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Christopher McQuarrie eloquently addressing that Top Gun Maverick was a deposit to cinemas so that a little film like Anora could grow an audience, and takes issue with [Netflix] claiming they saved cinema when really they’re burying the cinema model

tweety

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79,271 次观看 • 1 年前 •via X (Twitter)

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tweety 的头像

tweety1 年前

+ addresses the evolution of [comic book movies] that are (were) making big box office but only serving the niche audience of [cbm fans], versus a layered palette of films that appeal to a broader variety of moviegoers ted sarandos is never getting the cruise cake

Ezra 的头像

Ezra1 年前

he’s right, but it’s meant to work both ways — we need lower budget, high quality releases coming out every week so we can have at least one top gun maverick a year, can’t have one without the other

Vinayak Damodaran 的头像

Vinayak Damodaran1 年前

Netflix has single handedly stifled theatres and Hollywood largely has frolicked to the streamer's desires. Studios desperately are trying to imitate Netflix's success but are failing. Cinema has largely regressed

MKR 的头像

MKR1 年前

Well he has Mr. Movies behind him ❤️🔥

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Top Gun: Maverick & #ProjectHailMary are two films released this decade that reminded me the power of the theatrical experience. Part of the reason my slogan is “Cinema is Forever” is because when a film gets it right- like these two- the experience you have seeing it is forever.

Top Gun: Maverick & #ProjectHailMary are two films released this decade that reminded me the power of the theatrical experience. Part of the reason my slogan is “Cinema is Forever” is because when a film gets it right- like these two- the experience you have seeing it is forever.

Cinema Tweets

226,446 次观看 • 4 个月前

jungeun’s favorite kpop songs NMIXX - cool 🐆: when they released dice, that song was one of the bsides, and i really like listening to bsides, so i went through all of them… and cool was just soo good! MEOVV - burning up 🐆: i really like this song so i saved it to my playlist! you know i filmed the challenge back then right? when I really like a song, i always want to film the challenge for it, so i was really happy that I got to film it together

jungeun’s favorite kpop songs NMIXX - cool 🐆: when they released dice, that song was one of the bsides, and i really like listening to bsides, so i went through all of them… and cool was just soo good! MEOVV - burning up 🐆: i really like this song so i saved it to my playlist! you know i filmed the challenge back then right? when I really like a song, i always want to film the challenge for it, so i was really happy that I got to film it together

ؘ

74,390 次观看 • 8 个月前

Aditya Dhar and Ranveer Singh deserve more hate for Dhurandhar, a propaganda film claiming ISI and Pakistan fund student protests in Indian universities and that opposition parties like Congress are linked with ISI. That’s the kind of propaganda they sold as cinema

Aditya Dhar and Ranveer Singh deserve more hate for Dhurandhar, a propaganda film claiming ISI and Pakistan fund student protests in Indian universities and that opposition parties like Congress are linked with ISI. That’s the kind of propaganda they sold as cinema

r

132,173 次观看 • 13 天前

Trump: "I don't like the fact that he was carrying a gun that was fully loaded and he had 2 magazines with him. That's pretty unusual. Nobody knows when they saw that gun."

Trump: "I don't like the fact that he was carrying a gun that was fully loaded and he had 2 magazines with him. That's pretty unusual. Nobody knows when they saw that gun."

Aaron Rupar

373,264 次观看 • 6 个月前

"There are no entertaining moments in 'Mirror' (1975). In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience." --- Andrei Tarkovsky Full Excerpt: "'Mirror' (1975) is an autobiographical film. The things that happen are real things that happened to people close to me. That is true of all the episodes in the film. But why do people complain that they cannot understand it? The facts are so simple, they can be taken by every one as similar to the experience of their own lives. But here we come up against something that is peculiar to cinema: the further a viewer is from the content of a film, the closer he is; what people are looking for in cinema is a continuation of their lives, not a repetition. There are no entertaining moments in the film. In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience. The purpose of 'Mirror', its inspiration, is that of a homily: look, learn, use the life shown here as an example. There are so many films now, and they are all so different, that very soon it will be impossible to plan for distribution to cinemas. That will be the beginning of a new phase in the development of film, which is after all the youngest art form, it is only about seventy years old. Films will start to be handed out as cassettes, people will take them home, every viewer will find himself face to face with the film he particularly likes. And what of cinema, the mass medium, you may ask ? Mass is not a criterion of quality. The same could be said about the number of people involved in the making of a film. Numbers are not the point. A small team working together is preferable to a large collective. Another question: What is going to happen to Mirror? We don't know yet. For the moment the film is only being shown in three cinemas, and they started with two. They are trying it out first, because the organs responsible for distribution are afraid it might be a failure. When they heard that people sat on and wouldn't leave, one of the highly placed distribution officials observed that normal people leave the cinema." [A talk by Tarkovsky in the Building Institute, 1975 about his film 'Mirror' (1975)]

"There are no entertaining moments in 'Mirror' (1975). In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience." --- Andrei Tarkovsky Full Excerpt: "'Mirror' (1975) is an autobiographical film. The things that happen are real things that happened to people close to me. That is true of all the episodes in the film. But why do people complain that they cannot understand it? The facts are so simple, they can be taken by every one as similar to the experience of their own lives. But here we come up against something that is peculiar to cinema: the further a viewer is from the content of a film, the closer he is; what people are looking for in cinema is a continuation of their lives, not a repetition. There are no entertaining moments in the film. In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience. The purpose of 'Mirror', its inspiration, is that of a homily: look, learn, use the life shown here as an example. There are so many films now, and they are all so different, that very soon it will be impossible to plan for distribution to cinemas. That will be the beginning of a new phase in the development of film, which is after all the youngest art form, it is only about seventy years old. Films will start to be handed out as cassettes, people will take them home, every viewer will find himself face to face with the film he particularly likes. And what of cinema, the mass medium, you may ask ? Mass is not a criterion of quality. The same could be said about the number of people involved in the making of a film. Numbers are not the point. A small team working together is preferable to a large collective. Another question: What is going to happen to Mirror? We don't know yet. For the moment the film is only being shown in three cinemas, and they started with two. They are trying it out first, because the organs responsible for distribution are afraid it might be a failure. When they heard that people sat on and wouldn't leave, one of the highly placed distribution officials observed that normal people leave the cinema." [A talk by Tarkovsky in the Building Institute, 1975 about his film 'Mirror' (1975)]

DepressedBergman

205,784 次观看 • 6 个月前

When asked which of Christopher Nolan’s films he wishes he could have been a part of, Cillian Murphy didn’t hesitate to name Interstellar. “I adore that just because I find it so emotional. I remember seeing it in the cinema when I had little kids. It broke my heart.”

When asked which of Christopher Nolan’s films he wishes he could have been a part of, Cillian Murphy didn’t hesitate to name Interstellar. “I adore that just because I find it so emotional. I remember seeing it in the cinema when I had little kids. It broke my heart.”

Kalshi Culture

82,004 次观看 • 8 个月前

Top Gun 3 is officially in development. Maverick faces an “existential crisis” that shakes his identity and purpose—forcing him to confront a question that makes him feel small, and to reckon with relevance and growth beyond the cockpit.

Top Gun 3 is officially in development. Maverick faces an “existential crisis” that shakes his identity and purpose—forcing him to confront a question that makes him feel small, and to reckon with relevance and growth beyond the cockpit.

Emir Han

85,111 次观看 • 11 个月前

Tom Cruise on why he wasn't interested in making a sequel to "Top Gun" (1986), which was thought to be a right-wing film promoting the U.S Navy: "Playboy: 'Born on the Fourth of July' (1989) is also the flip side of 'Top Gun' (1986), which is essentially war by Nintendo game and a paean to blind patriotism. Cruise: OK, some people felt that 'Top Gun' was a right-wing film to promote the Navy. And a lot of kids loved it. But I want the kids to know that that’s not the way war is—that 'Top Gun' was just an amusement park ride, a fun film with a PG-13 rating that was not supposed to be reality. That’s why I didn’t go on and make Top Gun II and III and IV and V. That would have been irresponsible. Playboy: Is 'Born on the Fourth of July' a redemption of 'Top Gun'? Cruise: They are two different things. 'Top Gun' is a joy ride and shouldn’t be looked at beyond that. 'Born' is about real people and real events. 'Top Gun' should be looked at as going on Space Mountain—it’s like a simple fairy tale. Playboy: A lot of boys have gone off to war to that kind of drumbeat. That is the history of war—young, callow kids marching off to a fairy-tale glory as in Top Gun. Cruise: Think of that: I am totally responsible for World War Three [laughs]! Come on. Let’s look at the reality of what I am saying—where my beliefs lie. I didn’t have anything riding on 'Top Gun'. The fact is, I really want people to see 'Born on the Fourth of July'—it’s a movie that had to be made." (Tom Cruise's interview to playboy, 1990 taken from Gizmodo) (He did star in a sequel in 2022 - "Top Gun: Maverick" as we all know) P.S: Happy 64th birthday, Tom Cruise!

Tom Cruise on why he wasn't interested in making a sequel to "Top Gun" (1986), which was thought to be a right-wing film promoting the U.S Navy: "Playboy: 'Born on the Fourth of July' (1989) is also the flip side of 'Top Gun' (1986), which is essentially war by Nintendo game and a paean to blind patriotism. Cruise: OK, some people felt that 'Top Gun' was a right-wing film to promote the Navy. And a lot of kids loved it. But I want the kids to know that that’s not the way war is—that 'Top Gun' was just an amusement park ride, a fun film with a PG-13 rating that was not supposed to be reality. That’s why I didn’t go on and make Top Gun II and III and IV and V. That would have been irresponsible. Playboy: Is 'Born on the Fourth of July' a redemption of 'Top Gun'? Cruise: They are two different things. 'Top Gun' is a joy ride and shouldn’t be looked at beyond that. 'Born' is about real people and real events. 'Top Gun' should be looked at as going on Space Mountain—it’s like a simple fairy tale. Playboy: A lot of boys have gone off to war to that kind of drumbeat. That is the history of war—young, callow kids marching off to a fairy-tale glory as in Top Gun. Cruise: Think of that: I am totally responsible for World War Three [laughs]! Come on. Let’s look at the reality of what I am saying—where my beliefs lie. I didn’t have anything riding on 'Top Gun'. The fact is, I really want people to see 'Born on the Fourth of July'—it’s a movie that had to be made." (Tom Cruise's interview to playboy, 1990 taken from Gizmodo) (He did star in a sequel in 2022 - "Top Gun: Maverick" as we all know) P.S: Happy 64th birthday, Tom Cruise!

DepressedBergman

59,487 次观看 • 1 个月前

Divya Bharti and Rishi Kapoor gave us a song that people still listen to with the same love even today, and many still have it on loop. 🎶 This film will always be remembered in Indian cinema history because it was the film where the King of Indian Cinema took his very first step into the world of cinema 🤴 👑

Divya Bharti and Rishi Kapoor gave us a song that people still listen to with the same love even today, and many still have it on loop. 🎶 This film will always be remembered in Indian cinema history because it was the film where the King of Indian Cinema took his very first step into the world of cinema 🤴 👑

PintuX

112,450 次观看 • 1 个月前

Seeing Top Gun & then Maverick immediately after yesterday at The Grove was an experience I’ll never forget. The ability to see one just minutes after the other- in IMAX- had such a profound effect on me. Tom Cruise & Val Kilmer were each so damn good in both films. Cinema lives.

Seeing Top Gun & then Maverick immediately after yesterday at The Grove was an experience I’ll never forget. The ability to see one just minutes after the other- in IMAX- had such a profound effect on me. Tom Cruise & Val Kilmer were each so damn good in both films. Cinema lives.

Cinema Tweets

48,418 次观看 • 2 个月前

Peter Watkins's "Punishment Park" (1971) was released in the Murray Hill Cinema in an out-of-the-way part of Manhattan, New York City, and already it was clear that the US distributor was not going to properly handle the film. It remains unclear whether the cinema owner (or the distributor) was affected by the hostile critics, or whether the Federal authorities issued threats. "Punishment Park" was withdrawn from the cinema after only four days. Since then, ‘Punishment Park’ has rarely been shown in the US, and never on TV. A representative of a main Hollywood studio which could have released ‘Punishment Park’ was quoted as saying something to the effect that, “We could never show this film, we would have the Sheriff’s office [or perhaps ‘the Federal authorities’ - PW] on our necks in five minutes.” Participants at a seminar for TV producers from 24 Public Broadcasting System (PBS) stations across the US all swore that they could never, and would never show a film like this on American TV. And so they haven’t. (PWatkins(dot)mnsi(dot)net) P.S: On this day, 55 years ago, "Punishment Park" (1971) premiered at the Melbourne Film Festival, Australia.

Peter Watkins's "Punishment Park" (1971) was released in the Murray Hill Cinema in an out-of-the-way part of Manhattan, New York City, and already it was clear that the US distributor was not going to properly handle the film. It remains unclear whether the cinema owner (or the distributor) was affected by the hostile critics, or whether the Federal authorities issued threats. "Punishment Park" was withdrawn from the cinema after only four days. Since then, ‘Punishment Park’ has rarely been shown in the US, and never on TV. A representative of a main Hollywood studio which could have released ‘Punishment Park’ was quoted as saying something to the effect that, “We could never show this film, we would have the Sheriff’s office [or perhaps ‘the Federal authorities’ - PW] on our necks in five minutes.” Participants at a seminar for TV producers from 24 Public Broadcasting System (PBS) stations across the US all swore that they could never, and would never show a film like this on American TV. And so they haven’t. (PWatkins(dot)mnsi(dot)net) P.S: On this day, 55 years ago, "Punishment Park" (1971) premiered at the Melbourne Film Festival, Australia.

DepressedBergman

15,728 次观看 • 1 个月前

I Have Nothing Against Funke Akindele, I Told Upcoming Filmmakers To Copy Her Model - Afolayan I'm a product of travelling theatre or travelling cinema. But for film, even in the recent past, I would drag my kids to the cinema and beckon people to come watch our film. I think it's draining, and I've never said anything was wrong with that approach. However, Funke Akindele called me yesterday and said she knows I don't like her, yelling that I should stop mentioning her name in my interviews. I can't come back to cinema if cinema operators can't guarantee I'll make substantial money. Kunle Afolayan, Filmmaker & Creative Industry Entrepreneur

I Have Nothing Against Funke Akindele, I Told Upcoming Filmmakers To Copy Her Model - Afolayan I'm a product of travelling theatre or travelling cinema. But for film, even in the recent past, I would drag my kids to the cinema and beckon people to come watch our film. I think it's draining, and I've never said anything was wrong with that approach. However, Funke Akindele called me yesterday and said she knows I don't like her, yelling that I should stop mentioning her name in my interviews. I can't come back to cinema if cinema operators can't guarantee I'll make substantial money. Kunle Afolayan, Filmmaker & Creative Industry Entrepreneur

ARISE NEWS

1,131,424 次观看 • 6 个月前

Alexander Skarsgård and Harry Melling, stars of ‘Pillion’, discuss “Heated Rivalry” with Etalk “It’s wonderful that stories like ours, that represent a community that often aren’t represented on mainstream TV or cinema, are suddenly having a platform to be heard. I’m very proud these stories exist and are landing with an audience.”

Alexander Skarsgård and Harry Melling, stars of ‘Pillion’, discuss “Heated Rivalry” with Etalk “It’s wonderful that stories like ours, that represent a community that often aren’t represented on mainstream TV or cinema, are suddenly having a platform to be heard. I’m very proud these stories exist and are landing with an audience.”

Hudson Williams Updates

183,669 次观看 • 5 个月前

when prof. yang “resigned” as yeseul’s defence lawyer and turned the whole case into a law class so that his student who was being accused can defend herself.. that was #real cinema to me

when prof. yang “resigned” as yeseul’s defence lawyer and turned the whole case into a law class so that his student who was being accused can defend herself.. that was #real cinema to me

🧸

651,192 次观看 • 7 个月前

Two 18-year-olds think the next Miyazaki could come from anywhere and that a YouTuber can win an Oscar So they rented Tokyo’s top auditorium for Tokyo’s biggest AI Film Festival They’re flying finalists in from anywhere, with a ¥2.5M prize pool Applications open

Two 18-year-olds think the next Miyazaki could come from anywhere and that a YouTuber can win an Oscar So they rented Tokyo’s top auditorium for Tokyo’s biggest AI Film Festival They’re flying finalists in from anywhere, with a ¥2.5M prize pool Applications open

Hardeep

32,178 次观看 • 1 个月前

Nickeil Alexander-Walker on the support he’s gotten from his neighbors and Wolves fans “It means a lot… in my neighborhood a lot of the fans have made up signs, did balloons, I came home and they had chalk on the concrete… so I just want to say thank you to everybody and I really appreciate it. When they do small jesters like that, take time out of their day, like they had a sign and it was going to rain, so they put a bag over the sign and like that takes time, that takes care, I definitely appreciate that”

Nickeil Alexander-Walker on the support he’s gotten from his neighbors and Wolves fans “It means a lot… in my neighborhood a lot of the fans have made up signs, did balloons, I came home and they had chalk on the concrete… so I just want to say thank you to everybody and I really appreciate it. When they do small jesters like that, take time out of their day, like they had a sign and it was going to rain, so they put a bag over the sign and like that takes time, that takes care, I definitely appreciate that”

Andrew Dukowitz

246,294 次观看 • 1 年前

“AJOSEPO WA TI FE BAJE, I’m talking about our collaboration with cinemas” —Jaiye Kuti put out a disclaimer Ok good that she denied shading anybody, but why does she keep bringing the kidnapped kids in the movie discussion every time? Who is she trying to gaslight with “Where are your voice when they get kidnapped” How did that enter the conversation of cinema? What happened to her own voice when the kids were kidnapped? She claimed she’s not shading anyone so who was she referring to that they took souvenirs to cinemas?

“AJOSEPO WA TI FE BAJE, I’m talking about our collaboration with cinemas” —Jaiye Kuti put out a disclaimer Ok good that she denied shading anybody, but why does she keep bringing the kidnapped kids in the movie discussion every time? Who is she trying to gaslight with “Where are your voice when they get kidnapped” How did that enter the conversation of cinema? What happened to her own voice when the kids were kidnapped? She claimed she’s not shading anyone so who was she referring to that they took souvenirs to cinemas?

Big Uncle

104,112 次观看 • 2 个月前

Christopher Nolan explained that he wanted Tenet to start like a James Bond film, with a mission already underway, pure action, and immediate tension. That is why there is no explanation at the beginning and the audience is thrown straight into the chaos.

Christopher Nolan explained that he wanted Tenet to start like a James Bond film, with a mission already underway, pure action, and immediate tension. That is why there is no explanation at the beginning and the audience is thrown straight into the chaos.

Christopher Nolan Archives

757,982 次观看 • 10 个月前

American Made is a sneaky-good Tom Cruise performance that’s slid under the radar the last decade or so. I think Cruise used this film to test out some filmmaking techniques around flying sequences that he later applied to Top Gun: Maverick. It’s an easy-going, low-stakes film.

American Made is a sneaky-good Tom Cruise performance that’s slid under the radar the last decade or so. I think Cruise used this film to test out some filmmaking techniques around flying sequences that he later applied to Top Gun: Maverick. It’s an easy-going, low-stakes film.

Cinema Tweets

28,168 次观看 • 8 个月前

Peter Jackson accepts his Palme d'Or and remembers how #Cannes saved "The Lord of the Rings" franchise: "The media was talking about the gamble was going to fail. So the first film, ‘Fellowship of the Ring,’ was going to come out in December 2001 and so we just finished shooting in December 2000, so we had a year of post-production to deal with. In that year, about February, [New Line Cinema founder] Bob Shaye decides that he wants to have 20 minutes of our film screen here in Cannes because he wants to change the press’ stories that were going out ... Bob Shaye rolled the dice, and so we quickly changed 20 minutes of film, really fast, and we brought that 20 minutes here in 2001 in May, and we did some press in that castle up on the hill and had a party there, and Bob’s great gamble really changed the perception of the film. And for me obviously, it was a life-changing thing. So by the time the film came out there was an anticipation that there wouldn’t have been if not for Cannes."

Peter Jackson accepts his Palme d'Or and remembers how #Cannes saved "The Lord of the Rings" franchise: "The media was talking about the gamble was going to fail. So the first film, ‘Fellowship of the Ring,’ was going to come out in December 2001 and so we just finished shooting in December 2000, so we had a year of post-production to deal with. In that year, about February, [New Line Cinema founder] Bob Shaye decides that he wants to have 20 minutes of our film screen here in Cannes because he wants to change the press’ stories that were going out ... Bob Shaye rolled the dice, and so we quickly changed 20 minutes of film, really fast, and we brought that 20 minutes here in 2001 in May, and we did some press in that castle up on the hill and had a party there, and Bob’s great gamble really changed the perception of the film. And for me obviously, it was a life-changing thing. So by the time the film came out there was an anticipation that there wouldn’t have been if not for Cannes."

Variety

79,109 次观看 • 2 个月前