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Christopher Nolan conceived the idea for Inception based on his own experiences with lucid dreaming and the concept of ‘dream architects’ who could control dreams. He spent nearly a decade developing the script before the film was finally made.

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Christopher Nolan spent nearly a decade developing the screenplay for the film, which began as an 80-page treatment about dream-stealers. He originally envisioned it as a horror film before reshaping it into a heist story.

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PREDATORS was released 16 years ago today. Robert Rodriguez conceived the story in the mid-1990s, long before the film was made. His original script sat on the shelf for over 15 years before finally becoming the third live-action Predator film.

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At first, Christopher Nolan envisioned Inception as a horror film set in the world of dreams. He wanted to explore the nightmare of having one’s thoughts invaded and manipulated, with a much more unsettling atmosphere.

At first, Christopher Nolan envisioned Inception as a horror film set in the world of dreams. He wanted to explore the nightmare of having one’s thoughts invaded and manipulated, with a much more unsettling atmosphere.

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ANT-MAN was released 11 years ago today. Edgar Wright spent nearly a decade developing the film before leaving over creative differences with Marvel just weeks before filming. Peyton Reed stepped in and finished the movie on the original release date.

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Here’s my conversation with Christopher Nolan about The Odyssey. He also talks about the custom lens he modified for The Dark Knight that became a high-demand tool for filmmakers like J.J. Abrams and Zack Snyder. Finally, he reflects on his collaboration with David Keighley, who was the person that taught Nolan about IMAX cameras and made him sit down with Kodak. David is the reason filmmakers can still shoot on film.

Here’s my conversation with Christopher Nolan about The Odyssey. He also talks about the custom lens he modified for The Dark Knight that became a high-demand tool for filmmakers like J.J. Abrams and Zack Snyder. Finally, he reflects on his collaboration with David Keighley, who was the person that taught Nolan about IMAX cameras and made him sit down with Kodak. David is the reason filmmakers can still shoot on film.

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The Odyssey director Christopher Nolan reveals the 2004 film he nearly made instead of the Dark Knight trilogy, in conversation with the Independent's chief film & TV correspondent, Jacob Stolworthy.

The Odyssey director Christopher Nolan reveals the 2004 film he nearly made instead of the Dark Knight trilogy, in conversation with the Independent's chief film & TV correspondent, Jacob Stolworthy.

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Memento was released 26 years ago. Christopher Nolan structured the film in reverse so the audience experiences the same confusion as Leonard, who can’t form new memories. Here’s Nolan’s own analysis of the story and construction behind the film.

Memento was released 26 years ago. Christopher Nolan structured the film in reverse so the audience experiences the same confusion as Leonard, who can’t form new memories. Here’s Nolan’s own analysis of the story and construction behind the film.

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Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.

Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.

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Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”

Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”

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The cinematic universe of Christopher Nolan. FOLLOWING (1998), MEMENTO (2000), INSOMNIA (2002), BATMAN BEGINS (2005), THE PRESTIGE (2006), THE DARK KNIGHT (2008), INCEPTION (2010), THE DARK KNIGHT RISES (2012), INTERSTELLAR (2014), DUNKIRK (2017), TENET (2020), OPPENHEIMER (2023) Christopher Nolan received his first Oscar nomination for MEMENTO for Original Screenplay, followed by nominations for INCEPTION and DUNKIRK. He earned his first Oscars for OPPENHEIMER, winning Best Director and Best Picture; the film went on to win seven Oscars overall.

The cinematic universe of Christopher Nolan. FOLLOWING (1998), MEMENTO (2000), INSOMNIA (2002), BATMAN BEGINS (2005), THE PRESTIGE (2006), THE DARK KNIGHT (2008), INCEPTION (2010), THE DARK KNIGHT RISES (2012), INTERSTELLAR (2014), DUNKIRK (2017), TENET (2020), OPPENHEIMER (2023) Christopher Nolan received his first Oscar nomination for MEMENTO for Original Screenplay, followed by nominations for INCEPTION and DUNKIRK. He earned his first Oscars for OPPENHEIMER, winning Best Director and Best Picture; the film went on to win seven Oscars overall.

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Christopher Nolan says The Dark Knight Rises ending came to him in a dream. “I had dreams that informed narrative choices. I dreamed the end of trilogy - the idea of somebody take over Batman. Film has relationship to our dreams that’s hard to articulate”

Christopher Nolan says The Dark Knight Rises ending came to him in a dream. “I had dreams that informed narrative choices. I dreamed the end of trilogy - the idea of somebody take over Batman. Film has relationship to our dreams that’s hard to articulate”

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Christopher Nolan reveals he was originally hired to direct Troy — a world he was “very interested to explore” — before it went to another director. Decades later, he’s finally returning to Homeric epics with his own adaptation of The Odyssey.

Christopher Nolan reveals he was originally hired to direct Troy — a world he was “very interested to explore” — before it went to another director. Decades later, he’s finally returning to Homeric epics with his own adaptation of The Odyssey.

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Christopher Nolan shot his first film for $6,000. He made it on weekends whenever his friends were free, cast those same friends, used his own apartment as a set, and ran the camera himself. His upcoming film cost around $250 million and is the first movie in history shot entirely on IMAX film cameras.

Christopher Nolan shot his first film for $6,000. He made it on weekends whenever his friends were free, cast those same friends, used his own apartment as a set, and ran the camera himself. His upcoming film cost around $250 million and is the first movie in history shot entirely on IMAX film cameras.

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Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

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Christopher Nolan has revealed that the ending of The Dark Knight Rises literally came to him in a dream. “I had dreams that informed narrative choices. I dreamed the end of trilogy - the idea of somebody take over Batman. Film has relationship to our dreams that’s hard to articulate.”

Christopher Nolan has revealed that the ending of The Dark Knight Rises literally came to him in a dream. “I had dreams that informed narrative choices. I dreamed the end of trilogy - the idea of somebody take over Batman. Film has relationship to our dreams that’s hard to articulate.”

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Evening viewing recommendation? On the Criterion Channel, watch Christopher Nolan's first feature FOLLOWING (1998)—a low-budget, 16mm black-and-white mind-bending neonoir—before THE ODYSSEY hits theaters tomorrow. Alongside the film, watch an interview with Nolan; a chronological edit of the film; side-by-side comparison of the shooting script with three scenes from the film; Nolan's short film DOODLEBUG (1997); and more!

Evening viewing recommendation? On the Criterion Channel, watch Christopher Nolan's first feature FOLLOWING (1998)—a low-budget, 16mm black-and-white mind-bending neonoir—before THE ODYSSEY hits theaters tomorrow. Alongside the film, watch an interview with Nolan; a chronological edit of the film; side-by-side comparison of the shooting script with three scenes from the film; Nolan's short film DOODLEBUG (1997); and more!

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Christopher Nolan on the 'correct answer' to the Inception ending "The point of the shot is Leo's character doesn’t care" "He’s moved on and is with his kids, the ambiguity is not an emotional ambiguity"

Christopher Nolan on the 'correct answer' to the Inception ending "The point of the shot is Leo's character doesn’t care" "He’s moved on and is with his kids, the ambiguity is not an emotional ambiguity"

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Christopher Nolan first imagined Inception as a horror film—about “dream stealers” invading the most private part of you: your mind. Mal’s ghostly presence, the dreamscapes, and the panic of being lost in Limbo are all remnants of that darker vision.

Christopher Nolan first imagined Inception as a horror film—about “dream stealers” invading the most private part of you: your mind. Mal’s ghostly presence, the dreamscapes, and the panic of being lost in Limbo are all remnants of that darker vision.

Emir Han

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In 2006, Steven Spielberg was attached to direct “INTERSTELLAR” and hired Jonathan Nolan to write script. However, Spielberg eventually moved on to other projects. In 2012, Jonathan pitched the idea to his brother Christopher Nolan, and the rest is history

In 2006, Steven Spielberg was attached to direct “INTERSTELLAR” and hired Jonathan Nolan to write script. However, Spielberg eventually moved on to other projects. In 2012, Jonathan pitched the idea to his brother Christopher Nolan, and the rest is history

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Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

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