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Complex lighting on #L2D Models???? VLights launches Monday next week! VLights is a #VtubeStudio Plug-in that lets L2D Artist/Modelers/Riggers use custom parameters for RBG colors of the left, middle, and right sections of a display/window, takes VTS Display Lighting data, and plugs it into the parameters, creating more dynamic...

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EVSIONN 🥩👁️

2,384 subscribers

11,572 görüntüleme • 9 gün önce •via X (Twitter)

#L2D#VtubeStudio
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Phlox Nesspalier 🪫📺 profil fotoğrafı
Phlox Nesspalier 🪫📺8 gün önce

THIS IS HUGE

EVSIONN 🥩👁️ profil fotoğrafı
EVSIONN 🥩👁️8 gün önce

IM REALLY EXCITED TO SEE HOW PEOPLE USE IT HIGHKEY.

EVSIONN 🥩👁️ profil fotoğrafı
EVSIONN 🥩👁️8 gün önce

Is this really needed? no. Did I want it for my model and like to over complicate things for myself? yes.

FIBBI 💰🏃 POISON DART FORG VTUBER profil fotoğrafı
FIBBI 💰🏃 POISON DART FORG VTUBER8 gün önce

SOOOOOOO HYPE

EVSIONN 🥩👁️ profil fotoğrafı
EVSIONN 🥩👁️8 gün önce

(The product is prelisted on my VGen, you can recieve notification for monday :3, its going to be $5)

📖 ͏ₖₐᵥᵢᵢₓ ⟡ DONOTHON 19TH SEPTEMBER . . 👑🌿 profil fotoğrafı
📖 ͏ₖₐᵥᵢᵢₓ ⟡ DONOTHON 19TH SEPTEMBER . . 👑🌿8 gün önce

omg???? This is amazing for aesthetic visuals!!

EVSIONN 🥩👁️ profil fotoğrafı
EVSIONN 🥩👁️8 gün önce

THATS WHAT IM SAYING I literally wanted to have this lighting on my model that responds to face angles

🔞 Many 🐍 {🐾 VFeet} profil fotoğrafı
🔞 Many 🐍 {🐾 VFeet}8 gün önce

STOP IT, THIS IS SO FUCKING COOL. Aaaaaaand off to Vgen to get that notification. Thank you!

EVSIONN 🥩👁️ profil fotoğrafı
EVSIONN 🥩👁️6 gün önce

ITS OPEN (if you use it, let me see so I can add new methods to my toolbelt *rubs rat hands*)

Benzer Videolar

🧷Small WIP of a potential tutorial for how I set up models! Models are not plug and play! You must calibrate them to your face, lighting and camera in order to get the best results! I also recommend practicing movements to appear more animated 😊 #VTubeStudio #Vtuber
0:39

🧷Small WIP of a potential tutorial for how I set up models! Models are not plug and play! You must calibrate them to your face, lighting and camera in order to get the best results! I also recommend practicing movements to appear more animated 😊 #VTubeStudio #Vtuber

Radd ✖️ L2D Rig Artist🧷 - Live2Dモデラー

97,866 görüntüleme • 3 yıl önce

Check out our new Material Separation Photoshop Plug-in! Live2D Cubism 5 Material Separation Photoshop Plugin R1 alpha now available! The Material Separation Photoshop Plug-in is a Photoshop plug-in that makes it easy to perform material separation, the preliminary step in Live2D modeling. The cutting out, color filling and transparency filling of the material are performed semi-automatically. (Adobe® Photoshop®software) ▼Download it here: ▼How to use the Plug-in: *A Cubism PRO license is required for use. *The plug-in can also be used during the 42-day Live2D Cubism PRO free trial. #Live2D
1:10

Check out our new Material Separation Photoshop Plug-in! Live2D Cubism 5 Material Separation Photoshop Plugin R1 alpha now available! The Material Separation Photoshop Plug-in is a Photoshop plug-in that makes it easy to perform material separation, the preliminary step in Live2D modeling. The cutting out, color filling and transparency filling of the material are performed semi-automatically. (Adobe® Photoshop®software) ▼Download it here: ▼How to use the Plug-in: *A Cubism PRO license is required for use. *The plug-in can also be used during the 42-day Live2D Cubism PRO free trial. #Live2D

Live2D

62,834 görüntüleme • 2 yıl önce

In another life I would have been a lighting designer for major concerts. And this would be the golden age. The number of unique lighting elements you can deliver per watt today is… 🤯
2:00

In another life I would have been a lighting designer for major concerts. And this would be the golden age. The number of unique lighting elements you can deliver per watt today is… 🤯

Matthew Prince 🌥

35,877 görüntüleme • 1 yıl önce

🚀 Excited to attend my first #NeurIPS2025 and present our lighting-aware SLAM method, NFL-BA! 🔗 🔦 Why this matters: Traditional Bundle Adjustment (BA) in SLAM assumes static lighting, but many real scenarios—endoscopy, search & rescue, subterranean robotics—use co-located light + camera, creating dynamic, near-field lighting that breaks these assumptions. ✨ What we introduce: Near-Field Lighting Bundle Adjustment Loss (NFL-BA) — a formulation that explicitly models near-field illumination inside the BA objective, allowing SLAM systems to jointly reason about geometry, appearance, and lighting. 📈 Results: Modeling lighting directly leads to ~38% improvement in mapping & tracking across dynamic-lighting sequences in both endoscopy and indoor scenes. 🧩 Plug-and-play: NFL-BA integrates seamlessly into existing neural rendering–based SLAM pipelines, using both implicit (NeRF-style) or explicit (3DGS) scene representations. 🌟 If you’re interested in SLAM, neural rendering, or illumination modeling, come check it out on Friday's poster session, 11-2pm, #4407.
0:38

🚀 Excited to attend my first #NeurIPS2025 and present our lighting-aware SLAM method, NFL-BA! 🔗 🔦 Why this matters: Traditional Bundle Adjustment (BA) in SLAM assumes static lighting, but many real scenarios—endoscopy, search & rescue, subterranean robotics—use co-located light + camera, creating dynamic, near-field lighting that breaks these assumptions. ✨ What we introduce: Near-Field Lighting Bundle Adjustment Loss (NFL-BA) — a formulation that explicitly models near-field illumination inside the BA objective, allowing SLAM systems to jointly reason about geometry, appearance, and lighting. 📈 Results: Modeling lighting directly leads to ~38% improvement in mapping & tracking across dynamic-lighting sequences in both endoscopy and indoor scenes. 🧩 Plug-and-play: NFL-BA integrates seamlessly into existing neural rendering–based SLAM pipelines, using both implicit (NeRF-style) or explicit (3DGS) scene representations. 🌟 If you’re interested in SLAM, neural rendering, or illumination modeling, come check it out on Friday's poster session, 11-2pm, #4407.

Roni Sengupta

21,162 görüntüleme • 9 ay önce

Lighting differences can make a huge difference in robotics. Today, I found a quirk in my model exemplifying this. > I collected 10h of training data. > 3h in, I notice that the left arm following the right arm for the final movement could be good for the final insertion subtask. > I change behaviour. > But the first 3h didn't include much nighttime data (=dark room). 🎯Result The same policy reliably exhibits different behaviour on exactly this subtask depending on the lighting. So many microlearnings to be made in robotics.
0:31

Lighting differences can make a huge difference in robotics. Today, I found a quirk in my model exemplifying this. > I collected 10h of training data. > 3h in, I notice that the left arm following the right arm for the final movement could be good for the final insertion subtask. > I change behaviour. > But the first 3h didn't include much nighttime data (=dark room). 🎯Result The same policy reliably exhibits different behaviour on exactly this subtask depending on the lighting. So many microlearnings to be made in robotics.

Dominique Paul

97,950 görüntüleme • 3 ay önce

🚨#WATCH: Hundreds of people gathered, excited to witness the joy of a tree lighting, only for it to turn out to be the most disappointing Christmas tree lighting ever. 📌#Lexington | #NorthCarolina Watch as hundreds of people gathered with excitement to witness the annual town Lexington, North Carolina, town tree lighting only for it to become the most disappointing Christmas tree lighting ever. A video captured the moment when the crowd at the Lexington Tree Lighting Ceremony began the countdown, expecting a dazzling display, only to see a few strings of lights illuminate around the tree. Confusion and groans spread through the crowd, with some initially thinking it was a joke or a tease before realizing it was the actual lighting. Despite the disappointment, many laughed light-heartedly at the situation. The good news is that the town later rescheduled the tree lighting for later in the week and fixed the issue.
0:20

🚨#WATCH: Hundreds of people gathered, excited to witness the joy of a tree lighting, only for it to turn out to be the most disappointing Christmas tree lighting ever. 📌#Lexington | #NorthCarolina Watch as hundreds of people gathered with excitement to witness the annual town Lexington, North Carolina, town tree lighting only for it to become the most disappointing Christmas tree lighting ever. A video captured the moment when the crowd at the Lexington Tree Lighting Ceremony began the countdown, expecting a dazzling display, only to see a few strings of lights illuminate around the tree. Confusion and groans spread through the crowd, with some initially thinking it was a joke or a tease before realizing it was the actual lighting. Despite the disappointment, many laughed light-heartedly at the situation. The good news is that the town later rescheduled the tree lighting for later in the week and fixed the issue.

R A W S A L E R T S

672,883 görüntüleme • 1 yıl önce

First time uploading a video to X, but its an important one. As a photographer, I use lighting to tell stories. While watching the Trump v. Harris debate, I noticed that how the lighting was being used told a story all to itself. In this video, you'll learn how lighting can shape narratives and how you can use it to your advantage! #TrumpVsHarris #PresidentialDebate #PresidentialElection2024
8:16

First time uploading a video to X, but its an important one. As a photographer, I use lighting to tell stories. While watching the Trump v. Harris debate, I noticed that how the lighting was being used told a story all to itself. In this video, you'll learn how lighting can shape narratives and how you can use it to your advantage! #TrumpVsHarris #PresidentialDebate #PresidentialElection2024

Miguel Quiles

1,112,276 görüntüleme • 2 yıl önce

Here is DLSS5 working on an animation I made in Unreal. It uses the existing geometry, animation, textures and lighting to render. It doesn't make stuff up out of thin air. There is zero generative AI. This is the exact use of AI that people have wanted. As a tool where artists maintain full art direction. Neural rendering makes creating amazing art with real 3D models easier and more accessible. All 3D artists should be excited. Here is another explanation by Daniel Vávra ⚔ Is this a 3D model? I encourage you to create a 3D model or animation sometime and try it out for yourself, it can be fun creating something!
1:15

Here is DLSS5 working on an animation I made in Unreal. It uses the existing geometry, animation, textures and lighting to render. It doesn't make stuff up out of thin air. There is zero generative AI. This is the exact use of AI that people have wanted. As a tool where artists maintain full art direction. Neural rendering makes creating amazing art with real 3D models easier and more accessible. All 3D artists should be excited. Here is another explanation by Daniel Vávra ⚔ Is this a 3D model? I encourage you to create a 3D model or animation sometime and try it out for yourself, it can be fun creating something!

Unreal Sensei

125,157 görüntüleme • 12 gün önce

The biggest marketplace on Earth won't be the assets humans own. It'll be the data AI needs. Everything that can be digitised is getting pulled in to train the next models. Every scientific dataset, every piece of research sitting in a university, every sensor reading off every John Deere tractor in a field. All of it feeds the machine, and almost none of it is visible to us. What comes out is an agentic economy running at machine speed. You plug your data into a vault, and agents monetise it on your behalf, trading with other agents in real time, in a marketplace we never see. The company sitting on proprietary data becomes part of it without even knowing. This is what the Economic Singularity actually looks like from the inside. The real economy stops being the one we can see and price, and moves somewhere we can't follow. You own a piece of it, or you get priced out of it. Jordi Visser.
1:27

The biggest marketplace on Earth won't be the assets humans own. It'll be the data AI needs. Everything that can be digitised is getting pulled in to train the next models. Every scientific dataset, every piece of research sitting in a university, every sensor reading off every John Deere tractor in a field. All of it feeds the machine, and almost none of it is visible to us. What comes out is an agentic economy running at machine speed. You plug your data into a vault, and agents monetise it on your behalf, trading with other agents in real time, in a marketplace we never see. The company sitting on proprietary data becomes part of it without even knowing. This is what the Economic Singularity actually looks like from the inside. The real economy stops being the one we can see and price, and moves somewhere we can't follow. You own a piece of it, or you get priced out of it. Jordi Visser.

Raoul Pal

79,047 görüntüleme • 1 ay önce

OpenClaw just got a lot cheaper to run. Alibaba Cloud dropped a Coding Plan that gives you 4 frontier models under one API key. Plug it straight into OpenClaw and you're done. Qwen 3.5-Plus. Kimi K2.5. MiniMax M2.5. GLM-5. 18,000 requests a month for just $10. In single subscriptions, you can swap the models and keep building. The interesting part isn't even the price. It's that they built this for developers already inside tools like OpenClaw, Claude Code, and Cline. The top engineers will quietly plug this in this week and say nothing. The rest will find out in 6 months when the cost gap is impossible to ignore. Setup takes 30 seconds. 👇
0:21

OpenClaw just got a lot cheaper to run. Alibaba Cloud dropped a Coding Plan that gives you 4 frontier models under one API key. Plug it straight into OpenClaw and you're done. Qwen 3.5-Plus. Kimi K2.5. MiniMax M2.5. GLM-5. 18,000 requests a month for just $10. In single subscriptions, you can swap the models and keep building. The interesting part isn't even the price. It's that they built this for developers already inside tools like OpenClaw, Claude Code, and Cline. The top engineers will quietly plug this in this week and say nothing. The rest will find out in 6 months when the cost gap is impossible to ignore. Setup takes 30 seconds. 👇

Shruti

185,993 görüntüleme • 6 ay önce

Checking the balance of an OPENDIME on a BLOCKCLOCK never gets old. Plug it in and watch the sats appear. Physical Bitcoin. Physical display. We’re celebrating 10 years of OPENDIME with 10% off all products at 🎉
0:20

Checking the balance of an OPENDIME on a BLOCKCLOCK never gets old. Plug it in and watch the sats appear. Physical Bitcoin. Physical display. We’re celebrating 10 years of OPENDIME with 10% off all products at 🎉

COLDCARD

15,378 görüntüleme • 3 ay önce

GEN-1 still works with lights off, and generalizes under harsh lighting conditions. The model uses raw video pixels to make decisions, so strong lighting changes can drastically alter its input distribution. Yet performance still holds. Why? GEN-1 was pre-trained on a massive, diverse dataset of different lighting conditions—everywhere from outdoor farms, to warehouses, from grocery stores, to dimly lit homes—it's already seen it all, and transfers this knowledge to new tasks. This is a glimpse of what we call Mastery, and is part of the reason these models can cross a new performance threshold. Read more about it in our blog post in the comments below 👇
0:39

GEN-1 still works with lights off, and generalizes under harsh lighting conditions. The model uses raw video pixels to make decisions, so strong lighting changes can drastically alter its input distribution. Yet performance still holds. Why? GEN-1 was pre-trained on a massive, diverse dataset of different lighting conditions—everywhere from outdoor farms, to warehouses, from grocery stores, to dimly lit homes—it's already seen it all, and transfers this knowledge to new tasks. This is a glimpse of what we call Mastery, and is part of the reason these models can cross a new performance threshold. Read more about it in our blog post in the comments below 👇

Generalist

18,396 görüntüleme • 4 ay önce

Post Apocalyptic Street is an environment made in UE by Environment/Prop Artist JVAD3D(On FAB). It was created to showcase a wide range of their self-taught skills including modeling, texturing, lighting, tech art, concept art and environment art. The environment can be found on Fab at JVAD3D Models:
0:59

Post Apocalyptic Street is an environment made in UE by Environment/Prop Artist JVAD3D(On FAB). It was created to showcase a wide range of their self-taught skills including modeling, texturing, lighting, tech art, concept art and environment art. The environment can be found on Fab at JVAD3D Models:

Unreal Engine

21,148 görüntüleme • 1 ay önce

This Grok Project will take any image and transform it into a prompt with details, such as lighting, style, and subject matter. You can then use the prompt in Grok Imagine for images and videos. Click the video, and it will take you to the Grok Project.
1:09

This Grok Project will take any image and transform it into a prompt with details, such as lighting, style, and subject matter. You can then use the prompt in Grok Imagine for images and videos. Click the video, and it will take you to the Grok Project.

tetsuo

51,879 görüntüleme • 10 ay önce

Looks like on the visual side, the engine upgrade for S.T.A.L.K.E.R. 2: Heart of Chornobyl will focus on two main aspects: -Overhauled lighting, improving Lumen's indirect lighting and reflections, as well as direct lighting and shadows. -Reworked Landscape and Foliage, which will look denser and more natural. These are all great additions, but I'm more interested in the performance side, especially CPU performance, which was a major issue at launch. I'm planning to cover the new update when it launches, with comparisons between the day-one version (if I can access it) and the newest build, along with the usual in-depth look at the graphics settings and how they affect the visuals and performance. #Stalker2HeartOfChornobyl
1:02

Looks like on the visual side, the engine upgrade for S.T.A.L.K.E.R. 2: Heart of Chornobyl will focus on two main aspects: -Overhauled lighting, improving Lumen's indirect lighting and reflections, as well as direct lighting and shadows. -Reworked Landscape and Foliage, which will look denser and more natural. These are all great additions, but I'm more interested in the performance side, especially CPU performance, which was a major issue at launch. I'm planning to cover the new update when it launches, with comparisons between the day-one version (if I can access it) and the newest build, along with the usual in-depth look at the graphics settings and how they affect the visuals and performance. #Stalker2HeartOfChornobyl

BenchmarKing

27,539 görüntüleme • 29 gün önce

Cartoon style post processing I recently made. The best part is that it runs entirely in real time, and works well with my models. It's still a bit limited, but it works well for the basics of detecting silhouettes and subtle lighting tweaks.
2:02

Cartoon style post processing I recently made. The best part is that it runs entirely in real time, and works well with my models. It's still a bit limited, but it works well for the basics of detecting silhouettes and subtle lighting tweaks.

Toxilisk

21,169 görüntüleme • 3 ay önce

The trust layer for robot and machine data is here peaqOS Stream enables machines to sign, verify, and monetize their data across Web3 and beyond → A machine signs its data at source → Any data protocol or platform can plug in and monetize it For the first time, machine data can be trusted by third parties at scale
0:34

The trust layer for robot and machine data is here peaqOS Stream enables machines to sign, verify, and monetize their data across Web3 and beyond → A machine signs its data at source → Any data protocol or platform can plug in and monetize it For the first time, machine data can be trusted by third parties at scale

peaq

34,058 görüntüleme • 2 ay önce

For the world leader in electric and plug-in hybrid vehicles, we built a digital space worthy of the innovation behind it. Verse powers BYD's virtual showroom, giving customers a fully immersive, 3D experience of their main models from anywhere in the world. Here is a recap of their UAE opening event for this partnership. Have a look at the digital showroom experience we built with them below.👇
0:40

For the world leader in electric and plug-in hybrid vehicles, we built a digital space worthy of the innovation behind it. Verse powers BYD's virtual showroom, giving customers a fully immersive, 3D experience of their main models from anywhere in the world. Here is a recap of their UAE opening event for this partnership. Have a look at the digital showroom experience we built with them below.👇

Verse World

64,035 görüntüleme • 1 yıl önce

Ivan Passer on the reason why 'Intimate Lighting' (1965) was banned by the communist government in Czechoslovakia for 20 years: "Interviewer: It seems inconceivable that 'Intimate Lighting' (1965), an almost plotless comedy about the everyday pleasures of life, should have been banned for 20 years. Can you explain it? Passer: I believe that the Party was worried when they saw ordinary people, with all their weaknesses and strengths, depicted on screen. I think they also preferred to be attacked directly rather than to be ignored completely. Before the clampdown, Milos and I got together to discuss how in this godforsaken country we could make good movies. We took a piece of paper and we wrote down several points like “it should be a comedy,” because the Communist Party and the censorship were more tolerant with comedies. “It should be shot outside of the studio, in the streets,” because they would not look over our shoulder that much. “We will use non actors” and “We will use natural light.” My first film, using these precepts, was a 20-minute short, 'A Boring Afternoon' (1964), about all the things that happen when, ostensibly, nothing is happening. Miroslav Ondricek, who shot it, was a soccer fan. He believed that his filming a number of matches made him more able to work with non-actors who could not be expected to hit their marks for lighting. When casting Intimate Lighting, which was about a group of friends who play music together, I had to decide whether to have actors pretending to play instruments, or musicians who I could get to act. I settled for non-actors. We were at a music school, and I literally grabbed the principal in the corridor and asked him if he would play the lead role of the cellist. At first he didn’t want to do it, but after he read the script, he said, “It’s about me.”" (Ivan Passer's interview with Ronald Bergan, Film Comment, 2016) P.S: On this day, 61 years ago, 'Intimate Lighting' (1965) was released in Czechoslovakia.
0:50

Ivan Passer on the reason why 'Intimate Lighting' (1965) was banned by the communist government in Czechoslovakia for 20 years: "Interviewer: It seems inconceivable that 'Intimate Lighting' (1965), an almost plotless comedy about the everyday pleasures of life, should have been banned for 20 years. Can you explain it? Passer: I believe that the Party was worried when they saw ordinary people, with all their weaknesses and strengths, depicted on screen. I think they also preferred to be attacked directly rather than to be ignored completely. Before the clampdown, Milos and I got together to discuss how in this godforsaken country we could make good movies. We took a piece of paper and we wrote down several points like “it should be a comedy,” because the Communist Party and the censorship were more tolerant with comedies. “It should be shot outside of the studio, in the streets,” because they would not look over our shoulder that much. “We will use non actors” and “We will use natural light.” My first film, using these precepts, was a 20-minute short, 'A Boring Afternoon' (1964), about all the things that happen when, ostensibly, nothing is happening. Miroslav Ondricek, who shot it, was a soccer fan. He believed that his filming a number of matches made him more able to work with non-actors who could not be expected to hit their marks for lighting. When casting Intimate Lighting, which was about a group of friends who play music together, I had to decide whether to have actors pretending to play instruments, or musicians who I could get to act. I settled for non-actors. We were at a music school, and I literally grabbed the principal in the corridor and asked him if he would play the lead role of the cellist. At first he didn’t want to do it, but after he read the script, he said, “It’s about me.”" (Ivan Passer's interview with Ronald Bergan, Film Comment, 2016) P.S: On this day, 61 years ago, 'Intimate Lighting' (1965) was released in Czechoslovakia.

DepressedBergman

17,774 görüntüleme • 5 ay önce