Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

🔥 CHART RELEASE DEBUT 🔥 Two pop icons. One seriously iconic collab. ❤️‍🔥 Madonna & Kylie Minogue bring the star power with “Love Sensation”, landing at #3 in this week’s Aus Artist Singles Chart 💋 Anyone else obsessed? Congrats, queens!! #KylieMinogue #Madonna

ARIA_Official's profile picture

ARIA

82,459 subscribers

10,832 görüntüleme • 10 gün önce •via X (Twitter)

#KylieMinogue#Madonna
LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

MADONNA IS NO. 1 IN THE UK 🇬🇧 Confessions II debuts at No. 1 on the Official UK Albums Chart, as revealed a few minutes ago on BBC Radio 1 — Madonna’s 13th UK No. 1 album. With 13 chart-toppers, Madonna now equals Elvis Presley on the all-time list of acts with the most UK No. 1 albums. And she makes history once again: Madonna joins Kylie Minogue as the only two female artists ever to score a UK No. 1 album in five consecutive decades: the ’80s, ’90s, ’00s, ’10s and now the ’20s. The victory comes at the end of a genuine three-way chart battle, with Sienna Spiro’s debut Visitor at No. 2 and Olivia Rodrigo at No. 3, a duel BBC Radio 1 celebrated on air as one of the most exciting of the year. Driven overwhelmingly by physical sales — CDs and vinyl flying off shelves in the streaming era — Confessions II proves that when Madonna calls her fans to the dancefloor, they still show up in force. Queen of Pop. Still writing history. 👑
0:56

MADONNA IS NO. 1 IN THE UK 🇬🇧 Confessions II debuts at No. 1 on the Official UK Albums Chart, as revealed a few minutes ago on BBC Radio 1 — Madonna’s 13th UK No. 1 album. With 13 chart-toppers, Madonna now equals Elvis Presley on the all-time list of acts with the most UK No. 1 albums. And she makes history once again: Madonna joins Kylie Minogue as the only two female artists ever to score a UK No. 1 album in five consecutive decades: the ’80s, ’90s, ’00s, ’10s and now the ’20s. The victory comes at the end of a genuine three-way chart battle, with Sienna Spiro’s debut Visitor at No. 2 and Olivia Rodrigo at No. 3, a duel BBC Radio 1 celebrated on air as one of the most exciting of the year. Driven overwhelmingly by physical sales — CDs and vinyl flying off shelves in the streaming era — Confessions II proves that when Madonna calls her fans to the dancefloor, they still show up in force. Queen of Pop. Still writing history. 👑

DrownedMadonna

31,204 görüntüleme • 1 ay önce

#Today On December 8, 2003 .Madonna's "Love Profusion" was released as the 4th and final single from the "American Life" (Studio album). It was first premiered during the release of the album on AOL. The song topped on the Hot Dance Club Play chart. The song reached No. 4 on the Hot Singles Sales and topped the Hot Dance Singles Sales charts for five weeks. At the year-end Hot Dance Singles Sales recap, "Love Profusion" was at number three position, while "Me Against the Music" was at number one and "Nothing Fails" was at number two. Billboard reported that Madonna was the first artist in its chart history to have the top three Dance Sales songs. Love Profusion was popular in Italy, peaking at number five on the Italian Singles Chart, staying on the chart for a total of twenty weeks. The song also achieved commercial success in Spain, debuting at number one on its singles chart.
0:43

#Today On December 8, 2003 .Madonna's "Love Profusion" was released as the 4th and final single from the "American Life" (Studio album). It was first premiered during the release of the album on AOL. The song topped on the Hot Dance Club Play chart. The song reached No. 4 on the Hot Singles Sales and topped the Hot Dance Singles Sales charts for five weeks. At the year-end Hot Dance Singles Sales recap, "Love Profusion" was at number three position, while "Me Against the Music" was at number one and "Nothing Fails" was at number two. Billboard reported that Madonna was the first artist in its chart history to have the top three Dance Sales songs. Love Profusion was popular in Italy, peaking at number five on the Italian Singles Chart, staying on the chart for a total of twenty weeks. The song also achieved commercial success in Spain, debuting at number one on its singles chart.

Madonna Records

26,417 görüntüleme • 8 ay önce

Australia's queen of pop Kylie Minogue has done it again! 🌟 Landing at #1 on the ARIA Album Charts, Australian Album Charts, AND the Vinyl Charts with Tension II! 💿✨ This is her ninth time at the top of the chart and her fifth consecutive #1 album (it’s also on track to become her 10th #1 album in the UK). 🤩 With a remarkable catalogue of hits and a fanbase that just keeps growing, Kylie proves once more why she’s an #icon 💫 #unstoppable 👑🇦🇺💖 Lights, camera, action, that's it! 🎶 #KylieMinogue #ARIACharts #AussieIcon #newmusic #legend #popprincess #popmusic
0:30

Australia's queen of pop Kylie Minogue has done it again! 🌟 Landing at #1 on the ARIA Album Charts, Australian Album Charts, AND the Vinyl Charts with Tension II! 💿✨ This is her ninth time at the top of the chart and her fifth consecutive #1 album (it’s also on track to become her 10th #1 album in the UK). 🤩 With a remarkable catalogue of hits and a fanbase that just keeps growing, Kylie proves once more why she’s an #icon 💫 #unstoppable 👑🇦🇺💖 Lights, camera, action, that's it! 🎶 #KylieMinogue #ARIACharts #AussieIcon #newmusic #legend #popprincess #popmusic

ARIA

36,230 görüntüleme • 1 yıl önce

Celebrating 6 Legendary Years of #AgustD’s "Daechwita", a song that rewrote records, inspired countless artistic creations, and became a cultural phenomenon with an everlasting impact ⚔️🔥 A look back at the records and milestones that made history: — Became #1 Most Liked Korean Solo MV in 24 hours (4.7M likes) — Most Viewed & Most Liked MV by a Korean soloist in 2020 — MV surpassed 23.9M views in 24 hours — Agust D became the FIRST and ONLY Male Rapper/Hip-Hop Artist to achieve 15M likes on YouTube this DECADE — First Song by a Korean Artist to debut at #1 on Rap Digital Song Sales Chart — First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Sold 500,000 units in the US — First song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Spent 10 days at #1 on South Korean YouTube MV Chart under Music Category — Spent 22 weeks on South Korean YouTube MV Chart — Ranked in Spotify’s Top K-Pop Tracks of 2020 — Featured by Buzzfeed as one of Best K-Pop Songs of 2020 — Ranked #2 in Top Hip Hop Songs in Genius Year End Korea Chart in 2020 — Topped the Worldwide iTunes Song Chart — Charted for over a week on South Korean Apple Music Top Song Chart — Daechwita became the First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Daechwita became the first song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Agust D became the first Korean Soloist in history to chart in both Album and Singles Chart on the UK, Irish, Scottish and Canadian Charts with D-2 & Daechwita — Agust D became the First Korean Soloist to debut 4 songs on New Zealand's Hot 40 Singles Chart (including Daechwita) — First Korean Soloist to debut 6 songs on Singapore RIAS Regional Chart (including Daechwita) — Agust D was the First Korean Soloist after PSY to debut on Spain Digital Song Sales Chart — Agust D became the First Korean Soloist to debut 3 songs on Lithuania Singles Chart (including Daechwita) AGUST D DYNASTY HAPPY ANNIVERSARY D-2 6 YEARS LEGENDARY DAECHWITA #6YearsWithD2 #TheKingTheBoss #SUGA #AgustD #방탄소년단슈가 #슈가
1:45

Celebrating 6 Legendary Years of #AgustD’s "Daechwita", a song that rewrote records, inspired countless artistic creations, and became a cultural phenomenon with an everlasting impact ⚔️🔥 A look back at the records and milestones that made history: — Became #1 Most Liked Korean Solo MV in 24 hours (4.7M likes) — Most Viewed & Most Liked MV by a Korean soloist in 2020 — MV surpassed 23.9M views in 24 hours — Agust D became the FIRST and ONLY Male Rapper/Hip-Hop Artist to achieve 15M likes on YouTube this DECADE — First Song by a Korean Artist to debut at #1 on Rap Digital Song Sales Chart — First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Sold 500,000 units in the US — First song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Spent 10 days at #1 on South Korean YouTube MV Chart under Music Category — Spent 22 weeks on South Korean YouTube MV Chart — Ranked in Spotify’s Top K-Pop Tracks of 2020 — Featured by Buzzfeed as one of Best K-Pop Songs of 2020 — Ranked #2 in Top Hip Hop Songs in Genius Year End Korea Chart in 2020 — Topped the Worldwide iTunes Song Chart — Charted for over a week on South Korean Apple Music Top Song Chart — Daechwita became the First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Daechwita became the first song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Agust D became the first Korean Soloist in history to chart in both Album and Singles Chart on the UK, Irish, Scottish and Canadian Charts with D-2 & Daechwita — Agust D became the First Korean Soloist to debut 4 songs on New Zealand's Hot 40 Singles Chart (including Daechwita) — First Korean Soloist to debut 6 songs on Singapore RIAS Regional Chart (including Daechwita) — Agust D was the First Korean Soloist after PSY to debut on Spain Digital Song Sales Chart — Agust D became the First Korean Soloist to debut 3 songs on Lithuania Singles Chart (including Daechwita) AGUST D DYNASTY HAPPY ANNIVERSARY D-2 6 YEARS LEGENDARY DAECHWITA #6YearsWithD2 #TheKingTheBoss #SUGA #AgustD #방탄소년단슈가 #슈가

AGUST D CHARTS

11,512 görüntüleme • 3 ay önce

#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.
0:28

#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.

Madonna Records

22,250 görüntüleme • 10 ay önce

Yesterday we told you about the collaboration. Today, all the details are out. First, the big one: Madonna has confirmed that L.E.S. Girl — the closing track of Confessions II — stands for Lower East Side Girl. As many of you had already suspected. 🖤 Now, the full picture. Madonna is partnering with Bilt to cover one month of rent for every musician at New York’s iconic Music Building in Midtown — the rehearsal and living space where she first found her sound in the early ’80s. In a video Madonna made for Bilt, she also shares the story of how she ended up there: she was living illegally in a building in the Garment District with no heat in the dead of winter, sleeping on the floor in a sleeping bag surrounded by space heaters — and accidentally started an electrical fire. She woke up surrounded by flames. With nowhere else to go, she escaped to the Music Building on 8th Avenue. “Artists arrive every day to New York with a dream and more often than not with little else,” Madonna said. “I look back very fondly on this time in my life.” The collaboration also includes: 🎉 Confessions II release parties on July 3 in New York, Los Angeles and Chicago 🎵 A limited edition vinyl with custom artwork and exclusive photos by Raphael Pavarotti, for Bilt members — we talked about it on our previous tweet 🎰 Madonna as featured contestant on Bilt’s game show Rent Free — members can win up to $2,500 in rent A full-circle moment for an artist who arrived in this city with nothing — and changed it forever. Confessions II. July 3. 🖤 #Madonna #ConfessionsII #Bilt #MusicBuilding #LowerEastSideGirl
1:06

Yesterday we told you about the collaboration. Today, all the details are out. First, the big one: Madonna has confirmed that L.E.S. Girl — the closing track of Confessions II — stands for Lower East Side Girl. As many of you had already suspected. 🖤 Now, the full picture. Madonna is partnering with Bilt to cover one month of rent for every musician at New York’s iconic Music Building in Midtown — the rehearsal and living space where she first found her sound in the early ’80s. In a video Madonna made for Bilt, she also shares the story of how she ended up there: she was living illegally in a building in the Garment District with no heat in the dead of winter, sleeping on the floor in a sleeping bag surrounded by space heaters — and accidentally started an electrical fire. She woke up surrounded by flames. With nowhere else to go, she escaped to the Music Building on 8th Avenue. “Artists arrive every day to New York with a dream and more often than not with little else,” Madonna said. “I look back very fondly on this time in my life.” The collaboration also includes: 🎉 Confessions II release parties on July 3 in New York, Los Angeles and Chicago 🎵 A limited edition vinyl with custom artwork and exclusive photos by Raphael Pavarotti, for Bilt members — we talked about it on our previous tweet 🎰 Madonna as featured contestant on Bilt’s game show Rent Free — members can win up to $2,500 in rent A full-circle moment for an artist who arrived in this city with nothing — and changed it forever. Confessions II. July 3. 🖤 #Madonna #ConfessionsII #Bilt #MusicBuilding #LowerEastSideGirl

DrownedMadonna

34,003 görüntüleme • 2 ay önce

"The artist who has reached number one on the Melon chart in the 2000s, 2010s & 2020s" 🙌👑 Having a comeback after 8 yrs & won 3 Daesang, 7 trophy at MMA 2025: #GDRAGON #지드래곤 How MMA described GD 💛 1.) TOP 10 "A name that encompasses K-pop’s past, present, and future: G-Dragon." 2.) BEST SOLO - MALE "K-pop king G-Dragon, who made a comeback after an 8-year hiatus." 3.) BEST SONG WRITER "G-Dragon, who caused a revolution in K-pop scene with his genius songwriting and composing skills, proved his class once again with his comeback album after 8 years." 4.) MILLIONS TOP 10 "G-Dragon, who, after the album release, proved his unparalleled presence as all the songs topped the charts." 5.) ALBUM OF THE YEAR "Kakao Bank's Album of the Year is G-Dragon's , returning after eight years. Every track on the album remained at the top of the Melon charts, satisfying fans’ musical expectations. is this year’s best album, perfectly combining G-Dragon’s artistic philosophy with the completeness of his music." 6.) ARTIST OF THE YEAR "GD is back. G-Dragon, who, upon his comeback, broke various records and shook up the music industry. He is the Artist of the Year awardee, whose impact could be felt across popular culture beyond just music." 7.) SONG OF THE YEAR "The Best Song of the Year at the 2025 Melon Music Awards is , which held the number one spot on the Melon chart for 76 days. With this, G-Dragon has set a grand record as the solo artist with the longest-running number one on the Melon chart, as well as being the artist who has reached number one on the Melon chart in the 2000s, 2010s, and 2020s."
4:42

"The artist who has reached number one on the Melon chart in the 2000s, 2010s & 2020s" 🙌👑 Having a comeback after 8 yrs & won 3 Daesang, 7 trophy at MMA 2025: #GDRAGON #지드래곤 How MMA described GD 💛 1.) TOP 10 "A name that encompasses K-pop’s past, present, and future: G-Dragon." 2.) BEST SOLO - MALE "K-pop king G-Dragon, who made a comeback after an 8-year hiatus." 3.) BEST SONG WRITER "G-Dragon, who caused a revolution in K-pop scene with his genius songwriting and composing skills, proved his class once again with his comeback album after 8 years." 4.) MILLIONS TOP 10 "G-Dragon, who, after the album release, proved his unparalleled presence as all the songs topped the charts." 5.) ALBUM OF THE YEAR "Kakao Bank's Album of the Year is G-Dragon's , returning after eight years. Every track on the album remained at the top of the Melon charts, satisfying fans’ musical expectations. is this year’s best album, perfectly combining G-Dragon’s artistic philosophy with the completeness of his music." 6.) ARTIST OF THE YEAR "GD is back. G-Dragon, who, upon his comeback, broke various records and shook up the music industry. He is the Artist of the Year awardee, whose impact could be felt across popular culture beyond just music." 7.) SONG OF THE YEAR "The Best Song of the Year at the 2025 Melon Music Awards is , which held the number one spot on the Melon chart for 76 days. With this, G-Dragon has set a grand record as the solo artist with the longest-running number one on the Melon chart, as well as being the artist who has reached number one on the Melon chart in the 2000s, 2010s, and 2020s."

🆔 𝐭𝐭𝐭𝐨𝐩𝟏𝟑𝟏 🌕

14,959 görüntüleme • 8 ay önce

🇯🇵 [Seoul Economic Daily] 260618 "Jin Even Shook Up Japan's Music Market" Why BTS Jin's Solo Power Is So Remarkable 👩‍🏫BTS Jin has been making a remarkable impact in the Japanese music market as a solo artist, continuing an unparalleled run of success since completing his military service. At Japan's biggest music awards ceremony, Music Awards Japan, the title track Don't Say You Love Me from his solo mini album won the Best of Listeners' Choice International Song award. The achievement is especially meaningful because the result was heavily influenced by fan voting. Users of Spotify, the world's largest music streaming platform, directly participated in the selection process. Upon its release, the song reached No. 1 on Spotify's Global Chart, becoming the first achievement of its kind by an Asian artist. Jin is also setting new longevity records for a K-pop solo artist on Japanese charts, demonstrating his immense popularity across the country. His success continued on the year-end charts as well. On Billboard Japan's year-end rankings, he was the only K-pop solo artist to appear near the top of the Hot 100 singles chart, while also securing a strong position on the Artist 100 chart. On the Oricon charts, he achieved a dominant No. 1 ranking among K-pop solo artists, further solidifying his top-tier status in Japan. Making a powerful return after military service, Jin continues to maintain his position at the highest level both as a solo artist and as a member of BTS. With every release, he continues to make history on global charts. Through his acceptance speech, he expressed heartfelt gratitude to fans around the world and shared his determination to showcase his own unique musical identity through future solo projects. Global fans are continuing to praise Jin as they look forward to the new messages and bold artistic journey he will bring to the worldwide music scene. #JIN #방탄소년단진 MUSIC AWARDS JAPAN公式 방탄소년단
1:49

🇯🇵 [Seoul Economic Daily] 260618 "Jin Even Shook Up Japan's Music Market" Why BTS Jin's Solo Power Is So Remarkable 👩‍🏫BTS Jin has been making a remarkable impact in the Japanese music market as a solo artist, continuing an unparalleled run of success since completing his military service. At Japan's biggest music awards ceremony, Music Awards Japan, the title track Don't Say You Love Me from his solo mini album won the Best of Listeners' Choice International Song award. The achievement is especially meaningful because the result was heavily influenced by fan voting. Users of Spotify, the world's largest music streaming platform, directly participated in the selection process. Upon its release, the song reached No. 1 on Spotify's Global Chart, becoming the first achievement of its kind by an Asian artist. Jin is also setting new longevity records for a K-pop solo artist on Japanese charts, demonstrating his immense popularity across the country. His success continued on the year-end charts as well. On Billboard Japan's year-end rankings, he was the only K-pop solo artist to appear near the top of the Hot 100 singles chart, while also securing a strong position on the Artist 100 chart. On the Oricon charts, he achieved a dominant No. 1 ranking among K-pop solo artists, further solidifying his top-tier status in Japan. Making a powerful return after military service, Jin continues to maintain his position at the highest level both as a solo artist and as a member of BTS. With every release, he continues to make history on global charts. Through his acceptance speech, he expressed heartfelt gratitude to fans around the world and shared his determination to showcase his own unique musical identity through future solo projects. Global fans are continuing to praise Jin as they look forward to the new messages and bold artistic journey he will bring to the worldwide music scene. #JIN #방탄소년단진 MUSIC AWARDS JAPAN公式 방탄소년단

star_jin

20,890 görüntüleme • 2 ay önce

this is legitimately brilliant trying it today because if this actually works the way he describes I'm completely changing how I trade on prediction markets like Polymarket i just gone through The Smart Ape 🔥's bot, he just spent weeks building a free tool that connects Polymarket odds to real-time news because he was tired of manually tracking everything. the insight here gathered is perfect: - top traders on Polymarket aren't running sophisticated bots. - they're just faster at spotting when the market price diverges from reality. - markets stay mispriced for HOURS after major news drops. 10-30% off sometimes he built polymarketnews(dot)xyz and it's actually insane: - AI scrapes every major publisher - flags bullish/bearish news with green/red markers directly on the price chart - updates in minutes. for instance, the Iran Khamenei market example, the news drops suggesting power consolidation, market doesn't react for hours, then crashes 40% I've been saying this forever, information asymmetry is the only real edge in prediction markets and he just made it for free absolute gold here i genuinely think this is one of those tools that becomes essential infrastructure for anyone serious about prediction markets. the edge isn't the bot it's the speed of information and he just leveled the playing field
0:48

this is legitimately brilliant trying it today because if this actually works the way he describes I'm completely changing how I trade on prediction markets like Polymarket i just gone through The Smart Ape 🔥's bot, he just spent weeks building a free tool that connects Polymarket odds to real-time news because he was tired of manually tracking everything. the insight here gathered is perfect: - top traders on Polymarket aren't running sophisticated bots. - they're just faster at spotting when the market price diverges from reality. - markets stay mispriced for HOURS after major news drops. 10-30% off sometimes he built polymarketnews(dot)xyz and it's actually insane: - AI scrapes every major publisher - flags bullish/bearish news with green/red markers directly on the price chart - updates in minutes. for instance, the Iran Khamenei market example, the news drops suggesting power consolidation, market doesn't react for hours, then crashes 40% I've been saying this forever, information asymmetry is the only real edge in prediction markets and he just made it for free absolute gold here i genuinely think this is one of those tools that becomes essential infrastructure for anyone serious about prediction markets. the edge isn't the bot it's the speed of information and he just leveled the playing field

arndxt

105,303 görüntüleme • 7 ay önce

This year I hit the road for my biggest solo tour ever, performing for 700,000+ fans worldwide. A mighty THANKYOU to all the friends, fans & comrades (especially the #FreedomFighterOrchestra) who showed up & showed out! It was a blast rocking shows with my 13 year old guitar wiz son, Roman Morello, and releasing 2 songs with him, “SOLDIER IN THE ARMY OF LOVE” & the #Venom: The Last Dance theme song ONE LAST DANCE” (along with good pal grandson). I got to play “AMERICAN SKIN (41 SHOTS)” and a blistering “THE GHOST OF TOM JOAD” with Bruce Springsteen and the mighty E Street Band in April and Arcane fans rocked hard to “COME PLAY”, my collab with Stray Kids & it’s baby miko 💗. My SiriusXM Lithium “One Man Revolution” radio show proudly continues to both entertain and upset listeners. I also had the privilege of inducting the MC5 into the Rock & Roll Hall of Fame and hosting two epic superstar packed tribute concerts for Brother Wayne Kramer. As a lifelong fan of both metal and guitar I was psyched to be inducted into the Heavy Metal Hall of Fame & receive the 2024 CENA European Guitar Award. Also, receiving the 2024 Woody Guthrie Prize was an honor as Woody is one of my heroes, and accepting the James M. Lawsen People Power Award & conspiring with @uawunion President Shawn Fain was inspiring. And whether it was supporting USC and Cal State Northridge student protests for Palestine, rocking Labor Day with Machinists Union / IAM Union or opening music programs in Compton, Van Nuys & Verdugo Hills with Music Will, I tried to keep hacking away at the monolithic walls of injustice six strings at a time. Meanwhile, the RATM debut album was voted one of Apple Music’s 100 Greatest Albums Of All Time and “Killing in the Name” is approaching 1 billion streams — proof that protest music has staying power. And most importantly, we celebrated my mom, Mary Morello’s 101st birthday — a reminder of the legacy of love, resistance, and wisdom that’s shaped me. 2025 is likely to bring trouble, but it’s also going to bring even more action, and more music. I’m grateful for every one of you who’s supported me along the way. Here’s to making next year even louder.
0:30

This year I hit the road for my biggest solo tour ever, performing for 700,000+ fans worldwide. A mighty THANKYOU to all the friends, fans & comrades (especially the #FreedomFighterOrchestra) who showed up & showed out! It was a blast rocking shows with my 13 year old guitar wiz son, Roman Morello, and releasing 2 songs with him, “SOLDIER IN THE ARMY OF LOVE” & the #Venom: The Last Dance theme song ONE LAST DANCE” (along with good pal grandson). I got to play “AMERICAN SKIN (41 SHOTS)” and a blistering “THE GHOST OF TOM JOAD” with Bruce Springsteen and the mighty E Street Band in April and Arcane fans rocked hard to “COME PLAY”, my collab with Stray Kids & it’s baby miko 💗. My SiriusXM Lithium “One Man Revolution” radio show proudly continues to both entertain and upset listeners. I also had the privilege of inducting the MC5 into the Rock & Roll Hall of Fame and hosting two epic superstar packed tribute concerts for Brother Wayne Kramer. As a lifelong fan of both metal and guitar I was psyched to be inducted into the Heavy Metal Hall of Fame & receive the 2024 CENA European Guitar Award. Also, receiving the 2024 Woody Guthrie Prize was an honor as Woody is one of my heroes, and accepting the James M. Lawsen People Power Award & conspiring with @uawunion President Shawn Fain was inspiring. And whether it was supporting USC and Cal State Northridge student protests for Palestine, rocking Labor Day with Machinists Union / IAM Union or opening music programs in Compton, Van Nuys & Verdugo Hills with Music Will, I tried to keep hacking away at the monolithic walls of injustice six strings at a time. Meanwhile, the RATM debut album was voted one of Apple Music’s 100 Greatest Albums Of All Time and “Killing in the Name” is approaching 1 billion streams — proof that protest music has staying power. And most importantly, we celebrated my mom, Mary Morello’s 101st birthday — a reminder of the legacy of love, resistance, and wisdom that’s shaped me. 2025 is likely to bring trouble, but it’s also going to bring even more action, and more music. I’m grateful for every one of you who’s supported me along the way. Here’s to making next year even louder.

Tom Morello

45,761 görüntüleme • 1 yıl önce

It's time to talk about something. My artwork workflow. This is going to be a long one. As some of you may know, I work with our in-house artist, and have for over 3-4 years. He has done all of the Kurosun , GLSSWRKS and tekkusai designs - even the logos. Yes, seriously, it's all the same guy. Of course, Kurosun art has existed before the age of good generative AI , back in 2022. So it was always from idea straight to human drawing. With GLSSWRKS, the workflow was always to use AI as reference, and then let the artist work for weeks or months until it feels just right. After our first release, which was really similar to the original AI reference, we decided to never keep them that close again. Our artist has taken more liberty to make their own version of each idea, making over 60 versions of each character, by hand. My own tekkusai releases are much the same, the ideas start from a reference, and the artist then gets to work and stays in the loop with me, we work back and forth for a long time until it feels right. So, some people have asked, what's the reason for working this way? Well, I think that artists are important. I highly value working with both my artists (one for artwork, and one for 3D visuals). Their taste matters to me. Our back and forth matters to me. Our friendship matters to me. The fact that they get paid matters to me, and that is something that will never change. Every pixel from the artwork is drawn by a human, with only references being generative AI. This is the reason I have always said "AI hybrid, but there is a real artist that works hard and gets paid", because to me, that's the part that matters. Apex took two months of work just on the art/3D visual side. It took even longer to develop this surface and coating. If you're wondering why now, I think it's the right time to talk about it. Before anything else is sold. Before any rumors circulate. Everyone is entitled to their own opinion and where they draw the line. This is where I draw mine. Much love to everyone, tekk
0:59

It's time to talk about something. My artwork workflow. This is going to be a long one. As some of you may know, I work with our in-house artist, and have for over 3-4 years. He has done all of the Kurosun , GLSSWRKS and tekkusai designs - even the logos. Yes, seriously, it's all the same guy. Of course, Kurosun art has existed before the age of good generative AI , back in 2022. So it was always from idea straight to human drawing. With GLSSWRKS, the workflow was always to use AI as reference, and then let the artist work for weeks or months until it feels just right. After our first release, which was really similar to the original AI reference, we decided to never keep them that close again. Our artist has taken more liberty to make their own version of each idea, making over 60 versions of each character, by hand. My own tekkusai releases are much the same, the ideas start from a reference, and the artist then gets to work and stays in the loop with me, we work back and forth for a long time until it feels right. So, some people have asked, what's the reason for working this way? Well, I think that artists are important. I highly value working with both my artists (one for artwork, and one for 3D visuals). Their taste matters to me. Our back and forth matters to me. Our friendship matters to me. The fact that they get paid matters to me, and that is something that will never change. Every pixel from the artwork is drawn by a human, with only references being generative AI. This is the reason I have always said "AI hybrid, but there is a real artist that works hard and gets paid", because to me, that's the part that matters. Apex took two months of work just on the art/3D visual side. It took even longer to develop this surface and coating. If you're wondering why now, I think it's the right time to talk about it. Before anything else is sold. Before any rumors circulate. Everyone is entitled to their own opinion and where they draw the line. This is where I draw mine. Much love to everyone, tekk

tekkusai

34,802 görüntüleme • 1 ay önce

@PuppetzNFT PEASANTS 1.0 HAS ARRIVED! 🚀 The Puppetz debut on , blending ART and DEFI utilities into one unique experience. 🗓️ Drop Date: 1.8.2025 📍 Available exclusively on Crypto.com NFT About @PuppetzNFT A Web3 project founded on handcrafted illustrations by Sergi🎭, merging social commentary with striking digital art. Puppetz PEASANTS 1.0 marks the return of Puppetz with: 🎨 2000 unique, 1/1 hand-drawn NFTs optimized for Web3 dApps. Mint Details 🔥 1400 NFTs at $33 🔥 100 NFTs at $1 🔥 +500 NFTs reserved for holders (+$16K value) 💸 +$30K in utilities for NFT and $PPTZ holders 💸 60%-80% royalties shared with the community Exclusive Perks 👕 Merch: Limited-edition gear from @PuppetzNFT & Crypto.com 💾 Hardware Wallet: A special collab between CoolWallet & @PuppetzNFT ✨ And more utilities, including: •NFT and token airdrops •20 premium Puppetz hoodies •Giveaways and surprises Why Puppetz? 🚀 ❤️‍🔥 $500K+ in volume across all collections 🛒 8 SOLD-OUT drops on Crypto.com NFT since 2021 (last drop: 40 seconds!) 🎁 +$65K in community rewards distributed (+$95K with this drop) 🌍 Secondary sales up to $3K, with a 1900% revaluation in top cases 🎉 GIVEAWAY ALERT! 🎁 Win 1 PUPPETZ PEASANTS 1.0 NFT To enter: 1️⃣ Follow @PuppetzNFT & Crypto.com NFT 2️⃣ Like + RT + Tag 3 friends (multiple entries allowed) | #CROFam 3️⃣ Join our Discord: 🎭 PUPPETZ PEASANTS 1.0 🆓 BORN FREE CLUB 📜 Check the drop Terms & Conditions for full details. #cryptocom #NFTs #CROFam
0:20

@PuppetzNFT PEASANTS 1.0 HAS ARRIVED! 🚀 The Puppetz debut on , blending ART and DEFI utilities into one unique experience. 🗓️ Drop Date: 1.8.2025 📍 Available exclusively on Crypto.com NFT About @PuppetzNFT A Web3 project founded on handcrafted illustrations by Sergi🎭, merging social commentary with striking digital art. Puppetz PEASANTS 1.0 marks the return of Puppetz with: 🎨 2000 unique, 1/1 hand-drawn NFTs optimized for Web3 dApps. Mint Details 🔥 1400 NFTs at $33 🔥 100 NFTs at $1 🔥 +500 NFTs reserved for holders (+$16K value) 💸 +$30K in utilities for NFT and $PPTZ holders 💸 60%-80% royalties shared with the community Exclusive Perks 👕 Merch: Limited-edition gear from @PuppetzNFT & Crypto.com 💾 Hardware Wallet: A special collab between CoolWallet & @PuppetzNFT ✨ And more utilities, including: •NFT and token airdrops •20 premium Puppetz hoodies •Giveaways and surprises Why Puppetz? 🚀 ❤️‍🔥 $500K+ in volume across all collections 🛒 8 SOLD-OUT drops on Crypto.com NFT since 2021 (last drop: 40 seconds!) 🎁 +$65K in community rewards distributed (+$95K with this drop) 🌍 Secondary sales up to $3K, with a 1900% revaluation in top cases 🎉 GIVEAWAY ALERT! 🎁 Win 1 PUPPETZ PEASANTS 1.0 NFT To enter: 1️⃣ Follow @PuppetzNFT & Crypto.com NFT 2️⃣ Like + RT + Tag 3 friends (multiple entries allowed) | #CROFam 3️⃣ Join our Discord: 🎭 PUPPETZ PEASANTS 1.0 🆓 BORN FREE CLUB 📜 Check the drop Terms & Conditions for full details. #cryptocom #NFTs #CROFam

PuppetZ.CDC🎭

16,936 görüntüleme • 1 yıl önce

Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.
0:30

Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.

Zara

25,616 görüntüleme • 19 gün önce

Big Tech just forced the US government into bailing ITSELF out. This morning the US Treasury announced it will at least double the size of its own bond buybacks, because for two months almost nobody else wanted them. The 30-year Treasury bond hit its highest yield since 2007 last Thursday, then did it again yesterday. The long end has been in a buyers' strike since late June, meaning the pension funds and insurers who normally absorb 20 and 30 year government paper stopped showing up. This morning it auctioned $16 billion of 20-year debt at the second-worst yield since that bond was reintroduced in 2020. So the Treasury tore up a schedule it had published two weeks earlier. It doubled the maximum size of each long-bond buyback from $2 billion to at least $4 billion, and went from two operations a quarter to four. The 30-year yield fell 9 basis points within minutes. Stocks rallied. By early afternoon the 10-year had given almost all of it back. BUT the thing is, this operation changes almost nothing, because the underlying problem is untouched: The tidal wave of hyperscaler debt sitting on top of very large government deficits. Hyperscaler means Google, Meta, Microsoft, Amazon, Oracle and Nvidia. The Wall Street Journal went through the footnotes of 9 tech companies' filings on Sunday and found roughly $3 TRILLION in AI commitments sitting outside their balance sheets. That is 5x the $600 billion of capital spending those same companies reported over the past year. Alphabet alone discloses $811 billion in purchase and contractual obligations. Three months earlier it was $332 billion. All of it has to be funded somewhere. And this is where it collides with the government: Data centers, chip supply agreements and 20-year power contracts are long-duration assets, and long-duration assets get financed with long-duration debt. That is the exact product the US Treasury sells. There is a finite pool of investors willing to lend money for 30 years at a fixed rate. That pool does not get bigger because Meta needs another campus in Louisiana. So when the largest companies in history issue hundreds of billions of long-dated debt at the same moment the Treasury needs to roll a national debt approaching $40 trillion, both sides are bidding for the SAME buyers. One of those bidders can offer whatever yield it takes and book it as growth. The other one is the US government, and this morning it folded. Treasury does not create money for these buybacks. It funds them by issuing shorter-dated debt instead, so the obligation does not disappear. It gets pulled closer to the present, to be refinanced at whatever rate exists in a year or two. The government is buying back the debt nobody wants by selling more of the debt people still take. The 30-year Treasury yield is the number that prices your mortgage. The average 30-year fixed sits at 6.67% today. But there IS a real argument on the other side: Buybacks are routine, and $4 billion is nothing against a $30 trillion market. Plenty of serious people will call today housekeeping. But housekeeping shouldn’t require tearing up your own published schedule two weeks after you release it. The AI buildout is now financed at a scale that competes with sovereign borrowing, and the sovereign is losing bidders. Nobody voted on that, and people will pay for it in their mortgage rate long before anyone calls it a crisis. What do you think?
0:55

Big Tech just forced the US government into bailing ITSELF out. This morning the US Treasury announced it will at least double the size of its own bond buybacks, because for two months almost nobody else wanted them. The 30-year Treasury bond hit its highest yield since 2007 last Thursday, then did it again yesterday. The long end has been in a buyers' strike since late June, meaning the pension funds and insurers who normally absorb 20 and 30 year government paper stopped showing up. This morning it auctioned $16 billion of 20-year debt at the second-worst yield since that bond was reintroduced in 2020. So the Treasury tore up a schedule it had published two weeks earlier. It doubled the maximum size of each long-bond buyback from $2 billion to at least $4 billion, and went from two operations a quarter to four. The 30-year yield fell 9 basis points within minutes. Stocks rallied. By early afternoon the 10-year had given almost all of it back. BUT the thing is, this operation changes almost nothing, because the underlying problem is untouched: The tidal wave of hyperscaler debt sitting on top of very large government deficits. Hyperscaler means Google, Meta, Microsoft, Amazon, Oracle and Nvidia. The Wall Street Journal went through the footnotes of 9 tech companies' filings on Sunday and found roughly $3 TRILLION in AI commitments sitting outside their balance sheets. That is 5x the $600 billion of capital spending those same companies reported over the past year. Alphabet alone discloses $811 billion in purchase and contractual obligations. Three months earlier it was $332 billion. All of it has to be funded somewhere. And this is where it collides with the government: Data centers, chip supply agreements and 20-year power contracts are long-duration assets, and long-duration assets get financed with long-duration debt. That is the exact product the US Treasury sells. There is a finite pool of investors willing to lend money for 30 years at a fixed rate. That pool does not get bigger because Meta needs another campus in Louisiana. So when the largest companies in history issue hundreds of billions of long-dated debt at the same moment the Treasury needs to roll a national debt approaching $40 trillion, both sides are bidding for the SAME buyers. One of those bidders can offer whatever yield it takes and book it as growth. The other one is the US government, and this morning it folded. Treasury does not create money for these buybacks. It funds them by issuing shorter-dated debt instead, so the obligation does not disappear. It gets pulled closer to the present, to be refinanced at whatever rate exists in a year or two. The government is buying back the debt nobody wants by selling more of the debt people still take. The 30-year Treasury yield is the number that prices your mortgage. The average 30-year fixed sits at 6.67% today. But there IS a real argument on the other side: Buybacks are routine, and $4 billion is nothing against a $30 trillion market. Plenty of serious people will call today housekeeping. But housekeeping shouldn’t require tearing up your own published schedule two weeks after you release it. The AI buildout is now financed at a scale that competes with sovereign borrowing, and the sovereign is losing bidders. Nobody voted on that, and people will pay for it in their mortgage rate long before anyone calls it a crisis. What do you think?

Ricardo

58,647 görüntüleme • 4 gün önce