Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Camera angle editing has never been this intuitive & fast 🔥 Just added apolinario (poli) 's 3D interactive component to the Qwen Camera Angle Control demo, using 大雄's Qwen-Edit-2509-Multiple-Angles LoRA Simply drag the camera around 👇

Linoy Tsaban

6,296 subscribers

157,674 просмотров • 8 месяцев назад •via X (Twitter)

Искусство Образование Наука и технологии

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

By far the best way to generate images at different angles is this 3D Camera Control node. Instead of describing angles with words, you just click the view you want. Simple UI, and the Qwen Image Edit 2511 multi-angle LoRA keeps things consistent across generations. Workflow below 👇

By far the best way to generate images at different angles is this 3D Camera Control node. Instead of describing angles with words, you just click the view you want. Simple UI, and the Qwen Image Edit 2511 multi-angle LoRA keeps things consistent across generations. Workflow below 👇

rob - comfyui

59,189 просмотров • 7 месяцев назад

Qwen Image Edit w/ Camera Control is wild 🤯 Quickly rotate the camera, switch between bird's eye and worm's eye views using just clicks. Here's how plus 7 wild examples:👇

Qwen Image Edit w/ Camera Control is wild 🤯 Quickly rotate the camera, switch between bird's eye and worm's eye views using just clicks. Here's how plus 7 wild examples:👇

Min Choi

309,673 просмотров • 10 месяцев назад

this is a big upgrade for AI video you can now drag & drop 3D characters, blocks to build 3d scene, then control the camera angle precisely for Seedance 2.0. no need to do it in Blender anymore

this is a big upgrade for AI video you can now drag & drop 3D characters, blocks to build 3d scene, then control the camera angle precisely for Seedance 2.0. no need to do it in Blender anymore

el.cine

48,078 просмотров • 2 месяцев назад

reshooting a video from a camera that was never there 📹 This LTX-2.3 IC-LoRA re-renders real footage from a NEW angle - same scene, same action, different camera. Pick "far to the left, higher, further" and it just… moves Cooked by Cseti 🧑‍🍳 try it live on Hugging Face: ▶️

reshooting a video from a camera that was never there 📹 This LTX-2.3 IC-LoRA re-renders real footage from a NEW angle - same scene, same action, different camera. Pick "far to the left, higher, further" and it just… moves Cooked by Cseti 🧑‍🍳 try it live on Hugging Face: ▶️

Hugging Apps

17,074 просмотров • 1 месяц назад

I saw this TikTok of someone using the iPhone 16's "Camera Control" button and as he's sliding his finger to zoom in at 5x, I'm just thinking how much easier it is to just tap on 5x zoom toggle within the camera's app. 💀 It's actually more of a hassle to use the camera button lol

I saw this TikTok of someone using the iPhone 16's "Camera Control" button and as he's sliding his finger to zoom in at 5x, I'm just thinking how much easier it is to just tap on 5x zoom toggle within the camera's app. 💀 It's actually more of a hassle to use the camera button lol

Facundo Holzmeister

361,345 просмотров • 2 лет назад

New open source LoRA Multi-Angles I created with fal for Flux.2 🔥 Flux2.-Lora-Multi-Angles: give a camera angle in degrees → get your image from that view. To build this, I created a system that captures 72 positions from Gaussian Splatting to generate the training dataset fully automatically in a webgl viewer. ▶️ Test: 📥 Weights: Should I open source my WebGL viewer so you can train your own from gaussian splatting ?

New open source LoRA Multi-Angles I created with fal for Flux.2 🔥 Flux2.-Lora-Multi-Angles: give a camera angle in degrees → get your image from that view. To build this, I created a system that captures 72 positions from Gaussian Splatting to generate the training dataset fully automatically in a webgl viewer. ▶️ Test: 📥 Weights: Should I open source my WebGL viewer so you can train your own from gaussian splatting ?

Lovis Odin

43,693 просмотров • 9 месяцев назад

Here are a few simple prompt tricks you can use to make videos like this in Grok Imagine: 1) Write like a movie director Use scene verbs: “starts with” “cuts to” “camera follows” “ends with.” 2) Control the camera Mention angles: “wide shot” “overhead” “close-up” “tracking” “handheld” “low-angle” 3) Guide the speed Add words like: “smooth flow” “natural rhythm” “fast transitions” “balanced motion” 4) Set lighting Use: “soft cinematic lighting” “dramatic contrast” “realistic shadows” Finish with keywords like: "ultra-realistic cinematic" "vintage film", etc.

Here are a few simple prompt tricks you can use to make videos like this in Grok Imagine: 1) Write like a movie director Use scene verbs: “starts with” “cuts to” “camera follows” “ends with.” 2) Control the camera Mention angles: “wide shot” “overhead” “close-up” “tracking” “handheld” “low-angle” 3) Guide the speed Add words like: “smooth flow” “natural rhythm” “fast transitions” “balanced motion” 4) Set lighting Use: “soft cinematic lighting” “dramatic contrast” “realistic shadows” Finish with keywords like: "ultra-realistic cinematic" "vintage film", etc.

DogeDesigner

7,487,076 просмотров • 11 месяцев назад

I think people are still underestimating how important the 3D layer could become in AI video. The problem with complex AI shots has never just been image quality. It’s spatial consistency, camera direction and knowing where everything is supposed to be. GPT-6 Astra can map the scene and keep camera + character paths within the Viewport, giving the shot a spatial structure before generation. I then manually move that scene into CapCut PC and use Seedance 2.5 to render it. From there, CapCut PC becomes the actual editing environment. That feels less like “AI generated a video” and more like a production pipeline worth experimenting with. #CapCutPC #GPT6Astra #AIVideo #Seedance25

I think people are still underestimating how important the 3D layer could become in AI video. The problem with complex AI shots has never just been image quality. It’s spatial consistency, camera direction and knowing where everything is supposed to be. GPT-6 Astra can map the scene and keep camera + character paths within the Viewport, giving the shot a spatial structure before generation. I then manually move that scene into CapCut PC and use Seedance 2.5 to render it. From there, CapCut PC becomes the actual editing environment. That feels less like “AI generated a video” and more like a production pipeline worth experimenting with. #CapCutPC #GPT6Astra #AIVideo #Seedance25

Manish Kumar Shah

30,785 просмотров • 9 дней назад

VLOG for Paris is here! Video: Seedance 2.0 in Dreamina Prompt: Style: High-energy cinematic Paris travel vlog, ultra-vivid colors, fast-paced editing, dynamic handheld camera work, authentic influencer aesthetic, energetic motion, natural human movement, trendy TikTok/Reel editing, cinematic realism, bright summer atmosphere. Duration: 15 seconds Aspect Ratio: 9:16 [00:00-00:02] EXTREME CLOSE-UP selfie shot. The cute Japanese woman rushes toward the camera laughing breathlessly with the Eiffel Tower behind her. Fast handheld motion, hair blowing wildly in the wind. She whispers directly into the mic in playful ASMR Japanese: 「ねぇ、15秒でパリ全部見せるね。」 ("Hey, I’ll show you all of Paris in 15 seconds.") Suddenly the rock music DROPS HARD with explosive transition cuts. [00:02-00:03] FAST MULTI-SHOT MONTAGE: — Whip-pan selfie at Eiffel Tower — Quick laugh close-up — Fast spin transition beside the Seine — Sunglasses flip toward camera Heavy rock beat syncs perfectly with cuts. [00:03-00:05] Louvre Pyramid sequence. Hyper-dynamic moving camera circles around her as she grabs the camera and runs toward the glass pyramid. Rapid cuts between: — Looking back smiling — Close-up grin — Tourists rushing past — Low-angle fashion shot — Fast handheld vlog movement Electric guitar intensifies. [00:05-00:06] Notre-Dame Cathedral. She suddenly turns toward camera while crowds blur behind her in motion blur timelapse. She laughs loudly in Japanese: 「ヤバい、映画みたい！！」 ("This is insane, it feels like a movie!!") [00:06-00:08] Arc de Triomphe rapid montage: — Wide cinematic shot beneath the monument — Jump spin transition — Camera tilted upward dramatically — Walking directly toward lens — Quick smile close-up — Speed-ramped city traffic around her Fast energetic editing synced to drum hits. [00:08-00:10] Inside the Louvre beside the Mona Lisa. Chaotic fun vlog energy: — Selfie grin with Mona Lisa behind — Tourists moving rapidly — Camera flash effect — Close-up eye contact with camera — Fast snap zoom transition Rock music briefly cuts for crowd ambience and camera shutter sounds. [00:10-00:12] Versailles Gardens cinematic sequence. Golden sunlight floods the scene. Massive drone pullback while she runs through the gardens laughing. Dress and hair flow naturally in the wind. Rapid intercuts: — Sunglasses on — Twirl — Looking over shoulder — Running toward camera Music reaches emotional uplifting chorus. [00:12-00:13] Massive clock tower interior shot. Fast cinematic orbit around her face as sunlight beams through the giant clock glass. She whispers softly in Japanese: 「パリ、大好き。」 ("I love Paris.") Brief ASMR pause before music explodes back in. [00:13-00:15] FINAL ULTRA-FAST PARIS MONTAGE: — Champs-Élysées walking shot — Arc de Triomphe at sunset — Eiffel Tower sparkle — Louvre smile — Notre-Dame turn-back shot — Fast spinning selfie transition — Final freeze-frame smile directly into camera Camera flash freeze ending. Audio: High-energy female-fronted pop rock soundtrack with explosive drums, electric guitar riffs, fast transitions synced to beat drops, authentic city ambience, camera clicks, crowd energy, soft ASMR whispers, cinematic travel energy. Negative prompts: No slow pacing, no empty locations, no stiff movement, no robotic facial expressions, no blurry face, no low-energy scenes, no static camera, no dark moody lighting, no unrealistic physics, no awkward crowd behavior.

VLOG for Paris is here! Video: Seedance 2.0 in Dreamina Prompt: Style: High-energy cinematic Paris travel vlog, ultra-vivid colors, fast-paced editing, dynamic handheld camera work, authentic influencer aesthetic, energetic motion, natural human movement, trendy TikTok/Reel editing, cinematic realism, bright summer atmosphere. Duration: 15 seconds Aspect Ratio: 9:16 [00:00-00:02] EXTREME CLOSE-UP selfie shot. The cute Japanese woman rushes toward the camera laughing breathlessly with the Eiffel Tower behind her. Fast handheld motion, hair blowing wildly in the wind. She whispers directly into the mic in playful ASMR Japanese: 「ねぇ、15秒でパリ全部見せるね。」 ("Hey, I’ll show you all of Paris in 15 seconds.") Suddenly the rock music DROPS HARD with explosive transition cuts. [00:02-00:03] FAST MULTI-SHOT MONTAGE: — Whip-pan selfie at Eiffel Tower — Quick laugh close-up — Fast spin transition beside the Seine — Sunglasses flip toward camera Heavy rock beat syncs perfectly with cuts. [00:03-00:05] Louvre Pyramid sequence. Hyper-dynamic moving camera circles around her as she grabs the camera and runs toward the glass pyramid. Rapid cuts between: — Looking back smiling — Close-up grin — Tourists rushing past — Low-angle fashion shot — Fast handheld vlog movement Electric guitar intensifies. [00:05-00:06] Notre-Dame Cathedral. She suddenly turns toward camera while crowds blur behind her in motion blur timelapse. She laughs loudly in Japanese: 「ヤバい、映画みたい！！」 ("This is insane, it feels like a movie!!") [00:06-00:08] Arc de Triomphe rapid montage: — Wide cinematic shot beneath the monument — Jump spin transition — Camera tilted upward dramatically — Walking directly toward lens — Quick smile close-up — Speed-ramped city traffic around her Fast energetic editing synced to drum hits. [00:08-00:10] Inside the Louvre beside the Mona Lisa. Chaotic fun vlog energy: — Selfie grin with Mona Lisa behind — Tourists moving rapidly — Camera flash effect — Close-up eye contact with camera — Fast snap zoom transition Rock music briefly cuts for crowd ambience and camera shutter sounds. [00:10-00:12] Versailles Gardens cinematic sequence. Golden sunlight floods the scene. Massive drone pullback while she runs through the gardens laughing. Dress and hair flow naturally in the wind. Rapid intercuts: — Sunglasses on — Twirl — Looking over shoulder — Running toward camera Music reaches emotional uplifting chorus. [00:12-00:13] Massive clock tower interior shot. Fast cinematic orbit around her face as sunlight beams through the giant clock glass. She whispers softly in Japanese: 「パリ、大好き。」 ("I love Paris.") Brief ASMR pause before music explodes back in. [00:13-00:15] FINAL ULTRA-FAST PARIS MONTAGE: — Champs-Élysées walking shot — Arc de Triomphe at sunset — Eiffel Tower sparkle — Louvre smile — Notre-Dame turn-back shot — Fast spinning selfie transition — Final freeze-frame smile directly into camera Camera flash freeze ending. Audio: High-energy female-fronted pop rock soundtrack with explosive drums, electric guitar riffs, fast transitions synced to beat drops, authentic city ambience, camera clicks, crowd energy, soft ASMR whispers, cinematic travel energy. Negative prompts: No slow pacing, no empty locations, no stiff movement, no robotic facial expressions, no blurry face, no low-energy scenes, no static camera, no dark moody lighting, no unrealistic physics, no awkward crowd behavior.

Keskin

79,539 просмотров • 4 месяцев назад

This effect was captured within the time it takes to bake a single cake using edelkrone motion control devices with flawless position accuracy and with just one camera. This is a new generation effect that has never been seen before in the world. In this age where competition in content production is at its fiercest, we are proud to be able to offer such a feature to our customers for free to help them get ahead in the competition. As edelkrone, we are committed to pushing the boundaries of innovation and delivering the never seen before.

This effect was captured within the time it takes to bake a single cake using edelkrone motion control devices with flawless position accuracy and with just one camera. This is a new generation effect that has never been seen before in the world. In this age where competition in content production is at its fiercest, we are proud to be able to offer such a feature to our customers for free to help them get ahead in the competition. As edelkrone, we are committed to pushing the boundaries of innovation and delivering the never seen before.

Kadir Köymen

161,089 просмотров • 3 лет назад

Made with Seedance on Runway. Prompt: 👇 CAMERA: Handheld vintage consumer camcorder footage. First-person footage recorded entirely by RILEY as she documents an afternoon working on an old sports car inside a small independent garage. The camera remains physically handheld throughout. Natural hand tremors, crooked framing, occasional autofocus hunting, abrupt zooms, accidental lens obstruction, shaky low-angle shots and quick selfie transitions. She frequently places the camera momentarily on nearby surfaces before picking it back up, creating imperfect improvised compositions. The physical camera is never visible. LOOK: Authentic late-1990s DV home-video aesthetic. Soft slightly degraded image, mild tape noise, subtle chromatic imperfections, occasional exposure shifts, muted highlights, realistic skin tones and warm fluorescent garage lighting. Slightly nostalgic color reproduction without looking artificially stylized. STYLE: Relaxed DIY car-project vlog with a spontaneous, slightly chaotic atmosphere. Riley talks directly to the camera, jokes about mistakes and gets increasingly excited as the repair progresses. The footage feels completely unscripted and personally recorded. CHARACTER: RILEY — a charismatic woman in her late 20s with short messy auburn hair, freckles, expressive eyes and a practical appearance. She wears faded blue mechanic overalls over a plain white T-shirt, worn sneakers and work gloves. A few strands of hair fall across her face while working. Her clothes become slightly dusty and greasy during the repair. SETTING: A cramped independent automotive workshop on a sunny afternoon. Old tool cabinets, hanging fluorescent lights, shelves of spare parts, hydraulic equipment, scattered tools and an iconic vintage sports car occupying the center of the garage. Sunlight enters through a partially open garage door, creating bright patches on the concrete floor. STORYBOARD: (~2s, low-angle handheld shot) The camera enters the garage while RILEY's footsteps approach the old sports car. RILEY (off-camera): “Today we're finally getting this thing running.” (~2s, quick selfie) She crouches beside the car and grins at the lens. RILEY: “Hopefully.” (~2s, fast whip pan) The camera swings across the engine bay, tool bench and piles of spare parts before settling on the open hood. (~2s, close POV) Her gloved hands work on a stubborn component. The camera moves too close and briefly loses focus. RILEY (off-camera): “Come on…” (~2s, sudden handheld reaction shot) The component finally comes loose. RILEY pulls her hand back triumphantly. RILEY: “YES!” (~2s, camera placed on a toolbox) A static-but-imperfect wide shot captures RILEY leaning into the engine bay while she works. She occasionally glances toward the camera. (~2s, low handheld tracking shot) She climbs into the driver's seat. The camera follows awkwardly through the open door. (~2s, dashboard-level POV) The engine suddenly starts. RILEY freezes for a second, then laughs in disbelief. RILEY: “No way. No WAY!” (~2s, excited selfie) She jumps out of the car holding the camera, grinning with dirty hands and grease on her cheek. RILEY: “Okay, I definitely wasn't expecting that.” The camera shakes as she laughs and reaches toward the lens, ending the recording.

Made with Seedance on Runway. Prompt: 👇 CAMERA: Handheld vintage consumer camcorder footage. First-person footage recorded entirely by RILEY as she documents an afternoon working on an old sports car inside a small independent garage. The camera remains physically handheld throughout. Natural hand tremors, crooked framing, occasional autofocus hunting, abrupt zooms, accidental lens obstruction, shaky low-angle shots and quick selfie transitions. She frequently places the camera momentarily on nearby surfaces before picking it back up, creating imperfect improvised compositions. The physical camera is never visible. LOOK: Authentic late-1990s DV home-video aesthetic. Soft slightly degraded image, mild tape noise, subtle chromatic imperfections, occasional exposure shifts, muted highlights, realistic skin tones and warm fluorescent garage lighting. Slightly nostalgic color reproduction without looking artificially stylized. STYLE: Relaxed DIY car-project vlog with a spontaneous, slightly chaotic atmosphere. Riley talks directly to the camera, jokes about mistakes and gets increasingly excited as the repair progresses. The footage feels completely unscripted and personally recorded. CHARACTER: RILEY — a charismatic woman in her late 20s with short messy auburn hair, freckles, expressive eyes and a practical appearance. She wears faded blue mechanic overalls over a plain white T-shirt, worn sneakers and work gloves. A few strands of hair fall across her face while working. Her clothes become slightly dusty and greasy during the repair. SETTING: A cramped independent automotive workshop on a sunny afternoon. Old tool cabinets, hanging fluorescent lights, shelves of spare parts, hydraulic equipment, scattered tools and an iconic vintage sports car occupying the center of the garage. Sunlight enters through a partially open garage door, creating bright patches on the concrete floor. STORYBOARD: (~2s, low-angle handheld shot) The camera enters the garage while RILEY's footsteps approach the old sports car. RILEY (off-camera): “Today we're finally getting this thing running.” (~2s, quick selfie) She crouches beside the car and grins at the lens. RILEY: “Hopefully.” (~2s, fast whip pan) The camera swings across the engine bay, tool bench and piles of spare parts before settling on the open hood. (~2s, close POV) Her gloved hands work on a stubborn component. The camera moves too close and briefly loses focus. RILEY (off-camera): “Come on…” (~2s, sudden handheld reaction shot) The component finally comes loose. RILEY pulls her hand back triumphantly. RILEY: “YES!” (~2s, camera placed on a toolbox) A static-but-imperfect wide shot captures RILEY leaning into the engine bay while she works. She occasionally glances toward the camera. (~2s, low handheld tracking shot) She climbs into the driver's seat. The camera follows awkwardly through the open door. (~2s, dashboard-level POV) The engine suddenly starts. RILEY freezes for a second, then laughs in disbelief. RILEY: “No way. No WAY!” (~2s, excited selfie) She jumps out of the car holding the camera, grinning with dirty hands and grease on her cheek. RILEY: “Okay, I definitely wasn't expecting that.” The camera shakes as she laughs and reaches toward the lens, ending the recording.

awesome_visuals

19,135 просмотров • 1 месяц назад

UPDATE: Charlie Kirk 🚨 Muzzle Flash: Second Shooter Location, Reflection, or Both? This video captures a flash on a window right as Charlie Kirk was shot. Let’s break this down… follow the numbers on the videos. #1. This video shows what appears to be a muzzle flash, just as Charlie is shot, leading people to believe the shooter was to Charlie’s right.. Notate the people to the left of the flash #2. This photo shows the location of the flash. Notate people to the left, on a middle-landing on a staircase. #3. This photo shows a clearer image showing both the middle-landing and the same location of the flash. It is a window. #4 . This video shows the building behind Charlie, which is a long hallway. This debunks any claims the shot came from here. — I zoom in where Charlie was — I zoom in on staircase — I zoom in on the window/flash — I zoom in on where suspected shooter was #5. I notate the flash reflection angles. — Video angle #1 notated — two reflection paths notated in relation to Video angle #1. 1. Reflection angle shows where we were told the shooter was. 2. Reflection angle shows mirrored angle, obviously where there is no reports of a shooter being in. 🔻 Final conclusion: This to me is very likely a muzzle flash reflection from a far off location. I am unsure of the reflection angle however, but this can be 100% proven if someone were to recreate the angles… maybe with a flash camera. If anyone is willing to, or has the means to do this (safely), this will either prove the shot came where the FBI said it came from, or it will prove there was a second shooter, in the direction of the mirrored angle.

UPDATE: Charlie Kirk 🚨 Muzzle Flash: Second Shooter Location, Reflection, or Both? This video captures a flash on a window right as Charlie Kirk was shot. Let’s break this down… follow the numbers on the videos. #1. This video shows what appears to be a muzzle flash, just as Charlie is shot, leading people to believe the shooter was to Charlie’s right.. Notate the people to the left of the flash #2. This photo shows the location of the flash. Notate people to the left, on a middle-landing on a staircase. #3. This photo shows a clearer image showing both the middle-landing and the same location of the flash. It is a window. #4 . This video shows the building behind Charlie, which is a long hallway. This debunks any claims the shot came from here. — I zoom in where Charlie was — I zoom in on staircase — I zoom in on the window/flash — I zoom in on where suspected shooter was #5. I notate the flash reflection angles. — Video angle #1 notated — two reflection paths notated in relation to Video angle #1. 1. Reflection angle shows where we were told the shooter was. 2. Reflection angle shows mirrored angle, obviously where there is no reports of a shooter being in. 🔻 Final conclusion: This to me is very likely a muzzle flash reflection from a far off location. I am unsure of the reflection angle however, but this can be 100% proven if someone were to recreate the angles… maybe with a flash camera. If anyone is willing to, or has the means to do this (safely), this will either prove the shot came where the FBI said it came from, or it will prove there was a second shooter, in the direction of the mirrored angle.

MJTruthUltra

10,665,164 просмотров • 1 год назад

The new Honor Robot Phone is here! ✅ It can track objects around you and interact with it ✅ It can dance to your songs ✅ It automatically recognises the best framing for your photos ✅ The camera has 3-axis gimbal stabilisation (4DoF Gimbal System) ✅ AI-powered all-angle video calling Best of all, Honor aims to sell this phone in China by the second-half of 2026! So, it is more than just a concept at the end of the day.

The new Honor Robot Phone is here! ✅ It can track objects around you and interact with it ✅ It can dance to your songs ✅ It automatically recognises the best framing for your photos ✅ The camera has 3-axis gimbal stabilisation (4DoF Gimbal System) ✅ AI-powered all-angle video calling Best of all, Honor aims to sell this phone in China by the second-half of 2026! So, it is more than just a concept at the end of the day.

Alvin

51,210 просмотров • 6 месяцев назад

What if you could choreograph an entire action scene before generating a single frame? 🥋🎬 That’s what I wanted to test with Pippitofficial’s 3D Director Studio + Seedance 2.5. I created a scene with two girls demonstrating a series of karate moves and used the 3D workspace to figure out the sequence first. The interesting part is that I wasn’t relying on a giant prompt to explain every movement. I could place both characters in the scene, set up the environment, choose props from 150+ available options, and then map out how the performance should unfold. One move at a time. Step in → stance → punch → block → kick → reset → next move. The timeline makes it possible to arrange actions and control their timing, while movement trajectories help define where the characters should go. And then there’s the camera. Instead of hoping the generated video finds the right angle, I could plan the camera movement around the choreography and decide how the sequence should be captured. That’s the part I found most useful. You can think through the scene visually before asking AI to generate the final result. Characters. Movement. Timing. Camera. All planned first. Then Seedance 2.5 turns that setup into the actual video. For me, this feels like a shift from simply prompting AI to actually directing the shot. Try Pippit 3D Director Studio: #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner

What if you could choreograph an entire action scene before generating a single frame? 🥋🎬 That’s what I wanted to test with Pippitofficial’s 3D Director Studio + Seedance 2.5. I created a scene with two girls demonstrating a series of karate moves and used the 3D workspace to figure out the sequence first. The interesting part is that I wasn’t relying on a giant prompt to explain every movement. I could place both characters in the scene, set up the environment, choose props from 150+ available options, and then map out how the performance should unfold. One move at a time. Step in → stance → punch → block → kick → reset → next move. The timeline makes it possible to arrange actions and control their timing, while movement trajectories help define where the characters should go. And then there’s the camera. Instead of hoping the generated video finds the right angle, I could plan the camera movement around the choreography and decide how the sequence should be captured. That’s the part I found most useful. You can think through the scene visually before asking AI to generate the final result. Characters. Movement. Timing. Camera. All planned first. Then Seedance 2.5 turns that setup into the actual video. For me, this feels like a shift from simply prompting AI to actually directing the shot. Try Pippit 3D Director Studio: #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner

Shabnam Parveen

51,713 просмотров • 8 дней назад

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

Chubby♨️

76,541 просмотров • 5 месяцев назад

Gemini Omni is changing video creation and most people still don't know what it can actually do. Here are 7 things you can do with it right now: 1. Image to Video in multiple styles: Upload a photo. describe the style. Gemini Omni turns it into a video. cinematic, anime, realistic. 2. Reimagine camera angles: Take any image and visualize it from a completely different angle. no reshooting. just describe it. 3. Change backgrounds: Swap the background of any video through plain conversation. no green screen. no editing software. 4. Change hairstyle: Describe a new hairstyle. Gemini Omni applies it. characters stay consistent across every frame. 5. visualize with moodboards: feed it a moodboard, audio, and a brief. it builds the video around the full creative reference — not just a text prompt. 6. swap characters and objects mid-scene: replace people, props, and objects in an existing video. the scene stays consistent. the physics hold up. 7. edit physics: describe how you want things to move. Gemini Omni adjusts the physics of the scene through conversation.

Gemini Omni is changing video creation and most people still don't know what it can actually do. Here are 7 things you can do with it right now: 1. Image to Video in multiple styles: Upload a photo. describe the style. Gemini Omni turns it into a video. cinematic, anime, realistic. 2. Reimagine camera angles: Take any image and visualize it from a completely different angle. no reshooting. just describe it. 3. Change backgrounds: Swap the background of any video through plain conversation. no green screen. no editing software. 4. Change hairstyle: Describe a new hairstyle. Gemini Omni applies it. characters stay consistent across every frame. 5. visualize with moodboards: feed it a moodboard, audio, and a brief. it builds the video around the full creative reference — not just a text prompt. 6. swap characters and objects mid-scene: replace people, props, and objects in an existing video. the scene stays consistent. the physics hold up. 7. edit physics: describe how you want things to move. Gemini Omni adjusts the physics of the scene through conversation.

Poonam Soni

11,682 просмотров • 1 месяц назад

📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

Zentrix⌚️

14,015 просмотров • 2 месяцев назад

i don't think most people even comprehend how far AI has come in just the last year we went from 6 fingers, weird artifacts, and robotic voices to being able to become a full time youtuber without ever touching a camera full prompt: CAMERA: Handheld DV 16mm daily vlog footage. The video MUST begin with her holding the camera at arm's length in selfie mode, speaking directly to the lens while casually walking through the gym. The first 20–30 seconds are entirely handheld. Only later does she occasionally place the camera on a dumbbell rack, adjustable bench, stretching mat, gym bag, or water bottle for wider shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around overhead lights, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. The footage should feel authentic and completely unstaged, like a real creator documenting her workout. STYLE: An intimate daily fitness vlog filmed in a mostly empty boutique gym. Casual, relaxed, and conversational. Small laughs, pauses, fixing her ponytail, wiping sweat with her towel, catching her breath, looking away while thinking, and talking naturally to the audience instead of delivering lines. **She speaks in short, natural sentences with frequent pauses. Never rush dialogue. Leave quiet moments between lines.** CHARACTER: A beautiful white blonde fitness creator in her early 20s. Long blonde hair tied into a loose ponytail, blue eyes, glowing skin, and a slim athletic figure. She wears a fitted black long-sleeve workout top, high-waisted black leggings, white socks, white sneakers, and a white towel loosely resting around her neck. SETTING: A modern boutique gym late in the evening. Dumbbell racks, kettlebells, medicine balls, mirrors, benches, stretching mats, resistance bands, a gym bag, shaker bottle, and warm overhead lighting. The gym is almost empty with only one or two people blurred in the distant background. SCENES: The vlog opens in selfie mode. She is holding the camera at arm's length while slowly walking through the dumbbell area, smiling naturally. "...okay." "I definitely earned dinner." She laughs quietly and adjusts the towel around her neck. "I almost skipped today." She briefly turns the camera toward the nearly empty gym before pointing it back at herself. "Glad I came." Still holding the camera, she walks toward the stretching area. "My legs are done." She places the camera on a nearby bench for a wider angle and sits down on a stretching mat. She stretches one leg and takes a deep breath. "I really need to stretch more." She smiles to herself. She switches sides and rolls one shoulder. "Tomorrow's gonna hurt." She picks the camera back up and walks toward her gym bag. She kneels beside it, pulls out a protein shake, and takes a sip. "...that's actually good." She laughs. The camera sits on top of the gym bag while she packs away her towel, headphones, and lifting straps. "Worth it." She throws the bag over one shoulder and picks the camera back up. Walking toward the exit in selfie mode, she smiles into the lens. "See you next workout." She gives the camera a small wave before ending the recording.

i don't think most people even comprehend how far AI has come in just the last year we went from 6 fingers, weird artifacts, and robotic voices to being able to become a full time youtuber without ever touching a camera full prompt: CAMERA: Handheld DV 16mm daily vlog footage. The video MUST begin with her holding the camera at arm's length in selfie mode, speaking directly to the lens while casually walking through the gym. The first 20–30 seconds are entirely handheld. Only later does she occasionally place the camera on a dumbbell rack, adjustable bench, stretching mat, gym bag, or water bottle for wider shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around overhead lights, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. The footage should feel authentic and completely unstaged, like a real creator documenting her workout. STYLE: An intimate daily fitness vlog filmed in a mostly empty boutique gym. Casual, relaxed, and conversational. Small laughs, pauses, fixing her ponytail, wiping sweat with her towel, catching her breath, looking away while thinking, and talking naturally to the audience instead of delivering lines. She speaks in short, natural sentences with frequent pauses. Never rush dialogue. Leave quiet moments between lines. CHARACTER: A beautiful white blonde fitness creator in her early 20s. Long blonde hair tied into a loose ponytail, blue eyes, glowing skin, and a slim athletic figure. She wears a fitted black long-sleeve workout top, high-waisted black leggings, white socks, white sneakers, and a white towel loosely resting around her neck. SETTING: A modern boutique gym late in the evening. Dumbbell racks, kettlebells, medicine balls, mirrors, benches, stretching mats, resistance bands, a gym bag, shaker bottle, and warm overhead lighting. The gym is almost empty with only one or two people blurred in the distant background. SCENES: The vlog opens in selfie mode. She is holding the camera at arm's length while slowly walking through the dumbbell area, smiling naturally. "...okay." "I definitely earned dinner." She laughs quietly and adjusts the towel around her neck. "I almost skipped today." She briefly turns the camera toward the nearly empty gym before pointing it back at herself. "Glad I came." Still holding the camera, she walks toward the stretching area. "My legs are done." She places the camera on a nearby bench for a wider angle and sits down on a stretching mat. She stretches one leg and takes a deep breath. "I really need to stretch more." She smiles to herself. She switches sides and rolls one shoulder. "Tomorrow's gonna hurt." She picks the camera back up and walks toward her gym bag. She kneels beside it, pulls out a protein shake, and takes a sip. "...that's actually good." She laughs. The camera sits on top of the gym bag while she packs away her towel, headphones, and lifting straps. "Worth it." She throws the bag over one shoulder and picks the camera back up. Walking toward the exit in selfie mode, she smiles into the lens. "See you next workout." She gives the camera a small wave before ending the recording.

MAX

263,328 просмотров • 1 месяц назад

POV: A quick trip to the mall somehow turned into a full-on fashion campaign. Fast outfit changes, shopping bags, coffee breaks, and nonstop cinematic transitions—every second feels like a movie. 🛍️✨ Created with GPT Image 2 and Seedance 2.0 PROMPT: Style: Ultra-cinematic luxury fashion commercial, IMAX-quality, 4K HDR, premium mall lighting, Vogue editorial aesthetic, extremely fast-paced editing, energetic pop soundtrack, whip transitions, speed ramps, seamless match cuts, motion blur transitions, no dialogue. Character: One stylish girl confidently exploring a modern luxury shopping mall. 0:00–0:02 — Grand Entrance Wide drone-style establishing shot of a luxury shopping mall. Match cut to the automatic doors opening. Low-angle gimbal shot following behind her as she walks in confidently. Quick speed ramp into the entrance. 0:02–0:04 — Store Rush Whip pan into a clothing boutique. Camera circles around her as she grabs outfits from clothing racks. Fast handheld close-ups:Clothes sliding on hangers. Hand picking a jacket. Designer bag. Sunglasses. Every movement connected with whip-pan transitions. 0:04–0:07 — Try-On Montage Snap transition into the fitting room. Outfit changes happen instantly using jump cuts. Full-body mirror shot. Mirror reflection becomes the next transition. Overhead shot spinning around her. Fast zoom transition. 0:07–0:10 — Shopping Frenzy Tracking shot as she walks carrying shopping bags. Escalator shot from below. Top-down shot looking over the railing. Dutch-angle shot while she laughs and keeps walking. Close-up of shopping bags swinging. Hyperlapse through the mall corridor. 0:10–0:13 — Lifestyle Moments Slow-motion hair flip for half a second. Match cut to grabbing a coffee. Macro shot of the cup. Walking shot with coffee in one hand and shopping bags in the other. Passing luxury storefronts with fast foreground wipes. 0:13–0:15 — Fashion Finale Hero tracking shot as she walks toward the camera. Camera smoothly orbits around her. Final speed ramp. Freeze-frame on a confident pose with shopping bags. End with a stylish logo reveal or clean fade to white. Editing Style 0.3–0.8 second shots. Constant movement—no static camera. Whip pans, spin transitions, match cuts, speed ramps, foreground wipes, zoom transitions, snap cuts, and motion blur throughout. Beat-synced cuts for maximum energy. Bright luxury color grading with crisp reflections and polished highlights.

Melina Vale

40,322 просмотров • 1 месяц назад