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claude playing TFT -- i ran it for two games and it improved in-context from 0 to 3/30 rounds won. it figured out "3-starring" on its own (buying pairs to upgrade units) which is a core mechanic of this game and hasnt been instructed on how to play besides...

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Surya

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222,132 просмотров • 9 месяцев назад •via X (Twitter)

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Let's talk Chiefs run game and RPOs, volume up on this. There's a lot I don't discuss TBF, but this is about what the lack of a consistent run game allows a defense to do and what it takes away from the players. This is objectively a great play/result! But is it best for this O?

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When I saw that Assassin's Creed Unity was getting a 60 FPS update for current gen consoles, I honestly could not wait to see it with my own eyes. And after playing it, I realized it is not just 60 FPS. The game also seems to be upscaled to 4K, which is absolutely insane in my opinion and the game runs incredibly smooth! Many of you know that I have never been the biggest fan of Unity. But I have to admit, maybe it is just placebo, yet it genuinely feels like the game plays better. Almost like the controller responds more precisely to what I actually want to do. I tested it properly in stealth and of course in parkour, and I have to say, it feels amazing! For PC players this might not be anything special. But for someone like me, mainly playing on console, finally being able to experience Assassin’s Creed Unity at 60 FPS is a game changer. And by the way, co op also seems to be working normally again. This is honestly crazy to see!

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"The internet likes to just instantly judge is the game any good or not...I don't know how you can tell that from a 2 minute video, like play it for a while" Jeff Kaplan on the current state of the internet and releasing a game like The Legend of California

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Would you believe an AI agent can test a real VR action game in real time, the way a person plays it? Meta XR Operator makes it possible. As far as I know, this is the first time. I am not talking about tapping a menu or replaying a recorded click path, but genuinely moving, shooting, and using the same game mechanics a human player does. In NeonReach VR, which is a real (and open source) action game, rings spawn 12m out and come at you somewhere between 1.5 and 5.5 m/s, getting faster over a 90 second ramp. There are three kinds: straight, weaving side to side, and spinning. Every shot is a full slingshot cycle, so you press, pull back, aim, then release. Obstacles arrive at head height and cost you a life if you don't get out of the way. You have ten lives. Here is why the game is hard for an AI agent. Even though Meta XR Operator gives the agent everything it needs to observe the app and act inside it, the agent still cannot play. One agent turn takes 10 to 15 seconds. One throw is four steps that have to happen in order, because the press has to latch before the pull, and they cannot be batched into a single call. So a throw costs about 45 seconds. A fast ring only exists for 2.3 seconds. One action takes 20x longer than the target is alive. Prompt tuning does not close a gap that size. What works is a three stage path: EXPLORATION, then SKILL, then SCRIPT. 1/ EXPLORATION. The agent drives the live app and works the game out on its own. It verified the coordinate mapping by setting a pose and reading it back, then derived the launch model. The more useful output was the traps it found. For example, the player's own body collider silently deflects a ball released inside it, with no error and no log line. That produced two confident wrong conclusions before anyone caught them. 2/ SKILL. All of that gets written down as a reusable SKILL.md plus an aim solver. There is a section that separates what was actually verified from what was assumed, so a wrong conclusion cannot quietly turn into doctrine. This stage also produced the trick that mattered. Set timeScale to 0 and a throw becomes atomic in game time, so however long the agent spends thinking never shows up in the shot. 3/ SCRIPT. The agent then compiles everything into a player script, a loop that observes, decides, and throws, calling the MCP servers directly from Python with no model in the hot path. Round trips drop from 10 to 15 seconds down to something between 1 and 16 milliseconds. The loop runs at 23 Hz, about 0.75 seconds per throw, roughly 60x faster than the agent doing it turn by turn. The result is that it plays like a person, which you can see from the attached video. It tracks the rings, works out where each one is going, throws with whichever hand is free, moves out of the way of the obstacles, and does not wait around to see whether the last throw landed. Shipping settings, no difficulty edits, no health locks, no slow motion. It plays until it actually loses. The takeaway generalizes beyond games: an agent does not have to be the player. Even following the same rules as a player, it has too much latency between moves. Having the agent write the thing that acts bypasses that constraint entirely. Try it yourself: or explore the agent-created skill and scripts: Based on NeonReach VR by Dilmer, with no code changes. I only upgraded its Meta XR Core SDK to v205, which ships Meta XR Operator. Our blog post, Introducing Meta XR Operator: Close the Build-Test-Verify Loop for VR: Disclosure: I work at Meta. And this represents my own opinion. #XR #VR #AI #MetaQuest #Unity #GameDev
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Would you believe an AI agent can test a real VR action game in real time, the way a person plays it? Meta XR Operator makes it possible. As far as I know, this is the first time. I am not talking about tapping a menu or replaying a recorded click path, but genuinely moving, shooting, and using the same game mechanics a human player does. In NeonReach VR, which is a real (and open source) action game, rings spawn 12m out and come at you somewhere between 1.5 and 5.5 m/s, getting faster over a 90 second ramp. There are three kinds: straight, weaving side to side, and spinning. Every shot is a full slingshot cycle, so you press, pull back, aim, then release. Obstacles arrive at head height and cost you a life if you don't get out of the way. You have ten lives. Here is why the game is hard for an AI agent. Even though Meta XR Operator gives the agent everything it needs to observe the app and act inside it, the agent still cannot play. One agent turn takes 10 to 15 seconds. One throw is four steps that have to happen in order, because the press has to latch before the pull, and they cannot be batched into a single call. So a throw costs about 45 seconds. A fast ring only exists for 2.3 seconds. One action takes 20x longer than the target is alive. Prompt tuning does not close a gap that size. What works is a three stage path: EXPLORATION, then SKILL, then SCRIPT. 1/ EXPLORATION. The agent drives the live app and works the game out on its own. It verified the coordinate mapping by setting a pose and reading it back, then derived the launch model. The more useful output was the traps it found. For example, the player's own body collider silently deflects a ball released inside it, with no error and no log line. That produced two confident wrong conclusions before anyone caught them. 2/ SKILL. All of that gets written down as a reusable SKILL.md plus an aim solver. There is a section that separates what was actually verified from what was assumed, so a wrong conclusion cannot quietly turn into doctrine. This stage also produced the trick that mattered. Set timeScale to 0 and a throw becomes atomic in game time, so however long the agent spends thinking never shows up in the shot. 3/ SCRIPT. The agent then compiles everything into a player script, a loop that observes, decides, and throws, calling the MCP servers directly from Python with no model in the hot path. Round trips drop from 10 to 15 seconds down to something between 1 and 16 milliseconds. The loop runs at 23 Hz, about 0.75 seconds per throw, roughly 60x faster than the agent doing it turn by turn. The result is that it plays like a person, which you can see from the attached video. It tracks the rings, works out where each one is going, throws with whichever hand is free, moves out of the way of the obstacles, and does not wait around to see whether the last throw landed. Shipping settings, no difficulty edits, no health locks, no slow motion. It plays until it actually loses. The takeaway generalizes beyond games: an agent does not have to be the player. Even following the same rules as a player, it has too much latency between moves. Having the agent write the thing that acts bypasses that constraint entirely. Try it yourself: or explore the agent-created skill and scripts: Based on NeonReach VR by Dilmer, with no code changes. I only upgraded its Meta XR Core SDK to v205, which ships Meta XR Operator. Our blog post, Introducing Meta XR Operator: Close the Build-Test-Verify Loop for VR: Disclosure: I work at Meta. And this represents my own opinion. #XR #VR #AI #MetaQuest #Unity #GameDev

Xiang Wei

52,421 просмотров • 12 дней назад

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”
2:38

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”

James Lindsay, anti-Communist

154,373 просмотров • 1 год назад

One criticism I always see towards games like Red Dead Redemption 2 and Grand Theft Auto VI recently is the topic of small details. "Why does a game need so many details, it doesn't make the experience any better and takes longer to develop" While I do agree with the fact that Rockstar Games development schedules in between each release keep getting longer, the fact is that when you aim for such a high level of realism in a video-game, its not about graphics anymore, its about immersion. I'm sure that if you played RDR2, you know that your horse sweating or its balls shrinking in the cold don't add much to the gameplay itself, but it makes the game feel like its real. This is precisely what sets apart Rockstar Games from other game studios, the level of immersion you get in those games is unbeaten. RDR2, a game designed for the PS4 console has a level of fluidity and immersion that I have yet to see in a video-game from any other game studio, each game mechanic seems to work flawlessly that it feels like a living and breathing open world game. Hell, sometimes you feel bad for shooting an NPC which never happened to me in a video-game before. When you're playing it, hours can go by and you don't even. In other open-world games, sometimes you can notice limitations, for example the same NPCs appearing in one object or the same scripted conversations. RDR2 manages to make that gap of a video-game and reality feel thinner, not get rid of it entirely of course. Making such a massive game filled with tons of details means that it can be can be played for multiple years after its release and not feel outdated. Its not all about details of course, when a game takes so long to develop, the stakes get higher each time and Rockstar Games has to make sure that they deliver on the story that is being told too, hence the reason why their games have always been historically good in terms of writing. Now to address the elephant int he room, the main issue is that as the complexity increases for each new release and optimizing all of these systems to work in tandem, the development time increases and we get longer periods of waiting. Is all of this worth it? In my opinion, yes. Its Rockstar Games after all, they have the budget necessary and the talent to achieve this kind of feat. Not only does it raise the bar for what is possible to do in a video-game, but it also is highly rewarding when you play the game for the first time and its unlike anything you've seen these past couple of years. When I finished playing Red Dead Redemption 2 for the first time, every new game that came out felt outdated for me. Just as technology keeps going forward, the same applies here with open world games too. What are your thoughts on this topic?
1:10

One criticism I always see towards games like Red Dead Redemption 2 and Grand Theft Auto VI recently is the topic of small details. "Why does a game need so many details, it doesn't make the experience any better and takes longer to develop" While I do agree with the fact that Rockstar Games development schedules in between each release keep getting longer, the fact is that when you aim for such a high level of realism in a video-game, its not about graphics anymore, its about immersion. I'm sure that if you played RDR2, you know that your horse sweating or its balls shrinking in the cold don't add much to the gameplay itself, but it makes the game feel like its real. This is precisely what sets apart Rockstar Games from other game studios, the level of immersion you get in those games is unbeaten. RDR2, a game designed for the PS4 console has a level of fluidity and immersion that I have yet to see in a video-game from any other game studio, each game mechanic seems to work flawlessly that it feels like a living and breathing open world game. Hell, sometimes you feel bad for shooting an NPC which never happened to me in a video-game before. When you're playing it, hours can go by and you don't even. In other open-world games, sometimes you can notice limitations, for example the same NPCs appearing in one object or the same scripted conversations. RDR2 manages to make that gap of a video-game and reality feel thinner, not get rid of it entirely of course. Making such a massive game filled with tons of details means that it can be can be played for multiple years after its release and not feel outdated. Its not all about details of course, when a game takes so long to develop, the stakes get higher each time and Rockstar Games has to make sure that they deliver on the story that is being told too, hence the reason why their games have always been historically good in terms of writing. Now to address the elephant int he room, the main issue is that as the complexity increases for each new release and optimizing all of these systems to work in tandem, the development time increases and we get longer periods of waiting. Is all of this worth it? In my opinion, yes. Its Rockstar Games after all, they have the budget necessary and the talent to achieve this kind of feat. Not only does it raise the bar for what is possible to do in a video-game, but it also is highly rewarding when you play the game for the first time and its unlike anything you've seen these past couple of years. When I finished playing Red Dead Redemption 2 for the first time, every new game that came out felt outdated for me. Just as technology keeps going forward, the same applies here with open world games too. What are your thoughts on this topic?

NikTek

26,848 просмотров • 16 дней назад

James Harden on if the Clippers loss against the Wolves is deflating: “It's not just this game. It’s the Milwaukee game in Milwaukee. You look at the Laker game, like this [game]. I could point to a handful of games. It's not about another team. It's about us and that's what we preach and that's what it is. No matter who we play. And if we're healthy and our energy is right, it doesn't matter who we play.”
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James Harden on if the Clippers loss against the Wolves is deflating: “It's not just this game. It’s the Milwaukee game in Milwaukee. You look at the Laker game, like this [game]. I could point to a handful of games. It's not about another team. It's about us and that's what we preach and that's what it is. No matter who we play. And if we're healthy and our energy is right, it doesn't matter who we play.”

Tomer Azarly

16,663 просмотров • 2 лет назад

This is the discrimination we face daily as women athletes in competitive games. I have been playing CS since 2005. Some ask me: “But you have played for so long, you must have a thick skin to all this toxicity by now?” And normally I answer: “Yes, I do”. But I don’t want to have a thick skin to play a game I love, where I want to develop as a professional and break new barriers. I don’t want to show strength and ignore, or fight back every time I am being harassed for my gender. I don’t want to feel like I don’t belong or that I am worse “by default”. And I WILL talk about this constantly until it’s changed for the better. This video is just another of many examples. Two premades who started the game with “why do I have 2 women on my team” and were sexist to Zana 🌻 and me the whole game. Yet we tried to close our eyes to it and just did everything to win the game. When the game was won, we got a message “ez carry”. When things go wrong, stop blaming others, but focus on yourself and your own mistakes instead. And let us play!
1:41

This is the discrimination we face daily as women athletes in competitive games. I have been playing CS since 2005. Some ask me: “But you have played for so long, you must have a thick skin to all this toxicity by now?” And normally I answer: “Yes, I do”. But I don’t want to have a thick skin to play a game I love, where I want to develop as a professional and break new barriers. I don’t want to show strength and ignore, or fight back every time I am being harassed for my gender. I don’t want to feel like I don’t belong or that I am worse “by default”. And I WILL talk about this constantly until it’s changed for the better. This video is just another of many examples. Two premades who started the game with “why do I have 2 women on my team” and were sexist to Zana 🌻 and me the whole game. Yet we tried to close our eyes to it and just did everything to win the game. When the game was won, we got a message “ez carry”. When things go wrong, stop blaming others, but focus on yourself and your own mistakes instead. And let us play!

vilga

251,204 просмотров • 1 год назад

Playing Pokemon with LLMs became a benchmark, but what about Super Mario? Turns out Google DeepMind Gemini 2.0 Flash can play Super Mario in real-time due to its fast latency, multimodal input and long context! 🎮 Gemini 2.0 Flash receives screenshots of the game and then generates Python code (PyAutoGUI commands) for each screenshot to control the game for a short period (the next 1 or 2 seconds). Add a while loop to it and you have it play in real-time. 🤯
1:15

Playing Pokemon with LLMs became a benchmark, but what about Super Mario? Turns out Google DeepMind Gemini 2.0 Flash can play Super Mario in real-time due to its fast latency, multimodal input and long context! 🎮 Gemini 2.0 Flash receives screenshots of the game and then generates Python code (PyAutoGUI commands) for each screenshot to control the game for a short period (the next 1 or 2 seconds). Add a while loop to it and you have it play in real-time. 🤯

Philipp Schmid

153,086 просмотров • 1 год назад

Friends this is not the time to fear ai 🤖 this is the time to be curious and play with it and understand it … please 🙏 don’t put your head in the sand … there is so much you can’t control when it comes to ai 🤖 and how it will play out … but there is a lot you can control on how you work with it and use it to build something for you and your family !!! Pls If you’re finally ready to not be scared of ai pls leave a 🤖 emoji in the the chat
0:30

Friends this is not the time to fear ai 🤖 this is the time to be curious and play with it and understand it … please 🙏 don’t put your head in the sand … there is so much you can’t control when it comes to ai 🤖 and how it will play out … but there is a lot you can control on how you work with it and use it to build something for you and your family !!! Pls If you’re finally ready to not be scared of ai pls leave a 🤖 emoji in the the chat

Gary Vaynerchuk

15,342 просмотров • 10 месяцев назад

My next game, prologue: Go Wayback!, is out now in Early Access. This wouldn't have been possible without such a fantastic team at PLAYERUNKNOWN Productions, a team that, in just under two years, turned a bunch of my ideas for a challenging survival experience into the game you can play today. I'm also thankful to have had a great community helping us shape the experience during our open beta. prologue: Go Wayback! is a game I'm immensely proud to have my name attached to, and one which offers players something truly special. A game where every journey is your own, and the experience is what you make it. I hope you enjoy it as much as I do <3 See you at the weather tower o7
1:34

My next game, prologue: Go Wayback!, is out now in Early Access. This wouldn't have been possible without such a fantastic team at PLAYERUNKNOWN Productions, a team that, in just under two years, turned a bunch of my ideas for a challenging survival experience into the game you can play today. I'm also thankful to have had a great community helping us shape the experience during our open beta. prologue: Go Wayback! is a game I'm immensely proud to have my name attached to, and one which offers players something truly special. A game where every journey is your own, and the experience is what you make it. I hope you enjoy it as much as I do <3 See you at the weather tower o7

PLAYERUNKNOWN

107,594 просмотров • 9 месяцев назад

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it
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Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Breezi

372,865 просмотров • 2 лет назад

"I'm certainly not trying to be positive after a loss like this, because it's hard to be. But you just played two top 10 teams on the road and you're right there in the game with them... The good thing is I think it gives us reason to believe we can win the rest of them." - Hugh Freeze after Auburn's loss at Texas A&M to fall to 3-2 overall and 0-2 in SEC play
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"I'm certainly not trying to be positive after a loss like this, because it's hard to be. But you just played two top 10 teams on the road and you're right there in the game with them... The good thing is I think it gives us reason to believe we can win the rest of them." - Hugh Freeze after Auburn's loss at Texas A&M to fall to 3-2 overall and 0-2 in SEC play

The Next Round

135,496 просмотров • 11 месяцев назад

I asked Codex to design its own CPU and then write a Space Invaders-style game for it in assembly and after a while working on it this is the result Now the real question is... can it run Minecraft?
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I asked Codex to design its own CPU and then write a Space Invaders-style game for it in assembly and after a while working on it this is the result Now the real question is... can it run Minecraft?

Angel 🌼

208,293 просмотров • 10 дней назад

It takes 5 minutes to create a world-class web research agent that runs 24/7 and returns structured search results. 1. You can limit the sources it's allowed to use 2. You can specify the goals it needs to complete 3. You can design the format structure of the results 4. You can configure how much computing power it will use I show you how to set up a Web Search Agent in the video. A few benefits here: 1. This is great for complex research tasks 2. It's really easy to add this like a LEGO piece to a more complex workflow 3. Create an agent once, and reuse it with different inputs 4. The agent adapts to your use case as you work with it By the way, Nimble published a whole library of templates and research agents you can reuse and modify. You can start sending queries to one of these existing agents, and it will begin to adapt to Go here to try it out: Thanks to the Nimble team for partnering with me on this post.
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It takes 5 minutes to create a world-class web research agent that runs 24/7 and returns structured search results. 1. You can limit the sources it's allowed to use 2. You can specify the goals it needs to complete 3. You can design the format structure of the results 4. You can configure how much computing power it will use I show you how to set up a Web Search Agent in the video. A few benefits here: 1. This is great for complex research tasks 2. It's really easy to add this like a LEGO piece to a more complex workflow 3. Create an agent once, and reuse it with different inputs 4. The agent adapts to your use case as you work with it By the way, Nimble published a whole library of templates and research agents you can reuse and modify. You can start sending queries to one of these existing agents, and it will begin to adapt to Go here to try it out: Thanks to the Nimble team for partnering with me on this post.

Santiago

20,943 просмотров • 29 дней назад

Stephon Castle, on Game 7: “Somebody’s season is going to end that night, and we don’t want it to be ours. ... Who doesn’t want to play in a Game 7? To be able to do it in the Western Conference finals in my second year is definitely a blessing, so I’m ready for it.”
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Stephon Castle, on Game 7: “Somebody’s season is going to end that night, and we don’t want it to be ours. ... Who doesn’t want to play in a Game 7? To be able to do it in the Western Conference finals in my second year is definitely a blessing, so I’m ready for it.”

Spurs Nation

353,166 просмотров • 3 месяцев назад