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THIS GUY REBUILT A CHILDHOOD PS2 GAME AS A FREE BROWSER VERSION WITH CLAUDE CODE he grew up obsessed with downhill domination, the ps2 downhill mountain biking game that never got a sequel so he rebuilt the entire thing from scratch > its a full downhill biking game you...

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Om Patel

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22,230 次观看 • 2 个月前 •via X (Twitter)

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SOMEONE WITH ZERO CODING EXPERIENCE BUILT A FULL REALISTIC FIGHTER JET GAME WITH CLAUDE IN 4 DAYS the guy has never written a line of code before. he just described what he wanted to claude and kept iterating, and 4 days later he has a real flight combat game > you fly actual fighter jets, lock onto targets and fire missiles > it launches off a carrier, dogfights, the whole thing > claude code and opus 4.8 wrote and debugged all the game logic in godot > the planes and missiles are free 3d models, claude handled 100% of the code > hes even adding missions to it now imagine showing this 10, 20, 40 years ago. a person talking to a mic, going back and forth, and a fighter jet game comes out the other end. the barrier to building was never the idea, it was the years of learning to code. that barrier is just gone now
1:07

SOMEONE WITH ZERO CODING EXPERIENCE BUILT A FULL REALISTIC FIGHTER JET GAME WITH CLAUDE IN 4 DAYS the guy has never written a line of code before. he just described what he wanted to claude and kept iterating, and 4 days later he has a real flight combat game > you fly actual fighter jets, lock onto targets and fire missiles > it launches off a carrier, dogfights, the whole thing > claude code and opus 4.8 wrote and debugged all the game logic in godot > the planes and missiles are free 3d models, claude handled 100% of the code > hes even adding missions to it now imagine showing this 10, 20, 40 years ago. a person talking to a mic, going back and forth, and a fighter jet game comes out the other end. the barrier to building was never the idea, it was the years of learning to code. that barrier is just gone now

Om Patel

72,285 次观看 • 2 个月前

With how badass as a Beat Em Up game Urban Reign is I never understood how this game failed or why it never got a sequel This game is like one of the coolest beat em up games on the PS2 and a sequel would have done it wonders Alot more cool shit we could have done
0:27

With how badass as a Beat Em Up game Urban Reign is I never understood how this game failed or why it never got a sequel This game is like one of the coolest beat em up games on the PS2 and a sequel would have done it wonders Alot more cool shit we could have done

GamesLover with a Preference

208,695 次观看 • 1 年前

Simpsons Hit and Run reversed engineered from the PS2 game and then rebuilt for web using three.js. This was all done by the amazing GPT-6 Astra model on xhigh reasoning (used a lot of my usage to do this). Best part is it's open source:
0:50

Simpsons Hit and Run reversed engineered from the PS2 game and then rebuilt for web using three.js. This was all done by the amazing GPT-6 Astra model on xhigh reasoning (used a lot of my usage to do this). Best part is it's open source:

Dwayne

1,104,970 次观看 • 10 天前

SOMEONE MADE A FULL GAME WITH CLAUDE CODE, THE ART, THE ANIMATIONS, THE MECHANICS, EVEN THE TRAILER most vibe coded games pull free sprites off the internet or generate images, but this guy had claude design every single asset from scratch, art, sound, animation, cutscenes, all of it > its a 2d pixel art roguelike where you play as a little slime slingshotting knives at ghosts, going deeper into an increasingly violent world > you move around top down, fight enemies, take damage, collect loot, it plays like a real game not a demo > its a revival of a game he originally made back in middle school > claude designed every asset, and the sprites are generated in code, not image files > the entire trailer was made by claude too, he didnt touch the process at all > he ran hundreds of claude terminals in parallel to split the workload across fable agents, because generating that many sprites eats context fast he steered the general game design and feel, then let claude do the heavy lifting on everything else the reason most of these games look identical is everyone is pulling from the same asset packs but when the art is written instead of downloaded, it actually has its own style
1:18

SOMEONE MADE A FULL GAME WITH CLAUDE CODE, THE ART, THE ANIMATIONS, THE MECHANICS, EVEN THE TRAILER most vibe coded games pull free sprites off the internet or generate images, but this guy had claude design every single asset from scratch, art, sound, animation, cutscenes, all of it > its a 2d pixel art roguelike where you play as a little slime slingshotting knives at ghosts, going deeper into an increasingly violent world > you move around top down, fight enemies, take damage, collect loot, it plays like a real game not a demo > its a revival of a game he originally made back in middle school > claude designed every asset, and the sprites are generated in code, not image files > the entire trailer was made by claude too, he didnt touch the process at all > he ran hundreds of claude terminals in parallel to split the workload across fable agents, because generating that many sprites eats context fast he steered the general game design and feel, then let claude do the heavy lifting on everything else the reason most of these games look identical is everyone is pulling from the same asset packs but when the art is written instead of downloaded, it actually has its own style

Om Patel

11,239 次观看 • 1 个月前

GAME DEVELOPERS ARE OFFICIALLY COOKED this guy vibe coded a full pixel pirate sailing game that runs in the browser with opus 4.8 you sail a ship, engage in naval combat, explore the open sea, and interact with other ships works on mobile too a few years ago this would have been a full indie studio project with a team of artists, a sound designer, and 6 months of development now it's one person with claude code and a weekend game studios charging $40 for pixel art games while vibecoders are shipping them for free in the browser the barrier to making real games is completely gone
0:58

GAME DEVELOPERS ARE OFFICIALLY COOKED this guy vibe coded a full pixel pirate sailing game that runs in the browser with opus 4.8 you sail a ship, engage in naval combat, explore the open sea, and interact with other ships works on mobile too a few years ago this would have been a full indie studio project with a team of artists, a sound designer, and 6 months of development now it's one person with claude code and a weekend game studios charging $40 for pixel art games while vibecoders are shipping them for free in the browser the barrier to making real games is completely gone

Om Patel

80,432 次观看 • 3 个月前

Someone on Reddit just built a AAA-quality snow simulation in their browser. Using Claude Opus 5. Millions of snow particles. A character in a robe with cloth physics. Five water-based spells that carve the terrain. A snow surfing system with a wake that throws spray into sunlight. Every footstep displaces snow. Trails form berms at the edges. Trenches slowly refill over time. Spells leave permanent craters. The entire thing runs in one browser tab. WebGPU. No game engine. No 3D modeling software. Just code. He wrote one detailed prompt. Opus 5 planned the architecture, wrote the shaders, built the physics, iterated from screenshots, and documented every decision. 9 hours. ~4 million tokens. You can open it right now and walk around in it. This isn't a demo. This is the kind of thing a small studio would spend months building.
0:47

Someone on Reddit just built a AAA-quality snow simulation in their browser. Using Claude Opus 5. Millions of snow particles. A character in a robe with cloth physics. Five water-based spells that carve the terrain. A snow surfing system with a wake that throws spray into sunlight. Every footstep displaces snow. Trails form berms at the edges. Trenches slowly refill over time. Spells leave permanent craters. The entire thing runs in one browser tab. WebGPU. No game engine. No 3D modeling software. Just code. He wrote one detailed prompt. Opus 5 planned the architecture, wrote the shaders, built the physics, iterated from screenshots, and documented every decision. 9 hours. ~4 million tokens. You can open it right now and walk around in it. This isn't a demo. This is the kind of thing a small studio would spend months building.

Vaibhav Sisinty

1,219,703 次观看 • 1 个月前

THIS GUY VIBE CODED A FULL CAPYBARA FOOD DELIVERY GAME IN 2 WEEKS WITH CLAUDE CODE you play as a capybara delivering food on a bike. orders stack on the back, you have a phone with apps in-game and the whole delivery system is realistic 2 weeks, zero game dev experience, and ENTIRELY AI generated the full stack: > claude code for all the code > three.js for the 3D engine > suno for original music > elevenlabs for sound effects and voice > GPT images-2 and grok for textures and illustrations > tripo3d for generating all the 3D assets the cinematics are all in-game too. he asked claude to build a cinematic editor with timeline controls, camera animation, and transitions. then he just placed the cameras himself his workflow was more planning than coding (obviously): > come up with the core mechanic > plan every feature using claude /plan mode > generate assets with AI tools > spend most of his time on the final polish, prop placement, and making the design feel right he said the human part is what most vibe coded games are missing. AI can generate everything but having taste for what looks good and what feels right is still on you the game is playable right now in the browser this is what vibe coding is actually capable of in the game dev space right now a year ago this would have taken a small team of developers, a sound designer, and an artist working together for months now one person with no experience can ship a polished playable game with story, music, and mechanics in 14 days the tools keep getting better and the barrier to making real games keeps getting lower
2:32

THIS GUY VIBE CODED A FULL CAPYBARA FOOD DELIVERY GAME IN 2 WEEKS WITH CLAUDE CODE you play as a capybara delivering food on a bike. orders stack on the back, you have a phone with apps in-game and the whole delivery system is realistic 2 weeks, zero game dev experience, and ENTIRELY AI generated the full stack: > claude code for all the code > three.js for the 3D engine > suno for original music > elevenlabs for sound effects and voice > GPT images-2 and grok for textures and illustrations > tripo3d for generating all the 3D assets the cinematics are all in-game too. he asked claude to build a cinematic editor with timeline controls, camera animation, and transitions. then he just placed the cameras himself his workflow was more planning than coding (obviously): > come up with the core mechanic > plan every feature using claude /plan mode > generate assets with AI tools > spend most of his time on the final polish, prop placement, and making the design feel right he said the human part is what most vibe coded games are missing. AI can generate everything but having taste for what looks good and what feels right is still on you the game is playable right now in the browser this is what vibe coding is actually capable of in the game dev space right now a year ago this would have taken a small team of developers, a sound designer, and an artist working together for months now one person with no experience can ship a polished playable game with story, music, and mechanics in 14 days the tools keep getting better and the barrier to making real games keeps getting lower

Om Patel

241,709 次观看 • 4 个月前

built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.
1:14

built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.

Prasenjit

80,074 次观看 • 1 个月前

This is running in a browser tab. No engine. No install. No download. Six spells, real-time particle simulation, refracting ice geometry, and a live VFX editor on the right side where every parameter is tunable while the scene runs. A studio VFX artist builds this in weeks. It is genuinely the hardest discipline in 3D - nothing about particle work is intuitive. The thing that changed is not that AI got better at art. It is that Astra writes geometry and shaders as CODE instead of as files. A game made of .fbx files is a game an AI can only rearrange. A game made of code is a game an AI can edit. That is why the good demos this week are all three.js and Blender-scripted, and why they run at 60fps in a tab. Dude built a full game this way and it came out under 2 MB before audio. Every rock, tree and character - procedural code, not assets. The cost consequence is the part almost nobody understood: → let the model CLICK in Blender: burns your weekly cap in two minutes → let the model WRITE Blender Python: ~100x cheaper One builder shipped a complete 3D roguelike level - day/night cycle, weather, modeling, texturing, enemies - for 3% of his quota. That is the entire reason why. Scripts, not clicks. It's the single rule that decides your bill. Full breakdown + the 7-day guide in the article below ↓
0:28

This is running in a browser tab. No engine. No install. No download. Six spells, real-time particle simulation, refracting ice geometry, and a live VFX editor on the right side where every parameter is tunable while the scene runs. A studio VFX artist builds this in weeks. It is genuinely the hardest discipline in 3D - nothing about particle work is intuitive. The thing that changed is not that AI got better at art. It is that Astra writes geometry and shaders as CODE instead of as files. A game made of .fbx files is a game an AI can only rearrange. A game made of code is a game an AI can edit. That is why the good demos this week are all three.js and Blender-scripted, and why they run at 60fps in a tab. Dude built a full game this way and it came out under 2 MB before audio. Every rock, tree and character - procedural code, not assets. The cost consequence is the part almost nobody understood: → let the model CLICK in Blender: burns your weekly cap in two minutes → let the model WRITE Blender Python: ~100x cheaper One builder shipped a complete 3D roguelike level - day/night cycle, weather, modeling, texturing, enemies - for 3% of his quota. That is the entire reason why. Scripts, not clicks. It's the single rule that decides your bill. Full breakdown + the 7-day guide in the article below ↓

Aleiah

37,652 次观看 • 11 天前

THIS MIT STUDENT IS BUILDING A FULL GAME WITH ANTI-GRAVITY AI EDITOR - ASSETS, TEXTURES, ICONS AND OBJECTS ALL GENERATED ON THE FLY Anti-Gravity - Google's fork of VS Code, previously Windsurf - open on screen generating every game asset in real time as he builds icons, textures, menus, phone UI representations, objects including a horse - all generated on the fly without leaving the editor, without opening Photoshop, without hiring a designer he built this with friends and every asset they need appears the moment they describe it - no asset store, no stock libraries, no waiting for a designer to finish the game might ship on Steam daily streaks, leaderboards, premium upgrades - the same loop that turns any browser game into $21,000/month in subscriptions an MIT student building a Steam game with friends using a free AI editor that generates everything on demand - the barrier to shipping is now just having an idea
0:45

THIS MIT STUDENT IS BUILDING A FULL GAME WITH ANTI-GRAVITY AI EDITOR - ASSETS, TEXTURES, ICONS AND OBJECTS ALL GENERATED ON THE FLY Anti-Gravity - Google's fork of VS Code, previously Windsurf - open on screen generating every game asset in real time as he builds icons, textures, menus, phone UI representations, objects including a horse - all generated on the fly without leaving the editor, without opening Photoshop, without hiring a designer he built this with friends and every asset they need appears the moment they describe it - no asset store, no stock libraries, no waiting for a designer to finish the game might ship on Steam daily streaks, leaderboards, premium upgrades - the same loop that turns any browser game into $21,000/month in subscriptions an MIT student building a Steam game with friends using a free AI editor that generates everything on demand - the barrier to shipping is now just having an idea

Cortex

14,007 次观看 • 3 个月前

CLAUDE TOOK A FULL PC GAME, REBUILT IT FROM THE GROUND UP, AND GOT IT RUNNING NATIVELY ON ANDROID IN 6 HOURS a guy pointed claude at slay the spire 2, a game he owns on steam, and it ported the whole thing to his phone almost completely on its own here's what claude did: > it pulled apart the game and recompiled it to native arm, no emulator, wine, or proton used > wrote the code, ran the build loop, and debugged it directly on the device itself > added full touch controls that feel like a real mobile game, not awkward on screen buttons > and he even built a tool on top to sync save files between his desktop and phone a couple prompts and 6 hours. it handled the extraction, the cross compile, the building and the on device debugging by itself. fully playable, not a single crash yet
0:39

CLAUDE TOOK A FULL PC GAME, REBUILT IT FROM THE GROUND UP, AND GOT IT RUNNING NATIVELY ON ANDROID IN 6 HOURS a guy pointed claude at slay the spire 2, a game he owns on steam, and it ported the whole thing to his phone almost completely on its own here's what claude did: > it pulled apart the game and recompiled it to native arm, no emulator, wine, or proton used > wrote the code, ran the build loop, and debugged it directly on the device itself > added full touch controls that feel like a real mobile game, not awkward on screen buttons > and he even built a tool on top to sync save files between his desktop and phone a couple prompts and 6 hours. it handled the extraction, the cross compile, the building and the on device debugging by itself. fully playable, not a single crash yet

Om Patel

28,504 次观看 • 2 个月前

THIS IS THE GREATEST GAME I'VE EVER MADE WITH AI. WHAT MODEL DO YOU THINK I USED? This is not some one-shot slop Minecraft remake on a browser, but this is a complete mini game that I've put about a week of time into, made entirely out of the Unity CLI Every single asset you're seeing here was custom-made using the Meshy API and then rigged and animated with the Blender MCP and built on Unity Craziest part: I did this entire thing on the $100/month plan within one week's usage I also took a few days to recreate this exact same game with a different model that I'll be posting tomorrow and somehow that one did an even better job Play the entire game below for free ⇣
3:46

THIS IS THE GREATEST GAME I'VE EVER MADE WITH AI. WHAT MODEL DO YOU THINK I USED? This is not some one-shot slop Minecraft remake on a browser, but this is a complete mini game that I've put about a week of time into, made entirely out of the Unity CLI Every single asset you're seeing here was custom-made using the Meshy API and then rigged and animated with the Blender MCP and built on Unity Craziest part: I did this entire thing on the $100/month plan within one week's usage I also took a few days to recreate this exact same game with a different model that I'll be posting tomorrow and somehow that one did an even better job Play the entire game below for free ⇣

ashen

55,596 次观看 • 8 天前

A CHINESE GIRL USED FABLE 5 TO BUILD A GAME THAT TURNS YOUR HAND INTO WATER it's for meditation you move your hand, the water moves with it that's the whole game what's running under the hood: > Fable 5 built the entire interaction logic > meshy turned text into the 3D water world > three.js and webGL render everything live in your browser > mediapipe tracks your hand through the camera alone whole thing takes 3-5 minutes and 300+ people already tried it she built this as a way to breathe for 5 minutes ended up making one of the coolest things anyone's done with Fable 5 if you wanna see what else Fable 5 can do full guide below
1:23

A CHINESE GIRL USED FABLE 5 TO BUILD A GAME THAT TURNS YOUR HAND INTO WATER it's for meditation you move your hand, the water moves with it that's the whole game what's running under the hood: > Fable 5 built the entire interaction logic > meshy turned text into the 3D water world > three.js and webGL render everything live in your browser > mediapipe tracks your hand through the camera alone whole thing takes 3-5 minutes and 300+ people already tried it she built this as a way to breathe for 5 minutes ended up making one of the coolest things anyone's done with Fable 5 if you wanna see what else Fable 5 can do full guide below

Madni Aghadi

13,289 次观看 • 2 个月前

Crazy experience hooking my laptop up to my tv via HDMI and playing a browser-based Three.js game made with AI in a few days with my wireless PS5 controller... Imagine if you can dream up any map on zombies (or any game/world) and play split screen with your friends from your couch using controllers on a Three.js game that runs in the browser… a little input lag on controller movement, but exciting to see where this space can go!
0:33

Crazy experience hooking my laptop up to my tv via HDMI and playing a browser-based Three.js game made with AI in a few days with my wireless PS5 controller... Imagine if you can dream up any map on zombies (or any game/world) and play split screen with your friends from your couch using controllers on a Three.js game that runs in the browser… a little input lag on controller movement, but exciting to see where this space can go!

Rishi

55,100 次观看 • 1 个月前

Someone ran Claude Code on a beach where any device overheats and that spot suddenly turned out to be the best home for the most powerful AI in the world. This is the reMarkable Paper Pro. A paper tablet for notes with no browser and no social media and not a single app. He sat down right on the sand in the open sun and brought up Claude Code on Opus 4.6 over the Claude API on the paper screen and opened his project ~/repos/webs while the waves broke a few steps away. For years every device had the same trouble outside. In direct sun the screen glares and washes out and heats up and instead of your work you see your own reflection. But e-ink does not blast its own light into your face. It reflects the sunlight like the page of a book. And here is what came out of it. The very thing that kills any normal screen outside turned into fuel for this one. The brighter the sun the sharper the picture because it has nothing to glare with and nothing to wash out. And then comes the thing no laptop on a beach will give you. Your eyes do not get tired. You can watch Opus think on max effort for an hour and it reads like a book in the sun and not a backlight you squint into. The picture only comes alive. In bright light it does not fade but turns sharper and higher in contrast than it ever was in a room. The charge lasts for days. E-ink barely touches the battery so there is no outlet anywhere on the sand and the tablet does not care. It weighs as much as a notebook. The whole setup folds into a beach bag like a pad with a pen on top. Everything on the screen is for real. Claude Code v2.1.110 and Opus 4.6 on the Claude API and the project ~/repos/webs open right on the e-ink in the middle of the sand. In my opinion this is the most unexpected home for an AI this year. Not an office with the blinds drawn and not a monitor cranked to full brightness but a quiet sheet of paper on the sand that open sun only makes better and on it the most powerful Claude writes code right on the page like a pen.
0:33

Someone ran Claude Code on a beach where any device overheats and that spot suddenly turned out to be the best home for the most powerful AI in the world. This is the reMarkable Paper Pro. A paper tablet for notes with no browser and no social media and not a single app. He sat down right on the sand in the open sun and brought up Claude Code on Opus 4.6 over the Claude API on the paper screen and opened his project ~/repos/webs while the waves broke a few steps away. For years every device had the same trouble outside. In direct sun the screen glares and washes out and heats up and instead of your work you see your own reflection. But e-ink does not blast its own light into your face. It reflects the sunlight like the page of a book. And here is what came out of it. The very thing that kills any normal screen outside turned into fuel for this one. The brighter the sun the sharper the picture because it has nothing to glare with and nothing to wash out. And then comes the thing no laptop on a beach will give you. Your eyes do not get tired. You can watch Opus think on max effort for an hour and it reads like a book in the sun and not a backlight you squint into. The picture only comes alive. In bright light it does not fade but turns sharper and higher in contrast than it ever was in a room. The charge lasts for days. E-ink barely touches the battery so there is no outlet anywhere on the sand and the tablet does not care. It weighs as much as a notebook. The whole setup folds into a beach bag like a pad with a pen on top. Everything on the screen is for real. Claude Code v2.1.110 and Opus 4.6 on the Claude API and the project ~/repos/webs open right on the e-ink in the middle of the sand. In my opinion this is the most unexpected home for an AI this year. Not an office with the blinds drawn and not a monitor cranked to full brightness but a quiet sheet of paper on the sand that open sun only makes better and on it the most powerful Claude writes code right on the page like a pen.

Blaze

89,575 次观看 • 2 个月前

Can't believe in less than 24 hours I created my own game with Claude and Three.js. Running in a browser at 120 FPS. All I had to do was give Claude the repo for Threejs and describe an MMO-like game for it to build from scratch. All the assets and mechanics you see are all from a prompt. As you can see, it is far from done but the progress is insane. Everyone should be using Three.js now without a doubt!
0:59

Can't believe in less than 24 hours I created my own game with Claude and Three.js. Running in a browser at 120 FPS. All I had to do was give Claude the repo for Threejs and describe an MMO-like game for it to build from scratch. All the assets and mechanics you see are all from a prompt. As you can see, it is far from done but the progress is insane. Everyone should be using Three.js now without a doubt!

NeilXbt

23,504 次观看 • 1 个月前

Super Smash Bros. Brawl, reconstructed in the browser with AI. GPT Astra has been working on this project for the past few days, reconstructing the game for the browser using the real assets. For now I’ve kept it simple: 1v1, a limited character roster, and a limited number of stages. There’s still a lot left to add (like multiplayer), but it’s looking pretty clean already. I’m going to keep iterating on it and adding more of the game over time. I’ve also open sourced the project, so the community can help push it further, add characters, stages, features, fix bugs, or whatever else. You can try it yourself below. Repo is linked there as well.
1:46

Super Smash Bros. Brawl, reconstructed in the browser with AI. GPT Astra has been working on this project for the past few days, reconstructing the game for the browser using the real assets. For now I’ve kept it simple: 1v1, a limited character roster, and a limited number of stages. There’s still a lot left to add (like multiplayer), but it’s looking pretty clean already. I’m going to keep iterating on it and adding more of the game over time. I’ve also open sourced the project, so the community can help push it further, add characters, stages, features, fix bugs, or whatever else. You can try it yourself below. Repo is linked there as well.

Luckey Faraday

23,440 次观看 • 6 天前

Ebro speaks on people complaining about Kendrick Lamar’s Super Bowl halftime performance “This is about a black experience and not putting black culture on as a costume, but actually leaning in and making sure that this hip hop thing is centered in black culture and centered in purpose… then for your brain to go ‘he didn't play enough hits’ that was the point of the whole thing, that I'm not gonna play this game the way everyone usually plays this game or the way maybe you guys want me to play the game or the way I'm expected to play the game in this halftime moment”
1:56

Ebro speaks on people complaining about Kendrick Lamar’s Super Bowl halftime performance “This is about a black experience and not putting black culture on as a costume, but actually leaning in and making sure that this hip hop thing is centered in black culture and centered in purpose… then for your brain to go ‘he didn't play enough hits’ that was the point of the whole thing, that I'm not gonna play this game the way everyone usually plays this game or the way maybe you guys want me to play the game or the way I'm expected to play the game in this halftime moment”

FearBuck

1,056,068 次观看 • 1 年前

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)
0:56

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)

Anshu

48,983 次观看 • 14 天前