Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

Cinema needs #Akshaykumar Theatres doesn't bleed when #Zero, #Raees are disasters of Gargantuan proportion. But an #Akshaykumar film becoming below average hurts. #Akshay get more film offers than any other star on this planet. Blockbusters loading.

Nitesh

2,971 subscribers

33,429 görüntüleme • 1 yıl önce •via X (Twitter)

Haberler & Politika #Akshaykumar #Zero #Raees #Akshaykumar #Akshay

Anya Rossi• Live Now

Private livecam show

10 Yorum

Sachin_07 profil fotoğrafı

Sachin_071 yıl önce

Raees collection >>> disaster sarfira,selfiee ,omg 2 , sky force collection

Skydance profil fotoğrafı

Skydance1 yıl önce

Our lives are the sum of our choices. Mission: Impossible – The Final Reckoning. See you at the movies May 23, 2025.

Pratham profil fotoğrafı

Pratham1 yıl önce

BMCM Budget - 350 cr Collection - 85-90 cr Worldwide Mission Raniganj Budget - 200 cr Collection - 70 cr WW Selfiee Budget - 250 cr Collection - 50 cr WW Even Skyforce budget - 250 cr Collection - 170 cr WW ( with Free tickets, offers ,etc) Cry more 🤣🤣

S.S ALI profil fotoğrafı

S.S ALI1 yıl önce

Srk disasters films more collected money than Akshay kumar okey..

Nitesh Naveen profil fotoğrafı

Nitesh Naveen1 yıl önce

More losses were made from 1 single film of #SRK. Hence, the disaster of Gargantuan proportion was used. Financial literacy is a must for all #SRK fans.

Mun Patel profil fotoğrafı

Mun Patel1 yıl önce

If #Raees is a disaster, then #Selfie is a blockbuster.

Naan Thaan Da King-u profil fotoğrafı

Naan Thaan Da King-u1 yıl önce

More movies = More disasters

MAYANK 🪖 profil fotoğrafı

MAYANK 🪖1 yıl önce

5 disasters in a row , wait

CineMaza profil fotoğrafı

CineMaza1 yıl önce

bhai jitne kama kar srk salman flop dete hai utne me akshay ki film blockbuster ho jaati hai 🤣

ı•m•săm profil fotoğrafı

ı•m•săm1 yıl önce

Canadian kumar

Benzer Videolar

The super-rich are dining out on the planet-emitting more carbon in just 90 minutes than the average person does in a lifetime. The rest of us are paying the price. Share this film and sign the petition #MakeRichPollutersPay

The super-rich are dining out on the planet-emitting more carbon in just 90 minutes than the average person does in a lifetime. The rest of us are paying the price. Share this film and sign the petition #MakeRichPollutersPay

Oxfam International

496,106 görüntüleme • 1 yıl önce

No Other Choice needs to be nominated for the Oscar for Best Picture. I love F1- it’s a great film. It’s not more deserving of a Best Picture nom than No Other Choice. If you haven’t see this film yet, I get it- it’s not showing everywhere. But find a way. This movie is that good

No Other Choice needs to be nominated for the Oscar for Best Picture. I love F1- it’s a great film. It’s not more deserving of a Best Picture nom than No Other Choice. If you haven’t see this film yet, I get it- it’s not showing everywhere. But find a way. This movie is that good

Cinema Tweets

149,205 görüntüleme • 5 ay önce

WOW 🚨 Watch , #AkshayKumar talking about #Dhurandhar2‌TheRevenge Success ✅ #AkshayKumar shared his thoughts on whether the success of #Dhurandhar2 might impact #BhoothBangla , saying he’s genuinely pleased to see the film performing so strongly and pulling in massive audiences. He added that such success pushes Indian cinema forward, which is a positive sign for the industry. According to him, a three week window (around 21 days) is generally enough, and when films do well, it not only benefits the business but also opens up more chances for promotions and media interactions, something that wouldn’t happen if movies failed at the box office.

WOW 🚨 Watch , #AkshayKumar talking about #Dhurandhar2‌TheRevenge Success ✅ #AkshayKumar shared his thoughts on whether the success of #Dhurandhar2 might impact #BhoothBangla , saying he’s genuinely pleased to see the film performing so strongly and pulling in massive audiences. He added that such success pushes Indian cinema forward, which is a positive sign for the industry. According to him, a three week window (around 21 days) is generally enough, and when films do well, it not only benefits the business but also opens up more chances for promotions and media interactions, something that wouldn’t happen if movies failed at the box office.

Always Bollywood

50,120 görüntüleme • 3 ay önce

Fan wars are louder than ever, but are they helping cinema or hurting it? Some film stars even support or encourage fan associations. Does that strengthen the bond with audiences, or does it end up fueling more rivalry and negativity between fan bases? In this episode, Dil Raju shares his perspective on fan culture and its impact on the film industry. What do you think - is fan culture creating more positivity or more negativity? Share your thoughts below. 👇 #rawtalks #dilraju #fanwars

Fan wars are louder than ever, but are they helping cinema or hurting it? Some film stars even support or encourage fan associations. Does that strengthen the bond with audiences, or does it end up fueling more rivalry and negativity between fan bases? In this episode, Dil Raju shares his perspective on fan culture and its impact on the film industry. What do you think - is fan culture creating more positivity or more negativity? Share your thoughts below. 👇 #rawtalks #dilraju #fanwars

Vamshi Kurapati

33,909 görüntüleme • 18 gün önce

#WATCH | Mumbai | On his upcoming movie Bhooth Bangla, Director Priyadarshan says, "When we made Bhool Bhulaiyaa, we didn't think about horror comedy. We just thought of a film which is a psychological thriller. But if you watch any film of mine, there will be a lot of humour...When the audience goes to watch a horror film, they'll be very tense. They actually look for a chance to laugh...We are trying to exploit that weakness of the audience...In Bhooth Bangla also, there are sequences which are very tense and have humour...This is a nice combination...Whenever I think of humour, my first preference definitely is Akshay..."

#WATCH | Mumbai | On his upcoming movie Bhooth Bangla, Director Priyadarshan says, "When we made Bhool Bhulaiyaa, we didn't think about horror comedy. We just thought of a film which is a psychological thriller. But if you watch any film of mine, there will be a lot of humour...When the audience goes to watch a horror film, they'll be very tense. They actually look for a chance to laugh...We are trying to exploit that weakness of the audience...In Bhooth Bangla also, there are sequences which are very tense and have humour...This is a nice combination...Whenever I think of humour, my first preference definitely is Akshay..."

ANI

111,718 görüntüleme • 3 ay önce

If you still own any Solana, there's still time to sell it before it goes to zero. I tried to save as many of you as I could – got more hate on this video than any other but I was right yet again An update video on why it has never been more over for $SOL and the rest of crypto

If you still own any Solana, there's still time to sell it before it goes to zero. I tried to save as many of you as I could – got more hate on this video than any other but I was right yet again An update video on why it has never been more over for $SOL and the rest of crypto

Brandon Hong

270,878 görüntüleme • 1 yıl önce

RIP Sam Neill (1947-2026) Sam Neill on why "The Piano" (1993) is an important movie in Cinema history: "I don’t think I can overestimate how important 'The Piano' (1993) is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane Campion's. I wasn’t the star of the film. That was Holly Hunter. But there is honour to be found in the second fiddle. Or fourth. No one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric— see down there on the right—that’s me. It’s a film that will always have a place in cinema history. And I served in it." ("Did I Ever Tell You This: A Memoir", Sam Neill, 2023)

RIP Sam Neill (1947-2026) Sam Neill on why "The Piano" (1993) is an important movie in Cinema history: "I don’t think I can overestimate how important 'The Piano' (1993) is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane Campion's. I wasn’t the star of the film. That was Holly Hunter. But there is honour to be found in the second fiddle. Or fourth. No one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric— see down there on the right—that’s me. It’s a film that will always have a place in cinema history. And I served in it." ("Did I Ever Tell You This: A Memoir", Sam Neill, 2023)

DepressedBergman

333,778 görüntüleme • 6 gün önce

Peter Sellers played three roles in Kubrick’s Dr. Strangelove. Sellers in this film is one of the more impressive things I’ve ever seen in Cinema from an actor. Sellers lived a difficult life off screen but when he was on his game- like he was here- few have ever been better.

Peter Sellers played three roles in Kubrick’s Dr. Strangelove. Sellers in this film is one of the more impressive things I’ve ever seen in Cinema from an actor. Sellers lived a difficult life off screen but when he was on his game- like he was here- few have ever been better.

Cinema Tweets

38,113 görüntüleme • 2 ay önce

‼️WHEN BILL HANEY SAID HANEY VS GARCIA DID THE MOST PPV BUYS THAN OTHER PPVS THAT YEAR, BUT DIDN’T KNOW THE OFFICIAL PPV NUMBERS‼️ 🤣🤣🤣 Bill Haney: “The fight(Haney vs Garcia) didn’t sell?! When it did more PPVs than any other fight this year! We 7 months In(the year) and it did more than any of the other fights, but Devin don’t sell?!” “So what are the official (PPV)numbers you’ve been given?” Bill Haney: “Umm…I haven’t been given an official (PPV)number.” 🤔🤔 #Boxing 💀💀🥊🥊🥊 🎥: ThaBoxingvoice

‼️WHEN BILL HANEY SAID HANEY VS GARCIA DID THE MOST PPV BUYS THAN OTHER PPVS THAT YEAR, BUT DIDN’T KNOW THE OFFICIAL PPV NUMBERS‼️ 🤣🤣🤣 Bill Haney: “The fight(Haney vs Garcia) didn’t sell?! When it did more PPVs than any other fight this year! We 7 months In(the year) and it did more than any of the other fights, but Devin don’t sell?!” “So what are the official (PPV)numbers you’ve been given?” Bill Haney: “Umm…I haven’t been given an official (PPV)number.” 🤔🤔 #Boxing 💀💀🥊🥊🥊 🎥: ThaBoxingvoice

Dan The Boxing Man

29,954 görüntüleme • 4 ay önce

In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.

In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.

DepressedBergman

127,202 görüntüleme • 1 ay önce

How did that #Corrie episode today turn into Lisa hate? I'm so confused by what she's done this time. The reactions in both scenes are that of any other loving mother, It hurts them more than us when we fly the nest, I think more so if it's an only child. Lisa is a copper, she sees all the bad in the world, which will always be at the forefront of her mind. Shes well aware of what can happen in a big city like London. Her worries are valid, it doesn't make her any less happy for Betsy and her achievement but there was always going to be reservations. For Lisa she is a mother first and foremost who loves her kid more than life itself.

How did that #Corrie episode today turn into Lisa hate? I'm so confused by what she's done this time. The reactions in both scenes are that of any other loving mother, It hurts them more than us when we fly the nest, I think more so if it's an only child. Lisa is a copper, she sees all the bad in the world, which will always be at the forefront of her mind. Shes well aware of what can happen in a big city like London. Her worries are valid, it doesn't make her any less happy for Betsy and her achievement but there was always going to be reservations. For Lisa she is a mother first and foremost who loves her kid more than life itself.

L ♊️

15,272 görüntüleme • 1 ay önce

I think #SupriyaYarlagadda garu wasn’t happy that no questions about #Dacoit were asked in this interview with RVS. Most of the audience know that RVS’s interviews usually focus more on technical aspects and the interviewee’s thoughts on cinema, rather than the film being promoted. While we as an audience enjoy this approach, some members of the film team who come expecting questions about their movie might feel disappointed. She asked RVS a few questions toward the end. I felt a bit bad when she asked him if he even goes to the theatre at least once a week. Full Interview:

I think #SupriyaYarlagadda garu wasn’t happy that no questions about #Dacoit were asked in this interview with RVS. Most of the audience know that RVS’s interviews usually focus more on technical aspects and the interviewee’s thoughts on cinema, rather than the film being promoted. While we as an audience enjoy this approach, some members of the film team who come expecting questions about their movie might feel disappointed. She asked RVS a few questions toward the end. I felt a bit bad when she asked him if he even goes to the theatre at least once a week. Full Interview:

CineManiac

156,240 görüntüleme • 3 ay önce

#DISCLOSUREDAY is Steven Spielberg’s 4th centered film and the first Spielberg film I’ve seen in theaters since Indiana Jones and The Kingdom of the Crystal Skull. (I might never see a truly Great Spielberg picture in theaters) The Cast on paper is perfect, John Williams orchestrating the score while Spielberg directs the shit out of this film. David Koepp wrote the screenplay here and he is definitely the weakest part of this creation but it’s also on Spielberg because he should be able to see the faults here. The film leaves you wanting more and more and eventually it gives you what you want but takes it away just like that, it results in an underwhelming ending. The film is really well made, the framing and camera choices from Spielberg adds so much to what would be just simple scenes. Blunt, O’Connor, Domingo and Firth are all solid, at times the script lets them down but they do their best to salvage it. The Train sequence was great, but not a whole lot happens in the film other than that. I enjoyed the film for its intriguing storyline, the directing and especially Blunt’s performance but the ending was a big bummer. Definitely a good intriguing watch but I don’t think the film will have much rewatch value. Wanted to love it but just ended up liking it for about 90% of it. Did you see or plan on seeing Disclosure Day ? 👽🛸

#DISCLOSUREDAY is Steven Spielberg’s 4th centered film and the first Spielberg film I’ve seen in theaters since Indiana Jones and The Kingdom of the Crystal Skull. (I might never see a truly Great Spielberg picture in theaters) The Cast on paper is perfect, John Williams orchestrating the score while Spielberg directs the shit out of this film. David Koepp wrote the screenplay here and he is definitely the weakest part of this creation but it’s also on Spielberg because he should be able to see the faults here. The film leaves you wanting more and more and eventually it gives you what you want but takes it away just like that, it results in an underwhelming ending. The film is really well made, the framing and camera choices from Spielberg adds so much to what would be just simple scenes. Blunt, O’Connor, Domingo and Firth are all solid, at times the script lets them down but they do their best to salvage it. The Train sequence was great, but not a whole lot happens in the film other than that. I enjoyed the film for its intriguing storyline, the directing and especially Blunt’s performance but the ending was a big bummer. Definitely a good intriguing watch but I don’t think the film will have much rewatch value. Wanted to love it but just ended up liking it for about 90% of it. Did you see or plan on seeing Disclosure Day ? 👽🛸

MoviesThatMaher

15,159 görüntüleme • 1 ay önce

Star Destroyers have honestly never been more intimidating than they were on Exegol at the end of The Rise Of Skywalker. The emphasis on their firepower with the close up shots just go to show how powerful these particular Destroyers really are, and the wide shots of the entire fleet make them truly feel like Palpatine’s ultimate plan to seize control of the galaxy. Say what you will about this film, but this sequence was seriously one of the best space battles in all of Star Wars.

Star Destroyers have honestly never been more intimidating than they were on Exegol at the end of The Rise Of Skywalker. The emphasis on their firepower with the close up shots just go to show how powerful these particular Destroyers really are, and the wide shots of the entire fleet make them truly feel like Palpatine’s ultimate plan to seize control of the galaxy. Say what you will about this film, but this sequence was seriously one of the best space battles in all of Star Wars.

jacob

41,829 görüntüleme • 3 ay önce

ELON: LEGACY MEDIA IS DRIVER OF MISINFORMATION... AVERAGE CITIZEN OFTEN KNOWS MORE THAN JOURNALISTS "I think the media is a driver of misinformation much more than the media would like to admit. In a lot of cases, it is the average citizen that knows more than the journalist. Very often when I see an article about something I know a lot about, they get a lot wrong. The best interpretation is someone who doesn't really understand what's going on, has only a few facts, has to come up with an article. If you read an article about something you know about, how accurate is that article? Now imagine that is how essentially all articles are. They're an approximation, but not an exact situation. If somebody is an expert in the field and was actually there and writes about their experience, that's in a lot of cases going to be better than a journalist because the journalist wasn't there." Source: Interview with the BBC, April 2023

ELON: LEGACY MEDIA IS DRIVER OF MISINFORMATION... AVERAGE CITIZEN OFTEN KNOWS MORE THAN JOURNALISTS "I think the media is a driver of misinformation much more than the media would like to admit. In a lot of cases, it is the average citizen that knows more than the journalist. Very often when I see an article about something I know a lot about, they get a lot wrong. The best interpretation is someone who doesn't really understand what's going on, has only a few facts, has to come up with an article. If you read an article about something you know about, how accurate is that article? Now imagine that is how essentially all articles are. They're an approximation, but not an exact situation. If somebody is an expert in the field and was actually there and writes about their experience, that's in a lot of cases going to be better than a journalist because the journalist wasn't there." Source: Interview with the BBC, April 2023

Mario Nawfal

39,061 görüntüleme • 6 ay önce

Ingmar Bergman talks about the drawbacks of using amateur/non-professional actors in movies: "Bergman: As long as something unambiguous is required of someone in a film, an amateur will do. But the moment something complex has to be expressed, an amateur is no use. Actors are trained to express complexities. Interviewer: Are you saying, categorically, that an amateur is incapable of expressing anything complex. Bergman: Yes, I am. You may be able to do it with the help of an amateur; but you can never get an amateur, on his own, to express something complex. This can be seen very clearly in the film I like more than any other, and which I suppose I must have seen a hundred times: De Sica’s 'Umberto D' (1952). There he uses the old professor— who was an amateur— admittedly with a dubbed voice, the voice of a professional actor. One sees clearly how situations arose when De Sica wanted him to express certain things— and it's more than he can manage. That's why the film becomes flat and slack in a few places, particularly at the end. I don’t think one could find a single instance of someone having got an amateur to express something complex. It’s simply beyond them. The moment I find I’m out of rapport with someone who’s got to do something in front of the camera, I’m utterly lost. The whole situation becomes idiotic. If I get an actor— and it has happened — who becomes petrified in front of the camera, falls into a cramp, can't remember what he's got to do, or panics for some other reason, the whole film becomes extraordinarily hard to clear up." ('Bergman on Bergman', Stig Björkman, Torsten Manns, Jonas Sima, translated by Paul Britten Austin, 1973) Clip from: Umberto D. (1952) Director: Vittorio De Sica

Ingmar Bergman talks about the drawbacks of using amateur/non-professional actors in movies: "Bergman: As long as something unambiguous is required of someone in a film, an amateur will do. But the moment something complex has to be expressed, an amateur is no use. Actors are trained to express complexities. Interviewer: Are you saying, categorically, that an amateur is incapable of expressing anything complex. Bergman: Yes, I am. You may be able to do it with the help of an amateur; but you can never get an amateur, on his own, to express something complex. This can be seen very clearly in the film I like more than any other, and which I suppose I must have seen a hundred times: De Sica’s 'Umberto D' (1952). There he uses the old professor— who was an amateur— admittedly with a dubbed voice, the voice of a professional actor. One sees clearly how situations arose when De Sica wanted him to express certain things— and it's more than he can manage. That's why the film becomes flat and slack in a few places, particularly at the end. I don’t think one could find a single instance of someone having got an amateur to express something complex. It’s simply beyond them. The moment I find I’m out of rapport with someone who’s got to do something in front of the camera, I’m utterly lost. The whole situation becomes idiotic. If I get an actor— and it has happened — who becomes petrified in front of the camera, falls into a cramp, can't remember what he's got to do, or panics for some other reason, the whole film becomes extraordinarily hard to clear up." ('Bergman on Bergman', Stig Björkman, Torsten Manns, Jonas Sima, translated by Paul Britten Austin, 1973) Clip from: Umberto D. (1952) Director: Vittorio De Sica

DepressedBergman

28,017 görüntüleme • 3 ay önce

What this graph shows are the local daily slopes, color-coded: green marks days when the slope is steeper and more positive than the global power law, while red marks days when it is steeper in the negative direction. The blue vector represents the cumulative average of the local vectors up to that point. As more data accumulates, this average becomes increasingly parallel to the overall power law trend. In other words, the local slopes push the price up and down on short timescales, but collectively their average motion guides the price along the underlying power law trajectory.

What this graph shows are the local daily slopes, color-coded: green marks days when the slope is steeper and more positive than the global power law, while red marks days when it is steeper in the negative direction. The blue vector represents the cumulative average of the local vectors up to that point. As more data accumulates, this average becomes increasingly parallel to the overall power law trend. In other words, the local slopes push the price up and down on short timescales, but collectively their average motion guides the price along the underlying power law trajectory.

Giovanni's BTC_POWER_LAW

12,594 görüntüleme • 4 ay önce

You wanted a story? Well, #SajidNadiadwala is here to give you a story! #TigerShroff is set to bring his biggest and the bestest movie till date, #Baaghi4. There is a lot more that he is promising here other than action, and when the film begins, you will get to see it first hand! Sach? Ya phir ek khwaab? Ek alag tareeka ka pyaar with loads of violence dekhne ko milega in this #AHarsha film which will finally showcase #SanjayDutt in an avtar that he deserves! #SonamBajwa is appearing in an author backed avtar in this unique film and wait seems to be worth it for #HarnaazSandhu to make her #Bollywood debut! Can’t wait to catch #Baaghi4 on 5th September.

You wanted a story? Well, #SajidNadiadwala is here to give you a story! #TigerShroff is set to bring his biggest and the bestest movie till date, #Baaghi4. There is a lot more that he is promising here other than action, and when the film begins, you will get to see it first hand! Sach? Ya phir ek khwaab? Ek alag tareeka ka pyaar with loads of violence dekhne ko milega in this #AHarsha film which will finally showcase #SanjayDutt in an avtar that he deserves! #SonamBajwa is appearing in an author backed avtar in this unique film and wait seems to be worth it for #HarnaazSandhu to make her #Bollywood debut! Can’t wait to catch #Baaghi4 on 5th September.

Joginder Tuteja

35,084 görüntüleme • 10 ay önce