Загрузка видео...

Не удалось загрузить видео

На главную

CoDeF: Content Deformation Fields for Temporally Consistent Video Processing abs: paper page: present the content deformation field CoDeF as a new type of video representation, which consists of a canonical content field aggregating the static contents in the entire video and a temporal deformation field recording the transformations from...

_akhaliq's profile picture

AK

489,294 subscribers

153,241 просмотров • 2 лет назад •via X (Twitter)

Наука и технологииОбразование
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 7

Фото профиля radAI
radAI2 лет назад

This is a game-changer for video generation, faster and smother!!

Фото профиля Dan Rockwell
Dan Rockwell2 лет назад

seriously dope, the speed of this and this ability will be massive in augmented reality

Фото профиля Don Jose Valle
Don Jose Valle2 лет назад

Wow!

Фото профиля rogueyoshi (moving to fgc.network)
rogueyoshi (moving to fgc.network)2 лет назад

@IXITimmyIXI

Фото профиля Takomo AI
Takomo AI2 лет назад

Exciting new video representation technique!

Фото профиля Jose
Jose2 лет назад

As my boss says, tik-tok quality.

Фото профиля 张三丰
张三丰2 лет назад

老师 为什么没有声音

Похожие видео

MagicAnimate: Temporally Consistent Human Image Animation using Diffusion Model with Gradio demo local demo: This paper studies the human image animation task, which aims to generate a video of a certain reference identity following a particular motion sequence. Existing animation works typically employ the frame-warping technique to animate the reference image towards the target motion. Despite achieving reasonable results, these approaches face challenges in maintaining temporal consistency throughout the animation due to the lack of temporal modeling and poor preservation of reference identity. In this work, we introduce MagicAnimate, a diffusion-based framework that aims at enhancing temporal consistency, preserving reference image faithfully, and improving animation fidelity. To achieve this, we first develop a video diffusion model to encode temporal information. Second, to maintain the appearance coherence across frames, we introduce a novel appearance encoder to retain the intricate details of the reference image. Leveraging these two innovations, we further employ a simple video fusion technique to encourage smooth transitions for long video animation. Empirical results demonstrate the superiority of our method over baseline approaches on two benchmarks. Notably, our approach outperforms the strongest baseline by over 38% in terms of video fidelity on the challenging TikTok dancing dataset. Code and model will be made available.
1:15

MagicAnimate: Temporally Consistent Human Image Animation using Diffusion Model with Gradio demo local demo: This paper studies the human image animation task, which aims to generate a video of a certain reference identity following a particular motion sequence. Existing animation works typically employ the frame-warping technique to animate the reference image towards the target motion. Despite achieving reasonable results, these approaches face challenges in maintaining temporal consistency throughout the animation due to the lack of temporal modeling and poor preservation of reference identity. In this work, we introduce MagicAnimate, a diffusion-based framework that aims at enhancing temporal consistency, preserving reference image faithfully, and improving animation fidelity. To achieve this, we first develop a video diffusion model to encode temporal information. Second, to maintain the appearance coherence across frames, we introduce a novel appearance encoder to retain the intricate details of the reference image. Leveraging these two innovations, we further employ a simple video fusion technique to encourage smooth transitions for long video animation. Empirical results demonstrate the superiority of our method over baseline approaches on two benchmarks. Notably, our approach outperforms the strongest baseline by over 38% in terms of video fidelity on the challenging TikTok dancing dataset. Code and model will be made available.

AK

810,024 просмотров • 2 лет назад

VideoRF: Rendering Dynamic Radiance Fields as 2D Feature Video Streams paper page: Neural Radiance Fields (NeRFs) excel in photorealistically rendering static scenes. However, rendering dynamic, long-duration radiance fields on ubiquitous devices remains challenging, due to data storage and computational constraints. In this paper, we introduce VideoRF, the first approach to enable real-time streaming and rendering of dynamic radiance fields on mobile platforms. At the core is a serialized 2D feature image stream representing the 4D radiance field all in one. We introduce a tailored training scheme directly applied to this 2D domain to impose the temporal and spatial redundancy of the feature image stream. By leveraging the redundancy, we show that the feature image stream can be efficiently compressed by 2D video codecs, which allows us to exploit video hardware accelerators to achieve real-time decoding. On the other hand, based on the feature image stream, we propose a novel rendering pipeline for VideoRF, which has specialized space mappings to query radiance properties efficiently. Paired with a deferred shading model, VideoRF has the capability of real-time rendering on mobile devices thanks to its efficiency. We have developed a real-time interactive player that enables online streaming and rendering of dynamic scenes, offering a seamless and immersive free-viewpoint experience across a range of devices, from desktops to mobile phones.
4:56

VideoRF: Rendering Dynamic Radiance Fields as 2D Feature Video Streams paper page: Neural Radiance Fields (NeRFs) excel in photorealistically rendering static scenes. However, rendering dynamic, long-duration radiance fields on ubiquitous devices remains challenging, due to data storage and computational constraints. In this paper, we introduce VideoRF, the first approach to enable real-time streaming and rendering of dynamic radiance fields on mobile platforms. At the core is a serialized 2D feature image stream representing the 4D radiance field all in one. We introduce a tailored training scheme directly applied to this 2D domain to impose the temporal and spatial redundancy of the feature image stream. By leveraging the redundancy, we show that the feature image stream can be efficiently compressed by 2D video codecs, which allows us to exploit video hardware accelerators to achieve real-time decoding. On the other hand, based on the feature image stream, we propose a novel rendering pipeline for VideoRF, which has specialized space mappings to query radiance properties efficiently. Paired with a deferred shading model, VideoRF has the capability of real-time rendering on mobile devices thanks to its efficiency. We have developed a real-time interactive player that enables online streaming and rendering of dynamic scenes, offering a seamless and immersive free-viewpoint experience across a range of devices, from desktops to mobile phones.

AK

38,686 просмотров • 2 лет назад

For this video created from an image in Grok Imagine, I combined two techniques: - the image editor from Grok Imagine - starting from a frame of a video to create other videos.
1:00

For this video created from an image in Grok Imagine, I combined two techniques: - the image editor from Grok Imagine - starting from a frame of a video to create other videos.

Déborah

18,012 просмотров • 4 месяцев назад

🕹️We are excited to introduce "ChronoEdit: Towards Temporal Reasoning for Image Editing and World Simulation" ChronoEdit reframes image editing as a video generation task to encourage temporal consistency. It leverages a temporal reasoning stage that denoises with “video reasoning tokens” to "reason" on physically plausible edits. See the attached video for results. Project Page: Arxiv: Code and model are coming.
1:38

🕹️We are excited to introduce "ChronoEdit: Towards Temporal Reasoning for Image Editing and World Simulation" ChronoEdit reframes image editing as a video generation task to encourage temporal consistency. It leverages a temporal reasoning stage that denoises with “video reasoning tokens” to "reason" on physically plausible edits. See the attached video for results. Project Page: Arxiv: Code and model are coming.

Huan Ling

36,790 просмотров • 8 месяцев назад

[NeurIPS '24] DreamMesh4D: Video-to-4D Generation with Sparse-Controlled Gaussian-Mesh Hybrid Representation Abstract (excerpt) We introduce DreamMesh4D, a novel framework that combines mesh representation with sparse-controlled deformation technique to generate high-quality 4D object from a monocular video. To overcome the limitation of classical texture representation, we bind Gaussian splats to the surface of the triangular mesh for differentiable optimization of both the texture and mesh vertices. In particular, DreamMesh4D begins with a coarse mesh provided by a single image based 3D generation method. Sparse points are then uniformly sampled across the surface of the mesh, and are used to build a deformation graph to drive the motion of the 3D object for the sake of computational efficiency and providing additional constraint. For each step, transformations of sparse control points are predicted using a deformation network, and the mesh vertices as well as the bound surface Gaussians are deformed via a geometric skinning algorithm. The skinning algorithm is a hybrid approach combining LBS (linear blending skinning) and DQS (dual-quaternion skinning), mitigating drawbacks associated with both approaches. The static surface Gaussians and mesh vertices as well as the dynamic deformation network are learned via reference view photometric loss, score distillation loss as well as other regularization losses in a two-stage manner. Extensive experiments demonstrate that our method outperforms prior video-to-4D generation methods in terms of rendering quality and spatial-temporal consistency.
0:20

[NeurIPS '24] DreamMesh4D: Video-to-4D Generation with Sparse-Controlled Gaussian-Mesh Hybrid Representation Abstract (excerpt) We introduce DreamMesh4D, a novel framework that combines mesh representation with sparse-controlled deformation technique to generate high-quality 4D object from a monocular video. To overcome the limitation of classical texture representation, we bind Gaussian splats to the surface of the triangular mesh for differentiable optimization of both the texture and mesh vertices. In particular, DreamMesh4D begins with a coarse mesh provided by a single image based 3D generation method. Sparse points are then uniformly sampled across the surface of the mesh, and are used to build a deformation graph to drive the motion of the 3D object for the sake of computational efficiency and providing additional constraint. For each step, transformations of sparse control points are predicted using a deformation network, and the mesh vertices as well as the bound surface Gaussians are deformed via a geometric skinning algorithm. The skinning algorithm is a hybrid approach combining LBS (linear blending skinning) and DQS (dual-quaternion skinning), mitigating drawbacks associated with both approaches. The static surface Gaussians and mesh vertices as well as the dynamic deformation network are learned via reference view photometric loss, score distillation loss as well as other regularization losses in a two-stage manner. Extensive experiments demonstrate that our method outperforms prior video-to-4D generation methods in terms of rendering quality and spatial-temporal consistency.

MrNeRF

12,323 просмотров • 1 год назад

Tracking Anything with Decoupled Video Segmentation paper page: Training data for video segmentation are expensive to annotate. This impedes extensions of end-to-end algorithms to new video segmentation tasks, especially in large-vocabulary settings. To 'track anything' without training on video data for every individual task, we develop a decoupled video segmentation approach (DEVA), composed of task-specific image-level segmentation and class/task-agnostic bi-directional temporal propagation. Due to this design, we only need an image-level model for the target task (which is cheaper to train) and a universal temporal propagation model which is trained once and generalizes across tasks. To effectively combine these two modules, we use bi-directional propagation for (semi-)online fusion of segmentation hypotheses from different frames to generate a coherent segmentation. We show that this decoupled formulation compares favorably to end-to-end approaches in several data-scarce tasks including large-vocabulary video panoptic segmentation, open-world video segmentation, referring video segmentation, and unsupervised video object segmentation.
0:32

Tracking Anything with Decoupled Video Segmentation paper page: Training data for video segmentation are expensive to annotate. This impedes extensions of end-to-end algorithms to new video segmentation tasks, especially in large-vocabulary settings. To 'track anything' without training on video data for every individual task, we develop a decoupled video segmentation approach (DEVA), composed of task-specific image-level segmentation and class/task-agnostic bi-directional temporal propagation. Due to this design, we only need an image-level model for the target task (which is cheaper to train) and a universal temporal propagation model which is trained once and generalizes across tasks. To effectively combine these two modules, we use bi-directional propagation for (semi-)online fusion of segmentation hypotheses from different frames to generate a coherent segmentation. We show that this decoupled formulation compares favorably to end-to-end approaches in several data-scarce tasks including large-vocabulary video panoptic segmentation, open-world video segmentation, referring video segmentation, and unsupervised video object segmentation.

AK

305,560 просмотров • 2 лет назад

Field research: Stare at this Black and White image at the center dot. It will shift to a false color image. The video will loop back to the Black and White image. Is the Black and White photograph now colored? What are your observations? The phenomena will dissipate.
1:37

Field research: Stare at this Black and White image at the center dot. It will shift to a false color image. The video will loop back to the Black and White image. Is the Black and White photograph now colored? What are your observations? The phenomena will dissipate.

Brian Roemmele

34,943 просмотров • 1 год назад

SceNeRFlow: Time-Consistent Reconstruction of General Dynamic Scenes abs: paper page: Existing methods for the 4D reconstruction of general, non-rigidly deforming objects focus on novel-view synthesis and neglect correspondences. However, time consistency enables advanced downstream tasks like 3D editing, motion analysis, or virtual-asset creation. We propose SceNeRFlow to reconstruct a general, non-rigid scene in a time-consistent manner. Our dynamic-NeRF method takes multi-view RGB videos and background images from static cameras with known camera parameters as input. It then reconstructs the deformations of an estimated canonical model of the geometry and appearance in an online fashion. Since this canonical model is time-invariant, we obtain correspondences even for long-term, long-range motions. We employ neural scene representations to parametrize the components of our method. Like prior dynamic-NeRF methods, we use a backwards deformation model. We find non-trivial adaptations of this model necessary to handle larger motions: We decompose the deformations into a strongly regularized coarse component and a weakly regularized fine component, where the coarse component also extends the deformation field into the space surrounding the object, which enables tracking over time. We show experimentally that, unlike prior work that only handles small motion, our method enables the reconstruction of studio-scale motions.
0:26

SceNeRFlow: Time-Consistent Reconstruction of General Dynamic Scenes abs: paper page: Existing methods for the 4D reconstruction of general, non-rigidly deforming objects focus on novel-view synthesis and neglect correspondences. However, time consistency enables advanced downstream tasks like 3D editing, motion analysis, or virtual-asset creation. We propose SceNeRFlow to reconstruct a general, non-rigid scene in a time-consistent manner. Our dynamic-NeRF method takes multi-view RGB videos and background images from static cameras with known camera parameters as input. It then reconstructs the deformations of an estimated canonical model of the geometry and appearance in an online fashion. Since this canonical model is time-invariant, we obtain correspondences even for long-term, long-range motions. We employ neural scene representations to parametrize the components of our method. Like prior dynamic-NeRF methods, we use a backwards deformation model. We find non-trivial adaptations of this model necessary to handle larger motions: We decompose the deformations into a strongly regularized coarse component and a weakly regularized fine component, where the coarse component also extends the deformation field into the space surrounding the object, which enables tracking over time. We show experimentally that, unlike prior work that only handles small motion, our method enables the reconstruction of studio-scale motions.

AK

76,380 просмотров • 2 лет назад

Progressively Optimized Local Radiance Fields for Robust View Synthesis paper page: present an algorithm for reconstructing the radiance field of a large-scale scene from a single casually captured video. The task poses two core challenges. First, most existing radiance field reconstruction approaches rely on accurate pre-estimated camera poses from Structure-from-Motion algorithms, which frequently fail on in-the-wild videos. Second, using a single, global radiance field with finite representational capacity does not scale to longer trajectories in an unbounded scene. For handling unknown poses, we jointly estimate the camera poses with radiance field in a progressive manner. We show that progressive optimization significantly improves the robustness of the reconstruction. For handling large unbounded scenes, we dynamically allocate new local radiance fields trained with frames within a temporal window. This further improves robustness (e.g., performs well even under moderate pose drifts) and allows us to scale to large scenes. Our extensive evaluation on the Tanks and Temples dataset and our collected outdoor dataset, Static Hikes, show that our approach compares favorably with the state-of-the-art.
4:28

Progressively Optimized Local Radiance Fields for Robust View Synthesis paper page: present an algorithm for reconstructing the radiance field of a large-scale scene from a single casually captured video. The task poses two core challenges. First, most existing radiance field reconstruction approaches rely on accurate pre-estimated camera poses from Structure-from-Motion algorithms, which frequently fail on in-the-wild videos. Second, using a single, global radiance field with finite representational capacity does not scale to longer trajectories in an unbounded scene. For handling unknown poses, we jointly estimate the camera poses with radiance field in a progressive manner. We show that progressive optimization significantly improves the robustness of the reconstruction. For handling large unbounded scenes, we dynamically allocate new local radiance fields trained with frames within a temporal window. This further improves robustness (e.g., performs well even under moderate pose drifts) and allows us to scale to large scenes. Our extensive evaluation on the Tanks and Temples dataset and our collected outdoor dataset, Static Hikes, show that our approach compares favorably with the state-of-the-art.

AK

140,616 просмотров • 3 лет назад

Omg, this is such a hack for vibecoding mobile apps This is an image with a video on the top. The video is a character with no backround. I'm using: > Masko AI to generate the video > vibecode.dev to build the app In masko all you need to do is provide an image, and it will give you a video without a background. And then all you need to do is give it to vibecode.dev which is the best mobile app builder.
0:25

Omg, this is such a hack for vibecoding mobile apps This is an image with a video on the top. The video is a character with no backround. I'm using: > Masko AI to generate the video > vibecode.dev to build the app In masko all you need to do is provide an image, and it will give you a video without a background. And then all you need to do is give it to vibecode.dev which is the best mobile app builder.

Emily Lambert

29,840 просмотров • 3 месяцев назад

You can now use rendered frames for image-to-image and image-to-video AI Generation on The Render Network Simply click “Iterate with AI” and instantly create new image + video variations right from the Render job page. No downloads, no switching tabs - just click and create. Try at: Learn more:
0:43

You can now use rendered frames for image-to-image and image-to-video AI Generation on The Render Network Simply click “Iterate with AI” and instantly create new image + video variations right from the Render job page. No downloads, no switching tabs - just click and create. Try at: Learn more:

The Render Network

37,093 просмотров • 1 год назад

Seedance 2.0 - Advanced Workflows Series 10. Fixing AI Artifacts with Video Editing Use the multi-reference Vid2Vid capabilities of Seedance 2.0 to fix small defects and artifacts in AI-generated shots. Take a screenshot of the video frame containing the defect, upload it to GPT Image 2, and modify the image so the defect disappears. Flawed Video + Corrected Image: Seedance 2.0 will regenerate the video without the defect. GPT Image 2 and Seedance 2.0 are now available on insMind (link at the end of the thread). Workflow + Prompts 👇
0:28

Seedance 2.0 - Advanced Workflows Series 10. Fixing AI Artifacts with Video Editing Use the multi-reference Vid2Vid capabilities of Seedance 2.0 to fix small defects and artifacts in AI-generated shots. Take a screenshot of the video frame containing the defect, upload it to GPT Image 2, and modify the image so the defect disappears. Flawed Video + Corrected Image: Seedance 2.0 will regenerate the video without the defect. GPT Image 2 and Seedance 2.0 are now available on insMind (link at the end of the thread). Workflow + Prompts 👇

VoxelPlot

21,930 просмотров • 1 месяц назад

Nano Banana is fantastic for consistency. Created this entire coffee shop advert just from a single image of a logo. Here are the prompts. Original image from Ideogram. Nano Banana to reimagine the logo in new places. Runway Gen-4 Turbo to animate to video. Incredible.
0:26

Nano Banana is fantastic for consistency. Created this entire coffee shop advert just from a single image of a logo. Here are the prompts. Original image from Ideogram. Nano Banana to reimagine the logo in new places. Runway Gen-4 Turbo to animate to video. Incredible.

Jerrod Lew

19,843 просмотров • 9 месяцев назад

InstantDrag Improving Interactivity in Drag-based Image Editing discuss: Drag-based image editing has recently gained popularity for its interactivity and precision. However, despite the ability of text-to-image models to generate samples within a second, drag editing still lags behind due to the challenge of accurately reflecting user interaction while maintaining image content. Some existing approaches rely on computationally intensive per-image optimization or intricate guidance-based methods, requiring additional inputs such as masks for movable regions and text prompts, thereby compromising the interactivity of the editing process. We introduce InstantDrag, an optimization-free pipeline that enhances interactivity and speed, requiring only an image and a drag instruction as input. InstantDrag consists of two carefully designed networks: a drag-conditioned optical flow generator (FlowGen) and an optical flow-conditioned diffusion model (FlowDiffusion). InstantDrag learns motion dynamics for drag-based image editing in real-world video datasets by decomposing the task into motion generation and motion-conditioned image generation. We demonstrate InstantDrag's capability to perform fast, photo-realistic edits without masks or text prompts through experiments on facial video datasets and general scenes. These results highlight the efficiency of our approach in handling drag-based image editing, making it a promising solution for interactive, real-time applications.
0:46

InstantDrag Improving Interactivity in Drag-based Image Editing discuss: Drag-based image editing has recently gained popularity for its interactivity and precision. However, despite the ability of text-to-image models to generate samples within a second, drag editing still lags behind due to the challenge of accurately reflecting user interaction while maintaining image content. Some existing approaches rely on computationally intensive per-image optimization or intricate guidance-based methods, requiring additional inputs such as masks for movable regions and text prompts, thereby compromising the interactivity of the editing process. We introduce InstantDrag, an optimization-free pipeline that enhances interactivity and speed, requiring only an image and a drag instruction as input. InstantDrag consists of two carefully designed networks: a drag-conditioned optical flow generator (FlowGen) and an optical flow-conditioned diffusion model (FlowDiffusion). InstantDrag learns motion dynamics for drag-based image editing in real-world video datasets by decomposing the task into motion generation and motion-conditioned image generation. We demonstrate InstantDrag's capability to perform fast, photo-realistic edits without masks or text prompts through experiments on facial video datasets and general scenes. These results highlight the efficiency of our approach in handling drag-based image editing, making it a promising solution for interactive, real-time applications.

AK

71,201 просмотров • 1 год назад

Just tested Runway Aleph 2.0 and this blew my mind a bit lol I saw a video like this when Aleph first released and with the new Aleph 2.0 I wanted to create my own version. You basically select a single frame from the video, apply a change to that specific frame using Nano Banana Pro, GPT Image 2 or Gen-4 and based on the newly generated image Aleph propagates the change through the entire shot. It's really cool seeing the whole sequence adapt from just one edited frame
0:27

Just tested Runway Aleph 2.0 and this blew my mind a bit lol I saw a video like this when Aleph first released and with the new Aleph 2.0 I wanted to create my own version. You basically select a single frame from the video, apply a change to that specific frame using Nano Banana Pro, GPT Image 2 or Gen-4 and based on the newly generated image Aleph propagates the change through the entire shot. It's really cool seeing the whole sequence adapt from just one edited frame

Ege

86,542 просмотров • 12 дней назад

"This is how GPT-4 sees and hears itself" I used GPT-4 to describe itself. Then I used its description to generate an image, a video based on this image and a soundtrack. Tools I used: GPT-4, Midjourney, Kainber AI, Mubert, RunwayML This is the description I used that GPT-4 had of itself as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML.
0:59

"This is how GPT-4 sees and hears itself" I used GPT-4 to describe itself. Then I used its description to generate an image, a video based on this image and a soundtrack. Tools I used: GPT-4, Midjourney, Kainber AI, Mubert, RunwayML This is the description I used that GPT-4 had of itself as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML.

Kris Kashtanova

1,233,360 просмотров • 3 лет назад

Fast View Synthesis of Casual Videos paper page: Novel view synthesis from an in-the-wild video is difficult due to challenges like scene dynamics and lack of parallax. While existing methods have shown promising results with implicit neural radiance fields, they are slow to train and render. This paper revisits explicit video representations to synthesize high-quality novel views from a monocular video efficiently. We treat static and dynamic video content separately. Specifically, we build a global static scene model using an extended plane-based scene representation to synthesize temporally coherent novel video. Our plane-based scene representation is augmented with spherical harmonics and displacement maps to capture view-dependent effects and model non-planar complex surface geometry. We opt to represent the dynamic content as per-frame point clouds for efficiency. While such representations are inconsistency-prone, minor temporal inconsistencies are perceptually masked due to motion. We develop a method to quickly estimate such a hybrid video representation and render novel views in real time. Our experiments show that our method can render high-quality novel views from an in-the-wild video with comparable quality to state-of-the-art methods while being 100x faster in training and enabling real-time rendering.
0:24

Fast View Synthesis of Casual Videos paper page: Novel view synthesis from an in-the-wild video is difficult due to challenges like scene dynamics and lack of parallax. While existing methods have shown promising results with implicit neural radiance fields, they are slow to train and render. This paper revisits explicit video representations to synthesize high-quality novel views from a monocular video efficiently. We treat static and dynamic video content separately. Specifically, we build a global static scene model using an extended plane-based scene representation to synthesize temporally coherent novel video. Our plane-based scene representation is augmented with spherical harmonics and displacement maps to capture view-dependent effects and model non-planar complex surface geometry. We opt to represent the dynamic content as per-frame point clouds for efficiency. While such representations are inconsistency-prone, minor temporal inconsistencies are perceptually masked due to motion. We develop a method to quickly estimate such a hybrid video representation and render novel views in real time. Our experiments show that our method can render high-quality novel views from an in-the-wild video with comparable quality to state-of-the-art methods while being 100x faster in training and enabling real-time rendering.

AK

20,651 просмотров • 2 лет назад

Google presents Still-Moving Customized Video Generation without Customized Video Data Customizing text-to-image (T2I) models has seen tremendous progress recently, particularly in areas such as personalization, stylization, and conditional generation. However, expanding this progress to video generation is still in its infancy, primarily due to the lack of customized video data. In this work, we introduce Still-Moving, a novel generic framework for customizing a text-to-video (T2V) model, without requiring any customized video data. The framework applies to the prominent T2V design where the video model is built over a text-to-image (T2I) model (e.g., via inflation). We assume access to a customized version of the T2I model, trained only on still image data (e.g., using DreamBooth or StyleDrop). Naively plugging in the weights of the customized T2I model into the T2V model often leads to significant artifacts or insufficient adherence to the customization data. To overcome this issue, we train lightweight Spatial Adapters that adjust the features produced by the injected T2I layers. Importantly, our adapters are trained on "frozen videos" (i.e., repeated images), constructed from image samples generated by the customized T2I model. This training is facilitated by a novel Motion Adapter module, which allows us to train on such static videos while preserving the motion prior of the video model. At test time, we remove the Motion Adapter modules and leave in only the trained Spatial Adapters. This restores the motion prior of the T2V model while adhering to the spatial prior of the customized T2I model. We demonstrate the effectiveness of our approach on diverse tasks including personalized, stylized, and conditional generation. In all evaluated scenarios, our method seamlessly integrates the spatial prior of the customized T2I model with a motion prior supplied by the T2V model.
1:43

Google presents Still-Moving Customized Video Generation without Customized Video Data Customizing text-to-image (T2I) models has seen tremendous progress recently, particularly in areas such as personalization, stylization, and conditional generation. However, expanding this progress to video generation is still in its infancy, primarily due to the lack of customized video data. In this work, we introduce Still-Moving, a novel generic framework for customizing a text-to-video (T2V) model, without requiring any customized video data. The framework applies to the prominent T2V design where the video model is built over a text-to-image (T2I) model (e.g., via inflation). We assume access to a customized version of the T2I model, trained only on still image data (e.g., using DreamBooth or StyleDrop). Naively plugging in the weights of the customized T2I model into the T2V model often leads to significant artifacts or insufficient adherence to the customization data. To overcome this issue, we train lightweight Spatial Adapters that adjust the features produced by the injected T2I layers. Importantly, our adapters are trained on "frozen videos" (i.e., repeated images), constructed from image samples generated by the customized T2I model. This training is facilitated by a novel Motion Adapter module, which allows us to train on such static videos while preserving the motion prior of the video model. At test time, we remove the Motion Adapter modules and leave in only the trained Spatial Adapters. This restores the motion prior of the T2V model while adhering to the spatial prior of the customized T2I model. We demonstrate the effectiveness of our approach on diverse tasks including personalized, stylized, and conditional generation. In all evaluated scenarios, our method seamlessly integrates the spatial prior of the customized T2I model with a motion prior supplied by the T2V model.

AK

40,467 просмотров • 1 год назад

[📽️ PiXAI Update ] Members Exclusive: Image to Video #PixAIi2v We’re excited to introduce the [Image to Video feature], available exclusively for our members. This feature ensures higher image quality and supports longer videos of up to 10 seconds. You can also import images from your local device for animation. #pixai #i2v #aivideo
0:30

[📽️ PiXAI Update ] Members Exclusive: Image to Video #PixAIi2v We’re excited to introduce the [Image to Video feature], available exclusively for our members. This feature ensures higher image quality and supports longer videos of up to 10 seconds. You can also import images from your local device for animation. #pixai #i2v #aivideo

PixAI

23,390 просмотров • 1 год назад

Dreamina Seedance 2.0 is by far the best video model I've tried, and Dreamina makes it even better. You can try it in the link below. It's not just about the quality of the output, but about how much control you have over your video's look. Watch my video here. I'm attaching reference images and asking the model to generate a video using them. I can reference each image using the @ symbol to instruct the model which image to use. You can even upload a clip and use its camera movement, styles from an image, and audio vibe from a track. By the way, you can take an existing video and replace, remove, or add elements to it while the model preserves everything else. This is the closest we've gotten to "editing videos like photos".
3:26

Dreamina Seedance 2.0 is by far the best video model I've tried, and Dreamina makes it even better. You can try it in the link below. It's not just about the quality of the output, but about how much control you have over your video's look. Watch my video here. I'm attaching reference images and asking the model to generate a video using them. I can reference each image using the @ symbol to instruct the model which image to use. You can even upload a clip and use its camera movement, styles from an image, and audio vibe from a track. By the way, you can take an existing video and replace, remove, or add elements to it while the model preserves everything else. This is the closest we've gotten to "editing videos like photos".

Santiago

45,143 просмотров • 2 месяцев назад