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BREAKING 🚨: Exclusive look at a future agentic design tool from Google. It feels like it has been designed as a VR workspace with voice controls and a new agent widget. Stitching… What's coming: - A new "wide" canvas layout - 🔥 Voice Live Mode - 🔥 Voice selector...

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🚨 AI News | TestingCatalog

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114,484 Aufrufe • vor 6 Monaten •via X (Twitter)

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Profilbild von 🚨 AI News | TestingCatalog
🚨 AI News | TestingCatalogvor 6 Monaten

React app prototype 👀

Profilbild von 🚨 AI News | TestingCatalog
🚨 AI News | TestingCatalogvor 6 Monaten

New Design System editor and DESIGN MD

Profilbild von 🚨 AI News | TestingCatalog
🚨 AI News | TestingCatalogvor 6 Monaten

Interactive Prototype with "Imagine" 👀

Profilbild von 🚨 AI News | TestingCatalog
🚨 AI News | TestingCatalogvor 6 Monaten

Full scoop 🗞

Profilbild von Rayan A Cader
Rayan A Cadervor 6 Monaten

So this tool basically turns Figma into a conversation describe your screen, it builds it, stitches it into a working React app, hands it off to devs the "design to developer" handoff that used to take days is becoming a prompt 👀

Profilbild von Bhimsen Intellect
Bhimsen Intellectvor 6 Monaten

Puck? Charon? Kore? Fenrir? what in the Greek monster hell are those demonic names

Profilbild von Avais Aziz
Avais Azizvor 6 Monaten

This looks like the future of creative flow: voice-guided, agent-powered, and stitching straight to production. Absolutely inspiring leap forward.

Profilbild von Mesh | Crypto x AI
Mesh | Crypto x AIvor 6 Monaten

The moat here isn’t just UI, it’s feedback loops: voice + canvas tools that preserve iteration history can train personal design agents faster than static prompts. Do you think Google will keep that context closed or make it portable?

Profilbild von Twlvone
Twlvonevor 6 Monaten

VR workspace + voice controls for design is the right direction. The key leap is when the canvas interprets intent rather than just executes commands — the gap between "describe what you want" and "here's a working prototype" collapses. Design tool as agent, not as surface.

Profilbild von Steve Oak
Steve Oakvor 6 Monaten

a wide canvas for an agent widget sounds like a very spacious way to still end up talking to a computer.

Profilbild von Kassander Drift
Kassander Driftvor 6 Monaten

What's VR about this?

Profilbild von jmax.dev
jmax.devvor 6 Monaten

WhatsApp Business integration makes sense for always-on agents, hands-free interaction with glasses seems like a natural fit for real-time assistance. How do you see the voice interface working when users are out and about?

Profilbild von Robn
Robnvor 6 Monaten

Jarvis is coming

Profilbild von ikan laut
ikan lautvor 6 Monaten

this is so amazing

Profilbild von Afaque Khan
Afaque Khanvor 6 Monaten

wild that they’re going for a full canvas shift. how well does the voice control handle complex tweaks?

Profilbild von BeyondGoodEvil
BeyondGoodEvilvor 6 Monaten

We need a real GenUI ...

Profilbild von abhi
abhivor 6 Monaten

this is a whole new experience

Profilbild von Sanky
Sankyvor 6 Monaten

Design and development are about to merge for real 🔥

Profilbild von LightShift Studio
LightShift Studiovor 6 Monaten

Hey Insta creators, why slog through spreadsheets when you can command your art to life? Imagine controlling designs in VR like it's hot!

Profilbild von doanbactam
doanbactamvor 6 Monaten

This sounds like a game changer for design! Excited to see how voice controls enhance the workflow.

Profilbild von Robn
Robnvor 6 Monaten

If Microsoft came out with this they could’ve name is JarVista

Profilbild von Utkarsh Singh
Utkarsh Singhvor 6 Monaten

That sounds really intriguing... I'm curious how the voice controls feel in practice. Have you had a chance to test it out yet?

Profilbild von Stefano Galloni
Stefano Gallonivor 6 Monaten

Design is becoming code.

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The new DESK is live! For over 15+ years I've been writing, reflections on design, psychology and building products. Over those years I published close to 1000 articles. Today I'm re-launching DESK as a personal archive of these essays, with the goal to keep writing till the very last day. Why the re-design? The old design felt too magazine like, too much like a publication that was trying to be something that it's not. It was holding me back to be more myself. The new design is more personal, more like an archive or register of all my essays. There are currently 688 essays accessible on the new DESK, many more still hidden and coming in the next couple days. I hope you like it (:

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24,537 Aufrufe • vor 16 Tagen

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"AI gets you to average quickly. Your job is to push past that." Here's my new episode with Dylan Field (Figma CEO) where I asked him some tough questions, including: → Can you teach AI design taste? → Do design systems hurt creativity? → What's Figma's role when code is free? Two-thirds of Figma users are now non-designers and it was super interesting to hear Dylan talk about Figma's future. Some quotes from Dylan: "Design is the new code. You'll be designing in a visual-first way before pushing a pull request right to production." "If you're a PM and you think your job is to make docs and slide decks, you're going to love this new world. You get to make things too." "If everyone agrees with your point of view, then you probably don't have one." 📌 Watch now: Thanks to our sponsors: Replit ⠕: Plan, design, and build with AI agents Linear: The AI agent platform for modern teams

Peter Yang

104,884 Aufrufe • vor 5 Monaten

Introducing Impeccable 3.5, the best way to design in production: iterate on real UI with your AI agent, in the codebase you actually ship. Turns out many popular design skills, including Impeccable and Anthropic's frontend-design, weren't actually very good at...design (the workflow was valuable, but the output didn't magically make LLMs like GPT great designers). We measured it across thousands of generations: 74% of pages used the cream AI-default background, 76% reached for extreme letter-spacing, 90%+ failed the contrast floor. So we started fixing slop systematically, specific to each model. The skill now compiles rules for the exact defects each model makes, instead of shipping one generic file to everyone. The biggest jump is in GPT-5.5 and Codex. Also new: ◆ It now knows the difference between a new project and an existing one. Existing codebase, it reads your design system and preserves your identity. Greenfield, it seeds a fresh palette from 129 hand-curated anchors so every cold start doesn't drift to the same safe colors. ◆ Live Mode is now in beta, and works at two scales. Type a direction into the new Steer bar, or speak it, and the agent reads the whole page and edits it in place. Or pick a single element, steer it with a sub-command, live-edit any copy, and accept the variant straight back to source. Insert mode scaffolds brand-new elements between the ones already there. Recovery survives HMR, hidden heroes, and dev-tool overlays. ◆ A rebuilt anti-pattern detector. Torn off jsdom and onto a real CSS cascade resolver: roughly 20x faster, dependency-free, and now small enough to run inline inside the skill, not just the CLI and extension. 14 new rules, 41 total. ◆ The skill keeps itself current, checking once a day and offering to update. Plus /impeccable init and a bare /impeccable that reads your repo and tells you the next move. Free, open source. Claude Code, Codex, Cursor, and more.
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Introducing Impeccable 3.5, the best way to design in production: iterate on real UI with your AI agent, in the codebase you actually ship. Turns out many popular design skills, including Impeccable and Anthropic's frontend-design, weren't actually very good at...design (the workflow was valuable, but the output didn't magically make LLMs like GPT great designers). We measured it across thousands of generations: 74% of pages used the cream AI-default background, 76% reached for extreme letter-spacing, 90%+ failed the contrast floor. So we started fixing slop systematically, specific to each model. The skill now compiles rules for the exact defects each model makes, instead of shipping one generic file to everyone. The biggest jump is in GPT-5.5 and Codex. Also new: ◆ It now knows the difference between a new project and an existing one. Existing codebase, it reads your design system and preserves your identity. Greenfield, it seeds a fresh palette from 129 hand-curated anchors so every cold start doesn't drift to the same safe colors. ◆ Live Mode is now in beta, and works at two scales. Type a direction into the new Steer bar, or speak it, and the agent reads the whole page and edits it in place. Or pick a single element, steer it with a sub-command, live-edit any copy, and accept the variant straight back to source. Insert mode scaffolds brand-new elements between the ones already there. Recovery survives HMR, hidden heroes, and dev-tool overlays. ◆ A rebuilt anti-pattern detector. Torn off jsdom and onto a real CSS cascade resolver: roughly 20x faster, dependency-free, and now small enough to run inline inside the skill, not just the CLI and extension. 14 new rules, 41 total. ◆ The skill keeps itself current, checking once a day and offering to update. Plus /impeccable init and a bare /impeccable that reads your repo and tells you the next move. Free, open source. Claude Code, Codex, Cursor, and more.

Paul Bakaus

103,451 Aufrufe • vor 4 Monaten

A bold new look for Nashville🔥 The No. 45 Desnuda Organic Tequila Honda will make its debut at the Borchetta Bourbon Music City Grand Prix this weekend with a fresh design celebrating the brand's new launch. This isn’t just another NTT INDYCAR SERIES. It’s a statement of speed, culture, and true craftsmanship. Nashville, get ready to witness it up close!📸: Droplight #RLLRacing #DroplightRacing #DesnudaOrganicTequila #LouisFoster
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A bold new look for Nashville🔥 The No. 45 Desnuda Organic Tequila Honda will make its debut at the Borchetta Bourbon Music City Grand Prix this weekend with a fresh design celebrating the brand's new launch. This isn’t just another NTT INDYCAR SERIES. It’s a statement of speed, culture, and true craftsmanship. Nashville, get ready to witness it up close!📸: Droplight #RLLRacing #DroplightRacing #DesnudaOrganicTequila #LouisFoster

Rahal Letterman Lanigan Racing

20,920 Aufrufe • vor 1 Jahr

I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus
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I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus

Rassoul Edji

388,573 Aufrufe • vor 1 Jahr