorothy Malone, who was born Mary Maloney in Chicago, took some time before it made an impact with American film-going audiences. But once she did, she played it for all it was worth in her one chance Academy Award-winning “bad girl” performance, a role quite unlike the classy and strait-laced lady herself. Raised in Dallas, she was one of five children born to an accountant father and housewife mother. Two older sisters died of polio. Attending Ursuline Convent and Highland Park High School, she was quite popular (as “School Favourite”). She was also a noted female athlete while there and won several awards for swimming and horseback riding. Following graduation, she studied at Southern Methodist University with the intent of becoming a nurse, but a role in the college play “Starbound” happened to catch the eye of an RKO talent scout and she was offered a Hollywood contract. The lovely brunette started off in typical RKO starlet mode with acting/singing/dancing/diction lessons and bit parts (billed as Dorothy Maloney) in such films as the Frank Sinatra musicals Higher and Higher (1943) and Step Lively (1944), a couple of the mystery “Falcon” entries and a showier role in Show Business (1944) with Eddie Cantor and George Murphy. RKO lost interest, however, after the two-year contract was up. Warner Bros., however, stepped up to the plate and offered the actress a contract. Now billed as Dorothy Malone, her third film offering with the studio finally injected some adrenaline into her floundering young career, when she earned the small role of a seductive book clerk in the Bogart/Bacall classic The Big Sleep (1946). Critics and audiences took notice of her captivating little part. As a reward, the studio nudged her up the billing ladder with more visible roles in Two Guys from Texas (1948), Romance on the High Seas (1948), South of St. Louis (1949) and Colorado Territory (1949), with the westerns showing off her equestrian prowess if not her acting ability. Despite this positive movement, Warner Bros. did not extend Dorothy's contract in 1949 and she returned willingly back to her tight-knit family in her native Dallas. Taking a steadier job with an insurance agency, she happened to attend a work-related convention in New York City and grew fascinated with the big city. Deciding to recommit to her acting career, she moved to the Big Apple and studied at the American Theatre Wing. In between her studies, she managed to find work on TV, which spurred freelancing “B” movie offers in the routine form of Saddle Legion (1951), The Bushwhackers (1951), the Martin & Lewis romp Scared Stiff (1953), Law and Order (1953), Jack Slade (1953), Pushover (1954) and Private Hell 36 (1954). Things picked up noticeably once Dorothy went platinum blonde, which seemed to emphasise her overt and sensual beauty. First off was as a sister to Doris Day in Young at Heart (1954), a musical remake of Four Daughters (1938), back at Warner Bros. She garnered even better attention when she appeared in the war picture Battle Cry (1955), in which she shared torrid love scenes with film's newest heartthrob Tab Hunter, and continued the momentum with the reliable westerns Five Guns West (1955) and Tall Man Riding (1955) but not with melodramatic romantic dud Sincerely Yours (1955) which tried to sell to the audiences a heterosexual Liberace. By this time she had signed with Universal. Following a few more westerns for good measure (At Gunpoint (1955), Tension at Table Rock (1956) and Pillars of the Sky (1956), Dorothy won the scenery-chewing role of wild, nymphomaniac Marylee Hadley in the Douglas Sirk soap opera Written on the Wind (1956) co-starring Rock Hudson, Lauren Bacall and Robert Stack. Stack and Malone had the showier roles and completely out-shined the two leads, both earning supporting Oscar nominations in the process. Stack lost in his category but Dorothy nabbed the trophy for her splendidly trampy, boozed-up Southern belle which was highlighted by her writhing mambo dance. Unfortunately, Dorothy's long spell of mediocre filming did not end with all the hoopla she received for Written on the Wind (1956). The Tarnished Angels (1957), which reunited Malone with Hudson and Stack faltered, and Quantez (1957) with Fred MacMurray was just another run-of-the-mill western. Two major film challenges might have changed things with Man of a Thousand Faces (1957) as the unsympathetic first wife of James Cagney's Lon Chaney Sr, and as alcoholic actress Diana Barrymore in the biographic melodrama Too Much, Too Soon (1958). Cagney, however, overshadowed everyone in the first and the second was fatally watered down by the Production Code committee. To compensate, Dorothy, at age 35 in 1959, finally was married ― to playboy actor Jacques Bergerac (Ginger Rogers's ex-husband). A daughter, Mimi, was born the following year. Fewer film offers, which included Warlock (1959) and The Last Voyage (1960), came her way as Dorothy focused more on family life. While a second daughter, Diane, was born in 1962, the turbulent marriage wouldn't last and their divorce became final in December 1964. A bitter custody battle ensued with Dorothy eventually winning primary custody. It took the small screen to rejuvenate Dorothy's career in the mid-1960s when she earned top billing of TV's first prime time soap opera Peyton Place (1964). Dorothy, starring in Lana Turner's 1957 film role of Constance MacKenzie, found herself in a smash hit. The run wasn't entirely happy however. Doctors discovered blood clots on her lungs which required major surgery and she almost died. Lola Albright filled in until she was able to return. Just as bad, the significance of her role dwindled with time and 20th Century-Fox finally wrote her and co-star Tim O'Connor off the show in 1968. Dorothy filed a breach of contract lawsuit which ended in an out-of-court settlement. Her life on- and off-camera did not improve. Dorothy's second marriage to stockbroker Robert Tomarkin in 1969 would last only three months, and a third to businessman Charles Huston Bell managed about three years. Now-matronly roles in the films Winter Kills (1979), Vortex (1982), The Being (1981) and Descanse en piezas (1987), were few and far between a few TV-movies ― which included some “Peyton Place” revivals, did nothing to advance her career. Malone returned and settled for good back in her native Dallas, returning to Hollywood only on occasion. Dorothy's last film was a cameo in the popular thriller Basic Instinct (1992) as a friend to Sharon Stone. She will be remembered as one of those Hollywood stars who proved she had the talent but somehow got the short end of the stick when it came to quality films offered. She retired to Texas and died in Dallas shortly before her 94th birthday on January 19, 2018.
3:08

In Remembrance of Dorothy Malone. Born | January 29, 1924 in Chicago, Illinois, USA. Died | January 19, 2018 aged 93 in Dallas, Texas, USA. Video | Humphrey Bogart as Philip Marlowe and Dorothy Malone as Acme Bookstore proprietress in the classic film noir, The Big Sleep (1946), directed by Howard Hawks. The blonde, sultry, dreamy-eyed beauty of Dorothy Malone, who was born Mary Maloney in Chicago, took some time before it made an impact with American film-going audiences. But once she did, she played it for all it was worth in her one chance Academy Award-winning “bad girl” performance, a role quite unlike the classy and strait-laced lady herself. Raised in Dallas, she was one of five children born to an accountant father and housewife mother. Two older sisters died of polio. Attending Ursuline Convent and Highland Park High School, she was quite popular (as “School Favourite”). She was also a noted female athlete while there and won several awards for swimming and horseback riding. Following graduation, she studied at Southern Methodist University with the intent of becoming a nurse, but a role in the college play “Starbound” happened to catch the eye of an RKO talent scout and she was offered a Hollywood contract. The lovely brunette started off in typical RKO starlet mode with acting/singing/dancing/diction lessons and bit parts (billed as Dorothy Maloney) in such films as the Frank Sinatra musicals Higher and Higher (1943) and Step Lively (1944), a couple of the mystery “Falcon” entries and a showier role in Show Business (1944) with Eddie Cantor and George Murphy. RKO lost interest, however, after the two-year contract was up. Warner Bros., however, stepped up to the plate and offered the actress a contract. Now billed as Dorothy Malone, her third film offering with the studio finally injected some adrenaline into her floundering young career, when she earned the small role of a seductive book clerk in the Bogart/Bacall classic The Big Sleep (1946). Critics and audiences took notice of her captivating little part. As a reward, the studio nudged her up the billing ladder with more visible roles in Two Guys from Texas (1948), Romance on the High Seas (1948), South of St. Louis (1949) and Colorado Territory (1949), with the westerns showing off her equestrian prowess if not her acting ability. Despite this positive movement, Warner Bros. did not extend Dorothy's contract in 1949 and she returned willingly back to her tight-knit family in her native Dallas. Taking a steadier job with an insurance agency, she happened to attend a work-related convention in New York City and grew fascinated with the big city. Deciding to recommit to her acting career, she moved to the Big Apple and studied at the American Theatre Wing. In between her studies, she managed to find work on TV, which spurred freelancing “B” movie offers in the routine form of Saddle Legion (1951), The Bushwhackers (1951), the Martin & Lewis romp Scared Stiff (1953), Law and Order (1953), Jack Slade (1953), Pushover (1954) and Private Hell 36 (1954). Things picked up noticeably once Dorothy went platinum blonde, which seemed to emphasise her overt and sensual beauty. First off was as a sister to Doris Day in Young at Heart (1954), a musical remake of Four Daughters (1938), back at Warner Bros. She garnered even better attention when she appeared in the war picture Battle Cry (1955), in which she shared torrid love scenes with film's newest heartthrob Tab Hunter, and continued the momentum with the reliable westerns Five Guns West (1955) and Tall Man Riding (1955) but not with melodramatic romantic dud Sincerely Yours (1955) which tried to sell to the audiences a heterosexual Liberace. By this time she had signed with Universal. Following a few more westerns for good measure (At Gunpoint (1955), Tension at Table Rock (1956) and Pillars of the Sky (1956), Dorothy won the scenery-chewing role of wild, nymphomaniac Marylee Hadley in the Douglas Sirk soap opera Written on the Wind (1956) co-starring Rock Hudson, Lauren Bacall and Robert Stack. Stack and Malone had the showier roles and completely out-shined the two leads, both earning supporting Oscar nominations in the process. Stack lost in his category but Dorothy nabbed the trophy for her splendidly trampy, boozed-up Southern belle which was highlighted by her writhing mambo dance. Unfortunately, Dorothy's long spell of mediocre filming did not end with all the hoopla she received for Written on the Wind (1956). The Tarnished Angels (1957), which reunited Malone with Hudson and Stack faltered, and Quantez (1957) with Fred MacMurray was just another run-of-the-mill western. Two major film challenges might have changed things with Man of a Thousand Faces (1957) as the unsympathetic first wife of James Cagney's Lon Chaney Sr, and as alcoholic actress Diana Barrymore in the biographic melodrama Too Much, Too Soon (1958). Cagney, however, overshadowed everyone in the first and the second was fatally watered down by the Production Code committee. To compensate, Dorothy, at age 35 in 1959, finally was married ― to playboy actor Jacques Bergerac (Ginger Rogers's ex-husband). A daughter, Mimi, was born the following year. Fewer film offers, which included Warlock (1959) and The Last Voyage (1960), came her way as Dorothy focused more on family life. While a second daughter, Diane, was born in 1962, the turbulent marriage wouldn't last and their divorce became final in December 1964. A bitter custody battle ensued with Dorothy eventually winning primary custody. It took the small screen to rejuvenate Dorothy's career in the mid-1960s when she earned top billing of TV's first prime time soap opera Peyton Place (1964). Dorothy, starring in Lana Turner's 1957 film role of Constance MacKenzie, found herself in a smash hit. The run wasn't entirely happy however. Doctors discovered blood clots on her lungs which required major surgery and she almost died. Lola Albright filled in until she was able to return. Just as bad, the significance of her role dwindled with time and 20th Century-Fox finally wrote her and co-star Tim O'Connor off the show in 1968. Dorothy filed a breach of contract lawsuit which ended in an out-of-court settlement. Her life on- and off-camera did not improve. Dorothy's second marriage to stockbroker Robert Tomarkin in 1969 would last only three months, and a third to businessman Charles Huston Bell managed about three years. Now-matronly roles in the films Winter Kills (1979), Vortex (1982), The Being (1981) and Descanse en piezas (1987), were few and far between a few TV-movies ― which included some “Peyton Place” revivals, did nothing to advance her career. Malone returned and settled for good back in her native Dallas, returning to Hollywood only on occasion. Dorothy's last film was a cameo in the popular thriller Basic Instinct (1992) as a friend to Sharon Stone. She will be remembered as one of those Hollywood stars who proved she had the talent but somehow got the short end of the stick when it came to quality films offered. She retired to Texas and died in Dallas shortly before her 94th birthday on January 19, 2018.

Hollywood Golden Age of Cinema

22,629 görüntüleme • 8 ay önce