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Clara Project Complete! Here's the Free Version Full Version: Featuring: Lynoit (NSFW VA + Sound Designer) as March 7th and Clara DOOMEDEYES as Caelus With help from 志能美クリエイティブ Shinobi Creative, additional artists, and Miscon🔞 #HonkaiStarRail #崩壊スターレイル #Clara

Ink Plusインク🔞

21,375 subscribers

258,364 次观看 • 8 个月前 •via X (Twitter)

NSFW #HonkaiStarRail #崩壊スターレイル #Clara

Anya Rossi• Live Now

Private livecam show

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~A SURPRISE GIFT~ Humongous thanks to Juju the Borrower 🔞 for surprising me with a Voiced Version of the set! And even bigger thanks to Lynoit (NSFW VA + Sound Designer) for providing her talents for both Mako-chan and Haru! Also one last little bonus can be found below~ #sizetwitter #giantess #巨大娘

~A SURPRISE GIFT~ Humongous thanks to Juju the Borrower 🔞 for surprising me with a Voiced Version of the set! And even bigger thanks to Lynoit (NSFW VA + Sound Designer) for providing her talents for both Mako-chan and Haru! Also one last little bonus can be found below~ #sizetwitter #giantess #巨大娘

🔞890FeetTall🔞

41,590 次观看 • 2 个月前

Aventurine is bugged 🚨 According to users, his shield doesn't seem to work properly and his sustain capabilities felt weaker by the start of Version 2.7. As per user ''Askeladd4417'' explained from the following showcase: ''Part of the talent (A6) states that it additionally grants a Fortified Wager that can block DMG equal to 7% of Aventurine's DEF plus 96 to the ally with the lowest Shield effect, lasting for 3 turns. This is obviously not happening, as in the footage, Feixiao (with the lowest shield value at 358) only has 850 points after the ability triggers, which mirrors the rest of the team's gain of approximately 492 points.'' Please make sure to send your reports to Hoyoverse so they will fix this as soon as possible! #HonkaiStarRail #崩壊スターレイル

Aventurine is bugged 🚨 According to users, his shield doesn't seem to work properly and his sustain capabilities felt weaker by the start of Version 2.7. As per user ''Askeladd4417'' explained from the following showcase: ''Part of the talent (A6) states that it additionally grants a Fortified Wager that can block DMG equal to 7% of Aventurine's DEF plus 96 to the ally with the lowest Shield effect, lasting for 3 turns. This is obviously not happening, as in the footage, Feixiao (with the lowest shield value at 358) only has 850 points after the ability triggers, which mirrors the rest of the team's gain of approximately 492 points.'' Please make sure to send your reports to Hoyoverse so they will fix this as soon as possible! #HonkaiStarRail #崩壊スターレイル

Star Rail Universe

1,120,600 次观看 • 1 年前

This is the last video I’m going to upload. I honestly don’t remember which quest it was from, but it shows how 2B and 9S normally interact. 9S keeps complaining, and 2B patiently stays by his side and keeps reminding him (those who know the reason will understand why she does this). Their interaction has warmth, it’s not one-sided or cold at all. In the English version, though, 2B tends to ignore him or sound impatient. It gives me the impression that 9S comes off as childish, constantly complaining or just trying to get 2B’s attention, while 2B doesn’t just feel cold, but outright indifferent, as if she finds 9S annoying and doesn’t want to engage with him. The rest of the subtleties really need to be experienced firsthand. Replaying with Japanese VA or watching the Japanese version on YT helps you better understand their relationship. *** This is just additional material for people who are interested. If you’re not interested, please feel free to ignore it. Thank you.

This is the last video I’m going to upload. I honestly don’t remember which quest it was from, but it shows how 2B and 9S normally interact. 9S keeps complaining, and 2B patiently stays by his side and keeps reminding him (those who know the reason will understand why she does this). Their interaction has warmth, it’s not one-sided or cold at all. In the English version, though, 2B tends to ignore him or sound impatient. It gives me the impression that 9S comes off as childish, constantly complaining or just trying to get 2B’s attention, while 2B doesn’t just feel cold, but outright indifferent, as if she finds 9S annoying and doesn’t want to engage with him. The rest of the subtleties really need to be experienced firsthand. Replaying with Japanese VA or watching the Japanese version on YT helps you better understand their relationship. *** This is just additional material for people who are interested. If you’re not interested, please feel free to ignore it. Thank you.

mitsuki

20,054 次观看 • 6 个月前

Making commercials and films with AI isn’t just exciting — it’s the future. That said, the hardest part isn’t the technology, it’s finding people you genuinely love working with, and sharpening your storytelling skills. Those two things will never be replaced by “clicking buttons.” The fundamentals that carry over from traditional filmmaking remain the same: 📕 Strong stories 🤝 Strong relationships If you treat these as secondary, you’ll eventually feel stuck and frustrated. But if you keep them front and center — valued, protected, and constantly nurtured — you’ll thrive in this new era. I’m deeply grateful to Julien Vallée and Google for giving me the opportunity to be part of this project. Here’s to many more. Director: Julien Vallée (Julien Vallee) Composer: Blackpaw AI artists: Julien Vallée, Jordan Daniel Chesney Motion design: Kyle Harter, David Urbinati Flame artist: Mathieu Arvisais VFX artists: Le Jumper, Empty Frame (Jeremie Drapeau & Francois Careau) Designer: Kelsey Lim Sound design: David Urbinati Producer: McKenzie Hayes Lead producer: Angela Long Google Maps Brand Creative Senior Brand Marketing Director: Max Kaplan Group Creative Lead, Search & Maps: Daniel Chandler

Jordan Daniel Chesney

102,788 次观看 • 3 个月前

Ghost of Yotei: Legends releases March 10th on PS5 - first gameplay details. ▫️ Three mission types with up to 4 player co-op - Survival, Story, and Raid (coming in April) ▫️ Four classes including Samurai, Archer, Mercenary, and Shinobi ▫️ Fight to control territory on each map ▫️ Each map will have its own unique Curses and Blessings. Earn Blessings while you control a location, earn Curses when you lose control. ▫️ Story mode allows you to tackle up to 12 missions in 2 player co-op ▫️ Every three missions, you'll unlock an incursion which is a large 4 player assault on a Yotei Six stronghold, culminating in a boss fight against a giant version of the Spider, the Oni, the Kitsune, or the Snake ▫️ Earn unique armor cosmetics as you complete challenges ▫️ All classes can use a katana and a ranged weapon, however each excels with different weapons ▫️ Samurai can wield the odachi and has the widest range of weapon types ▫️ Archer can use the Spear and carry an additional ranged weapon ▫️ Mercenary can use the dual katana with a wide variety of utility ▫️ Shinobi can use the Kusarigama with a wealth of stealth abilities ▫️ Earn Legendary weapons and gear as you take on higher difficulties ▫️ Photo Mode confirmed for Legends mode ▫️ New lobby lets you practice combat and archery, challenge your friends to a game of Zeni Hajiki or Bamboo Strike ▫️ Releashing March 10th on PS5, free for all owners of Ghost of Yotei #GhostofYotei #PS5

Ghost of Yotei: Legends releases March 10th on PS5 - first gameplay details. ▫️ Three mission types with up to 4 player co-op - Survival, Story, and Raid (coming in April) ▫️ Four classes including Samurai, Archer, Mercenary, and Shinobi ▫️ Fight to control territory on each map ▫️ Each map will have its own unique Curses and Blessings. Earn Blessings while you control a location, earn Curses when you lose control. ▫️ Story mode allows you to tackle up to 12 missions in 2 player co-op ▫️ Every three missions, you'll unlock an incursion which is a large 4 player assault on a Yotei Six stronghold, culminating in a boss fight against a giant version of the Spider, the Oni, the Kitsune, or the Snake ▫️ Earn unique armor cosmetics as you complete challenges ▫️ All classes can use a katana and a ranged weapon, however each excels with different weapons ▫️ Samurai can wield the odachi and has the widest range of weapon types ▫️ Archer can use the Spear and carry an additional ranged weapon ▫️ Mercenary can use the dual katana with a wide variety of utility ▫️ Shinobi can use the Kusarigama with a wealth of stealth abilities ▫️ Earn Legendary weapons and gear as you take on higher difficulties ▫️ Photo Mode confirmed for Legends mode ▫️ New lobby lets you practice combat and archery, challenge your friends to a game of Zeni Hajiki or Bamboo Strike ▫️ Releashing March 10th on PS5, free for all owners of Ghost of Yotei #GhostofYotei #PS5

KAMI

342,049 次观看 • 5 个月前

The platform of endless creativity: Ascia is the place to create almost anything and everything art related. Ascia AI is a 100% solo project that I've been working on for the past three months. It's been a journey of ups and downs, but in the end, I've built something that I truly believe the artistic/crypto community would appreciate. The final result (even though its only the start) was unexpected. Initially, my goal was to create a standard AI project designer. But then, I came up with the idea of combining standard digital art with a reimagined ASCII art style, assisted by "creative agents". Currently, these creative agents work on the backend, conditioned to output a near-perfect project for your crypto token, business project or just for fun. As for the frontend agents, users will soon be able to create their own creative agent. They will adapt and learn from your ideas to output the exact visions you have. Now, to support the future of Ascia, I've created the $ASCIA token. It will help with growth, funding and to get the name out there. This has essentially become my full-time job now, so I’m in deep. Enjoy this little walkthrough of the create section:

The platform of endless creativity: Ascia is the place to create almost anything and everything art related. Ascia AI is a 100% solo project that I've been working on for the past three months. It's been a journey of ups and downs, but in the end, I've built something that I truly believe the artistic/crypto community would appreciate. The final result (even though its only the start) was unexpected. Initially, my goal was to create a standard AI project designer. But then, I came up with the idea of combining standard digital art with a reimagined ASCII art style, assisted by "creative agents". Currently, these creative agents work on the backend, conditioned to output a near-perfect project for your crypto token, business project or just for fun. As for the frontend agents, users will soon be able to create their own creative agent. They will adapt and learn from your ideas to output the exact visions you have. Now, to support the future of Ascia, I've created the $ASCIA token. It will help with growth, funding and to get the name out there. This has essentially become my full-time job now, so I’m in deep. Enjoy this little walkthrough of the create section:

will

49,966 次观看 • 1 年前

Remembering the great Don Cherry who was born on this day in 1936. Regarded as one of the most influential musicians of the late 20th century, Cherry transcended jazz and became a pioneer in world music, with his work drawing on African, Middle Eastern, and Hindustani music. He rose to prominence in 1957 as a collaborator with Ornette Coleman, playing a pocket trumpet—a miniature instrument known for its distinctive, nasal tone. He played on Coleman’s first seven albums, which helped shape the free jazz movement, and also recorded The Avant-Garde with John Coltrane in 1960. After leaving Coleman’s band in the early 1960s, Cherry worked with notable artists like Steve Lacy, Sonny Rollins, Archie Shepp, and Albert Ayler. He co-led the New York Contemporary Five with Shepp and John Tchicai in 1963–64 and, alongside Gato Barbieri, recorded two landmark albums, Complete Communion and Symphony for Improvisers, in the mid-1960s. Cherry called his pieces “collage compositions”, but became disillusioned with the structures and demands of the jazz club and abandoned it for a radically different form of music-making. Much of what Cherry did in the 70s laid the groundwork for what has come to be known as “world music”. He became part of a project that was a confluence of music, art, and languages from across the globe, which was more free-folk than jazz, and that valued teaching and the creative instincts of children within its sphere. It was a philosophy that, in the way it operated at least, was at odds with some of his peers, who were searching for a different truth through sound. Here, he is performing with Johnny Dyani on bass and Okay Temiz on percussion and drums live in France, 1971.

Remembering the great Don Cherry who was born on this day in 1936. Regarded as one of the most influential musicians of the late 20th century, Cherry transcended jazz and became a pioneer in world music, with his work drawing on African, Middle Eastern, and Hindustani music. He rose to prominence in 1957 as a collaborator with Ornette Coleman, playing a pocket trumpet—a miniature instrument known for its distinctive, nasal tone. He played on Coleman’s first seven albums, which helped shape the free jazz movement, and also recorded The Avant-Garde with John Coltrane in 1960. After leaving Coleman’s band in the early 1960s, Cherry worked with notable artists like Steve Lacy, Sonny Rollins, Archie Shepp, and Albert Ayler. He co-led the New York Contemporary Five with Shepp and John Tchicai in 1963–64 and, alongside Gato Barbieri, recorded two landmark albums, Complete Communion and Symphony for Improvisers, in the mid-1960s. Cherry called his pieces “collage compositions”, but became disillusioned with the structures and demands of the jazz club and abandoned it for a radically different form of music-making. Much of what Cherry did in the 70s laid the groundwork for what has come to be known as “world music”. He became part of a project that was a confluence of music, art, and languages from across the globe, which was more free-folk than jazz, and that valued teaching and the creative instincts of children within its sphere. It was a philosophy that, in the way it operated at least, was at odds with some of his peers, who were searching for a different truth through sound. Here, he is performing with Johnny Dyani on bass and Okay Temiz on percussion and drums live in France, 1971.

The Jazz Estate

15,340 次观看 • 1 年前

I did a thing. Today is my last day as a full-time employee. After working as a principal designer for large corporations, I left my six-figure salary job to start my skincare brand. It's a passion project that started almost two years ago, using my evenings and weekends studying and researching everything I could find about cosmetics formulation and skin chemistry. My journey started with a personal motivation: I wanted to help my mum manage her psoriasis. I explored various options to create products that didn't contain harsh ingredients, fragrances, or preservatives that could worsen her flare-ups. Oh, and it all started in my kitchen: mixing over 50 formulations, performing lab tests, damaging the skin on my face more than once (learning the hard way, literally), looking through thousands of ingredients, and begging manufacturers to let me try their actives free of charge. As I've been self-funding this project from the start, I put all the money towards the formula, leaving nothing else for the website, packaging and social media marketing, so I've had to do all of that by myself. I've recorded a brief video with the help of a friend to tell my story to the world.

mr fabio

46,340 次观看 • 1 年前

Summary of Kurogames Recruit Interview Translated by Xu I. Introduction to Types of Planning 1. Combat Planner: Responsible for character skills and combat system design. 2. Narrative Planner: Responsible for writing the storyline, worldbuilding, character backstories, etc. 3. System Planner: Responsible for UI, event portals. 4. Quest Planner: Responsible for the logical design and flow of main and side quests. 5. Level Planner: Mainly responsible for building the narrative platform (product design), creating engaging interactions, etc. II. Core Responsibilities of Level Planning Building the Narrative Platform (Product Structure Design) 1. Use whiteboards and self-made processes to communicate to teammates what kind of scene content the level planner wants, e.g., reverse design of the mission scene for Jiyan Companion Quests dungeon. 2. Make good use of existing in-game mechanics and engine tools (such as UE Blueprints) to implement gameplay prototypes. Only through multiple iterations and feedback can a satisfying outcome be achieved — e.g., using flower seeds to connect paths in Camellya Companion Quests dungeon. 3. Use scripting tools to support smooth and exciting level flow — e.g., 1.3 Black Shores skiing segment. III. Open World Level Design - Example Regions: mt firmament, Black Shores, Nimbus Sanctum, Avinoleum Pioneers of Scene Pipeline Level planners mainly handle the following in massive open-world design tasks: 1. Provide basic map size, terrain structure, main roads, and points of interest (including main quest locations) 2. Propose and lead the design of core gameplay features, such as time reversal, Tethys portals, gliding, gravity inversion, etc. 3. Use top-down maps, whiteboxes, and even self-made models to push scene artists (2D, 3D, lighting) into action For example, the “first look” view — open-world level planners must emphasize its design and guide artists to focus accordingly. IV. Growth Path of a Level Planner Creative Master - Beginner Level Designer: Familiar with the game and development environment, capable of handling simple design work and basic configurations. Example: Completing an interactive mechanism “Chronosorter” in Mt. Firmament from version 1.1 / Placing wild monsters in Mt. Firmament. Senior Level Designer: Capable of completing full level content under the team lead’s guidance. Example: Designing the scene flow of version 2.0 Exploration quest “Where Wind Returns to Celestial Realms” under guidance. - Veteran Level Designer: Able to independently handle full level flow, area or area-themed gameplay design, and proactively push downstream execution efficiently. Example: Independently designing the themed gameplay “Tethys Portal” in version 1.3, and following through with visual performance so other level teammates can configure it smoothly. ➥Extension — Version Level Owner: Leads the level team to accomplish set design goals, guides new team members, coordinates with other departments, and ensures high-quality implementation. Example: Planning the map design of version 2.2 Avinoleum, coordinating cooperation between level planners and other departments. - Creative Master: Able to lead the team in creating level content that exceeds market expectations. Key Point: Able to repeatedly do the above! Examples: — Chief planner and owner of mt firmament and Time Reversal gameplay in version 1.1 — Chief planner and owner of Black Shores map and Tethys Portal in version 1.3 — Chief planner and owner of Flight gameplay in Rinascita in version 2.0 V. Q&A Q: At the end of version 1.0, exploration felt tedious and repetitive. Although version 2.0 introduced some fresh ideas, it’s hard to see how future updates can keep innovating without falling back into the same monotony. A: Everyone already recognized that issue in 1.0, which is why we iterated heavily in 2.0. The goal is simple — to get every planner thinking. We look at everyone's interesting ideas or even creative mechanics from other games that we can integrate. These will definitely feel refreshing, so please stay tuned — it will happen for sure. Q: Older maps felt darker in tone, BGM was monotonous, and overall gameplay was dull. While Rinascita was a major improvement, it felt fragmented, as if each person built something pretty in isolation. It’s hard to describe the region with a unified theme. A: That’s true — it was indeed pieced together by many people. The disjointed feeling came from insufficient communication. We’re aware of the issue and will solve it in version 3.0 or even later versions in the 2.x series. Once there’s a clear theme, the sense of disjointedness won’t be as strong. Q: How do planners decide what kind of map to make? What’s the workflow? A: Narrative, level, quest, and programming planners all sit down together to discuss what we want to make. Everyone shares ideas one by one, and we consolidate them based on data. Q: I’m a veteran of Wuthering Waves and Punishing Gray Raven. I think the four-person team setup, stationary dialogues, map, art, tech, and story are all great. Before Wuthering Waves came out, I used to play a competitor title — Genshin... (includes critical feedback) A: During development, we didn’t aim to compete directly. Comparisons don’t help us create anything better. We’re focused on what we can do and what we’re good at. Q: For the anniversary event, it seems like there was a disconnect between the company’s and players’ expectations. A: Yes, version 2.3 didn’t do well. We’ve already apologized — it was an issue. For the next anniversary, we’ll take it more seriously. Operations is aware of the problem. We’re learning and growing with each mistake. Everyone encounters problems, but we accept them and improve. That’s the best feedback we can give our players. #punishinggrayraven #WutheringWaves

Summary of Kurogames Recruit Interview Translated by Xu I. Introduction to Types of Planning 1. Combat Planner: Responsible for character skills and combat system design. 2. Narrative Planner: Responsible for writing the storyline, worldbuilding, character backstories, etc. 3. System Planner: Responsible for UI, event portals. 4. Quest Planner: Responsible for the logical design and flow of main and side quests. 5. Level Planner: Mainly responsible for building the narrative platform (product design), creating engaging interactions, etc. II. Core Responsibilities of Level Planning Building the Narrative Platform (Product Structure Design) 1. Use whiteboards and self-made processes to communicate to teammates what kind of scene content the level planner wants, e.g., reverse design of the mission scene for Jiyan Companion Quests dungeon. 2. Make good use of existing in-game mechanics and engine tools (such as UE Blueprints) to implement gameplay prototypes. Only through multiple iterations and feedback can a satisfying outcome be achieved — e.g., using flower seeds to connect paths in Camellya Companion Quests dungeon. 3. Use scripting tools to support smooth and exciting level flow — e.g., 1.3 Black Shores skiing segment. III. Open World Level Design - Example Regions: mt firmament, Black Shores, Nimbus Sanctum, Avinoleum Pioneers of Scene Pipeline Level planners mainly handle the following in massive open-world design tasks: 1. Provide basic map size, terrain structure, main roads, and points of interest (including main quest locations) 2. Propose and lead the design of core gameplay features, such as time reversal, Tethys portals, gliding, gravity inversion, etc. 3. Use top-down maps, whiteboxes, and even self-made models to push scene artists (2D, 3D, lighting) into action For example, the “first look” view — open-world level planners must emphasize its design and guide artists to focus accordingly. IV. Growth Path of a Level Planner Creative Master - Beginner Level Designer: Familiar with the game and development environment, capable of handling simple design work and basic configurations. Example: Completing an interactive mechanism “Chronosorter” in Mt. Firmament from version 1.1 / Placing wild monsters in Mt. Firmament. Senior Level Designer: Capable of completing full level content under the team lead’s guidance. Example: Designing the scene flow of version 2.0 Exploration quest “Where Wind Returns to Celestial Realms” under guidance. - Veteran Level Designer: Able to independently handle full level flow, area or area-themed gameplay design, and proactively push downstream execution efficiently. Example: Independently designing the themed gameplay “Tethys Portal” in version 1.3, and following through with visual performance so other level teammates can configure it smoothly. ➥Extension — Version Level Owner: Leads the level team to accomplish set design goals, guides new team members, coordinates with other departments, and ensures high-quality implementation. Example: Planning the map design of version 2.2 Avinoleum, coordinating cooperation between level planners and other departments. - Creative Master: Able to lead the team in creating level content that exceeds market expectations. Key Point: Able to repeatedly do the above! Examples: — Chief planner and owner of mt firmament and Time Reversal gameplay in version 1.1 — Chief planner and owner of Black Shores map and Tethys Portal in version 1.3 — Chief planner and owner of Flight gameplay in Rinascita in version 2.0 V. Q&A Q: At the end of version 1.0, exploration felt tedious and repetitive. Although version 2.0 introduced some fresh ideas, it’s hard to see how future updates can keep innovating without falling back into the same monotony. A: Everyone already recognized that issue in 1.0, which is why we iterated heavily in 2.0. The goal is simple — to get every planner thinking. We look at everyone's interesting ideas or even creative mechanics from other games that we can integrate. These will definitely feel refreshing, so please stay tuned — it will happen for sure. Q: Older maps felt darker in tone, BGM was monotonous, and overall gameplay was dull. While Rinascita was a major improvement, it felt fragmented, as if each person built something pretty in isolation. It’s hard to describe the region with a unified theme. A: That’s true — it was indeed pieced together by many people. The disjointed feeling came from insufficient communication. We’re aware of the issue and will solve it in version 3.0 or even later versions in the 2.x series. Once there’s a clear theme, the sense of disjointedness won’t be as strong. Q: How do planners decide what kind of map to make? What’s the workflow? A: Narrative, level, quest, and programming planners all sit down together to discuss what we want to make. Everyone shares ideas one by one, and we consolidate them based on data. Q: I’m a veteran of Wuthering Waves and Punishing Gray Raven. I think the four-person team setup, stationary dialogues, map, art, tech, and story are all great. Before Wuthering Waves came out, I used to play a competitor title — Genshin... (includes critical feedback) A: During development, we didn’t aim to compete directly. Comparisons don’t help us create anything better. We’re focused on what we can do and what we’re good at. Q: For the anniversary event, it seems like there was a disconnect between the company’s and players’ expectations. A: Yes, version 2.3 didn’t do well. We’ve already apologized — it was an issue. For the next anniversary, we’ll take it more seriously. Operations is aware of the problem. We’re learning and growing with each mistake. Everyone encounters problems, but we accept them and improve. That’s the best feedback we can give our players. #punishinggrayraven #WutheringWaves

Narushio

226,844 次观看 • 1 年前

We’re so excited to share our latest work, marking our second collaboration with Warframe! It’s been such a rewarding experience, and a special shoutout to Rebb and the team for trusting us with this one. The music video follows the intense rivalry of Sirius and Orion, featuring a sick track from Erra. The battle we see is between Orion, in crimson and obsidian, and Sirius, in tsavorite and silver. It’s an epic, shonen-inspired music video, blending anime-style battles with serene moments in space. It’s super FX-heavy (one of our favourite things), and we move fluidly between character and FX animation to bring this dramatic, theatrical clash to life. We hope you love it as much as we loved making it! Client: Digital Extremes Director: Louve Sarfati Karnas Producer: Macarena Gaset Art Director: Justine Thibault Animation Lead: Quentin Rigaux Cleanup Lead: Clara Schildhauer Compositing Lead: Maxime Temple Production Manager: Denise Cirone Managing Director | Commercials & Branded Content: Laura Breaden Executive Creative Director: Tim McCourt Executive Producer: Laura Breaden Head of CG: Pete Addington Head of Art: Juancho Crespo Head of Compositing: Freddie Lewis-Wall Head of Production: Nick Miller Talent & Scheduling Coordinator: Jesus Ovejero #Warframe #Orion #Sirius #THELINE #JadeShadows

We’re so excited to share our latest work, marking our second collaboration with Warframe! It’s been such a rewarding experience, and a special shoutout to Rebb and the team for trusting us with this one. The music video follows the intense rivalry of Sirius and Orion, featuring a sick track from Erra. The battle we see is between Orion, in crimson and obsidian, and Sirius, in tsavorite and silver. It’s an epic, shonen-inspired music video, blending anime-style battles with serene moments in space. It’s super FX-heavy (one of our favourite things), and we move fluidly between character and FX animation to bring this dramatic, theatrical clash to life. We hope you love it as much as we loved making it! Client: Digital Extremes Director: Louve Sarfati Karnas Producer: Macarena Gaset Art Director: Justine Thibault Animation Lead: Quentin Rigaux Cleanup Lead: Clara Schildhauer Compositing Lead: Maxime Temple Production Manager: Denise Cirone Managing Director | Commercials & Branded Content: Laura Breaden Executive Creative Director: Tim McCourt Executive Producer: Laura Breaden Head of CG: Pete Addington Head of Art: Juancho Crespo Head of Compositing: Freddie Lewis-Wall Head of Production: Nick Miller Talent & Scheduling Coordinator: Jesus Ovejero #Warframe #Orion #Sirius #THELINE #JadeShadows

THE LINE

53,306 次观看 • 2 个月前

Mini tutorial for Google DeepMind 's VEO 2 Prompt Buddy. (Works well with other AI video tools as well). I’ve created my VEO 2 Prompt Buddy Custom GPT to help me go beyond my own brain and prompts. It can describe your images, enhance your prompts, be creative and more. It will provide you 4 different sections to choose from. I’ve also added a camera combinations section inspired by the Hailuo I2V-01-Director model for testing purposes. It’s currently in BETA mode in my GPT because, sometimes, multiple camera movements don’t work optimally in VEO 2 right now. Output sections: 1. PRO – Provides detailed, professional, and cinematically accurate results. 2. OUT OF THE BOX – Creates something more creative and unexpected from your idea. 3. ULTRA DETAILED – Expands your idea with extreme precision and even more detail. 4. CAMERA COMBINATIONS – Generates a version with cinematic camera transitions. This hot sauce is FREE for a limited time! Hope you have fun with this one. Link down below: --- All results are text-to-video

Mini tutorial for Google DeepMind 's VEO 2 Prompt Buddy. (Works well with other AI video tools as well). I’ve created my VEO 2 Prompt Buddy Custom GPT to help me go beyond my own brain and prompts. It can describe your images, enhance your prompts, be creative and more. It will provide you 4 different sections to choose from. I’ve also added a camera combinations section inspired by the Hailuo I2V-01-Director model for testing purposes. It’s currently in BETA mode in my GPT because, sometimes, multiple camera movements don’t work optimally in VEO 2 right now. Output sections: 1. PRO – Provides detailed, professional, and cinematically accurate results. 2. OUT OF THE BOX – Creates something more creative and unexpected from your idea. 3. ULTRA DETAILED – Expands your idea with extreme precision and even more detail. 4. CAMERA COMBINATIONS – Generates a version with cinematic camera transitions. This hot sauce is FREE for a limited time! Hope you have fun with this one. Link down below: --- All results are text-to-video

Allar Haltsonen

58,509 次观看 • 1 年前

BOWIE EXITS THE 70s IN THE UK WITH KENNY EVERETT “Can you hear me, Major Tom?” 45 years ago today, David Bowie’s re-recording of Space Oddity was broadcast on the Will Kenny Everett Make It To 1980? Show. You'll be familiar with this broadcast (Shot 18 September 1979 | Broadcast 31 December 1979), but this From the river to the sea, Palestine will be free edit bears repeating. The original footage was directed for the show by Bowie’s video director of the time, David Mallet, the action takes place in a high-ceilinged padded cell and an exploding kitchen with an unflappable nurse. Speaking to Angus MacKinnon in the NME in 1980, Bowie said: “That came about because (David) Mallet wanted me to do something for his show and he wanted Space Oddity. I agreed as long as I could do it again without all its trappings and do it strictly with three instruments. Having played it with just an acoustic guitar onstage early on, I was always surprised as how powerful it was just as a song, without all the strings and synthesizers. In fact the video side of it was secondary; I really wanted to do it as a three-piece song.” Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences. So, ten years after it was originally a hit, Major Tom also had the last word of the 70s for Bowie. Another 45 years on and the impact of this version is still as powerful. Read Nacho's notes with more detail regarding the recording of both the sound and vision, along with the complete video, here: Audio Source: David Bowie | Space Oddity | Recorded Good Earth Studios | Soho, London | September 1979 | Released as B side of Alabama Song | 15 February 1980 Vocals & 12-string guitar | David Bowie Bass | Zaine Griff Piano | Hans Zimmer Drums | Andy Duncan Producer | Tony Visconti FOOTNOTE: In the US Bowie appeared on Dick Clark's Salute to the Seventies TV broadcast. Bowie mimed to an edit of the 1969 Space Oddity recording. Stills from this show were utilised for the sleeve of the aforementioned Alabama Song 45. Sadly, a decent quality version of this broadcast has yet to surface. You can find it on YouTube, but hopefully Nacho will get his hands on a higher quality version to work his magic on. #SpaceOddity55 #SpaceOddityKennyEverett #NachoBowie #NachosVideos

BOWIE EXITS THE 70s IN THE UK WITH KENNY EVERETT “Can you hear me, Major Tom?” 45 years ago today, David Bowie’s re-recording of Space Oddity was broadcast on the Will Kenny Everett Make It To 1980? Show. You'll be familiar with this broadcast (Shot 18 September 1979 | Broadcast 31 December 1979), but this From the river to the sea, Palestine will be free edit bears repeating. The original footage was directed for the show by Bowie’s video director of the time, David Mallet, the action takes place in a high-ceilinged padded cell and an exploding kitchen with an unflappable nurse. Speaking to Angus MacKinnon in the NME in 1980, Bowie said: “That came about because (David) Mallet wanted me to do something for his show and he wanted Space Oddity. I agreed as long as I could do it again without all its trappings and do it strictly with three instruments. Having played it with just an acoustic guitar onstage early on, I was always surprised as how powerful it was just as a song, without all the strings and synthesizers. In fact the video side of it was secondary; I really wanted to do it as a three-piece song.” Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences. So, ten years after it was originally a hit, Major Tom also had the last word of the 70s for Bowie. Another 45 years on and the impact of this version is still as powerful. Read Nacho's notes with more detail regarding the recording of both the sound and vision, along with the complete video, here: Audio Source: David Bowie | Space Oddity | Recorded Good Earth Studios | Soho, London | September 1979 | Released as B side of Alabama Song | 15 February 1980 Vocals & 12-string guitar | David Bowie Bass | Zaine Griff Piano | Hans Zimmer Drums | Andy Duncan Producer | Tony Visconti FOOTNOTE: In the US Bowie appeared on Dick Clark's Salute to the Seventies TV broadcast. Bowie mimed to an edit of the 1969 Space Oddity recording. Stills from this show were utilised for the sleeve of the aforementioned Alabama Song 45. Sadly, a decent quality version of this broadcast has yet to surface. You can find it on YouTube, but hopefully Nacho will get his hands on a higher quality version to work his magic on. #SpaceOddity55 #SpaceOddityKennyEverett #NachoBowie #NachosVideos

David Bowie Official

110,852 次观看 • 1 年前

John Mayer’s iconic rig, faithfully rebuilt in one definitive plugin. 🔥 Smooth Operator, a vintage-voiced amp from the 1960s 🔥 Headroom Hero, an ultra-rare high-headroom amp 🔥 Signature 83, a unique prototype of John's signature amp 🔥 Three-in-One Amp, John’s complete signal chain - three legendary amps combined exactly as he uses them, ready to be played 🔥 Justa Boost, Antelope Filter, Halfman OD, Tealbreaker, Millipede Delay, a carefully balanced collection of effects that shape feel before the amps ever respond 🔥 Gravity Tank, a custom device that combines a spring reverb and harmonic tremolo in a single unit 🔥 3 speaker cabinets from John's personal collection with 11 microphone options 🔥 Dream Delay and Studio Verb 🔥 Studio Compressor, set to John's exact specification, providing control and consistency while preserving clarity, articulation and touch 🔥 4-Band EQ 🔥 18 presets created by John Mayer himself, as well as contributions from John Petrucci, Cory Wong, James Valentine, amongst many more of your favorite artists 🔥 Transpose, Doubler, Live Tuner, Metronome, Preset Explorer, Tooltips, and more 🔥 Standalone version included - no DAW necessary It is with great pride that we present to you Archetype: John Mayer X. Get your 14-day free trial at

John Mayer’s iconic rig, faithfully rebuilt in one definitive plugin. 🔥 Smooth Operator, a vintage-voiced amp from the 1960s 🔥 Headroom Hero, an ultra-rare high-headroom amp 🔥 Signature 83, a unique prototype of John's signature amp 🔥 Three-in-One Amp, John’s complete signal chain - three legendary amps combined exactly as he uses them, ready to be played 🔥 Justa Boost, Antelope Filter, Halfman OD, Tealbreaker, Millipede Delay, a carefully balanced collection of effects that shape feel before the amps ever respond 🔥 Gravity Tank, a custom device that combines a spring reverb and harmonic tremolo in a single unit 🔥 3 speaker cabinets from John's personal collection with 11 microphone options 🔥 Dream Delay and Studio Verb 🔥 Studio Compressor, set to John's exact specification, providing control and consistency while preserving clarity, articulation and touch 🔥 4-Band EQ 🔥 18 presets created by John Mayer himself, as well as contributions from John Petrucci, Cory Wong, James Valentine, amongst many more of your favorite artists 🔥 Transpose, Doubler, Live Tuner, Metronome, Preset Explorer, Tooltips, and more 🔥 Standalone version included - no DAW necessary It is with great pride that we present to you Archetype: John Mayer X. Get your 14-day free trial at

Neural DSP

99,177 次观看 • 7 个月前

‼️I'm giving away a Free VTuber Model File & teaching anyone how to rig Full-Body Models.‼️ ⭐️Download the Model for FREE, on my Ko-fi (link below) Over the past 4 months, my community and I have been testing the best methods to teach artists and beginners how rig within Live2D (Which started as a 6 hour long video series, but I felt it wasn't good enough for learning). Many also mentioned their interest in starting a commission business and their struggles with not knowing where to start. Being a full-time Live2D Artist and Business Degree graduate, I built this class as a way to provide an easy guide for anyone to follow. It covers all the mistakes and learnings of my 4 year journey as an artist, and gives you the methods I used to make a living doing something I love. While the model is free for anyone to use, the Class to learn everything from start to finish is available on my website. ⭐️Level 1 is COMPLETELY FREE, as I want you to try this method of learning, and see if you enjoy the process! 🔗You can preview all the content on my website (link below) Levels 1 - 8 of the Class will cover everything from downloading Live2D, to exporting your model. This update 1.0 will become available on: March 14th, 3PM Eastern. (Levels 9 - 13 for the business behind commissions will be included in update 2.0!) You will also receive a roll within The Protagonist Discord, where I can give you 1 on 1 help with any questions you have regarding your learning! Finally, I'll be hosting Introduction workshops for Beginner Live2D Rigging on March 17th, and 19th! Over a 2 hour period in the Discord, I'll walk 10 individuals through the starting levels of the Class, completely for free. This way I can provide more hands on help for people interested in rigging! (more workshops will be held in the future) I hope that you'll give the Free lessons a try, and see that Live2D Rigging isn't as hard as you think! It truly helped me carve a path for my own future, and escape the 9-5 life that I dreaded so much. I can't wait to see all the new members of the Guild, and I hope we can all become the Main Characters of our own lives! 🔗Links Below: #Live2D #Vtuber #live2dtutorial

‼️I'm giving away a Free VTuber Model File & teaching anyone how to rig Full-Body Models.‼️ ⭐️Download the Model for FREE, on my Ko-fi (link below) Over the past 4 months, my community and I have been testing the best methods to teach artists and beginners how rig within Live2D (Which started as a 6 hour long video series, but I felt it wasn't good enough for learning). Many also mentioned their interest in starting a commission business and their struggles with not knowing where to start. Being a full-time Live2D Artist and Business Degree graduate, I built this class as a way to provide an easy guide for anyone to follow. It covers all the mistakes and learnings of my 4 year journey as an artist, and gives you the methods I used to make a living doing something I love. While the model is free for anyone to use, the Class to learn everything from start to finish is available on my website. ⭐️Level 1 is COMPLETELY FREE, as I want you to try this method of learning, and see if you enjoy the process! 🔗You can preview all the content on my website (link below) Levels 1 - 8 of the Class will cover everything from downloading Live2D, to exporting your model. This update 1.0 will become available on: March 14th, 3PM Eastern. (Levels 9 - 13 for the business behind commissions will be included in update 2.0!) You will also receive a roll within The Protagonist Discord, where I can give you 1 on 1 help with any questions you have regarding your learning! Finally, I'll be hosting Introduction workshops for Beginner Live2D Rigging on March 17th, and 19th! Over a 2 hour period in the Discord, I'll walk 10 individuals through the starting levels of the Class, completely for free. This way I can provide more hands on help for people interested in rigging! (more workshops will be held in the future) I hope that you'll give the Free lessons a try, and see that Live2D Rigging isn't as hard as you think! It truly helped me carve a path for my own future, and escape the 9-5 life that I dreaded so much. I can't wait to see all the new members of the Guild, and I hope we can all become the Main Characters of our own lives! 🔗Links Below: #Live2D #Vtuber #live2dtutorial

Yoona 主人公 | Commissions Open

12,420 次观看 • 1 年前

We're announcing Sanctuary of Sarras, the first full-fledged expansion for Tainted Grail: The Fall of Avalon! The journey will take you into the titular sanctuary, a realm shaped by the deep sea. 🐟 Expect around 15 hours of fresh adventures. Meet new characters, hear their stories, and decide whether to help them. Venture into over 20 meticulously crafted dungeons and interiors. Confront unique epic bosses and other new adversaries. Discover over 100 pieces of equipment, from armor sets and weapons to rings, amulets, relics, spells, and more. Master a brand-new progression system with three distinct skill trees. ⚔️ The expansion launches December 15, 2025, at 1 PM EST / 7 PM CET on Steam and consoles! That’s right, just one week left. Along with that, we've just rolled out two big updates for Tainted Grail: The Fall of Avalon - patch 1.15 and the first free bonus content DLC. Version 1.15 introduces various changes, including game optimizations across all platforms, gameplay & UI improvements, quest & VO fixes, and more! The free bonus content DLC offers 5 completely new armor sets, as well as alternative looks for Qrko, King Arthur, and Caradoc! More info about all the above here: #taintedgrail #rpg #expansion #dlc #update

Tainted Grail

123,808 次观看 • 7 个月前

🚨 Alright, listen to me for a second. 🚨 The NEW version of Wayfinder, is the version of the game we needed from the start. It's pretty much unrecognizable from the model we saw months ago. ✅ Better performance, cleaner combat, better loot, better UI/UX, better sound design, you name it. 😖 Here's my problem: It could be too late. This reality really stings, because this is the game I feel the team wanted to show us from the very beginning. I truly hope their marketing team is able to pull it out the bag here and get big streamers playing it, and platforms promoting it with ads. 😈 If you're a Borderlands fan, this is the update you've been waiting for. Loot drops with rarities, levels, randomized stats, and there is TONS of transmog variety including player housing, mounts, weapon dyes, emotes, sprays & more. 🤖 If you're a Destiny fan, the worlds feel more open, with included patrols, and mini lost sector like basements with loot hidden amongst enemies/puzzles. 👹 New difficulty levels feel fun and challenging meaning the game is accessible to quite literally any skill level. There's now ARMOR SETS too, providing even more customization for your character as you level through the reworked skill trees, which now work like those seen in games such as POE/Diablo. 💸 And the best part? Zero MTX. Everything which was previously paid, is now a free addition and earned in game. I'm sure I'll get called a mega shill 🤓 for this post, but that comes with the FAME 😎 Seriously, check this game out when it launches. The team at Wayfinder have done a great job all around with this one.

🚨 Alright, listen to me for a second. 🚨 The NEW version of Wayfinder, is the version of the game we needed from the start. It's pretty much unrecognizable from the model we saw months ago. ✅ Better performance, cleaner combat, better loot, better UI/UX, better sound design, you name it. 😖 Here's my problem: It could be too late. This reality really stings, because this is the game I feel the team wanted to show us from the very beginning. I truly hope their marketing team is able to pull it out the bag here and get big streamers playing it, and platforms promoting it with ads. 😈 If you're a Borderlands fan, this is the update you've been waiting for. Loot drops with rarities, levels, randomized stats, and there is TONS of transmog variety including player housing, mounts, weapon dyes, emotes, sprays & more. 🤖 If you're a Destiny fan, the worlds feel more open, with included patrols, and mini lost sector like basements with loot hidden amongst enemies/puzzles. 👹 New difficulty levels feel fun and challenging meaning the game is accessible to quite literally any skill level. There's now ARMOR SETS too, providing even more customization for your character as you level through the reworked skill trees, which now work like those seen in games such as POE/Diablo. 💸 And the best part? Zero MTX. Everything which was previously paid, is now a free addition and earned in game. I'm sure I'll get called a mega shill 🤓 for this post, but that comes with the FAME 😎 Seriously, check this game out when it launches. The team at Wayfinder have done a great job all around with this one.

EpicNNG

30,590 次观看 • 2 年前

🎧 Jay Park’s new rookie group is HERE — meet LNGSHOT! 🚀💥 Under the vision and leadership of Jay Park, MORE VISION introduces its newest boy group, LNGSHOT, already turning heads with their bold sound and fresh storytelling. Their pre-debut release, “4SHOBOIZ MIXTAPE” (Nov 2025), features 8 self-produced tracks that highlight their raw talent, creative independence, and fearless artistry. This project perfectly captures Jay Park’s mission for MORE VISION — to empower artists to express their truth and individuality, free from convention. 🔥🎼 They also unveiled their intro film ‘4SHOBOIZ Scenedump_ep1.mp4’, finally revealing the members and giving fans a glimpse of their personalities.👇✨ 🌟 Meet the Members! 👑 Ohyul Ohyul carries dynamic power with sharp rap delivery and explosive stage energy. Known for experimenting with genres and pushing boundaries, he’s a creative force shaping LNGSHOT’s identity. ⚡🎤 ⚡ Ryul A multi-talented rapper and writer, Ryul brings sincerity and introspection to the group. His work on “Trust Myself” shows his ability to blend emotion and artistry through honest storytelling. ✍️🎧 🎤 Woojin Woojin is the emotional heartbeat of LNGSHOT. His soulful vocals and warm tone shine in his solos, capturing vulnerability and growth that fans connect with instantly. 💛🎶 🔥 Louis Louis stands out as both a strong lead vocalist and thoughtful lyricist. With reflective messages and confident performance style, he aims to create meaningful music with lasting impact. 🌌🖤 📢 K-pop fanatics! Which member or track from the mixtape is your favorite so far? 👇 Drop a comment and let’s hype up LNGSHOT from day one! 💬❤️ #LNGSHOT #4SHOBOIZ #4SHOBOIZMixtape #MOREVISION #JayPark #NewKpopGroup #KpopRookies #KpopDebut #KpopBoys #KpopMixtape #KpopUpdate #AllKpop #StanLNGSHOT #KpopNews #TrendingKpop

🎧 Jay Park’s new rookie group is HERE — meet LNGSHOT! 🚀💥 Under the vision and leadership of Jay Park, MORE VISION introduces its newest boy group, LNGSHOT, already turning heads with their bold sound and fresh storytelling. Their pre-debut release, “4SHOBOIZ MIXTAPE” (Nov 2025), features 8 self-produced tracks that highlight their raw talent, creative independence, and fearless artistry. This project perfectly captures Jay Park’s mission for MORE VISION — to empower artists to express their truth and individuality, free from convention. 🔥🎼 They also unveiled their intro film ‘4SHOBOIZ Scenedump_ep1.mp4’, finally revealing the members and giving fans a glimpse of their personalities.👇✨ 🌟 Meet the Members! 👑 Ohyul Ohyul carries dynamic power with sharp rap delivery and explosive stage energy. Known for experimenting with genres and pushing boundaries, he’s a creative force shaping LNGSHOT’s identity. ⚡🎤 ⚡ Ryul A multi-talented rapper and writer, Ryul brings sincerity and introspection to the group. His work on “Trust Myself” shows his ability to blend emotion and artistry through honest storytelling. ✍️🎧 🎤 Woojin Woojin is the emotional heartbeat of LNGSHOT. His soulful vocals and warm tone shine in his solos, capturing vulnerability and growth that fans connect with instantly. 💛🎶 🔥 Louis Louis stands out as both a strong lead vocalist and thoughtful lyricist. With reflective messages and confident performance style, he aims to create meaningful music with lasting impact. 🌌🖤 📢 K-pop fanatics! Which member or track from the mixtape is your favorite so far? 👇 Drop a comment and let’s hype up LNGSHOT from day one! 💬❤️ #LNGSHOT #4SHOBOIZ #4SHOBOIZMixtape #MOREVISION #JayPark #NewKpopGroup #KpopRookies #KpopDebut #KpopBoys #KpopMixtape #KpopUpdate #AllKpop #StanLNGSHOT #KpopNews #TrendingKpop

allkpop

14,543 次观看 • 7 个月前

YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE

YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE

David Bowie Official

70,334 次观看 • 1 年前

So, Google said, "Hey, wanna make a film for #GoogleIO ? You have Carte Blanche." 🤯 For a brain that’s been mainlining animation and questionable VHS tapes since forever, that kind of freedom is both a dream and a mild panic attack. To be honest, until recently I never really thought film making was in the cards for me. Life happened, and although I ended up being a designer, film was more of a distant dream of a young version of myself. Following the unexpected attention and warm reception for Kitsune earlier this year, Electric Pink came out as my own self-administered therapy session: a coming-of-age story that’s basically me trying to figure out my own creative wiring, from the fuzzy nostalgia of childhood to the full-on HD chaos of the present. Turns out, the path to making stuff is paved with a lot of self-doubt and sudden left turns. I’m hoping this film can build on the connection Kitsune fostered. For this project, focused on exclusively using a lengthy process involving leveraging Imagen 3 to create the base of still frames (Imagen was amazing at iteratively enabling me to lock art direction) which I would then heavily retouch and prepare to get them as perfect as needed. Then each scene would be run through VEO2 to get animated clips based on those images (and then a very obvious bunch of sound design, voice design, editing, post-production and what not). Now, what's been amazing as I was nearing the end of this project, is to see individual separate tools converge towards becoming "Flow": Google's AI filmmaking tool built on DeepMind's brilliant tools (Veo, Imagen, Gemini). I must say it’s been fascinating seeing how this tech can translate the random noise in my head into something… well, film-like. It felt like a real step forward in allowing creators to iterate and refine their vision without getting bogged down in organization, and for example having an opportunity to use a first-frame to last-frame interpolation proved to be extremely useful as I could fully control the action I was aiming for. Now in its current version, Flow offers even more features such as the scene builder to easily expand storylines, or ingredients to control character, object, and environment consistency...can't wait to dig more into those possibilities...they definitely would have made my life easier during the creation of this film which I hope you will enjoy. Read more here: And there:

So, Google said, "Hey, wanna make a film for #GoogleIO ? You have Carte Blanche." 🤯 For a brain that’s been mainlining animation and questionable VHS tapes since forever, that kind of freedom is both a dream and a mild panic attack. To be honest, until recently I never really thought film making was in the cards for me. Life happened, and although I ended up being a designer, film was more of a distant dream of a young version of myself. Following the unexpected attention and warm reception for Kitsune earlier this year, Electric Pink came out as my own self-administered therapy session: a coming-of-age story that’s basically me trying to figure out my own creative wiring, from the fuzzy nostalgia of childhood to the full-on HD chaos of the present. Turns out, the path to making stuff is paved with a lot of self-doubt and sudden left turns. I’m hoping this film can build on the connection Kitsune fostered. For this project, focused on exclusively using a lengthy process involving leveraging Imagen 3 to create the base of still frames (Imagen was amazing at iteratively enabling me to lock art direction) which I would then heavily retouch and prepare to get them as perfect as needed. Then each scene would be run through VEO2 to get animated clips based on those images (and then a very obvious bunch of sound design, voice design, editing, post-production and what not). Now, what's been amazing as I was nearing the end of this project, is to see individual separate tools converge towards becoming "Flow": Google's AI filmmaking tool built on DeepMind's brilliant tools (Veo, Imagen, Gemini). I must say it’s been fascinating seeing how this tech can translate the random noise in my head into something… well, film-like. It felt like a real step forward in allowing creators to iterate and refine their vision without getting bogged down in organization, and for example having an opportunity to use a first-frame to last-frame interpolation proved to be extremely useful as I could fully control the action I was aiming for. Now in its current version, Flow offers even more features such as the scene builder to easily expand storylines, or ingredients to control character, object, and environment consistency...can't wait to dig more into those possibilities...they definitely would have made my life easier during the creation of this film which I hope you will enjoy. Read more here: And there:

Henry Daubrez 🌸💀

51,159 次观看 • 1 年前

so I started with FreeCAD, since i am a linux guy, haven't touched windows since the past 8 years. Also I did this online course from Uni of California Irvine on "building your hardware for your embedded and IoT projects" which had FreeCAD as the main CAD software. FreeCAD was free, and fun, yeah a bit buggy sometimes but gets the job done, since initially all the CAD work i had was just builidng cases, or mounts, or some light hobby stuff. So FreeCAD did just fine. Then I joined a company as a product engineer where I worked with LiFePo4 home energy storage battery packs and was responsible for all the modules of the pack (Cells, BMS, MCUs, Touch Display ) mainly the embedded system. Since I was the product engineer, I'd have back and forth convos with the CAD designers off the battery pack box/casing. I didn't really do any CAD work on that project, tho it seemed really interesting to me. They used Solidworks, and I installed windows for it(swallowing that was difficult); to do Solidworks in my free time which I hardly got. I tried Solidworks and I kinda liked it. But then I quit the job and started working on my SAAS products. A few months into it, it's not fun anymore, slowly getting started with CAD and eventually to electronics to hardware products. Now, I want to go about CAD. I'll be doing a 30 days CAD challenge increasing in complexity and will be sharing daily progress here! It was day 2; I designer a bolt and a nut. I'm going with Fusion 360 for now, coz i like the UI/UX and the hobbyist version is free. So yeah. This is so much fun, i completely lost track of time while doing it. Gemini on the side is alot helpful.

so I started with FreeCAD, since i am a linux guy, haven't touched windows since the past 8 years. Also I did this online course from Uni of California Irvine on "building your hardware for your embedded and IoT projects" which had FreeCAD as the main CAD software. FreeCAD was free, and fun, yeah a bit buggy sometimes but gets the job done, since initially all the CAD work i had was just builidng cases, or mounts, or some light hobby stuff. So FreeCAD did just fine. Then I joined a company as a product engineer where I worked with LiFePo4 home energy storage battery packs and was responsible for all the modules of the pack (Cells, BMS, MCUs, Touch Display ) mainly the embedded system. Since I was the product engineer, I'd have back and forth convos with the CAD designers off the battery pack box/casing. I didn't really do any CAD work on that project, tho it seemed really interesting to me. They used Solidworks, and I installed windows for it(swallowing that was difficult); to do Solidworks in my free time which I hardly got. I tried Solidworks and I kinda liked it. But then I quit the job and started working on my SAAS products. A few months into it, it's not fun anymore, slowly getting started with CAD and eventually to electronics to hardware products. Now, I want to go about CAD. I'll be doing a 30 days CAD challenge increasing in complexity and will be sharing daily progress here! It was day 2; I designer a bolt and a nut. I'm going with Fusion 360 for now, coz i like the UI/UX and the hobbyist version is free. So yeah. This is so much fun, i completely lost track of time while doing it. Gemini on the side is alot helpful.

Mustafa

20,127 次观看 • 6 个月前