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Complex lighting on #L2D Models???? VLights launches Monday next week! VLights is a #VtubeStudio Plug-in that lets L2D Artist/Modelers/Riggers use custom parameters for RBG colors of the left, middle, and right sections of a display/window, takes VTS Display Lighting data, and plugs it into the parameters, creating more dynamic...

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EVSIONN 🥩👁️

2,384 subscribers

11,543 Aufrufe • vor 8 Tagen •via X (Twitter)

#L2D#VtubeStudio
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Profilbild von Phlox Nesspalier 🪫📺
Phlox Nesspalier 🪫📺vor 8 Tagen

THIS IS HUGE

Profilbild von EVSIONN 🥩👁️
EVSIONN 🥩👁️vor 8 Tagen

IM REALLY EXCITED TO SEE HOW PEOPLE USE IT HIGHKEY.

Profilbild von EVSIONN 🥩👁️
EVSIONN 🥩👁️vor 8 Tagen

Is this really needed? no. Did I want it for my model and like to over complicate things for myself? yes.

Profilbild von FIBBI 💰🏃 POISON DART FORG VTUBER
FIBBI 💰🏃 POISON DART FORG VTUBERvor 8 Tagen

SOOOOOOO HYPE

Profilbild von EVSIONN 🥩👁️
EVSIONN 🥩👁️vor 8 Tagen

(The product is prelisted on my VGen, you can recieve notification for monday :3, its going to be $5)

Profilbild von 📖 ͏ₖₐᵥᵢᵢₓ ⟡ DONOTHON 19TH SEPTEMBER . . 👑🌿
📖 ͏ₖₐᵥᵢᵢₓ ⟡ DONOTHON 19TH SEPTEMBER . . 👑🌿vor 8 Tagen

omg???? This is amazing for aesthetic visuals!!

Profilbild von EVSIONN 🥩👁️
EVSIONN 🥩👁️vor 8 Tagen

THATS WHAT IM SAYING I literally wanted to have this lighting on my model that responds to face angles

Profilbild von 🔞 Many 🐍 {🐾 VFeet}
🔞 Many 🐍 {🐾 VFeet}vor 8 Tagen

STOP IT, THIS IS SO FUCKING COOL. Aaaaaaand off to Vgen to get that notification. Thank you!

Profilbild von EVSIONN 🥩👁️
EVSIONN 🥩👁️vor 6 Tagen

ITS OPEN (if you use it, let me see so I can add new methods to my toolbelt *rubs rat hands*)

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🧷Small WIP of a potential tutorial for how I set up models! Models are not plug and play! You must calibrate them to your face, lighting and camera in order to get the best results! I also recommend practicing movements to appear more animated 😊 #VTubeStudio #Vtuber

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In another life I would have been a lighting designer for major concerts. And this would be the golden age. The number of unique lighting elements you can deliver per watt today is… 🤯
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In another life I would have been a lighting designer for major concerts. And this would be the golden age. The number of unique lighting elements you can deliver per watt today is… 🤯

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Lighting differences can make a huge difference in robotics. Today, I found a quirk in my model exemplifying this. > I collected 10h of training data. > 3h in, I notice that the left arm following the right arm for the final movement could be good for the final insertion subtask. > I change behaviour. > But the first 3h didn't include much nighttime data (=dark room). 🎯Result The same policy reliably exhibits different behaviour on exactly this subtask depending on the lighting. So many microlearnings to be made in robotics.

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Ivan Passer on the reason why 'Intimate Lighting' (1965) was banned by the communist government in Czechoslovakia for 20 years: "Interviewer: It seems inconceivable that 'Intimate Lighting' (1965), an almost plotless comedy about the everyday pleasures of life, should have been banned for 20 years. Can you explain it? Passer: I believe that the Party was worried when they saw ordinary people, with all their weaknesses and strengths, depicted on screen. I think they also preferred to be attacked directly rather than to be ignored completely. Before the clampdown, Milos and I got together to discuss how in this godforsaken country we could make good movies. We took a piece of paper and we wrote down several points like “it should be a comedy,” because the Communist Party and the censorship were more tolerant with comedies. “It should be shot outside of the studio, in the streets,” because they would not look over our shoulder that much. “We will use non actors” and “We will use natural light.” My first film, using these precepts, was a 20-minute short, 'A Boring Afternoon' (1964), about all the things that happen when, ostensibly, nothing is happening. Miroslav Ondricek, who shot it, was a soccer fan. He believed that his filming a number of matches made him more able to work with non-actors who could not be expected to hit their marks for lighting. When casting Intimate Lighting, which was about a group of friends who play music together, I had to decide whether to have actors pretending to play instruments, or musicians who I could get to act. I settled for non-actors. We were at a music school, and I literally grabbed the principal in the corridor and asked him if he would play the lead role of the cellist. At first he didn’t want to do it, but after he read the script, he said, “It’s about me.”" (Ivan Passer's interview with Ronald Bergan, Film Comment, 2016) P.S: On this day, 61 years ago, 'Intimate Lighting' (1965) was released in Czechoslovakia.
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Ivan Passer on the reason why 'Intimate Lighting' (1965) was banned by the communist government in Czechoslovakia for 20 years: "Interviewer: It seems inconceivable that 'Intimate Lighting' (1965), an almost plotless comedy about the everyday pleasures of life, should have been banned for 20 years. Can you explain it? Passer: I believe that the Party was worried when they saw ordinary people, with all their weaknesses and strengths, depicted on screen. I think they also preferred to be attacked directly rather than to be ignored completely. Before the clampdown, Milos and I got together to discuss how in this godforsaken country we could make good movies. We took a piece of paper and we wrote down several points like “it should be a comedy,” because the Communist Party and the censorship were more tolerant with comedies. “It should be shot outside of the studio, in the streets,” because they would not look over our shoulder that much. “We will use non actors” and “We will use natural light.” My first film, using these precepts, was a 20-minute short, 'A Boring Afternoon' (1964), about all the things that happen when, ostensibly, nothing is happening. Miroslav Ondricek, who shot it, was a soccer fan. He believed that his filming a number of matches made him more able to work with non-actors who could not be expected to hit their marks for lighting. When casting Intimate Lighting, which was about a group of friends who play music together, I had to decide whether to have actors pretending to play instruments, or musicians who I could get to act. I settled for non-actors. We were at a music school, and I literally grabbed the principal in the corridor and asked him if he would play the lead role of the cellist. At first he didn’t want to do it, but after he read the script, he said, “It’s about me.”" (Ivan Passer's interview with Ronald Bergan, Film Comment, 2016) P.S: On this day, 61 years ago, 'Intimate Lighting' (1965) was released in Czechoslovakia.

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