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chair tracking

Xynchro

19,327 subscribers

10,436,683 просмотров • 9 месяцев назад •via X (Twitter)

Наука и технологии

Anya Rossi• Live Now

Private livecam show

Комментарии: 27

Фото профиля Saruei 💥

Saruei 💥9 месяцев назад

Oh, that's me. Bonjour! 🇫🇷

Фото профиля camila 🃏 🍥

camila 🃏 🍥9 месяцев назад

what in the world thats so cool

Фото профиля Flipsie 🎋🦊

Flipsie 🎋🦊9 месяцев назад

I'm the chair

Фото профиля Lumi (Reformed)💫💥 Phase Connect

Lumi (Reformed)💫💥 Phase Connect9 месяцев назад

Just insane

Фото профиля DoubleGaijin

DoubleGaijin9 месяцев назад

"So, you want to join Outer Heaven?"

Фото профиля CodeMiko

CodeMiko9 месяцев назад

Would anyone like a tutorial on this? 🔥

Фото профиля Rukishimo Jishidota 🧝‍♀️🎨

Rukishimo Jishidota 🧝‍♀️🎨9 месяцев назад

PEAK!

Фото профиля vixi キツネ Fox VTuber 🪫⛓️

vixi キツネ Fox VTuber 🪫⛓️9 месяцев назад

THE FUTURE IS NOW

Фото профиля Pupi 💫💥

Pupi 💫💥9 месяцев назад

@saruei HOOOOLY SHIT

Фото профиля Soze

Soze9 месяцев назад

Well goddamn

Фото профиля joe90740🎋🍭|💥

joe90740🎋🍭|💥9 месяцев назад

I liked that you could tell how much fun she was having the whole time just messing around

Фото профиля fatherless biped

fatherless biped9 месяцев назад

for those asking

Фото профиля fatherless biped

fatherless biped9 месяцев назад

oh lord above

Фото профиля shogun 🎱🐮

shogun 🎱🐮9 месяцев назад

the only person i’ll excuse for being french is saruei

Фото профиля Bonzomi

Bonzomi9 месяцев назад

I am very interested in this stuff and I want to know what people think of my attempt at chair tracking using 2 vive trackers here

Фото профиля Cersea Soulstorm ☠️ | ChromaSHIFT

Cersea Soulstorm ☠️ | ChromaSHIFT9 месяцев назад

that's so sick holy shit

Фото профиля pazhik | FRAME arc

pazhik | FRAME arc9 месяцев назад

hey @grok may I ask you to dress up this young lady

Фото профиля GrapeApe

GrapeApe9 месяцев назад

Kinda funny that Zuckerberg spends 87 hojillion on the metaverse and gets absolutely nowhere, and then a bunch of weebs create it in their spare time because they're bored and horny.

Фото профиля Supernal

Supernal9 месяцев назад

anime coomers... what're we gonna do with you... . . so yall see the new Zonda doujin?

Фото профиля Abibyama 🔜 VeXpo

Abibyama 🔜 VeXpo9 месяцев назад

next level of vtubing

Фото профиля John Smith

John Smith9 месяцев назад

@saruei

Фото профиля Manta SVT

Manta SVT9 месяцев назад

Jesus christ. These vtubers are evolving...

Фото профиля Eldritch Horror (Exhausted)

Eldritch Horror (Exhausted)9 месяцев назад

These are the technological advancements we need

Фото профиля worst tl of the west

worst tl of the west9 месяцев назад

Went from almost very fan-service to wholesome "huiii~" 😄

Фото профиля Rapid python

Rapid python9 месяцев назад

Holy Christ if she was barefoot

Фото профиля LizzieHasAGat

LizzieHasAGat9 месяцев назад

i never understood the appeal of vtubers. now i do. i understand.

Фото профиля Kimii Kimura|❔🎀

Kimii Kimura|❔🎀9 месяцев назад

Holy Aura-

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Everyone’s posting insane tracking setups lately... So I added chair tracking Didn’t cost me a Kia Either :3

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2020 was a great year for nijisanji's 3D tracking in hindsight: 07/2020 - introduced chair tech w/ mayuzumi 12/2020 - improved chair tech w/ hoshikawa 12/2020 - water bottle cap tracking w/ yumeo and since then they can also track basketballs, unicycles, yoga balls, etc (+ AR)

2020 was a great year for nijisanji's 3D tracking in hindsight: 07/2020 - introduced chair tech w/ mayuzumi 12/2020 - improved chair tech w/ hoshikawa 12/2020 - water bottle cap tracking w/ yumeo and since then they can also track basketballs, unicycles, yoga balls, etc (+ AR)

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If you’re talking about home 3d setup then no, but chair tracking in Nijisanji is so 2020, indies are only catching up now meanwhile they’re tracking basketball, mini rc cars, and drums now

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octopus food

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Indianapolis Colts Defensive QC Coach Brent Jackson - Tracking (Tackling) - #1 cause of explosive plays in the NFL is missed tackles Coaching Points - Eat up the grass - Eyes on near hip - Own your leverage - Good pad level at the point of attack Common Tracking Issues - Improper tracking angle - Overrun the ball (cutback) - Sit in the chair

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VTuber CodeMiko shared a new behind-the-scenes look at her setup and showed how spinny chair tracking works. She plans to release a full tutorial:

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National Transportation Safety Board Chair Jennifer Homendy said a tracking system failed to alert during a fatal collision at LaGuardia Airport between an Air Canada jet and a firetruck, killing two pilots

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Reuters

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You set your email to "Out of Office," but your chat apps didn't get the memo. The moment you drop your bags, their central servers are already tracking your flight, your hotel, and the exact lounge chair you’re sitting on. You took a holiday for pleasure, but the data collector came for business. Leave big tech behind. Switch to

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Tom😈Loves❤️Horror😱

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Seedance 2.5 makes cinematic horror feel incredibly real. From the stormy atmosphere to subtle character movement and tension-building details, this scene came together with impressive realism. Full prompt: Use the reference image only for facial identity, do not use dress or background or pose only for facial identity. Create a 30-second ultra-realistic cinematic horror movie scene set inside an abandoned countryside house during a stormy night. Main character: A woman in her late 20s, realistic natural appearance, shoulder-length dark brown hair, simple dark jacket, faded jeans and practical boots. She carries a small flashlight and an old key. Keep her face, hairstyle, body proportions and clothing perfectly consistent throughout the entire video. Environment: An abandoned two-story countryside house that has been empty for decades. Cracked plaster walls, old wooden floors, dusty furniture covered with sheets, broken picture frames, peeling wallpaper, old wooden doors, narrow staircase, cobwebs and scattered debris. Heavy rain hits the windows outside. Occasional distant thunder illuminates the interior through the curtains. The house must feel completely real and physically believable. No supernatural visual effects, no fantasy creatures, no excessive gore, no cyberpunk, no neon lights. 0–5 seconds — ARRIVAL Start with a wide exterior shot of the abandoned house during a violent rainstorm at night. The woman approaches the front entrance holding a flashlight. Lightning briefly illuminates the entire house. She unlocks the old front door. The door slowly opens by itself with a long, realistic wooden creak. She pauses. After a moment, she cautiously enters. 5–10 seconds — THE HOUSE Cut to an interior tracking shot following her from behind. Her flashlight slowly moves across the dark hallway. Dust particles float through the narrow beam of light. She notices several old family photographs hanging crookedly on the wall. She stops and examines them. One photograph shows a family standing outside the house many years ago. Everything looks normal. She continues walking. A faint sound comes from upstairs. A single slow footstep. She looks toward the staircase. Silence. 10–16 seconds — SOMETHING IS THERE She slowly walks toward the staircase. Her flashlight beam moves up the dark stairs. Another quiet footstep comes from above. She whispers softly, “Hello?” No answer. She takes a few steps upward. Suddenly, the hallway light flickers briefly even though the house has no electricity. The woman freezes. Her flashlight begins to flicker. For one brief moment, at the very top of the staircase, a dark human silhouette appears. The flashlight stabilizes. The silhouette is gone. 16–22 seconds — THE BEDROOM She cautiously reaches the second floor. At the end of the hallway, one old bedroom door is slightly open. A faint warm light is visible underneath it. She slowly approaches. She pushes the door open. Inside is an old bedroom covered in dust. In the center of the room sits an old wooden chair facing away from her. The room is completely silent. She shines her flashlight toward the chair. Nothing happens. She takes one step closer. The chair slowly moves by itself with a subtle wooden creak. 22–27 seconds — THE REVEAL The woman freezes. The chair slowly rotates toward her. There is no one sitting in it. She takes a step backward. Her flashlight suddenly falls from her hand and lands on the floor. The beam points toward the doorway. In the flashlight beam, the woman sees the same family photograph from downstairs. But now there is a new figure standing in the photograph. It is the woman herself, wearing exactly the same clothes she is wearing now. She stares at the photograph in complete disbelief. 27–30 seconds — FINAL SHOT A slow camera push toward the photograph. The woman's face is visible inside the old photograph.

Seedance 2.5 makes cinematic horror feel incredibly real. From the stormy atmosphere to subtle character movement and tension-building details, this scene came together with impressive realism. Full prompt: Use the reference image only for facial identity, do not use dress or background or pose only for facial identity. Create a 30-second ultra-realistic cinematic horror movie scene set inside an abandoned countryside house during a stormy night. Main character: A woman in her late 20s, realistic natural appearance, shoulder-length dark brown hair, simple dark jacket, faded jeans and practical boots. She carries a small flashlight and an old key. Keep her face, hairstyle, body proportions and clothing perfectly consistent throughout the entire video. Environment: An abandoned two-story countryside house that has been empty for decades. Cracked plaster walls, old wooden floors, dusty furniture covered with sheets, broken picture frames, peeling wallpaper, old wooden doors, narrow staircase, cobwebs and scattered debris. Heavy rain hits the windows outside. Occasional distant thunder illuminates the interior through the curtains. The house must feel completely real and physically believable. No supernatural visual effects, no fantasy creatures, no excessive gore, no cyberpunk, no neon lights. 0–5 seconds — ARRIVAL Start with a wide exterior shot of the abandoned house during a violent rainstorm at night. The woman approaches the front entrance holding a flashlight. Lightning briefly illuminates the entire house. She unlocks the old front door. The door slowly opens by itself with a long, realistic wooden creak. She pauses. After a moment, she cautiously enters. 5–10 seconds — THE HOUSE Cut to an interior tracking shot following her from behind. Her flashlight slowly moves across the dark hallway. Dust particles float through the narrow beam of light. She notices several old family photographs hanging crookedly on the wall. She stops and examines them. One photograph shows a family standing outside the house many years ago. Everything looks normal. She continues walking. A faint sound comes from upstairs. A single slow footstep. She looks toward the staircase. Silence. 10–16 seconds — SOMETHING IS THERE She slowly walks toward the staircase. Her flashlight beam moves up the dark stairs. Another quiet footstep comes from above. She whispers softly, “Hello?” No answer. She takes a few steps upward. Suddenly, the hallway light flickers briefly even though the house has no electricity. The woman freezes. Her flashlight begins to flicker. For one brief moment, at the very top of the staircase, a dark human silhouette appears. The flashlight stabilizes. The silhouette is gone. 16–22 seconds — THE BEDROOM She cautiously reaches the second floor. At the end of the hallway, one old bedroom door is slightly open. A faint warm light is visible underneath it. She slowly approaches. She pushes the door open. Inside is an old bedroom covered in dust. In the center of the room sits an old wooden chair facing away from her. The room is completely silent. She shines her flashlight toward the chair. Nothing happens. She takes one step closer. The chair slowly moves by itself with a subtle wooden creak. 22–27 seconds — THE REVEAL The woman freezes. The chair slowly rotates toward her. There is no one sitting in it. She takes a step backward. Her flashlight suddenly falls from her hand and lands on the floor. The beam points toward the doorway. In the flashlight beam, the woman sees the same family photograph from downstairs. But now there is a new figure standing in the photograph. It is the woman herself, wearing exactly the same clothes she is wearing now. She stares at the photograph in complete disbelief. 27–30 seconds — FINAL SHOT A slow camera push toward the photograph. The woman's face is visible inside the old photograph.

Sarah

19,184 просмотров • 1 месяц назад

[Generation Overview & Visual Style] Task Type: Text to Video with Multimodal References (30-Second Continuous Action Sequence) Genre: Realistic High-Intensity Hand-to-Hand Combat / Cinematic Action Live-Action Format: 30s continuous cinematic scene, 16:9 widescreen, 24fps, cinematic live-action (真人实拍). Visual Style: Shot on 24mm, 35mm, and 50mm lenses with shallow depth of field. Sunny mid-September afternoon lighting, warm natural golden sunlight streaming through large classroom windows, dust motes dancing in sunbeams. Visceral, bone-crunching physical impact choreography, reckless intensity with grounded human biomechanics (no wirework, no super-powers, no slow-motion, no floating physics). === REFERENCE ROLES & STRICT BINDINGS === - Image : Exclusively defines PROTAGONIST A CHAse — 100% exact facial structure, eye shape, nose, skin tone, facial proportions, black cap with low ponytail coming out the back, and specific attire from Image. Identity must strictly remain constant across every frame without distortion or facial morphing. - image2 : Exclusively defines FEMALE OPPONENT B (First attacker) — exact face, hair, and uniform style. - David Carbon : Exclusively defines FEMALE OPPONENT C (Second attacker with wooden chair) — exact face, hair, and uniform style. - joe p : Exclusively defines FEMALE OPPONENT D (Third attacker sprinting in) — exact face, hair, and uniform style. - Image5 : Exclusively defines FEMALE OPPONENT E (Fourth attacker with beverage bottle) — exact face, hair, and uniform style. - (Additional opponent F follows the realistic school delinquent aesthetic; distinct facial identity from all others). - Background: Japanese high school classroom setting. Rowed wooden school desks and chairs, green chalkboard with faint erased chalk marks at the front, sunny window wall on the side. === AUDIO TRACKS & DIALOGUE DELIVERY (NO BGM) === Music: Strictly NO background music, NO BGM, NO soundtrack. Dialogue: - 0.0s–1.8s: Opponent B (image2), Japanese, female — cold, arrogant, slow and deliberate, enunciating each syllable distinctly and clearly: {조. 센. 진.} - 1.8s–3.5s: Protagonist A (Image), Korean, female — cold, suppressed murderous fury, dragging and trailing the final syllables with venom: {뭐라고 지꺼리는거야.. 씨..이발..} Foley / Diegetic Audio: === STAGED 30-SECOND CHOREOGRAPHY TIMELINE === 0.00–2.80s: [50mm Over-the-Shoulder Medium-Close] A (Image) stands facing away, black cap and low ponytail resting over her collar. B (image2) sneers, walks up, and places her right hand heavily onto A's left shoulder, enunciating: {조. 센. 진.}. A tilts her head down, muttering in a low, dragged venomous tone: {뭐라고 지꺼리는거야.. 씨..이발..}. Six background female students freeze in shock and back away toward the corners. 2.80–4.20s: [Intimate Handheld Close-up] While B's hand rests on A's shoulder, A suddenly pivots clockwise; her right forearm violently smashes across B's jaw and cheekbone with explosive hip rotation. Impact point is sharp and brutal. B's head violently snaps aside, her balance shattered. A immediately recovers without pausing or posing, stepping forward aggressively. 4.20–5.90s: [24mm High Wide-Angle Track Down] B crashes backward into a large teacher's lab desk, splintering the wooden frame; textbooks, notebooks, and chalk boxes cascade across the floor. Nearby students scatter in panic. B collapses amidst the debris and remains down for the rest of the scene. 5.90–8.20s: [Rapid Whip Pan to Screen Right] C (David Carbon) grabs a solid wooden school chair and swings it horizontally toward A's head. A ducks slightly, letting the chair miss her cap brim, then drives a ruthless left side-kick into C's solar plexus. C crashes into the cracked plaster wall; dust cascades down as C slumps unconscious against the baseboard. 8.20–9.70s: [35mm Lateral Medium] A recovers her stance, eyes scanning toward the classroom door. Two students sprint out the exit. B and C remain down among the broken furniture. Camera orbits smoothly around A as she acquires the next incoming threat. 9.70–12.50s: [Tracking Medium Shot] D (joe p) sprints from the rear, throwing a hard right punch. A slips underneath the blow, wedges her shoulder into D's torso, wraps her arms around the hip, and leverages D's momentum to execute a brutal hip throw. D flips completely and slams into joined study desks, collapsing the wooden structures and scattering papers. D stays down. 12.50–15.50s: [Close Handheld Dynamic Tracking] E (Image5) lunges from the side, swinging a glass drink bottle overhead. A pivots and raises her left forearm, intercepting E's wrist; liquid bursts from the bottle, soaking A's left sleeve. A hooks E's elbow, drives a short forearm strike to E's face, and shoves her back violently. E tumbles hard over a reading bench, the glass bottle rolling away on the floorboards (never returning to hand). 15.50–16.80s: [Medium Transition] A shakes the excess drink from her wet sleeve and flips her loosened ponytail behind her shoulder. E groans in the broken bench. Behind A, final opponent F steps forward with heavy posture. 16.80–20.10s: [50mm Tight Combat Orbit] F throws a ferocious combination of straight punches and elbows. A parries cleanly, absorbing impacts with forearms, and returns a devastating short palm strike to F's sternum followed by a heavy shoulder barge. F stumbles backward, bleeding slightly from the corner of the mouth. 20.10–23.60s: [Tight Medium Two-Shot] F swings wildly. A ducks low, locks F's wrist across her shoulder, hammers an elbow into F's ribs, and drives an open-palm strike under F's chin. F slips on scattered notebooks and overturns a chair, clinging to A's shoulder to stay upright. A relentlessly presses forward. 23.60–26.90s: [Low-Angle Frontal Take-Down] F makes a final desperate rush. A steps offline, wrenches F's collar downward, and slams a short, vicious downward elbow strike into the nape of F's neck while tripping F's lead leg. F crashes face-first onto the wooden floorboards and goes limp. 26.90–30.00s: [24mm Steady Wide Establishing Pull] A stands isolated amidst the demolished classroom. B, C, D, E, and F lie defeated in their precise crash locations amidst overturned desks, scattered papers, and shattered chalk. A takes a deep breath, checks her soaked sleeve, brushes her ponytail back, and coldly scans the room under the warm afternoon sunlight. Slow camera push-in on A's calm, intense expression into the final frame. === STRICT CONSTRAINTS & NEGATIVES === - No subtitles, captions, or on-screen text. - No background music or synth score. - Strictly adhere to Image for Protagonist A's identity and wardrobe. - Strictly adhere to image2, David Carbon, joe p, Image5 for opponents B, C, D, E. - No magical CGI, no slow motion, no bullet-time ramps, no floating wirework. - Destruction and fallen bodies must maintain absolute spatial continuity across shots. - Keep blood to a minimal trace on F's lip only. - Live-action realism throughout (真人实拍).

[Generation Overview & Visual Style] Task Type: Text to Video with Multimodal References (30-Second Continuous Action Sequence) Genre: Realistic High-Intensity Hand-to-Hand Combat / Cinematic Action Live-Action Format: 30s continuous cinematic scene, 16:9 widescreen, 24fps, cinematic live-action (真人实拍). Visual Style: Shot on 24mm, 35mm, and 50mm lenses with shallow depth of field. Sunny mid-September afternoon lighting, warm natural golden sunlight streaming through large classroom windows, dust motes dancing in sunbeams. Visceral, bone-crunching physical impact choreography, reckless intensity with grounded human biomechanics (no wirework, no super-powers, no slow-motion, no floating physics). === REFERENCE ROLES & STRICT BINDINGS === - Image : Exclusively defines PROTAGONIST A CHAse — 100% exact facial structure, eye shape, nose, skin tone, facial proportions, black cap with low ponytail coming out the back, and specific attire from Image. Identity must strictly remain constant across every frame without distortion or facial morphing. - image2 : Exclusively defines FEMALE OPPONENT B (First attacker) — exact face, hair, and uniform style. - David Carbon : Exclusively defines FEMALE OPPONENT C (Second attacker with wooden chair) — exact face, hair, and uniform style. - joe p : Exclusively defines FEMALE OPPONENT D (Third attacker sprinting in) — exact face, hair, and uniform style. - Image5 : Exclusively defines FEMALE OPPONENT E (Fourth attacker with beverage bottle) — exact face, hair, and uniform style. - (Additional opponent F follows the realistic school delinquent aesthetic; distinct facial identity from all others). - Background: Japanese high school classroom setting. Rowed wooden school desks and chairs, green chalkboard with faint erased chalk marks at the front, sunny window wall on the side. === AUDIO TRACKS & DIALOGUE DELIVERY (NO BGM) === Music: Strictly NO background music, NO BGM, NO soundtrack. Dialogue: - 0.0s–1.8s: Opponent B (image2), Japanese, female — cold, arrogant, slow and deliberate, enunciating each syllable distinctly and clearly: {조. 센. 진.} - 1.8s–3.5s: Protagonist A (Image), Korean, female — cold, suppressed murderous fury, dragging and trailing the final syllables with venom: {뭐라고 지꺼리는거야.. 씨..이발..} Foley / Diegetic Audio: === STAGED 30-SECOND CHOREOGRAPHY TIMELINE === 0.00–2.80s: [50mm Over-the-Shoulder Medium-Close] A (Image) stands facing away, black cap and low ponytail resting over her collar. B (image2) sneers, walks up, and places her right hand heavily onto A's left shoulder, enunciating: {조. 센. 진.}. A tilts her head down, muttering in a low, dragged venomous tone: {뭐라고 지꺼리는거야.. 씨..이발..}. Six background female students freeze in shock and back away toward the corners. 2.80–4.20s: [Intimate Handheld Close-up] While B's hand rests on A's shoulder, A suddenly pivots clockwise; her right forearm violently smashes across B's jaw and cheekbone with explosive hip rotation. Impact point is sharp and brutal. B's head violently snaps aside, her balance shattered. A immediately recovers without pausing or posing, stepping forward aggressively. 4.20–5.90s: [24mm High Wide-Angle Track Down] B crashes backward into a large teacher's lab desk, splintering the wooden frame; textbooks, notebooks, and chalk boxes cascade across the floor. Nearby students scatter in panic. B collapses amidst the debris and remains down for the rest of the scene. 5.90–8.20s: [Rapid Whip Pan to Screen Right] C (David Carbon) grabs a solid wooden school chair and swings it horizontally toward A's head. A ducks slightly, letting the chair miss her cap brim, then drives a ruthless left side-kick into C's solar plexus. C crashes into the cracked plaster wall; dust cascades down as C slumps unconscious against the baseboard. 8.20–9.70s: [35mm Lateral Medium] A recovers her stance, eyes scanning toward the classroom door. Two students sprint out the exit. B and C remain down among the broken furniture. Camera orbits smoothly around A as she acquires the next incoming threat. 9.70–12.50s: [Tracking Medium Shot] D (joe p) sprints from the rear, throwing a hard right punch. A slips underneath the blow, wedges her shoulder into D's torso, wraps her arms around the hip, and leverages D's momentum to execute a brutal hip throw. D flips completely and slams into joined study desks, collapsing the wooden structures and scattering papers. D stays down. 12.50–15.50s: [Close Handheld Dynamic Tracking] E (Image5) lunges from the side, swinging a glass drink bottle overhead. A pivots and raises her left forearm, intercepting E's wrist; liquid bursts from the bottle, soaking A's left sleeve. A hooks E's elbow, drives a short forearm strike to E's face, and shoves her back violently. E tumbles hard over a reading bench, the glass bottle rolling away on the floorboards (never returning to hand). 15.50–16.80s: [Medium Transition] A shakes the excess drink from her wet sleeve and flips her loosened ponytail behind her shoulder. E groans in the broken bench. Behind A, final opponent F steps forward with heavy posture. 16.80–20.10s: [50mm Tight Combat Orbit] F throws a ferocious combination of straight punches and elbows. A parries cleanly, absorbing impacts with forearms, and returns a devastating short palm strike to F's sternum followed by a heavy shoulder barge. F stumbles backward, bleeding slightly from the corner of the mouth. 20.10–23.60s: [Tight Medium Two-Shot] F swings wildly. A ducks low, locks F's wrist across her shoulder, hammers an elbow into F's ribs, and drives an open-palm strike under F's chin. F slips on scattered notebooks and overturns a chair, clinging to A's shoulder to stay upright. A relentlessly presses forward. 23.60–26.90s: [Low-Angle Frontal Take-Down] F makes a final desperate rush. A steps offline, wrenches F's collar downward, and slams a short, vicious downward elbow strike into the nape of F's neck while tripping F's lead leg. F crashes face-first onto the wooden floorboards and goes limp. 26.90–30.00s: [24mm Steady Wide Establishing Pull] A stands isolated amidst the demolished classroom. B, C, D, E, and F lie defeated in their precise crash locations amidst overturned desks, scattered papers, and shattered chalk. A takes a deep breath, checks her soaked sleeve, brushes her ponytail back, and coldly scans the room under the warm afternoon sunlight. Slow camera push-in on A's calm, intense expression into the final frame. === STRICT CONSTRAINTS & NEGATIVES === - No subtitles, captions, or on-screen text. - No background music or synth score. - Strictly adhere to Image for Protagonist A's identity and wardrobe. - Strictly adhere to image2, David Carbon, joe p, Image5 for opponents B, C, D, E. - No magical CGI, no slow motion, no bullet-time ramps, no floating wirework. - Destruction and fallen bodies must maintain absolute spatial continuity across shots. - Keep blood to a minimal trace on F's lip only. - Live-action realism throughout (真人实拍).

CHAse

151,348 просмотров • 1 месяц назад

What if everything we thought we knew about cholesterol and heart disease risk… doesn’t apply to everyone? In this episode, world-renowned cardiologist Dr. Matthew Budoff unpacks the results of a landmark one-year study tracking 100 lean, metabolically healthy individuals on a ketogenic diet with extremely elevated LDL levels. Dr. Budoff is the Program Director, Director of Cardiac CT, and the endowed chair of preventive cardiology at The Lundquist Institute for Biomedical Innovation at Harbor-UCLA Medical Center. In this interview, Dr. Scher and Dr. Budoff further break down the results of his new publication, which used advanced imaging to demonstrate that LDL cholesterol and ApoB levels are not associated with plaque progression in Lean-Mass Hyper Responders following a #ketogenicdiet. 📊 Surprising insights: • Elevated LDL and ApoB did not predict plaque progression • Some participants with LDLs over 500 showed no plaque at all • A few participants even experienced plaque regression • Existing plaque—not LDL-C or ApoB—did predict plaque accumulation in this population Dr. Budoff explains what these results mean for clinicians, for patients using ketogenic therapy as a medical intervention, and for the broader conversation around cardiovascular disease risk. “It is important that clinicians, along with the general public, are made aware that personalized, data-driven approaches to assessing risk should be considered based on individual conditions,” said Dr. Budoff. “The existence of this phenotype suggests that alternative markers or tests should be used to establish metabolic health in some cases.” 🎬 These exciting new findings are featured in Dave Feldman and Jen Isenhart’s upcoming documentary, The Cholesterol Code, the story of how a software engineer conducts a groundbreaking study on an unusual group of people—lean, healthy individuals whose doctors are convinced they’ll die young. Real stories of healing with ketogenic diets provide a blueprint for using food as powerful medicine. Visit to learn more about the film and to be the first to hear about private screenings and the general release in the fall. Expert Featured: Dr. Matthew Budoff Matthew Budoff MD Resources Mentioned: Plaque Begets Plaque, ApoB Does Not Diagnostic and Preventative Cardiovascular Imaging Center CMEs Mentioned: Managing Major Mental Illness with Dietary Change: The New Science of Hope Brain Energy: The Metabolic Theory of Mental Illness Learn more about metabolic psychiatry and find helpful resources at

What if everything we thought we knew about cholesterol and heart disease risk… doesn’t apply to everyone? In this episode, world-renowned cardiologist Dr. Matthew Budoff unpacks the results of a landmark one-year study tracking 100 lean, metabolically healthy individuals on a ketogenic diet with extremely elevated LDL levels. Dr. Budoff is the Program Director, Director of Cardiac CT, and the endowed chair of preventive cardiology at The Lundquist Institute for Biomedical Innovation at Harbor-UCLA Medical Center. In this interview, Dr. Scher and Dr. Budoff further break down the results of his new publication, which used advanced imaging to demonstrate that LDL cholesterol and ApoB levels are not associated with plaque progression in Lean-Mass Hyper Responders following a #ketogenicdiet. 📊 Surprising insights: • Elevated LDL and ApoB did not predict plaque progression • Some participants with LDLs over 500 showed no plaque at all • A few participants even experienced plaque regression • Existing plaque—not LDL-C or ApoB—did predict plaque accumulation in this population Dr. Budoff explains what these results mean for clinicians, for patients using ketogenic therapy as a medical intervention, and for the broader conversation around cardiovascular disease risk. “It is important that clinicians, along with the general public, are made aware that personalized, data-driven approaches to assessing risk should be considered based on individual conditions,” said Dr. Budoff. “The existence of this phenotype suggests that alternative markers or tests should be used to establish metabolic health in some cases.” 🎬 These exciting new findings are featured in Dave Feldman and Jen Isenhart’s upcoming documentary, The Cholesterol Code, the story of how a software engineer conducts a groundbreaking study on an unusual group of people—lean, healthy individuals whose doctors are convinced they’ll die young. Real stories of healing with ketogenic diets provide a blueprint for using food as powerful medicine. Visit to learn more about the film and to be the first to hear about private screenings and the general release in the fall. Expert Featured: Dr. Matthew Budoff Matthew Budoff MD Resources Mentioned: Plaque Begets Plaque, ApoB Does Not Diagnostic and Preventative Cardiovascular Imaging Center CMEs Mentioned: Managing Major Mental Illness with Dietary Change: The New Science of Hope Brain Energy: The Metabolic Theory of Mental Illness Learn more about metabolic psychiatry and find helpful resources at

Metabolic Mind

10,423 просмотров • 1 год назад

A 1988 Chicago Trading Pit documentary accidentally described the exact reason 90 percent of modern retail traders will never stop until they blow up. The film was shot in the peak years of open outcry, back when trading meant shouting yourself hoarse in a physical pit, taking speech therapy at Schwab Rehabilitation Center, and sometimes ending up in the medic's chair with a busted lip from a fistfight over a trade. At 16:34 in the film above, one trader said this. "When I first started I heard stories of other traders making 50 or 100 thousand a day. I said if I made that kind of money I would quit. I would take the summer off. When I had my first five-figure day, ten thousand plus, I found myself in the pit the next day." He made his summer's worth of money in one session. He came back the next morning. Every retail trader today who says "if I just double my account I'll cash out" is that trader. Every day-trader who promised themselves they would quit after their first six-figure year is that trader. Every options gambler who tells their spouse "one more good week and I stop" is that trader. The 1988 documentary called it the game. The people who stayed in it called it being a gladiator. The paramedics on duty at the exchange called it a job. Modern brokers call it engagement. Every Robinhood push notification is designed to reproduce the pit floor without the paramedics. That single confession from a Chicago pit trader in 1988 has probably explained the last four decades of retail blowups better than every behavioral finance textbook combined. Retail traders build spreadsheets tracking P&L in real time because they cannot look away from the score. Options traders open the app on the toilet because the pit is now in their pocket. Prop shop hires get told the money is what matters when the actual driver is the same dopamine that trapped the 1988 gladiator. The full 19-minute documentary is above. Almost none of the viewers have actually asked themselves what number would make them walk. The framework is free. The willingness to actually name the number that ends the game before you get there is the entire edge.

A 1988 Chicago Trading Pit documentary accidentally described the exact reason 90 percent of modern retail traders will never stop until they blow up. The film was shot in the peak years of open outcry, back when trading meant shouting yourself hoarse in a physical pit, taking speech therapy at Schwab Rehabilitation Center, and sometimes ending up in the medic's chair with a busted lip from a fistfight over a trade. At 16:34 in the film above, one trader said this. "When I first started I heard stories of other traders making 50 or 100 thousand a day. I said if I made that kind of money I would quit. I would take the summer off. When I had my first five-figure day, ten thousand plus, I found myself in the pit the next day." He made his summer's worth of money in one session. He came back the next morning. Every retail trader today who says "if I just double my account I'll cash out" is that trader. Every day-trader who promised themselves they would quit after their first six-figure year is that trader. Every options gambler who tells their spouse "one more good week and I stop" is that trader. The 1988 documentary called it the game. The people who stayed in it called it being a gladiator. The paramedics on duty at the exchange called it a job. Modern brokers call it engagement. Every Robinhood push notification is designed to reproduce the pit floor without the paramedics. That single confession from a Chicago pit trader in 1988 has probably explained the last four decades of retail blowups better than every behavioral finance textbook combined. Retail traders build spreadsheets tracking P&L in real time because they cannot look away from the score. Options traders open the app on the toilet because the pit is now in their pocket. Prop shop hires get told the money is what matters when the actual driver is the same dopamine that trapped the 1988 gladiator. The full 19-minute documentary is above. Almost none of the viewers have actually asked themselves what number would make them walk. The framework is free. The willingness to actually name the number that ends the game before you get there is the entire edge.

Kursor

145,467 просмотров • 1 месяц назад

🚨 SOMETHING VERY STRANGE IS HAPPENING! Warren Buffett is ready for a market crash, No rage bait, just look at this: • 2000 Dotcom bubble – 50% in cash • 2007 bubble – 60% in cash • 2020 Covid crash – 60% in cash • 2024–2027 AI crash – $334B in cash And right now, he is acting based on the analysis: • The new Fed chair has confirmed rate hikes. • China, Japan, and Turkey are nonstop dumping U.S. Treasuries. • Iran violated the ceasefire by attacking a U.S. base, putting the peace deal in doubt. He is convinced about what could happen next: • Stocks will dump. • Bonds will dump. • Bitcoin will dump even harder. Smart money already sees what’s happening. They are not “buying the dip.” They are moving into cash, reducing exposure, and preparing for the biggest risk-off event of the year. And now add a real trade war on top of that: China is actively rejecting U.S. Nvidia chips. That is not just a tech headline. Because once semiconductors become geopolitical weapons, global supply chains stop functioning normally. Capital freezes. Confidence evaporates. And global growth expectations reset lower instantly. Meanwhile: • Japanese bond yields are surging • Foreign nations are dumping U.S. Treasuries • Global bonds are being dumped aggressively • Oil markets are becoming unstable • The dollar is losing stability • Liquidity is tightening worldwide This is no longer one isolated problem. This is systemic pressure building across MULTIPLE fronts simultaneously. After MONTHS of negotiations, the U.S. and Iran failed to reach a peace deal. And when diplomacy fails, markets stop pricing “hope.” They price WAR. And once markets begin pricing the possibility of direct U.S.-Iran escalation, energy markets become impossible to stabilize. Oil does not rise slowly. It goes vertical. Shipping routes become vulnerable. Supply chains break down. Inflation spikes again globally. Which means central banks will keep interest rates higher for longer. And that creates the exact environment markets cannot survive in: • Slowing growth • Sticky inflation • Tight liquidity • Rising geopolitical risk • And collapsing investor confidence Now connect the dots. When geopolitical stress collides with a fragile financial system, reactions do not stay contained. They COLLAPSE. Capital does not rotate calmly. It stampedes toward safety all at once. And risk assets? They do not “dip.” They DUMP HARD. This is exactly how chain reactions begin. Because once markets start pricing prolonged instability instead of temporary fear, the entire system changes. Watch oil. Watch bonds. Watch semiconductors. Watch interest rates. Because once this accelerates, there will be no time left to react. I’ve spent years tracking macro and systemic market reactions like this. When the next move becomes clear, I’ll share it here publicly. Follow and turn notifications on. Because by the time it reaches the headlines, it’s already too late.

🚨 SOMETHING VERY STRANGE IS HAPPENING! Warren Buffett is ready for a market crash, No rage bait, just look at this: • 2000 Dotcom bubble – 50% in cash • 2007 bubble – 60% in cash • 2020 Covid crash – 60% in cash • 2024–2027 AI crash – $334B in cash And right now, he is acting based on the analysis: • The new Fed chair has confirmed rate hikes. • China, Japan, and Turkey are nonstop dumping U.S. Treasuries. • Iran violated the ceasefire by attacking a U.S. base, putting the peace deal in doubt. He is convinced about what could happen next: • Stocks will dump. • Bonds will dump. • Bitcoin will dump even harder. Smart money already sees what’s happening. They are not “buying the dip.” They are moving into cash, reducing exposure, and preparing for the biggest risk-off event of the year. And now add a real trade war on top of that: China is actively rejecting U.S. Nvidia chips. That is not just a tech headline. Because once semiconductors become geopolitical weapons, global supply chains stop functioning normally. Capital freezes. Confidence evaporates. And global growth expectations reset lower instantly. Meanwhile: • Japanese bond yields are surging • Foreign nations are dumping U.S. Treasuries • Global bonds are being dumped aggressively • Oil markets are becoming unstable • The dollar is losing stability • Liquidity is tightening worldwide This is no longer one isolated problem. This is systemic pressure building across MULTIPLE fronts simultaneously. After MONTHS of negotiations, the U.S. and Iran failed to reach a peace deal. And when diplomacy fails, markets stop pricing “hope.” They price WAR. And once markets begin pricing the possibility of direct U.S.-Iran escalation, energy markets become impossible to stabilize. Oil does not rise slowly. It goes vertical. Shipping routes become vulnerable. Supply chains break down. Inflation spikes again globally. Which means central banks will keep interest rates higher for longer. And that creates the exact environment markets cannot survive in: • Slowing growth • Sticky inflation • Tight liquidity • Rising geopolitical risk • And collapsing investor confidence Now connect the dots. When geopolitical stress collides with a fragile financial system, reactions do not stay contained. They COLLAPSE. Capital does not rotate calmly. It stampedes toward safety all at once. And risk assets? They do not “dip.” They DUMP HARD. This is exactly how chain reactions begin. Because once markets start pricing prolonged instability instead of temporary fear, the entire system changes. Watch oil. Watch bonds. Watch semiconductors. Watch interest rates. Because once this accelerates, there will be no time left to react. I’ve spent years tracking macro and systemic market reactions like this. When the next move becomes clear, I’ll share it here publicly. Follow and turn notifications on. Because by the time it reaches the headlines, it’s already too late.

WhaleTwits

23,608 просмотров • 4 месяцев назад