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Collateral (2004) Michael Mann on using music to reveal character. "As research, music enters early for me. If you can find that piece of music which evokes the central emotion of one of your characters, some pivotal crisis where he or she must rouse themselves from despair and manifest...

41,314 просмотров • 4 месяцев назад •via X (Twitter)

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Heat (1995) Dir. Michael Mann Mann on the how he prepared the coffee shop scene. "We did two things: We discussed the scene. Then we did some rehearsals, but I was wary because the entire movie is a dialectic that works backward from its last moment... Both men recognize that their next encounter will mean certain death for one of them. Gaining an edge is why they've chosen to meet. So we read the scene a number of times before shooting—not a lot—just looking at it on the page. I didn't want it memorized. My goal was to get them past the unfamiliarity of it. But of course these two already knew it impeccably. We shot that scene with three cameras, two over-the-shoulders and one profile shot, but I found when editing that every time we cut to the profile, the scene lost its one-on-one intensity. I'll often work with multiple cameras, if they're needed. In this case, I knew ahead of time that Pacino and De Niro were so highly attuned to each other that each take would have its own organic unity. Whatever one said, and the specific way he'd say it, would spark a specific reaction in the other. I needed to shoot in such a way that I could use the same take from both angles. What's in the finished film is almost all of take 11—because that has an entirely different integrity and tonality from takes 10, or 9, or 8. All of this begins and ends with scene analysis. It doesn't matter if it's two people in a room or two opposing forces taking over a street. Action comes from drama, and drama is conflict: What's the conflict?"

Gangster Cinema Central

52,155 просмотров • 3 месяцев назад

Director Lee Han-gyeol said in an interview that, while filming the “2.0” music video, the most impressive member to him was Taehyung. - Even before starting the music video filming, I exchanged many opinions with V-ssi. - Taehyung-ssi said he was confident in being funny. - Taehyung-ssi's proactiveness made me feel excited as well, and he played a big role as a 'mood maker' on set. Q: I can really picture that scene inside the elevator; V-ssi said, "We’ve arrived." Was all of that ad-libbed? Or were those lines already decided? Lee: The direction I actually gave was very simple and brief, and the rest of the scenes were created thanks to the members’ ad-libs. Q: Which member did you find most impressive, or which member made you think, "My intention was only this much, but he brought it to life this well"? Lee: To be honest, I am grateful to all the members because they all brought [their parts] to life so well. However, in the case of member V-ssi, we had a friendly relationship from working on many other projects together, so we actually exchanged a lot of opinions even before the music video filming started. Also, when I first mentioned that I wanted the scene of stepping out of the elevator to be impactful and witty, Taehyung-ssi was the one who told me, "I’m confident in being funny." That kind of proactiveness from Taehyung-ssi made me feel excited as well, and I think he played a big role as a mood maker on set. Regarding the makeup, I didn't think he would go as far as being so proactive about putting on a mustache, but when I first saw V-ssi’s disguise, I laughed so much that I remember the filming being delayed for a bit.

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71,060 просмотров • 1 месяц назад