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Canova sculpted the same lovers twice, but they barely feel like the same couple. The one on the left is the dramatic version. Cupid just dropped out of the sky, and Psyche is waking up from that cursed sleep after opening Persephone’s jar. Their faces are inches apart, frozen...

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Muse

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13,181 просмотров • 1 день назад •via X (Twitter)

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apparently ryland placing both astrophage samples in the same side of the centrifuge is scientifically wrong but have scientists considered that he did that bc he didn’t want them to be apart from the other and so they wouldn’t feel alone . this was so kind of him actually 🫶🏽
0:13

apparently ryland placing both astrophage samples in the same side of the centrifuge is scientifically wrong but have scientists considered that he did that bc he didn’t want them to be apart from the other and so they wouldn’t feel alone . this was so kind of him actually 🫶🏽

lissy

78,015 просмотров • 3 месяцев назад

One thing that fascinates me about this game is that the win music and give up music use the same jingle, so they had to create one that somehow matches the mood of both winning and losing, so just… “RACE ENDED” And the result has a strangely wistful feeling to it
0:12

One thing that fascinates me about this game is that the win music and give up music use the same jingle, so they had to create one that somehow matches the mood of both winning and losing, so just… “RACE ENDED” And the result has a strangely wistful feeling to it

Xploshi

79,989 просмотров • 10 месяцев назад

Twin flames are two souls created from the same divine essence, destined to meet across lifetimes. Their connection is eternal, transcending time, space, and the physical realms. Even when apart, their souls remain intertwined, like two halves of the same whole, eternally longing for reunion. This bond is unbreakable because it is rooted in the purest form of love— one that sees beyond flaws, ego, and separation. Twin flames may face hallenges and periods of distance, but the connection never fades. It i printed in the soul, a spiritual heartbeat that always resonates withi No matter where life takes them, they carry each other in their hearts. Memories of their union, the lessons learned, and the intensity of their love serve as reminders of the profound truth they share. Twin flames may part ways to heal, grow, and fulfill individual destinies, but they never truly forget one another. Their energy calls out, like whispers in the soul, guiding them back together when the time is divinely right. This eternal connection reminds us that true love never ends-it evolves, strengthens, and waits patiently for its moment to shine again. ~ Twinflames Infinity ✨🙌🏽💫
0:16

Twin flames are two souls created from the same divine essence, destined to meet across lifetimes. Their connection is eternal, transcending time, space, and the physical realms. Even when apart, their souls remain intertwined, like two halves of the same whole, eternally longing for reunion. This bond is unbreakable because it is rooted in the purest form of love— one that sees beyond flaws, ego, and separation. Twin flames may face hallenges and periods of distance, but the connection never fades. It i printed in the soul, a spiritual heartbeat that always resonates withi No matter where life takes them, they carry each other in their hearts. Memories of their union, the lessons learned, and the intensity of their love serve as reminders of the profound truth they share. Twin flames may part ways to heal, grow, and fulfill individual destinies, but they never truly forget one another. Their energy calls out, like whispers in the soul, guiding them back together when the time is divinely right. This eternal connection reminds us that true love never ends-it evolves, strengthens, and waits patiently for its moment to shine again. ~ Twinflames Infinity ✨🙌🏽💫

🧬Maxpein🧬

34,586 просмотров • 8 месяцев назад

this wallet pulls $320 a day out of weather markets on Polymarket. it started with less than $1,000 the whole thing is two buttons: the first one puts him in the book on both sides of the same market. the second one turns the pair he collected back into a dollar, before the market even resolves. i reverse engineered his loop step by step. here's how he runs it: 1 - he takes the daily weather markets. every degree is its own outcome. that's about 130 events a day 2 - one event (one city) runs him about 58 trades and $155 3 - he stands on both sides: NO around 76c, YES around 21c. 81% of his fills land on limit orders, the rest he picks up at market 4 - once the set is complete he swaps it for $1. the gap between the buck and what the set cost him is his margin the set doesn't always come together. what's left hanging he just sits on until it resolves, and that's about the same money again. 43% of his orders go in before the day even starts in that city. the same dollar goes around the loop all day long. that's how he's bought $1.27m of contracts while never holding more than $975 of his own money in play here's his profile:
0:14

this wallet pulls $320 a day out of weather markets on Polymarket. it started with less than $1,000 the whole thing is two buttons: the first one puts him in the book on both sides of the same market. the second one turns the pair he collected back into a dollar, before the market even resolves. i reverse engineered his loop step by step. here's how he runs it: 1 - he takes the daily weather markets. every degree is its own outcome. that's about 130 events a day 2 - one event (one city) runs him about 58 trades and $155 3 - he stands on both sides: NO around 76c, YES around 21c. 81% of his fills land on limit orders, the rest he picks up at market 4 - once the set is complete he swaps it for $1. the gap between the buck and what the set cost him is his margin the set doesn't always come together. what's left hanging he just sits on until it resolves, and that's about the same money again. 43% of his orders go in before the day even starts in that city. the same dollar goes around the loop all day long. that's how he's bought $1.27m of contracts while never holding more than $975 of his own money in play here's his profile:

may.crypto {🦅}

39,585 просмотров • 11 дней назад

The vet had been honest with the Hollands. Baxter didn't have much time left, and the kindest thing they could do now was make whatever he had left count. So on a warm Saturday in June , instead of a normal quiet day at home, they loaded the old Bernese into the back of the van and drove him two hours to the coast. Baxter had never seen the ocean. He was 13, and his whole life had been the backyard and the same worn spot on the living room rug. The kids wanted him to see something big before he went. He moved slow getting out of the van. His back legs weren't what they used to be, and the boys had to help him down onto the sand. For a second he just stood there at the top of the beach, nose up, taking in all that salt air and open water like he couldn't quite believe it. Then something in him shifted. He started down toward the surf on his own, stiff and determined, the way he used to trot to the door when the kids came home from school. When the first cold wave washed over his paws, his whole face lit up. He didn't run, he couldn't, but he waded in up to his chest and stood in the shallow water with the sun going down behind him, and the whole family just watched. Nobody said much. They didn't need to. They stayed until the light was almost gone, taking pictures, letting Baxter rest against their legs, giving him one perfect afternoon to hold onto. The vet was right about the time. Baxter left them a few weeks later, at home, surrounded by the people who loved him. But he saw the ocean first. And every one of them is glad they gave him that.
0:12

The vet had been honest with the Hollands. Baxter didn't have much time left, and the kindest thing they could do now was make whatever he had left count. So on a warm Saturday in June , instead of a normal quiet day at home, they loaded the old Bernese into the back of the van and drove him two hours to the coast. Baxter had never seen the ocean. He was 13, and his whole life had been the backyard and the same worn spot on the living room rug. The kids wanted him to see something big before he went. He moved slow getting out of the van. His back legs weren't what they used to be, and the boys had to help him down onto the sand. For a second he just stood there at the top of the beach, nose up, taking in all that salt air and open water like he couldn't quite believe it. Then something in him shifted. He started down toward the surf on his own, stiff and determined, the way he used to trot to the door when the kids came home from school. When the first cold wave washed over his paws, his whole face lit up. He didn't run, he couldn't, but he waded in up to his chest and stood in the shallow water with the sun going down behind him, and the whole family just watched. Nobody said much. They didn't need to. They stayed until the light was almost gone, taking pictures, letting Baxter rest against their legs, giving him one perfect afternoon to hold onto. The vet was right about the time. Baxter left them a few weeks later, at home, surrounded by the people who loved him. But he saw the ocean first. And every one of them is glad they gave him that.

Gabriele Corno

119,678 просмотров • 2 месяцев назад

I FOUND A BEACH ACCOUNT WITH 900K FOLLOWERS POSTING GOLDEN HOUR BIKINI VIDEOS FROM A TROPICAL ISLAND. I RECOGNIZED THE BUTTERFLY. IT IS THE SAME TATTOO FROM THE 7-ELEVEN GIRL. SAME OPERATOR. DIFFERENT BODY. Blue micro bikini. Butterfly tattoo on the chest. Text tattoo on the ribs. Roses on the arms. She is standing on a tropical beach at golden hour. Sand. Water. Driftwood. Trees behind her. The sun is low and backlights her from the right. Haze in the air. She moves slowly. Adjusts the top. Runs her hands through her hair. Lifts her arms above her head. Twelve seconds. It looks like a photographer's reel from Tulum. I have seen that butterfly before. The 7-Eleven girl. Different face. Different body. Different hair. Same butterfly on the same spot on the chest. Same wings. Same position between the collarbones. Two accounts. Two "girls." One tattoo pulled from the same prompt. The golden hour is not aesthetic. It is camouflage. Backlight creates lens flare. Lens flare softens edges. Soft edges hide the places where AI skin meets AI hair and the render breaks down. Every frame has a warm haze across it that the viewer reads as "cinematic" and the operator uses as a filter to cover artifacts. This is not a girl filmed at sunset. This is a render passed through the sun. The bikini is the smallest amount of fabric the algorithm will not flag. The strings are nearly invisible. The triangles cover the minimum. The operator did not pick blue for aesthetics. Blue metallic fabric catches golden hour light and shifts color between frames. It goes from royal blue to purple to copper depending on the angle. The viewer's eye tracks the color shift the way it tracked the metallic bikini in the mirror clip. The fabric is the distraction. The skin is the content. She never faces the camera straight on. In twelve seconds she is always turned fifteen degrees to the side. Profile shots. Three-quarter shots. One moment where she raises her arms and looks at the camera but her chin is tilted down so her eyes are in shadow. The operator learned what the mirror girl knew and what the car girl knew. Straight angles break AI faces. Every other angle sells them. The text tattoo on her ribs says something in cursive. It is readable in one frame, blurred in the next, and different in the third. The words change mid-video. Real ink does not rewrite itself. Prompts do. But nobody pauses a golden hour beach video to read a rib tattoo. The operator knows the viewer is not looking at the ribs. The driftwood on the sand behind her is the same log in every frame. But the sand around it changes. The waterline shifts forward in one cut and backward in the next. Real tides do not reverse in twelve seconds. The beach is a backdrop that was rendered once and the water was animated on top of it without tracking the continuity. The butterfly connects everything. The 7-Eleven. The beach. Two characters that were never in the same prompt but came from the same operator who never changed the tattoo line. One detail. One mistake. Two accounts exposed. That beach has never had a sunset. That sand has never been wet. But the butterfly is still the same.
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I FOUND A BEACH ACCOUNT WITH 900K FOLLOWERS POSTING GOLDEN HOUR BIKINI VIDEOS FROM A TROPICAL ISLAND. I RECOGNIZED THE BUTTERFLY. IT IS THE SAME TATTOO FROM THE 7-ELEVEN GIRL. SAME OPERATOR. DIFFERENT BODY. Blue micro bikini. Butterfly tattoo on the chest. Text tattoo on the ribs. Roses on the arms. She is standing on a tropical beach at golden hour. Sand. Water. Driftwood. Trees behind her. The sun is low and backlights her from the right. Haze in the air. She moves slowly. Adjusts the top. Runs her hands through her hair. Lifts her arms above her head. Twelve seconds. It looks like a photographer's reel from Tulum. I have seen that butterfly before. The 7-Eleven girl. Different face. Different body. Different hair. Same butterfly on the same spot on the chest. Same wings. Same position between the collarbones. Two accounts. Two "girls." One tattoo pulled from the same prompt. The golden hour is not aesthetic. It is camouflage. Backlight creates lens flare. Lens flare softens edges. Soft edges hide the places where AI skin meets AI hair and the render breaks down. Every frame has a warm haze across it that the viewer reads as "cinematic" and the operator uses as a filter to cover artifacts. This is not a girl filmed at sunset. This is a render passed through the sun. The bikini is the smallest amount of fabric the algorithm will not flag. The strings are nearly invisible. The triangles cover the minimum. The operator did not pick blue for aesthetics. Blue metallic fabric catches golden hour light and shifts color between frames. It goes from royal blue to purple to copper depending on the angle. The viewer's eye tracks the color shift the way it tracked the metallic bikini in the mirror clip. The fabric is the distraction. The skin is the content. She never faces the camera straight on. In twelve seconds she is always turned fifteen degrees to the side. Profile shots. Three-quarter shots. One moment where she raises her arms and looks at the camera but her chin is tilted down so her eyes are in shadow. The operator learned what the mirror girl knew and what the car girl knew. Straight angles break AI faces. Every other angle sells them. The text tattoo on her ribs says something in cursive. It is readable in one frame, blurred in the next, and different in the third. The words change mid-video. Real ink does not rewrite itself. Prompts do. But nobody pauses a golden hour beach video to read a rib tattoo. The operator knows the viewer is not looking at the ribs. The driftwood on the sand behind her is the same log in every frame. But the sand around it changes. The waterline shifts forward in one cut and backward in the next. Real tides do not reverse in twelve seconds. The beach is a backdrop that was rendered once and the water was animated on top of it without tracking the continuity. The butterfly connects everything. The 7-Eleven. The beach. Two characters that were never in the same prompt but came from the same operator who never changed the tattoo line. One detail. One mistake. Two accounts exposed. That beach has never had a sunset. That sand has never been wet. But the butterfly is still the same.

framexin

13,921 просмотров • 23 дней назад

The man standing in the middle between the other two is the first one to pick up the plates. But instead of handing them directly to the person standing on his right, he first passes them to the man on his left, who then hands the same plates to the person on the right. Why are they doing this? Why involve an extra person when the plates could be passed directly?
0:12

The man standing in the middle between the other two is the first one to pick up the plates. But instead of handing them directly to the person standing on his right, he first passes them to the man on his left, who then hands the same plates to the person on the right. Why are they doing this? Why involve an extra person when the plates could be passed directly?

Saffron Chargers

887,925 просмотров • 2 месяцев назад

The whole process of putting together the "I hate cowboys" record and the "go down singin'" record was a long two years of figuring out how do something I've never done before. All the songs were written on guitar and a depth I haven't really hit before. This is the final piece of that puzzle. "The fireside sessions" are both those albums together, all acoustic, featuring the songwriters from both those records. This time in my career ends with both album covers together with me and my dad standing next to each other. It's the first time I've ever been able to see a picture of us as two grown men. I'm moving on to another album early next year, but I hope y'all love these versions of the songs, as they were written. The bluebird last night was a special way to celebrate the ending of these last two years, and the start of something new👏🏼
0:16

The whole process of putting together the "I hate cowboys" record and the "go down singin'" record was a long two years of figuring out how do something I've never done before. All the songs were written on guitar and a depth I haven't really hit before. This is the final piece of that puzzle. "The fireside sessions" are both those albums together, all acoustic, featuring the songwriters from both those records. This time in my career ends with both album covers together with me and my dad standing next to each other. It's the first time I've ever been able to see a picture of us as two grown men. I'm moving on to another album early next year, but I hope y'all love these versions of the songs, as they were written. The bluebird last night was a special way to celebrate the ending of these last two years, and the start of something new👏🏼

Chase Rice

25,012 просмотров • 1 год назад

The most incredible thing happened today. Danielle Brown Art painted Bentley for us and the quality is beyond mind blowing and realistic. And this is where is gets weird.. Who says dogs can’t see well and only in 2D. Enzo who walked Bentley out to the car when we had laps of love send him off to sleep he jumped up to the back of the car and nosed Bentley to say one last goodbye a few months ago and just did the same thing. Watch the video. Katie just saw the picture as it was a surprise but what Enzo just did blew us away. He has never ever in 12 years jumped up on a wall to do anything. He now keeps walking to the corridor where Bentley used to sit and sleep which is where I just hung the painting and Enzo keeps looking at him. He is now jumping up at him trying to say hello like he used to every day. It’s so sad but so amazingly beautiful at the same time. Danielle thank you for bringing Bentley back to our home in more ways than one. 🐶🙏🏼😍❤️
0:16

The most incredible thing happened today. Danielle Brown Art painted Bentley for us and the quality is beyond mind blowing and realistic. And this is where is gets weird.. Who says dogs can’t see well and only in 2D. Enzo who walked Bentley out to the car when we had laps of love send him off to sleep he jumped up to the back of the car and nosed Bentley to say one last goodbye a few months ago and just did the same thing. Watch the video. Katie just saw the picture as it was a surprise but what Enzo just did blew us away. He has never ever in 12 years jumped up on a wall to do anything. He now keeps walking to the corridor where Bentley used to sit and sleep which is where I just hung the painting and Enzo keeps looking at him. He is now jumping up at him trying to say hello like he used to every day. It’s so sad but so amazingly beautiful at the same time. Danielle thank you for bringing Bentley back to our home in more ways than one. 🐶🙏🏼😍❤️

Ian Poulter

126,553 просмотров • 2 лет назад

this is one of the best directed and written scenes in the whole entire show, you can see and feel the reality sinking in for both of them that sophie will NEVER that sophie will have to serve benedict just as everyone else and he HATES that
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this is one of the best directed and written scenes in the whole entire show, you can see and feel the reality sinking in for both of them that sophie will NEVER that sophie will have to serve benedict just as everyone else and he HATES that

⟢ ro

367,109 просмотров • 7 месяцев назад

AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while ago the second one was RL, and people had been doing RL the whole time before that: RLHF is RL but it never scaled far because it was trying to control the exact output, which tokens come out, how the text reads, but you can only push that so far before you’re just polishing RLVR dropped that constraint: giving the model a task, then checking whether the final answer is right, and ignoring everything in between -- so the model does whatever it wants in the middle and only the endpoint gets graded, and that’s much closer to actual RL and it’s what bought us planning and reasoning (arguably, tool use sits around 2.5 on this list -- while useful, it's not a different kind of thing) so one axis gave knowledge, the other gave reasoning, and both of them are one model working alone the next axis is how many models you can get working on the same problem, which is a different kind of axis than the previous two we know that multi-agent RL has always been the harder problem: I spent years in that literature and the gap between single-agent and multi-agent is definitely not incremental -- it’s a whole different class of difficulty! which is also why the derivatives are steep at the start, nobody has picked the easy wins yet... and the thing that gates this multi-agent coordination is communication: models can only coordinate as well as they can exchange information, and right now they do that by writing sentences to each other imagine what could we possibly achieve if we properly open that third axis development by letting models to exchange information in their native "language" without loosing any computational data that they produce during inference
0:14

AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while ago the second one was RL, and people had been doing RL the whole time before that: RLHF is RL but it never scaled far because it was trying to control the exact output, which tokens come out, how the text reads, but you can only push that so far before you’re just polishing RLVR dropped that constraint: giving the model a task, then checking whether the final answer is right, and ignoring everything in between -- so the model does whatever it wants in the middle and only the endpoint gets graded, and that’s much closer to actual RL and it’s what bought us planning and reasoning (arguably, tool use sits around 2.5 on this list -- while useful, it's not a different kind of thing) so one axis gave knowledge, the other gave reasoning, and both of them are one model working alone the next axis is how many models you can get working on the same problem, which is a different kind of axis than the previous two we know that multi-agent RL has always been the harder problem: I spent years in that literature and the gap between single-agent and multi-agent is definitely not incremental -- it’s a whole different class of difficulty! which is also why the derivatives are steep at the start, nobody has picked the easy wins yet... and the thing that gates this multi-agent coordination is communication: models can only coordinate as well as they can exchange information, and right now they do that by writing sentences to each other imagine what could we possibly achieve if we properly open that third axis development by letting models to exchange information in their native "language" without loosing any computational data that they produce during inference

Sasha Malysheva

15,010 просмотров • 1 месяц назад

THE CROWD HAS BEEN WRONG AT EVERY MAJOR TURN THIS TIME IS NO DIFFERENT In 2022 they said $20K was the bottom it wasn't In 2023 they said crypto was dead it wasn't In 2025 they said $126K was just the beginning it wasn't Right now the crowd is convinced the worst is behind us They're wrong again The same sentiment, the same narratives, the same misplaced confidence that shows up at every major top and before every major flush Below $50K is coming not because of doom and gloom, because the chart, the cycle, the math, and the liquidity map all point to the same place The crowd will understand it after See you below $50K Turn notifications on - I'll call it before it prints
0:17

THE CROWD HAS BEEN WRONG AT EVERY MAJOR TURN THIS TIME IS NO DIFFERENT In 2022 they said $20K was the bottom it wasn't In 2023 they said crypto was dead it wasn't In 2025 they said $126K was just the beginning it wasn't Right now the crowd is convinced the worst is behind us They're wrong again The same sentiment, the same narratives, the same misplaced confidence that shows up at every major top and before every major flush Below $50K is coming not because of doom and gloom, because the chart, the cycle, the math, and the liquidity map all point to the same place The crowd will understand it after See you below $50K Turn notifications on - I'll call it before it prints

ardizor 🧙‍♂️

48,528 просмотров • 2 месяцев назад

Top of the class two-way talent Luke Esquivel (‘28 TX) featuring a FB up to 91 mph so far, the spin is really tight right now in the mid-70s and just projects in a big way on both sides of the ball #GeauxTigers commit #WWBAWorlds
0:13

Top of the class two-way talent Luke Esquivel (‘28 TX) featuring a FB up to 91 mph so far, the spin is really tight right now in the mid-70s and just projects in a big way on both sides of the ball #GeauxTigers commit #WWBAWorlds

Perfect Game Scout

92,655 просмотров • 11 месяцев назад

You don't really know how big a moose is until one is standing right in front of you. From a distance, they look like just another creature out in the woods, but up close they look like a tank with legs and a bad attitude. That's one animal that'll make a grown man suddenly remember he left the bravery back in the truck 🫎
0:18

You don't really know how big a moose is until one is standing right in front of you. From a distance, they look like just another creature out in the woods, but up close they look like a tank with legs and a bad attitude. That's one animal that'll make a grown man suddenly remember he left the bravery back in the truck 🫎

G-PA

43,150 просмотров • 1 месяц назад

This is not a border dispute. It is a sermon. A Hamas leader on a Gaza stage tells seven million Palestinians abroad to stop warming up. There are Jews everywhere, he says. Attack every Jew on Earth. Slaughter them. Kill them. With Allah’s help. The crowd is not a war room. It is a public. Hamas did not invent that sentence. Hamas is but one franchise of it. Islamic Jihad says the same thing with a different logo. Hezbollah wraps it in Khomeini and the language of “the Zionist entity.” The Houthis put “death to Israel, curse the Jews” on a flag and call it governance. The regime in Tehran funds the network and calls the Jewish state a tumor. Different uniforms. Same theology. For them, Jewish sovereignty is an insult to Allah, and Jewish lives outside the land are not off-limits. That is why “from the river to the sea” is not a housing policy, and why October 7 was not an accident of occupation. The target list in this clip is not a soldier at a checkpoint. It is Jews as such, wherever they are. Once the enemy is a people, not a government, there is no ceasefire that satisfies the idea. There is only a pause. Western coverage keeps shrinking this to one militia and one strip of coast because a regional ideology is harder to manage than a “peace process.” Factions are useful that way. They let you condemn Hamas on Tuesday and treat Hezbollah as Lebanese politics on Wednesday and the Houthis as a shipping problem on Thursday. The preacher does not bother with those folders. He names the Jews and asks the diaspora to start. If you want to understand the war, start with what they say when they are not fundraising in English. The map they want is not two states. It is a world with fewer Jews in it, sanctified as duty. Hamas is the local office. The ideology is the corporation.
0:12

This is not a border dispute. It is a sermon. A Hamas leader on a Gaza stage tells seven million Palestinians abroad to stop warming up. There are Jews everywhere, he says. Attack every Jew on Earth. Slaughter them. Kill them. With Allah’s help. The crowd is not a war room. It is a public. Hamas did not invent that sentence. Hamas is but one franchise of it. Islamic Jihad says the same thing with a different logo. Hezbollah wraps it in Khomeini and the language of “the Zionist entity.” The Houthis put “death to Israel, curse the Jews” on a flag and call it governance. The regime in Tehran funds the network and calls the Jewish state a tumor. Different uniforms. Same theology. For them, Jewish sovereignty is an insult to Allah, and Jewish lives outside the land are not off-limits. That is why “from the river to the sea” is not a housing policy, and why October 7 was not an accident of occupation. The target list in this clip is not a soldier at a checkpoint. It is Jews as such, wherever they are. Once the enemy is a people, not a government, there is no ceasefire that satisfies the idea. There is only a pause. Western coverage keeps shrinking this to one militia and one strip of coast because a regional ideology is harder to manage than a “peace process.” Factions are useful that way. They let you condemn Hamas on Tuesday and treat Hezbollah as Lebanese politics on Wednesday and the Houthis as a shipping problem on Thursday. The preacher does not bother with those folders. He names the Jews and asks the diaspora to start. If you want to understand the war, start with what they say when they are not fundraising in English. The map they want is not two states. It is a world with fewer Jews in it, sanctified as duty. Hamas is the local office. The ideology is the corporation.

Mor Edge Insight

74,915 просмотров • 17 дней назад

May be the most difficult hurdle for a wrestler to clear—trusting that the same offense that built the lead is what protects it. The instinct is to protect the lead, but the approach that creates better odds, less regret, and is simply more logical is to keep wrestling the same way that created the lead. Stay on the attack, stay in position, and keep applying pressure. The one who needs to change and create opportunity is the opponent who is losing. So why would you go ahead and assist them in this by back peddling and lead protecting, opening up two windows that weren’t there before? 1 – Stall points 2 – Allowing your opponent to solely focus on their offense as they no longer have to respect your attacks. You hear wrestlers in post-match interviews “We do this all the time in the room! Down 2 with 30 seconds left and working to find a takedown.” Not so much the opposite… “up 2 with 30 seconds left and just have to find ways to back up to protect the lead!” So why resort to something you don’t practice in the most crucial moments of a match—or your season? This is from the excellent series “The Climb” by Stilly Boys on YouTube — a segment from Episode 2: Road to the Big 12s.
0:14

May be the most difficult hurdle for a wrestler to clear—trusting that the same offense that built the lead is what protects it. The instinct is to protect the lead, but the approach that creates better odds, less regret, and is simply more logical is to keep wrestling the same way that created the lead. Stay on the attack, stay in position, and keep applying pressure. The one who needs to change and create opportunity is the opponent who is losing. So why would you go ahead and assist them in this by back peddling and lead protecting, opening up two windows that weren’t there before? 1 – Stall points 2 – Allowing your opponent to solely focus on their offense as they no longer have to respect your attacks. You hear wrestlers in post-match interviews “We do this all the time in the room! Down 2 with 30 seconds left and working to find a takedown.” Not so much the opposite… “up 2 with 30 seconds left and just have to find ways to back up to protect the lead!” So why resort to something you don’t practice in the most crucial moments of a match—or your season? This is from the excellent series “The Climb” by Stilly Boys on YouTube — a segment from Episode 2: Road to the Big 12s.

Cornell Kevin

42,096 просмотров • 6 месяцев назад

The dog on the left is Leo, the dog on the right is his blind brother Toby. Toby has been blind since birth. They were both put up for adoption. The couple you see in the video adopted Leo but as they were pulling away in the car they realized that Leo was very sad. They knew they had to go back and get his brother, and adopt them both together. What you see in this video is Leo reunited with his brother and Toby hugging him .. Today they live happily ever after together. I’m not crying 😢 ❤️❤️
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The dog on the left is Leo, the dog on the right is his blind brother Toby. Toby has been blind since birth. They were both put up for adoption. The couple you see in the video adopted Leo but as they were pulling away in the car they realized that Leo was very sad. They knew they had to go back and get his brother, and adopt them both together. What you see in this video is Leo reunited with his brother and Toby hugging him .. Today they live happily ever after together. I’m not crying 😢 ❤️❤️

Leah Rain ✝️🇺🇸🎸🏝️

314,231 просмотров • 8 дней назад