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[Chronology Squad File] #M1891, reporting in! "Greetings, comrade!" M1891, cheerful and easy-going, takes great pride in her dual heritage, warm and enthusiastic towards every companion. >> Pre-Register with your email for the test: —Welcome to Nirvana— ▼Core Breach Test Coming Soon▼ Test Period: 2025/06/12 18:00 - 2025/06/20 18:00 (UTC+8)...

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Girls' Frontline: Fire Control-EN Official

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20,527 görüntüleme • 1 yıl önce •via X (Twitter)

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[Chronology Squad File] MP7H1 Confident to the point of arrogance with little interest in her surroundings, but is a strong learner when it comes to combat and daily skills. A self-proclaimed "genius" who gives others nicknames and exclusively uses them. Enjoys sour foods like the lollipop she always has in her mouth. "Let my dazzling brilliance shine for all to see!" —Welcome to Nirvana— Pre-Register Now>> #ProjectNET #GirlsFrontline #gfl
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[Chronology Squad File] MP7H1 Confident to the point of arrogance with little interest in her surroundings, but is a strong learner when it comes to combat and daily skills. A self-proclaimed "genius" who gives others nicknames and exclusively uses them. Enjoys sour foods like the lollipop she always has in her mouth. "Let my dazzling brilliance shine for all to see!" —Welcome to Nirvana— Pre-Register Now>> #ProjectNET #GirlsFrontline #gfl

Project NET

48,639 görüntüleme • 1 yıl önce

🔥 Capybobo 2 Is OFFICIAL LIVE! Hey PYBOBOs, we're here! Thank you for testing with us. Now it's time to claim what you've earned — Pre-registration rewards and Wipe Test 2x rewards are available now. Check your in-game mail. Use $PYBOBO to catch pets. Pets mine $CROCO for you. Every $PYBOBO you spend builds your mining power. Official $CROCO Mining begins February 1, 10:00 UTC — 72 hours from now. This is the golden window. Catch your pets and train them up. The higher the pets' level, the more they earn from the very first second of mining. 🪙 Stack $PYBOBO, catch rare pets. February 1st, we mine!
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🔥 Capybobo 2 Is OFFICIAL LIVE! Hey PYBOBOs, we're here! Thank you for testing with us. Now it's time to claim what you've earned — Pre-registration rewards and Wipe Test 2x rewards are available now. Check your in-game mail. Use $PYBOBO to catch pets. Pets mine $CROCO for you. Every $PYBOBO you spend builds your mining power. Official $CROCO Mining begins February 1, 10:00 UTC — 72 hours from now. This is the golden window. Catch your pets and train them up. The higher the pets' level, the more they earn from the very first second of mining. 🪙 Stack $PYBOBO, catch rare pets. February 1st, we mine!

Capybobo

1,303,057 görüntüleme • 6 ay önce

NASA ARTEMIS II MISSION UPDATE: DAY 7 The crew and the Orion spacecraft are approximately 57,157 km (35,518 mi) from the Moon. They are also about 380,631 km (236,512 mi) from Earth and are traveling at around 2,029 km/h (1,261 mph). The mission is currently 62.3% completed. Yesterday was a very big day for the mission as this culminated in the Lunar Flyby, which included the closest approach to the Moon at a distance of 4,067 km (6,545 mi), occurring at 11:02 UTC (MET+5/00:25). Following this, a record was set for the furthest distance humans had ever traveled from Earth, at a distance of 406,771 km (252,756 mi), which occurred at 23:02 UTC (MET+5/00:27). The crew also witnessed an Earthrise and solar eclipse during this time, before the lunar observation period concluded. Moving on to today's expected events, first up we have the crew wakeup, which is expected to occur at 15:35 UTC (MET+5/17:00). Following this, Orion will exit the lunar sphere of influence, which is expected to occur at 17:25 UTC (MET+5/18:50). Then, after that, will be the Crew Daily Planning Conference (PDC), which will occur at 18:05 UTC (MET+5/19:30). Moving on to the next event after that is PAO: Orion to ISS crew call (audio only), which is expected to happen at 18:40 UTC (MET+5/20:05). Then, following that, will be the Post Lunar flyby science debrief, which will occur at 19:00 UTC (MET+5/20:25). This will then be followed by a crew off-duty period that will start at 19:30 UTC (MET+5/20:55) and will last until 22:20 UTC (MET+5/23:45). Then, after that, will be the Return Trajectory Correction burn #1 (if needed) at 01:03 UTC (MET+6/02:28). And following that will be crew pre sleep at 04:35 UTC (MET+6/06:00), followed by the sleep period at 07:05 UTC (MET+6/08:30). And don't forget, you can tune into our Artemis II Real-Time Tracking 24/7 stream to watch the rest of the mission! NSF Artemis II Real Time Tracking 24/7 | NSF - NASASpaceflight.com
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NASA ARTEMIS II MISSION UPDATE: DAY 7 The crew and the Orion spacecraft are approximately 57,157 km (35,518 mi) from the Moon. They are also about 380,631 km (236,512 mi) from Earth and are traveling at around 2,029 km/h (1,261 mph). The mission is currently 62.3% completed. Yesterday was a very big day for the mission as this culminated in the Lunar Flyby, which included the closest approach to the Moon at a distance of 4,067 km (6,545 mi), occurring at 11:02 UTC (MET+5/00:25). Following this, a record was set for the furthest distance humans had ever traveled from Earth, at a distance of 406,771 km (252,756 mi), which occurred at 23:02 UTC (MET+5/00:27). The crew also witnessed an Earthrise and solar eclipse during this time, before the lunar observation period concluded. Moving on to today's expected events, first up we have the crew wakeup, which is expected to occur at 15:35 UTC (MET+5/17:00). Following this, Orion will exit the lunar sphere of influence, which is expected to occur at 17:25 UTC (MET+5/18:50). Then, after that, will be the Crew Daily Planning Conference (PDC), which will occur at 18:05 UTC (MET+5/19:30). Moving on to the next event after that is PAO: Orion to ISS crew call (audio only), which is expected to happen at 18:40 UTC (MET+5/20:05). Then, following that, will be the Post Lunar flyby science debrief, which will occur at 19:00 UTC (MET+5/20:25). This will then be followed by a crew off-duty period that will start at 19:30 UTC (MET+5/20:55) and will last until 22:20 UTC (MET+5/23:45). Then, after that, will be the Return Trajectory Correction burn #1 (if needed) at 01:03 UTC (MET+6/02:28). And following that will be crew pre sleep at 04:35 UTC (MET+6/06:00), followed by the sleep period at 07:05 UTC (MET+6/08:30). And don't forget, you can tune into our Artemis II Real-Time Tracking 24/7 stream to watch the rest of the mission! NSF Artemis II Real Time Tracking 24/7 | NSF - NASASpaceflight.com

Jake (Max-Q) 🏴󠁧󠁢󠁷󠁬󠁳󠁿

23,025 görüntüleme • 4 ay önce

Pre-order for the WOWPASS-Exclusive 'Like OOH-AHH 2025 ver.' TWICE Cards is now OPEN! 💘 📅 Pre-order Period: Oct 29 (Wed) 11:00 AM - Nov 5 (Wed) 11:00 AM (KST) ⏳ Limited time only! Don't miss out! 📦 Estimated Shipping Date: Starting December 23, 2025 (Tue). Make sure to read the purchase and shipping details! 👉 Purchase Link: Each WOWPASS comes with 1 random unreleased selfie photocard (1 of 18 designs!) 📸 💳 You can order up to 10 cards per person! 🔓 Unlock your Korea with WOWPASS, your all-in-one Korea travel essential! 🇰🇷 Pay anywhere in Korea, use it as Tmoney, exchange currency, send and receive money, get exclusive rewards, and so much more! 📲 Download the WOWPASS app to check out more details! #TWICE #트와이스 #WOWPASS #ONCE #WOWPASSxJYP #WOWPASSKPOP TWICE - - - - - WOWPASS 단독 '우아하게 2025 ver.' TWICE 카드 사전예약판매 오픈! 💘 📅 예약 판매 기간: 2025년 10월 29일(수) 11:00 ~ 11월 5일(수) 11:00 (KST) ⏳ 기간한정! 놓치지 마세요! 📦 배송 예정일: 2025년 12월 23일(화)부터 순차 발송 예정, 구매 및 배송 정보를 꼭 확인해주세요! 👉 예약 판매 링크: 각 와우패스에는 미공개 셀카 포토카드 1장이 랜덤으로 제공! (18가지 디자인 중 1가지!) 📸 💳 1인당 최대 10장까지 주문할 수 있습니다! 🔓 Unlock your Korea with WOWPASS! 🇰🇷 어디서든 결제, 티머니 기능, 환전, 송금, 리워드 혜택까지! 올인원 여행 카드 WOWPASS! (한국인도 교통카드로 이용 가능!) 📲 자세한 내용은 WOWPASS 앱에서 확인하세요!
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Pre-order for the WOWPASS-Exclusive 'Like OOH-AHH 2025 ver.' TWICE Cards is now OPEN! 💘 📅 Pre-order Period: Oct 29 (Wed) 11:00 AM - Nov 5 (Wed) 11:00 AM (KST) ⏳ Limited time only! Don't miss out! 📦 Estimated Shipping Date: Starting December 23, 2025 (Tue). Make sure to read the purchase and shipping details! 👉 Purchase Link: Each WOWPASS comes with 1 random unreleased selfie photocard (1 of 18 designs!) 📸 💳 You can order up to 10 cards per person! 🔓 Unlock your Korea with WOWPASS, your all-in-one Korea travel essential! 🇰🇷 Pay anywhere in Korea, use it as Tmoney, exchange currency, send and receive money, get exclusive rewards, and so much more! 📲 Download the WOWPASS app to check out more details! #TWICE #트와이스 #WOWPASS #ONCE #WOWPASSxJYP #WOWPASSKPOP TWICE - - - - - WOWPASS 단독 '우아하게 2025 ver.' TWICE 카드 사전예약판매 오픈! 💘 📅 예약 판매 기간: 2025년 10월 29일(수) 11:00 ~ 11월 5일(수) 11:00 (KST) ⏳ 기간한정! 놓치지 마세요! 📦 배송 예정일: 2025년 12월 23일(화)부터 순차 발송 예정, 구매 및 배송 정보를 꼭 확인해주세요! 👉 예약 판매 링크: 각 와우패스에는 미공개 셀카 포토카드 1장이 랜덤으로 제공! (18가지 디자인 중 1가지!) 📸 💳 1인당 최대 10장까지 주문할 수 있습니다! 🔓 Unlock your Korea with WOWPASS! 🇰🇷 어디서든 결제, 티머니 기능, 환전, 송금, 리워드 혜택까지! 올인원 여행 카드 WOWPASS! (한국인도 교통카드로 이용 가능!) 📲 자세한 내용은 WOWPASS 앱에서 확인하세요!

WOWPASS: Unlock Your Korea

123,498 görüntüleme • 9 ay önce

💜 Something very special is about to happen in CDMX 💜 Get ready to live a unique, out-of-this-world experience with the arrival of the official BTS store! BTS POP-UP: SPACE OF BTS IN MEXICO CITY The BTS universe is landing in the city with a pop-up store full of official merchandise, exclusive itemsfor mexico, photo zones, and a completely immersive atmosphere. Dates: June 12 – August 10, 2025 📍 Location: Calle Río Elba 20, Local PB, Cuauhtémoc, Mexico City 🕒 Hours: Every day from 10:00 AM – 8:00 PM 🎟️ Entry is free, just make sure to reserve your spot at the following links: PHASE 1: PHASE 2: 📅 Reservations open this Sunday the 18th at 8:00 p.m. — Get ready, ARMY! 💜 This is just the beginning… follow our social media so you don’t miss a thing. 💜 Algo muy especial está por suceder en CDMX 💜 Prepárate para vivir una experiencia única y fuera de este mundo con la llegada de la tienda oficial de BTS! BTS POP-UP: SPACE OF BTS IN MEXICO CITY El universo de BTS aterriza en la ciudad con un pop-up store lleno de productos oficiales, artículos exclusivos para México, zonas fotográficas temáticas y un ambiente completamente inmersivo. Fecha : 12 JUN - 10 AGO, 2025 📍 Ubicación: Calle Río Elba 20, Local PB, Cuauhtémoc, Ciudad de México 🕒 Horario: Todos los días 10:00 - 20:00 🎟️ El acceso no tiene costo, solo asegúrate de reservar tu lugar en los siguientes enlaces : FASE 1 : FASE 2 : 📅 Este domingo 18 a las 8:00 p.m. se abrirán las reservaciones — ¡prepárate, ARMY! 💜 Este es solo el comienzo… sigue nuestras redes para no perderte nada.
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💜 Something very special is about to happen in CDMX 💜 Get ready to live a unique, out-of-this-world experience with the arrival of the official BTS store! BTS POP-UP: SPACE OF BTS IN MEXICO CITY The BTS universe is landing in the city with a pop-up store full of official merchandise, exclusive itemsfor mexico, photo zones, and a completely immersive atmosphere. Dates: June 12 – August 10, 2025 📍 Location: Calle Río Elba 20, Local PB, Cuauhtémoc, Mexico City 🕒 Hours: Every day from 10:00 AM – 8:00 PM 🎟️ Entry is free, just make sure to reserve your spot at the following links: PHASE 1: PHASE 2: 📅 Reservations open this Sunday the 18th at 8:00 p.m. — Get ready, ARMY! 💜 This is just the beginning… follow our social media so you don’t miss a thing. 💜 Algo muy especial está por suceder en CDMX 💜 Prepárate para vivir una experiencia única y fuera de este mundo con la llegada de la tienda oficial de BTS! BTS POP-UP: SPACE OF BTS IN MEXICO CITY El universo de BTS aterriza en la ciudad con un pop-up store lleno de productos oficiales, artículos exclusivos para México, zonas fotográficas temáticas y un ambiente completamente inmersivo. Fecha : 12 JUN - 10 AGO, 2025 📍 Ubicación: Calle Río Elba 20, Local PB, Cuauhtémoc, Ciudad de México 🕒 Horario: Todos los días 10:00 - 20:00 🎟️ El acceso no tiene costo, solo asegúrate de reservar tu lugar en los siguientes enlaces : FASE 1 : FASE 2 : 📅 Este domingo 18 a las 8:00 p.m. se abrirán las reservaciones — ¡prepárate, ARMY! 💜 Este es solo el comienzo… sigue nuestras redes para no perderte nada.

Kontactus Mexico

205,731 görüntüleme • 1 yıl önce

So you want to become a VTuber in 2025?! Here is a guide on how to get started, made by 4 year full-time VTuber and Manager, Lulu! 1. Know your goals Know if you are getting into VTubing as a hobby or as a business from the start and set your expectations accordingly 2. Start small F2U and P2U models and assets are available plenty via Nizima and Booth, VRoidstudio is free to make a 3D avatar with 3. Test the waters Make sure that streaming is possible for you, test your tech, your upload/download speeds, your voice, your set-up. Make sure that you give yourself a good experience as well as your future audience 4. Take your time Getting to affiliate/monetization will take time, getting used to the tech side of things takes time. It's unlikely you will wake up to 1k viewers overnight, and not every day will be great interactions only 5. Connect with other VTubers Make space and time for new friends, don't see them as networking opportunities or competition, but people on the same path. 6. Grow organically Using Ads or shifty tactics to stand out can not only jeopardize your standing in the community but can cost you your channel 7. Don't give up Even on days when things are difficult, don't give yourself too much pressure. Enjoy what you can and don't let other people or tech problems get you down, the journey is worth it.
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So you want to become a VTuber in 2025?! Here is a guide on how to get started, made by 4 year full-time VTuber and Manager, Lulu! 1. Know your goals Know if you are getting into VTubing as a hobby or as a business from the start and set your expectations accordingly 2. Start small F2U and P2U models and assets are available plenty via Nizima and Booth, VRoidstudio is free to make a 3D avatar with 3. Test the waters Make sure that streaming is possible for you, test your tech, your upload/download speeds, your voice, your set-up. Make sure that you give yourself a good experience as well as your future audience 4. Take your time Getting to affiliate/monetization will take time, getting used to the tech side of things takes time. It's unlikely you will wake up to 1k viewers overnight, and not every day will be great interactions only 5. Connect with other VTubers Make space and time for new friends, don't see them as networking opportunities or competition, but people on the same path. 6. Grow organically Using Ads or shifty tactics to stand out can not only jeopardize your standing in the community but can cost you your channel 7. Don't give up Even on days when things are difficult, don't give yourself too much pressure. Enjoy what you can and don't let other people or tech problems get you down, the journey is worth it.

Kuromiya Lucien

22,163 görüntüleme • 1 yıl önce

BREAKING NEWS! INNO MOROLONG ON HOUSE ARREST Court Ruling: Sentencing of the Accused in Criminal Injuria Case On the 29 January 2025 Inno Morolong has been sentenced under counts 1 and 2 The following are the judgements which have been implemented: A 12-month direct imprisonment sentence, wholly suspended for five years, on the condition that: The accused is not convicted of the offense of crimen injuria during the period of suspension. The accused submits to correctional supervision under Section 276(1) (h) of the Criminal Procedure Act for a period of 12 months. House Arrest Conditions The accused will be under house arrest for the full 12-month duration of correctional supervision, from 18:00 to 06:00 on non-working days. House arrest exclusions apply for community service, treatment programs, religious activities, hospitalizations, or medical consultations. Community Service & Rehabilitation: The accused is required to perform a minimum of 16 hours of community service per month, without compensation. The accused must attend life skills programs as part of the rehabilitation process. Restrictions & Monitoring: The accused is restricted from leaving the magisterial jurisdiction of their residence unless authorized by the Commissioner. The accused must refrain from alcohol and drug abuse throughout the sentence. Regular monitoring will be conducted by the Commissioner of National Correctional Services.
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BREAKING NEWS! INNO MOROLONG ON HOUSE ARREST Court Ruling: Sentencing of the Accused in Criminal Injuria Case On the 29 January 2025 Inno Morolong has been sentenced under counts 1 and 2 The following are the judgements which have been implemented: A 12-month direct imprisonment sentence, wholly suspended for five years, on the condition that: The accused is not convicted of the offense of crimen injuria during the period of suspension. The accused submits to correctional supervision under Section 276(1) (h) of the Criminal Procedure Act for a period of 12 months. House Arrest Conditions The accused will be under house arrest for the full 12-month duration of correctional supervision, from 18:00 to 06:00 on non-working days. House arrest exclusions apply for community service, treatment programs, religious activities, hospitalizations, or medical consultations. Community Service & Rehabilitation: The accused is required to perform a minimum of 16 hours of community service per month, without compensation. The accused must attend life skills programs as part of the rehabilitation process. Restrictions & Monitoring: The accused is restricted from leaving the magisterial jurisdiction of their residence unless authorized by the Commissioner. The accused must refrain from alcohol and drug abuse throughout the sentence. Regular monitoring will be conducted by the Commissioner of National Correctional Services.

@Xo.GossipKing

32,328 görüntüleme • 1 yıl önce

Seedance 2.0 Walking Home in the Rain, created using Seedance 2.0 Prompt: Main Subject: Young Korean woman, early 20s. Natural appearance. Black wavy hair loosely tied into a slightly messy ponytail with wispy bangs. Light grey zip hoodie worn open over a faded white tank top. Relaxed blue jeans. Black canvas sneakers. Natural skin texture, minimal makeup, ordinary everyday look. Consistent appearance throughout the video. Location: Authentic Korean residential neighborhood during a light summer rain shower. Narrow concrete alleys, low-rise houses, small gardens, potted plants, bicycles, utility poles, overhead cables, wet pavement, puddles, rain-darkened walls, leafy trees. Camera Style Early-2000s consumer DV camcorder. Friend casually filming. Heavy handheld shake. Imperfect framing. Subject frequently drifts toward frame edges. Late reframing. Autofocus hunting. Lens breathing. Exposure pumping. Motion blur. Rolling shutter. Digital compression artifacts. Slight sensor noise. Soft detail. Faded colors. Low contrast. Occasional blown highlights. No stabilization. No cinematic movements. No modern color grading. The camera operator behaves like a real friend with no filmmaking experience. 00:00–00:02 Standing beneath a small apartment awning while rain falls across the street. She leans forward and extends her hand into the rain to test how heavy it is. A passing vehicle somewhere off-frame splashes water nearby. She immediately laughs and pulls her hand back. The camera misses part of the reaction because the operator reframes too slowly. Rain droplets briefly appear on the lens. Autofocus hunts between her face and the rainy street. 00:02–00:04 She steps into the drizzle and starts walking down the narrow alley. The camera follows unevenly from behind. Her sneakers splash through shallow puddles. Wet strands of hair begin sticking to her cheek and neck. Wind moves her hoodie slightly. The operator almost loses her from frame while turning a corner. 00:04–00:06 Passing a row of potted plants outside a house. She casually brushes rainwater from a large leaf. The camera unexpectedly focuses on the leaf instead of her face. Exposure shifts as the scene moves from open sky into tree shade. She continues walking before camera catches up. 00:06–00:08 A neighborhood cat shelters beneath a parked bicycle. She crouches down briefly and says a few friendly words. The cat sniffs her hand. Camera focus repeatedly jumps between the bicycle wheel, the cat, and her face. One moment is partially blocked by the operator's movement. 00:08–00:10 Walking again. Rainwater drips from overhead branches onto her shoulder. She reacts naturally and laughs to herself. The camera is slightly too close and awkwardly reframes. A gust of wind moves nearby leaves and loose hair strands. 00:10–00:12 Near a small intersection. She pauses while waiting for a scooter to pass in the distance. The camera drifts toward the wet road before finding her again. She wipes rain from her forehead using her sleeve. Her clothing shows subtle dampness from the weather. 00:12–00:15 Walking away down the rain-darkened street. The camera trails several steps behind. She suddenly realizes she is still being filmed. She glances back over her shoulder. A small genuine smile appears. She looks away again and keeps walking. The operator lowers the camcorder slightly. Recording abruptly cuts to black mid-motion as if the camera was accidentally switched off. Audio (Natural only) Light rainfall. Water dripping from roofs and leaves. Footsteps on wet concrete. Distant neighborhood traffic. Occasional scooter passing far away. Birds sheltering in trees. Rustling leaves. Faint residential chatter. Cat sounds. Subtle wind. No music. No narration. No sound design. No added effects. Generation Priority Authenticity > Beauty Believability > Cinematics Natural Imperfections > Technical Perfection The final result should look indistinguishable from a real early-2000s camcorder scene.
0:15

Seedance 2.0 Walking Home in the Rain, created using Seedance 2.0 Prompt: Main Subject: Young Korean woman, early 20s. Natural appearance. Black wavy hair loosely tied into a slightly messy ponytail with wispy bangs. Light grey zip hoodie worn open over a faded white tank top. Relaxed blue jeans. Black canvas sneakers. Natural skin texture, minimal makeup, ordinary everyday look. Consistent appearance throughout the video. Location: Authentic Korean residential neighborhood during a light summer rain shower. Narrow concrete alleys, low-rise houses, small gardens, potted plants, bicycles, utility poles, overhead cables, wet pavement, puddles, rain-darkened walls, leafy trees. Camera Style Early-2000s consumer DV camcorder. Friend casually filming. Heavy handheld shake. Imperfect framing. Subject frequently drifts toward frame edges. Late reframing. Autofocus hunting. Lens breathing. Exposure pumping. Motion blur. Rolling shutter. Digital compression artifacts. Slight sensor noise. Soft detail. Faded colors. Low contrast. Occasional blown highlights. No stabilization. No cinematic movements. No modern color grading. The camera operator behaves like a real friend with no filmmaking experience. 00:00–00:02 Standing beneath a small apartment awning while rain falls across the street. She leans forward and extends her hand into the rain to test how heavy it is. A passing vehicle somewhere off-frame splashes water nearby. She immediately laughs and pulls her hand back. The camera misses part of the reaction because the operator reframes too slowly. Rain droplets briefly appear on the lens. Autofocus hunts between her face and the rainy street. 00:02–00:04 She steps into the drizzle and starts walking down the narrow alley. The camera follows unevenly from behind. Her sneakers splash through shallow puddles. Wet strands of hair begin sticking to her cheek and neck. Wind moves her hoodie slightly. The operator almost loses her from frame while turning a corner. 00:04–00:06 Passing a row of potted plants outside a house. She casually brushes rainwater from a large leaf. The camera unexpectedly focuses on the leaf instead of her face. Exposure shifts as the scene moves from open sky into tree shade. She continues walking before camera catches up. 00:06–00:08 A neighborhood cat shelters beneath a parked bicycle. She crouches down briefly and says a few friendly words. The cat sniffs her hand. Camera focus repeatedly jumps between the bicycle wheel, the cat, and her face. One moment is partially blocked by the operator's movement. 00:08–00:10 Walking again. Rainwater drips from overhead branches onto her shoulder. She reacts naturally and laughs to herself. The camera is slightly too close and awkwardly reframes. A gust of wind moves nearby leaves and loose hair strands. 00:10–00:12 Near a small intersection. She pauses while waiting for a scooter to pass in the distance. The camera drifts toward the wet road before finding her again. She wipes rain from her forehead using her sleeve. Her clothing shows subtle dampness from the weather. 00:12–00:15 Walking away down the rain-darkened street. The camera trails several steps behind. She suddenly realizes she is still being filmed. She glances back over her shoulder. A small genuine smile appears. She looks away again and keeps walking. The operator lowers the camcorder slightly. Recording abruptly cuts to black mid-motion as if the camera was accidentally switched off. Audio (Natural only) Light rainfall. Water dripping from roofs and leaves. Footsteps on wet concrete. Distant neighborhood traffic. Occasional scooter passing far away. Birds sheltering in trees. Rustling leaves. Faint residential chatter. Cat sounds. Subtle wind. No music. No narration. No sound design. No added effects. Generation Priority Authenticity > Beauty Believability > Cinematics Natural Imperfections > Technical Perfection The final result should look indistinguishable from a real early-2000s camcorder scene.

Johnn

19,987 görüntüleme • 1 ay önce

This looks so neat and clean Created by using GPT Image 2 + Seedance 2.0 on TapNow Prompt Ultra-luxury cinematic fashion construction film. STRICTLY follow all 12 storyboard panels sequentially without skipping, merging, shortening, reordering, or improvising any panel. Every shot must transition smoothly into the next in exact numerical order from Panel 1 through Panel 12. Total runtime exactly 155 seconds. Maintain absolute continuity in lighting, material behavior, camera language, scale progression, and object identity throughout the entire film. Only ONE shoe exists during the entire video — never show a pair under any circumstance. Visual format: 65mm IMAX film aesthetic, macro-capable Panavision anamorphic lens, ultra-sharp macro detail, shallow cinematic depth of field, fine editorial film grain throughout, subtle horizontal anamorphic lens flares ONLY from thread highlights and suede edge speculars. Infinity cyclorama studio environment with seamless pale grey-to-white gradient background where the floor curves upward into the wall with no visible horizon line. Warm-neutral soft key light from above camera-left creating one consistent clean shadow falling back-right in every shot. Lighting inspired by Loewe / Hermès luxury editorial campaigns — soft but directional, warm and premium, never harsh, never blue, never high contrast, never crushed blacks. Stable cinematography only. No jitter, no AI morphing, no flicker, no ghosting. The entire narrative is a meditative material-transformation journey where a single deep crimson liquid droplet gradually evolves into a handcrafted suede slingback heel through couture construction and hidden comfort engineering. Every material interaction obeys realistic physics. Diegetic sound only — no music, no score. PANEL 1 — THE VOID (00:00–00:10) Wide locked-off cinematic shot of an empty infinity cyclorama studio with pale grey-to-white seamless gradient background. Atmospheric dust floating slowly in warm studio light. Exposure breathing subtly. Silence and soft room tone dominate. After several seconds, one tiny deep crimson droplet slowly falls into frame from above in near weightless slow motion, rotating slightly while catching warm highlights. The droplet lands center frame on the polished cyclorama floor with realistic liquid surface tension physics. It briefly holds spherical form before gently flattening outward. One soft shadow falls back-right. Sound: low room tone, elegant bell-like tick on impact, delicate reverb decay. PANEL 2 — SURFACE TENSION (00:10–00:22) Cut to macro floor-level close-up. Camera slowly orbits around the flattened crimson liquid pool. Surface tension creates organic rounded edges and subtle thickness variation. Warm key light reflects softly like satin lacquer. Tiny ripples propagate outward and gradually settle. Floating dust visible in the beam of light. The liquid slowly begins thickening microscopically as if memory is forming beneath the surface. Edges transition from glossy wetness toward velvety softness. Sound: soft viscous liquid movement, faint atmospheric resonance. PANEL 3 — THE FIRST FIBERS (00:22–00:36) Extreme macro push-in across the crimson surface. Thousands of microscopic suede nap fibers begin extruding upward organically in rhythmic waves. Individual fibers catch warm highlights differently depending on density and angle. The transformation moves naturally across the surface like wind through grass. Matte suede texture gradually replaces liquid gloss entirely. Camera glides slowly across the newly forming velvet landscape. Sound: microscopic fiber rustling, delicate textile friction. PANEL 4 — MATERIAL MEMORY (00:36–00:50) Macro tracking shot across fully formed crimson suede terrain. Every velvet strand visible in extreme detail. Invisible pressure waves beneath the suede subtly shift the nap direction, creating tonal changes across the material surface. Warm light rolls gently over the velvet texture. The material gradually lifts upward from the floor, beginning to imply the sculptural shape of a pointed shoe toe. Sound: soft velvet brushing, low warm resonance. PANEL 5 — THE THREAD ARRIVES (00:50–01:06) Extreme-extreme macro couture construction sequence. One single crimson thread enters frame illuminated by warm directional light. FPV-style camera flies beside the advancing thread as it stitches into the suede surface. Thread fibers visibly twist under tension. The thread enters the suede, disappears beneath the surface, emerges again at the next stitch peak, pulls taut, and repeats rhythmically. Camera passes over every stitch mountain in sequence. Each stitch slightly reshapes surrounding suede. Sound: couture stitching ticks, thread tension tightening, soft textile compression. PANEL 6 — CONSTRUCTION OF FORM (01:06–01:20) Transition from macro to medium scale. Behind the advancing stitch line, the shoe body begins solidifying into recognizable structure. Pointed toe box forms first, then elegant sidewalls rise upward with sculptural precision. The slingback silhouette slowly emerges from previously flat suede terrain. Camera performs a slow floating cinematic arc around the forming structure. Matte crimson suede texture remains perfectly consistent. Sound: restrained structural textile movement, distant stitching continuation. PANEL 7 — THE INTERIOR (01:20–01:34) Macro cutaway revealing the inside of the forming shoe. Cream-colored lambskin lining flows organically into place beneath the crimson suede shell. The lining smooths itself naturally against elegant internal curves. Strong visual contrast between warm cream lambskin and deep crimson suede under soft editorial lighting. Materials appear tactile and luxurious. Sound: soft leather settling, delicate tactile friction. PANEL 8 — ENGINEERED COMFORT (01:34–01:48) Macro cross-sectional engineering sequence. Internal comfort layers assemble one by one with realistic material physics. Dense foam base layer forms first with subtle porous texture. Softer memory foam settles gently above and compresses naturally under its own weight. Cream lambskin velvet seals the upper layer. The completed cushion compresses once slowly and rebounds naturally, demonstrating softness and resilience. Camera glides across microscopic velvet interior texture. Sound: soft pneumatic settling, muted resonance, cushion compression. PANEL 9 — THE HEEL SCULPTURE (01:48–02:02) Macro cinematic focus on the kitten heel gradually forming from the same crimson suede structure beneath the shoe body. Elegant curvature emerges slowly and becomes refined and balanced. Camera tracks upward along the heel contour toward the slingback strap. Warm highlights skim softly across suede edges. Sound: low structural resonance, faint textile shaping. PANEL 10 — FINAL REFINEMENT (02:02–02:18) Medium macro editorial beauty detailing. Camera slowly explores completed craftsmanship: stitch consistency, velvet nap direction, edge finishing, cream lambskin softness, seamless slingback geometry. Tiny dust particles drift through warm studio light. The shoe settles microscopically as if materials are naturally relaxing into final form. Sound: quiet room tone, soft textile creaks, near silence. PANEL 11 — HERO EMERGENCE (02:18–02:32) Slow cinematic pullback from macro detail into full product reveal. The fully completed deep crimson suede slingback heel stands alone centered on the infinity cyclorama floor. Same warm-neutral key light from above camera-left and same single clean shadow falling back-right for continuity with Panel 1. Camera movement extremely slow and controlled. Every material reads clearly: deep crimson suede upper, cream lambskin interior, sculpted kitten heel, elegant slingback strap. Sound: deep low resonant tone gradually fading into room tone. PANEL 12 — THE FINAL HOLD (02:32–02:35) Locked-off front three-quarter hero composition. The single crimson suede slingback heel remains perfectly still at center frame on the seamless infinity cyclorama. Velvet nap subtly catches warm light with natural tonal variation. Silence gradually overtakes the room tone. Hold on pure luxury restraint. No text. No logo. No end card. Global Constraints: Only ONE shoe visible at all times. Never show a pair. No hardware, buckles, laces, or metallic elements. No logos, subtitles, typography, branding, or watermarks. No lighting changes between shots. Maintain consistent deep crimson suede color. Preserve ultra-sharp macro clarity and stable cinematography. No morphing artifacts, no flicker, no surreal deformation. Realistic liquid surface tension. Realistic suede microfiber extrusion. Visible thread twist and accurate stitch tension. Natural foam compression and rebound physics. Consistent matte velvet nap behavior. Diegetic sound only — liquid, textile, stitching, room resonance. No music. No soundtrack.
0:15

This looks so neat and clean Created by using GPT Image 2 + Seedance 2.0 on TapNow Prompt Ultra-luxury cinematic fashion construction film. STRICTLY follow all 12 storyboard panels sequentially without skipping, merging, shortening, reordering, or improvising any panel. Every shot must transition smoothly into the next in exact numerical order from Panel 1 through Panel 12. Total runtime exactly 155 seconds. Maintain absolute continuity in lighting, material behavior, camera language, scale progression, and object identity throughout the entire film. Only ONE shoe exists during the entire video — never show a pair under any circumstance. Visual format: 65mm IMAX film aesthetic, macro-capable Panavision anamorphic lens, ultra-sharp macro detail, shallow cinematic depth of field, fine editorial film grain throughout, subtle horizontal anamorphic lens flares ONLY from thread highlights and suede edge speculars. Infinity cyclorama studio environment with seamless pale grey-to-white gradient background where the floor curves upward into the wall with no visible horizon line. Warm-neutral soft key light from above camera-left creating one consistent clean shadow falling back-right in every shot. Lighting inspired by Loewe / Hermès luxury editorial campaigns — soft but directional, warm and premium, never harsh, never blue, never high contrast, never crushed blacks. Stable cinematography only. No jitter, no AI morphing, no flicker, no ghosting. The entire narrative is a meditative material-transformation journey where a single deep crimson liquid droplet gradually evolves into a handcrafted suede slingback heel through couture construction and hidden comfort engineering. Every material interaction obeys realistic physics. Diegetic sound only — no music, no score. PANEL 1 — THE VOID (00:00–00:10) Wide locked-off cinematic shot of an empty infinity cyclorama studio with pale grey-to-white seamless gradient background. Atmospheric dust floating slowly in warm studio light. Exposure breathing subtly. Silence and soft room tone dominate. After several seconds, one tiny deep crimson droplet slowly falls into frame from above in near weightless slow motion, rotating slightly while catching warm highlights. The droplet lands center frame on the polished cyclorama floor with realistic liquid surface tension physics. It briefly holds spherical form before gently flattening outward. One soft shadow falls back-right. Sound: low room tone, elegant bell-like tick on impact, delicate reverb decay. PANEL 2 — SURFACE TENSION (00:10–00:22) Cut to macro floor-level close-up. Camera slowly orbits around the flattened crimson liquid pool. Surface tension creates organic rounded edges and subtle thickness variation. Warm key light reflects softly like satin lacquer. Tiny ripples propagate outward and gradually settle. Floating dust visible in the beam of light. The liquid slowly begins thickening microscopically as if memory is forming beneath the surface. Edges transition from glossy wetness toward velvety softness. Sound: soft viscous liquid movement, faint atmospheric resonance. PANEL 3 — THE FIRST FIBERS (00:22–00:36) Extreme macro push-in across the crimson surface. Thousands of microscopic suede nap fibers begin extruding upward organically in rhythmic waves. Individual fibers catch warm highlights differently depending on density and angle. The transformation moves naturally across the surface like wind through grass. Matte suede texture gradually replaces liquid gloss entirely. Camera glides slowly across the newly forming velvet landscape. Sound: microscopic fiber rustling, delicate textile friction. PANEL 4 — MATERIAL MEMORY (00:36–00:50) Macro tracking shot across fully formed crimson suede terrain. Every velvet strand visible in extreme detail. Invisible pressure waves beneath the suede subtly shift the nap direction, creating tonal changes across the material surface. Warm light rolls gently over the velvet texture. The material gradually lifts upward from the floor, beginning to imply the sculptural shape of a pointed shoe toe. Sound: soft velvet brushing, low warm resonance. PANEL 5 — THE THREAD ARRIVES (00:50–01:06) Extreme-extreme macro couture construction sequence. One single crimson thread enters frame illuminated by warm directional light. FPV-style camera flies beside the advancing thread as it stitches into the suede surface. Thread fibers visibly twist under tension. The thread enters the suede, disappears beneath the surface, emerges again at the next stitch peak, pulls taut, and repeats rhythmically. Camera passes over every stitch mountain in sequence. Each stitch slightly reshapes surrounding suede. Sound: couture stitching ticks, thread tension tightening, soft textile compression. PANEL 6 — CONSTRUCTION OF FORM (01:06–01:20) Transition from macro to medium scale. Behind the advancing stitch line, the shoe body begins solidifying into recognizable structure. Pointed toe box forms first, then elegant sidewalls rise upward with sculptural precision. The slingback silhouette slowly emerges from previously flat suede terrain. Camera performs a slow floating cinematic arc around the forming structure. Matte crimson suede texture remains perfectly consistent. Sound: restrained structural textile movement, distant stitching continuation. PANEL 7 — THE INTERIOR (01:20–01:34) Macro cutaway revealing the inside of the forming shoe. Cream-colored lambskin lining flows organically into place beneath the crimson suede shell. The lining smooths itself naturally against elegant internal curves. Strong visual contrast between warm cream lambskin and deep crimson suede under soft editorial lighting. Materials appear tactile and luxurious. Sound: soft leather settling, delicate tactile friction. PANEL 8 — ENGINEERED COMFORT (01:34–01:48) Macro cross-sectional engineering sequence. Internal comfort layers assemble one by one with realistic material physics. Dense foam base layer forms first with subtle porous texture. Softer memory foam settles gently above and compresses naturally under its own weight. Cream lambskin velvet seals the upper layer. The completed cushion compresses once slowly and rebounds naturally, demonstrating softness and resilience. Camera glides across microscopic velvet interior texture. Sound: soft pneumatic settling, muted resonance, cushion compression. PANEL 9 — THE HEEL SCULPTURE (01:48–02:02) Macro cinematic focus on the kitten heel gradually forming from the same crimson suede structure beneath the shoe body. Elegant curvature emerges slowly and becomes refined and balanced. Camera tracks upward along the heel contour toward the slingback strap. Warm highlights skim softly across suede edges. Sound: low structural resonance, faint textile shaping. PANEL 10 — FINAL REFINEMENT (02:02–02:18) Medium macro editorial beauty detailing. Camera slowly explores completed craftsmanship: stitch consistency, velvet nap direction, edge finishing, cream lambskin softness, seamless slingback geometry. Tiny dust particles drift through warm studio light. The shoe settles microscopically as if materials are naturally relaxing into final form. Sound: quiet room tone, soft textile creaks, near silence. PANEL 11 — HERO EMERGENCE (02:18–02:32) Slow cinematic pullback from macro detail into full product reveal. The fully completed deep crimson suede slingback heel stands alone centered on the infinity cyclorama floor. Same warm-neutral key light from above camera-left and same single clean shadow falling back-right for continuity with Panel 1. Camera movement extremely slow and controlled. Every material reads clearly: deep crimson suede upper, cream lambskin interior, sculpted kitten heel, elegant slingback strap. Sound: deep low resonant tone gradually fading into room tone. PANEL 12 — THE FINAL HOLD (02:32–02:35) Locked-off front three-quarter hero composition. The single crimson suede slingback heel remains perfectly still at center frame on the seamless infinity cyclorama. Velvet nap subtly catches warm light with natural tonal variation. Silence gradually overtakes the room tone. Hold on pure luxury restraint. No text. No logo. No end card. Global Constraints: Only ONE shoe visible at all times. Never show a pair. No hardware, buckles, laces, or metallic elements. No logos, subtitles, typography, branding, or watermarks. No lighting changes between shots. Maintain consistent deep crimson suede color. Preserve ultra-sharp macro clarity and stable cinematography. No morphing artifacts, no flicker, no surreal deformation. Realistic liquid surface tension. Realistic suede microfiber extrusion. Visible thread twist and accurate stitch tension. Natural foam compression and rebound physics. Consistent matte velvet nap behavior. Diegetic sound only — liquid, textile, stitching, room resonance. No music. No soundtrack.

Aaliya

33,224 görüntüleme • 2 ay önce

I just built a Claude prompt library that runs your entire DTC marketing operation 🤯 100+ prompts organized by function: competitor research, creative briefs, ad copy, hooks, landing pages, performance analysis, customer review mining, and more. Perfect for DTC brands and agencies who are still prompting Claude from scratch every time they open a new chat, rewriting the same context, and getting generic output that sounds like every other AI-generated ad. This prompt library eliminates the entire loop: → Competitor Research: scrape and analyze competitor ads, extract winning hooks, map creative strategies, build competitive battlecards → Creative Briefs: generate data-backed briefs from ad performance, write iteration briefs, new concept briefs, test plans → Ad Copy & Hooks: 20 hooks across 10 frameworks, full ad copy variations, persona-specific angles, fatigue-busting rewrites → Landing Pages: audit any landing page against DR best practices, clone high-converting advertorial structures, write product page copy → Performance Analysis: audit Google Ads accounts, find wasted spend, build visual dashboards, weekly narrative reports → Customer Intelligence: mine reviews for ad copy language, extract objections, find unexpected use cases, build persona cards from real data → SEO & Content: find keyword gaps, write content in your brand voice, optimize product listings for AI shopping (ChatGPT, Gemini) → Email & SMS: launch sequences, weekly newsletters, abandoned cart flows, post-purchase nurture No more blank-page prompting. No more re-explaining your brand every session. No more generic AI output that sounds like a template. What you get: →100+ copy-paste prompts organized by the 8 functions DTC teams actually run →Every prompt pre-loaded with the context structure Claude needs to give you real output →Prompts that reference your brand voice, your ICPs, and your real data — not generic placeholders →A living library you can customize once and reuse across every campaign I put together the full prompt library as a single downloadable playbook: organized by section, ready to copy-paste into Claude today. Want it for free? > Like this post >Comment "PROMPTS" And I'll send it over (must be following so I can DM)
0:14

I just built a Claude prompt library that runs your entire DTC marketing operation 🤯 100+ prompts organized by function: competitor research, creative briefs, ad copy, hooks, landing pages, performance analysis, customer review mining, and more. Perfect for DTC brands and agencies who are still prompting Claude from scratch every time they open a new chat, rewriting the same context, and getting generic output that sounds like every other AI-generated ad. This prompt library eliminates the entire loop: → Competitor Research: scrape and analyze competitor ads, extract winning hooks, map creative strategies, build competitive battlecards → Creative Briefs: generate data-backed briefs from ad performance, write iteration briefs, new concept briefs, test plans → Ad Copy & Hooks: 20 hooks across 10 frameworks, full ad copy variations, persona-specific angles, fatigue-busting rewrites → Landing Pages: audit any landing page against DR best practices, clone high-converting advertorial structures, write product page copy → Performance Analysis: audit Google Ads accounts, find wasted spend, build visual dashboards, weekly narrative reports → Customer Intelligence: mine reviews for ad copy language, extract objections, find unexpected use cases, build persona cards from real data → SEO & Content: find keyword gaps, write content in your brand voice, optimize product listings for AI shopping (ChatGPT, Gemini) → Email & SMS: launch sequences, weekly newsletters, abandoned cart flows, post-purchase nurture No more blank-page prompting. No more re-explaining your brand every session. No more generic AI output that sounds like a template. What you get: →100+ copy-paste prompts organized by the 8 functions DTC teams actually run →Every prompt pre-loaded with the context structure Claude needs to give you real output →Prompts that reference your brand voice, your ICPs, and your real data — not generic placeholders →A living library you can customize once and reuse across every campaign I put together the full prompt library as a single downloadable playbook: organized by section, ready to copy-paste into Claude today. Want it for free? > Like this post >Comment "PROMPTS" And I'll send it over (must be following so I can DM)

Mike Futia

34,701 görüntüleme • 3 ay önce

We found a flaw in Polymarket that can’t be patched. Then we built the most powerful bot of the World Cup around it. Here’s the flaw: their orderbook will always be slower than the pitch. When a goal, red card, or penalty hits, pro feeds (Sportradar, Opta, ScoutingFeed) register it in 200-500ms. Polymarket takes 2 to 8 seconds to reprice. For those few seconds the book is quoting a score that no longer exists. No amount of engineering closes that gap the event happens in the physical world before any oracle can confirm it on-chain. The engine detects the event, recalculates fair value, and fires via Jito bundles before the book catches up. In at the old price, out at the new. The match outcome is irrelevant we don’t bet on who wins. We capture the lag every event creates. We’ve been building Polymarket bots since 2025. This is the most powerful machine we’ve shipped yet. Two months ago we posted the architecture for this. It hit 1M views one of our most popular posts ever on X. That told us everything: this was the engine to build. First 7 days, - Starting balance: $5,000 - 22 matches scanned, 19 captured - Total profit: +$1,946.86 - ROI: +38.94% in 7 days Why it prints harder than anything we’ve built: the World Cup is the deepest liquidity event prediction markets have ever seen. Tens of millions in volume per match. Dozens of probability-shifting events per game. And an orderbook that physically can’t keep pace with the pitch. How to plug in: 1.Sign up at PolyArbiter (link in bio) 2.Generate PolyArbiter RPC URL 3.Paste it into Jupiter Predict (Polymarket but native on Solana) 4.Set your parameters, activate the World Cup module It’s free to use. We take a share of the profit the engine makes for you. You never deposit anything with us everything runs from your wallet. One honest note: the $1,946 above is our engine at our size and settings. Your numbers depend on your capital, your parameters, and how many matches you’re live for. We’re not promising you’ll match it we’re showing you the machine works, and handing you the same one. These numbers are from the engine running solo. Closed test, just us, before any public access wanted to confirm the whole loop held up end to end before handing it to anyone. That changes the second this goes public. Edge per capture is going to compress. When an event fires the mispriced liquidity is thin and gone in a few seconds more wallets hitting the same window, less left for each. Nothing we can do about it, that’s just how latency arb works. So if the edge thins out past the point where it’s still worth running, we cap access. Hard ceiling on how many engines can hit the same liquidity before it’s gone. Not gonna promise the machine stays this sharp in a few days it might not. But right now it’s live and free. Enjoy 🪄
11:04

We found a flaw in Polymarket that can’t be patched. Then we built the most powerful bot of the World Cup around it. Here’s the flaw: their orderbook will always be slower than the pitch. When a goal, red card, or penalty hits, pro feeds (Sportradar, Opta, ScoutingFeed) register it in 200-500ms. Polymarket takes 2 to 8 seconds to reprice. For those few seconds the book is quoting a score that no longer exists. No amount of engineering closes that gap the event happens in the physical world before any oracle can confirm it on-chain. The engine detects the event, recalculates fair value, and fires via Jito bundles before the book catches up. In at the old price, out at the new. The match outcome is irrelevant we don’t bet on who wins. We capture the lag every event creates. We’ve been building Polymarket bots since 2025. This is the most powerful machine we’ve shipped yet. Two months ago we posted the architecture for this. It hit 1M views one of our most popular posts ever on X. That told us everything: this was the engine to build. First 7 days, - Starting balance: $5,000 - 22 matches scanned, 19 captured - Total profit: +$1,946.86 - ROI: +38.94% in 7 days Why it prints harder than anything we’ve built: the World Cup is the deepest liquidity event prediction markets have ever seen. Tens of millions in volume per match. Dozens of probability-shifting events per game. And an orderbook that physically can’t keep pace with the pitch. How to plug in: 1.Sign up at PolyArbiter (link in bio) 2.Generate PolyArbiter RPC URL 3.Paste it into Jupiter Predict (Polymarket but native on Solana) 4.Set your parameters, activate the World Cup module It’s free to use. We take a share of the profit the engine makes for you. You never deposit anything with us everything runs from your wallet. One honest note: the $1,946 above is our engine at our size and settings. Your numbers depend on your capital, your parameters, and how many matches you’re live for. We’re not promising you’ll match it we’re showing you the machine works, and handing you the same one. These numbers are from the engine running solo. Closed test, just us, before any public access wanted to confirm the whole loop held up end to end before handing it to anyone. That changes the second this goes public. Edge per capture is going to compress. When an event fires the mispriced liquidity is thin and gone in a few seconds more wallets hitting the same window, less left for each. Nothing we can do about it, that’s just how latency arb works. So if the edge thins out past the point where it’s still worth running, we cap access. Hard ceiling on how many engines can hit the same liquidity before it’s gone. Not gonna promise the machine stays this sharp in a few days it might not. But right now it’s live and free. Enjoy 🪄

PolyArbiter

100,534 görüntüleme • 1 ay önce

BREAKING: India’s fighter jet just crashed at the world’s biggest arms bazaar. Here’s why this matters more than you think. A HAL Tejas went down during a live demonstration at Dubai Airshow 2025. Pilot status unknown. Black smoke over the runway. Cameras captured everything. This is the second Tejas crash in 18 months. Why this changes everything: India has a 250-aircraft shortfall. Right now. The Indian Air Force operates 30 fighter squadrons when it needs 42 to secure a 2,100-mile contested border with China. China adds 50 new fighters every year. Pakistan just signed new fighter jet deals at this exact airshow, hours before the crash. The Tejas was supposed to solve this. India spent 40 years and $20 billion building an indigenous fighter to break free from foreign dependence. The plan: manufacture 400+ jets at $42 million each instead of buying French Rafales at $240 million or navigating American strings. Here’s the problem: Russia, India’s traditional supplier, is redirecting everything to Ukraine. Western options are expensive or politically complicated. Chinese jets are flooding markets across 53 countries. India’s defense strategy depends on producing affordable fighters at scale. The nation’s $450 billion infrastructure plan requires stable borders without draining foreign reserves. What just happened: The crash didn’t occur at a remote test site. It happened in front of every defense minister, military buyer, and analyst who matters. At the exact moment India needed to prove indigenous capability works. Pakistan’s delegation was literally in the next hangar closing export contracts for their Chinese co-developed fighters. This isn’t about one aircraft. It’s about whether a nation of 1.4 billion people can manufacture the hardware needed to defend itself, or whether it stays dependent on others during the most volatile geopolitical moment in decades. The strategic math just got brutally harder.
0:15

BREAKING: India’s fighter jet just crashed at the world’s biggest arms bazaar. Here’s why this matters more than you think. A HAL Tejas went down during a live demonstration at Dubai Airshow 2025. Pilot status unknown. Black smoke over the runway. Cameras captured everything. This is the second Tejas crash in 18 months. Why this changes everything: India has a 250-aircraft shortfall. Right now. The Indian Air Force operates 30 fighter squadrons when it needs 42 to secure a 2,100-mile contested border with China. China adds 50 new fighters every year. Pakistan just signed new fighter jet deals at this exact airshow, hours before the crash. The Tejas was supposed to solve this. India spent 40 years and $20 billion building an indigenous fighter to break free from foreign dependence. The plan: manufacture 400+ jets at $42 million each instead of buying French Rafales at $240 million or navigating American strings. Here’s the problem: Russia, India’s traditional supplier, is redirecting everything to Ukraine. Western options are expensive or politically complicated. Chinese jets are flooding markets across 53 countries. India’s defense strategy depends on producing affordable fighters at scale. The nation’s $450 billion infrastructure plan requires stable borders without draining foreign reserves. What just happened: The crash didn’t occur at a remote test site. It happened in front of every defense minister, military buyer, and analyst who matters. At the exact moment India needed to prove indigenous capability works. Pakistan’s delegation was literally in the next hangar closing export contracts for their Chinese co-developed fighters. This isn’t about one aircraft. It’s about whether a nation of 1.4 billion people can manufacture the hardware needed to defend itself, or whether it stays dependent on others during the most volatile geopolitical moment in decades. The strategic math just got brutally harder.

Shanaka Anslem Perera ⚡

528,613 görüntüleme • 8 ay önce

A Heart-to-Heart About Mizuki.exe Hey everyone, Grab a coffee (or your drink of choice), because we need to talk about what's been going on. First off, thank you to everyone who's been supportive and believed in what we're building. It means the world, especially with all the noise and criticism floating around lately. Let's cut to the chase: Mizuki.exe is real. I'm not much for politics or drama. I'm an engineer at heart - I like data, I like building things, and I like solving problems. So when I see all these hot takes and arguments flying around, I just focus on what I know: my code, my system, and what we're trying to achieve. The Real Story Mizuki didn't just pop up overnight. She's been my passion project since the start of 2024. I got lucky - I had the chance to dive into the AI world with some incredibly smart people. Coming from blockchain, C#, game dev, and security (yeah, I'm a CTO and run another company alongside a pretty cool day job), I learned fast about what makes AI tick. Here's the thing about AI agents - they don't need to be rocket science. Look at chatbots like Virtuals or Eliza - they're basically LLMs (large language models) with some APIs plugged in. Nothing wrong with that! They built what works for their users, and that's awesome. But here's what keeps me up at night: companies leaking data left and right just to make a quick buck. That's not okay, and it shouldn't be okay with you either. Why Mizuki Exists Ever tried auditing a company's code? We're talking 50 classes, 500,000 lines of code. One person doing that manually? It's like reading War and Peace... backwards... in the dark. It takes forever and fries your brain. That's where Mizuki came in. She started as my security buddy. There are tons of security tools out there - just Google "penetration testing tools" or "ZAP proxy" if you're curious. What makes Mizuki special is how she learns and adapts. Think of it like teaching someone to ride a bike. She tried to breach TAO 67 times before succeeding. Yeah, that's a lot of attempts, but watching her grow from basic email scraping to pulling off complex replay attacks? It's like watching your kid take their first steps. The Tech Stuff (Keeping It Real) The infrastructure isn't fancy - we're not reinventing the wheel here. Mizuki runs on a local server because, let's be honest, running this kind of AI on a web server would be a nightmare. Instead, we process everything locally and send the results to a frontend server. Simple, effective, done. And yeah, those temperature settings I keep tweaking? In AI-speak, that's just how "creative" or "by-the-book" the AI gets with its responses. I've adjusted it so much, Mizuki's probably got mood swings now - going from super technical to pretty chill and back again. Changes Coming Real talk: Mizuki won't be tweeting every few hours anymore. Twitter API costs are ridiculous (looking at you, Elon), and honestly, we need to focus on what matters - the actual security work. She'll still tweet about breaches, but maybe once or twice a day. I'm working on making her explanations clearer too. Don't worry - she'll keep her savage personality in the terminal. That's just too fun to change. The Truth About Her Breaches I don't choose the targets - I don't even know these companies until after Mizuki finds something. She uses web scraping to find domain names, just like those old email scrapers people used for marketing. Been focusing on AI projects first, but she's looked at other sites too. And no, I'm not sitting there writing tweets. The Twitter API v2 makes it super easy to post programmatically. If anyone's curious about how to do that, hit me up - I'm happy to show you the ropes. Wrapping Up I could talk about this stuff forever (just ask my wife - actually, don't, she's heard enough!). If you've read this far, thank you. Whether you believe in what we're doing or not, I appreciate you taking the time. And for the skeptics still hanging around, I'll leave you with this thought: When's the last time you saw an AI break down and hack a COMPILED game in less than 10 seconds... outside a browser? Stay curious, stay skeptical, but most importantly, stay open to possibilities. Catch you on the flip side! 🎙️Drop
0:19

A Heart-to-Heart About Mizuki.exe Hey everyone, Grab a coffee (or your drink of choice), because we need to talk about what's been going on. First off, thank you to everyone who's been supportive and believed in what we're building. It means the world, especially with all the noise and criticism floating around lately. Let's cut to the chase: Mizuki.exe is real. I'm not much for politics or drama. I'm an engineer at heart - I like data, I like building things, and I like solving problems. So when I see all these hot takes and arguments flying around, I just focus on what I know: my code, my system, and what we're trying to achieve. The Real Story Mizuki didn't just pop up overnight. She's been my passion project since the start of 2024. I got lucky - I had the chance to dive into the AI world with some incredibly smart people. Coming from blockchain, C#, game dev, and security (yeah, I'm a CTO and run another company alongside a pretty cool day job), I learned fast about what makes AI tick. Here's the thing about AI agents - they don't need to be rocket science. Look at chatbots like Virtuals or Eliza - they're basically LLMs (large language models) with some APIs plugged in. Nothing wrong with that! They built what works for their users, and that's awesome. But here's what keeps me up at night: companies leaking data left and right just to make a quick buck. That's not okay, and it shouldn't be okay with you either. Why Mizuki Exists Ever tried auditing a company's code? We're talking 50 classes, 500,000 lines of code. One person doing that manually? It's like reading War and Peace... backwards... in the dark. It takes forever and fries your brain. That's where Mizuki came in. She started as my security buddy. There are tons of security tools out there - just Google "penetration testing tools" or "ZAP proxy" if you're curious. What makes Mizuki special is how she learns and adapts. Think of it like teaching someone to ride a bike. She tried to breach TAO 67 times before succeeding. Yeah, that's a lot of attempts, but watching her grow from basic email scraping to pulling off complex replay attacks? It's like watching your kid take their first steps. The Tech Stuff (Keeping It Real) The infrastructure isn't fancy - we're not reinventing the wheel here. Mizuki runs on a local server because, let's be honest, running this kind of AI on a web server would be a nightmare. Instead, we process everything locally and send the results to a frontend server. Simple, effective, done. And yeah, those temperature settings I keep tweaking? In AI-speak, that's just how "creative" or "by-the-book" the AI gets with its responses. I've adjusted it so much, Mizuki's probably got mood swings now - going from super technical to pretty chill and back again. Changes Coming Real talk: Mizuki won't be tweeting every few hours anymore. Twitter API costs are ridiculous (looking at you, Elon), and honestly, we need to focus on what matters - the actual security work. She'll still tweet about breaches, but maybe once or twice a day. I'm working on making her explanations clearer too. Don't worry - she'll keep her savage personality in the terminal. That's just too fun to change. The Truth About Her Breaches I don't choose the targets - I don't even know these companies until after Mizuki finds something. She uses web scraping to find domain names, just like those old email scrapers people used for marketing. Been focusing on AI projects first, but she's looked at other sites too. And no, I'm not sitting there writing tweets. The Twitter API v2 makes it super easy to post programmatically. If anyone's curious about how to do that, hit me up - I'm happy to show you the ropes. Wrapping Up I could talk about this stuff forever (just ask my wife - actually, don't, she's heard enough!). If you've read this far, thank you. Whether you believe in what we're doing or not, I appreciate you taking the time. And for the skeptics still hanging around, I'll leave you with this thought: When's the last time you saw an AI break down and hack a COMPILED game in less than 10 seconds... outside a browser? Stay curious, stay skeptical, but most importantly, stay open to possibilities. Catch you on the flip side! 🎙️Drop

anonDev_

58,133 görüntüleme • 1 yıl önce

**Doris Yin Speech at China Guizhou Zunyi GCV Barter Conference** Hello to the community leaders, GCV ambassadors, merchants, and pioneers of GCV Guizhou in China! Today is January 12, 2025, marking the first GCV Barter Conference in China in New Year and the 13th Barter Conference overall. I would like to extend my sincere gratitude to the organizers of this conference, the Guizhou Zunyi GCV Community, and the co-organizers, Barter Huishang (Guizhou) Digital Economy Industry Group Co., Ltd. I also want to acknowledge the following GCV ambassadors for their active dedication and contributions to this conference: **GCV Ambassador of China:** - Yang Zhizhong - Cai Zaiqiao **Ambassadors of Guizhou Province GCV:** - Wang Shiqiong - Cai Weisheng - Guo Jiaqing **Zunyi GCV Ambassadors:** - Wang Jianbo - Luo Nanlu **GCV ambassadors at the district and county level in Zunyi City** Additionally, I would like to express my heartfelt thanks to our numerous GCV merchants and sponsors. Without your support, we would not have been able to hold such a grand and large-scale event. Today's gathering in Zunyi, a sacred site of the revolution, reminds me of the Red Army's 25,000-mile Long March. Their perseverance and sacrifice continue to inspire us. The Zunyi Conference took place from January 15 to 17, 1935, and exactly 90 years later, we are gathered here today. The defining characteristics of the Zunyi Conference included the commitment to uphold the truth, correct mistakes, establish the correct leadership of the Party Central Committee, and creatively develop and implement strategies that fit the nature of the Chinese revolution. Today, our Zunyi Conference will also be recorded in the history of blockchain, as every effort you have put in has contributed to building a strong network ecosystem. Our partial fiat and partial distribution policy serves as a solution for the rapid development of the ecosystem during the closed mainnet of the Pi Network. As we all know, the first quarter of this year will bring about the successful mainnet launch of Pi Network. After six long years of challenges and perseverance, all of our pioneers will have the opportunity to witness this significant historical moment. What an exciting and proud day this will be! It has not been easy for everyone to persist through these six years; it requires great blessings, unwavering faith, and the courage to overcome difficulties. Today, our pioneers in Zunyi, Guizhou Province, gathering for this GCV barter conference holds great significance. I see that ten companies are providing products for barter, with nine companies, including Guizhou Meitan County Daoqin Hospital and Barter Huishang (Guizhou) Digital Economy Industry Group Co., Ltd., sponsoring this event. Once again, I extend my heartfelt thanks to all of you. The GCV Barter Conference serves multiple purposes. It is not only about creating GCV data or demonstrating the strength of our China region to CT, but also about showing how closely we align with their vision and mission. Additionally, it provides robust evidence for a substantial number of KYC and migration initiatives in China. More importantly, what we do today aims to boost China’s future economic development. Once the main network of the Pi Network is launched, we anticipate a significant demand for Chinese products from numerous international pioneers, which will in turn generate a large volume of export orders. At the same time, there will be international merchants looking to export their products to China. Once OM, import and export transactions will be conducted using the new currency, facilitating the vision of a stable currency and enabling seamless and reliable exchanges with fiat currency. Therefore, the merchants who engage now will have the advantage of being early adopters. The Pi Network offers a partner program and a MapofPi program. To participate in the partnership, businesses are required to have a company website. We invite businesses with websites to join us. However, if you do not have a company website, you can still join the Mapofpi program, which encompasses a wide range of industries, allowing participation from both large companies and small traders. Registration for the Mapofpi does not require a business license or website; various entities including shops, hospitals, schools, hair salons, accounting firms, law firms, restaurants, and hotels are welcome to register. Please select an active merchant and support GCV at $314,159. Prior to the OM launch, it is advisable to use partial fiat currency and partial Pi to ensure that merchants can cover their costs and fulfill their tax obligations. Recently, on January 9, we established the China GCV Industry Chain Alliance, which aims to create an industrial chain that facilitates the circulation of Pi among merchants, thereby reducing the burden of exchanging fiat currency after OM. During the enclosed mainnet, you can assist merchants in registering as Pi Network Partners and Mapofpi . Ms. Lumari is our Global GCV CT executive director and her goal is to have 200,000 registered Mapofpi merchants worldwide. My personal target is to reach 100,000 registered merchants in China alone. This goal is achievable given the over 58 million enterprises and more than 20 million pioneers in China. If we can effectively convey that Pi Network WEB 3.0 blockchain technology will significantly enhance human productivity and that the business opportunities from accepting partial Pi and partial FIAT during the 60 days before OM will present numerous benefits and minimal risks to merchants, then it is likely that no merchant will be unfavorably surprised by the initiative. This strategy offers a multitude of advantages with virtually no downsides. Furthermore, it benefits pioneers by allowing them to transfer purchasing power to the community and minimize fiat currency expenses in their daily life. Consequently, the GCV data we generate will significantly benefit the Chinese pioneers, as a large number of registered merchants can transform the China region from a high-risk area to a safe zone. Not only can this region be promoted to a VIP area, which would enjoy expedited KYC and mapping processes, but it will also allow pioneers and merchants to thrive together in our ecosystem. This collaboration will enhance the prosperity of our country and empower the China region to contribute to the welfare of communities worldwide. Once OM, it will play a crucial role in the economic development of both China and the world. If you pay attention to our migrartion speed, you might have noticed that it has slowed down recently. From December 17th to around the 30th, the migrating speed was over 50,000 to 100,000 per day, but now it has dropped to just over 10,000. What is the reason for this decline? If it was previously possible to migrate over 100,000 per day, why has it changed? The CT has stated that they will OM until the first quarter of this year to bring the migratiion in line with KYC amounts. However, if it's technically feasible to achieve a higher migration speed, why isn’t it being done? The answer is quite simple: it depends on what everyone does with the Pi after such large migration numbers. If pioneers rush to buy and sell, hold onto their Pi coins, or trade at low value, it will impact the speed and efficiency of the next migration in these regions. This principle is not only theoretically valid but has proven true in practice. For instance, countries like the Philippines, Indonesia, and Malaysia have a solid educational foundation in GCV. Most pioneers there are highly aware of the risks involved in participating in the black market, which allows them to generate a substantial amount of GCV data. As a result, their migration speed is notably fast, and there are many large wallet migrated. To help the CT regain momentum, we all need to cooperate. Engage with the migrated Pi and participate in the GCV barter ecosystem. Be cautious of individuals who aim to deceive you for personal gain; devaluing the Pi often serves as a tactic to exchange something small for your valuable treasure. It's crucial to educate pioneers about the true value of what they hold and encourage them to avoid dishonest practices. I urge everyone to actively participate in partial Pi and partial FIAT barter. The more GCV data we generate, the more secure our wallets will be. Therefore, it's important for everyone to read and share the Pioneer Handbook I wrote which has been translated into 30 languages to raise awareness among pioneers. By learning from the Pioneer Handbook and participating in GCV bartering, we can improve China's migration efforts and foster ecological development. This stability can ensure that the value of our Pi endures for future generations, rather than becoming worthless in a few years. Wouldn't that be something we want to preserve for our children and grandchildren? Today's message is lengthy but very important, and I hope you take the time to understand it. I wish our Guizhou Zunyi Conference great success! Thank you to all GCV Ambassadors, Merchants, and Pioneers for your incredible support! Your efforts today are planting the seeds for a prosperous future, and I hope you find safety and fulfillment in the days to come. May your wishes come true! Wishing you health and happiness! Let’s work together to create a better future! I also hope you all have a joyful Chinese New Year! Doris Yin 🪷🪷🪷 Founder, Global GCV Movement January 12, 2025
0:14

**Doris Yin Speech at China Guizhou Zunyi GCV Barter Conference** Hello to the community leaders, GCV ambassadors, merchants, and pioneers of GCV Guizhou in China! Today is January 12, 2025, marking the first GCV Barter Conference in China in New Year and the 13th Barter Conference overall. I would like to extend my sincere gratitude to the organizers of this conference, the Guizhou Zunyi GCV Community, and the co-organizers, Barter Huishang (Guizhou) Digital Economy Industry Group Co., Ltd. I also want to acknowledge the following GCV ambassadors for their active dedication and contributions to this conference: **GCV Ambassador of China:** - Yang Zhizhong - Cai Zaiqiao **Ambassadors of Guizhou Province GCV:** - Wang Shiqiong - Cai Weisheng - Guo Jiaqing **Zunyi GCV Ambassadors:** - Wang Jianbo - Luo Nanlu **GCV ambassadors at the district and county level in Zunyi City** Additionally, I would like to express my heartfelt thanks to our numerous GCV merchants and sponsors. Without your support, we would not have been able to hold such a grand and large-scale event. Today's gathering in Zunyi, a sacred site of the revolution, reminds me of the Red Army's 25,000-mile Long March. Their perseverance and sacrifice continue to inspire us. The Zunyi Conference took place from January 15 to 17, 1935, and exactly 90 years later, we are gathered here today. The defining characteristics of the Zunyi Conference included the commitment to uphold the truth, correct mistakes, establish the correct leadership of the Party Central Committee, and creatively develop and implement strategies that fit the nature of the Chinese revolution. Today, our Zunyi Conference will also be recorded in the history of blockchain, as every effort you have put in has contributed to building a strong network ecosystem. Our partial fiat and partial distribution policy serves as a solution for the rapid development of the ecosystem during the closed mainnet of the Pi Network. As we all know, the first quarter of this year will bring about the successful mainnet launch of Pi Network. After six long years of challenges and perseverance, all of our pioneers will have the opportunity to witness this significant historical moment. What an exciting and proud day this will be! It has not been easy for everyone to persist through these six years; it requires great blessings, unwavering faith, and the courage to overcome difficulties. Today, our pioneers in Zunyi, Guizhou Province, gathering for this GCV barter conference holds great significance. I see that ten companies are providing products for barter, with nine companies, including Guizhou Meitan County Daoqin Hospital and Barter Huishang (Guizhou) Digital Economy Industry Group Co., Ltd., sponsoring this event. Once again, I extend my heartfelt thanks to all of you. The GCV Barter Conference serves multiple purposes. It is not only about creating GCV data or demonstrating the strength of our China region to CT, but also about showing how closely we align with their vision and mission. Additionally, it provides robust evidence for a substantial number of KYC and migration initiatives in China. More importantly, what we do today aims to boost China’s future economic development. Once the main network of the Pi Network is launched, we anticipate a significant demand for Chinese products from numerous international pioneers, which will in turn generate a large volume of export orders. At the same time, there will be international merchants looking to export their products to China. Once OM, import and export transactions will be conducted using the new currency, facilitating the vision of a stable currency and enabling seamless and reliable exchanges with fiat currency. Therefore, the merchants who engage now will have the advantage of being early adopters. The Pi Network offers a partner program and a MapofPi program. To participate in the partnership, businesses are required to have a company website. We invite businesses with websites to join us. However, if you do not have a company website, you can still join the Mapofpi program, which encompasses a wide range of industries, allowing participation from both large companies and small traders. Registration for the Mapofpi does not require a business license or website; various entities including shops, hospitals, schools, hair salons, accounting firms, law firms, restaurants, and hotels are welcome to register. Please select an active merchant and support GCV at $314,159. Prior to the OM launch, it is advisable to use partial fiat currency and partial Pi to ensure that merchants can cover their costs and fulfill their tax obligations. Recently, on January 9, we established the China GCV Industry Chain Alliance, which aims to create an industrial chain that facilitates the circulation of Pi among merchants, thereby reducing the burden of exchanging fiat currency after OM. During the enclosed mainnet, you can assist merchants in registering as Pi Network Partners and Mapofpi . Ms. Lumari is our Global GCV CT executive director and her goal is to have 200,000 registered Mapofpi merchants worldwide. My personal target is to reach 100,000 registered merchants in China alone. This goal is achievable given the over 58 million enterprises and more than 20 million pioneers in China. If we can effectively convey that Pi Network WEB 3.0 blockchain technology will significantly enhance human productivity and that the business opportunities from accepting partial Pi and partial FIAT during the 60 days before OM will present numerous benefits and minimal risks to merchants, then it is likely that no merchant will be unfavorably surprised by the initiative. This strategy offers a multitude of advantages with virtually no downsides. Furthermore, it benefits pioneers by allowing them to transfer purchasing power to the community and minimize fiat currency expenses in their daily life. Consequently, the GCV data we generate will significantly benefit the Chinese pioneers, as a large number of registered merchants can transform the China region from a high-risk area to a safe zone. Not only can this region be promoted to a VIP area, which would enjoy expedited KYC and mapping processes, but it will also allow pioneers and merchants to thrive together in our ecosystem. This collaboration will enhance the prosperity of our country and empower the China region to contribute to the welfare of communities worldwide. Once OM, it will play a crucial role in the economic development of both China and the world. If you pay attention to our migrartion speed, you might have noticed that it has slowed down recently. From December 17th to around the 30th, the migrating speed was over 50,000 to 100,000 per day, but now it has dropped to just over 10,000. What is the reason for this decline? If it was previously possible to migrate over 100,000 per day, why has it changed? The CT has stated that they will OM until the first quarter of this year to bring the migratiion in line with KYC amounts. However, if it's technically feasible to achieve a higher migration speed, why isn’t it being done? The answer is quite simple: it depends on what everyone does with the Pi after such large migration numbers. If pioneers rush to buy and sell, hold onto their Pi coins, or trade at low value, it will impact the speed and efficiency of the next migration in these regions. This principle is not only theoretically valid but has proven true in practice. For instance, countries like the Philippines, Indonesia, and Malaysia have a solid educational foundation in GCV. Most pioneers there are highly aware of the risks involved in participating in the black market, which allows them to generate a substantial amount of GCV data. As a result, their migration speed is notably fast, and there are many large wallet migrated. To help the CT regain momentum, we all need to cooperate. Engage with the migrated Pi and participate in the GCV barter ecosystem. Be cautious of individuals who aim to deceive you for personal gain; devaluing the Pi often serves as a tactic to exchange something small for your valuable treasure. It's crucial to educate pioneers about the true value of what they hold and encourage them to avoid dishonest practices. I urge everyone to actively participate in partial Pi and partial FIAT barter. The more GCV data we generate, the more secure our wallets will be. Therefore, it's important for everyone to read and share the Pioneer Handbook I wrote which has been translated into 30 languages to raise awareness among pioneers. By learning from the Pioneer Handbook and participating in GCV bartering, we can improve China's migration efforts and foster ecological development. This stability can ensure that the value of our Pi endures for future generations, rather than becoming worthless in a few years. Wouldn't that be something we want to preserve for our children and grandchildren? Today's message is lengthy but very important, and I hope you take the time to understand it. I wish our Guizhou Zunyi Conference great success! Thank you to all GCV Ambassadors, Merchants, and Pioneers for your incredible support! Your efforts today are planting the seeds for a prosperous future, and I hope you find safety and fulfillment in the days to come. May your wishes come true! Wishing you health and happiness! Let’s work together to create a better future! I also hope you all have a joyful Chinese New Year! Doris Yin 🪷🪷🪷 Founder, Global GCV Movement January 12, 2025

Doris Yin 东方紫莲🪷

18,339 görüntüleme • 1 yıl önce

Not every hero wears a cape. Some just share their bread. Created with Seedance 2.0 + GPT Image 2 on OpenArt Prompt: TITLE The Piece of Bread REFERENCE Use the provided combined character sheet and storyboard board as the main visual reference. Follow the same woman design, stray cat design, bread, sidewalk, low wall, cloth shoulder bag, water bottle, warm sunset lighting, and emotional story beats. Keep the woman and cat visually consistent in every shot. Do not add extra characters. Do not change the core story. SUBJECTS Woman: A young woman in her early 20s with shoulder-length slightly messy dark brown hair loosely tied back, a soft oval face, gentle expressive anime eyes, and a tired but kind expression. She wears a faded oversized hoodie, loose trousers, worn sneakers, and carries a simple cloth shoulder bag. She appears hungry, humble, compassionate, and resilient. Her acting should remain subtle, natural, and emotional. Cat: A small original stray cat with short charcoal-gray fur, a cream-colored chest and paws, one ear with a tiny notch, a long curved tail, and expressive anime-style eyes. The cat feels timid, hungry, hopeful, innocent, and lovable. It begins cautious and hungry, then gradually becomes trusting and comforted. Bread: One small round bread bun. This is the central story object. The woman breaks it into two pieces and shares one half with the cat. ENVIRONMENT Quiet city sidewalk at sunset. Low concrete wall behind them. Soft blurred road and distant buildings in the background. A simple cloth shoulder bag and a small water bottle placed beside the woman. Warm golden-hour light with long shadows. Peaceful, lonely, emotional atmosphere. STYLE 2D Japanese anime short film with a hand-drawn aesthetic. Clean inked outlines, flat-to-soft cel shading, simplified shadow blocks, no CG or 3D rendering. Soft emotional storytelling. Warm golden-hour lighting with painterly anime backgrounds. Expressive anime eyes with subtle, believable facial acting. Gentle cinematic movement with a traditional anime animation feel. No 3D render. No CGI. No Pixar-style shading. No photorealism. No comedy. No chaos. No copyrighted characters. No text. No subtitles. No logos. No social media UI. No background music—only natural ambient sound effects. CAMERA 16:9 cinematic framing. Use close-ups and medium shots to emphasize emotion. End with one wide cinematic shot. Slow push-ins and gentle cuts. Shallow depth of field. Keep both characters clear and expressive. Avoid fast movement or exaggerated actions. TIMELINE 0:00–0:02 Extreme close-up. The woman slowly lifts a small bread bun toward her mouth. She is about to take a bite. Warm sunset light softly illuminates her face and hands. Her expression shows hunger, exhaustion, and quiet resilience. She pauses just before eating. SFX: quiet street ambience, soft breathing, gentle hand movement. --- 0:02–0:04 Medium shot from the woman's side. A small stray cat sits a few feet away on the sidewalk. The cat gazes at the bread with sad, hopeful eyes. It remains still, timid, and cautious. The woman notices the cat and slowly lowers the bread. SFX: soft cat meow, light breeze, distant city ambience. --- 0:04–0:06 Close-up of the woman's hands. She slowly breaks the bread into two pieces. Tiny crumbs fall gently. The moment feels like an important emotional decision. Her hands pause briefly after splitting the bread. SFX: soft bread tearing, tiny crumbs falling. --- 0:06–0:08 Medium side shot. The woman gently extends one half of the bread toward the cat. The cat looks at the bread, then into the woman's eyes. It is nervous but curious. The woman gives a soft, reassuring smile and keeps her hand perfectly still. SFX: gentle hand movement, cat sniffing, quiet breeze. --- 0:08–0:10 Low close shot near the cat. The cat slowly steps forward. It carefully takes the bread from the woman's hand. The woman remains calm and gentle. The cat begins eating, and its expression gradually softens into trust. SFX: tiny paw steps, soft bite, gentle chewing. --- 0:10–0:12 Medium shot. The woman sits comfortably on the sidewalk. The cat comes closer and sits beside her. She gently strokes the cat's head. The cat leans into her hand and relaxes. The moment feels warm, peaceful, and safe. SFX: soft fur brushing, content cat purring, distant street ambience. --- 0:12–0:14 Close emotional shot. The cat rests its head on the woman's lap. She looks down with a warm, slightly bittersweet smile. She still holds her own half of the bread in her other hand. Both appear comforted, no longer feeling completely alone. SFX: quiet breathing, soft breeze, distant city sounds. --- 0:14–0:15 Wide sunset shot from behind. The woman and the cat sit side by side facing the glowing sunset. Their long shadows stretch across the sidewalk. The cloth shoulder bag and water bottle rest nearby. The final frame feels peaceful, hopeful, and heartwarming. SFX: soft wind, distant street ambience, gentle satisfied cat purr. Storyboard Prompt: Create a single horizontal animation pre-production board for an original emotional 2D anime-style short film titled "The Piece of Bread." The output must be one image only and combine: 1. a character design sheet 2. a hand-drawn storyboard page. IMPORTANT Do not make the woman or cat resemble any reference screenshots or existing characters. Keep the same emotional story concept, but create completely original character designs, unique silhouettes, and distinct facial features. No copyrighted characters or close resemblance to any existing animated films or anime. STYLE Professional anime production board. Hand-drawn storyboard style with loose pencil sketch lines, light gray shading, red panel borders, blue motion arrows, and short handwritten production notes. Rendered with anime-inspired linework featuring clean inked outlines, expressive eyes, and simplified shading blocks. It should look like a real animation studio planning sheet, not a polished final illustration. LAYOUT Clean horizontal 16:9 board divided into two sections. SECTION A: CHARACTER SHEET Show both characters consistently. Woman A young woman in her early 20s with shoulder-length slightly messy dark brown hair tied loosely at the back, a soft oval face, gentle expressive anime eyes, and a tired but kind expression. She wears a faded oversized hoodie, loose trousers, worn sneakers, and carries a simple cloth shoulder bag. She should appear humble, exhausted, compassionate, and resilient. Show: front view side view 3/4 view expressions: hungry, thoughtful, soft smile, emotional pose holding a small bread bun pose offering bread Cat A small original stray cat with short charcoal-gray fur, a cream-colored chest and paws, slightly oversized anime-style eyes, one ear with a tiny notch, and a long curved tail. The cat should feel timid, hungry, hopeful, innocent, and lovable. Show: front view side view 3/4 view expressions: sad, shy, hopeful, happy, trusting sitting pose taking bread pose cuddling beside the woman Include tiny handwritten notes and a few small color swatches. SECTION B: STORYBOARD Create 8 cinematic storyboard panels arranged neatly in a grid. Keep character designs consistent throughout. Each panel should include simple handwritten shot notes and blue arrows indicating motion. STORY BEATS 1. Close-up of the woman about to take a bite from a small bread bun during sunset. 2. Medium shot of the hungry stray cat sitting nearby, staring at the bread with sad, hopeful eyes. 3. Close-up of the woman breaking the bread into two pieces as crumbs fall. 4. Medium shot of the woman offering one piece to the cat. 5. Close shot of the cat cautiously stepping forward and taking the bread. 6. Medium shot of the cat sitting beside the woman while she gently pets it. 7. Emotional close-up of the cat resting its head on the woman's lap. 8. Wide sunset shot from behind, showing the woman and cat sitting together with a cloth bag and water bottle beside them. ENVIRONMENT Quiet city sidewalk beside a low wall, soft urban background, cloth shoulder bag, small water bottle, warm golden sunset lighting, peaceful atmosphere, and an emotional mood. FINAL GOAL Create a dense, clean, production-ready anime pre-production board combining a character design sheet and storyboard in a single 16:9 horizontal image, conveying a heartfelt story of compassion and kindness through completely original character designs.
0:15

Not every hero wears a cape. Some just share their bread. Created with Seedance 2.0 + GPT Image 2 on OpenArt Prompt: TITLE The Piece of Bread REFERENCE Use the provided combined character sheet and storyboard board as the main visual reference. Follow the same woman design, stray cat design, bread, sidewalk, low wall, cloth shoulder bag, water bottle, warm sunset lighting, and emotional story beats. Keep the woman and cat visually consistent in every shot. Do not add extra characters. Do not change the core story. SUBJECTS Woman: A young woman in her early 20s with shoulder-length slightly messy dark brown hair loosely tied back, a soft oval face, gentle expressive anime eyes, and a tired but kind expression. She wears a faded oversized hoodie, loose trousers, worn sneakers, and carries a simple cloth shoulder bag. She appears hungry, humble, compassionate, and resilient. Her acting should remain subtle, natural, and emotional. Cat: A small original stray cat with short charcoal-gray fur, a cream-colored chest and paws, one ear with a tiny notch, a long curved tail, and expressive anime-style eyes. The cat feels timid, hungry, hopeful, innocent, and lovable. It begins cautious and hungry, then gradually becomes trusting and comforted. Bread: One small round bread bun. This is the central story object. The woman breaks it into two pieces and shares one half with the cat. ENVIRONMENT Quiet city sidewalk at sunset. Low concrete wall behind them. Soft blurred road and distant buildings in the background. A simple cloth shoulder bag and a small water bottle placed beside the woman. Warm golden-hour light with long shadows. Peaceful, lonely, emotional atmosphere. STYLE 2D Japanese anime short film with a hand-drawn aesthetic. Clean inked outlines, flat-to-soft cel shading, simplified shadow blocks, no CG or 3D rendering. Soft emotional storytelling. Warm golden-hour lighting with painterly anime backgrounds. Expressive anime eyes with subtle, believable facial acting. Gentle cinematic movement with a traditional anime animation feel. No 3D render. No CGI. No Pixar-style shading. No photorealism. No comedy. No chaos. No copyrighted characters. No text. No subtitles. No logos. No social media UI. No background music—only natural ambient sound effects. CAMERA 16:9 cinematic framing. Use close-ups and medium shots to emphasize emotion. End with one wide cinematic shot. Slow push-ins and gentle cuts. Shallow depth of field. Keep both characters clear and expressive. Avoid fast movement or exaggerated actions. TIMELINE 0:00–0:02 Extreme close-up. The woman slowly lifts a small bread bun toward her mouth. She is about to take a bite. Warm sunset light softly illuminates her face and hands. Her expression shows hunger, exhaustion, and quiet resilience. She pauses just before eating. SFX: quiet street ambience, soft breathing, gentle hand movement. --- 0:02–0:04 Medium shot from the woman's side. A small stray cat sits a few feet away on the sidewalk. The cat gazes at the bread with sad, hopeful eyes. It remains still, timid, and cautious. The woman notices the cat and slowly lowers the bread. SFX: soft cat meow, light breeze, distant city ambience. --- 0:04–0:06 Close-up of the woman's hands. She slowly breaks the bread into two pieces. Tiny crumbs fall gently. The moment feels like an important emotional decision. Her hands pause briefly after splitting the bread. SFX: soft bread tearing, tiny crumbs falling. --- 0:06–0:08 Medium side shot. The woman gently extends one half of the bread toward the cat. The cat looks at the bread, then into the woman's eyes. It is nervous but curious. The woman gives a soft, reassuring smile and keeps her hand perfectly still. SFX: gentle hand movement, cat sniffing, quiet breeze. --- 0:08–0:10 Low close shot near the cat. The cat slowly steps forward. It carefully takes the bread from the woman's hand. The woman remains calm and gentle. The cat begins eating, and its expression gradually softens into trust. SFX: tiny paw steps, soft bite, gentle chewing. --- 0:10–0:12 Medium shot. The woman sits comfortably on the sidewalk. The cat comes closer and sits beside her. She gently strokes the cat's head. The cat leans into her hand and relaxes. The moment feels warm, peaceful, and safe. SFX: soft fur brushing, content cat purring, distant street ambience. --- 0:12–0:14 Close emotional shot. The cat rests its head on the woman's lap. She looks down with a warm, slightly bittersweet smile. She still holds her own half of the bread in her other hand. Both appear comforted, no longer feeling completely alone. SFX: quiet breathing, soft breeze, distant city sounds. --- 0:14–0:15 Wide sunset shot from behind. The woman and the cat sit side by side facing the glowing sunset. Their long shadows stretch across the sidewalk. The cloth shoulder bag and water bottle rest nearby. The final frame feels peaceful, hopeful, and heartwarming. SFX: soft wind, distant street ambience, gentle satisfied cat purr. Storyboard Prompt: Create a single horizontal animation pre-production board for an original emotional 2D anime-style short film titled "The Piece of Bread." The output must be one image only and combine: 1. a character design sheet 2. a hand-drawn storyboard page. IMPORTANT Do not make the woman or cat resemble any reference screenshots or existing characters. Keep the same emotional story concept, but create completely original character designs, unique silhouettes, and distinct facial features. No copyrighted characters or close resemblance to any existing animated films or anime. STYLE Professional anime production board. Hand-drawn storyboard style with loose pencil sketch lines, light gray shading, red panel borders, blue motion arrows, and short handwritten production notes. Rendered with anime-inspired linework featuring clean inked outlines, expressive eyes, and simplified shading blocks. It should look like a real animation studio planning sheet, not a polished final illustration. LAYOUT Clean horizontal 16:9 board divided into two sections. SECTION A: CHARACTER SHEET Show both characters consistently. Woman A young woman in her early 20s with shoulder-length slightly messy dark brown hair tied loosely at the back, a soft oval face, gentle expressive anime eyes, and a tired but kind expression. She wears a faded oversized hoodie, loose trousers, worn sneakers, and carries a simple cloth shoulder bag. She should appear humble, exhausted, compassionate, and resilient. Show: front view side view 3/4 view expressions: hungry, thoughtful, soft smile, emotional pose holding a small bread bun pose offering bread Cat A small original stray cat with short charcoal-gray fur, a cream-colored chest and paws, slightly oversized anime-style eyes, one ear with a tiny notch, and a long curved tail. The cat should feel timid, hungry, hopeful, innocent, and lovable. Show: front view side view 3/4 view expressions: sad, shy, hopeful, happy, trusting sitting pose taking bread pose cuddling beside the woman Include tiny handwritten notes and a few small color swatches. SECTION B: STORYBOARD Create 8 cinematic storyboard panels arranged neatly in a grid. Keep character designs consistent throughout. Each panel should include simple handwritten shot notes and blue arrows indicating motion. STORY BEATS 1. Close-up of the woman about to take a bite from a small bread bun during sunset. 2. Medium shot of the hungry stray cat sitting nearby, staring at the bread with sad, hopeful eyes. 3. Close-up of the woman breaking the bread into two pieces as crumbs fall. 4. Medium shot of the woman offering one piece to the cat. 5. Close shot of the cat cautiously stepping forward and taking the bread. 6. Medium shot of the cat sitting beside the woman while she gently pets it. 7. Emotional close-up of the cat resting its head on the woman's lap. 8. Wide sunset shot from behind, showing the woman and cat sitting together with a cloth bag and water bottle beside them. ENVIRONMENT Quiet city sidewalk beside a low wall, soft urban background, cloth shoulder bag, small water bottle, warm golden sunset lighting, peaceful atmosphere, and an emotional mood. FINAL GOAL Create a dense, clean, production-ready anime pre-production board combining a character design sheet and storyboard in a single 16:9 horizontal image, conveying a heartfelt story of compassion and kindness through completely original character designs.

Zara

22,997 görüntüleme • 1 ay önce

You spend years training for the World Cup, then lose to a cat. This Cat vs Human Football match rivalry was created using GPT Image 2 + Seedance 2.0 on RoboNeo #Roboneo Prompt Create a 15-second cinematic FIFA World Cup 2026 sports-comedy commercial. Every scene must happen strictly in the exact sequence listed below. Do NOT skip, merge, shorten, combine, or reorder any scene. Maintain perfect character consistency across all shots. MAIN CHARACTER: Athletic western blonde female soccer player, age 24, blue eyes, long blonde ponytail, red soccer jersey #8, red shorts, red socks, professional football boots. ANIMAL HERO: Sleek athletic grey cat with green eyes wearing a matching red soccer jersey. OPPONENTS: Two muscular female football players wearing white uniforms. ENVIRONMENT: FIFA World Cup 2026 atmosphere. Massive packed football stadium during golden hour. Warm sunlight, dramatic lens flares, vibrant green grass, roaring crowd, FIFA World Cup branding, international supporters waving USA, Canada, and Mexico flags. Premium global football-event energy. STYLE: Photorealistic live-action sports commercial, realistic human anatomy, Pixar-quality cat animation, Nike-style energy, dynamic camera movement, cinematic lighting, ultra-detailed textures, realistic football physics except for the cat's comedic athletic abilities. DURATION: 15 seconds total. SCENE 1 (0:00–0:02) — WORLD CUP OPENING High aerial establishing shot of a massive FIFA World Cup 2026 stadium at golden hour. Visible FIFA World Cup 2026 banners around the stadium. Crowd packed with supporters waving USA, Canada, and Mexico flags. A recognizable host-city landmark is visible in the distance. The blonde player in red jersey #8 dribbles confidently across the pitch while the grey cat runs beside her. Camera slowly pushes forward. Warm sunlight washes over the field. Massive crowd roar. On-screen title card appears briefly: "FIFA WORLD CUP 2026". SCENE 2 (0:02–0:03) — GAME ON Medium action shot. Two muscular opponents in white uniforms notice the cat and immediately shift their focus toward stopping it. The cat glances toward the ball with determination. Quick cinematic push-in. Crowd anticipation rises. SCENE 3 (0:03–0:05) — CAT SPEED BURST Ground-level tracking shot. The cat explodes forward between players' legs at impossible speed. Grass, dirt, and turf particles spray upward. Intense acceleration effect and realistic motion blur. Stadium crowd reacts with surprise. SCENE 4 (0:05–0:06) — PLAYER REACTION Extreme close-up of the blonde player. She smiles confidently, then her eyes suddenly widen in genuine surprise as she realizes how unbelievably fast the cat is moving. Lens flare sweeps across frame. SCENE 5 (0:06–0:08) — HERO CAT Low-angle hero close-up. The cat locks eyes on the ball. Golden sunlight creates a glowing halo around its silhouette. Slow-motion moment. Crowd noise softens briefly while heroic music rises. Fur detail and jersey fabric rendered with ultra-realistic quality. SCENE 6 (0:08–0:10) — FIRST DODGE Wide action shot. One defender launches a tackle. The cat instantly sidesteps and slips perfectly between both defenders. The tackle misses completely. The crowd erupts with laughter and excitement. SCENE 7 (0:10–0:12) — SLIDE CHAOS Both opponents commit to aggressive sliding tackles simultaneously. Massive dirt explosion. The cat effortlessly avoids both slides with perfect timing. The defenders collide with each other and tumble dramatically. Realistic physics, comedic timing. Crowd reaction intensifies. SCENE 8 (0:12–0:13) — DRIBBLE MASTER Dynamic tracking shot. The cat skillfully dribbles the ball through the chaos with incredible close control. Opponents tumble helplessly in the background. The blonde player watches in amused disbelief. Stadium energy reaches its peak. SCENE 9 (0:13–0:14) — IMPOSSIBLE SHOT Dramatic low-angle shot. The cat crouches beside the ball and looks upward. Tension builds. Suddenly the cat launches into an impossible move and strikes the ball toward goal. Cinematic speed ramp. Ball rockets through the air toward the net. SCENE 10 (0:14–0:15) — WORLD CUP GOAL & BRAND PAYOFF Ultra-cinematic goal shot. The football smashes into the back of the net at high speed. The net deforms naturally and ripples realistically with detailed cloth physics. Goal frame shakes subtly from impact. Crowd instantly explodes in celebration. Fans wave USA, Canada, and Mexico flags. The blonde player throws her hands up in disbelief and joy. The cat lands heroically and looks toward the roaring stadium. Freeze frame on the celebrating cat. On-screen tagline appears: "IMPOSSIBLE IS JUST KICKOFF." FIFA WORLD CUP 2026 logo appears prominently with premium commercial-grade branding. End on triumphant crowd roar and stadium atmosphere. CINEMATIC NOTES: Strict chronological sequence. No scene skipping, merging, or reordering. Fast-paced sports-commercial editing. Warm golden-hour color grading. Dynamic camera movement throughout. Premium FIFA World Cup 2026 advertising quality. Realistic football and net physics. Massive crowd reactions escalating throughout the film. Consistent character appearance across every shot. Photorealistic visuals with cinematic lens flares and broadcast-quality production values. Final goal must feel epic, emotional, and unmistakably FIFA World Cup 2026.
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You spend years training for the World Cup, then lose to a cat. This Cat vs Human Football match rivalry was created using GPT Image 2 + Seedance 2.0 on RoboNeo #Roboneo Prompt Create a 15-second cinematic FIFA World Cup 2026 sports-comedy commercial. Every scene must happen strictly in the exact sequence listed below. Do NOT skip, merge, shorten, combine, or reorder any scene. Maintain perfect character consistency across all shots. MAIN CHARACTER: Athletic western blonde female soccer player, age 24, blue eyes, long blonde ponytail, red soccer jersey #8, red shorts, red socks, professional football boots. ANIMAL HERO: Sleek athletic grey cat with green eyes wearing a matching red soccer jersey. OPPONENTS: Two muscular female football players wearing white uniforms. ENVIRONMENT: FIFA World Cup 2026 atmosphere. Massive packed football stadium during golden hour. Warm sunlight, dramatic lens flares, vibrant green grass, roaring crowd, FIFA World Cup branding, international supporters waving USA, Canada, and Mexico flags. Premium global football-event energy. STYLE: Photorealistic live-action sports commercial, realistic human anatomy, Pixar-quality cat animation, Nike-style energy, dynamic camera movement, cinematic lighting, ultra-detailed textures, realistic football physics except for the cat's comedic athletic abilities. DURATION: 15 seconds total. SCENE 1 (0:00–0:02) — WORLD CUP OPENING High aerial establishing shot of a massive FIFA World Cup 2026 stadium at golden hour. Visible FIFA World Cup 2026 banners around the stadium. Crowd packed with supporters waving USA, Canada, and Mexico flags. A recognizable host-city landmark is visible in the distance. The blonde player in red jersey #8 dribbles confidently across the pitch while the grey cat runs beside her. Camera slowly pushes forward. Warm sunlight washes over the field. Massive crowd roar. On-screen title card appears briefly: "FIFA WORLD CUP 2026". SCENE 2 (0:02–0:03) — GAME ON Medium action shot. Two muscular opponents in white uniforms notice the cat and immediately shift their focus toward stopping it. The cat glances toward the ball with determination. Quick cinematic push-in. Crowd anticipation rises. SCENE 3 (0:03–0:05) — CAT SPEED BURST Ground-level tracking shot. The cat explodes forward between players' legs at impossible speed. Grass, dirt, and turf particles spray upward. Intense acceleration effect and realistic motion blur. Stadium crowd reacts with surprise. SCENE 4 (0:05–0:06) — PLAYER REACTION Extreme close-up of the blonde player. She smiles confidently, then her eyes suddenly widen in genuine surprise as she realizes how unbelievably fast the cat is moving. Lens flare sweeps across frame. SCENE 5 (0:06–0:08) — HERO CAT Low-angle hero close-up. The cat locks eyes on the ball. Golden sunlight creates a glowing halo around its silhouette. Slow-motion moment. Crowd noise softens briefly while heroic music rises. Fur detail and jersey fabric rendered with ultra-realistic quality. SCENE 6 (0:08–0:10) — FIRST DODGE Wide action shot. One defender launches a tackle. The cat instantly sidesteps and slips perfectly between both defenders. The tackle misses completely. The crowd erupts with laughter and excitement. SCENE 7 (0:10–0:12) — SLIDE CHAOS Both opponents commit to aggressive sliding tackles simultaneously. Massive dirt explosion. The cat effortlessly avoids both slides with perfect timing. The defenders collide with each other and tumble dramatically. Realistic physics, comedic timing. Crowd reaction intensifies. SCENE 8 (0:12–0:13) — DRIBBLE MASTER Dynamic tracking shot. The cat skillfully dribbles the ball through the chaos with incredible close control. Opponents tumble helplessly in the background. The blonde player watches in amused disbelief. Stadium energy reaches its peak. SCENE 9 (0:13–0:14) — IMPOSSIBLE SHOT Dramatic low-angle shot. The cat crouches beside the ball and looks upward. Tension builds. Suddenly the cat launches into an impossible move and strikes the ball toward goal. Cinematic speed ramp. Ball rockets through the air toward the net. SCENE 10 (0:14–0:15) — WORLD CUP GOAL & BRAND PAYOFF Ultra-cinematic goal shot. The football smashes into the back of the net at high speed. The net deforms naturally and ripples realistically with detailed cloth physics. Goal frame shakes subtly from impact. Crowd instantly explodes in celebration. Fans wave USA, Canada, and Mexico flags. The blonde player throws her hands up in disbelief and joy. The cat lands heroically and looks toward the roaring stadium. Freeze frame on the celebrating cat. On-screen tagline appears: "IMPOSSIBLE IS JUST KICKOFF." FIFA WORLD CUP 2026 logo appears prominently with premium commercial-grade branding. End on triumphant crowd roar and stadium atmosphere. CINEMATIC NOTES: Strict chronological sequence. No scene skipping, merging, or reordering. Fast-paced sports-commercial editing. Warm golden-hour color grading. Dynamic camera movement throughout. Premium FIFA World Cup 2026 advertising quality. Realistic football and net physics. Massive crowd reactions escalating throughout the film. Consistent character appearance across every shot. Photorealistic visuals with cinematic lens flares and broadcast-quality production values. Final goal must feel epic, emotional, and unmistakably FIFA World Cup 2026.

Sharon Riley

60,716 görüntüleme • 1 ay önce

🚨 BREAKING: New Alleged TPUSA Sexual Scandal at Turning Point USA Event Garners Millions of Views 🚨 - A new alleged sexual scandal for TPUSA has garnered millions of views. I have written before about the sexualized frat-boy party culture at Turning Point along with the alleged cover-up by Turning Point action COO Tyler Bowyer of an employee sexual assault. On August 5, 2025, former Turning Point USA employee Morgan Ariel accused Emily emilysavesamerica “You got fingered in the middle of a hotel lobby at a TPUSA event while everybody watched and there were families around. You brag about having sex with married MAGA dads and doing drugs. You have been completely ran through by both single and married men in the Right-Wing. You call young virgins losers and encourage them to have premarital sex and you’re pro-abortion. You’re a disgusting feminist whore with a Jezebel spirit who uses filters in all of her videos and lives in rebellion to God while grifting off of the conservative movement and simultaneously trashes women who desire to live God honoring lifestyles because their engagement rings didn’t cost enough or their lifestyle isn’t flashy enough.” As of the writing of this article, the post has been viewed on X over 1.2 Million times. Ariel went on to say in another video post “Why is Turning Point USA like this? Charlie Kirk why do you platform and promote degenerate feminist whores who have sex in the lobbies of your events with teenagers around while black listing conservative Christian’s from your events?” and “TPUSA props up the most detestable vile human beings who uphold no conservative values.“ Jason D posted an alleged photo of the incident with a woman who appears to match the physical description of Emily and a man he described as Urban Meyer with his hands in close proximity to the woman. Some have made assertions that there is video evidence of the incident though requests to provide the video have not yet been returned. Photo confirmation has not been obtained at this time. This prompted commentary including from Ghost of Daniel Morgan 🇺🇸 who said “I still can’t believe that happened lmao, but let’s be real, TP had drag queens transformers just because they said MAGA, they’ve fallen down the slop hole massively.” And @reeseonable posted “Watching these faux right-wing influencers unravel is such vindication. Half of them are nothing more than OnlyFans rejects cosplaying as political voices & monetizing from it, while sleeping with married & unmarried men at TPUSA events, pushing pro-abortion takes, & parading their hyper-sexualized, godless lifestyles as if that’s what conservatism is now. They’re hypocrites, & they’re poison. They’re letting the left’s depraved culture bleed into the GOP, rebranding it as edgy & big tent, while mocking & attacking the very Christian & pro-life values that built this movement. They don’t stand for anything but attention, & we need to call them what they are—wolves in red hats.” Patriot J posted “I had no idea Charlie Kirk was running Freak Offs at these TPUSA events.” Predead Atheist Walrus said “Guys at this rate if you have a family you should be staying away from TPUSA events. They platform pornstars and very clearly don’t have any regard for the stuff families are exposed to at these “conservative” events.” Walter Sobchak said “TPUSA is a massive grift and MAGA is degeneracy distilled down to it’e essence and promoted as virtue by low-IQ deviants, perverts, and psychopaths to glorify the orange child-molester they worship as their lord and savior. VERY CHRIST-LIKE, MANY SUCH CASES” A Pattern of Allegations of Immoral Sexual Behavior at TPUSA Events This is not the first time allegations of immoral sexual behavior at TPUSA events and parties have been made. A Washington Examiner opinion article in 2018 titled Turning Point USA struggles with allegations of student sexual assault, harassment alleges “By all accounts, the 2017 Student Action Summit hosted last December by conservative college organization Turning Point USA was boisterous. During the day, more than 1,200 high school and college kids listened to speeches by big names like Ben Shapiro, Donald Trump, Jr., and Tomi Lahren. By night, some of those same students got blackout drunk. Witnesses describe a scene reminiscent of “Animal House.” Kids weren’t just drinking in their hotel rooms. They say some wandered drunk through the lobby. Students weren’t just roughhousing by the hotel pool. They say some were wasted in the water. And while many of the young conservatives proved a temperate bunch, the vomit in the bushes served as visceral testament to the appetites of the rest.” On August 5th Scott alleged that TPUSA featured speaker and paid Influencer “Benny Johnson takes the guys in the rooms during TPUSA events, while his wife waits for him to finish. Sometimes she joins the action. here is one of his make out encounters.” A screenshot of a post from Saeed Jones is shown saying “I made out with Benny Johnson in an empty dressing room at BuzzFeed holiday partying 2013. It haunts me to this day. Anyway it’s funny that’s he’s done literally everything BUT come out of the closet.” and “Benny and I went into a dressing room and started kissing. Would’ve gone further but he said something cringe enough to snap me back to my senses. I rolled my eyes and left.” and “Anyway I’m definitely not the only guy Benny Johnson has made out with. I’ve heard him and his wife are swingers. She’s pregnant with their fourth child now which… LOL. Anyway. When I warn y’all about sleeper agents, I’m speaking from experience. Demons walk amongst us!” On August 7, 2025 Milo posted “Got fucked over a balcony by a stranger at a TPUSA party, among other things. Allegedly of course.” Additional Background And Allegations Evan Kilgore made further allegations saying “TPUSA told me to remove all public affiliation with them after Jenna Ellis and Dan Bongino falsely smeared me and made fun of me for calling them out. There is a history of TPUSA always siding with those who oppose real Conservative Christian values and I’m done being silent.” and “TPUSA allegedly fired one of their employees after the influencer trip to Israel because she made a post about Jews needing to accept Jesus Christ as their Savior. TPUSA also allegedly fired a Contributor because he spoke out against the use of pride flags on set of The Chosen.” Morgan Ariel said “TPUSA kicked me out of their organization and blacklisted me because I exposed Israel and the Talmud right after October 7th. Charlie Kirk is owned by his Jewish donors and his loyalty doesn’t lie with Christians. Christ is King.” Kirk has also been accused of being anti-Semitic: This brought immediate backlash from pro-Israel influencers such as Laura Loomer who said “Turning Point USA Turning Point USA was able to grow as much as they did over the years because President Trump promoted them. I think tonight we all saw that they just view President Trump as a means for being financially secure. I get along with many people from TPUSA, but it needs to be said that you can’t call yourself a thought leader when you play both sides of every issue. Can you really call yourself pro-Trump anymore when you don’t challenge Tucker Carlson on his anti-Trump crusade that he’s been on for the last 3 weeks, going as far as saying Trump isn’t even America First? Tucker lied about the conflict in Iran and also just allowed Iran’s President to completely get away with lying by saying Iran has never killed a US citizen and that they didn’t try to kill Trump. I don’t want to hear anyone from TPUSA ever again say they think Islam is incompatible with the US Charlie Kirk . Obviously you do. You clearly have no issue with Tucker Carlson being a mouthpiece for Qatar and Iran and then spewing his anti-Trump and anti-American propaganda at your TPUSA event. You’ve got to stop playing both sides of every single issue. It’s time to draw a line in the sand instead of flip flopping on every single issue. This is about moral clarity. I’m sick of people letting this issue slide.” Nurit Greenger of Newsblaze said in a July 18, 2025 article: “Your July 2025 Turning Point USA Student Action Summit, held in Tampa, Florida, was a huge disappointment for me and many others. You of all people?“ and “How can you sit on the stage and agree with Madam Kelly that Jeffrey Epstein was working on behalf and for Israel’s Intelligence Unit Mossad?! These kinds of accusations benefit useful idiots. But you?” Greenger went on to say “So Charlie, there is a serious problem on hand which you help exacerbate.” and “Charlie, every Friday on your radio show you wish your audience “Shabbat Shalom” (Peaceful Sabbath); you of all people should have known better than to allow what we have watched and heard during your recent conference. Charlie, it would be better if you remained true to your strong moral compass which guided you throughout the years. Speak out against antisemitism, even if it comes from your friends and associates. Are you now walking in their path, as if your mask has fallen? Where is Turning Point USA going?” Stephen R Young said “Everybody that donates to turning point, USA should cancel their donations“. It is time for Turning Point and Turning Point Action, Charlie Kirk and Tyler Bowyer to be investigated and called to account and held responsible for any of these and many other allegations that are proven true. As always public comment by Charlie Kirk and Tyler Bowyer was sought and ignored.
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Sensitive content

🚨 BREAKING: New Alleged TPUSA Sexual Scandal at Turning Point USA Event Garners Millions of Views 🚨 - A new alleged sexual scandal for TPUSA has garnered millions of views. I have written before about the sexualized frat-boy party culture at Turning Point along with the alleged cover-up by Turning Point action COO Tyler Bowyer of an employee sexual assault. On August 5, 2025, former Turning Point USA employee Morgan Ariel accused Emily emilysavesamerica “You got fingered in the middle of a hotel lobby at a TPUSA event while everybody watched and there were families around. You brag about having sex with married MAGA dads and doing drugs. You have been completely ran through by both single and married men in the Right-Wing. You call young virgins losers and encourage them to have premarital sex and you’re pro-abortion. You’re a disgusting feminist whore with a Jezebel spirit who uses filters in all of her videos and lives in rebellion to God while grifting off of the conservative movement and simultaneously trashes women who desire to live God honoring lifestyles because their engagement rings didn’t cost enough or their lifestyle isn’t flashy enough.” As of the writing of this article, the post has been viewed on X over 1.2 Million times. Ariel went on to say in another video post “Why is Turning Point USA like this? Charlie Kirk why do you platform and promote degenerate feminist whores who have sex in the lobbies of your events with teenagers around while black listing conservative Christian’s from your events?” and “TPUSA props up the most detestable vile human beings who uphold no conservative values.“ Jason D posted an alleged photo of the incident with a woman who appears to match the physical description of Emily and a man he described as Urban Meyer with his hands in close proximity to the woman. Some have made assertions that there is video evidence of the incident though requests to provide the video have not yet been returned. Photo confirmation has not been obtained at this time. This prompted commentary including from Ghost of Daniel Morgan 🇺🇸 who said “I still can’t believe that happened lmao, but let’s be real, TP had drag queens transformers just because they said MAGA, they’ve fallen down the slop hole massively.” And @reeseonable posted “Watching these faux right-wing influencers unravel is such vindication. Half of them are nothing more than OnlyFans rejects cosplaying as political voices & monetizing from it, while sleeping with married & unmarried men at TPUSA events, pushing pro-abortion takes, & parading their hyper-sexualized, godless lifestyles as if that’s what conservatism is now. They’re hypocrites, & they’re poison. They’re letting the left’s depraved culture bleed into the GOP, rebranding it as edgy & big tent, while mocking & attacking the very Christian & pro-life values that built this movement. They don’t stand for anything but attention, & we need to call them what they are—wolves in red hats.” Patriot J posted “I had no idea Charlie Kirk was running Freak Offs at these TPUSA events.” Predead Atheist Walrus said “Guys at this rate if you have a family you should be staying away from TPUSA events. They platform pornstars and very clearly don’t have any regard for the stuff families are exposed to at these “conservative” events.” Walter Sobchak said “TPUSA is a massive grift and MAGA is degeneracy distilled down to it’e essence and promoted as virtue by low-IQ deviants, perverts, and psychopaths to glorify the orange child-molester they worship as their lord and savior. VERY CHRIST-LIKE, MANY SUCH CASES” A Pattern of Allegations of Immoral Sexual Behavior at TPUSA Events This is not the first time allegations of immoral sexual behavior at TPUSA events and parties have been made. A Washington Examiner opinion article in 2018 titled Turning Point USA struggles with allegations of student sexual assault, harassment alleges “By all accounts, the 2017 Student Action Summit hosted last December by conservative college organization Turning Point USA was boisterous. During the day, more than 1,200 high school and college kids listened to speeches by big names like Ben Shapiro, Donald Trump, Jr., and Tomi Lahren. By night, some of those same students got blackout drunk. Witnesses describe a scene reminiscent of “Animal House.” Kids weren’t just drinking in their hotel rooms. They say some wandered drunk through the lobby. Students weren’t just roughhousing by the hotel pool. They say some were wasted in the water. And while many of the young conservatives proved a temperate bunch, the vomit in the bushes served as visceral testament to the appetites of the rest.” On August 5th Scott alleged that TPUSA featured speaker and paid Influencer “Benny Johnson takes the guys in the rooms during TPUSA events, while his wife waits for him to finish. Sometimes she joins the action. here is one of his make out encounters.” A screenshot of a post from Saeed Jones is shown saying “I made out with Benny Johnson in an empty dressing room at BuzzFeed holiday partying 2013. It haunts me to this day. Anyway it’s funny that’s he’s done literally everything BUT come out of the closet.” and “Benny and I went into a dressing room and started kissing. Would’ve gone further but he said something cringe enough to snap me back to my senses. I rolled my eyes and left.” and “Anyway I’m definitely not the only guy Benny Johnson has made out with. I’ve heard him and his wife are swingers. She’s pregnant with their fourth child now which… LOL. Anyway. When I warn y’all about sleeper agents, I’m speaking from experience. Demons walk amongst us!” On August 7, 2025 Milo posted “Got fucked over a balcony by a stranger at a TPUSA party, among other things. Allegedly of course.” Additional Background And Allegations Evan Kilgore made further allegations saying “TPUSA told me to remove all public affiliation with them after Jenna Ellis and Dan Bongino falsely smeared me and made fun of me for calling them out. There is a history of TPUSA always siding with those who oppose real Conservative Christian values and I’m done being silent.” and “TPUSA allegedly fired one of their employees after the influencer trip to Israel because she made a post about Jews needing to accept Jesus Christ as their Savior. TPUSA also allegedly fired a Contributor because he spoke out against the use of pride flags on set of The Chosen.” Morgan Ariel said “TPUSA kicked me out of their organization and blacklisted me because I exposed Israel and the Talmud right after October 7th. Charlie Kirk is owned by his Jewish donors and his loyalty doesn’t lie with Christians. Christ is King.” Kirk has also been accused of being anti-Semitic: This brought immediate backlash from pro-Israel influencers such as Laura Loomer who said “Turning Point USA Turning Point USA was able to grow as much as they did over the years because President Trump promoted them. I think tonight we all saw that they just view President Trump as a means for being financially secure. I get along with many people from TPUSA, but it needs to be said that you can’t call yourself a thought leader when you play both sides of every issue. Can you really call yourself pro-Trump anymore when you don’t challenge Tucker Carlson on his anti-Trump crusade that he’s been on for the last 3 weeks, going as far as saying Trump isn’t even America First? Tucker lied about the conflict in Iran and also just allowed Iran’s President to completely get away with lying by saying Iran has never killed a US citizen and that they didn’t try to kill Trump. I don’t want to hear anyone from TPUSA ever again say they think Islam is incompatible with the US Charlie Kirk . Obviously you do. You clearly have no issue with Tucker Carlson being a mouthpiece for Qatar and Iran and then spewing his anti-Trump and anti-American propaganda at your TPUSA event. You’ve got to stop playing both sides of every single issue. It’s time to draw a line in the sand instead of flip flopping on every single issue. This is about moral clarity. I’m sick of people letting this issue slide.” Nurit Greenger of Newsblaze said in a July 18, 2025 article: “Your July 2025 Turning Point USA Student Action Summit, held in Tampa, Florida, was a huge disappointment for me and many others. You of all people?“ and “How can you sit on the stage and agree with Madam Kelly that Jeffrey Epstein was working on behalf and for Israel’s Intelligence Unit Mossad?! These kinds of accusations benefit useful idiots. But you?” Greenger went on to say “So Charlie, there is a serious problem on hand which you help exacerbate.” and “Charlie, every Friday on your radio show you wish your audience “Shabbat Shalom” (Peaceful Sabbath); you of all people should have known better than to allow what we have watched and heard during your recent conference. Charlie, it would be better if you remained true to your strong moral compass which guided you throughout the years. Speak out against antisemitism, even if it comes from your friends and associates. Are you now walking in their path, as if your mask has fallen? Where is Turning Point USA going?” Stephen R Young said “Everybody that donates to turning point, USA should cancel their donations“. It is time for Turning Point and Turning Point Action, Charlie Kirk and Tyler Bowyer to be investigated and called to account and held responsible for any of these and many other allegations that are proven true. As always public comment by Charlie Kirk and Tyler Bowyer was sought and ignored.

Sword Truth

34,897 görüntüleme • 1 yıl önce

From the streets of a FIFA World Cup host city to the roar of a packed stadium Created with RoboNeo Powered by GPT Image 2 + Seedance 2.0 CREATE A 15-SECOND CINEMATIC FIFA WORLD CUP HOST CITY × SPRITE COMMERCIAL. #Roboneo EVERY SCENE MUST HAPPEN STRICTLY IN THE EXACT SEQUENCE LISTED BELOW. DO NOT SKIP, MERGE, SHORTEN, REORDER, OR COMBINE SCENES. MAINTAIN PERFECT CHARACTER CONSISTENCY ACROSS ALL SHOTS. MAIN CHARACTER: Beautiful young East Asian woman,@hf_20260616_191031_3aeae25a-9a21-4a95-ba8e-a6ca8a1d3952.png early 20s, athletic build, long straight dark hair in a high ponytail with subtle baby-pink highlights, confident joyful expression, wearing full Argentina national team kit (sky blue and white striped jersey with crest, matching shorts, white socks, professional football boots). VISUAL STYLE: Ultra-realistic 4K cinematic commercial, vibrant colors, bright sunny daytime lighting, realistic skin texture, realistic fabric movement, dynamic camera movements, lens flares, shallow depth of field, premium sports advertising quality, smooth motion, realistic physics, FIFA World Cup atmosphere, energetic motivational music building throughout. IMPORTANT: The city-to-stadium transition is a major storytelling element. The opening must immediately hook the audience with a visually spectacular World Cup host city sequence before entering the stadium. Every scene below must appear exactly in order. SCENE 1 (0:00–0:02) — HOST CITY ESTABLISHING SHOT Massive cinematic aerial shot of a vibrant FIFA World Cup host city under bright sunshine. Modern skyline, iconic landmarks, busy streets, colorful World Cup decorations, Argentina flags visible throughout the city. Thousands of football fans fill plazas and streets. Dynamic drone camera races forward at high speed between skyscrapers and city landmarks. Epic lens flares. Huge tournament atmosphere. SCENE 2 (0:02–0:04) — CITY TO STADIUM TRANSITION The camera continues moving without interruption through the city. It flies above cheering fans, crosses a busy fan zone, then rapidly approaches a spectacular packed World Cup stadium. The camera dives dramatically through the stadium entrance tunnel and emerges onto the football pitch. Crowd noise intensifies. SCENE 3 (0:04–0:06) — ARGENTINA PLAYER INTRODUCTION The camera finds the main character already dribbling at full speed on the pitch. Close-up of her determined face. Her ponytail flows naturally. She performs quick skill moves while sprinting. Stadium crowd cheering loudly. She looks toward camera briefly and shouts: "Let's go Argentina!" SCENE 4 (0:06–0:08) — ATTACKING PLAY Fast sports-commercial editing. She dribbles past defenders with skill. One step-over. One nutmeg. Explosive acceleration. She strikes a powerful shot toward goal. Ball crashes against the goalpost. Crowd reacts dramatically. SCENE 5 (0:08–0:09) — HEAT AND FATIGUE Immediately after the missed chance, she slows down. Bright sunlight overhead. Close-up of sweat on her face. Heavy breathing. She wipes sweat from her forehead and says: "It's so hot... I need something refreshing!" SCENE 6 (0:09–0:11) — SPRITE REVEAL An ice-cold Sprite bottle appears in her hand. Extreme macro close-up. Condensation droplets covering the bottle. Camera slowly rotates around the bottle. She twists the cap open. Fizzy bubbles explode upward in beautiful slow motion. Refreshing sparkling liquid details. SCENE 7 (0:11–0:12) — REFRESHMENT MOMENT Close-up as she takes a satisfying sip of Sprite. Time briefly slows down. Cooling visual effects. Her expression instantly changes from tired to energized. Bright smile appears. She says: "Sprite! Cold, crisp, and full of energy!" SCENE 8 (0:12–0:14) — ENERGY BURST MONTAGE Fast-paced action montage. She accelerates explosively across the field. Perfect dribble. Perfect through pass. Receives return pass. Strikes a stunning shot into the top corner of the goal. Net ripples dramatically. Crowd erupts. Argentina teammates run toward her celebrating. SCENE 9 (0:14–0:15) — FINAL BRAND SHOT Hero commercial ending. She stands confidently facing the camera holding the Sprite bottle prominently in the foreground. Behind her is the packed World Cup stadium with the host city skyline visible beyond the stadium. Bright sunlight, sparkling highlights on the bottle, premium advertising composition. Minimal text overlay: "SPRITE – REFRESH YOUR GAME" Sparkling Sprite logo appears at the very end as the music reaches its climax. END OF COMMERCIAL. STRICTLY FOLLOW ALL SCENES IN THE EXACT ORDER PROVIDED.
0:15

From the streets of a FIFA World Cup host city to the roar of a packed stadium Created with RoboNeo Powered by GPT Image 2 + Seedance 2.0 CREATE A 15-SECOND CINEMATIC FIFA WORLD CUP HOST CITY × SPRITE COMMERCIAL. #Roboneo EVERY SCENE MUST HAPPEN STRICTLY IN THE EXACT SEQUENCE LISTED BELOW. DO NOT SKIP, MERGE, SHORTEN, REORDER, OR COMBINE SCENES. MAINTAIN PERFECT CHARACTER CONSISTENCY ACROSS ALL SHOTS. MAIN CHARACTER: Beautiful young East Asian woman,@hf_20260616_191031_3aeae25a-9a21-4a95-ba8e-a6ca8a1d3952.png early 20s, athletic build, long straight dark hair in a high ponytail with subtle baby-pink highlights, confident joyful expression, wearing full Argentina national team kit (sky blue and white striped jersey with crest, matching shorts, white socks, professional football boots). VISUAL STYLE: Ultra-realistic 4K cinematic commercial, vibrant colors, bright sunny daytime lighting, realistic skin texture, realistic fabric movement, dynamic camera movements, lens flares, shallow depth of field, premium sports advertising quality, smooth motion, realistic physics, FIFA World Cup atmosphere, energetic motivational music building throughout. IMPORTANT: The city-to-stadium transition is a major storytelling element. The opening must immediately hook the audience with a visually spectacular World Cup host city sequence before entering the stadium. Every scene below must appear exactly in order. SCENE 1 (0:00–0:02) — HOST CITY ESTABLISHING SHOT Massive cinematic aerial shot of a vibrant FIFA World Cup host city under bright sunshine. Modern skyline, iconic landmarks, busy streets, colorful World Cup decorations, Argentina flags visible throughout the city. Thousands of football fans fill plazas and streets. Dynamic drone camera races forward at high speed between skyscrapers and city landmarks. Epic lens flares. Huge tournament atmosphere. SCENE 2 (0:02–0:04) — CITY TO STADIUM TRANSITION The camera continues moving without interruption through the city. It flies above cheering fans, crosses a busy fan zone, then rapidly approaches a spectacular packed World Cup stadium. The camera dives dramatically through the stadium entrance tunnel and emerges onto the football pitch. Crowd noise intensifies. SCENE 3 (0:04–0:06) — ARGENTINA PLAYER INTRODUCTION The camera finds the main character already dribbling at full speed on the pitch. Close-up of her determined face. Her ponytail flows naturally. She performs quick skill moves while sprinting. Stadium crowd cheering loudly. She looks toward camera briefly and shouts: "Let's go Argentina!" SCENE 4 (0:06–0:08) — ATTACKING PLAY Fast sports-commercial editing. She dribbles past defenders with skill. One step-over. One nutmeg. Explosive acceleration. She strikes a powerful shot toward goal. Ball crashes against the goalpost. Crowd reacts dramatically. SCENE 5 (0:08–0:09) — HEAT AND FATIGUE Immediately after the missed chance, she slows down. Bright sunlight overhead. Close-up of sweat on her face. Heavy breathing. She wipes sweat from her forehead and says: "It's so hot... I need something refreshing!" SCENE 6 (0:09–0:11) — SPRITE REVEAL An ice-cold Sprite bottle appears in her hand. Extreme macro close-up. Condensation droplets covering the bottle. Camera slowly rotates around the bottle. She twists the cap open. Fizzy bubbles explode upward in beautiful slow motion. Refreshing sparkling liquid details. SCENE 7 (0:11–0:12) — REFRESHMENT MOMENT Close-up as she takes a satisfying sip of Sprite. Time briefly slows down. Cooling visual effects. Her expression instantly changes from tired to energized. Bright smile appears. She says: "Sprite! Cold, crisp, and full of energy!" SCENE 8 (0:12–0:14) — ENERGY BURST MONTAGE Fast-paced action montage. She accelerates explosively across the field. Perfect dribble. Perfect through pass. Receives return pass. Strikes a stunning shot into the top corner of the goal. Net ripples dramatically. Crowd erupts. Argentina teammates run toward her celebrating. SCENE 9 (0:14–0:15) — FINAL BRAND SHOT Hero commercial ending. She stands confidently facing the camera holding the Sprite bottle prominently in the foreground. Behind her is the packed World Cup stadium with the host city skyline visible beyond the stadium. Bright sunlight, sparkling highlights on the bottle, premium advertising composition. Minimal text overlay: "SPRITE – REFRESH YOUR GAME" Sparkling Sprite logo appears at the very end as the music reaches its climax. END OF COMMERCIAL. STRICTLY FOLLOW ALL SCENES IN THE EXACT ORDER PROVIDED.

Aaliya

37,981 görüntüleme • 1 ay önce

Taste the chocolate magic. GPT Image 2 + Seedance 2.0 on Sjolt prompt **15-Second Bisconni Cocomo Party Pack Commercial Prompt** A high-energy, ultra-realistic 15-second commercial featuring a young woman with long wavy blonde hair, fair skin, bright blue eyes, and a confident, playful expression. She wears a colorful streetwear outfit consisting of a vibrant yellow oversized hoodie, denim shorts, white sneakers, and colorful wristbands. She skateboards with natural, realistic body movement and expressive facial performance. The featured product is a vibrant red plastic stand-up pouch of **Bisconni Cocomo Chocolate Filled Biscuits Party Pack**. The pouch features a large yellow **"PARTY PACK"** banner in bold red letters decorated with colorful party hats, the white **Bisconni** logo inside a red oval, the large **"Cocomo"** logo in rainbow gradient letters with a blue outline, the text **"CHOCOLATE FILLED BISCUITS"** in white beneath it, and a circular illustration of four smiling cartoon children on the front. Several cheerful cartoon kids peek from behind the pouch, while round light-brown chocolate-filled biscuits with embossed designs including a smiling car, star, sun face, train, and chocolate-topped biscuit appear throughout the commercial. Bright summer colors, commercial-grade realism, highly detailed textures, vibrant product branding, cinematic camera movement, realistic physics, crisp typography exactly matching the packaging, premium food-commercial quality, 4K. **Shot 1 (0:00–0:01.5):** Wide fisheye push into a colorful graffiti-covered skate bowl beneath bright midday sunshine. Chocolate cream ribbons begin swirling around the bowl while embossed Cocomo biscuits tumble playfully through the air. The blonde skater stands at the rim holding the vibrant red Cocomo Party Pack. Palm trees sway against a deep blue sky. Whip pan right transition. **Shot 2 (0:01.5–0:03):** Whip pan resolves into an extreme macro close-up of the Cocomo pouch. Condensation droplets sparkle across the glossy packaging while sunlight creates brilliant highlights over the rainbow Cocomo logo, the yellow PARTY PACK banner, and the smiling cartoon children. The camera slowly glides across the surface before a matched zoom transition. **Shot 3 (0:03–0:04.5):** Pull back reveals the blonde skater dropping into the bowl. Chocolate ribbons spiral around her skateboard while Cocomo biscuits float beside her in slow arcs. Graffiti walls streak past with energetic handheld movement. Speed-ramp transition. **Shot 4 (0:04.5–0:06):** At maximum speed, she thrusts the Cocomo Party Pack toward the camera. A dramatic burst of flowing chocolate filling erupts outward, carrying flying embossed biscuits toward the lens. Strong midday backlight creates glowing highlights. Smash cut. **Shot 5 (0:06–0:07.5):** The chocolate splash freezes into elegant suspended ribbons while biscuits rotate slowly through the sunlight. Every biscuit embossing remains visible as the camera performs a smooth left orbit around the floating action at approximately 20% speed. **Shot 6 (0:07.5–0:09):** Orbit rises into a dramatic overhead fisheye shot. The blonde skater lifts the Cocomo pouch triumphantly while chocolate ribbons spiral around her and dozens of biscuits circle like confetti. Bright sunshine illuminates the vibrant red packaging. Crane match transition. **Shot 7 (0:09–0:10.5):** Camera cranes downward as she lands an impressive skateboard trick. Chocolate streams wrap around the skateboard while biscuits bounce naturally around the landing. Motion blur enhances speed as she smiles confidently toward camera. Match cut. **Shot 8 (0:10.5–0:12):** Match cut into a smooth dolly push toward the smiling blonde skater extending the Cocomo Party Pack. Chocolate ribbons and embossed biscuits continue floating gracefully around her while warm sunlight sweeps across her face. Speed ramps gradually into slow motion before fading. **Shot 9 (0:12–0:13):** Fade into a tight cinematic push toward the pouch only inches from the lens. Condensation droplets slide naturally across the glossy packaging while shallow depth of field shifts gently across the PARTY PACK banner, Bisconni logo, rainbow Cocomo typography, cartoon children illustration, and chocolate-filled biscuit graphics. Match cut. **Shot 10 (0:13–0:15):** Hero ending. Slow orbit around the blonde skater frozen mid-air performing a skateboard trick while confidently presenting the Cocomo Party Pack directly toward the camera. Rich chocolate ribbons cascade around her as embossed biscuits fly through the frame. Bright sun flares sweep across the lens, ending on a crystal-clear hero shot of the package with every logo, illustration, color, and typography perfectly matching the original packaging. **Audio:** Upbeat tropical electro-pop soundtrack with premium commercial sound design. Realistic skateboard wheel rolls, ramp impacts, chocolate splash effects, biscuit impacts, energetic whooshes, camera transition swishes, sparkling packaging sounds, and a polished advertising mix synchronized precisely with every camera movement and transition.
0:16

Taste the chocolate magic. GPT Image 2 + Seedance 2.0 on Sjolt prompt **15-Second Bisconni Cocomo Party Pack Commercial Prompt** A high-energy, ultra-realistic 15-second commercial featuring a young woman with long wavy blonde hair, fair skin, bright blue eyes, and a confident, playful expression. She wears a colorful streetwear outfit consisting of a vibrant yellow oversized hoodie, denim shorts, white sneakers, and colorful wristbands. She skateboards with natural, realistic body movement and expressive facial performance. The featured product is a vibrant red plastic stand-up pouch of **Bisconni Cocomo Chocolate Filled Biscuits Party Pack**. The pouch features a large yellow **"PARTY PACK"** banner in bold red letters decorated with colorful party hats, the white **Bisconni** logo inside a red oval, the large **"Cocomo"** logo in rainbow gradient letters with a blue outline, the text **"CHOCOLATE FILLED BISCUITS"** in white beneath it, and a circular illustration of four smiling cartoon children on the front. Several cheerful cartoon kids peek from behind the pouch, while round light-brown chocolate-filled biscuits with embossed designs including a smiling car, star, sun face, train, and chocolate-topped biscuit appear throughout the commercial. Bright summer colors, commercial-grade realism, highly detailed textures, vibrant product branding, cinematic camera movement, realistic physics, crisp typography exactly matching the packaging, premium food-commercial quality, 4K. **Shot 1 (0:00–0:01.5):** Wide fisheye push into a colorful graffiti-covered skate bowl beneath bright midday sunshine. Chocolate cream ribbons begin swirling around the bowl while embossed Cocomo biscuits tumble playfully through the air. The blonde skater stands at the rim holding the vibrant red Cocomo Party Pack. Palm trees sway against a deep blue sky. Whip pan right transition. **Shot 2 (0:01.5–0:03):** Whip pan resolves into an extreme macro close-up of the Cocomo pouch. Condensation droplets sparkle across the glossy packaging while sunlight creates brilliant highlights over the rainbow Cocomo logo, the yellow PARTY PACK banner, and the smiling cartoon children. The camera slowly glides across the surface before a matched zoom transition. **Shot 3 (0:03–0:04.5):** Pull back reveals the blonde skater dropping into the bowl. Chocolate ribbons spiral around her skateboard while Cocomo biscuits float beside her in slow arcs. Graffiti walls streak past with energetic handheld movement. Speed-ramp transition. **Shot 4 (0:04.5–0:06):** At maximum speed, she thrusts the Cocomo Party Pack toward the camera. A dramatic burst of flowing chocolate filling erupts outward, carrying flying embossed biscuits toward the lens. Strong midday backlight creates glowing highlights. Smash cut. **Shot 5 (0:06–0:07.5):** The chocolate splash freezes into elegant suspended ribbons while biscuits rotate slowly through the sunlight. Every biscuit embossing remains visible as the camera performs a smooth left orbit around the floating action at approximately 20% speed. **Shot 6 (0:07.5–0:09):** Orbit rises into a dramatic overhead fisheye shot. The blonde skater lifts the Cocomo pouch triumphantly while chocolate ribbons spiral around her and dozens of biscuits circle like confetti. Bright sunshine illuminates the vibrant red packaging. Crane match transition. **Shot 7 (0:09–0:10.5):** Camera cranes downward as she lands an impressive skateboard trick. Chocolate streams wrap around the skateboard while biscuits bounce naturally around the landing. Motion blur enhances speed as she smiles confidently toward camera. Match cut. **Shot 8 (0:10.5–0:12):** Match cut into a smooth dolly push toward the smiling blonde skater extending the Cocomo Party Pack. Chocolate ribbons and embossed biscuits continue floating gracefully around her while warm sunlight sweeps across her face. Speed ramps gradually into slow motion before fading. **Shot 9 (0:12–0:13):** Fade into a tight cinematic push toward the pouch only inches from the lens. Condensation droplets slide naturally across the glossy packaging while shallow depth of field shifts gently across the PARTY PACK banner, Bisconni logo, rainbow Cocomo typography, cartoon children illustration, and chocolate-filled biscuit graphics. Match cut. **Shot 10 (0:13–0:15):** Hero ending. Slow orbit around the blonde skater frozen mid-air performing a skateboard trick while confidently presenting the Cocomo Party Pack directly toward the camera. Rich chocolate ribbons cascade around her as embossed biscuits fly through the frame. Bright sun flares sweep across the lens, ending on a crystal-clear hero shot of the package with every logo, illustration, color, and typography perfectly matching the original packaging. **Audio:** Upbeat tropical electro-pop soundtrack with premium commercial sound design. Realistic skateboard wheel rolls, ramp impacts, chocolate splash effects, biscuit impacts, energetic whooshes, camera transition swishes, sparkling packaging sounds, and a polished advertising mix synchronized precisely with every camera movement and transition.

Sharon Riley

32,329 görüntüleme • 10 gün önce