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Christopher Nolan admits he almost never made The Odyssey until reading one heartbreaking scene about a dog from the original 3,000-year-old ancient Greek text completely broke him. "I spent a lot of time before I would write just familiarizing myself with the Odyssey... trying to remind myself what I...

504,366 Aufrufe • vor 2 Monaten •via X (Twitter)

17 Kommentare

Profilbild von JayJay⛓️
JayJay⛓️vor 2 Monaten

This image is so emotional Was it gotten from an article or book

Profilbild von PFF Commenter
PFF Commentervor 2 Monaten

I cried during that scene.

Profilbild von JayJay⛓️
JayJay⛓️vor 2 Monaten

It was that touching? Alot of y'all cried

Profilbild von Carolina Charles
Carolina Charlesvor 2 Monaten

I do wish he spend just 15-30 more seconds on that moment in the film instead of rushing through it as he tends to do all too frequently IMO.

Profilbild von Nature in Motion
Nature in Motionvor 2 Monaten

argus is exactly the kind of tiny human detail that makes epics land

Profilbild von Anthony Orlando @NYFF
Anthony Orlando @NYFFvor 2 Monaten

That dog scene in #TheOdyssey broke my heart. Purest poetry.

Profilbild von JC Standring
JC Standringvor 2 Monaten

Isn't it Argos? I sorta named my dog after him 5 years ago.

Profilbild von Zephyr
Zephyrvor 2 Monaten

@JanuaryMovie That dog was heartbreaking

Profilbild von Mary Mo
Mary Movor 2 Monaten

Ok but why did the puppy look nothing like the adult dog?

Profilbild von Amy Coplan
Amy Coplanvor 2 Monaten

To think I thought I couldn’t like Nolan any more than I already did. Kool says that he forgives Nolan for depriving his children of a dog while growing up…

Profilbild von JayJay⛓️
JayJay⛓️vor 2 Monaten

Ft. @BBCR1 Christopher Nolan

Profilbild von That City Feeling
That City Feelingvor 2 Monaten

I mean it’s long be understood as the emotional climax of the book so he was just moved by the climax

Profilbild von Paul Cooper
Paul Coopervor 2 Monaten

Dogs aren’t fake asses. I get it.

Profilbild von Jonesy
Jonesyvor 2 Monaten

Where are this guys kids? Blathering about the dog scene and he clearly didn’t absorb the material to heart look at what he produced. Really shameful stuff.

Profilbild von ALBERTO JAVIER
ALBERTO JAVIERvor 2 Monaten

Genio. Maestro.

Profilbild von Tyrannosaurus Blessed ❤️‍🔥
Tyrannosaurus Blessed ❤️‍🔥vor 2 Monaten

Oh my god enough with the dogs

Profilbild von RIP yaksbeard
RIP yaksbeardvor 2 Monaten

Then he got addicted to killing dogs in the movie? Lol

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SonnyBoy🇺🇸

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

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