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Chaos 😅 Can't wait for heated arguments .. Side note 📝 The camera feed quality was Premium True High definition 💯 Pls 🙏🏾 edakun nothing less 4 d coming season. Thanks #BBNaija

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MERCYOSARO22 OFFICIAL

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15,958 views • 1 year ago •via X (Twitter)

ComedyGaming#BBNaija
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Lady in Red🫦💃🤜🏻⭕🤛🏻#BBNaija's profile picture
Lady in Red🫦💃🤜🏻⭕🤛🏻#BBNaija1 year ago

My General...he put him in his place nicely 👌🏼

AndaSeat's profile picture
AndaSeat1 year ago

🍀 Mercury retrograde-proof your gaming life! ⚔️ Kaiser 3's anti-bad-luck features: 💪 5,000+ durability cycles (tested!) 💧 Water-resistant surface 🛡️ Anti-spill protection ✨ Murphy's Law defying design 🌟 Because life happens, gaming shouldn't stop! 🪑⚡ Guard your gameplay: 🎲 Lucky deal: Chase away bad luck with $20 off! #AndaSeat #GamerLife #DurabilityGoals #Kaiser3 🎮✨

mee🏝🥰's profile picture
mee🏝🥰1 year ago

See Boma face😂😂

Khaleesi👸🩺💊🇺🇸's profile picture
Khaleesi👸🩺💊🇺🇸1 year ago

They gave us entertainment pro max 😂

Diva🍑❤️'s profile picture
Diva🍑❤️1 year ago

Volcano 🌋 everywhere 😂

Nelly Mwila's profile picture
Nelly Mwila1 year ago

Pere thought he was talking to white money 😂

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Njabulo Blom🔝 Quality player at Kaizer Chiefs❤️✌🏾 ■ How are we struggling for options in midfield? We can't even get Blom to enjoy football? ■ A match unfit Blom is still better than what we partner Cele with constantly there. ■ This boy doesn't want to play RB. Worse, he knows, and we know he's better than our preferred 6s. ■ How does he stay inspired when he's undervalued? We need to be less emotional and pick the best possible 11 with what we have before complaining about lack of quality. ■ Blom can't even have 2 starts because we have the coaches' favorite sons who deserve to play even when they offer nothing! ▪︎ The fans end up hating their own players because the coach forces them into the team even when they aren't helping the team. ■ Ntwari was kept until fans hated him. We could see he's struggling to adapt, but many still believed in him. Instead of limiting his game time in the early days until he adapted, the coach kept him there until fans started to see Ntwari as the only problem, he wasn't protected and now with Bvuma leaking, we can't look at Ntwari with the hope and positively we had in pre-season. ▪︎ Yet, Ntwari will go to his national team next week and pull world-class saves. ■ Same as Lilepo, he can be off for 60 minutes and just show up in a few moments but he will stay in the field, because once the coach trusts you, he doesn't want you to stay a second out even when you're not showing up. The only motivated player currently is Yusuf Maart because he doesn't even need a good performance to be preferred in this team. We need less emotional decisions, more tactical decisions, and support for these players. Let these boys know that a good performance will earn you a place in the team. Not being loved by the coach when you're not adding any quality to our game📝

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Project Constitution

5,179,803 views • 9 months ago

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Om Patel

298,746 views • 4 months ago

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Player Profile: Khanyisa Mayo[27]📝 Position: RW/RF/CF Foot: Left Club: Kaizer Chiefs FC Kaizer Chiefs has made another bold move in adding quality to the teams attack. Khanyisa Mayo provides immediate and long-term attacking solutions for the club on the right. 1. Technical Qualities Mayo is a skillful, left-footed attacker with a profile built for modern, high-intensity attacking football. ■ A very direct winger, always looking to advance play instead of recycling possession. ■ Excellent at carrying the ball through pressure, breaking lines, and forcing defenders into retreat. ■ His dribbling and progressive runs add verticality to the team’s attacking structure. Shooting and Passing: ■ Strong shooting range when cutting inside from the right. He provides that unpredictability to the attack with his quality to strike the ball from range. Consistently attempts to feed the box: goals, assists, and key passes. A finisher and creator between the lines. Positional Versatility: ■ In a 4-3-3/4-2-3-1, his best role is as the right forward or right winger, cutting inside to shoot or combine. He can also be effective stretching play and still carry goal threat and creativity. ■ As a No. 9: While not his best role, he is capable of leading the line. He uses his pace to run in behind. He can compete but lacks the physicality to hold off defenders, though his finishing is good. ■ As a Second Striker[442]: A role that plays better to his strengths than as a 9. He is comfortable operating between the lines, combining with midfielders and a traditional box striker. His mobility, creativity, and shooting ability allow him to function as the link player, collecting the ball, supporting the primary striker, and creating or finishing opportunities. This ability to operate both wide and centrally makes him tactically flexible, giving Chiefs options in various attacking structures. 2. Physical Attributes ■ Pace & Explosiveness: Quick acceleration makes him a constant outlet for balls in behind. ■ Strength & Balance: He is strong enough to hold off fullbacks, sustaining attacking sequences under pressure ■ High Intensity: Matches the tempo of Chiefs’ pressing and counter-pressing game. We do most actions with a lot of intensity, and his explosive nature will be very much welcomed in our attack. 3. Tactical Fit at Chiefs Under Coach Nabi, Chiefs are shaping into a side that plays with directness, intensity, and aggression across all phases of play: ■ Pressing & Counter-Pressing: The team applies immediate pressure after losing the ball. Mayo’s speed, defensive work rate, and forward momentum align seamlessly with this system. ■ High-Tempo Attacking: Chiefs don’t rely on slow possession. Attacks are vertical, sharp, and quick. Mayo’s instinct to drive forward, dribble at defenders, and attack space makes him an ideal fit. ■ Attacking Personality: His ability to provide not just progression but also the final goal, final pass, and decisive action elevates Chiefs’ attacking efficiency. Mayo’s game is inherently aligned with protagonist football: high tempo, forward intent, and productivity. 4. Experiential Value ■ Continental Experience: Spent a season in Algeria with CR Belouizdad, scoring 6 goals from wide positions. Notable not just for the numbers but for adapting to a challenging cultural and tactical environment. ■ Tactical Growth: North African teams are disciplined and organized, with compact defenses and structured pressing. Mayo sharpened his decision-making, spatial awareness, and ability to operate against tight blocks, preparing him for high-level CAF competitions. ■ Mentality: At 27, he blends maturity with hunger. His willingness to take risks reflects confidence and attacking intent. Yet to reach his peak, now is the perfect time to step up, showing the quality glimpsed at Cape Town City. Mayo joins Chiefs as both a system player and a game-changer. A top signing by the Glamour Boys! 📝

El Capitano⚪

87,172 views • 11 months ago

“I feel like a ghost.” Many indie VTubers like myself often feel this way in this rapidly expanding sea of stars. However, everything changed yesterday night. It was around 11pm on the final day of #OffKaiGen4 and Mosomatsuri had just ended. I was about to log offline when suddenly I was given the chance to pop on again for some “laptop time” because the big TV monitor broke. I didn’t know if anyone was still around at the concert venue or if I was there for photos or talking or performing. In a flash, I was thrust in front of an audience again. After a long day of fiery cheering, wotagei and Naruto running, I decided to do what I always do to heal my tired soul after long days. Singing and guitar. I didn’t expect anybody to stay, much less form a crowd around my laptop on the floor. But just when things couldn’t get worse, they get worse ✨ The speaker breaks. The laptop falls down mid performance. I am now on the floor stuck inside my laptop with my tiny voice shouting out asking if anyone can hear me. In that moment I was so anxious and high on adrenaline. The noise cancellation was so high on the audience camera feed I couldn’t hear the crowd. The video itself was blurry and I could barely make out their faces. A ghostly feeling. All this just when I was about to sing GHOST by Hoshimachi Suisei. I nervously laughed and said it was quite poetic that I’m singing this song while being reduced to a tiny voice on a tiny screen. But looking back now on your fan video recordings, I can see your faces clearly now and I can’t help the tears streaming down my face. Despite it all, they still stayed. Clinging onto every word I sang and raising their arms and penlights. Sitting on the cold hard ground craning their necks in to hear me. Building an entire campfire out of orange penlights. The lyrics of GHOST shook me to my core so deeply and I’ve always resonated with feeling invisible. Feeling not enough for my fans who were too kind to me. Feeling like maybe I should disappear instead of chasing a fruitless stupid dream. But seeing how passionate, vibrant and infectious your joy is has filled my heart with an indescribable sense of love. Your tenderness and patience and trust in me has changed something in me. How could I forget, this is what it was about all along. To make create beautiful memories for someone. To make them smile and cry. To make them dream of hoping again. And in return, for me as well. Maybe its the fact I’ve been sleeping 3-4 hours this whole weekend. Maybe its because I’m still high on emotions. Maybe it’s because the trajectory of my life has been changed forever but whatever it’s cringeposting season so unfortunately you will witness cringemaxxing!!!! Thank you Galaxy Gang. I will never ever forget this night for the rest of my life. Thank you for finding this ghost✨💫
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“I feel like a ghost.” Many indie VTubers like myself often feel this way in this rapidly expanding sea of stars. However, everything changed yesterday night. It was around 11pm on the final day of #OffKaiGen4 and Mosomatsuri had just ended. I was about to log offline when suddenly I was given the chance to pop on again for some “laptop time” because the big TV monitor broke. I didn’t know if anyone was still around at the concert venue or if I was there for photos or talking or performing. In a flash, I was thrust in front of an audience again. After a long day of fiery cheering, wotagei and Naruto running, I decided to do what I always do to heal my tired soul after long days. Singing and guitar. I didn’t expect anybody to stay, much less form a crowd around my laptop on the floor. But just when things couldn’t get worse, they get worse ✨ The speaker breaks. The laptop falls down mid performance. I am now on the floor stuck inside my laptop with my tiny voice shouting out asking if anyone can hear me. In that moment I was so anxious and high on adrenaline. The noise cancellation was so high on the audience camera feed I couldn’t hear the crowd. The video itself was blurry and I could barely make out their faces. A ghostly feeling. All this just when I was about to sing GHOST by Hoshimachi Suisei. I nervously laughed and said it was quite poetic that I’m singing this song while being reduced to a tiny voice on a tiny screen. But looking back now on your fan video recordings, I can see your faces clearly now and I can’t help the tears streaming down my face. Despite it all, they still stayed. Clinging onto every word I sang and raising their arms and penlights. Sitting on the cold hard ground craning their necks in to hear me. Building an entire campfire out of orange penlights. The lyrics of GHOST shook me to my core so deeply and I’ve always resonated with feeling invisible. Feeling not enough for my fans who were too kind to me. Feeling like maybe I should disappear instead of chasing a fruitless stupid dream. But seeing how passionate, vibrant and infectious your joy is has filled my heart with an indescribable sense of love. Your tenderness and patience and trust in me has changed something in me. How could I forget, this is what it was about all along. To make create beautiful memories for someone. To make them smile and cry. To make them dream of hoping again. And in return, for me as well. Maybe its the fact I’ve been sleeping 3-4 hours this whole weekend. Maybe its because I’m still high on emotions. Maybe it’s because the trajectory of my life has been changed forever but whatever it’s cringeposting season so unfortunately you will witness cringemaxxing!!!! Thank you Galaxy Gang. I will never ever forget this night for the rest of my life. Thank you for finding this ghost✨💫

Nana Asteria ✨💫

160,613 views • 1 year ago

Keyland 2025 #UncannyValley_LA First ment [FULL] NOTE: Kibum was SO FUNNY 😭 I talked to a friend who came and knew nothing about him and she said it was like watching part concert part stand-up comedy show HAHAHAHA 1:20 “We’ve been waiting for this for 18 years! 18 years! 18 years can you believe that! Those born in 2008 are now high school students! Congrats Replay babies.” 3:00 Key talks about changing the concert a little for “more US vibes” and then jokes “I’m not a citizen so I’m not sure…but I thought at the end you can jump more and have more fun. And I don’t care about your boss… you have to work tomorrow right? You guys have the magical words: I love my job, I love my job, I love my job!” 4:27 Key sighs in exasperation and grabs his corset “How did European people live like this?!” LOL 5:50 Key goes around asking what other states people are from and a bunch of people shout. Then he jokingly gets mad and says “YO FIRST FLOOR I’M POINTING THERE!! (to the second floor) Wait a minute!! Mr. Kim says it’s not your turn!!” 6:55 A fan shouts they’re from New York and he jokes “You know I’m going there right?! I’ll be there in two weeks you know that right? Lol SEE YOU THERE!” 7:26 Key starts to realize him shouting different places like this sounds like a beauty pageant! Lololol 8:13 “I noticed some guys in the audience with faces that look like ‘I don’t hate you…but you’re not my favorite thing’” LOLOL “Maybe his girlfriend brought him or his family or his sister or daughter… but please enjoy this show until the end! I’m your entertainer tonight! Boyfriends you’re doing a great job thanks for coming!” 10:00 Key talks about how cold LA is and how shocked he was then starts to mimic himself trotting into LA thinking It’d be so nice LOL
13:53

Keyland 2025 #UncannyValley_LA First ment [FULL] NOTE: Kibum was SO FUNNY 😭 I talked to a friend who came and knew nothing about him and she said it was like watching part concert part stand-up comedy show HAHAHAHA 1:20 “We’ve been waiting for this for 18 years! 18 years! 18 years can you believe that! Those born in 2008 are now high school students! Congrats Replay babies.” 3:00 Key talks about changing the concert a little for “more US vibes” and then jokes “I’m not a citizen so I’m not sure…but I thought at the end you can jump more and have more fun. And I don’t care about your boss… you have to work tomorrow right? You guys have the magical words: I love my job, I love my job, I love my job!” 4:27 Key sighs in exasperation and grabs his corset “How did European people live like this?!” LOL 5:50 Key goes around asking what other states people are from and a bunch of people shout. Then he jokingly gets mad and says “YO FIRST FLOOR I’M POINTING THERE!! (to the second floor) Wait a minute!! Mr. Kim says it’s not your turn!!” 6:55 A fan shouts they’re from New York and he jokes “You know I’m going there right?! I’ll be there in two weeks you know that right? Lol SEE YOU THERE!” 7:26 Key starts to realize him shouting different places like this sounds like a beauty pageant! Lololol 8:13 “I noticed some guys in the audience with faces that look like ‘I don’t hate you…but you’re not my favorite thing’” LOLOL “Maybe his girlfriend brought him or his family or his sister or daughter… but please enjoy this show until the end! I’m your entertainer tonight! Boyfriends you’re doing a great job thanks for coming!” 10:00 Key talks about how cold LA is and how shocked he was then starts to mimic himself trotting into LA thinking It’d be so nice LOL

cindy 🌥️

17,308 views • 8 months ago

On Alex and Pere last night I've seen the misleading narratives peddled by blogs about the situation, and all I can do is she m head in disappointment. If anyone still chooses to be deliberately myopic about Alex's consistent and maliciousness towards Pere, then 🤷‍♂️ For the second time this week, Alex deliberately provoked Pere last night by going back to sleep on a bed she had abandoned in the blue room cos of Pere's negative energy in the room according to her. Switching sleeping spaces in Biggie’s house is nothing new a d even the said bed Alex was colonising, was originally occupied by Kiddwaya, then Prince whom she had joined to share the bed in the guise of "my bestie". Afterwards, she continued sleeping on the bed but sometimes switched between spaces, too. Pere had moved from the peach room to the blue room because of Kimoprah, had moved off to another bed when she got involved with Cross, had moved on to Kim's bed when she got evicted and had left the bed for Angel who had used it when she had her lover's told with Soma. Alex knew Pere was using the bed she abandoned but wanted to trigger him into getting a reaction as usual. She also accused him of stealing her coins and bullying her, something she's been doing to Pere for over 4 weeks now. Alex's moves towards Pere have been very obvious even to the blind. She pokes, goads, provokes, attacks, gets a reaction, and then claims the victim. Alex has portrayed herself to be verbally and physically abusive to her fellow housemates. She did it to Ceec, Ike and now Pere. When Pere reacts, he's called unprintable names and blamed for not having self-control as a man. When Alex attacks, she's applauded for self-defense. The hypocrisy and double standard displayed by Alex this season is shocking, but we're not ready for that conversation cos people will always take the woman's side. I'm only interested in Biggie’s verdict. If he gives Alex a pass, then he will be validating the speculations that Ale is under his protection as she's been getting a pass on all of her vile offences, especially physically attacking Ike. I await the verdict... #bbnaija #bbnaijaAllStars
0:47

On Alex and Pere last night I've seen the misleading narratives peddled by blogs about the situation, and all I can do is she m head in disappointment. If anyone still chooses to be deliberately myopic about Alex's consistent and maliciousness towards Pere, then 🤷‍♂️ For the second time this week, Alex deliberately provoked Pere last night by going back to sleep on a bed she had abandoned in the blue room cos of Pere's negative energy in the room according to her. Switching sleeping spaces in Biggie’s house is nothing new a d even the said bed Alex was colonising, was originally occupied by Kiddwaya, then Prince whom she had joined to share the bed in the guise of "my bestie". Afterwards, she continued sleeping on the bed but sometimes switched between spaces, too. Pere had moved from the peach room to the blue room because of Kimoprah, had moved off to another bed when she got involved with Cross, had moved on to Kim's bed when she got evicted and had left the bed for Angel who had used it when she had her lover's told with Soma. Alex knew Pere was using the bed she abandoned but wanted to trigger him into getting a reaction as usual. She also accused him of stealing her coins and bullying her, something she's been doing to Pere for over 4 weeks now. Alex's moves towards Pere have been very obvious even to the blind. She pokes, goads, provokes, attacks, gets a reaction, and then claims the victim. Alex has portrayed herself to be verbally and physically abusive to her fellow housemates. She did it to Ceec, Ike and now Pere. When Pere reacts, he's called unprintable names and blamed for not having self-control as a man. When Alex attacks, she's applauded for self-defense. The hypocrisy and double standard displayed by Alex this season is shocking, but we're not ready for that conversation cos people will always take the woman's side. I'm only interested in Biggie’s verdict. If he gives Alex a pass, then he will be validating the speculations that Ale is under his protection as she's been getting a pass on all of her vile offences, especially physically attacking Ike. I await the verdict... #bbnaija #bbnaijaAllStars

FranklySpeakingwithGloryElijah

342,161 views • 2 years ago

My primary broker for trading is Kotak Neo. My secondary broker was Zerodha. But since their brokerage charges are quite high, I landed on IIFL as a secondary broker. IIFL has an excellent pricing model and a RM for all kinds of service requests, which felt like a compelling proposition. But it's barely been 3 months, and I will advise everyone against doing what I did. While Algo trading has worked fine, any kind of discretionary trading has been a horrible experience ! I've faced numerous glitches on both their Web and Mobile platforms, atleast 3-4 times, and there is absolutely zero accountability on resolution and explanation of those glitches. On top of that, their UI is one of the worst amongst all the brokers I've ever worked with. On 7 July Nifty weekly expiry day, I wasn't able to exit my positions for a few minutes after 3pm (refer video). Thankfully, they were OTM strikes and I was able to exit using the mobile platform. On sharing the issue with the RM, he just responded he's escalated the issue to the technical team and they will resolve/contact me. Almost 3 weeks later, nobody has contacted me even once or shared any root cause analysis of the issue with me. Then 23-24 July, the platform had a different type of glitch where the UI response was pathetically slow. If you clicked on Add/Exit (Buy/Sell) the order window took an insane 5-10 seconds just to open. On top of that, clicking on a specific strike was opening up the order window of a different strike. So I thought to try the mobile app, and that wasn't working either. Though the platform started working again after sometime, the issue was persisting intermittently throughout the 2 days. On contacting the RM, he again gave the usual response of escalating to technical team. The whole day passed, no acknowledgment of the issue, no resolution, no accountability. On a side note, I was able to recover any losses by close. I also asked my RM, if they'll waive off the brokerage charges of that day, because of the horrendous experience - and he said no can't do that. For 1500-2000, I won't waste my time to complain to SEBI but it should tell you about IIFL's thinking around customer experience. Absolutely pathetic service from a so called "full service broker". Before shifting to IIFL, I had spoken to a couple of people as well specifically to ask about "glitches on their platform" and they all said they've never really experienced it in 7-8 years beyond maybe 1-2 times. It is super hard for me to believe that right now. "The bitterness of poor quality remains long after the sweetness of low price is forgotten" IIFL Capital Services Limited
1:06

My primary broker for trading is Kotak Neo. My secondary broker was Zerodha. But since their brokerage charges are quite high, I landed on IIFL as a secondary broker. IIFL has an excellent pricing model and a RM for all kinds of service requests, which felt like a compelling proposition. But it's barely been 3 months, and I will advise everyone against doing what I did. While Algo trading has worked fine, any kind of discretionary trading has been a horrible experience ! I've faced numerous glitches on both their Web and Mobile platforms, atleast 3-4 times, and there is absolutely zero accountability on resolution and explanation of those glitches. On top of that, their UI is one of the worst amongst all the brokers I've ever worked with. On 7 July Nifty weekly expiry day, I wasn't able to exit my positions for a few minutes after 3pm (refer video). Thankfully, they were OTM strikes and I was able to exit using the mobile platform. On sharing the issue with the RM, he just responded he's escalated the issue to the technical team and they will resolve/contact me. Almost 3 weeks later, nobody has contacted me even once or shared any root cause analysis of the issue with me. Then 23-24 July, the platform had a different type of glitch where the UI response was pathetically slow. If you clicked on Add/Exit (Buy/Sell) the order window took an insane 5-10 seconds just to open. On top of that, clicking on a specific strike was opening up the order window of a different strike. So I thought to try the mobile app, and that wasn't working either. Though the platform started working again after sometime, the issue was persisting intermittently throughout the 2 days. On contacting the RM, he again gave the usual response of escalating to technical team. The whole day passed, no acknowledgment of the issue, no resolution, no accountability. On a side note, I was able to recover any losses by close. I also asked my RM, if they'll waive off the brokerage charges of that day, because of the horrendous experience - and he said no can't do that. For 1500-2000, I won't waste my time to complain to SEBI but it should tell you about IIFL's thinking around customer experience. Absolutely pathetic service from a so called "full service broker". Before shifting to IIFL, I had spoken to a couple of people as well specifically to ask about "glitches on their platform" and they all said they've never really experienced it in 7-8 years beyond maybe 1-2 times. It is super hard for me to believe that right now. "The bitterness of poor quality remains long after the sweetness of low price is forgotten" IIFL Capital Services Limited

Gurjot Ahluwalia

27,937 views • 15 days ago

My name is ISAAC BRISTOL. I am a victim of T-Pain's statewide oppression, where citizens are arbitrarily arrested, and forcefully disappeared. Listen to part one of my traumatic experience in the hands of state actors, working for the interest of a very powerful individual in the presidency, whom i will mention in my subsequent video. Note: This happened under this current Tinubu's lawless administration🖕 I was kidnapped/arrested in my hotel room in port-harcourt. was beaten, blindfolded and taken to miniokoro Anti-Kidnapping unit. They tortured, starved, and detained me in a dungeon for 5 days. I was flown in handcuffs from port harcourt to Abuja, handed over to NCCC, detained at the F.C.I.D for 23 days, arraigned in court, and sent to kuje prison for 32 days on remand. I believe the world should hear my story, because i have never told my own side of the story before. I am currently standing trial at the Federal High court maitama Abuja. And my case will be coming up on the 5th of November 2024. I was only granted bail by the court, and was allowed to go home after spending one month, two days in Kuje prison. But for clarity sake, let me state this here categorically that the 9 count charges against me were neither discharged, nor struck out by the court. I only got bail, but i have a trail to stand. My trial will commence from next month. One of the conditions of my bail was the tendering of my international passport to the court, until the determination of this case. Sending me to prison has only emboldened me in life to speak up more for others. Because i have experienced one of two things every man is afraid of in life. Which is (PRISON & DEATH) although one is inevitable, but no one wishes for it untimely. I am not scared to die, even if it comes my way this very minute. In my 1,440 hours of incarceration, i lost my good health 😭 I lost my life saving, and some sources of income. I have injury scars on my body, i lost proper functionality of my two fingers. I am battling health challenges, and currently receiving treatment, but unknown to the world 💔 I have resolved to be telling the other sides of shocking stories, as an advocate of human and People's rights henceforth. I am a victim, and i now know how it feels like when one's right is trampled upon by state actors, working for some vested interest in power. I knew i was going to do this, even while in prison. Hence the birthing of Isaac Bristol. Thanks to Harry Harry 🎯🎯🎯. I will tell my story, and lots of other stories as narrated to me firsthand by people while in prison, and others outside prison, who also consider themselves victims of deep state oppression. (With their full authorization) It will be left to Nigerians, and the world to decipher the truth after listening. It is very important to note that, i will be doing this video recordings, with my face and name 💪 To start, i know charity begins at home. So i will definitely start with my own story. Please listen and follow up the story, as i will be dropping it in parts. Part 2, 3, 4 and more will follow.
7:43

My name is ISAAC BRISTOL. I am a victim of T-Pain's statewide oppression, where citizens are arbitrarily arrested, and forcefully disappeared. Listen to part one of my traumatic experience in the hands of state actors, working for the interest of a very powerful individual in the presidency, whom i will mention in my subsequent video. Note: This happened under this current Tinubu's lawless administration🖕 I was kidnapped/arrested in my hotel room in port-harcourt. was beaten, blindfolded and taken to miniokoro Anti-Kidnapping unit. They tortured, starved, and detained me in a dungeon for 5 days. I was flown in handcuffs from port harcourt to Abuja, handed over to NCCC, detained at the F.C.I.D for 23 days, arraigned in court, and sent to kuje prison for 32 days on remand. I believe the world should hear my story, because i have never told my own side of the story before. I am currently standing trial at the Federal High court maitama Abuja. And my case will be coming up on the 5th of November 2024. I was only granted bail by the court, and was allowed to go home after spending one month, two days in Kuje prison. But for clarity sake, let me state this here categorically that the 9 count charges against me were neither discharged, nor struck out by the court. I only got bail, but i have a trail to stand. My trial will commence from next month. One of the conditions of my bail was the tendering of my international passport to the court, until the determination of this case. Sending me to prison has only emboldened me in life to speak up more for others. Because i have experienced one of two things every man is afraid of in life. Which is (PRISON & DEATH) although one is inevitable, but no one wishes for it untimely. I am not scared to die, even if it comes my way this very minute. In my 1,440 hours of incarceration, i lost my good health 😭 I lost my life saving, and some sources of income. I have injury scars on my body, i lost proper functionality of my two fingers. I am battling health challenges, and currently receiving treatment, but unknown to the world 💔 I have resolved to be telling the other sides of shocking stories, as an advocate of human and People's rights henceforth. I am a victim, and i now know how it feels like when one's right is trampled upon by state actors, working for some vested interest in power. I knew i was going to do this, even while in prison. Hence the birthing of Isaac Bristol. Thanks to Harry Harry 🎯🎯🎯. I will tell my story, and lots of other stories as narrated to me firsthand by people while in prison, and others outside prison, who also consider themselves victims of deep state oppression. (With their full authorization) It will be left to Nigerians, and the world to decipher the truth after listening. It is very important to note that, i will be doing this video recordings, with my face and name 💪 To start, i know charity begins at home. So i will definitely start with my own story. Please listen and follow up the story, as i will be dropping it in parts. Part 2, 3, 4 and more will follow.

Isaac Bristol

65,060 views • 1 year ago

The beauty & technology packed in the upgraded Model 3 is greatly under-appreciated, just look at all the new things that are in this car and then tell me you don’t want it. 👇 • Same prices as old Model 3, under $40K • Up to ~2.4% higher range on Long Range trim (341), same range on RWD (272) • 50% of the parts in the car are new • 4.3% more cargo capacity • Long Range is 4 lbs lighter than before, RWD is 29 lbs heavier than before • 0.1" lower ground clearance vs old 3 • 30% decrease in wind and ambient noise, 25% improvement in impact noise and 20% improvement in road noise • Redesigned interior w/ new door cards • More premium interior materials. The fabric is softer to the touch and sewn with a more refined process to present a better overall texture • Two new colors: Ultra Red ($2K) & Stealth Gray (no extra cost) • No more stalks. New steering wheel contains the turns signals, light controls, horn, new camera button, wiper controls and mic control • New dash design with textured/woven material • Multicolor ambient LED interior lighting extending from dash to rear seat doors • Updated center console w/ real metal handles, giving a more premium feel. • Acoustic glass on rear windows and back window (was only on front windows before). "360º acoustic glass" • More sound insulation for a quieter ride • Uptick in hood to let wind go over more quietly • Upgraded suspension for a more premium ride. New springs & dampers. New geometry on front suspension. New bushings. New way they mount the sub frame to the chassis • Stiffer body, better handling • More premium sounding door "thunk" • Passengers are more protected from door impacts due to new latch at the bottom of the door • Two motors close the trunk now vs one before, resulting in a quieter automatic close • Tires have more cushioning for improved ride • Center touchscreen now brighter, has smaller bezels, higher contrast & is more responsive • More comfortable rear seats • Redesigned lower rear bumper • All seats are now perforated • No fog lights anymore • Front seats are now ventilated, in addition to heated • 8" touchscreen for rear passengers in the back to control climate & enjoy entertainment. You can connect two headsets at the same time. • Better drag coefficient of 0.219 Cd • Upgraded 2.0 ventilation system. You can now separately turn off the passenger side air • Slimmer and sleeker headlight and taillight design • Single wing-shaped taillight design, meaning better reliability and low chance for leakage/part misalignment • New 17 speaker sound system (up from 14 before). It now includes 2 subwoofers and 2 amplifiers. More punchy • 65W USB-C charger in center console so you can charge a laptop • Improved bluetooth • Upgraded microphones. Now one on each passenger side. New mics make phone calls clearer and "smooth" • 5G connectivity. 50% improved cellular service. 2X greater WiFi range (dual-band) • Improved connectivity to phone so car will recognize your phone from farther away • Two new wheel designs that better optimize battery life • New Tesla lettering replaces rear Tesla logo badge • Car is 8% more efficient thanks to better aerodynamics • Car is 1" longer overall (Original vid from Andy Slye, cooked by me)
1:04

The beauty & technology packed in the upgraded Model 3 is greatly under-appreciated, just look at all the new things that are in this car and then tell me you don’t want it. 👇 • Same prices as old Model 3, under $40K • Up to ~2.4% higher range on Long Range trim (341), same range on RWD (272) • 50% of the parts in the car are new • 4.3% more cargo capacity • Long Range is 4 lbs lighter than before, RWD is 29 lbs heavier than before • 0.1" lower ground clearance vs old 3 • 30% decrease in wind and ambient noise, 25% improvement in impact noise and 20% improvement in road noise • Redesigned interior w/ new door cards • More premium interior materials. The fabric is softer to the touch and sewn with a more refined process to present a better overall texture • Two new colors: Ultra Red ($2K) & Stealth Gray (no extra cost) • No more stalks. New steering wheel contains the turns signals, light controls, horn, new camera button, wiper controls and mic control • New dash design with textured/woven material • Multicolor ambient LED interior lighting extending from dash to rear seat doors • Updated center console w/ real metal handles, giving a more premium feel. • Acoustic glass on rear windows and back window (was only on front windows before). "360º acoustic glass" • More sound insulation for a quieter ride • Uptick in hood to let wind go over more quietly • Upgraded suspension for a more premium ride. New springs & dampers. New geometry on front suspension. New bushings. New way they mount the sub frame to the chassis • Stiffer body, better handling • More premium sounding door "thunk" • Passengers are more protected from door impacts due to new latch at the bottom of the door • Two motors close the trunk now vs one before, resulting in a quieter automatic close • Tires have more cushioning for improved ride • Center touchscreen now brighter, has smaller bezels, higher contrast & is more responsive • More comfortable rear seats • Redesigned lower rear bumper • All seats are now perforated • No fog lights anymore • Front seats are now ventilated, in addition to heated • 8" touchscreen for rear passengers in the back to control climate & enjoy entertainment. You can connect two headsets at the same time. • Better drag coefficient of 0.219 Cd • Upgraded 2.0 ventilation system. You can now separately turn off the passenger side air • Slimmer and sleeker headlight and taillight design • Single wing-shaped taillight design, meaning better reliability and low chance for leakage/part misalignment • New 17 speaker sound system (up from 14 before). It now includes 2 subwoofers and 2 amplifiers. More punchy • 65W USB-C charger in center console so you can charge a laptop • Improved bluetooth • Upgraded microphones. Now one on each passenger side. New mics make phone calls clearer and "smooth" • 5G connectivity. 50% improved cellular service. 2X greater WiFi range (dual-band) • Improved connectivity to phone so car will recognize your phone from farther away • Two new wheel designs that better optimize battery life • New Tesla lettering replaces rear Tesla logo badge • Car is 8% more efficient thanks to better aerodynamics • Car is 1" longer overall (Original vid from Andy Slye, cooked by me)

Teslaconomics

73,057 views • 2 years ago

For months, everyone called this a liquidity problem. It is not a liquidity problem anymore. It is not just investors pulling money out. It is investors who no longer want in. That is the bigger problem. The whole boom was built on flows. Wealth managers, pensions, insurance, the public. The machine had to keep moving. Now it is reversing. New direct lending issuance fell from 74.6 billion to 44.8 billion in one quarter, per Reuters and PitchBook. A drop of roughly 40%. And the redemptions keep coming. BlackRock's HLend capped requests after investors tried to pull 13%. Up from 9% the quarter before. The run is accelerating. It is not one fund. Blackstone hit its limits. Cliff Water's requests grew. Partners Group capped a private equity fund near 10% of NAV. The pressure is not staying in one lane. Now the public tell. Publicly traded BDCs are not bouncing, even as the market soars. They are the liquid version of the same trade. The bargain hunters are not showing up. That is a buyer strike. And the real fear is the dividends. If you expected 9% and get 4%, why take the risk on the rest? You do not hold the fund hoping Blue Owl turns out right. The stress is spreading. Software loans are down 4.7% this year while the index is up 1.2%. And software sits across both leveraged loans and private credit. Defaults just matched a 2023 high in a 300 billion dollar private credit index. And defaults lag. The amendments, the extensions, the PIK come first. Here is the mechanism. New money slows, old money wants out, so managers protect liquidity. They lend less. Deals slow. Exits disappear. Distributions shrink. Fundraising weakens. The loop closes on itself. It does not need a Lehman blowup to feed on itself. It is not one explosion. It is a system that can no longer clear. The argument from inside is that investors do not know what they are talking about. That this is all nothing. But this many people wanting out, and this many refusing to come in, is not nothing. Private credit can survive bad headlines. Problem loans. Even redemptions. What it cannot survive is a buyer strike, because the whole boom assumed capital would keep arriving. So this is not 2021 anymore. The credit cycle has changed. And the people who asked for their money back were never confused. They were just early.
22:40

For months, everyone called this a liquidity problem. It is not a liquidity problem anymore. It is not just investors pulling money out. It is investors who no longer want in. That is the bigger problem. The whole boom was built on flows. Wealth managers, pensions, insurance, the public. The machine had to keep moving. Now it is reversing. New direct lending issuance fell from 74.6 billion to 44.8 billion in one quarter, per Reuters and PitchBook. A drop of roughly 40%. And the redemptions keep coming. BlackRock's HLend capped requests after investors tried to pull 13%. Up from 9% the quarter before. The run is accelerating. It is not one fund. Blackstone hit its limits. Cliff Water's requests grew. Partners Group capped a private equity fund near 10% of NAV. The pressure is not staying in one lane. Now the public tell. Publicly traded BDCs are not bouncing, even as the market soars. They are the liquid version of the same trade. The bargain hunters are not showing up. That is a buyer strike. And the real fear is the dividends. If you expected 9% and get 4%, why take the risk on the rest? You do not hold the fund hoping Blue Owl turns out right. The stress is spreading. Software loans are down 4.7% this year while the index is up 1.2%. And software sits across both leveraged loans and private credit. Defaults just matched a 2023 high in a 300 billion dollar private credit index. And defaults lag. The amendments, the extensions, the PIK come first. Here is the mechanism. New money slows, old money wants out, so managers protect liquidity. They lend less. Deals slow. Exits disappear. Distributions shrink. Fundraising weakens. The loop closes on itself. It does not need a Lehman blowup to feed on itself. It is not one explosion. It is a system that can no longer clear. The argument from inside is that investors do not know what they are talking about. That this is all nothing. But this many people wanting out, and this many refusing to come in, is not nothing. Private credit can survive bad headlines. Problem loans. Even redemptions. What it cannot survive is a buyer strike, because the whole boom assumed capital would keep arriving. So this is not 2021 anymore. The credit cycle has changed. And the people who asked for their money back were never confused. They were just early.

Jeffrey P. Snider

32,147 views • 1 month ago

A stolen necklace. A city-wide chase. And a secret hidden inside the loot. What started as a simple getaway turns into a race to uncover a mystery that was hiding in plain sight all along. Made with FlovaAI with the help of GPT Image + Seedance. #Flovaai #Flovacpp Prompt: 40-Second Cinematic Owl Heist Chase Prompt Style: Ultra-realistic cinematic animated action-comedy, DreamWorks/Pixar-quality, expressive anthropomorphic owls, blockbuster action sequences, detailed feathers, realistic city environment, dramatic lighting, shallow depth of field, cinematic motion blur, Hollywood-quality camera work. SCENE 1 (0:00–0:04) Luxury auction gallery, evening. A legendary artifact sits inside a glass security case: The Mooncrest Necklace — the same priceless necklace that vanished from the city's historic library months ago before mysteriously resurfacing on the black market. A clever great horned owl named Don smashes the display case and grabs the necklace. Red alarms instantly erupt throughout the building. Camera: Extreme close-up of the necklace sparkling under emergency lights. News broadcast playing nearby: "Authorities still have no answers regarding the famous library theft..." SCENE 2 (0:04–0:07) Don bursts through the gallery entrance. A sleek metallic racing green sports car drifts sideways to the curb. Behind the wheel sits Tony, a confident barn owl wearing aviator sunglasses. Tony: "You got it?" Don: "Let's fly." Don dives through the passenger window. SCENE 3 (0:07–0:10) Tony floors the accelerator. The metallic racing green sports car launches forward, tires screaming against the pavement. Security guards race out behind them. Camera: Low-angle hero shot tracking alongside the speeding car. SCENE 4 (0:10–0:14) The sports car drifts around a crowded downtown intersection. Don examines the Mooncrest Necklace. A hidden engraving briefly catches the sunlight. For a split second, an ancient map-like pattern becomes visible. Don: "There's definitely something hidden in this thing." SCENE 5 (0:14–0:18) Police vehicles join the pursuit. Tony cuts through a narrow alley. Laundry lines whip across the windshield. One pursuing SUV becomes tangled in bedsheets and crashes harmlessly into stacks of cardboard boxes. Tony: "One down." SCENE 6 (0:18–0:22) The owls burst into a bustling street market. Don notices a group of antique dealers staring at the necklace. A wanted poster featuring the Mooncrest Necklace hangs nearby. The crowd immediately recognizes it. Chaos erupts. Camera: Overhead drone shot showing market-wide confusion. SCENE 7 (0:22–0:26) A police helicopter appears overhead. Its spotlight locks onto the metallic racing green sports car. Don holds the necklace toward the light. The gemstones create dazzling reflections across nearby buildings. The pilot briefly loses sight of the car. Don: "Still got a few tricks." SCENE 8 (0:26–0:30) The chase enters an old historic district. Tony races through a narrow stone archway barely wider than the car itself. Police vehicles are forced to take a longer route. Camera: Tight side shot with inches of clearance. SCENE 9 (0:30–0:34) Tony spots a construction ramp leading toward a partially completed bridge. Tony: "Hold on." The metallic racing green sports car accelerates. The engine roars. SCENE 10 (0:34–0:37) The vehicle launches into the air. Epic slow motion. As the car flies between skyscrapers, moonlight shines through the necklace. The hidden engraving suddenly projects a glowing pattern across the dashboard. A secret map begins to reveal itself. Don: "Wait... this is why everyone wants it." SCENE 11 (0:37–0:40) The sports car lands smoothly on a riverside boulevard. The police are far behind. Tony and Don stare at the glowing map hidden inside the necklace. In the distance, a shadowy figure watches them from a rooftop. Mysterious Voice: "They've found the first clue." Cut to black. Text on Screen THE MOONCREST HEIST Tagline: "The theft was only the beginning." Music: Epic orchestral score ending with a mysterious cinematic sting. 🦉🏎️🌙💎
0:42

A stolen necklace. A city-wide chase. And a secret hidden inside the loot. What started as a simple getaway turns into a race to uncover a mystery that was hiding in plain sight all along. Made with FlovaAI with the help of GPT Image + Seedance. #Flovaai #Flovacpp Prompt: 40-Second Cinematic Owl Heist Chase Prompt Style: Ultra-realistic cinematic animated action-comedy, DreamWorks/Pixar-quality, expressive anthropomorphic owls, blockbuster action sequences, detailed feathers, realistic city environment, dramatic lighting, shallow depth of field, cinematic motion blur, Hollywood-quality camera work. SCENE 1 (0:00–0:04) Luxury auction gallery, evening. A legendary artifact sits inside a glass security case: The Mooncrest Necklace — the same priceless necklace that vanished from the city's historic library months ago before mysteriously resurfacing on the black market. A clever great horned owl named Don smashes the display case and grabs the necklace. Red alarms instantly erupt throughout the building. Camera: Extreme close-up of the necklace sparkling under emergency lights. News broadcast playing nearby: "Authorities still have no answers regarding the famous library theft..." SCENE 2 (0:04–0:07) Don bursts through the gallery entrance. A sleek metallic racing green sports car drifts sideways to the curb. Behind the wheel sits Tony, a confident barn owl wearing aviator sunglasses. Tony: "You got it?" Don: "Let's fly." Don dives through the passenger window. SCENE 3 (0:07–0:10) Tony floors the accelerator. The metallic racing green sports car launches forward, tires screaming against the pavement. Security guards race out behind them. Camera: Low-angle hero shot tracking alongside the speeding car. SCENE 4 (0:10–0:14) The sports car drifts around a crowded downtown intersection. Don examines the Mooncrest Necklace. A hidden engraving briefly catches the sunlight. For a split second, an ancient map-like pattern becomes visible. Don: "There's definitely something hidden in this thing." SCENE 5 (0:14–0:18) Police vehicles join the pursuit. Tony cuts through a narrow alley. Laundry lines whip across the windshield. One pursuing SUV becomes tangled in bedsheets and crashes harmlessly into stacks of cardboard boxes. Tony: "One down." SCENE 6 (0:18–0:22) The owls burst into a bustling street market. Don notices a group of antique dealers staring at the necklace. A wanted poster featuring the Mooncrest Necklace hangs nearby. The crowd immediately recognizes it. Chaos erupts. Camera: Overhead drone shot showing market-wide confusion. SCENE 7 (0:22–0:26) A police helicopter appears overhead. Its spotlight locks onto the metallic racing green sports car. Don holds the necklace toward the light. The gemstones create dazzling reflections across nearby buildings. The pilot briefly loses sight of the car. Don: "Still got a few tricks." SCENE 8 (0:26–0:30) The chase enters an old historic district. Tony races through a narrow stone archway barely wider than the car itself. Police vehicles are forced to take a longer route. Camera: Tight side shot with inches of clearance. SCENE 9 (0:30–0:34) Tony spots a construction ramp leading toward a partially completed bridge. Tony: "Hold on." The metallic racing green sports car accelerates. The engine roars. SCENE 10 (0:34–0:37) The vehicle launches into the air. Epic slow motion. As the car flies between skyscrapers, moonlight shines through the necklace. The hidden engraving suddenly projects a glowing pattern across the dashboard. A secret map begins to reveal itself. Don: "Wait... this is why everyone wants it." SCENE 11 (0:37–0:40) The sports car lands smoothly on a riverside boulevard. The police are far behind. Tony and Don stare at the glowing map hidden inside the necklace. In the distance, a shadowy figure watches them from a rooftop. Mysterious Voice: "They've found the first clue." Cut to black. Text on Screen THE MOONCREST HEIST Tagline: "The theft was only the beginning." Music: Epic orchestral score ending with a mysterious cinematic sting. 🦉🏎️🌙💎

Shami

24,941 views • 1 month ago

During the Oxford-style debate at the "Interpreting Europe Conference 2025," I persuaded many professional interpreters to reject the motion: "AI-powered interpretation will never replace human interpretation." Before the debate, the audience was 60-40 in favor of the motion; after, it was about 50-50. The full video is on Youtube. Here is a rough transcript of my speech: Thanks to Gry Gry Hasselbalch for her thoughtful presentation. She argued that AI-supported interpretation will never replace human interpretation. I can't believe that. Today's automatic translators are based on algorithmic methods that my team published at TUM in 1990-1991. Back then, compute was about 10 million times more expensive than it is today, and there wasn't much you could do with our methods - automatic translators at the time could do almost nothing. But since 1941, when the first general-purpose computer was completed, compute has become 10 times cheaper every 5 years. In 2011, compute was already 10,000 times cheaper than in 1991, but the automatic translators still sucked. The Chinese laughed at the automatic translations from Google and other providers. But just five years later, in November 2016, they were no longer laughing, because compute was now 100,000 times cheaper than in 1991, and that was enough: Google suddenly achieved a huge improvement in translation quality through our neural network called LSTM. A year later, everyone was doing it: in 2017, Facebook was using our LSTM to translate 4 billion messages every day. The translations were still not perfect, but now they were getting significantly better every year. Today, a decade after the breakthrough, we have gained another factor of 100, and the translations are already much better than those of 2016. They are certainly better than my own. That's why I also used an AI to translate this text :-) Of course, AI interpreters are already superhuman in some respects, as they can translate for thousands of people simultaneously in dozens of different languages. No human can do that. But when it comes to translation quality, the best human interpreters are still better than the best AIs. But for how much longer? The aforementioned trend will not stop in the coming decades, because the known physical limits of computing are still a long way off. In the next 30 years, compute will again become a million of times cheaper. Everything that seems impressive to us today will seem trivial in retrospect. For this reason alone, no one can seriously believe that AI-supported interpretation will _never_ replace human interpretation. What about the most outstanding of all translations? My favorite example is “The Catcher in the Rye” by Nobel Prize winner J.D. Salinger. Who translated it congenially into German? It was another winner of the Nobel Prize for Literature, Heinrich Böll. One might now hope that such congenial translations are only possible for true people who really know through personal experience what it means to walk barefoot through a field and have all the profoundly human experiences that befall the protagonist of the story. But even in this area, human dominance is not assured. I suspect that the best machine translators will be those who have not only read all the world's literature, who are not just encoders and decoders of sentences, but also have experience in controlling complex humanoid agents that not only have cameras and microphones, but also millions upon millions of touch and pain sensors, and can act in the real world and in principle experience much of what humans experience, interacting with real humans, and learning to better predict their behaviors. These do not yet exist today, but at least simple variants of them have been around for a long time and the prototypes are getting better and better: artificial agents whose main purpose in life is to learn from experience, avoid pain and maximize reward, just like humans. When such agents combine their experience in the real world with the art of expressing themselves like a typical Nobel Prize winner in literature, which can already be acquired today through diligent reading, it seems absurd to assume that AI-supported high quality interpretation will never replace human interpretation. “Never” is such a bold, presumptuous word! Just a few decades ago, many believed that AI would never pass the Turing test, never play chess superhumanly well, never solve difficult math problems formulated in natural language, and so on. All this proved to be a misconception. Consider again that AI gets a million times better per euro every 30 years. It seems inevitable: soon, interpreting AIs will eclipse almost all human interpreters in every important way. Thank you. Final remark: "Unfortunately, Juergen didn't have time to participate in this debate, so he sent me, his avatar." The debate led the charming moderator Andrea Grosso to accept the possibility that AIs will eclipse human interpreters. However, he pointed out that this will take a very long time. My avatar said: "I agree that it will take a long time. This could take months, if not years.”
7:48

During the Oxford-style debate at the "Interpreting Europe Conference 2025," I persuaded many professional interpreters to reject the motion: "AI-powered interpretation will never replace human interpretation." Before the debate, the audience was 60-40 in favor of the motion; after, it was about 50-50. The full video is on Youtube. Here is a rough transcript of my speech: Thanks to Gry Gry Hasselbalch for her thoughtful presentation. She argued that AI-supported interpretation will never replace human interpretation. I can't believe that. Today's automatic translators are based on algorithmic methods that my team published at TUM in 1990-1991. Back then, compute was about 10 million times more expensive than it is today, and there wasn't much you could do with our methods - automatic translators at the time could do almost nothing. But since 1941, when the first general-purpose computer was completed, compute has become 10 times cheaper every 5 years. In 2011, compute was already 10,000 times cheaper than in 1991, but the automatic translators still sucked. The Chinese laughed at the automatic translations from Google and other providers. But just five years later, in November 2016, they were no longer laughing, because compute was now 100,000 times cheaper than in 1991, and that was enough: Google suddenly achieved a huge improvement in translation quality through our neural network called LSTM. A year later, everyone was doing it: in 2017, Facebook was using our LSTM to translate 4 billion messages every day. The translations were still not perfect, but now they were getting significantly better every year. Today, a decade after the breakthrough, we have gained another factor of 100, and the translations are already much better than those of 2016. They are certainly better than my own. That's why I also used an AI to translate this text :-) Of course, AI interpreters are already superhuman in some respects, as they can translate for thousands of people simultaneously in dozens of different languages. No human can do that. But when it comes to translation quality, the best human interpreters are still better than the best AIs. But for how much longer? The aforementioned trend will not stop in the coming decades, because the known physical limits of computing are still a long way off. In the next 30 years, compute will again become a million of times cheaper. Everything that seems impressive to us today will seem trivial in retrospect. For this reason alone, no one can seriously believe that AI-supported interpretation will _never_ replace human interpretation. What about the most outstanding of all translations? My favorite example is “The Catcher in the Rye” by Nobel Prize winner J.D. Salinger. Who translated it congenially into German? It was another winner of the Nobel Prize for Literature, Heinrich Böll. One might now hope that such congenial translations are only possible for true people who really know through personal experience what it means to walk barefoot through a field and have all the profoundly human experiences that befall the protagonist of the story. But even in this area, human dominance is not assured. I suspect that the best machine translators will be those who have not only read all the world's literature, who are not just encoders and decoders of sentences, but also have experience in controlling complex humanoid agents that not only have cameras and microphones, but also millions upon millions of touch and pain sensors, and can act in the real world and in principle experience much of what humans experience, interacting with real humans, and learning to better predict their behaviors. These do not yet exist today, but at least simple variants of them have been around for a long time and the prototypes are getting better and better: artificial agents whose main purpose in life is to learn from experience, avoid pain and maximize reward, just like humans. When such agents combine their experience in the real world with the art of expressing themselves like a typical Nobel Prize winner in literature, which can already be acquired today through diligent reading, it seems absurd to assume that AI-supported high quality interpretation will never replace human interpretation. “Never” is such a bold, presumptuous word! Just a few decades ago, many believed that AI would never pass the Turing test, never play chess superhumanly well, never solve difficult math problems formulated in natural language, and so on. All this proved to be a misconception. Consider again that AI gets a million times better per euro every 30 years. It seems inevitable: soon, interpreting AIs will eclipse almost all human interpreters in every important way. Thank you. Final remark: "Unfortunately, Juergen didn't have time to participate in this debate, so he sent me, his avatar." The debate led the charming moderator Andrea Grosso to accept the possibility that AIs will eclipse human interpreters. However, he pointed out that this will take a very long time. My avatar said: "I agree that it will take a long time. This could take months, if not years.”

Jürgen Schmidhuber

36,279 views • 1 year ago

Congratulations ZackeryFox🌏2️⃣👽 for your 2D concept art submission our team then took & brought to life in 3D for #Earth2🌍✌️This skin took longer given the detail & quality of the modelling but was definitely worth it! Read below for more important details & updates: The first variations of #CybercoreX will drop in about 8 hours. As mentioned in the article when we first started releasing skins, after #E2V1 officially launches we will be cutting back on #LimitedEdition skins & will predominantly focus on unlimited skins. In some cases these future unlimited skins will not be available for resale. This was always the plan as these early #LimitedEdition skins were released especially for early supporters. We will still release #LimitedEditions from time to time, but if & when we do so it will be at higher prices - which has also been mentioned numerous times in the past but I am just providing this as a reminder. I think we have 2-3 Limited Edition skins remaining before we transition into the standard skin system with unlimited skins & periodic availability - so there are not many left and these final Limited Edition drops will contain a few more rarer variations. #CybercoreX took a lot of additional work & team members strongly suggested the skin should be sold at a premium price, however I decided to keep the pricing in line with the other pre-#E2V1 Limited Edition releases. It is also important to note that as with many of the other Limited Edition skin releases with guns, the assault rifle & pistol will be sold separately. I'd also like to provide a quick update on the #E2V1 public release. The results from the initial testing group have been good so far, there are some issues we are working on fixing but nothing major. Considering it was our very first ever software release of the #Earth2 Launcher AND #E2V1, anyone with real experience releasing major software products would agree it went very smooth. Some #Players downloaded the launcher and were inside #E2V1 within 20 mins without any issues! You have major game or software developers releasing products after decades of experience & a million things go wrong .. often simple things .. our release was the dream type scenario & a real testament to our teams dedication, talent & ability! I'd like to include the option to spawn #avatars for the pre-alpha public release. The team has implemented the majority of this system with a few things remaining, which are actively being worked on at present. I just want to be clear that this NOT the avatar spawn system you have seen in demo videos to date where we just randomly spawn an avatar anywhere, that is simple & we could easily release that specific feature but it was only for demo purposes to showcase avatars can spawn anywhere in the world. To be transparent, what we are working to release now is the actual avatar spawn system intended for long term use where Players need to synthesise their #avatar from their #Mentar on their property to begin its actual life inside #E2V1. It's important to point out this involves numerous API integration, UI/UX updates and is not a simple random spawn. We anticipate there will almost surely be a number of potential bugs with this release so the plan is to first have it released to testers (WITH BUGS EXPECTED!) then stabilise & prepare for the public #E2V1 release. If you see people publishing footage of bugs online, remember we are in pre-alpha which we released to testers less than a month ago & testers are there to help us test and find issues we need to resolve. Our team is committed to fixing any major problems as they arise to improve the platform and keep moving forward. We should have avatars into the hands of testers this week. Remember, once you are inside your avatar you will not have that free camera flying ability. This makes teleportation very important for #Players who want to travel to different locations. So we will also need to start testing the teleportation system, and there is some potentially exciting news I have been keeping close to my chest which will soon be revealed. As always, thanks for your patience and support! Remember, we are literally less than one month since releasing #E2V1 to testers (less than a month ago there were still those who claimed we pre-rendered everything) so these are still early days! It may feel a little slow at first but we plan to release things to do inside of #E2V1 progressively and before you know it there will be too much to do! #Earth2 #Metaverse #E2V1
3:47

Congratulations ZackeryFox🌏2️⃣👽 for your 2D concept art submission our team then took & brought to life in 3D for #Earth2🌍✌️This skin took longer given the detail & quality of the modelling but was definitely worth it! Read below for more important details & updates: The first variations of #CybercoreX will drop in about 8 hours. As mentioned in the article when we first started releasing skins, after #E2V1 officially launches we will be cutting back on #LimitedEdition skins & will predominantly focus on unlimited skins. In some cases these future unlimited skins will not be available for resale. This was always the plan as these early #LimitedEdition skins were released especially for early supporters. We will still release #LimitedEditions from time to time, but if & when we do so it will be at higher prices - which has also been mentioned numerous times in the past but I am just providing this as a reminder. I think we have 2-3 Limited Edition skins remaining before we transition into the standard skin system with unlimited skins & periodic availability - so there are not many left and these final Limited Edition drops will contain a few more rarer variations. #CybercoreX took a lot of additional work & team members strongly suggested the skin should be sold at a premium price, however I decided to keep the pricing in line with the other pre-#E2V1 Limited Edition releases. It is also important to note that as with many of the other Limited Edition skin releases with guns, the assault rifle & pistol will be sold separately. I'd also like to provide a quick update on the #E2V1 public release. The results from the initial testing group have been good so far, there are some issues we are working on fixing but nothing major. Considering it was our very first ever software release of the #Earth2 Launcher AND #E2V1, anyone with real experience releasing major software products would agree it went very smooth. Some #Players downloaded the launcher and were inside #E2V1 within 20 mins without any issues! You have major game or software developers releasing products after decades of experience & a million things go wrong .. often simple things .. our release was the dream type scenario & a real testament to our teams dedication, talent & ability! I'd like to include the option to spawn #avatars for the pre-alpha public release. The team has implemented the majority of this system with a few things remaining, which are actively being worked on at present. I just want to be clear that this NOT the avatar spawn system you have seen in demo videos to date where we just randomly spawn an avatar anywhere, that is simple & we could easily release that specific feature but it was only for demo purposes to showcase avatars can spawn anywhere in the world. To be transparent, what we are working to release now is the actual avatar spawn system intended for long term use where Players need to synthesise their #avatar from their #Mentar on their property to begin its actual life inside #E2V1. It's important to point out this involves numerous API integration, UI/UX updates and is not a simple random spawn. We anticipate there will almost surely be a number of potential bugs with this release so the plan is to first have it released to testers (WITH BUGS EXPECTED!) then stabilise & prepare for the public #E2V1 release. If you see people publishing footage of bugs online, remember we are in pre-alpha which we released to testers less than a month ago & testers are there to help us test and find issues we need to resolve. Our team is committed to fixing any major problems as they arise to improve the platform and keep moving forward. We should have avatars into the hands of testers this week. Remember, once you are inside your avatar you will not have that free camera flying ability. This makes teleportation very important for #Players who want to travel to different locations. So we will also need to start testing the teleportation system, and there is some potentially exciting news I have been keeping close to my chest which will soon be revealed. As always, thanks for your patience and support! Remember, we are literally less than one month since releasing #E2V1 to testers (less than a month ago there were still those who claimed we pre-rendered everything) so these are still early days! It may feel a little slow at first but we plan to release things to do inside of #E2V1 progressively and before you know it there will be too much to do! #Earth2 #Metaverse #E2V1

Shane Isaac 🌍2️⃣

14,110 views • 1 year ago

ARMCHAIR WITH JANJINGJING #ARMCHAIRคุยเล่นเอาจริง #JanJingjing (the most memorable scene) 🐯: i’d choose the pajama scene where we cried together 🎤: (the footage is coming up. is it the same scene [that jan chose]?) 🐯: it’s a different scene, but it’s in the same episode, ep8. because this scene was one of the first scenes we got to do a drama scene together. and i’m someone who puts a lot of pressure on myself. for acting, my acting teacher once said, “if you try hard to make it good with too much determination, it won’t come out well.” 🎤: trying too hard 🐯: trying too hard 🎤: it goes beyond the right amount 🐯: yes, trying too hard. it blocks everything in my body and doesn’t allow what’s inside to flow out. i’m someone who tends to pressure myself, so i kept telling myself, “i want to do it well” but the more i thought like this, it created more and more pressure. i blocked myself more, and the less i was able to do it 🎤: (it sounds very tough; it’s like meditating. you want to be calm but the mind isn’t) 🐯: the more i thought like that, the voices in my head were fighting each other more. the more they fought each other, my focus on the character slipped away 🎤: (“the harder you try, the worse it gets”) 🐯: yes, and the more i overthought, “i have to do this and this. it has to come out well.” but i forgot to actually be wine. at that time, when i was filming with p’jan, they filmed p’jan’s angle first. and when it came to me, i couldn’t act 🎤: like filming your face? 🐯: yes, p’jan’s side was shot first. when it was my turn to film me, i couldn’t act. the director came over and told me, “i don’t think it’s there yet.” that made me feel even more pressure. i went and sat by myself on set, sitting there crying. p’jan came to comfort me. she came over and… p’jan is such a talented person, because we acted many takes, but p’jan cried like that for me in every take to feed me the emotion when the camera was on me 🎤: do you remember how many takes it took? 🐯: that scene was very long 🦊: we probably filmed for around 4-5 hours for this scene 🎤: (the scene was a few minutes long, but 4-5 hours. it’s not only about saying the lines, but the emotions had to be there too. how did you get through it, jingjing?) 🐯: i was trying, and p’jan tried encouraging me and came and hugged me. so i was like, “nope! the slower it goes, the more pressure i would feel. everyone on set is waiting for me.” that just made me more pressured. i put a lot of pressure on myself. eventually, i thought, “forget it! however it turns out, so be it! i tried to stop paying attention to everything around me and focus only on “i’m k’wine, and how much i love k’lal” the acting coach and assistant director tried getting me into the scene, telling me to remember that i had to be k’wine. i thought about how much k’wine loves k’lal. once i started getting rid of my own stress and tried getting back into k’wine again, i finally was able to do the scene 🎤: (magic moment about getting unstuck from stumbling) 🐯: yes. this was the scene where p’jan told me, “no matter how many takes, p’ can do it for you.” honestly, this scene made us build a better understanding of each other regarding work 🎤: you’re very lucky to have someone next to you who understands you 🦊: i knew that she was stressed, and that this is how she gets [when stressed]. so i said, “don’t stress! i’ll do it for you! we’ll keep going until we get it. don’t be afraid.”
3:39

ARMCHAIR WITH JANJINGJING #ARMCHAIRคุยเล่นเอาจริง #JanJingjing (the most memorable scene) 🐯: i’d choose the pajama scene where we cried together 🎤: (the footage is coming up. is it the same scene [that jan chose]?) 🐯: it’s a different scene, but it’s in the same episode, ep8. because this scene was one of the first scenes we got to do a drama scene together. and i’m someone who puts a lot of pressure on myself. for acting, my acting teacher once said, “if you try hard to make it good with too much determination, it won’t come out well.” 🎤: trying too hard 🐯: trying too hard 🎤: it goes beyond the right amount 🐯: yes, trying too hard. it blocks everything in my body and doesn’t allow what’s inside to flow out. i’m someone who tends to pressure myself, so i kept telling myself, “i want to do it well” but the more i thought like this, it created more and more pressure. i blocked myself more, and the less i was able to do it 🎤: (it sounds very tough; it’s like meditating. you want to be calm but the mind isn’t) 🐯: the more i thought like that, the voices in my head were fighting each other more. the more they fought each other, my focus on the character slipped away 🎤: (“the harder you try, the worse it gets”) 🐯: yes, and the more i overthought, “i have to do this and this. it has to come out well.” but i forgot to actually be wine. at that time, when i was filming with p’jan, they filmed p’jan’s angle first. and when it came to me, i couldn’t act 🎤: like filming your face? 🐯: yes, p’jan’s side was shot first. when it was my turn to film me, i couldn’t act. the director came over and told me, “i don’t think it’s there yet.” that made me feel even more pressure. i went and sat by myself on set, sitting there crying. p’jan came to comfort me. she came over and… p’jan is such a talented person, because we acted many takes, but p’jan cried like that for me in every take to feed me the emotion when the camera was on me 🎤: do you remember how many takes it took? 🐯: that scene was very long 🦊: we probably filmed for around 4-5 hours for this scene 🎤: (the scene was a few minutes long, but 4-5 hours. it’s not only about saying the lines, but the emotions had to be there too. how did you get through it, jingjing?) 🐯: i was trying, and p’jan tried encouraging me and came and hugged me. so i was like, “nope! the slower it goes, the more pressure i would feel. everyone on set is waiting for me.” that just made me more pressured. i put a lot of pressure on myself. eventually, i thought, “forget it! however it turns out, so be it! i tried to stop paying attention to everything around me and focus only on “i’m k’wine, and how much i love k’lal” the acting coach and assistant director tried getting me into the scene, telling me to remember that i had to be k’wine. i thought about how much k’wine loves k’lal. once i started getting rid of my own stress and tried getting back into k’wine again, i finally was able to do the scene 🎤: (magic moment about getting unstuck from stumbling) 🐯: yes. this was the scene where p’jan told me, “no matter how many takes, p’ can do it for you.” honestly, this scene made us build a better understanding of each other regarding work 🎤: you’re very lucky to have someone next to you who understands you 🦊: i knew that she was stressed, and that this is how she gets [when stressed]. so i said, “don’t stress! i’ll do it for you! we’ll keep going until we get it. don’t be afraid.”

²²

26,707 views • 1 month ago

POV: The ghost chasing you, is actually your boyfriend. A horror investigation turns into the funniest plot twist you never saw coming. The ending is worth the wait. Made with GPT Image 2 and Seedance on TapNow Prompt: VIDEO PROMPT — "THE GHOST IN THE CARNIVAL" (30s Horror-Comedy Vlog Short, 16:9) — ROLES SWITCHED Style: Found footage horror • paranormal investigation vlog • cinematic suspense • horror-comedy twist. Setting: abandoned carnival at night. CHARACTER DESCRIPTIONS Maya (the vlogger): Early-20s girl, radiant and striking. Wears a flowing rainbow ombré dress — fabric transitioning from violet at the shoulders through blue, green, yellow, orange, to red at the hem, catching light with a subtle iridescent shimmer. Hair styled in the longer side braided into a thick rope braid streaked in matching rainbow pastel colors, small silver hoop earrings, soft glowing skin, bright hazel eyes with a curious, fearless sparkle. Carries a handheld camera and flashlight throughout. Same dress, hair, and gear consistent across every shot — no drift. Jake (the boyfriend / "the ghost"): Mid-20s, tall athletic build, tousled dark brown hair, strong jawline, warm brown eyes, light stubble, handsome and charming. Wears a fitted black bomber jacket over a grey henley, dark jeans, worn leather boots. Same face and outfit consistent across all appearances. Setting: Abandoned carnival at night — rusted ferris wheel silhouette against the moon, cracked funhouse mirrors, tattered circus tents flapping in wind, broken carousel horses frozen mid-gallop, flickering string lights barely holding power. Sound design: Low ambient horror BGM (creaking metal, distant wind chimes, faint off-key carousel melody) building tension throughout, swelling into a sharp orchestral stab at the jumpscare, then cutting to warm acoustic guitar strum for the comedic ending. CUT-SCENE BREAKDOWN (0:00–0:04) — ACT 1: The Investigation Found-footage handheld shot: Maya walks alone through the carnival gates, flashlight beam cutting through fog, camera slightly shaky, rainbow braid swaying. Rusted ferris wheel looms behind her, carousel horses frozen in the dark. Dialogue (Maya, to camera): "Alright guys… this place has been closed for like fifteen years. Let's see what we find." BGM: low ambient drone, distant creaking metal. (0:04–0:08) — ACT 2: The Warning Signs Maya walks past a row of cracked funhouse mirrors. In one mirror's reflection — barely visible in the background — a flash of a dark jacket flickers past, gone before she turns. She doesn't notice. Camera lingers a beat too long on the empty mirror. BGM: single high string note, tension rising. (0:08–0:12) — ACT 3: The Reveal Maya pushes into a tattered circus tent. Flashlight flickers. A pale face flashes directly behind her in frame — gone in a blink. She spins around, flashlight sweeping, rainbow dress catching the light. Dialogue (Maya, nervous): "...Okay, who's there?" BGM: dissonant sting. (0:12–0:16) — ACT 4: The Chase The figure appears directly behind Maya — full jumpscare, dark silhouette catching the light for a split second before vanishing. Maya bolts, camera shaking violently as she sprints between carousel horses, the figure flashing briefly in and out of frame from different angles. Dialogue (Maya, panicked): "Oh my god— OH MY GOD—" BGM: sharp orchestral hit, frantic percussion. (0:16–0:20) — ACT 5: The False Ending Maya ducks into the old ticket booth, slams the door shut behind her. Silence. Heavy breathing. She slides down against the door, flashlight shaking in her hand, camera catching her relieved exhale, braid falling loose over her shoulder. Dialogue (Maya, whispering): "Okay... okay, I think I lost it." BGM: music drops to near-silence, just her breathing and wind outside. (0:20–0:25) — ACT 6: The Twist Begins Behind Maya, unnoticed, a silhouette rises slowly in the booth's shadowed corner — tall frame stepping forward silently, closer, closer. Maya senses it, turns her flashlight up in dread. BGM: tension rebuilding, single sustained note. (0:25–0:30) — The Reveal & Comedy Twist The "ghost" steps into the light — it's Jake, grinning, hands raised in mock surrender. Maya freezes in shock, then bursts out laughing in relief, swatting his arm. Dialogue (Maya): "IS THAT YOU?! Jake, what the— I almost had a heart attack!" Dialogue (Jake, laughing): "You scream like a little girl, you know that?" BGM: sudden shift to warm, playful acoustic guitar strum. Hard cut to black. Text overlay: "Never bring your boyfriend to a horror investigation."
0:31

POV: The ghost chasing you, is actually your boyfriend. A horror investigation turns into the funniest plot twist you never saw coming. The ending is worth the wait. Made with GPT Image 2 and Seedance on TapNow Prompt: VIDEO PROMPT — "THE GHOST IN THE CARNIVAL" (30s Horror-Comedy Vlog Short, 16:9) — ROLES SWITCHED Style: Found footage horror • paranormal investigation vlog • cinematic suspense • horror-comedy twist. Setting: abandoned carnival at night. CHARACTER DESCRIPTIONS Maya (the vlogger): Early-20s girl, radiant and striking. Wears a flowing rainbow ombré dress — fabric transitioning from violet at the shoulders through blue, green, yellow, orange, to red at the hem, catching light with a subtle iridescent shimmer. Hair styled in the longer side braided into a thick rope braid streaked in matching rainbow pastel colors, small silver hoop earrings, soft glowing skin, bright hazel eyes with a curious, fearless sparkle. Carries a handheld camera and flashlight throughout. Same dress, hair, and gear consistent across every shot — no drift. Jake (the boyfriend / "the ghost"): Mid-20s, tall athletic build, tousled dark brown hair, strong jawline, warm brown eyes, light stubble, handsome and charming. Wears a fitted black bomber jacket over a grey henley, dark jeans, worn leather boots. Same face and outfit consistent across all appearances. Setting: Abandoned carnival at night — rusted ferris wheel silhouette against the moon, cracked funhouse mirrors, tattered circus tents flapping in wind, broken carousel horses frozen mid-gallop, flickering string lights barely holding power. Sound design: Low ambient horror BGM (creaking metal, distant wind chimes, faint off-key carousel melody) building tension throughout, swelling into a sharp orchestral stab at the jumpscare, then cutting to warm acoustic guitar strum for the comedic ending. CUT-SCENE BREAKDOWN (0:00–0:04) — ACT 1: The Investigation Found-footage handheld shot: Maya walks alone through the carnival gates, flashlight beam cutting through fog, camera slightly shaky, rainbow braid swaying. Rusted ferris wheel looms behind her, carousel horses frozen in the dark. Dialogue (Maya, to camera): "Alright guys… this place has been closed for like fifteen years. Let's see what we find." BGM: low ambient drone, distant creaking metal. (0:04–0:08) — ACT 2: The Warning Signs Maya walks past a row of cracked funhouse mirrors. In one mirror's reflection — barely visible in the background — a flash of a dark jacket flickers past, gone before she turns. She doesn't notice. Camera lingers a beat too long on the empty mirror. BGM: single high string note, tension rising. (0:08–0:12) — ACT 3: The Reveal Maya pushes into a tattered circus tent. Flashlight flickers. A pale face flashes directly behind her in frame — gone in a blink. She spins around, flashlight sweeping, rainbow dress catching the light. Dialogue (Maya, nervous): "...Okay, who's there?" BGM: dissonant sting. (0:12–0:16) — ACT 4: The Chase The figure appears directly behind Maya — full jumpscare, dark silhouette catching the light for a split second before vanishing. Maya bolts, camera shaking violently as she sprints between carousel horses, the figure flashing briefly in and out of frame from different angles. Dialogue (Maya, panicked): "Oh my god— OH MY GOD—" BGM: sharp orchestral hit, frantic percussion. (0:16–0:20) — ACT 5: The False Ending Maya ducks into the old ticket booth, slams the door shut behind her. Silence. Heavy breathing. She slides down against the door, flashlight shaking in her hand, camera catching her relieved exhale, braid falling loose over her shoulder. Dialogue (Maya, whispering): "Okay... okay, I think I lost it." BGM: music drops to near-silence, just her breathing and wind outside. (0:20–0:25) — ACT 6: The Twist Begins Behind Maya, unnoticed, a silhouette rises slowly in the booth's shadowed corner — tall frame stepping forward silently, closer, closer. Maya senses it, turns her flashlight up in dread. BGM: tension rebuilding, single sustained note. (0:25–0:30) — The Reveal & Comedy Twist The "ghost" steps into the light — it's Jake, grinning, hands raised in mock surrender. Maya freezes in shock, then bursts out laughing in relief, swatting his arm. Dialogue (Maya): "IS THAT YOU?! Jake, what the— I almost had a heart attack!" Dialogue (Jake, laughing): "You scream like a little girl, you know that?" BGM: sudden shift to warm, playful acoustic guitar strum. Hard cut to black. Text overlay: "Never bring your boyfriend to a horror investigation."

Shami

28,969 views • 1 month ago