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By Statique“Dragon Lookdev Turntable”For Stormfall by Plarium Statique;"materials rendering texturing compositing" Deforms;A Kratinov VFX;I Velichko Animation;O Rogoza Design;N Nikizar Rig;A Hrazhdan Director/Supervisor;V Lisovsky #dragon #animation #3D

Josh Purple

12,386 subscribers

62,425 次观看 • 3 年前 •via X (Twitter)

艺术 #dragon #animation #3D

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11 条评论

rogue node 的头像

rogue node3 年前

wonderful!!

Josh Purple 的头像

Josh Purple3 年前

🥳👍🏆!

Moescape AI 的头像

Moescape AI1 年前

Sign up & create wholesome anime art on Moescape AI now!

もふもふ的头像

もふもふ3 年前

360°cool♡^ - ^)b"

Josh Purple 的头像

Josh Purple3 年前

😁👍🏆!

SOILA VFX 🇨🇦 的头像

SOILA VFX 🇨🇦3 年前

Where can We download ?

Josh Purple 的头像

Josh Purple3 年前

This has a download link for Stormfall; I'm guessing you are looking for the dragon model download? Not so sure about where to get that (I googled for the Stormfall dragon model download, etc. didn't find it). If I can find it, I'll let you know 🙂!

SATAN🇮🇱 的头像

SATAN🇮🇱3 年前

i will hunt you dragon😏

Josh Purple 的头像

Josh Purple3 年前

🥳👍🏆!

Ewerwolf 的头像

Ewerwolf3 年前

@SOUTHCHINA421 Great job! It is not inferior in quality to Hollywood! Are you planning to portray him in flight? It would be very interesting to see this.

Josh Purple 的头像

Josh Purple3 年前

@SOUTHCHINA421 Agreed, -their team did incredible work 🥳👍🏆! I believe the dragon is being used in the game Stormfall 🙂 .

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I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

Ibrahim Boona

58,625 次观看 • 4 个月前

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

Caden Flux

30,264 次观看 • 26 天前

NOT AI - Spider-Man Iron Suit vs GIANTPENI with help from WHITEFOX Giant tech robot vs Spideys techies suit! I love getting to do animations like this. I always had a specific idea of how Iron Spider would move and I think we did a lot of cool stuff. Once I knew Whitefox would turn into an Actual giant Fox, I immediately wanted to do a KAIJU fight! Also this one was a massive dream come true since we got to work with my favourite version of Spider-man! Josh Keaton . Thank you marvel rivals for sponsoring this video! Play Marvel Rivals FREE Directed by Sarp Serter Lighting and lookdev Gaucho Digital Animated by Sarp Serter Teko 🌌🥐 Keaton Logsdon @loopin_art Zeemvfx JC Jimmy Saunders Benjamín. Asset Models @diego_peralta3d Asset Textures berkay kaya.tk 2D FX benjamin.wahl Composer @Marcus_Hedges_Composer Audio Direction @Marcus_Hedges_Composer Sound Design @curtisfalkingham Electric Guitar - Julian 'Julz' Villarreal - @julzznghosts Voice acting - Josh Keaton . #marvelrivals #marvel #animation #whitefox #spiderman

NOT AI - Spider-Man Iron Suit vs GIANTPENI with help from WHITEFOX Giant tech robot vs Spideys techies suit! I love getting to do animations like this. I always had a specific idea of how Iron Spider would move and I think we did a lot of cool stuff. Once I knew Whitefox would turn into an Actual giant Fox, I immediately wanted to do a KAIJU fight! Also this one was a massive dream come true since we got to work with my favourite version of Spider-man! Josh Keaton . Thank you marvel rivals for sponsoring this video! Play Marvel Rivals FREE Directed by Sarp Serter Lighting and lookdev Gaucho Digital Animated by Sarp Serter Teko 🌌🥐 Keaton Logsdon @loopin_art Zeemvfx JC Jimmy Saunders Benjamín. Asset Models @diego_peralta3d Asset Textures berkay kaya.tk 2D FX benjamin.wahl Composer @Marcus_Hedges_Composer Audio Direction @Marcus_Hedges_Composer Sound Design @curtisfalkingham Electric Guitar - Julian 'Julz' Villarreal - @julzznghosts Voice acting - Josh Keaton . #marvelrivals #marvel #animation #whitefox #spiderman

Sarp Serter

1,523,438 次观看 • 4 个月前

Speed of Love is a high-octane show created by 3D Generalist Yoon Ho Choi. Niagara and Sequencer were combined to create fast-paced action with stylized impact, allowing for precise timing and real-time visual feedback throughout production 🚀 Regarding tips around the project, here's what Yoon Ho Choi had to share: "The CineCamera Rig played a significant role in bringing the spaceship chase scenes to life. It’s a powerful tool for crafting dynamic, cinematic animation. I assembled all the spaceship components using a Blueprint, which gave me flexibility and control throughout the workflow. Unreal Engine’s Nanite feature also allowed me to build a large-scale, detailed world without compromising performance."

Speed of Love is a high-octane show created by 3D Generalist Yoon Ho Choi. Niagara and Sequencer were combined to create fast-paced action with stylized impact, allowing for precise timing and real-time visual feedback throughout production 🚀 Regarding tips around the project, here's what Yoon Ho Choi had to share: "The CineCamera Rig played a significant role in bringing the spaceship chase scenes to life. It’s a powerful tool for crafting dynamic, cinematic animation. I assembled all the spaceship components using a Blueprint, which gave me flexibility and control throughout the workflow. Unreal Engine’s Nanite feature also allowed me to build a large-scale, detailed world without compromising performance."

Unreal Engine

12,337 次观看 • 1 年前

I built an AI renovation visualizer that replaces $2K+ in 3D rendering costs with a 10-minute workflow. Contractors and real estate pros are using these media assets to close more deals faster. It's all powered by a CustomGPT + Calico AI. Here's how it actually works: → Upload any room photo to the AI Room Renovator GPT → It analyzes the space and generates 12 style-matched renovation concepts → Use the prompts to generate renovated images from your original photo → Kling 3.0 within Calico animates the transformation. Original room morphing into the finished design → Stack start frame, animation, and end frame in CapCut — done The result: contractors send clients a cinematic renovation preview before a single wall gets touched. That's how you close the project before the client shops around. If you want the full step-by-step tutorial and a link to the tools used: comment "RENO" and I'll send over. (must be following so I can DM)

I built an AI renovation visualizer that replaces $2K+ in 3D rendering costs with a 10-minute workflow. Contractors and real estate pros are using these media assets to close more deals faster. It's all powered by a CustomGPT + Calico AI. Here's how it actually works: → Upload any room photo to the AI Room Renovator GPT → It analyzes the space and generates 12 style-matched renovation concepts → Use the prompts to generate renovated images from your original photo → Kling 3.0 within Calico animates the transformation. Original room morphing into the finished design → Stack start frame, animation, and end frame in CapCut — done The result: contractors send clients a cinematic renovation preview before a single wall gets touched. That's how you close the project before the client shops around. If you want the full step-by-step tutorial and a link to the tools used: comment "RENO" and I'll send over. (must be following so I can DM)

David Roberts

23,013 次观看 • 4 个月前

theorocq made a killer BTS of luther’s ALED music video, Made with AI experimentally over the span of two months. Walkthrough of the entire pipeline that was developed to achieve and produce this video. From the technical R&D, to the final delivery, we envisioned completely experimental AI workflows alongside the director, combining AI-generated visuals, conventional photo manipulation, and animation with traditional 3D and VFX techniques. Tools for our fellow nerds : ComfyUI, Stable Diffusion, Midjourney, InvokeAI, Photoshop, Runway, Luma, Miro , Magnific.ai, After Effects, Davinci Resolve, Cinema4D, Topaz Labs Just me on X, insta names below. Directed by comelart Lead post-prod: Artists: theorocq ai.s.a.m (THATS ME YO) nikamlinova glebsazonov_ Color: tm_canu VHS treatment: wetrustprocess

theorocq made a killer BTS of luther’s ALED music video, Made with AI experimentally over the span of two months. Walkthrough of the entire pipeline that was developed to achieve and produce this video. From the technical R&D, to the final delivery, we envisioned completely experimental AI workflows alongside the director, combining AI-generated visuals, conventional photo manipulation, and animation with traditional 3D and VFX techniques. Tools for our fellow nerds : ComfyUI, Stable Diffusion, Midjourney, InvokeAI, Photoshop, Runway, Luma, Miro , Magnific.ai, After Effects, Davinci Resolve, Cinema4D, Topaz Labs Just me on X, insta names below. Directed by comelart Lead post-prod: Artists: theorocq ai.s.a.m (THATS ME YO) nikamlinova glebsazonov_ Color: tm_canu VHS treatment: wetrustprocess

AI.S.A.M

31,165 次观看 • 1 年前