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BREAKING 🚨Google’s quantum chip didn’t prove we live in a multiverse. It just proved the universe is one beautifully connected sea.🧨 Google’s latest quantum chip solved a problem in five minutes that would take a classical supercomputer 10 septillion years. Some physicists are calling it proof of a multiverse...

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Paul Maley

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We marvel at the Universe — but does it marvel at us? For now, its gaze is likely turned toward quasars. One may argue that its judgment does not matter. Yet the desire to be worthy of such recognition is itself a step toward humanity’s self-respect and self-acknowledgment. : We stand in awe of the Universe, its vastness and power commanding our wonder. Yet the question lingers: does it ever turn that awe back on us? For now, the cosmos seems captivated by quasars, those radiant beacons of raw energy, while humanity remains a faint flicker in the dark. One could dismiss the need for cosmic approval. The Universe has no eyes, no judgment, no preference. Its silence is absolute. But the very desire to be worthy of its gaze reveals something essential. That longing is not about external validation. It is the seed of self-respect. To aspire to shine brightly enough to merit the Universe’s notice is to demand more of ourselves: greater compassion, deeper wisdom, bolder creation. The cosmos may never marvel at us. We can still marvel at what we are capable of becoming. That aspiration alone elevates us. It turns indifference into purpose. It makes us the authors of our own recognition.
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We marvel at the Universe — but does it marvel at us? For now, its gaze is likely turned toward quasars. One may argue that its judgment does not matter. Yet the desire to be worthy of such recognition is itself a step toward humanity’s self-respect and self-acknowledgment. : We stand in awe of the Universe, its vastness and power commanding our wonder. Yet the question lingers: does it ever turn that awe back on us? For now, the cosmos seems captivated by quasars, those radiant beacons of raw energy, while humanity remains a faint flicker in the dark. One could dismiss the need for cosmic approval. The Universe has no eyes, no judgment, no preference. Its silence is absolute. But the very desire to be worthy of its gaze reveals something essential. That longing is not about external validation. It is the seed of self-respect. To aspire to shine brightly enough to merit the Universe’s notice is to demand more of ourselves: greater compassion, deeper wisdom, bolder creation. The cosmos may never marvel at us. We can still marvel at what we are capable of becoming. That aspiration alone elevates us. It turns indifference into purpose. It makes us the authors of our own recognition.

Zafar Mirzo | Quotes

107,345 Aufrufe • vor 5 Monaten

The question "what existed before the Big Bang" breaks physics at a grammatical level. "Before" requires time. Time didn't exist yet. Stephen Hawking's answer was the cleanest: asking what came before the Big Bang is like asking what's north of the North Pole. The question itself is malformed. Time is a property of the universe, not a container it sits inside. But physicists kept pushing. Neil Turok's CPT-symmetric model says the Big Bang didn't create one universe. It created two. Ours runs forward in time with matter. The other runs backward in time with antimatter. Same event, two directions. If true, there's a mirror version of everything that ever happened, playing in reverse on the other side of t = 0. Then there's the Big Bounce. Our universe is the rebound of a previous universe that contracted to near-zero size and exploded outward again. The Big Bang wasn't a beginning. It was a heartbeat in an infinite cycle. Alan Guth went further. His cosmic inflation theory says before our Big Bang, empty space was expanding exponentially and spawning pocket universes like bubbles in boiling water. Our entire observable universe, 93 billion light-years across, is one bubble. There could be an infinite number of others we will never see or contact. The wildest part: we might actually be able to test some of these. The cosmic microwave background, radiation left over from 380,000 years after the Bang, carries faint patterns that different theories predict differently. The answer to "what came before everything" might already be written in the oldest light in the sky.
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The question "what existed before the Big Bang" breaks physics at a grammatical level. "Before" requires time. Time didn't exist yet. Stephen Hawking's answer was the cleanest: asking what came before the Big Bang is like asking what's north of the North Pole. The question itself is malformed. Time is a property of the universe, not a container it sits inside. But physicists kept pushing. Neil Turok's CPT-symmetric model says the Big Bang didn't create one universe. It created two. Ours runs forward in time with matter. The other runs backward in time with antimatter. Same event, two directions. If true, there's a mirror version of everything that ever happened, playing in reverse on the other side of t = 0. Then there's the Big Bounce. Our universe is the rebound of a previous universe that contracted to near-zero size and exploded outward again. The Big Bang wasn't a beginning. It was a heartbeat in an infinite cycle. Alan Guth went further. His cosmic inflation theory says before our Big Bang, empty space was expanding exponentially and spawning pocket universes like bubbles in boiling water. Our entire observable universe, 93 billion light-years across, is one bubble. There could be an infinite number of others we will never see or contact. The wildest part: we might actually be able to test some of these. The cosmic microwave background, radiation left over from 380,000 years after the Bang, carries faint patterns that different theories predict differently. The answer to "what came before everything" might already be written in the oldest light in the sky.

Aakash Gupta

121,723 Aufrufe • vor 3 Monaten

The main bronze door of Milan Cathedral weighs 37 tons and took a single sculptor 10 years to complete. The Duomo of Milan is one of the largest and most intricate cathedrals on earth, and its five bronze doors were built to be worthy of it. Every inch of the great central door is covered in sculpted bronze, dozens of scenes from the life of the Virgin Mary, faces caught mid-emotion, figures that seem to press forward out of the metal as if trying to step into the world... It was designed by the sculptor Ludovico Pogliaghi, who received the commission in the 1880s and did not see his door installed until 1906, having poured a decade of his life into modelling every figure by hand. And his was just the beginning. The five doors of the cathedral were not made together, or even in the same lifetime. They were created across nearly seventy years, by a succession of different sculptors, each carving their panels with the same obsessive care. The final door was not completed until 1965, its unveiling taken as the symbolic close of a cathedral that had been under construction, in one form or another, for 579 years... More than a century ago, the English polymath John Ruskin tried to put into words what it means to build something like this. He managed it in a single sentence. "When we build," he wrote, "let us think that we build for ever."
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The main bronze door of Milan Cathedral weighs 37 tons and took a single sculptor 10 years to complete. The Duomo of Milan is one of the largest and most intricate cathedrals on earth, and its five bronze doors were built to be worthy of it. Every inch of the great central door is covered in sculpted bronze, dozens of scenes from the life of the Virgin Mary, faces caught mid-emotion, figures that seem to press forward out of the metal as if trying to step into the world... It was designed by the sculptor Ludovico Pogliaghi, who received the commission in the 1880s and did not see his door installed until 1906, having poured a decade of his life into modelling every figure by hand. And his was just the beginning. The five doors of the cathedral were not made together, or even in the same lifetime. They were created across nearly seventy years, by a succession of different sculptors, each carving their panels with the same obsessive care. The final door was not completed until 1965, its unveiling taken as the symbolic close of a cathedral that had been under construction, in one form or another, for 579 years... More than a century ago, the English polymath John Ruskin tried to put into words what it means to build something like this. He managed it in a single sentence. "When we build," he wrote, "let us think that we build for ever."

James Lucas

82,996 Aufrufe • vor 12 Tagen

Evolution is not computable. It seems that life itself is proceeding toward a meta-law of increasing complexity. As the basic laws of physics result incomplete to provide all the answers to comprehend natural phenomena like biological evolution, novelties and abstraction. Scientists have proposed to use Functional Information Theory that supposedly promises a way to frame the exponential twists of all kinds of evolving systems. But turned out that to explain the degree of diversification, and convolutional outcome that the intelligent life is taking, isn’t a mathematical or a scientific problem but a philosophical one. Evolution isn’t computable. There are many more idiosyncratic pathways that the universe takes that do not follow the classical arrow of time imposed by the entropic principle. Although information itself may be a key to unlock unknown aspects, there might be a separate arrow in time able to define the increasing of complexity. Evolution is constantly creating not just new contextual knowledge but new possibilities for our consciousness to expand. At the same time the non computability issue touches the heart of what makes life so magical, unpredictable and rewarding. 🔗
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Evolution is not computable. It seems that life itself is proceeding toward a meta-law of increasing complexity. As the basic laws of physics result incomplete to provide all the answers to comprehend natural phenomena like biological evolution, novelties and abstraction. Scientists have proposed to use Functional Information Theory that supposedly promises a way to frame the exponential twists of all kinds of evolving systems. But turned out that to explain the degree of diversification, and convolutional outcome that the intelligent life is taking, isn’t a mathematical or a scientific problem but a philosophical one. Evolution isn’t computable. There are many more idiosyncratic pathways that the universe takes that do not follow the classical arrow of time imposed by the entropic principle. Although information itself may be a key to unlock unknown aspects, there might be a separate arrow in time able to define the increasing of complexity. Evolution is constantly creating not just new contextual knowledge but new possibilities for our consciousness to expand. At the same time the non computability issue touches the heart of what makes life so magical, unpredictable and rewarding. 🔗

Maurizio Iβλἄ

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Jeff Bezos just described the era you are living in. It sounds nothing like what you have been told. Bezos: “The world is so interesting right now. We’re in multiple golden ages at once.” Not one golden age. Multiple. Simultaneous. Overlapping. Bezos: “I think there’s never been a more extraordinary moment to be alive.” He was not being poetic. He was being literal. For the entire history of civilization, humanity got one revolution at a time. Fire. The wheel. The printing press. Electricity. The transistor. One breakthrough. Then centuries of silence before the next. That pattern just shattered. Artificial intelligence. Space access. Gene editing. Energy storage. Quantum computing. Five revolutions running inside the same decade. That has never happened before. Not once in ten thousand years of recorded progress. And the story being sold to you every single day is that everything is falling apart. That the future is something to survive. That the best days are behind you. The people closest to the actual technology do not believe a single word of it. They are not debating whether the world is ending. They are too busy building the next one. Fear is the most profitable product on Earth. It moves faster than any breakthrough ever will. The greatest concentration of technological revolutions in human history is unfolding right now. Most of the world is too busy arguing about which version of collapse to believe in to notice. Bezos did not say a golden age might be approaching. He said you are already standing inside several of them. The gap between that statement and what you currently believe about the world is the most expensive blind spot of your lifetime. You were not born at the end of anything. You were born at the exact point where the entire curve bends upward. That does not happen twice.
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Jeff Bezos just described the era you are living in. It sounds nothing like what you have been told. Bezos: “The world is so interesting right now. We’re in multiple golden ages at once.” Not one golden age. Multiple. Simultaneous. Overlapping. Bezos: “I think there’s never been a more extraordinary moment to be alive.” He was not being poetic. He was being literal. For the entire history of civilization, humanity got one revolution at a time. Fire. The wheel. The printing press. Electricity. The transistor. One breakthrough. Then centuries of silence before the next. That pattern just shattered. Artificial intelligence. Space access. Gene editing. Energy storage. Quantum computing. Five revolutions running inside the same decade. That has never happened before. Not once in ten thousand years of recorded progress. And the story being sold to you every single day is that everything is falling apart. That the future is something to survive. That the best days are behind you. The people closest to the actual technology do not believe a single word of it. They are not debating whether the world is ending. They are too busy building the next one. Fear is the most profitable product on Earth. It moves faster than any breakthrough ever will. The greatest concentration of technological revolutions in human history is unfolding right now. Most of the world is too busy arguing about which version of collapse to believe in to notice. Bezos did not say a golden age might be approaching. He said you are already standing inside several of them. The gap between that statement and what you currently believe about the world is the most expensive blind spot of your lifetime. You were not born at the end of anything. You were born at the exact point where the entire curve bends upward. That does not happen twice.

Dustin

21,007 Aufrufe • vor 2 Monaten

When a spacecraft leaves Earth, it doesn’t just fire its engines and head straight to its destination. In many missions, especially those going beyond low Earth orbit, there’s a more subtle and elegant strategy at play, one that uses gravity itself as part of the navigation system. This is often called a gravity assist, or a slingshot maneuver. But in the case of missions like #Artemis II, what’s being used is a closely related idea known as a free-return trajectory. At first glance, it might sound simple: the spacecraft goes to the Moon, loops around it, and comes back. But the physics behind it is anything but simple. Instead of relying on continuous propulsion, the spacecraft follows a carefully calculated path through the gravitational field of the Earth–Moon system. It is launched with just the right speed and direction so that, as it approaches the Moon, the Moon’s gravity bends its trajectory. The spacecraft is effectively flung around the Moon, redirected onto a path that naturally brings it back toward Earth. No major engine burn is needed for the return. Small trajectory corrections may still be required, but gravity does the heavy lifting. That’s the key. This kind of trajectory is not just efficient, it’s also safe. If something goes wrong with the spacecraft’s engines or onboard systems, gravity itself ensures the return. It’s an inherent backup plan, built into the trajectory from the very beginning. The same fundamental idea appears in gravity assists used across the Solar System. When a spacecraft flies past a planet, it can gain or lose speed by exchanging momentum with that planet. From the spacecraft’s point of view, it’s as if it has been accelerated without using fuel. In reality, it has borrowed a tiny amount of orbital energy from the planet itself. That’s how missions like Voyager reached the outer planets, and how probes continue to explore regions far beyond what their onboard fuel alone would allow. But there’s an important distinction. An interplanetary gravity assist is typically used to change speed and direction, often increasing the spacecraft’s energy. A free-return trajectory, like the one used in Artemis II, is designed for something more specific: a path that naturally loops back to Earth without requiring additional propulsion. It’s less about gaining energy, and more about shaping a trajectory that guarantees a return. To understand why this works, it helps to stop thinking in straight lines. In space, motion follows curves defined by gravity. The spacecraft is constantly falling, first toward Earth, then toward the Moon, and then back toward Earth again. What looks like a loop is really a continuous free fall through a changing gravitational landscape. This way of navigating space reveals something deeper. We tend to think of engines as the drivers of motion, but once a spacecraft is on its way, gravity does most of the work. The art of spaceflight is not just about thrust. It’s about knowing when not to use it. #GoodLuck #Artemis NASA Artemis
0:11

When a spacecraft leaves Earth, it doesn’t just fire its engines and head straight to its destination. In many missions, especially those going beyond low Earth orbit, there’s a more subtle and elegant strategy at play, one that uses gravity itself as part of the navigation system. This is often called a gravity assist, or a slingshot maneuver. But in the case of missions like #Artemis II, what’s being used is a closely related idea known as a free-return trajectory. At first glance, it might sound simple: the spacecraft goes to the Moon, loops around it, and comes back. But the physics behind it is anything but simple. Instead of relying on continuous propulsion, the spacecraft follows a carefully calculated path through the gravitational field of the Earth–Moon system. It is launched with just the right speed and direction so that, as it approaches the Moon, the Moon’s gravity bends its trajectory. The spacecraft is effectively flung around the Moon, redirected onto a path that naturally brings it back toward Earth. No major engine burn is needed for the return. Small trajectory corrections may still be required, but gravity does the heavy lifting. That’s the key. This kind of trajectory is not just efficient, it’s also safe. If something goes wrong with the spacecraft’s engines or onboard systems, gravity itself ensures the return. It’s an inherent backup plan, built into the trajectory from the very beginning. The same fundamental idea appears in gravity assists used across the Solar System. When a spacecraft flies past a planet, it can gain or lose speed by exchanging momentum with that planet. From the spacecraft’s point of view, it’s as if it has been accelerated without using fuel. In reality, it has borrowed a tiny amount of orbital energy from the planet itself. That’s how missions like Voyager reached the outer planets, and how probes continue to explore regions far beyond what their onboard fuel alone would allow. But there’s an important distinction. An interplanetary gravity assist is typically used to change speed and direction, often increasing the spacecraft’s energy. A free-return trajectory, like the one used in Artemis II, is designed for something more specific: a path that naturally loops back to Earth without requiring additional propulsion. It’s less about gaining energy, and more about shaping a trajectory that guarantees a return. To understand why this works, it helps to stop thinking in straight lines. In space, motion follows curves defined by gravity. The spacecraft is constantly falling, first toward Earth, then toward the Moon, and then back toward Earth again. What looks like a loop is really a continuous free fall through a changing gravitational landscape. This way of navigating space reveals something deeper. We tend to think of engines as the drivers of motion, but once a spacecraft is on its way, gravity does most of the work. The art of spaceflight is not just about thrust. It’s about knowing when not to use it. #GoodLuck #Artemis NASA Artemis

Erika 

234,769 Aufrufe • vor 3 Monaten

WHAT IS A MEDBED — It’s not magic. It’s quantum bio-resonance fused with AI diagnostics, scalar frequency therapy, and zero-point field harmonics. Think of it as a quantum MRI, AI surgeon, and energetic regeneration system — all in one. ⸻ HOW DOES IT WORK? 1. FULL BODY QUANTUM SCAN • Scans the biofield (your body’s energetic blueprint). • Detects anomalies at the subatomic level — long before symptoms show. • Quantum sensors read your body like a hyperdimensional fingerprint. 2. CELLULAR TIME REVERSAL • Accesses your original genetic blueprint — the uncorrupted version. • Uses field harmonics to “remind” cells of their ideal state. • It doesn’t just treat — it restores the body to what it was designed to be. 3. ZERO-POINT ENERGY FIELD • Draws limitless energetic fuel from the quantum vacuum. • Your cells absorb this pure energy to accelerate repair, regeneration, and coherence. • This is not “energy healing.” This is quantum field engineering. 4. SCALAR FREQUENCY CORRECTION • Sends precision scalar waves to reprogram damaged cells. • Like frequency acupuncture — no needles, just vibration at the core of matter. • Inflammation, tumors, scar tissue? Disassembled by harmonic codes. ⸻ WHO HAS THIS TECH? • Classified military medical programs • Breakaway science divisions • The same entities deploying Quantum Financial Systems, AI weapons, and clean energy solutions They’ve had it. They just didn’t want you to. ⸻ WHY HAVEN’T WE SEEN IT? Because Big Pharma profits from symptoms, not solutions. They engineered a sick world that can’t heal — because healing ends the business model. A healthy soul doesn’t obey. A healed body doesn’t comply. A clear mind doesn’t consent. So they buried the cure. Laughed at it. Censored it. Because it threatens their entire empire. ⸻ WHY NOW? Because the collapse of their system is happening in real-time: 🔹 Currency reset 🔹 Healthcare exposure 🔹 Quantum rollout They’ll unveil medbeds as a “revolutionary new breakthrough” — but the truth is: 👉 It was always there. Hidden. Waiting. Suppressed. ⸻ THE FUTURE? Is not pills, not surgery, not chemo. The future is vibrational, intelligent, and self-healing. It’s not just about health. It’s about sovereignty — over your body, mind, and frequency. They’ve had the cure. But now, we take the key. They didn’t want you to read this. We go deeper inside👇 — #HealtyNation #MedBedRevolution #QuantumHealing #BigPharmaExposed #ScalarEnergy #QFS #BreakawayScience #BioResonance
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WHAT IS A MEDBED — It’s not magic. It’s quantum bio-resonance fused with AI diagnostics, scalar frequency therapy, and zero-point field harmonics. Think of it as a quantum MRI, AI surgeon, and energetic regeneration system — all in one. ⸻ HOW DOES IT WORK? 1. FULL BODY QUANTUM SCAN • Scans the biofield (your body’s energetic blueprint). • Detects anomalies at the subatomic level — long before symptoms show. • Quantum sensors read your body like a hyperdimensional fingerprint. 2. CELLULAR TIME REVERSAL • Accesses your original genetic blueprint — the uncorrupted version. • Uses field harmonics to “remind” cells of their ideal state. • It doesn’t just treat — it restores the body to what it was designed to be. 3. ZERO-POINT ENERGY FIELD • Draws limitless energetic fuel from the quantum vacuum. • Your cells absorb this pure energy to accelerate repair, regeneration, and coherence. • This is not “energy healing.” This is quantum field engineering. 4. SCALAR FREQUENCY CORRECTION • Sends precision scalar waves to reprogram damaged cells. • Like frequency acupuncture — no needles, just vibration at the core of matter. • Inflammation, tumors, scar tissue? Disassembled by harmonic codes. ⸻ WHO HAS THIS TECH? • Classified military medical programs • Breakaway science divisions • The same entities deploying Quantum Financial Systems, AI weapons, and clean energy solutions They’ve had it. They just didn’t want you to. ⸻ WHY HAVEN’T WE SEEN IT? Because Big Pharma profits from symptoms, not solutions. They engineered a sick world that can’t heal — because healing ends the business model. A healthy soul doesn’t obey. A healed body doesn’t comply. A clear mind doesn’t consent. So they buried the cure. Laughed at it. Censored it. Because it threatens their entire empire. ⸻ WHY NOW? Because the collapse of their system is happening in real-time: 🔹 Currency reset 🔹 Healthcare exposure 🔹 Quantum rollout They’ll unveil medbeds as a “revolutionary new breakthrough” — but the truth is: 👉 It was always there. Hidden. Waiting. Suppressed. ⸻ THE FUTURE? Is not pills, not surgery, not chemo. The future is vibrational, intelligent, and self-healing. It’s not just about health. It’s about sovereignty — over your body, mind, and frequency. They’ve had the cure. But now, we take the key. They didn’t want you to read this. We go deeper inside👇 — #HealtyNation #MedBedRevolution #QuantumHealing #BigPharmaExposed #ScalarEnergy #QFS #BreakawayScience #BioResonance

Mr. Pool

82,956 Aufrufe • vor 1 Jahr

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.
0:13

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,219 Aufrufe • vor 1 Monat

🚨 What If Your Entire Life… Is Just Code? In 2003, philosopher Nick Bostrom published a paper with a question so unsettling that it still echoes through science and philosophy today: What if our entire universe is actually a computer simulation? At first it sounds like science fiction. But the idea is surprisingly logical when you think about the direction technology is heading. Look at how far we have already come. Just a few decades ago, computers could barely display simple graphics. Today, video games create entire worlds filled with cities, forests, weather, and characters that react to our actions. Virtual reality can make our brains feel as if we are standing somewhere else entirely. Now imagine technology thousands—or even millions—of years in the future. A civilization that advanced might possess computers powerful enough to simulate entire planets… entire histories… even entire universes. Inside those simulations could exist conscious beings who believe their world is real. Beings just like us. Bostrom suggested something called “ancestor simulations.” The idea is simple but chilling. Advanced civilizations might run simulations of their past to study history or understand how their species evolved. These simulations would contain billions of simulated people living normal lives, completely unaware that their reality is artificial. If a single advanced civilization created thousands or millions of such simulations, then the number of simulated minds would become vastly greater than the number of real biological minds. And this leads to a disturbing possibility. Statistically speaking, a randomly existing mind would be far more likely to be inside a simulation than in the original reality. In other words… the odds might not be in our favor. Think about your daily life for a moment. The sky above you, the ground beneath your feet, every star in the night sky, every memory you have ever experienced—what if all of it is simply information being processed somewhere else? What if reality itself is being rendered like a giant cosmic video game? Some scientists have even wondered whether strange features of the universe could hint at something deeper. Why do the laws of physics follow precise mathematical rules? Why does the universe appear almost perfectly tuned for life? And why does space and time seem to have limits at the smallest measurable scales? To some thinkers, these questions sound eerily similar to the rules of a programmed system. Of course, none of this proves we live inside a simulation. Many scientists remain skeptical, arguing that simulating an entire universe would require unimaginable amounts of energy and computing power. Others point out that the idea may be impossible to test. But the mystery remains. If advanced civilizations somewhere in the cosmos eventually develop the ability to simulate conscious beings—and if they choose to run these simulations—then billions or trillions of simulated worlds could exist. And in a universe filled with simulations, the most unsettling question of all appears: How do we know ours is the original one? Right now, you are reading these words, feeling the world around you, believing this moment is real. But somewhere, far beyond our understanding, there might be a machine quietly running the code of an entire universe… including you.
0:10

🚨 What If Your Entire Life… Is Just Code? In 2003, philosopher Nick Bostrom published a paper with a question so unsettling that it still echoes through science and philosophy today: What if our entire universe is actually a computer simulation? At first it sounds like science fiction. But the idea is surprisingly logical when you think about the direction technology is heading. Look at how far we have already come. Just a few decades ago, computers could barely display simple graphics. Today, video games create entire worlds filled with cities, forests, weather, and characters that react to our actions. Virtual reality can make our brains feel as if we are standing somewhere else entirely. Now imagine technology thousands—or even millions—of years in the future. A civilization that advanced might possess computers powerful enough to simulate entire planets… entire histories… even entire universes. Inside those simulations could exist conscious beings who believe their world is real. Beings just like us. Bostrom suggested something called “ancestor simulations.” The idea is simple but chilling. Advanced civilizations might run simulations of their past to study history or understand how their species evolved. These simulations would contain billions of simulated people living normal lives, completely unaware that their reality is artificial. If a single advanced civilization created thousands or millions of such simulations, then the number of simulated minds would become vastly greater than the number of real biological minds. And this leads to a disturbing possibility. Statistically speaking, a randomly existing mind would be far more likely to be inside a simulation than in the original reality. In other words… the odds might not be in our favor. Think about your daily life for a moment. The sky above you, the ground beneath your feet, every star in the night sky, every memory you have ever experienced—what if all of it is simply information being processed somewhere else? What if reality itself is being rendered like a giant cosmic video game? Some scientists have even wondered whether strange features of the universe could hint at something deeper. Why do the laws of physics follow precise mathematical rules? Why does the universe appear almost perfectly tuned for life? And why does space and time seem to have limits at the smallest measurable scales? To some thinkers, these questions sound eerily similar to the rules of a programmed system. Of course, none of this proves we live inside a simulation. Many scientists remain skeptical, arguing that simulating an entire universe would require unimaginable amounts of energy and computing power. Others point out that the idea may be impossible to test. But the mystery remains. If advanced civilizations somewhere in the cosmos eventually develop the ability to simulate conscious beings—and if they choose to run these simulations—then billions or trillions of simulated worlds could exist. And in a universe filled with simulations, the most unsettling question of all appears: How do we know ours is the original one? Right now, you are reading these words, feeling the world around you, believing this moment is real. But somewhere, far beyond our understanding, there might be a machine quietly running the code of an entire universe… including you.

Astronomy Vibes

12,290 Aufrufe • vor 4 Monaten

You Can Heal Yourself With Nature Movement - By moving our body we give strength to our muscles, promote blood flow and lymphatic flow enhancing the delivery of nutrients and the removal of waste products. We also create a piezoelectric effect that energises the system. Breathing - The delivery of air into the body through intentional conscious breathing is one of the most powerful modalities for nervous system renewal, mental peace and the delivery of oxygen to the body and the removal of carbonic acid buildup from the system Sunshine - It’s my belief that the more sunlight we absorb without sunscreen, the healthier we will become. A tan looks good because it is healthy and every part of your body thrives when sunlight touches it delivering blood flow as well as a high frequency and energy Grounding - Existing in connection with the earth’s electrical fields resets everything about our energy, reduces inflammation and promotes the movement of proper channels such as detox - it’s a fantastic practice to be connected to nature. Green light - When sunlight moves through trees and leaves we receive Green light by which is very healing and high in near infrared light, in fact it is one of the most healing modalities to absorb in your skin particularly if you have any abrasions or wounds - even more powerful than red light . Fresh air - The first nutrient, having fresh air that is rich in oxygen is absolutely imperative to health and you should always have all of your windows open in the house if possible when not outside. Positive thinking - Whatever you think, shall become and having and cultivating a positive mindset that intentionally brings you positive energy is one of the cornerstones to great health. You can think yourself into sickness and you can think yourself into health so choose to view the world in a positive light and so it’ll be for you.
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You Can Heal Yourself With Nature Movement - By moving our body we give strength to our muscles, promote blood flow and lymphatic flow enhancing the delivery of nutrients and the removal of waste products. We also create a piezoelectric effect that energises the system. Breathing - The delivery of air into the body through intentional conscious breathing is one of the most powerful modalities for nervous system renewal, mental peace and the delivery of oxygen to the body and the removal of carbonic acid buildup from the system Sunshine - It’s my belief that the more sunlight we absorb without sunscreen, the healthier we will become. A tan looks good because it is healthy and every part of your body thrives when sunlight touches it delivering blood flow as well as a high frequency and energy Grounding - Existing in connection with the earth’s electrical fields resets everything about our energy, reduces inflammation and promotes the movement of proper channels such as detox - it’s a fantastic practice to be connected to nature. Green light - When sunlight moves through trees and leaves we receive Green light by which is very healing and high in near infrared light, in fact it is one of the most healing modalities to absorb in your skin particularly if you have any abrasions or wounds - even more powerful than red light . Fresh air - The first nutrient, having fresh air that is rich in oxygen is absolutely imperative to health and you should always have all of your windows open in the house if possible when not outside. Positive thinking - Whatever you think, shall become and having and cultivating a positive mindset that intentionally brings you positive energy is one of the cornerstones to great health. You can think yourself into sickness and you can think yourself into health so choose to view the world in a positive light and so it’ll be for you.

⚡️🌞 Sol Brah 🌞🐬

14,430 Aufrufe • vor 22 Tagen

IT'S NOT WOO WOO, IT'S FACTS. It’s funny how people will unquestioningly believe in Wi-Fi—these invisible waves that effortlessly power our devices and keep us connected—but roll their eyes at the concept of energy, frequency, and vibration as if it’s just “new age” fluff. The truth is, both rely on the same principles of physics. Wi-Fi operates on specific frequencies within the electromagnetic spectrum, transmitting data through vibrations at astounding speeds. These aren’t abstract; they’re fundamental. Nikola Tesla famously said, “If you want to find the secrets of the universe, think in terms of energy, frequency, and vibration.” Every atom vibrates at its own unique frequency. That’s science, not mysticism. The disconnect comes when we talk about applying these concepts to ourselves and the world around us. People will accept that sound waves can shatter glass, but struggle to see how human thoughts and emotions—also energetic vibrations—can affect reality. Yet, studies like those on heart-brain coherence and the measurable frequencies of emotions show that this isn’t just woo-woo—it’s real. Perhaps it’s easier to trust the tangible, like a router or phone, than to explore how these principles play out in the subtleties of life. But Wi-Fi and your own energy field are powered by the same universal truths. It’s time to look deeper. ✨🙌🏾💫
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IT'S NOT WOO WOO, IT'S FACTS. It’s funny how people will unquestioningly believe in Wi-Fi—these invisible waves that effortlessly power our devices and keep us connected—but roll their eyes at the concept of energy, frequency, and vibration as if it’s just “new age” fluff. The truth is, both rely on the same principles of physics. Wi-Fi operates on specific frequencies within the electromagnetic spectrum, transmitting data through vibrations at astounding speeds. These aren’t abstract; they’re fundamental. Nikola Tesla famously said, “If you want to find the secrets of the universe, think in terms of energy, frequency, and vibration.” Every atom vibrates at its own unique frequency. That’s science, not mysticism. The disconnect comes when we talk about applying these concepts to ourselves and the world around us. People will accept that sound waves can shatter glass, but struggle to see how human thoughts and emotions—also energetic vibrations—can affect reality. Yet, studies like those on heart-brain coherence and the measurable frequencies of emotions show that this isn’t just woo-woo—it’s real. Perhaps it’s easier to trust the tangible, like a router or phone, than to explore how these principles play out in the subtleties of life. But Wi-Fi and your own energy field are powered by the same universal truths. It’s time to look deeper. ✨🙌🏾💫

🧬Maxpein🧬

77,157 Aufrufe • vor 1 Jahr

Family isn’t always defined by living under one roof, sharing the same surname, or having a picture-perfect story. Sometimes, it’s choosing each other over and over again despite the changes, the distance, and the chapters life writes differently. Looking at these moments, we’re reminded that a family can be separated by circumstances but never by love. The warmth, respect and support that surround Deej and Kaila from every side of their families show that love doesn’t break when a family changes shape—it simply finds new ways to stay strong. What makes a family whole isn’t perfection. It’s the people who continue to show up, continue to care, and continue to love. And in a world that often chases perfect pictures, this kind of genuine bond is what truly touches the heart. Some families are connected by a house. Others are connected by love and sometimes, love is the stronger foundation of all🥹🧡 it’s safe to say they are are one big happy family! ♡ Kainiel Official ♡ #KailaEstrada #DanielPadilla #KaiNiel
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Family isn’t always defined by living under one roof, sharing the same surname, or having a picture-perfect story. Sometimes, it’s choosing each other over and over again despite the changes, the distance, and the chapters life writes differently. Looking at these moments, we’re reminded that a family can be separated by circumstances but never by love. The warmth, respect and support that surround Deej and Kaila from every side of their families show that love doesn’t break when a family changes shape—it simply finds new ways to stay strong. What makes a family whole isn’t perfection. It’s the people who continue to show up, continue to care, and continue to love. And in a world that often chases perfect pictures, this kind of genuine bond is what truly touches the heart. Some families are connected by a house. Others are connected by love and sometimes, love is the stronger foundation of all🥹🧡 it’s safe to say they are are one big happy family! ♡ Kainiel Official ♡ #KailaEstrada #DanielPadilla #KaiNiel

KaiNiel Official🧡

24,130 Aufrufe • vor 1 Monat

🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨
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🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨

Unearthed 🏺

12,740 Aufrufe • vor 5 Monaten

The first time people see this place, they assume it is AI-generated. It is not. This wonder is real and it has stood in the sea for thirteen hundred years... It is called Mont Saint-Michel, a small island off the coast of Normandy, where a medieval abbey rises in tiers of stone straight out of the sea, climbing to a single golden spire nearly a hundred metres above the water. There is nothing around it. It stands alone in a vast bay, and the effect is so strange that the eye struggles to accept it: a whole city of stone, floating between the water and the sky. What makes it stranger still is that the sea around it disappears. Mont Saint-Michel sits in a bay with the highest tides in continental Europe. Twice a day the ocean retreats for kilometres, leaving the abbey stranded on a desert of wet sand, and twice a day it floods back in and turns the rock into an island again. The same place is, within hours, surrounded by ocean and surrounded by emptiness. For more than a thousand years, this rhythm has never once stopped. Victor Hugo, who loved it, described it perfectly in 1884: “Mont-Saint-Michel is to France what the Great Pyramid is to Egypt.” I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.
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The first time people see this place, they assume it is AI-generated. It is not. This wonder is real and it has stood in the sea for thirteen hundred years... It is called Mont Saint-Michel, a small island off the coast of Normandy, where a medieval abbey rises in tiers of stone straight out of the sea, climbing to a single golden spire nearly a hundred metres above the water. There is nothing around it. It stands alone in a vast bay, and the effect is so strange that the eye struggles to accept it: a whole city of stone, floating between the water and the sky. What makes it stranger still is that the sea around it disappears. Mont Saint-Michel sits in a bay with the highest tides in continental Europe. Twice a day the ocean retreats for kilometres, leaving the abbey stranded on a desert of wet sand, and twice a day it floods back in and turns the rock into an island again. The same place is, within hours, surrounded by ocean and surrounded by emptiness. For more than a thousand years, this rhythm has never once stopped. Victor Hugo, who loved it, described it perfectly in 1884: “Mont-Saint-Michel is to France what the Great Pyramid is to Egypt.” I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

326,436 Aufrufe • vor 22 Tagen

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)
0:18

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Ahad Shams

10,957 Aufrufe • vor 1 Monat

❗️A THREAD >> TL;DR several etsy shops sell widgets that are based on the code they stole from my asset, additionally just dozens of copycats blatantly steal any new original idea some ppl could've seen dozens of similarly looking designs of "liquid goals" on etsy - most of them (not all codewise) originate from one single asset I've put out there in 2023 :D I noticed one widget long time ago on the stream and got a lil confused, because it looks similar to mine, animations are 1:1 (and I remember them FRAME BY FRAME, because I MADE THEM) but it wasn't mine, huh? and then I jumped into the rabbit hole of dozens of assets that were made on the code carcass I made and those people were successfully milking it for years in all the shapes possible examples below are from shops Mynn Yori / Hana Yori and notorious Multiverse Valley, who were already called out for stealing and selling other artists work multiple times CSS code from both are 89% / 98% similar to mine, the difference is just renaming classes like "dropshadow" instead of "bottomshadow" and some values adjustments heh and the thing that pmo me the most is that those ppl couldn't even just copy the idea and make it themselves, huh? besides of those on the screenshot, I don't care about other creators selling the same goal design because I see that they at least made it on their own
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❗️A THREAD >> TL;DR several etsy shops sell widgets that are based on the code they stole from my asset, additionally just dozens of copycats blatantly steal any new original idea some ppl could've seen dozens of similarly looking designs of "liquid goals" on etsy - most of them (not all codewise) originate from one single asset I've put out there in 2023 :D I noticed one widget long time ago on the stream and got a lil confused, because it looks similar to mine, animations are 1:1 (and I remember them FRAME BY FRAME, because I MADE THEM) but it wasn't mine, huh? and then I jumped into the rabbit hole of dozens of assets that were made on the code carcass I made and those people were successfully milking it for years in all the shapes possible examples below are from shops Mynn Yori / Hana Yori and notorious Multiverse Valley, who were already called out for stealing and selling other artists work multiple times CSS code from both are 89% / 98% similar to mine, the difference is just renaming classes like "dropshadow" instead of "bottomshadow" and some values adjustments heh and the thing that pmo me the most is that those ppl couldn't even just copy the idea and make it themselves, huh? besides of those on the screenshot, I don't care about other creators selling the same goal design because I see that they at least made it on their own

Mila | ♡

49,855 Aufrufe • vor 7 Monaten

Awakening means the realisation that much of the reality presented to you is a Lie. Critical thinking is the repetition of asking ‘how’ & ‘why’ until any given concept makes sense. With these two points in mind let me pose a question to you all…..(many will be triggered by the question alone) We are told the Universe is expanding at 160,000mph & that the Great Pyramids are 4,500 years old (other estimates suggest up to 10,000 years). The pyramids were constructed to align with 3 stars that sit across the constellation Orion’s Belt. Many other famous archeological landmarks are also aligned with stars. ALL these landmarks still to this very day perfectly align with the same stars, in exactly the same way since their inception. WHY if the universe is expanding at this extraordinary rate, & therefore both Earth & stars are accelerating at different trajectories - do they still align perfectly today, just as they did thousands of years ago? Regardless of how big the Universe may or may not be - surely this velocity & period of time would mean a change of position, even if ever so slight - would it not? It’s a fair question I think & look forward to your answers……
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Awakening means the realisation that much of the reality presented to you is a Lie. Critical thinking is the repetition of asking ‘how’ & ‘why’ until any given concept makes sense. With these two points in mind let me pose a question to you all…..(many will be triggered by the question alone) We are told the Universe is expanding at 160,000mph & that the Great Pyramids are 4,500 years old (other estimates suggest up to 10,000 years). The pyramids were constructed to align with 3 stars that sit across the constellation Orion’s Belt. Many other famous archeological landmarks are also aligned with stars. ALL these landmarks still to this very day perfectly align with the same stars, in exactly the same way since their inception. WHY if the universe is expanding at this extraordinary rate, & therefore both Earth & stars are accelerating at different trajectories - do they still align perfectly today, just as they did thousands of years ago? Regardless of how big the Universe may or may not be - surely this velocity & period of time would mean a change of position, even if ever so slight - would it not? It’s a fair question I think & look forward to your answers……

Concerned Citizen

18,266 Aufrufe • vor 2 Jahren

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 Aufrufe • vor 2 Jahren