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Built my first fully live custom personalization tool for a product. Interactive scene (made in Rive ) → fully embedded in the webpage: smooth transitions, perfect visuals, full flow, results sent to email. Mobile‑ready too (both vers in video) Try it: What problem do I solve? • Closes the... show more

Daria Nevezhyna

7,089 subscribers

40,923 views • 1 year ago •via X (Twitter)

Science & Technology Education

Anya Rossi• Live Now

Private livecam show

34 Comments

Sebastian 🧰1 year ago

@rive_app Looks really cool! Have you made any course for Rive or any you recommend to start with? :)

Michał Porada1 year ago

@rive_app Daria omg you rock!!!!!!!

amaaan1 year ago

@rive_app I think you should be part of the @rive_app team at this point.

Jordan Gilroy1 year ago

@rive_app So good!

Dave Gamez1 year ago

@rive_app This is really good work, congrats! 🔥

Anuar D.1 year ago

@rive_app Soo cool, rive 🔥🔥

Rafid Anmon1 year ago

@rive_app Amazing work

D-lan1 year ago

@rive_app That's cool afffff

Mike1 year ago

@rive_app Very nice. The cord information at the bottom still says green included when cord is removed. Aesthetics fit the product well.

Yossi Elkrief1 year ago

@rive_app Looks great 👍🏽

Lord Litecoin1 year ago

@rive_app How did you make the perfume bottle and the furniture?

Pavel Abramiankou1 year ago

@rive_app 😍

Saïd Aitmbarek1 year ago

@rive_app conversions would skyrocket, you should sell your prototype to hermes

laercake labs1 year ago

@rive_app Amazing work @darianevezhyna !! Curious if you’re planning on posting a tutorial on how to use?

Vinay Juneja1 year ago

@rive_app Too goood @darianevezhyna 🔥

Aditya Verma9 months ago

@rive_app This is so amazing

Rive Animator1 year ago

@rive_app Wow, nice work! How does the backend work?

Sebastian BO1 year ago

@rive_app Incredible, and so so many opportunities

Oti.1 year ago

@rive_app Simply beautiful

Saint Umukoro1 year ago

@rive_app Honestly every time I come across any of your posts, they just keep blowing my mind

Phantom Phreak1 year ago

@rive_app crazy good

Manish Patel1 year ago

@rive_app Looking nice 🙂☺️

ⲣ ⲏ ⲫ ⲧ ⲫ ⲛ1 year ago

@rive_app neat

Maker Merchant | Design Tradesman1 year ago

@rive_app Uh yeah so this is insanely sick in case you weren't aware

Boxels1 year ago

@rive_app wen tutorial ? :D

Adrian Friend1 year ago

@rive_app delightful ;) how you are sizing the bottles looks great - must be magic as i can't figure out how you did it?!

Zafar1 year ago

@rive_app Seems like plenty of work there.

Max Vento1 year ago

@rive_app Wow this is incredible!

bolade1 year ago

@rive_app beautiful work, Daria!

SA3D UIX1 year ago

@rive_app This is really awesome

Tusk Design1 year ago

@rive_app This is what “modern e-commerce” should look like — great job combining design + logic!

Danish Khan1 year ago

@rive_app You always surprise with your amazingly beautiful creativity Daria!

Himanshu Kumar1 year ago

@rive_app Ignoring the small gains is how you miss the big ones... consistency compounds, esp. in this market.

FormCan1 year ago

@rive_app That’s seriously impressive! 🔥 I love how you brought the interactive scene to life with Rive. Huge win. Congrats on launching your first full personalization tool!

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153,944 views • 4 months ago

I’ve been using Topaz Labs for my video upscaling needs, but choosing the right model depends on what your footage needs. Starlight Precise 2.5 is the detail machine. It’s ideal for sharpening real or older footage, or refining AI video that already has strong structure but needs more clarity and fine detail. Astra 2 is the fixer. I use it for AI-generated footage that needs correction, especially clips with warped details, motion artifacts, flicker, blur or that slightly plastic AI look. Here’s a before-and-after comparison showing both models taking 720p footage to 4K. Two different tools, two different jobs. Be sure to watch in full screen to fully appreciate the difference. Try both at

I’ve been using Topaz Labs for my video upscaling needs, but choosing the right model depends on what your footage needs. Starlight Precise 2.5 is the detail machine. It’s ideal for sharpening real or older footage, or refining AI video that already has strong structure but needs more clarity and fine detail. Astra 2 is the fixer. I use it for AI-generated footage that needs correction, especially clips with warped details, motion artifacts, flicker, blur or that slightly plastic AI look. Here’s a before-and-after comparison showing both models taking 720p footage to 4K. Two different tools, two different jobs. Be sure to watch in full screen to fully appreciate the difference. Try both at

Captain HaHaa

14,983 views • 4 months ago

“blank canvas problem” figma says raw and unformed feelings… this should not be shared. * Look, I love AI! I lead and design products for AI & Data Solutions in one of the largest firms in the world. I use these tools every day. I’m one of the biggest advocates of AI. I do NOT fear it. I leverage it. I appreciate what Figma is trying to do here. Good intentions to help designers build faster. Make the design easier and accessible for everyone. And of course, meanwhile, profit from It. it is a business after all and it is perfectly fine. While I was watching Dylan generate detailed designs from a prompt, I started seeing aspiring designers getting attached to these tools and having everything easy, ready, quick… and a series of questions started to arise in my mind; * ➟ Are we going to see a generation of designers who lack resilience and love/appreciation for craft? ➟ Designers who are easily hurt and seek help from AI tools every time a client raises a criticism for the proposed design? ➟ Are these designers going to blame AI tools for the outcome and not take accountability for it? ➟ Perhaps they will go back to the AI input and generate 20+ options for clients in 5 mins without thinking instead of talking to the client, understanding the product positioning and actually thinking/exploring/working for the best design solution? ➟ Are we going to see lazier designers? and weak, giving up, getting frustrated easily? * Dylan says ”This tool helps us to get past the blank canvas problem” Blank canvas is one of the best parts of this work. A new fresh start with endless possibilities. Staring at the blank screen and reflecting on our past experiences, our conversations with the client, transforming these thoughts on screen pixel by pixel… That’s how we truly understand the problem at hand and grow as designers. You may say I’m being a romantic, trying to stay in the past. No. Again, I build these tools and encourage everyone to leverage them. However, yes, I have concerns. Not about the efficiencies this technology brings, Concerns about; AI may raise a generation of weak-minded designers who lack an appreciation for the craft. * It is 2:14 am, I should go to sleep. I should not share this writing. this is not meant to be for others but for me. just thinking in writing… thinking…. thinking… …

“blank canvas problem” figma says raw and unformed feelings… this should not be shared. * Look, I love AI! I lead and design products for AI & Data Solutions in one of the largest firms in the world. I use these tools every day. I’m one of the biggest advocates of AI. I do NOT fear it. I leverage it. I appreciate what Figma is trying to do here. Good intentions to help designers build faster. Make the design easier and accessible for everyone. And of course, meanwhile, profit from It. it is a business after all and it is perfectly fine. While I was watching Dylan generate detailed designs from a prompt, I started seeing aspiring designers getting attached to these tools and having everything easy, ready, quick… and a series of questions started to arise in my mind; * ➟ Are we going to see a generation of designers who lack resilience and love/appreciation for craft? ➟ Designers who are easily hurt and seek help from AI tools every time a client raises a criticism for the proposed design? ➟ Are these designers going to blame AI tools for the outcome and not take accountability for it? ➟ Perhaps they will go back to the AI input and generate 20+ options for clients in 5 mins without thinking instead of talking to the client, understanding the product positioning and actually thinking/exploring/working for the best design solution? ➟ Are we going to see lazier designers? and weak, giving up, getting frustrated easily? * Dylan says ”This tool helps us to get past the blank canvas problem” Blank canvas is one of the best parts of this work. A new fresh start with endless possibilities. Staring at the blank screen and reflecting on our past experiences, our conversations with the client, transforming these thoughts on screen pixel by pixel… That’s how we truly understand the problem at hand and grow as designers. You may say I’m being a romantic, trying to stay in the past. No. Again, I build these tools and encourage everyone to leverage them. However, yes, I have concerns. Not about the efficiencies this technology brings, Concerns about; AI may raise a generation of weak-minded designers who lack an appreciation for the craft. * It is 2:14 am, I should go to sleep. I should not share this writing. this is not meant to be for others but for me. just thinking in writing… thinking…. thinking… …

Oykun

38,373 views • 2 years ago

I used to think 3D was way too much work for a quick creative idea Then I tried this workflow in MiniMax Design GPT-6 Astra can work with Blender to build the 3D scene from a natural-language prompt, which honestly changes how I think about 3D creation I don’t need to start by figuring out every Blender operation myself I can just describe the scene I have in mind and let Astra handle the technical side Then I can take that 3D result straight into H3 Max Turbo and turn it into a video And the speed here is no joke 15s video → 20s generation Starting at $0.018/s That makes experimenting with different ideas feel so much less expensive in terms of time But the more I use MiniMax Design, the more I realize 3D is only one part of it GPT Image 2.5 opens up another route — generate the visuals and storyboards first, then use H3 Max Turbo to bring those shots together into a video So now I’m basically playing with two different creative paths: Astra + Blender → 3D → H3 Max Turbo GPT Image 2.5 → Storyboard → H3 Max Turbo And having all of these connected inside MiniMax Design makes the whole process feel much more flexible Honestly, I started this just wanting to see what Astra could do with 3D Now I’m way more curious about what happens when I start mixing all these workflows together

I used to think 3D was way too much work for a quick creative idea Then I tried this workflow in MiniMax Design GPT-6 Astra can work with Blender to build the 3D scene from a natural-language prompt, which honestly changes how I think about 3D creation I don’t need to start by figuring out every Blender operation myself I can just describe the scene I have in mind and let Astra handle the technical side Then I can take that 3D result straight into H3 Max Turbo and turn it into a video And the speed here is no joke 15s video → 20s generation Starting at $0.018/s That makes experimenting with different ideas feel so much less expensive in terms of time But the more I use MiniMax Design, the more I realize 3D is only one part of it GPT Image 2.5 opens up another route — generate the visuals and storyboards first, then use H3 Max Turbo to bring those shots together into a video So now I’m basically playing with two different creative paths: Astra + Blender → 3D → H3 Max Turbo GPT Image 2.5 → Storyboard → H3 Max Turbo And having all of these connected inside MiniMax Design makes the whole process feel much more flexible Honestly, I started this just wanting to see what Astra could do with 3D Now I’m way more curious about what happens when I start mixing all these workflows together

haytam

83,103 views • 1 month ago