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Christopher Nolan admits he almost never made The Odyssey until reading one heartbreaking scene about a dog from the original 3,000-year-old ancient Greek text completely broke him. "I spent a lot of time before I would write just familiarizing myself with the Odyssey... trying to remind myself what I...

504,199 次观看 • 2 个月前 •via X (Twitter)

17 条评论

JayJay⛓️ 的头像
JayJay⛓️2 个月前

This image is so emotional Was it gotten from an article or book

PFF Commenter 的头像
PFF Commenter2 个月前

I cried during that scene.

JayJay⛓️ 的头像
JayJay⛓️2 个月前

It was that touching? Alot of y'all cried

Carolina Charles 的头像
Carolina Charles2 个月前

I do wish he spend just 15-30 more seconds on that moment in the film instead of rushing through it as he tends to do all too frequently IMO.

Nature in Motion 的头像
Nature in Motion2 个月前

argus is exactly the kind of tiny human detail that makes epics land

Anthony Orlando @NYFF 的头像
Anthony Orlando @NYFF2 个月前

That dog scene in #TheOdyssey broke my heart. Purest poetry.

JC Standring 的头像
JC Standring2 个月前

Isn't it Argos? I sorta named my dog after him 5 years ago.

Zephyr 的头像
Zephyr2 个月前

@JanuaryMovie That dog was heartbreaking

Mary Mo 的头像
Mary Mo2 个月前

Ok but why did the puppy look nothing like the adult dog?

Amy Coplan 的头像
Amy Coplan2 个月前

To think I thought I couldn’t like Nolan any more than I already did. Kool says that he forgives Nolan for depriving his children of a dog while growing up…

JayJay⛓️ 的头像
JayJay⛓️2 个月前

Ft. @BBCR1 Christopher Nolan

That City Feeling 的头像
That City Feeling2 个月前

I mean it’s long be understood as the emotional climax of the book so he was just moved by the climax

Paul Cooper 的头像
Paul Cooper2 个月前

Dogs aren’t fake asses. I get it.

Jonesy 的头像
Jonesy2 个月前

Where are this guys kids? Blathering about the dog scene and he clearly didn’t absorb the material to heart look at what he produced. Really shameful stuff.

ALBERTO JAVIER 的头像
ALBERTO JAVIER2 个月前

Genio. Maestro.

Tyrannosaurus Blessed ❤️‍🔥 的头像
Tyrannosaurus Blessed ❤️‍🔥2 个月前

Oh my god enough with the dogs

RIP yaksbeard 的头像
RIP yaksbeard2 个月前

Then he got addicted to killing dogs in the movie? Lol

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My neighbor always walks the dog at all hours of the day, rain or shine. She has a huge dog she can’t control, it actually walks her most of the time. This guy here has no excuse letting his dog on a leash get away, that thing is tiny. Yet he thinks it’s the man’s fault that his dog got nudged. What would you do if your neighbors dog got loose and they blamed your dog reacting to it, he needs to get his dog under control and get a life. Anyways, the neighbor with the big dog was walking her dog and it got away from her and ran into the street. Another neighbor was coming home from work and didn’t have time to react to it, she ended up hitting the dog causing a good amount of damage to her car and scuffing up the dog pretty good. The lady walking her dog had a fit of course and blamed the neighbor for hitting her dog. The neighbor retorted that she wouldn’t have hit it if the lady had it under control and isn’t run into the street. The lady ended up calling the cops, the cops came and cleared the neighbor of wrong doing. There were plenty of witnesses that saw it and we all see the dog pulling her all the time anyways. After the accident we didn’t see the lady walking her dog much anymore, her oldest son would do it most of the time to his annoyance but it was a better thing, he could control it where as his mother could not. I didn’t want to involve myself in their argument but I did tell the lady it was her fault, and that she needs to pay for the other neighbors car. Up until that point she was refusing to cooperate much. I never did ask if she paid but I have a feeling she did, the neighbor can be quite convincing when she needs to be.

SonnyBoy🇺🇸

68,571 次观看 • 2 个月前

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 次观看 • 9 个月前