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Built my first fully live custom personalization tool for a product. Interactive scene (made in Rive ) → fully embedded in the webpage: smooth transitions, perfect visuals, full flow, results sent to email. Mobile‑ready too (both vers in video) Try it: What problem do I solve? • Closes the...

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Daria Nevezhyna

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40,380 просмотров • 1 год назад •via X (Twitter)

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You don’t need a dev team anymore. You need one prompt. Zoer takes your idea and turns it into a fully working app, not just code, but a real product you can use. Here’s what it handles for you: • Database (already structured) • Backend (logic + APIs) • Frontend (clean, production-ready UI) • Auth (Google + email login) • Deployment (live in one click) Most AI tools stop at “here’s your code.” Zoer goes further: It builds the entire system and puts it live. From: “build me a CRM / SaaS / tool” To: A real, working product you can open, test, and share. Try it → No setup. No configs. No extra tools. This is what building should feel like in 2026.
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You don’t need a dev team anymore. You need one prompt. Zoer takes your idea and turns it into a fully working app, not just code, but a real product you can use. Here’s what it handles for you: • Database (already structured) • Backend (logic + APIs) • Frontend (clean, production-ready UI) • Auth (Google + email login) • Deployment (live in one click) Most AI tools stop at “here’s your code.” Zoer goes further: It builds the entire system and puts it live. From: “build me a CRM / SaaS / tool” To: A real, working product you can open, test, and share. Try it → No setup. No configs. No extra tools. This is what building should feel like in 2026.

Tanvir

18,160 просмотров • 4 месяцев назад

Packaging design used to feel like a job for professional designers. Then I tried Packify AI. You can start with a simple product idea and turn it into a complete packaging concept through AI without spending hours in complicated design software. The interesting part is what happens after the first design: → Edit individual layers → Generate realistic AI product photos → Preview the package in 3D → Export production-ready dielines The whole workflow feels like: Idea → Design → Edit → Product photo → 3D preview → Dieline Less back-and-forth. Less technical setup. More time to focus on the actual product. A useful tool for designers, e-commerce sellers, and anyone building a physical product. Try it free: Use my code RIAZ20 for 20% off. Packify AI #aidesign #packifydesign #packifyai
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Packaging design used to feel like a job for professional designers. Then I tried Packify AI. You can start with a simple product idea and turn it into a complete packaging concept through AI without spending hours in complicated design software. The interesting part is what happens after the first design: → Edit individual layers → Generate realistic AI product photos → Preview the package in 3D → Export production-ready dielines The whole workflow feels like: Idea → Design → Edit → Product photo → 3D preview → Dieline Less back-and-forth. Less technical setup. More time to focus on the actual product. A useful tool for designers, e-commerce sellers, and anyone building a physical product. Try it free: Use my code RIAZ20 for 20% off. Packify AI #aidesign #packifydesign #packifyai

Md Riyazuddin

27,246 просмотров • 17 дней назад

Been using Grok Build these past few days, and the thing that really got me hooked is Imagine and Imagine Video. I built a full dinosaur encyclopedia site — every image, every video clip on it, all generated by Grok itself. One prompt: "build a dinosaur encyclopedia site, generate matching images and videos, add them in" — visuals, video, copy, layout, the whole thing done in one flow. No jumping between a dozen tools. It's perfect for building science and education sites for kids — dinosaurs, space, animals, history, geography… Grok generates vivid visuals and videos that make knowledge way easier to grasp, more visual, more fun.
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Been using Grok Build these past few days, and the thing that really got me hooked is Imagine and Imagine Video. I built a full dinosaur encyclopedia site — every image, every video clip on it, all generated by Grok itself. One prompt: "build a dinosaur encyclopedia site, generate matching images and videos, add them in" — visuals, video, copy, layout, the whole thing done in one flow. No jumping between a dozen tools. It's perfect for building science and education sites for kids — dinosaurs, space, animals, history, geography… Grok generates vivid visuals and videos that make knowledge way easier to grasp, more visual, more fun.

WY

1,991,011 просмотров • 3 месяцев назад

I’m not a 3D artist, but I had so much fun today testing Slop Unbound and creating cute creatures and models for the first time It’s FREE, experimental, easy to play with, and honestly, one of the most fun ways I’ve used AI for visual creation because you get real control instead of just prompting and hoping for the best You do not need to rely only on Blender anymore AI can simplify your workflow and make 3D creation feel much more accessible If you are into 3D art, character design, or just curious about new creative tools, you should absolutely test it. It’s fast, fun, and surprisingly addictive I’ll share more in the coming days, but for now, go try it yourself for FREE and share your results. I think you’re going to love it, link in the first comment 👇🏻
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I’m not a 3D artist, but I had so much fun today testing Slop Unbound and creating cute creatures and models for the first time It’s FREE, experimental, easy to play with, and honestly, one of the most fun ways I’ve used AI for visual creation because you get real control instead of just prompting and hoping for the best You do not need to rely only on Blender anymore AI can simplify your workflow and make 3D creation feel much more accessible If you are into 3D art, character design, or just curious about new creative tools, you should absolutely test it. It’s fast, fun, and surprisingly addictive I’ll share more in the coming days, but for now, go try it yourself for FREE and share your results. I think you’re going to love it, link in the first comment 👇🏻

Amira Zairi

32,890 просмотров • 4 месяцев назад

NEW TOOL: It's a fully in-browser binary/file analysis tool with a hex editor. Features: - Hex editor and you can save the edited file - Mach-O symbols - ELF and PE basic metadata - Zip file contents - Fully client-side in-browser, so it is private and the files are never sent anywhere This is meant as a basic and quick tool to check simple metadata and do hex edits. If you need something more robust for malware analysis consider other tools like Malcore™ aka Malcore.io™ or just use a cli/native tool. Shoutout to Battle Programmer Yuu for inspiring me to use Unifont that I stole from tmp.0ut (it looks so good!) The code is all generated by Claude in Cursor and hosted on Github Pages. I don't really do any binary analysis, so if you have suggestions for improvements, let me know. (this is technically 'early access' and i haven't tested it too much)
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NEW TOOL: It's a fully in-browser binary/file analysis tool with a hex editor. Features: - Hex editor and you can save the edited file - Mach-O symbols - ELF and PE basic metadata - Zip file contents - Fully client-side in-browser, so it is private and the files are never sent anywhere This is meant as a basic and quick tool to check simple metadata and do hex edits. If you need something more robust for malware analysis consider other tools like Malcore™ aka Malcore.io™ or just use a cli/native tool. Shoutout to Battle Programmer Yuu for inspiring me to use Unifont that I stole from tmp.0ut (it looks so good!) The code is all generated by Claude in Cursor and hosted on Github Pages. I don't really do any binary analysis, so if you have suggestions for improvements, let me know. (this is technically 'early access' and i haven't tested it too much)

solst/ICE of Astarte

143,621 просмотров • 1 год назад

🔥 Unreal Engine 5 is wild. Such a powerful tool for cinematic storytelling! 😻 📺 Made this short video entirely entirely in-engine with marketplace 3D assets, and a sprinkle of GPT for scripting assistance. Hope you enjoyed my voice acting too 😂 🤯 Doing this the “good old fashioned” way — hopping between 3D tools like Maya, then compositing tools like After Effects, then editorial tools like Premiere would have taken *so* much longer. Amazing to be able do it all in one real-time playground! ⚙️ Next, I want to utilize synthetic AI voices, and take on a more ambitious narrative 🎥 Drop me your ideas on what you’d like to see!
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🔥 Unreal Engine 5 is wild. Such a powerful tool for cinematic storytelling! 😻 📺 Made this short video entirely entirely in-engine with marketplace 3D assets, and a sprinkle of GPT for scripting assistance. Hope you enjoyed my voice acting too 😂 🤯 Doing this the “good old fashioned” way — hopping between 3D tools like Maya, then compositing tools like After Effects, then editorial tools like Premiere would have taken *so* much longer. Amazing to be able do it all in one real-time playground! ⚙️ Next, I want to utilize synthetic AI voices, and take on a more ambitious narrative 🎥 Drop me your ideas on what you’d like to see!

Bilawal Sidhu

713,915 просмотров • 3 лет назад

this animated AI ad did ~$62k in sales last month no dentist no clinic footage no influencer testimonials just a hyper-real 3D cavity visual that makes you uncomfortable in the first second cracked enamel dark decay spreading one simple headline “if this doesn’t help reverse cavities, you don’t pay” the creative does all the work people stop because the visual is disturbing they keep watching because they want to see the fix 10 years ago this type of animation required a studio today one person with AI tools can generate it in a few hours health ads are shifting from filmed content to engineered visuals designed to trigger attention rt + comment “teeth” and i’ll send the full breakdown (follow for dm)
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this animated AI ad did ~$62k in sales last month no dentist no clinic footage no influencer testimonials just a hyper-real 3D cavity visual that makes you uncomfortable in the first second cracked enamel dark decay spreading one simple headline “if this doesn’t help reverse cavities, you don’t pay” the creative does all the work people stop because the visual is disturbing they keep watching because they want to see the fix 10 years ago this type of animation required a studio today one person with AI tools can generate it in a few hours health ads are shifting from filmed content to engineered visuals designed to trigger attention rt + comment “teeth” and i’ll send the full breakdown (follow for dm)

Zed

16,352 просмотров • 5 месяцев назад

THIS GUY BUILT A SCREEN RECORDER THAT MAKES YOUR DEMOS LOOK LIKE AN APPLE COMMERCIAL every founder right now has the same problem. you build something cool but your demo video looks HORRIBLE (like a janky screen recording from 2014) this tool records your screen and automatically makes it look cinematic here's what it does: > records both screen and screenshots in one app (most tools only do one) > multi-window support where each window is a separate layer you can rearrange after recording > 3D scenes, virtual backgrounds, and a simulated camera lens for cinematic shots > smooth or instant zooms, transitions, custom cursors, and auto-replaced desktop backgrounds > add and mix audio and music directly in the editor > standard 2D polish too if you don't need the 3D stuff it even gives you the option to render your recording inside a 3D macbook mockup so the final output looks like an actual apple keynote presentation if you've ever tried to make a product demo look professional, you probably know the pain. you either spend hours in premiere or after effects doing it manually, or you pay someone to do it, or you just ship an ugly screen recording and hope nobody judges your product by the video now you can just record your screen normally and it handles the polish automatically for anyone shipping a landing page, a product hunt launch, an app store listing, or a pitch deck, the demo video is usually the first thing people see and most of the time it's the weakest part of the whole launch this fixes that without needing any video editing experience
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THIS GUY BUILT A SCREEN RECORDER THAT MAKES YOUR DEMOS LOOK LIKE AN APPLE COMMERCIAL every founder right now has the same problem. you build something cool but your demo video looks HORRIBLE (like a janky screen recording from 2014) this tool records your screen and automatically makes it look cinematic here's what it does: > records both screen and screenshots in one app (most tools only do one) > multi-window support where each window is a separate layer you can rearrange after recording > 3D scenes, virtual backgrounds, and a simulated camera lens for cinematic shots > smooth or instant zooms, transitions, custom cursors, and auto-replaced desktop backgrounds > add and mix audio and music directly in the editor > standard 2D polish too if you don't need the 3D stuff it even gives you the option to render your recording inside a 3D macbook mockup so the final output looks like an actual apple keynote presentation if you've ever tried to make a product demo look professional, you probably know the pain. you either spend hours in premiere or after effects doing it manually, or you pay someone to do it, or you just ship an ugly screen recording and hope nobody judges your product by the video now you can just record your screen normally and it handles the polish automatically for anyone shipping a landing page, a product hunt launch, an app store listing, or a pitch deck, the demo video is usually the first thing people see and most of the time it's the weakest part of the whole launch this fixes that without needing any video editing experience

Om Patel

155,691 просмотров • 3 месяцев назад

What about a 2 day version? After Andrew Price posted about the two extremes (fully manual vs fully AI car modeling), I wanted to try a hybrid approach. Not sure if his examples were more film or game-focused, but I’m aiming for a game-ready asset. Using AssetHub for the main workflow hub. Because of the canvas and part splitting tools , iterating is smooth here. Generating high poly meshes with Tripo inside AssetHub. Retopoly with Hunyuan 3D Studio. Texturing with Trellis2 in ComfyUI. Did some manual modeling for the rims since i still dont trust AI generated rims being 100% circular😄 Assembly in Blender. End result: car exterior + interior 36K tris. Wheels total still 32K hehe. I’d bake those tire detail normals onto a simple cylinder next. In UEFN / Unreal Engine i used a clear coat material to give the car some nice reflections. Is it perfect? No. retopo and texturing are still the weak spots, but that gap is closing. Would I use this in a game? 100%! (after improving the tires). If you want to try AssetHub, you can sign up and use JR1627 to skip the waitlist.
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What about a 2 day version? After Andrew Price posted about the two extremes (fully manual vs fully AI car modeling), I wanted to try a hybrid approach. Not sure if his examples were more film or game-focused, but I’m aiming for a game-ready asset. Using AssetHub for the main workflow hub. Because of the canvas and part splitting tools , iterating is smooth here. Generating high poly meshes with Tripo inside AssetHub. Retopoly with Hunyuan 3D Studio. Texturing with Trellis2 in ComfyUI. Did some manual modeling for the rims since i still dont trust AI generated rims being 100% circular😄 Assembly in Blender. End result: car exterior + interior 36K tris. Wheels total still 32K hehe. I’d bake those tire detail normals onto a simple cylinder next. In UEFN / Unreal Engine i used a clear coat material to give the car some nice reflections. Is it perfect? No. retopo and texturing are still the weak spots, but that gap is closing. Would I use this in a game? 100%! (after improving the tires). If you want to try AssetHub, you can sign up and use JR1627 to skip the waitlist.

Jerome | InsaneUnreal

26,608 просмотров • 4 месяцев назад

Warming up before coming back to YT. Today: the "clinical look" in web design. Sometimes a design feels too clean. Too perfect. Too digital. It looks polished, but also flat, with no depth, texture, or character. Making things feel less perfect in Figma can actually be pretty hard. In photography, people often switch to vintage lenses to get a softer, less digital look. In web design, we can do something similar by changing the tools we use. Here are some of the tools we use: Effect app - quick way to add depth of field, motion blur, CRT emulation, pixelation, and other effects. DaVinci Resolve / After Effects - better for motion blur, depth of field, lens simulation, and grain. More control, but more complex. Photoshop / Affinity Designer - useful for textures, brushes. Blender / Cinema 4D - great for natural light simulation, complex animation, and almost any visual effect you can imagine. WebGL - increasingly useful for building micro-apps that create a specific look. Try Gemini 3.1 Pro for that. If you like this format, let me know. I’m trying to find something useful for you, but easier to produce than the videos we were making a year ago.
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Warming up before coming back to YT. Today: the "clinical look" in web design. Sometimes a design feels too clean. Too perfect. Too digital. It looks polished, but also flat, with no depth, texture, or character. Making things feel less perfect in Figma can actually be pretty hard. In photography, people often switch to vintage lenses to get a softer, less digital look. In web design, we can do something similar by changing the tools we use. Here are some of the tools we use: Effect app - quick way to add depth of field, motion blur, CRT emulation, pixelation, and other effects. DaVinci Resolve / After Effects - better for motion blur, depth of field, lens simulation, and grain. More control, but more complex. Photoshop / Affinity Designer - useful for textures, brushes. Blender / Cinema 4D - great for natural light simulation, complex animation, and almost any visual effect you can imagine. WebGL - increasingly useful for building micro-apps that create a specific look. Try Gemini 3.1 Pro for that. If you like this format, let me know. I’m trying to find something useful for you, but easier to produce than the videos we were making a year ago.

Alex Barashkov

11,942 просмотров • 5 месяцев назад

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.
3:02

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

Ivan Flugelman — VVSVS™

211,873 просмотров • 13 дней назад

I’ve tested dozens of AI video tools for ecommerce ads. Most still look obviously fake. They either distort the product, break character consistency, or completely miss the pacing that makes viral content actually work. Wizstar was the first one that genuinely surprised me. I tested Wizstar’s Wizstar_official Video Reference workflow using a viral-style ad, and honestly… I wasn’t ready for how accurate it would be. It didn’t just “generate a similar video.” It recreated the entire feel of a high-performing ad — the pacing, the transitions, the camera movements, even that subtle “social-first” storytelling rhythm that usually takes real creative teams to get right. And the wild part is… it still kept the product completely stable across brand-new scenes. No distortions. No weird AI shifts. Just clean, consistent visuals from start to finish. What really impressed me is that Video Reference isn’t just copying visuals at all. It actually analyzes the structure behind viral ecommerce content — things like: - how the hook is built, - how attention is retained across cuts, - and how emotion is paced through the video. Then it rebuilds that logic into a completely new ad, optimized for product testing and fast campaign iteration. And it feels like it understands performance content. The workflow also handled synchronized audiovisual timing surprisingly well — cuts land where they should, motion matches the sound, and the storytelling flow feels intentionally designed, not randomly generated. Combined with stable product consistency and influencer-style framing, the final output honestly felt closer to a real paid social campaign than anything I’d expect from an AI tool. What surprised me is that Wizstar isn’t powered by just one model—it orchestrates multiple top-tier AI models, including Seedance 2.0, and even supports face input out of the box. If you’re curious to try it yourself, you can test it here: New users get free credits, and the first membership is only $19 — plus a complimentary 30-second E-commerce Agent experience included. #Wizstar
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I’ve tested dozens of AI video tools for ecommerce ads. Most still look obviously fake. They either distort the product, break character consistency, or completely miss the pacing that makes viral content actually work. Wizstar was the first one that genuinely surprised me. I tested Wizstar’s Wizstar_official Video Reference workflow using a viral-style ad, and honestly… I wasn’t ready for how accurate it would be. It didn’t just “generate a similar video.” It recreated the entire feel of a high-performing ad — the pacing, the transitions, the camera movements, even that subtle “social-first” storytelling rhythm that usually takes real creative teams to get right. And the wild part is… it still kept the product completely stable across brand-new scenes. No distortions. No weird AI shifts. Just clean, consistent visuals from start to finish. What really impressed me is that Video Reference isn’t just copying visuals at all. It actually analyzes the structure behind viral ecommerce content — things like: - how the hook is built, - how attention is retained across cuts, - and how emotion is paced through the video. Then it rebuilds that logic into a completely new ad, optimized for product testing and fast campaign iteration. And it feels like it understands performance content. The workflow also handled synchronized audiovisual timing surprisingly well — cuts land where they should, motion matches the sound, and the storytelling flow feels intentionally designed, not randomly generated. Combined with stable product consistency and influencer-style framing, the final output honestly felt closer to a real paid social campaign than anything I’d expect from an AI tool. What surprised me is that Wizstar isn’t powered by just one model—it orchestrates multiple top-tier AI models, including Seedance 2.0, and even supports face input out of the box. If you’re curious to try it yourself, you can test it here: New users get free credits, and the first membership is only $19 — plus a complimentary 30-second E-commerce Agent experience included. #Wizstar

Doreen

153,944 просмотров • 3 месяцев назад

I’ve been using Topaz Labs for my video upscaling needs, but choosing the right model depends on what your footage needs. Starlight Precise 2.5 is the detail machine. It’s ideal for sharpening real or older footage, or refining AI video that already has strong structure but needs more clarity and fine detail. Astra 2 is the fixer. I use it for AI-generated footage that needs correction, especially clips with warped details, motion artifacts, flicker, blur or that slightly plastic AI look. Here’s a before-and-after comparison showing both models taking 720p footage to 4K. Two different tools, two different jobs. Be sure to watch in full screen to fully appreciate the difference. Try both at
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I’ve been using Topaz Labs for my video upscaling needs, but choosing the right model depends on what your footage needs. Starlight Precise 2.5 is the detail machine. It’s ideal for sharpening real or older footage, or refining AI video that already has strong structure but needs more clarity and fine detail. Astra 2 is the fixer. I use it for AI-generated footage that needs correction, especially clips with warped details, motion artifacts, flicker, blur or that slightly plastic AI look. Here’s a before-and-after comparison showing both models taking 720p footage to 4K. Two different tools, two different jobs. Be sure to watch in full screen to fully appreciate the difference. Try both at

Captain HaHaa

14,983 просмотров • 2 месяцев назад

Made a personalised Santa clip in under a minute. It actually sounds and looks smooth. Perfect for last-minute smiles. So here’s what this new Santa Generator actually does: It lets you create a fully personalised Santa video directly in your browser. No account. No editing. No switching tools. You type a name. Add one or two personal details. And the generator builds a clean, realistic Santa message in seconds. What makes it impressive is the simplicity. Everything happens in one place. You don’t upload anything. You don’t record anything. You don’t adjust any settings. The output looks polished, the voice sounds natural, and the personalisation lands really well for kids, friends, teams, anyone you want to send a quick festive moment to. For creators and busy people, this is the kind of micro-feature that removes friction and delivers instant value. A small use case, but a very smart execution. If you want to test it, here’s the tool I used: #MadeWithSynthesia Synthesia 🎥
0:29

Made a personalised Santa clip in under a minute. It actually sounds and looks smooth. Perfect for last-minute smiles. So here’s what this new Santa Generator actually does: It lets you create a fully personalised Santa video directly in your browser. No account. No editing. No switching tools. You type a name. Add one or two personal details. And the generator builds a clean, realistic Santa message in seconds. What makes it impressive is the simplicity. Everything happens in one place. You don’t upload anything. You don’t record anything. You don’t adjust any settings. The output looks polished, the voice sounds natural, and the personalisation lands really well for kids, friends, teams, anyone you want to send a quick festive moment to. For creators and busy people, this is the kind of micro-feature that removes friction and delivers instant value. A small use case, but a very smart execution. If you want to test it, here’s the tool I used: #MadeWithSynthesia Synthesia 🎥

Darshal Jaitwar

32,154 просмотров • 9 месяцев назад

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!
2:17

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!

aVersionOfReality

14,679 просмотров • 1 год назад

“blank canvas problem” figma says raw and unformed feelings… this should not be shared. * Look, I love AI! I lead and design products for AI & Data Solutions in one of the largest firms in the world. I use these tools every day. I’m one of the biggest advocates of AI. I do NOT fear it. I leverage it. I appreciate what Figma is trying to do here. Good intentions to help designers build faster. Make the design easier and accessible for everyone. And of course, meanwhile, profit from It. it is a business after all and it is perfectly fine. While I was watching Dylan generate detailed designs from a prompt, I started seeing aspiring designers getting attached to these tools and having everything easy, ready, quick… and a series of questions started to arise in my mind; * ➟ Are we going to see a generation of designers who lack resilience and love/appreciation for craft? ➟ Designers who are easily hurt and seek help from AI tools every time a client raises a criticism for the proposed design? ➟ Are these designers going to blame AI tools for the outcome and not take accountability for it? ➟ Perhaps they will go back to the AI input and generate 20+ options for clients in 5 mins without thinking instead of talking to the client, understanding the product positioning and actually thinking/exploring/working for the best design solution? ➟ Are we going to see lazier designers? and weak, giving up, getting frustrated easily? * Dylan says ”This tool helps us to get past the blank canvas problem” Blank canvas is one of the best parts of this work. A new fresh start with endless possibilities. Staring at the blank screen and reflecting on our past experiences, our conversations with the client, transforming these thoughts on screen pixel by pixel… That’s how we truly understand the problem at hand and grow as designers. You may say I’m being a romantic, trying to stay in the past. No. Again, I build these tools and encourage everyone to leverage them. However, yes, I have concerns. Not about the efficiencies this technology brings, Concerns about; AI may raise a generation of weak-minded designers who lack an appreciation for the craft. * It is 2:14 am, I should go to sleep. I should not share this writing. this is not meant to be for others but for me. just thinking in writing… thinking…. thinking… …
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“blank canvas problem” figma says raw and unformed feelings… this should not be shared. * Look, I love AI! I lead and design products for AI & Data Solutions in one of the largest firms in the world. I use these tools every day. I’m one of the biggest advocates of AI. I do NOT fear it. I leverage it. I appreciate what Figma is trying to do here. Good intentions to help designers build faster. Make the design easier and accessible for everyone. And of course, meanwhile, profit from It. it is a business after all and it is perfectly fine. While I was watching Dylan generate detailed designs from a prompt, I started seeing aspiring designers getting attached to these tools and having everything easy, ready, quick… and a series of questions started to arise in my mind; * ➟ Are we going to see a generation of designers who lack resilience and love/appreciation for craft? ➟ Designers who are easily hurt and seek help from AI tools every time a client raises a criticism for the proposed design? ➟ Are these designers going to blame AI tools for the outcome and not take accountability for it? ➟ Perhaps they will go back to the AI input and generate 20+ options for clients in 5 mins without thinking instead of talking to the client, understanding the product positioning and actually thinking/exploring/working for the best design solution? ➟ Are we going to see lazier designers? and weak, giving up, getting frustrated easily? * Dylan says ”This tool helps us to get past the blank canvas problem” Blank canvas is one of the best parts of this work. A new fresh start with endless possibilities. Staring at the blank screen and reflecting on our past experiences, our conversations with the client, transforming these thoughts on screen pixel by pixel… That’s how we truly understand the problem at hand and grow as designers. You may say I’m being a romantic, trying to stay in the past. No. Again, I build these tools and encourage everyone to leverage them. However, yes, I have concerns. Not about the efficiencies this technology brings, Concerns about; AI may raise a generation of weak-minded designers who lack an appreciation for the craft. * It is 2:14 am, I should go to sleep. I should not share this writing. this is not meant to be for others but for me. just thinking in writing… thinking…. thinking… …

Oykun

38,358 просмотров • 2 лет назад

Newtake, an AI video creation platform that creates cinematic-quality videos. It made its global debut in Korea. What impressed me most was how it made the visuals and character designs look more aligned and natural, as seen in this headphone ad. Many AI videos still fall short in handling visual details and character expressions, but Newtake, with its professional lighting setup, 3D director's stage, and detailed character retouching, delivers significantly more realistic results, especially for close-up shots. If you're creating ads, music videos, or story-driven content, that level of consistency makes a big difference. It's also nice that the whole workflow, from scripting to the final video, can be done in one place instead of juggling multiple tools. There’s up to 40% off on annual subscriptions, plus 50 free credits every day just by logging in. The launch promotion is only available for the first two weeks, then prices go back to normal. Newtake_KR #Newtake #Seedance25 #MiniMaxH3 #NanoBanana
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Newtake, an AI video creation platform that creates cinematic-quality videos. It made its global debut in Korea. What impressed me most was how it made the visuals and character designs look more aligned and natural, as seen in this headphone ad. Many AI videos still fall short in handling visual details and character expressions, but Newtake, with its professional lighting setup, 3D director's stage, and detailed character retouching, delivers significantly more realistic results, especially for close-up shots. If you're creating ads, music videos, or story-driven content, that level of consistency makes a big difference. It's also nice that the whole workflow, from scripting to the final video, can be done in one place instead of juggling multiple tools. There’s up to 40% off on annual subscriptions, plus 50 free credits every day just by logging in. The launch promotion is only available for the first two weeks, then prices go back to normal. Newtake_KR #Newtake #Seedance25 #MiniMaxH3 #NanoBanana

Theinfralab

32,061 просмотров • 24 дней назад

Sora 2 API + n8n is f*cking wild 🤯 This AI system generates unlimited UGC videos using n8n + the Sora 2 API. Fully automated. No watermarks. HD quality. Perfect for e-commerce brands & agencies who need to scale content without scaling costs. Most teams are still paying $10k+/month for influencer content... Meanwhile, with the Sora 2 API: One product photo → 50+ HD videos with no watermarks → full commercial rights → pennies per video. Here's how it works: → Upload a product image to n8n → Add your creative brief + select video length → Sora 2 API generates HD UGC automatically → Get unboxings, demos, lifestyle shots & product showcases → Videos ready instantly—no watermarks, no hassle Built 100% in n8n. Ready for production. Want the full n8n workflow? > Comment "SORA" + > like this post And I'll send it over (must be following so I can DM)
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Sora 2 API + n8n is f*cking wild 🤯 This AI system generates unlimited UGC videos using n8n + the Sora 2 API. Fully automated. No watermarks. HD quality. Perfect for e-commerce brands & agencies who need to scale content without scaling costs. Most teams are still paying $10k+/month for influencer content... Meanwhile, with the Sora 2 API: One product photo → 50+ HD videos with no watermarks → full commercial rights → pennies per video. Here's how it works: → Upload a product image to n8n → Add your creative brief + select video length → Sora 2 API generates HD UGC automatically → Get unboxings, demos, lifestyle shots & product showcases → Videos ready instantly—no watermarks, no hassle Built 100% in n8n. Ready for production. Want the full n8n workflow? > Comment "SORA" + > like this post And I'll send it over (must be following so I can DM)

Mike Futia

14,468 просмотров • 9 месяцев назад

Introducing OpenVenice — an open-source, customizable frontend for Venice. Your API key stays in your browser, talks directly to Venice. No server, no backend. - Chat, image gen, audio, music, video, embeddings — everything venice offers in one clean UI - Visual workflows — chain models together (vision → LLM → image gen -> video gen). Venice is multimodal so you can build some really powerful workflows - Full control over every model parameter - Runs locally, deploys anywhere — zero infrastructure I'm a $DIEM holder and heavy Venice user. The models are solid and website is great but I kept wanting more freedom with the UX — more control, custom tools, being able to give it access to my local computer, multimodal chaining -- something I could shape to how I actually work. Didn't exist, so I built it. Feel free to fork and make it yours. Open source, MIT licensed.
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Introducing OpenVenice — an open-source, customizable frontend for Venice. Your API key stays in your browser, talks directly to Venice. No server, no backend. - Chat, image gen, audio, music, video, embeddings — everything venice offers in one clean UI - Visual workflows — chain models together (vision → LLM → image gen -> video gen). Venice is multimodal so you can build some really powerful workflows - Full control over every model parameter - Runs locally, deploys anywhere — zero infrastructure I'm a $DIEM holder and heavy Venice user. The models are solid and website is great but I kept wanting more freedom with the UX — more control, custom tools, being able to give it access to my local computer, multimodal chaining -- something I could shape to how I actually work. Didn't exist, so I built it. Feel free to fork and make it yours. Open source, MIT licensed.

nikshep

40,500 просмотров • 5 месяцев назад