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Clint Howard sets the record straight on Ron Howard blaming himself for his past addiction "Well, that's a nice thought, but I kind of call bullshit on that. What's a big brother gonna do?" "What's a big brother gonna do? What's a guy... I mean, I love Ron. I...

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When I interviewed Ron Paul last year, I asked him what it was about his race, when compared to someone like Mitt Romney’s, that created such an enduring movement. Because he's extraordinarily humble, Dr. Paul said it was because of the ideas and that he was standing on the shoulders of giants. But I insisted that it went beyond the ideas— it had something to do with his character. Tucker Carlson’s monologue before his interview with Ron Paul captures it exactly: It can't be reduced to the fact that he was a libertarian—that overstates it and understates it. Ron Paul created a lasting movement because he is an honest man and has been a consistent moral voice. And for that, he was seen as crazy in 2008 and 2012. But now people recognize that Ron Paul was right.
1:24

When I interviewed Ron Paul last year, I asked him what it was about his race, when compared to someone like Mitt Romney’s, that created such an enduring movement. Because he's extraordinarily humble, Dr. Paul said it was because of the ideas and that he was standing on the shoulders of giants. But I insisted that it went beyond the ideas— it had something to do with his character. Tucker Carlson’s monologue before his interview with Ron Paul captures it exactly: It can't be reduced to the fact that he was a libertarian—that overstates it and understates it. Ron Paul created a lasting movement because he is an honest man and has been a consistent moral voice. And for that, he was seen as crazy in 2008 and 2012. But now people recognize that Ron Paul was right.

Liam McCollum

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Arteta on Lewis-Skelly: “I've been tough on him. He had a spectacular season last year when he jumped into the first team. He had some difficult moments after that, but he stayed very humble, very focused, aligned when we wanted to do and I knew he was ready. “He's been showing in training every day the opportunities that he had to play, he's done it and today he really stepped up and I thought he had an incredible performance. Reporter: What was the sort of thinking behind that and why do you think it's taken this long to play him there? Arteta: “Because probably I don't have a clue. Maybe I should have done it earlier, I don't know. But I have to do things when I believe that the player is ready, the team is ready and the opponent is the right one to play with him in that position. “We've done it today, it's the first time, it was a big risk because I knew what was going to happen. If it works, it's great. would have lost the game, what would have happened, how do you play a kid at this age in this scenario in a position he hasn't played all season. I knew that but I had the feeling it was the right game for him.”
1:09

Arteta on Lewis-Skelly: “I've been tough on him. He had a spectacular season last year when he jumped into the first team. He had some difficult moments after that, but he stayed very humble, very focused, aligned when we wanted to do and I knew he was ready. “He's been showing in training every day the opportunities that he had to play, he's done it and today he really stepped up and I thought he had an incredible performance. Reporter: What was the sort of thinking behind that and why do you think it's taken this long to play him there? Arteta: “Because probably I don't have a clue. Maybe I should have done it earlier, I don't know. But I have to do things when I believe that the player is ready, the team is ready and the opponent is the right one to play with him in that position. “We've done it today, it's the first time, it was a big risk because I knew what was going to happen. If it works, it's great. would have lost the game, what would have happened, how do you play a kid at this age in this scenario in a position he hasn't played all season. I knew that but I had the feeling it was the right game for him.”

Connor Humm

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Niko Medved on Jeremy Fears Jr.: I mean, you know, he's taken a lot of heat and all that. He's a great player, you know, and Coach gates, on our staffs coached his brother. Knows the family. He is a, I know he's a great kid. He's a competitor. That's who he is. Yeah, he's, you know, he gets a little carried away. And, you know, we saw that on on film, and, you know, I thought they did the right thing that way, but he's a great player. He's a guy you'd love to have on your team. But you know, we also, you know, there's a time you can't do what he did, and I guarantee you he knows that, but he's a great player. #Gophers
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Niko Medved on Jeremy Fears Jr.: I mean, you know, he's taken a lot of heat and all that. He's a great player, you know, and Coach gates, on our staffs coached his brother. Knows the family. He is a, I know he's a great kid. He's a competitor. That's who he is. Yeah, he's, you know, he gets a little carried away. And, you know, we saw that on on film, and, you know, I thought they did the right thing that way, but he's a great player. He's a guy you'd love to have on your team. But you know, we also, you know, there's a time you can't do what he did, and I guarantee you he knows that, but he's a great player. #Gophers

GopherHole.com

289,410 Aufrufe • vor 7 Monaten

Anthony Starr says the worst note he's ever received from a director was getting no note at all Host: "What's the worst note a director has ever given you?" "It wasn't quite a note, there's a director in New Zealand Mark Beasley who's lovely, I love him but he's one of those people, those directors who had a big beard" "We worked Outrageous together and he comes across as very gruff and dark but he's not he's a big softie, he's really talented, he's a really great director" "He stood by the monitors stroking his beard and he looked at me after a take, didn't say anything just looked and he walked up to me and I was standing there I was young as well, I was much younger and a lot less secure than I am now" "He looked at me, stroked his beard and he went 'no don't worry' and I was like 'are you kidding, what were you gonna say' and then he's like 'okay let's go again' and I was like 'what were you going to say' and he goes 'it doesn't matter'" Host: "It's worse than anything you could possibly said" "I think he just did it to mess with me, to dislodge me out of any route, I don't know why he did it. I'm overthinking it now even, but that was it"
1:17

Anthony Starr says the worst note he's ever received from a director was getting no note at all Host: "What's the worst note a director has ever given you?" "It wasn't quite a note, there's a director in New Zealand Mark Beasley who's lovely, I love him but he's one of those people, those directors who had a big beard" "We worked Outrageous together and he comes across as very gruff and dark but he's not he's a big softie, he's really talented, he's a really great director" "He stood by the monitors stroking his beard and he looked at me after a take, didn't say anything just looked and he walked up to me and I was standing there I was young as well, I was much younger and a lot less secure than I am now" "He looked at me, stroked his beard and he went 'no don't worry' and I was like 'are you kidding, what were you gonna say' and then he's like 'okay let's go again' and I was like 'what were you going to say' and he goes 'it doesn't matter'" Host: "It's worse than anything you could possibly said" "I think he just did it to mess with me, to dislodge me out of any route, I don't know why he did it. I'm overthinking it now even, but that was it"

le.hl

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Charlie Sheen reveals Oliver Stone gave the Born on the Fourth of July role they had agreed on to Tom Cruise and confronted him drunk in a bar about it years later “The thing that was weird is he said, you know, I want you to do Born on the Fourth and we had meetings about it and we had a dinner with Ron Kovic, and then he just I stopped hearing from him.” “I love that Emilio thought I needed to be seated to get news he thought was going to make me faint. I mean, what are we doing here? It's a movie.” “It was also the betrayal factor of it, you know.” “I was like, Well, we didn't see you. How do you know how much passion I lost if we never talked about it again? He was like, Yeah, you know, my instincts told me.”
2:14

Charlie Sheen reveals Oliver Stone gave the Born on the Fourth of July role they had agreed on to Tom Cruise and confronted him drunk in a bar about it years later “The thing that was weird is he said, you know, I want you to do Born on the Fourth and we had meetings about it and we had a dinner with Ron Kovic, and then he just I stopped hearing from him.” “I love that Emilio thought I needed to be seated to get news he thought was going to make me faint. I mean, what are we doing here? It's a movie.” “It was also the betrayal factor of it, you know.” “I was like, Well, we didn't see you. How do you know how much passion I lost if we never talked about it again? He was like, Yeah, you know, my instincts told me.”

Hribi

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Gary Oldman's "EVERYONE!!" scream in Léon: The Professional is so iconic people yell it at him in the street. Turns out it started as a joke between him and Luc Besson. He explains: “What's strange is that it's become this sort of iconic line, and it was all done as a joke. And that was the thing, I played the scene…. And I had a relationship with Luc. Luc Besson was kind of mad in a way — I mean, we were shooting on film. He would say to me, "OK, do the scene again, but now do it as Robert De Niro." Or do it as... And he would shoot it for kicks, and his archive. So we had a fun kind of relationship… I said to Luke, "I just want to do one more, let me do one more." And I went to the sound guy and I said, "I'm going to be really loud, so be careful." And said “bring me everyone" — you know, EVERYONE like that. I just did it as a joke to make Luc laugh. I was a little shocked when I saw it in the film, yeah. It was just me fooling around — with intensity, with feeling — and yet it's become this line now.”
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Gary Oldman's "EVERYONE!!" scream in Léon: The Professional is so iconic people yell it at him in the street. Turns out it started as a joke between him and Luc Besson. He explains: “What's strange is that it's become this sort of iconic line, and it was all done as a joke. And that was the thing, I played the scene…. And I had a relationship with Luc. Luc Besson was kind of mad in a way — I mean, we were shooting on film. He would say to me, "OK, do the scene again, but now do it as Robert De Niro." Or do it as... And he would shoot it for kicks, and his archive. So we had a fun kind of relationship… I said to Luke, "I just want to do one more, let me do one more." And I went to the sound guy and I said, "I'm going to be really loud, so be careful." And said “bring me everyone" — you know, EVERYONE like that. I just did it as a joke to make Luc laugh. I was a little shocked when I saw it in the film, yeah. It was just me fooling around — with intensity, with feeling — and yet it's become this line now.”

Gangster Cinema Central

35,141 Aufrufe • vor 2 Monaten

Asmongold reveals the moment his dad's brutal honesty changed his entire outlook on life "My dad was the biggest asshole I've ever met. I love my dad, he was a great person and he helped me so much. But he was a fucking asshole like you have no idea." "I was really upset and crying and he just goes, what the fuck's wrong with you? Of course it's bad. Life isn't about being happy. Stop being a pussy. It's gonna get worse. You know that right? It's gonna keep getting worse." "At the time I thought this is the last thing I need to hear. But it was actually the main thing I needed to hear right there." "I was even crying about the fact that he was getting older. He's like, yeah, and it's gonna get worse and then I'm gonna die. And you know what? He was right. And in a weird way, telling me that prepared me for it. When it happened, I was ready."
1:18

Asmongold reveals the moment his dad's brutal honesty changed his entire outlook on life "My dad was the biggest asshole I've ever met. I love my dad, he was a great person and he helped me so much. But he was a fucking asshole like you have no idea." "I was really upset and crying and he just goes, what the fuck's wrong with you? Of course it's bad. Life isn't about being happy. Stop being a pussy. It's gonna get worse. You know that right? It's gonna keep getting worse." "At the time I thought this is the last thing I need to hear. But it was actually the main thing I needed to hear right there." "I was even crying about the fact that he was getting older. He's like, yeah, and it's gonna get worse and then I'm gonna die. And you know what? He was right. And in a weird way, telling me that prepared me for it. When it happened, I was ready."

Asmongold Updates

754,429 Aufrufe • vor 3 Monaten

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune
0:28

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune

Gangster Cinema Central

1,053,344 Aufrufe • vor 3 Monaten

Sydney Pollack on 'The Yakuza' (1974) & the differences he had with Paul Schrader while making the movie: "I think 'The Yakuza' (1974) is a terrific picture. I think it is one of the better pictures that I have done. it's not an audience picture at all. it's a picture that got fairly well received critically. [but] nobody went to see; it it's an oddball movie that very few people even know. but it's a movie that I like a lot. It was Schrader's first big break. He's a very talented guy and again I had a similar problem working with him, not quite like [working with] Milius but but it was a taste problem. In other words, he was an ex-critic and a real film buff and his models for everything were films that he'd seen before and he had approached everything from a sort of a genre point of view; "let's have a little violence in the first 10 minutes then we can have some later". I kept saying I know what that means all I know is the scene doesn't work but he & his brother were terrific and they were both good and they came over while we were shooting. Robert Towne came into the rewrite for me on that and I got to work with Mitchum who is just wonderful to work with and Brian Keith and Richard Jordan, some real good actors and a wonderful Japanese camera man named Kozo Okazaki and spent a lot of time in Japan and I think that's a pretty damn good picture." (Sydney Pollack's interview with John A. Gallagher, 1983)
1:17

Sydney Pollack on 'The Yakuza' (1974) & the differences he had with Paul Schrader while making the movie: "I think 'The Yakuza' (1974) is a terrific picture. I think it is one of the better pictures that I have done. it's not an audience picture at all. it's a picture that got fairly well received critically. [but] nobody went to see; it it's an oddball movie that very few people even know. but it's a movie that I like a lot. It was Schrader's first big break. He's a very talented guy and again I had a similar problem working with him, not quite like [working with] Milius but but it was a taste problem. In other words, he was an ex-critic and a real film buff and his models for everything were films that he'd seen before and he had approached everything from a sort of a genre point of view; "let's have a little violence in the first 10 minutes then we can have some later". I kept saying I know what that means all I know is the scene doesn't work but he & his brother were terrific and they were both good and they came over while we were shooting. Robert Towne came into the rewrite for me on that and I got to work with Mitchum who is just wonderful to work with and Brian Keith and Richard Jordan, some real good actors and a wonderful Japanese camera man named Kozo Okazaki and spent a lot of time in Japan and I think that's a pretty damn good picture." (Sydney Pollack's interview with John A. Gallagher, 1983)

DepressedBergman

124,980 Aufrufe • vor 9 Monaten

A couple years ago, I saw Ron Perlman at a Comic Con and I had to meet the legend! Turns out we are both huge fans of Frank Sinatra! He told me that we would do something together soon and I didn’t think much of it at first. Fast forward a few months and I nervously sent him some scripts of mine. He told me he HAD TO BE IN PARADISE RECORDS!! Next thing I know, we are on set together and he delivered one of the funnest moments of the entire movie!! Thank you Ron!! Appreciate our friendship more than anything!! Ron Perlman
0:36

A couple years ago, I saw Ron Perlman at a Comic Con and I had to meet the legend! Turns out we are both huge fans of Frank Sinatra! He told me that we would do something together soon and I didn’t think much of it at first. Fast forward a few months and I nervously sent him some scripts of mine. He told me he HAD TO BE IN PARADISE RECORDS!! Next thing I know, we are on set together and he delivered one of the funnest moments of the entire movie!! Thank you Ron!! Appreciate our friendship more than anything!! Ron Perlman

Rap Ron Howard

26,509 Aufrufe • vor 8 Monaten

👁️ Kamaru Usman says he was eye-poked in the early rounds, which compromised his vision. "I took kind of like a thumb punch in the eye early on, and that kind of blurred the vision a bit... But no excuses, it is what it is. He's a big boy, and when you start seeing two of the big boys..."
0:32

👁️ Kamaru Usman says he was eye-poked in the early rounds, which compromised his vision. "I took kind of like a thumb punch in the eye early on, and that kind of blurred the vision a bit... But no excuses, it is what it is. He's a big boy, and when you start seeing two of the big boys..."

MMA Pros Pick

181,952 Aufrufe • vor 2 Monaten

Shaquille O'Neal says Dwight Howard spent years thinking he was hated when it was the opposite, and it began with Shaq calling one of Dwight's teammates to ask if he was soft "I had this conversation with Dwight. He said, 'Man, I thought you didn't like me.' I said, 'Dwight, you wasn't paying attention. I love you. You did stuff that I couldn't do.' I wanted to make you mad." "Because I contacted one of your teammates, Jamison. I was like, 'Is he soft?' He was like, 'No, he's not soft.' I was like, 'Okay. He's not soft. All right.'" I wanted to get him so mad and so enraged that he played at a high level. But he didn't understand that. So a lot of times when I'm criticizing you as a player, it must mean I like you."
0:32

Shaquille O'Neal says Dwight Howard spent years thinking he was hated when it was the opposite, and it began with Shaq calling one of Dwight's teammates to ask if he was soft "I had this conversation with Dwight. He said, 'Man, I thought you didn't like me.' I said, 'Dwight, you wasn't paying attention. I love you. You did stuff that I couldn't do.' I wanted to make you mad." "Because I contacted one of your teammates, Jamison. I was like, 'Is he soft?' He was like, 'No, he's not soft.' I was like, 'Okay. He's not soft. All right.'" I wanted to get him so mad and so enraged that he played at a high level. But he didn't understand that. So a lot of times when I'm criticizing you as a player, it must mean I like you."

katsu

634,590 Aufrufe • vor 24 Tagen

Sam Altman didn’t ask Paul Graham for advice before launching ChatGPT because he knew exactly what he would say "This is like a meme for many YC founders, where you would go see him for office hours and he would say, ‘you know what you should do?’ And he would shake his finger.” “And sometimes the thing that came after that was great. Sometimes the thing that came after that was terrible.” “But the important thing was there is a creativity and open landscape and just, let's try a lot of things." “He really pushed the startup ecosystem into this world of, you got to ship a V1 you're embarrassed of early. And it doesn't matter if it could be much better. You'll get it much, much better because of the feedback to customers." “I don't even think I asked him before we launched ChatGPT, like, ‘hey, do you think we should launch this thing?’ But I knew what he would say. I knew it was still early. I knew it was still embarrassing. And I knew the right thing was to get it out and get it in front of people."
1:06

Sam Altman didn’t ask Paul Graham for advice before launching ChatGPT because he knew exactly what he would say "This is like a meme for many YC founders, where you would go see him for office hours and he would say, ‘you know what you should do?’ And he would shake his finger.” “And sometimes the thing that came after that was great. Sometimes the thing that came after that was terrible.” “But the important thing was there is a creativity and open landscape and just, let's try a lot of things." “He really pushed the startup ecosystem into this world of, you got to ship a V1 you're embarrassed of early. And it doesn't matter if it could be much better. You'll get it much, much better because of the feedback to customers." “I don't even think I asked him before we launched ChatGPT, like, ‘hey, do you think we should launch this thing?’ But I knew what he would say. I knew it was still early. I knew it was still embarrassing. And I knew the right thing was to get it out and get it in front of people."

dnap

52,262 Aufrufe • vor 1 Monat

Jeff Bezos reveals the question he asks himself to make every big decision in his life "I told my boss I'm going to go do this crazy thing and start a company selling books online. He said, let's go on a walk, and we went on a two-hour walk in Central Park" "He said this actually sounds like a really good idea, but it sounds like it would be a better idea for somebody who didn't already have a good job. He convinced me to think about it for 48 hours before making a final decision" "I knew the one thing I might regret is not ever having tried. And I knew that would haunt me every day" "If you can project yourself out to age 80 and think, what will I think at that time, it gets you away from some of the daily pieces of confusion" "I knew that when I was 80 I was not going to regret having tried this. I knew that if I failed I wouldn't regret that. But the one thing I might regret is not ever having tried" "I left this Wall Street firm in the middle of the year. When you do that, you walk away from your annual bonus, and that's the kind of thing that in the short term can confuse you" "But if you think about the long term, you can really make good life decisions that you won't regret later"
2:38

Jeff Bezos reveals the question he asks himself to make every big decision in his life "I told my boss I'm going to go do this crazy thing and start a company selling books online. He said, let's go on a walk, and we went on a two-hour walk in Central Park" "He said this actually sounds like a really good idea, but it sounds like it would be a better idea for somebody who didn't already have a good job. He convinced me to think about it for 48 hours before making a final decision" "I knew the one thing I might regret is not ever having tried. And I knew that would haunt me every day" "If you can project yourself out to age 80 and think, what will I think at that time, it gets you away from some of the daily pieces of confusion" "I knew that when I was 80 I was not going to regret having tried this. I knew that if I failed I wouldn't regret that. But the one thing I might regret is not ever having tried" "I left this Wall Street firm in the middle of the year. When you do that, you walk away from your annual bonus, and that's the kind of thing that in the short term can confuse you" "But if you think about the long term, you can really make good life decisions that you won't regret later"

Jaynit

192,683 Aufrufe • vor 3 Monaten

. Kris Pursiainen: "You've played with a lot of guards. What's special about Jose?" Karl-Anthony Towns: "I mean, it's tough for me to be a Dominican talking about a Puerto Rican like this but he's..." Jose Alvarado: "I knew that was coming." KAT: "Man, when you talk about somebody who not only lives up to the moment but plays with his emotion, and utilizes that to his advantage, that's a rare quality. A lot of times, you play with a lot of people and they play with emotion but it gets the better of them. And for Jose, that emotion is what drives him and makes him take it to another level. He's a special player. His tenacity, his defensive ability and his offensive ability that I got to see firsthand when [D'Angelo Russell] asked, could he shoot, and now I know, he really can shoot. It's special. He has so much to his basketball game that people don't give credit to, and I'm glad at this stage on a night like this, he was able to show the world what he can do when he's given a chance. And Jose Alvarado clearly told everyone in the world tonight he's a big-time player." Jose: "That's a Dominican person saying that."
1:25

. Kris Pursiainen: "You've played with a lot of guards. What's special about Jose?" Karl-Anthony Towns: "I mean, it's tough for me to be a Dominican talking about a Puerto Rican like this but he's..." Jose Alvarado: "I knew that was coming." KAT: "Man, when you talk about somebody who not only lives up to the moment but plays with his emotion, and utilizes that to his advantage, that's a rare quality. A lot of times, you play with a lot of people and they play with emotion but it gets the better of them. And for Jose, that emotion is what drives him and makes him take it to another level. He's a special player. His tenacity, his defensive ability and his offensive ability that I got to see firsthand when [D'Angelo Russell] asked, could he shoot, and now I know, he really can shoot. It's special. He has so much to his basketball game that people don't give credit to, and I'm glad at this stage on a night like this, he was able to show the world what he can do when he's given a chance. And Jose Alvarado clearly told everyone in the world tonight he's a big-time player." Jose: "That's a Dominican person saying that."

ClutchPoints

163,374 Aufrufe • vor 3 Monaten

Allen Iverson says he didn’t invent the crossover. A Georgetown walk-on who never played a minute taught it to him, and made him a legend instead of himself Interviewer: “I was surprised to learn that you learned the crossover from a guy from Brooklyn who barely played at Georgetown” AI: “Look at what that guy gave me” Interviewer: “But you learned it from another guy. You didn’t make it up” AI: “He didn’t even have his name on the back. The most important thing for me when I was going to college is I always wanted my name on the back of my jersey. This guy did not have a name on the back. He was a walk-on” Interviewer: “He didn’t play” AI: “Didn’t even play. But he had a nasty crossover. He used to hit me with that thing at practice. I put my pride aside, my ego, ‘Hey, come here, man. You gotta show me how to do it.’ And to this day, he still says, ‘Yours is better than mine’”
0:51

Allen Iverson says he didn’t invent the crossover. A Georgetown walk-on who never played a minute taught it to him, and made him a legend instead of himself Interviewer: “I was surprised to learn that you learned the crossover from a guy from Brooklyn who barely played at Georgetown” AI: “Look at what that guy gave me” Interviewer: “But you learned it from another guy. You didn’t make it up” AI: “He didn’t even have his name on the back. The most important thing for me when I was going to college is I always wanted my name on the back of my jersey. This guy did not have a name on the back. He was a walk-on” Interviewer: “He didn’t play” AI: “Didn’t even play. But he had a nasty crossover. He used to hit me with that thing at practice. I put my pride aside, my ego, ‘Hey, come here, man. You gotta show me how to do it.’ And to this day, he still says, ‘Yours is better than mine’”

katsu

362,196 Aufrufe • vor 2 Monaten

“So the rescheduling is starting, and that's a big thing- rescheduling. I want to thank Mr. And Mrs. Howard Kessler. He's one of the most successful men in the world, actually. And he had some medical difficulties, and he came upon this by accident in a way. And he said he had to go through a lot of different medications. And he said this was the one that was much better than anything else. And so he experienced it. He didn't benefit by it other than from the standpoint that he lives a much better life now. So hopefully you don't need it. But if you do need it I hear it's the best of all the alternatives. But I want to thank Howard Kessler and Michele Kessler. They really pushed us very hard. These are two people, very straight arrows. They're not into marijuana. They're not into anything. But he found this answer, and he said he's doing it for other people. And so Howard and Michele, probably they're watching or they'll be hearing about it. But they worked very hard to get this done. And it's an honor, and you've done fantastically. You all have and I appreciate it.”
1:16

“So the rescheduling is starting, and that's a big thing- rescheduling. I want to thank Mr. And Mrs. Howard Kessler. He's one of the most successful men in the world, actually. And he had some medical difficulties, and he came upon this by accident in a way. And he said he had to go through a lot of different medications. And he said this was the one that was much better than anything else. And so he experienced it. He didn't benefit by it other than from the standpoint that he lives a much better life now. So hopefully you don't need it. But if you do need it I hear it's the best of all the alternatives. But I want to thank Howard Kessler and Michele Kessler. They really pushed us very hard. These are two people, very straight arrows. They're not into marijuana. They're not into anything. But he found this answer, and he said he's doing it for other people. And so Howard and Michele, probably they're watching or they'll be hearing about it. But they worked very hard to get this done. And it's an honor, and you've done fantastically. You all have and I appreciate it.”

Joe

33,973 Aufrufe • vor 4 Monaten