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BREAKING 🚨: Exclusive look at a future agentic design tool from Google. It feels like it has been designed as a VR workspace with voice controls and a new agent widget. Stitching… What's coming: - A new "wide" canvas layout - 🔥 Voice Live Mode - 🔥 Voice selector... with 8 different options: Puck, Charon, Kore, Fenrir, Autonoe, Leda, Orus, Zephyr - 🔥 A new Agent widget instead of the old sidebar - A new Design system selector with presets - 🔥 New Studio section with loads of generations, like Marketing kit and developer handoff - 🔥 Stitch React prototype - a fully functional React app based on generated screens - Instant prototype - an editable prototype that links generated screens, allowing users to navigate between them - 🔥 A new "Imagine new screen" option for Instant Prototypes - Figma linking - Loads of smaller tweaks The design-to-production flow will shorten drastically. The line between design and development will fade away.show more

🚨 AI News | TestingCatalog

77,970 subscribers

114,484 views • 6 months ago •via X (Twitter)

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23 Comments

🚨 AI News | TestingCatalog6 months ago

React app prototype 👀

🚨 AI News | TestingCatalog6 months ago

New Design System editor and DESIGN MD

🚨 AI News | TestingCatalog6 months ago

Interactive Prototype with "Imagine" 👀

🚨 AI News | TestingCatalog6 months ago

Full scoop 🗞

Rayan A Cader6 months ago

So this tool basically turns Figma into a conversation describe your screen, it builds it, stitches it into a working React app, hands it off to devs the "design to developer" handoff that used to take days is becoming a prompt 👀

Bhimsen Intellect6 months ago

Puck? Charon? Kore? Fenrir? what in the Greek monster hell are those demonic names

Avais Aziz6 months ago

This looks like the future of creative flow: voice-guided, agent-powered, and stitching straight to production. Absolutely inspiring leap forward.

Mesh | Crypto x AI6 months ago

The moat here isn’t just UI, it’s feedback loops: voice + canvas tools that preserve iteration history can train personal design agents faster than static prompts. Do you think Google will keep that context closed or make it portable?

Twlvone6 months ago

VR workspace + voice controls for design is the right direction. The key leap is when the canvas interprets intent rather than just executes commands — the gap between "describe what you want" and "here's a working prototype" collapses. Design tool as agent, not as surface.

Steve Oak6 months ago

a wide canvas for an agent widget sounds like a very spacious way to still end up talking to a computer.

Kassander Drift6 months ago

What's VR about this?

jmax.dev6 months ago

WhatsApp Business integration makes sense for always-on agents, hands-free interaction with glasses seems like a natural fit for real-time assistance. How do you see the voice interface working when users are out and about?

Robn6 months ago

Jarvis is coming

ikan laut6 months ago

this is so amazing

Afaque Khan6 months ago

wild that they’re going for a full canvas shift. how well does the voice control handle complex tweaks?

BeyondGoodEvil6 months ago

We need a real GenUI ...

abhi6 months ago

this is a whole new experience

Sanky6 months ago

Design and development are about to merge for real 🔥

LightShift Studio6 months ago

Hey Insta creators, why slog through spreadsheets when you can command your art to life? Imagine controlling designs in VR like it's hot!

doanbactam6 months ago

This sounds like a game changer for design! Excited to see how voice controls enhance the workflow.

Robn6 months ago

If Microsoft came out with this they could’ve name is JarVista

Utkarsh Singh6 months ago

That sounds really intriguing... I'm curious how the voice controls feel in practice. Have you had a chance to test it out yet?

Stefano Galloni6 months ago

Design is becoming code.

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20,920 views • 1 year ago

I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus

I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus

Rassoul Edji

388,573 views • 1 year ago