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18,929 次观看 • 3 个月前 •via X (Twitter)

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Traduction : on a tellement merdé la construction de cette saga qu'on fait style que Doomsday est la suite directe d'Endgame. On ressort le film que vous avez tellement kiffé à l'époque avec 3 scènes qui sortent de nulle part pour les lier. Aveu d'échec : épisode 8784568
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Traduction : on a tellement merdé la construction de cette saga qu'on fait style que Doomsday est la suite directe d'Endgame. On ressort le film que vous avez tellement kiffé à l'époque avec 3 scènes qui sortent de nulle part pour les lier. Aveu d'échec : épisode 8784568

SPIDEY

98,020 次观看 • 6 个月前

From an empty lot to a futuristic skyline AI turning construction into cinematic magic. Made with MiniMax H3 FlovaAI Prompt: Photorealistic cinematic aerial video of a modern glass skyscraper assembling itself on a city construction site. Subject: a rectangular glass office tower growing from an empty lot, surrounded by three yellow tower cranes. Cyan holographic construction overlays with grid lines, vertical pillars, and orbiting energy rings. Environment: dense low-rise East Asian city block with tiled roofs, green rooftops, trees lining the streets, buses and cars on the roads, taller buildings and a sports field in the distance. Style: ultra-realistic aerial photography, golden-hour to sunset color grade, sharp glass reflections, warm interior lights versus cool cyan holograms. Camera: one continuous high-angle drone shot. Starts looking down on the lot, then slowly pulls back and lifts as the building grows, ending on a hero three-quarter view of the completed tower against the sunset. Lighting: late afternoon sun at the start; sky shifts to orange, coral, and pink clouds; finished tower glows with warm yellow office lights. [0s] Empty rectangular construction pit in the city. Three yellow cranes stand around the site. A faint cyan holographic floor grid appears on the dirt. [2s] Glowing cyan pillars rise from the grid and lock into a structural skeleton. Cranes stay in place. [4s] Concrete core and first floor slabs materialize. Cyan rings begin orbiting the structure. Camera starts a slow pull-back and rise. [7s] Mid-rise floors stack rapidly. Dark glass curtain walls wrap the lower levels. Interior lights start coming on. Sky turns warmer. [10s] Tower is now a tall glass skyscraper. Cranes lift the last rooftop mechanical sections into place. Cyan hologram fades. Sunset sky is intense orange-pink. [13s] Construction complete. Clean modern tower with lit interiors, one remaining crane at the base. Hold the final cinematic aerial frame. Audio: distant city traffic, compressed construction rumble early, then a low cinematic swell as the building finishes. No dialogue. No on-screen text. No watermark. Avoid: cuts, shaky camera, cartoon look, people close-up, logos, extra towers appearing out of nowhere, watermark, subtitles, UI overlay. #FlovaAI #CPP
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From an empty lot to a futuristic skyline AI turning construction into cinematic magic. Made with MiniMax H3 FlovaAI Prompt: Photorealistic cinematic aerial video of a modern glass skyscraper assembling itself on a city construction site. Subject: a rectangular glass office tower growing from an empty lot, surrounded by three yellow tower cranes. Cyan holographic construction overlays with grid lines, vertical pillars, and orbiting energy rings. Environment: dense low-rise East Asian city block with tiled roofs, green rooftops, trees lining the streets, buses and cars on the roads, taller buildings and a sports field in the distance. Style: ultra-realistic aerial photography, golden-hour to sunset color grade, sharp glass reflections, warm interior lights versus cool cyan holograms. Camera: one continuous high-angle drone shot. Starts looking down on the lot, then slowly pulls back and lifts as the building grows, ending on a hero three-quarter view of the completed tower against the sunset. Lighting: late afternoon sun at the start; sky shifts to orange, coral, and pink clouds; finished tower glows with warm yellow office lights. [0s] Empty rectangular construction pit in the city. Three yellow cranes stand around the site. A faint cyan holographic floor grid appears on the dirt. [2s] Glowing cyan pillars rise from the grid and lock into a structural skeleton. Cranes stay in place. [4s] Concrete core and first floor slabs materialize. Cyan rings begin orbiting the structure. Camera starts a slow pull-back and rise. [7s] Mid-rise floors stack rapidly. Dark glass curtain walls wrap the lower levels. Interior lights start coming on. Sky turns warmer. [10s] Tower is now a tall glass skyscraper. Cranes lift the last rooftop mechanical sections into place. Cyan hologram fades. Sunset sky is intense orange-pink. [13s] Construction complete. Clean modern tower with lit interiors, one remaining crane at the base. Hold the final cinematic aerial frame. Audio: distant city traffic, compressed construction rumble early, then a low cinematic swell as the building finishes. No dialogue. No on-screen text. No watermark. Avoid: cuts, shaky camera, cartoon look, people close-up, logos, extra towers appearing out of nowhere, watermark, subtitles, UI overlay. #FlovaAI #CPP

Zyrella

16,051 次观看 • 1 个月前

Confirmed. Construction has started on Revolut’s first physical store. 📍 Av. del Portal de l’Àngel 19-21, Barcelona The landmark former El Corte Inglés / Can Jorba building — in the heart of the city, on the main pedestrian street linking Plaça de Catalunya and the Gothic Quarter. An immersive Apple Store-style space focused on advice, brand experiences and trust-building. Explicitly not a bank branch. Over 20 staff. Opening targeted for end of 2026 / early 2027. Barcelona chosen as “our testing ground” — innovative city with local and international customers (CMO Antoine Le Nel). Permanent pilot, with plans to expand if successful. UK team is also “actively” exploring a shopfront, watching Barcelona first. What do you think of the concept?
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Confirmed. Construction has started on Revolut’s first physical store. 📍 Av. del Portal de l’Àngel 19-21, Barcelona The landmark former El Corte Inglés / Can Jorba building — in the heart of the city, on the main pedestrian street linking Plaça de Catalunya and the Gothic Quarter. An immersive Apple Store-style space focused on advice, brand experiences and trust-building. Explicitly not a bank branch. Over 20 staff. Opening targeted for end of 2026 / early 2027. Barcelona chosen as “our testing ground” — innovative city with local and international customers (CMO Antoine Le Nel). Permanent pilot, with plans to expand if successful. UK team is also “actively” exploring a shopfront, watching Barcelona first. What do you think of the concept?

Max Karpis

21,294 次观看 • 2 个月前

Group B Qatar and Switzerland play Today. Video made by using Seedance 2.0 on BudgetPixel AI prompt A hyper-realistic live FIFA World Cup 2026 night match broadcast, Group C: Qatar vs Switzerland. In an absurd satirical comedy scene, the entire Qatari national team in maroon kits with white accents are frantically building a massive red brick wall directly in front of their goal to block Switzerland’s attack. Close-up shots: Qatari players #2, #15, #25 urgently laying red bricks, spreading gray mortar with trowels, intense focused expressions, sweat visible under stadium floodlights. Wide dramatic shots: multiple Qatari players (#10, #7, #6, #4, #8) on ladders and scaffolding rapidly stacking bricks across the entire goal mouth like an emergency construction crew mid-match. Bricks scatter across the grass, wheelbarrows of mortar rush in. Foreground reaction: shocked Swiss players in white and red kits (Xhaka #10, #7) stand frozen, arms slightly raised in disbelief. Female stadium staff and women fans in Swiss jerseys react with laughter and stunned expressions, filming the scene on phones under bright lights. The referee stands confused, whistle lowered. Broadcast style: authentic FOX Sports FIFA presentation, scoreboard overlay shows QAT 0–0 SUI, clock 37:12, “LIVE” indicator, sponsor graphics, shaky commentator cam cuts. Commentary (live broadcast audio): Commentator 1 (shocked): “I… I cannot believe what we are seeing—are they building a WALL?” Commentator 2 (laughing in disbelief): “This is not defensive structure, this is full construction mode inside the box!” Sideline reporter (urgent): “The Swiss attack has completely stopped… they’re just watching this happen!” Crowd audio: mixed gasps, laughter, and chants turning into confused cheering. Cinematic sports cinematography: dramatic night lighting, strong highlights on brick textures and sweat, motion blur on fast building action, dynamic cuts between tight close-ups (hands, trowels, mortar) and wide stadium shots through the goal net. Ultra-detailed jerseys, dust particles in air, realistic pitch wear. Humorous surreal tone, meme-like absurdity, yet fully photorealistic elite broadcast quality. Satirical exaggeration of ultra-defensive “park the bus” tactics turned into literal construction.
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Group B Qatar and Switzerland play Today. Video made by using Seedance 2.0 on BudgetPixel AI prompt A hyper-realistic live FIFA World Cup 2026 night match broadcast, Group C: Qatar vs Switzerland. In an absurd satirical comedy scene, the entire Qatari national team in maroon kits with white accents are frantically building a massive red brick wall directly in front of their goal to block Switzerland’s attack. Close-up shots: Qatari players #2, #15, #25 urgently laying red bricks, spreading gray mortar with trowels, intense focused expressions, sweat visible under stadium floodlights. Wide dramatic shots: multiple Qatari players (#10, #7, #6, #4, #8) on ladders and scaffolding rapidly stacking bricks across the entire goal mouth like an emergency construction crew mid-match. Bricks scatter across the grass, wheelbarrows of mortar rush in. Foreground reaction: shocked Swiss players in white and red kits (Xhaka #10, #7) stand frozen, arms slightly raised in disbelief. Female stadium staff and women fans in Swiss jerseys react with laughter and stunned expressions, filming the scene on phones under bright lights. The referee stands confused, whistle lowered. Broadcast style: authentic FOX Sports FIFA presentation, scoreboard overlay shows QAT 0–0 SUI, clock 37:12, “LIVE” indicator, sponsor graphics, shaky commentator cam cuts. Commentary (live broadcast audio): Commentator 1 (shocked): “I… I cannot believe what we are seeing—are they building a WALL?” Commentator 2 (laughing in disbelief): “This is not defensive structure, this is full construction mode inside the box!” Sideline reporter (urgent): “The Swiss attack has completely stopped… they’re just watching this happen!” Crowd audio: mixed gasps, laughter, and chants turning into confused cheering. Cinematic sports cinematography: dramatic night lighting, strong highlights on brick textures and sweat, motion blur on fast building action, dynamic cuts between tight close-ups (hands, trowels, mortar) and wide stadium shots through the goal net. Ultra-detailed jerseys, dust particles in air, realistic pitch wear. Humorous surreal tone, meme-like absurdity, yet fully photorealistic elite broadcast quality. Satirical exaggeration of ultra-defensive “park the bus” tactics turned into literal construction.

Sharon Riley

85,877 次观看 • 4 个月前

MiniMax H3 - Prompt Share Give it a character reference and it turns it into a high-tech digital assembly sequence. You can use parts of the result in your music videos too. Prompt: Use the provided reference as the final character target. Create a short premium cinematic character creation video where the character is built step by step through a high-tech digital assembly process. The sequence should feel fast, intense and visually sophisticated. Show a clear staged progression. Begin with abstract digital fragments, prototype sketches, blueprint-style drawings, construction lines and technical concept sheets appearing in the background. Then gradually assemble the character from the inside out, with limbs, body parts, clothing and facial features forming through scanning passes, holographic layers, wireframes, segmented image fragments, luminous particles and sleek interface elements. Let the arms, legs and other body parts visibly generate in stages, as if engineered by an advanced system. Some moments should show unfinished digital anatomy, partial structures and evolving forms before they lock into the final design. Keep the background alive with passing prototype art, silhouette studies, detail callouts and design variations to reinforce the feeling of a real creation process. The pacing should be rapid and aggressive, with dense motion, layered depth, sharp transitions and constant visual activity, while keeping the character build clearly readable as the main focus. The overall style should feel futuristic, polished, luxurious and cinematic. End with the fully completed character, cleanly revealed and clearly matching the reference.
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MiniMax H3 - Prompt Share Give it a character reference and it turns it into a high-tech digital assembly sequence. You can use parts of the result in your music videos too. Prompt: Use the provided reference as the final character target. Create a short premium cinematic character creation video where the character is built step by step through a high-tech digital assembly process. The sequence should feel fast, intense and visually sophisticated. Show a clear staged progression. Begin with abstract digital fragments, prototype sketches, blueprint-style drawings, construction lines and technical concept sheets appearing in the background. Then gradually assemble the character from the inside out, with limbs, body parts, clothing and facial features forming through scanning passes, holographic layers, wireframes, segmented image fragments, luminous particles and sleek interface elements. Let the arms, legs and other body parts visibly generate in stages, as if engineered by an advanced system. Some moments should show unfinished digital anatomy, partial structures and evolving forms before they lock into the final design. Keep the background alive with passing prototype art, silhouette studies, detail callouts and design variations to reinforce the feeling of a real creation process. The pacing should be rapid and aggressive, with dense motion, layered depth, sharp transitions and constant visual activity, while keeping the character build clearly readable as the main focus. The overall style should feel futuristic, polished, luxurious and cinematic. End with the fully completed character, cleanly revealed and clearly matching the reference.

Kōda

30,737 次观看 • 1 个月前

My family and I voted at the advance polls this morning in our riding. It was heartening to see so many people out using their voice—what a powerful reminder of how much we value democracy and this country we call home. Today, we voted for $10-a-day daycare, for pharmacare and dental care, for prioritizing the construction of affordable housing and solidifying the reduction of East-West inter provincial trade barriers. . We voted for an energy corridor, supporting trades, continuing reconciliation and to stand strong against Trump-style politics, to support Canadian workers and businesses facing unfair tariffs, and to protect our sovereignty. I’m proud to be Canadian. This country isn’t broken, and neither are its people —we have challenges, yes, but we also have incredible potential. If I’m fortunate enough to earn your trust and be elected, I will be honoured to represent Regina Wascana in Ottawa. Wishing everyone a happy and hopeful Easter weekend—let’s move forward together. #CanadaVotes2025 #canadaelection2025 #reginawascana #Regina #canadastrong
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My family and I voted at the advance polls this morning in our riding. It was heartening to see so many people out using their voice—what a powerful reminder of how much we value democracy and this country we call home. Today, we voted for $10-a-day daycare, for pharmacare and dental care, for prioritizing the construction of affordable housing and solidifying the reduction of East-West inter provincial trade barriers. . We voted for an energy corridor, supporting trades, continuing reconciliation and to stand strong against Trump-style politics, to support Canadian workers and businesses facing unfair tariffs, and to protect our sovereignty. I’m proud to be Canadian. This country isn’t broken, and neither are its people —we have challenges, yes, but we also have incredible potential. If I’m fortunate enough to earn your trust and be elected, I will be honoured to represent Regina Wascana in Ottawa. Wishing everyone a happy and hopeful Easter weekend—let’s move forward together. #CanadaVotes2025 #canadaelection2025 #reginawascana #Regina #canadastrong

Jeff Walters 🇨🇦

32,798 次观看 • 1 年前

The strongest bond isn’t seen… it’s felt between a father and his son ❤️ Created through seedance 2.0 on Yapper Prompt : [0–4 sec] Golden sunset. A tired American father in a construction uniform sits in his pickup truck, hands rough, eyes heavy. His young son runs toward him from the porch, smiling wide. Ambient sound: soft wind, distant birds. [4–8 sec] The father lifts his son into his arms, despite exhaustion. The boy laughs, touching his father’s dusty face. Dialogue (soft): Son: “Did you miss me?” Father (smiling): “Every second.” [8–12 sec] They sit on the truck hood together, sharing a sandwich. The boy leans on his father’s shoulder. The father quietly watches him, eyes filled with love and pride. [12–15 sec] The son falls asleep in his arms. The father gently holds him tighter, looking at the fading sunset. Final whisper: “I’m doing all this for you.” Fade to black. 🎥 Visual Style (for 4K realism): Ultra-realistic lighting (golden hour tones) Cinematic depth of field
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The strongest bond isn’t seen… it’s felt between a father and his son ❤️ Created through seedance 2.0 on Yapper Prompt : [0–4 sec] Golden sunset. A tired American father in a construction uniform sits in his pickup truck, hands rough, eyes heavy. His young son runs toward him from the porch, smiling wide. Ambient sound: soft wind, distant birds. [4–8 sec] The father lifts his son into his arms, despite exhaustion. The boy laughs, touching his father’s dusty face. Dialogue (soft): Son: “Did you miss me?” Father (smiling): “Every second.” [8–12 sec] They sit on the truck hood together, sharing a sandwich. The boy leans on his father’s shoulder. The father quietly watches him, eyes filled with love and pride. [12–15 sec] The son falls asleep in his arms. The father gently holds him tighter, looking at the fading sunset. Final whisper: “I’m doing all this for you.” Fade to black. 🎥 Visual Style (for 4K realism): Ultra-realistic lighting (golden hour tones) Cinematic depth of field

Ai Arainz

22,974 次观看 • 5 个月前

🚧UNDER CONSTRUCTION: Brand new, 100-room hotel on the iconic Camps Bay strip, Cape Town Mint Cafe was a popular eating spot for those who frequent the Camps Bay beach area. The restaurant was in operation for close to 10 years until their last day of trading on January 29th this year. The entire building was demolished along with the Place on the Bay hotel next door to make room for the new 5-storey beachfront hotel. Quick facts about the new hotel development: 🌊 Hotel group: Novis Hotels 🌊 Architect: Scott and Partners 🌊 Completion date: September 2024 🌊 Ground floor includes 278m2 restaurant 🌊 Location: Erf 3349, Victoria Road, Camps Bay, #CapeTown According to Novis Hotels, they faced resistance at every single stage of this project. Camps Bay and Clifton Ratepayers’ Association (CBCRA) being against this development caused the planning of this project to take 5 years. The special regulations for Camps Bay are 3 storeys and 10m facade height - this is unique when compared to the rest of the city. Apparently this development is 5m higher than the restriction. City of Cape Town has approved the development despite objections and the architect defends the development height as it is set back from the facade. I took the below video this week of the development that is currently under #construction. Greg Scott, principal architect for the project has designed a number of developments in the Camps Bay area and he has an easy-to-recognise style. I much prefer the latest render, compared to the previous ones (see these in the thread below the tweet). I am glad that they changed the the pillars which made for a cold and uninviting retail facade. We see a similar cold/uninviting facade with the chunky pillars at the Cape Royal hotel in Green Point. What do you think of the #design for this new #hotel in Camps Bay?
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🚧UNDER CONSTRUCTION: Brand new, 100-room hotel on the iconic Camps Bay strip, Cape Town Mint Cafe was a popular eating spot for those who frequent the Camps Bay beach area. The restaurant was in operation for close to 10 years until their last day of trading on January 29th this year. The entire building was demolished along with the Place on the Bay hotel next door to make room for the new 5-storey beachfront hotel. Quick facts about the new hotel development: 🌊 Hotel group: Novis Hotels 🌊 Architect: Scott and Partners 🌊 Completion date: September 2024 🌊 Ground floor includes 278m2 restaurant 🌊 Location: Erf 3349, Victoria Road, Camps Bay, #CapeTown According to Novis Hotels, they faced resistance at every single stage of this project. Camps Bay and Clifton Ratepayers’ Association (CBCRA) being against this development caused the planning of this project to take 5 years. The special regulations for Camps Bay are 3 storeys and 10m facade height - this is unique when compared to the rest of the city. Apparently this development is 5m higher than the restriction. City of Cape Town has approved the development despite objections and the architect defends the development height as it is set back from the facade. I took the below video this week of the development that is currently under #construction. Greg Scott, principal architect for the project has designed a number of developments in the Camps Bay area and he has an easy-to-recognise style. I much prefer the latest render, compared to the previous ones (see these in the thread below the tweet). I am glad that they changed the the pillars which made for a cold and uninviting retail facade. We see a similar cold/uninviting facade with the chunky pillars at the Cape Royal hotel in Green Point. What do you think of the #design for this new #hotel in Camps Bay?

Ash Müller

112,786 次观看 • 3 年前

GPT image 2 × Seedance 2.0 Prompt - GPT Image 2 Prompt for Storyboard: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.
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GPT image 2 × Seedance 2.0 Prompt - GPT Image 2 Prompt for Storyboard: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.

𝐌

20,168 次观看 • 3 个月前

Prompt: Create a premium 15-second vertical 9:16 Air Jordan 1 commercial with 8 cinematic scenes, ultra-realistic 8K, photorealistic materials, dramatic studio lighting, high-end global footwear campaign quality. Prioritize the sneaker at all times: 95% sneaker / 5% environment. VISUAL STYLE: Luxury sportswear advertising, cinematic contrast, premium product photography, deep blacks, rich crimson red accents, realistic leather grain, authentic stitching, physically accurate shadows and reflections, volumetric smoke, controlled highlights, crisp micro-details, shallow depth of field, high-speed commercial cinematography. IMPORTANT PRODUCT LOCK: Use the uploaded Air Jordan 1 sneaker as the exact visual reference. Preserve the exact silhouette, proportions, color blocking, materials, stitching, panels, outsole geometry, tongue, collar, Swoosh shape, wings branding, Jumpman/branding details where visible, laces and overall construction. Do not redesign, deform, stylize, morph, duplicate or change the sneaker. One physical sneaker only throughout. COMPOSITION: No full athlete, no face, no crowd, no basketball scene, no court gameplay. The sneaker is always the hero. Environment remains minimal and secondary. 01 | 0–1.5s — DROP Black screen. A subtle crimson-red glow emerges from darkness. The Air Jordan 1 suddenly drops vertically from above frame in dramatic slow motion. Camera positioned at an ultra-low 35mm angle, extremely close to the floor. The outsole makes a powerful impact with the ground. CRIMSON + BLACK SMOKE EXPLOSION erupts outward from the impact point, creating a dramatic pressure-wave effect. Tiny dust particles and smoke fragments move toward camera. Strong cinematic impact shake, realistic physics, sharp contact shadow, dramatic red rim light. End with the sneaker perfectly grounded and dominant in frame. 02 | 1.5–3s — SILHOUETTE As the smoke slowly clears, reveal the Air Jordan 1 as a dark silhouette. Camera performs a slow cinematic orbit around the sneaker. A narrow crimson light sweeps from heel to toe, gradually revealing the shoe's contours. Keep the background almost completely black. Emphasize the recognizable Air Jordan 1 silhouette, collar height, toe box, Swoosh profile and outsole shape. Smoke remains subtle and atmospheric behind the product. 03 | 3–5s — DETAIL Hard transition into extreme macro product cinematography. Camera glides across the sneaker's leather panels. Show hyper-realistic leather grain, stitching, perforations, panel transitions and precise edge construction. Move from toe box → Swoosh → quarter panel → collar. Use a razor-thin moving highlight to reveal texture. Very shallow depth of field, realistic optical falloff, cinematic macro lens, every stitch sharply defined. No artificial texture generation or invented details. 04 | 5–6.8s — LACE Extreme close-up of the laces. The laces tighten naturally and cinematically as if being pulled by an invisible force. Show realistic lace fibers, tension and subtle movement. Camera tracks along the lace path toward the tongue. The surrounding sneaker remains mostly in shadow while crimson highlights skim across the edges. Micro-particles float through the light. Premium slow-motion footwear-commercial aesthetic. 05 | 6.8–8.7s — IMPACT Cut to an ultra-low macro shot of the outsole. The sneaker makes a second controlled impact against a dark reflective surface. A circular wave of crimson light travels outward from beneath the outsole. Tiny smoke particles and dust react naturally to the impact. Camera performs a subtle handheld-style impact vibration before immediately stabilizing. Emphasize outsole traction, rubber texture, contact pressure and realistic reflection. 06 | 8.7–10.5s — MOTION The Air Jordan 1 launches forward through a dark environment. No athlete visible. Camera tracks alongside the sneaker at high speed.
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Prompt: Create a premium 15-second vertical 9:16 Air Jordan 1 commercial with 8 cinematic scenes, ultra-realistic 8K, photorealistic materials, dramatic studio lighting, high-end global footwear campaign quality. Prioritize the sneaker at all times: 95% sneaker / 5% environment. VISUAL STYLE: Luxury sportswear advertising, cinematic contrast, premium product photography, deep blacks, rich crimson red accents, realistic leather grain, authentic stitching, physically accurate shadows and reflections, volumetric smoke, controlled highlights, crisp micro-details, shallow depth of field, high-speed commercial cinematography. IMPORTANT PRODUCT LOCK: Use the uploaded Air Jordan 1 sneaker as the exact visual reference. Preserve the exact silhouette, proportions, color blocking, materials, stitching, panels, outsole geometry, tongue, collar, Swoosh shape, wings branding, Jumpman/branding details where visible, laces and overall construction. Do not redesign, deform, stylize, morph, duplicate or change the sneaker. One physical sneaker only throughout. COMPOSITION: No full athlete, no face, no crowd, no basketball scene, no court gameplay. The sneaker is always the hero. Environment remains minimal and secondary. 01 | 0–1.5s — DROP Black screen. A subtle crimson-red glow emerges from darkness. The Air Jordan 1 suddenly drops vertically from above frame in dramatic slow motion. Camera positioned at an ultra-low 35mm angle, extremely close to the floor. The outsole makes a powerful impact with the ground. CRIMSON + BLACK SMOKE EXPLOSION erupts outward from the impact point, creating a dramatic pressure-wave effect. Tiny dust particles and smoke fragments move toward camera. Strong cinematic impact shake, realistic physics, sharp contact shadow, dramatic red rim light. End with the sneaker perfectly grounded and dominant in frame. 02 | 1.5–3s — SILHOUETTE As the smoke slowly clears, reveal the Air Jordan 1 as a dark silhouette. Camera performs a slow cinematic orbit around the sneaker. A narrow crimson light sweeps from heel to toe, gradually revealing the shoe's contours. Keep the background almost completely black. Emphasize the recognizable Air Jordan 1 silhouette, collar height, toe box, Swoosh profile and outsole shape. Smoke remains subtle and atmospheric behind the product. 03 | 3–5s — DETAIL Hard transition into extreme macro product cinematography. Camera glides across the sneaker's leather panels. Show hyper-realistic leather grain, stitching, perforations, panel transitions and precise edge construction. Move from toe box → Swoosh → quarter panel → collar. Use a razor-thin moving highlight to reveal texture. Very shallow depth of field, realistic optical falloff, cinematic macro lens, every stitch sharply defined. No artificial texture generation or invented details. 04 | 5–6.8s — LACE Extreme close-up of the laces. The laces tighten naturally and cinematically as if being pulled by an invisible force. Show realistic lace fibers, tension and subtle movement. Camera tracks along the lace path toward the tongue. The surrounding sneaker remains mostly in shadow while crimson highlights skim across the edges. Micro-particles float through the light. Premium slow-motion footwear-commercial aesthetic. 05 | 6.8–8.7s — IMPACT Cut to an ultra-low macro shot of the outsole. The sneaker makes a second controlled impact against a dark reflective surface. A circular wave of crimson light travels outward from beneath the outsole. Tiny smoke particles and dust react naturally to the impact. Camera performs a subtle handheld-style impact vibration before immediately stabilizing. Emphasize outsole traction, rubber texture, contact pressure and realistic reflection. 06 | 8.7–10.5s — MOTION The Air Jordan 1 launches forward through a dark environment. No athlete visible. Camera tracks alongside the sneaker at high speed.

Huma Ai

26,811 次观看 • 1 个月前

The countdown to chaos begins. GPT Image 2 + Seedance 2.0 on Thank You AI prompt Use [Image 1](image_1)only as the layout, shot-order, camera, staging, screen direction, pacing, and spatial continuity reference. Treat every storyboard panel as an individual shot. Ignore storyboard drawing style, simplified anatomy, panel text, headers, borders, annotations, scribbles, malformed props, duplicate silhouettes, stray marks, icons, and effect sketches. Use @[Image 3](image_3) only for Character 1's final appearance, face, body proportions, long wavy blonde hair, black long coat, gloves, wardrobe materials, and overall likeness. Use @[Image 2](image_2)only for Character 2's final appearance, face, body proportions, short hair, dark hoodie, wrist device, multi-barrel handgun, wardrobe materials, and overall likeness. Create a photorealistic 15-second cinematic Hollywood action trailer with seamless continuity, maintaining exactly two lead characters throughout every shot. CHARACTER LOCK • C1: Female whip duelist only. Uses only a glowing crimson energy whip attached to her hand. • C2: Male gunner only. Uses only a blue wrist holographic device and a futuristic multi-barrel handgun. • Never merge identities. • Never duplicate either character. • Never introduce additional heroes. • Background pedestrians, guests, taxis and vehicles remain simplified environmental extras only. VISUAL STYLE Ultra photorealistic. Bright daytime. Gritty cyberpunk realism. Wet reflective New York streets. Orange construction barriers. Yellow taxis. Steam rising from manholes. Glass skyscrapers reflecting sunlight. Modern luxury glass building with a red carpet entrance. Purple architectural accent lighting. Hollywood blockbuster cinematography. Natural motion blur. Volumetric smoke. Practical explosions. Lens flares. Realistic debris. High-speed tracking. Large-scale cinematic lighting. 4K feature-film realism. Maintain consistent geography from the street battle into the red-carpet location. SHOT SEQUENCE SHOT 1 Street-level camera positioned behind C1 on wet reflective asphalt. Steam rises from a nearby manhole. C1 plants her feet and swings the crimson energy whip low across the pavement, generating a bright red whip trail that lashes sideways while the city reflects in the wet road. SHOT 2 Wide tracking shot. C1 launches into the air over an exploding yellow taxi. Fire and debris erupt behind her as the crimson whip forms a long glowing arc through the bright daytime skyline. SHOT 3 Extreme floor-level insert. Close on C1's boot striking wet pavement while the whip tip cracks the asphalt, sending sparks, shattered concrete and glowing fragments outward. SHOT 4 Low tracking shot beside C2 sprinting directly toward camera through drifting smoke. His glowing blue wrist device illuminates one raised arm while debris flies behind him. SHOT 5 Close-medium shot. C2 extends his arm forward. A bright cyan holographic grid rapidly projects from the wrist device, expanding outward while taxis and skyscrapers remain visible in the background. SHOT 6 Extreme close-up. C2 draws a futuristic multi-barrel handgun. The weapon fires its first brilliant blue energy shot, producing an intense muzzle flash with cinematic lens flare. SHOT 7 Bird's-eye overhead shot. Street geometry clearly visible below. C1's crimson whip trail and C2's blue muzzle fire cross dramatically through opposite corners of the frame while both characters remain small at opposite edges. SHOT 8 Slow-motion tilted action shot. C2 vaults over an exploding taxi as blue muzzle flashes continue beneath him. Fireballs, smoke and debris scatter realistically through the air. SHOT 9 Hard cinematic location transition. Wide establishing shot outside a luxurious modern glass building. Bright daylight continues. A pristine red carpet stretches toward the entrance. Elegant guests stand watching. C1 and C2 occupy opposite ends of the carpet. No weapons active. No energy effects visible. SHOT 10 Close two-shot. C1 and C2 stand only an arm's length apart on the carpet. Absolute stillness. Silent confrontation. Controlled breathing. Intense eye contact. Purple architectural lighting reflects softly on the glass facade. SHOT 11 Medium shot. C2 slowly raises one hand and pulls his hood over his head while already turning three-quarters away from C1 toward the entrance. C1 remains perfectly still behind him. SHOT 12 Maintain identical framing and geography from Shot 11. C2 calmly walks toward the building entrance as guests subtly turn to watch. C1 stays motionless at the edge of frame, silently observing his departure. Hold on the unresolved tension before fading to black. CAMERA STYLE Aggressive cinematic tracking. Steadicam. Drone overhead. Ground-level perspectives. Extreme close-ups. Wide establishing shots. Smooth transitions. Natural handheld energy during action. Controlled locked-off framing during the red-carpet sequence. ACTION STYLE Fast. Powerful. Readable silhouettes. Fluid stunt choreography. Heavy environmental interaction. Convincing physics. No exaggerated anime motion. Grounded Hollywood realism. COLOR PALETTE Bright daylight. Warm sunlight. Wet asphalt reflections. Crimson energy whip. Brilliant blue muzzle flashes. Cyan holographic projections. Orange construction barriers. Yellow taxis. Black wardrobe. Red carpet. Purple entrance lighting. Natural skin tones. AUDIO Large cinematic orchestral hybrid score. Driving trailer percussion. Deep sub-bass impacts. Powerful whip cracks. Explosive booms. Metal and glass debris. Blue energy weapon blasts. Holographic interface tones. Crowd ambience fading into near silence at the red carpet. The final moments become quiet, tense and emotionally restrained before ending with a dramatic cinematic trailer hit.
0:15

The countdown to chaos begins. GPT Image 2 + Seedance 2.0 on Thank You AI prompt Use [Image 1](image_1)only as the layout, shot-order, camera, staging, screen direction, pacing, and spatial continuity reference. Treat every storyboard panel as an individual shot. Ignore storyboard drawing style, simplified anatomy, panel text, headers, borders, annotations, scribbles, malformed props, duplicate silhouettes, stray marks, icons, and effect sketches. Use @[Image 3](image_3) only for Character 1's final appearance, face, body proportions, long wavy blonde hair, black long coat, gloves, wardrobe materials, and overall likeness. Use @[Image 2](image_2)only for Character 2's final appearance, face, body proportions, short hair, dark hoodie, wrist device, multi-barrel handgun, wardrobe materials, and overall likeness. Create a photorealistic 15-second cinematic Hollywood action trailer with seamless continuity, maintaining exactly two lead characters throughout every shot. CHARACTER LOCK • C1: Female whip duelist only. Uses only a glowing crimson energy whip attached to her hand. • C2: Male gunner only. Uses only a blue wrist holographic device and a futuristic multi-barrel handgun. • Never merge identities. • Never duplicate either character. • Never introduce additional heroes. • Background pedestrians, guests, taxis and vehicles remain simplified environmental extras only. VISUAL STYLE Ultra photorealistic. Bright daytime. Gritty cyberpunk realism. Wet reflective New York streets. Orange construction barriers. Yellow taxis. Steam rising from manholes. Glass skyscrapers reflecting sunlight. Modern luxury glass building with a red carpet entrance. Purple architectural accent lighting. Hollywood blockbuster cinematography. Natural motion blur. Volumetric smoke. Practical explosions. Lens flares. Realistic debris. High-speed tracking. Large-scale cinematic lighting. 4K feature-film realism. Maintain consistent geography from the street battle into the red-carpet location. SHOT SEQUENCE SHOT 1 Street-level camera positioned behind C1 on wet reflective asphalt. Steam rises from a nearby manhole. C1 plants her feet and swings the crimson energy whip low across the pavement, generating a bright red whip trail that lashes sideways while the city reflects in the wet road. SHOT 2 Wide tracking shot. C1 launches into the air over an exploding yellow taxi. Fire and debris erupt behind her as the crimson whip forms a long glowing arc through the bright daytime skyline. SHOT 3 Extreme floor-level insert. Close on C1's boot striking wet pavement while the whip tip cracks the asphalt, sending sparks, shattered concrete and glowing fragments outward. SHOT 4 Low tracking shot beside C2 sprinting directly toward camera through drifting smoke. His glowing blue wrist device illuminates one raised arm while debris flies behind him. SHOT 5 Close-medium shot. C2 extends his arm forward. A bright cyan holographic grid rapidly projects from the wrist device, expanding outward while taxis and skyscrapers remain visible in the background. SHOT 6 Extreme close-up. C2 draws a futuristic multi-barrel handgun. The weapon fires its first brilliant blue energy shot, producing an intense muzzle flash with cinematic lens flare. SHOT 7 Bird's-eye overhead shot. Street geometry clearly visible below. C1's crimson whip trail and C2's blue muzzle fire cross dramatically through opposite corners of the frame while both characters remain small at opposite edges. SHOT 8 Slow-motion tilted action shot. C2 vaults over an exploding taxi as blue muzzle flashes continue beneath him. Fireballs, smoke and debris scatter realistically through the air. SHOT 9 Hard cinematic location transition. Wide establishing shot outside a luxurious modern glass building. Bright daylight continues. A pristine red carpet stretches toward the entrance. Elegant guests stand watching. C1 and C2 occupy opposite ends of the carpet. No weapons active. No energy effects visible. SHOT 10 Close two-shot. C1 and C2 stand only an arm's length apart on the carpet. Absolute stillness. Silent confrontation. Controlled breathing. Intense eye contact. Purple architectural lighting reflects softly on the glass facade. SHOT 11 Medium shot. C2 slowly raises one hand and pulls his hood over his head while already turning three-quarters away from C1 toward the entrance. C1 remains perfectly still behind him. SHOT 12 Maintain identical framing and geography from Shot 11. C2 calmly walks toward the building entrance as guests subtly turn to watch. C1 stays motionless at the edge of frame, silently observing his departure. Hold on the unresolved tension before fading to black. CAMERA STYLE Aggressive cinematic tracking. Steadicam. Drone overhead. Ground-level perspectives. Extreme close-ups. Wide establishing shots. Smooth transitions. Natural handheld energy during action. Controlled locked-off framing during the red-carpet sequence. ACTION STYLE Fast. Powerful. Readable silhouettes. Fluid stunt choreography. Heavy environmental interaction. Convincing physics. No exaggerated anime motion. Grounded Hollywood realism. COLOR PALETTE Bright daylight. Warm sunlight. Wet asphalt reflections. Crimson energy whip. Brilliant blue muzzle flashes. Cyan holographic projections. Orange construction barriers. Yellow taxis. Black wardrobe. Red carpet. Purple entrance lighting. Natural skin tones. AUDIO Large cinematic orchestral hybrid score. Driving trailer percussion. Deep sub-bass impacts. Powerful whip cracks. Explosive booms. Metal and glass debris. Blue energy weapon blasts. Holographic interface tones. Crowd ambience fading into near silence at the red carpet. The final moments become quiet, tense and emotionally restrained before ending with a dramatic cinematic trailer hit.

Sharon Riley

43,583 次观看 • 3 个月前

Deconstructing the iconic Yellow Crane Tower in 3D. 🏛️ Created entirely using Opus 5 + Seedance 2.0. AI-driven architectural breakdown in action! Prompt： Video Description:Create a 15-second, 16:9 widescreen architectural instructional video showing the step-by-step construction of the Yellow Crane Tower. The layout, structural components, leader line callouts, dimensional scales, numbering labels, and color palette must remain strictly consistent throughout. Do not add, remove, or alter the shape and quantity of any architectural components. Core Instruction:This is an architectural assembly video designed to show how the Yellow Crane Tower is constructed layer by layer. Every component must be highlighted and clearly visible individually—no simultaneous motion or cluttered group movements. Motion Style: All components translate purely along their respective vertical axes (no rotation, arc trajectories, or mesh clipping/interpenetration). Only one group of components moves at any given moment while all other components remain stationary. The active moving component maintains 100% brightness, while inactive components are dimmed to approximately 60% brightness to guide viewer focus. Once a component settles into place, it restores to full brightness. Include a brief ~0.15-second pause after each component group settles before moving to the next, establishing a clear rhythm. Timeline (Bottom-to-Top Construction Sequence): 0.0–1.5s: Hold the initial exploded/deconstructed floating state. The camera slowly rises and pushes forward slightly (angle change < 8°). Leader lines move with their corresponding components, pointing accurately to each part. 1.5–2.6s: The stone podium base lowers vertically into place, establishing the ground baseline for the building. 2.6–3.8s: Major columns (interior gold pillars and eave pillars) drop vertically into the stone plinths from above, perfectly aligned. 3.8–5.0s: Tie beams and lintels slot horizontally into the column tops, interlocking with mortise-and-tenon joints. 5.0–7.0s: Bracket sets (Dougong) assemble individually from bottom to top: bearing blocks, bracket arms, angled levers, and cap blocks lock together layer by layer. (Key sequence: slow motion to clearly showcase the intricate stacking). 7.0–8.2s: Eave rafters and flying rafters align and settle along the roof pitch, forming the deep overhang eaves. 8.2–9.4s: Board tiles and semi-cylindrical roof tiles lay down row by row from bottom to top, covering the rafters. 9.4–10.5s: Roof ridge components and the central finial drop into place. The full building structure is now complete. Leader lines and text labels fade out smoothly. 10.5–12.0s: The fully assembled Yellow Crane Tower remains stable as the camera orbits extremely slowly around it. 12.0–15.0s: All components separate vertically in the exact reverse order, returning to the precise initial exploded/deconstructed layout. The final frame composition perfectly matches the first frame to allow a seamless loop. Negative Constraints:No simultaneous component movement, random scattering, shattering, melting, rotating, or flying off-screen. No changing component counts or morphing architecture. No incorrect Dougong stacking order, tile-rafter clipping, misaligned leader lines, garbled label text, fast camera orbits/zooms, black screens, white flashes, frozen frames, fade-outs, watermarks, or platform end cards.
0:15

Deconstructing the iconic Yellow Crane Tower in 3D. 🏛️ Created entirely using Opus 5 + Seedance 2.0. AI-driven architectural breakdown in action! Prompt： Video Description:Create a 15-second, 16:9 widescreen architectural instructional video showing the step-by-step construction of the Yellow Crane Tower. The layout, structural components, leader line callouts, dimensional scales, numbering labels, and color palette must remain strictly consistent throughout. Do not add, remove, or alter the shape and quantity of any architectural components. Core Instruction:This is an architectural assembly video designed to show how the Yellow Crane Tower is constructed layer by layer. Every component must be highlighted and clearly visible individually—no simultaneous motion or cluttered group movements. Motion Style: All components translate purely along their respective vertical axes (no rotation, arc trajectories, or mesh clipping/interpenetration). Only one group of components moves at any given moment while all other components remain stationary. The active moving component maintains 100% brightness, while inactive components are dimmed to approximately 60% brightness to guide viewer focus. Once a component settles into place, it restores to full brightness. Include a brief ~0.15-second pause after each component group settles before moving to the next, establishing a clear rhythm. Timeline (Bottom-to-Top Construction Sequence): 0.0–1.5s: Hold the initial exploded/deconstructed floating state. The camera slowly rises and pushes forward slightly (angle change < 8°). Leader lines move with their corresponding components, pointing accurately to each part. 1.5–2.6s: The stone podium base lowers vertically into place, establishing the ground baseline for the building. 2.6–3.8s: Major columns (interior gold pillars and eave pillars) drop vertically into the stone plinths from above, perfectly aligned. 3.8–5.0s: Tie beams and lintels slot horizontally into the column tops, interlocking with mortise-and-tenon joints. 5.0–7.0s: Bracket sets (Dougong) assemble individually from bottom to top: bearing blocks, bracket arms, angled levers, and cap blocks lock together layer by layer. (Key sequence: slow motion to clearly showcase the intricate stacking). 7.0–8.2s: Eave rafters and flying rafters align and settle along the roof pitch, forming the deep overhang eaves. 8.2–9.4s: Board tiles and semi-cylindrical roof tiles lay down row by row from bottom to top, covering the rafters. 9.4–10.5s: Roof ridge components and the central finial drop into place. The full building structure is now complete. Leader lines and text labels fade out smoothly. 10.5–12.0s: The fully assembled Yellow Crane Tower remains stable as the camera orbits extremely slowly around it. 12.0–15.0s: All components separate vertically in the exact reverse order, returning to the precise initial exploded/deconstructed layout. The final frame composition perfectly matches the first frame to allow a seamless loop. Negative Constraints:No simultaneous component movement, random scattering, shattering, melting, rotating, or flying off-screen. No changing component counts or morphing architecture. No incorrect Dougong stacking order, tile-rafter clipping, misaligned leader lines, garbled label text, fast camera orbits/zooms, black screens, white flashes, frozen frames, fade-outs, watermarks, or platform end cards.

Lee Lin | AI

12,207 次观看 • 3 个月前

Messi thought he had this match under control... then Yamal changed everything. Video for VivaReel prompt Create a fun, dynamic stop-motion style animated video in vibrant Lego bricks and minifigures aesthetic. The entire scene uses colorful plastic Lego construction with visible studs, bricks, plates, and minifigure details. All characters are Lego minifigures with classic yellow skin (or skin tones), printed faces, and detailed soccer uniforms made from Lego pieces. The environments are fully built from Lego: layered brick landscapes, trees, flowers, stadiums, mountains, and buildings with perfect Lego texture and lighting. The video tells a short humorous story , it shows a connected previous or parallel moment, Smooth transitions between scenes every ~1 second. Maintain consistent Lego papercraft diorama look but fully realized in 3D Lego bricks. Sequence: 1.⁠ ⁠Lamine Yamal Lego minifigure (red/blue Spain jersey #19, curly black hair) juggling and kicking a black/white Lego soccer ball on a winding Lego path through green fields, trees, flowers, and a distant stadium under a blue sky with sun and clouds. 2.⁠ ⁠Transition to Lionel Messi Lego minifigure (Argentina striped jersey #10, beard, tattoos) standing confidently with foot on ball in front of Lego Buenos Aires scenery (pink Casa Rosada, obelisk, mountains, Argentine flag). 3.⁠ ⁠Messi looks sad/frustrated, sitting on grass with blue tear streams, hands on face. Yamal minifigure runs past happily dribbling the ball. 4.⁠ ⁠Dramatic stadium scene: Yamal in Spain kit runs past two Argentina defenders and kicks the ball powerfully toward goal. Close-up of foot striking ball. 5.⁠ ⁠Yamal scores! Goalkeeper dives and misses. Yamal celebrates by lifting the golden Lego World Cup trophy high on the field with confetti raining down. Messi lies on the ground covering his face in defeat nearby. Use bright, cheerful Lego colors, dynamic camera angles (wide shots, action close-ups, low angles), smooth minifigure animations, and upbeat energetic feel. High detail Lego texture, cinematic lighting, 16:9 aspect ratio, 16 seconds duration." #happyhorse #vivareel
0:14

Messi thought he had this match under control... then Yamal changed everything. Video for VivaReel prompt Create a fun, dynamic stop-motion style animated video in vibrant Lego bricks and minifigures aesthetic. The entire scene uses colorful plastic Lego construction with visible studs, bricks, plates, and minifigure details. All characters are Lego minifigures with classic yellow skin (or skin tones), printed faces, and detailed soccer uniforms made from Lego pieces. The environments are fully built from Lego: layered brick landscapes, trees, flowers, stadiums, mountains, and buildings with perfect Lego texture and lighting. The video tells a short humorous story , it shows a connected previous or parallel moment, Smooth transitions between scenes every ~1 second. Maintain consistent Lego papercraft diorama look but fully realized in 3D Lego bricks. Sequence: 1.⁠ ⁠Lamine Yamal Lego minifigure (red/blue Spain jersey #19, curly black hair) juggling and kicking a black/white Lego soccer ball on a winding Lego path through green fields, trees, flowers, and a distant stadium under a blue sky with sun and clouds. 2.⁠ ⁠Transition to Lionel Messi Lego minifigure (Argentina striped jersey #10, beard, tattoos) standing confidently with foot on ball in front of Lego Buenos Aires scenery (pink Casa Rosada, obelisk, mountains, Argentine flag). 3.⁠ ⁠Messi looks sad/frustrated, sitting on grass with blue tear streams, hands on face. Yamal minifigure runs past happily dribbling the ball. 4.⁠ ⁠Dramatic stadium scene: Yamal in Spain kit runs past two Argentina defenders and kicks the ball powerfully toward goal. Close-up of foot striking ball. 5.⁠ ⁠Yamal scores! Goalkeeper dives and misses. Yamal celebrates by lifting the golden Lego World Cup trophy high on the field with confetti raining down. Messi lies on the ground covering his face in defeat nearby. Use bright, cheerful Lego colors, dynamic camera angles (wide shots, action close-ups, low angles), smooth minifigure animations, and upbeat energetic feel. High detail Lego texture, cinematic lighting, 16:9 aspect ratio, 16 seconds duration." #happyhorse #vivareel

Sharon Riley

76,294 次观看 • 3 个月前

WHAT HANDGUN DID GARDAÍ RECOVER? I have examined the clearest individual frames from this video rather than relying upon the moving image. The object recovered from the bin is almost certainly a magazine-fed, self-loading pistol. Its rectangular slide, polymer-style frame, trigger-guard profile, grip geometry, and apparent absence of an external hammer are most consistent with a Glock-pattern, striker-fired handgun. The Glock 17 and compact Glock 19 are the leading possibilities. Numerous pistols, including the Smith & Wesson M&P, CZ P-10, Walther PPQ/P99, and Springfield XD/HS2000, share broadly similar silhouettes. The video therefore cannot establish the precise manufacturer or model. My assessment: • Self-loading pistol: approximately 95% • Glock-pattern design: approximately 60% • Glock 17/19 family specifically: approximately 55% combined Nor can the calibre be identified visually. A Glock 17 or 19 would ordinarily be chambered in 9×19mm, while the similarly shaped Glock 44 uses the much smaller .22 Long Rifle cartridge. Replicas, blank-firers, converted weapons, and numerous Glock copies must also remain within the range of possibilities until the recovered object is examined. The significance of a Glock-pattern weapon is its intentionally simple operating system: lightweight construction, few external controls, a consistent trigger mechanism, internal safeties, and a detachable magazine. These characteristics make the platform straightforward to handle, although the condition and operability of this particular object remain unknown. Small calibre must never be confused with harmless. Even a .22 LR projectile striking the torso can penetrate deeply enough to damage organs or major blood vessels, produce serious internal bleeding, permanent disability, or death. The entrance wound may appear comparatively small while concealing grave internal injury. The responsible conclusion is therefore precise but limited: this appears most likely to be a Glock-pattern semiautomatic pistol, possibly within the Glock 17/19 size class. Only examination by the Garda Ballistics Section can establish its make, model, calibre, functionality, provenance, and whether it has previously been discharged.
0:11

WHAT HANDGUN DID GARDAÍ RECOVER? I have examined the clearest individual frames from this video rather than relying upon the moving image. The object recovered from the bin is almost certainly a magazine-fed, self-loading pistol. Its rectangular slide, polymer-style frame, trigger-guard profile, grip geometry, and apparent absence of an external hammer are most consistent with a Glock-pattern, striker-fired handgun. The Glock 17 and compact Glock 19 are the leading possibilities. Numerous pistols, including the Smith & Wesson M&P, CZ P-10, Walther PPQ/P99, and Springfield XD/HS2000, share broadly similar silhouettes. The video therefore cannot establish the precise manufacturer or model. My assessment: • Self-loading pistol: approximately 95% • Glock-pattern design: approximately 60% • Glock 17/19 family specifically: approximately 55% combined Nor can the calibre be identified visually. A Glock 17 or 19 would ordinarily be chambered in 9×19mm, while the similarly shaped Glock 44 uses the much smaller .22 Long Rifle cartridge. Replicas, blank-firers, converted weapons, and numerous Glock copies must also remain within the range of possibilities until the recovered object is examined. The significance of a Glock-pattern weapon is its intentionally simple operating system: lightweight construction, few external controls, a consistent trigger mechanism, internal safeties, and a detachable magazine. These characteristics make the platform straightforward to handle, although the condition and operability of this particular object remain unknown. Small calibre must never be confused with harmless. Even a .22 LR projectile striking the torso can penetrate deeply enough to damage organs or major blood vessels, produce serious internal bleeding, permanent disability, or death. The entrance wound may appear comparatively small while concealing grave internal injury. The responsible conclusion is therefore precise but limited: this appears most likely to be a Glock-pattern semiautomatic pistol, possibly within the Glock 17/19 size class. Only examination by the Garda Ballistics Section can establish its make, model, calibre, functionality, provenance, and whether it has previously been discharged.

GP

17,542 次观看 • 1 个月前

Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less
0:15

Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less

Ciri

77,861 次观看 • 2 个月前

GPT image 2 Prompt Create a 10-second ultra-realistic UGC product commercial in vertical 9:16 format featuring a portable black GOTO “Kipas Angin Portable” fan. Keep the product design, buttons, handle, proportions, and packaging visually consistent throughout all scenes. Style: satisfying, realistic, clean lifestyle aesthetic, soft natural lighting, macro product details, smooth camera movements, shallow depth of field. ASMR only — no music, no voice-over. Scene 1 — 0.0–0.9s: Macro close-up of the GOTO Kipas Angin Portable product box held by a person's hands. Slowly move the camera closer to the packaging. Capture realistic cardboard texture and subtle finger rubbing sounds. Scene 2 — 0.9–1.7s: Top-down shot. Hands gently open the cardboard box and lift the portable fan from its packaging. Show realistic plastic crinkle and cardboard-opening sounds. Scene 3 — 1.7–2.5s: Flat-lay shot of the complete package contents neatly arranged on a clean wooden table: portable fan, USB cable, accessories, and instruction manual. Hands lightly tap the products. Scene 4 — 2.5–3.3s: Extreme close-up of the fan's front grille and control panel. Fingers gently touch and tap the buttons, showing the product details sharply and realistically. Scene 5 — 3.3–4.1s: Close-up of the practical leather-style carrying handle. A hand gently lifts and touches the handle, demonstrating its portability and sturdy construction. Scene 6 — 4.1–5.0s: Close-up top view. Slowly pour water into the built-in water tank for the spray/humidifying function. Capture realistic flowing-water and tiny splash sounds. Scene 7 — 5.0–5.9s: Macro close-up of a finger pressing the control button. The fan turns on and the speed mode changes. Capture a soft mechanical click and subtle fan-starting sound. Scene 8 — 5.9–6.8s: Close-up of the fan operating in spray/humidifier mode. A fine, soft mist visibly comes out while the fan runs. Show realistic airflow and delicate mist movement. Scene 9 — 6.8–7.7s: Side-angle shot showing stronger airflow from the fan. Use a lightweight tissue or thin fabric in front of the fan to visibly demonstrate the airflow. Show three speed levels through smooth transitions. Scene 10 — 7.7–8.6s: Medium lifestyle shot. The compact fan is placed beside a sofa on a modern table, showing how easily it fits into a home environment and can be moved around. Scene 11 — 8.6–10.0s: Premium beauty product shot. Place the portable fan neatly on a clean minimalist table with a soft modern living-room background and a small plant. Slow cinematic push-in toward the product, ending with a clean hero shot. Visual & Technical Direction: Ultra-realistic product photography, 4K/8K detail, realistic hands, natural skin texture, soft daylight, cinematic depth of field, clean minimalist background, accurate product proportions, smooth transitions, macro close-ups, subtle handheld UGC feel, realistic shadows and reflections. Audio: Pure ASMR: cardboard sounds, plastic crinkles, finger taps, button clicks, water pouring, soft mechanical fan sound, gentle airflow and mist sounds, subtle room ambience. No music and no voice-over. Important: Keep the same fan, same design, same color, same handle, and same visual identity in every scene. No random text, no distorted product, no extra objects, no logo changes, no flickering, and no unnatural hand movements.
0:10

GPT image 2 Prompt Create a 10-second ultra-realistic UGC product commercial in vertical 9:16 format featuring a portable black GOTO “Kipas Angin Portable” fan. Keep the product design, buttons, handle, proportions, and packaging visually consistent throughout all scenes. Style: satisfying, realistic, clean lifestyle aesthetic, soft natural lighting, macro product details, smooth camera movements, shallow depth of field. ASMR only — no music, no voice-over. Scene 1 — 0.0–0.9s: Macro close-up of the GOTO Kipas Angin Portable product box held by a person's hands. Slowly move the camera closer to the packaging. Capture realistic cardboard texture and subtle finger rubbing sounds. Scene 2 — 0.9–1.7s: Top-down shot. Hands gently open the cardboard box and lift the portable fan from its packaging. Show realistic plastic crinkle and cardboard-opening sounds. Scene 3 — 1.7–2.5s: Flat-lay shot of the complete package contents neatly arranged on a clean wooden table: portable fan, USB cable, accessories, and instruction manual. Hands lightly tap the products. Scene 4 — 2.5–3.3s: Extreme close-up of the fan's front grille and control panel. Fingers gently touch and tap the buttons, showing the product details sharply and realistically. Scene 5 — 3.3–4.1s: Close-up of the practical leather-style carrying handle. A hand gently lifts and touches the handle, demonstrating its portability and sturdy construction. Scene 6 — 4.1–5.0s: Close-up top view. Slowly pour water into the built-in water tank for the spray/humidifying function. Capture realistic flowing-water and tiny splash sounds. Scene 7 — 5.0–5.9s: Macro close-up of a finger pressing the control button. The fan turns on and the speed mode changes. Capture a soft mechanical click and subtle fan-starting sound. Scene 8 — 5.9–6.8s: Close-up of the fan operating in spray/humidifier mode. A fine, soft mist visibly comes out while the fan runs. Show realistic airflow and delicate mist movement. Scene 9 — 6.8–7.7s: Side-angle shot showing stronger airflow from the fan. Use a lightweight tissue or thin fabric in front of the fan to visibly demonstrate the airflow. Show three speed levels through smooth transitions. Scene 10 — 7.7–8.6s: Medium lifestyle shot. The compact fan is placed beside a sofa on a modern table, showing how easily it fits into a home environment and can be moved around. Scene 11 — 8.6–10.0s: Premium beauty product shot. Place the portable fan neatly on a clean minimalist table with a soft modern living-room background and a small plant. Slow cinematic push-in toward the product, ending with a clean hero shot. Visual & Technical Direction: Ultra-realistic product photography, 4K/8K detail, realistic hands, natural skin texture, soft daylight, cinematic depth of field, clean minimalist background, accurate product proportions, smooth transitions, macro close-ups, subtle handheld UGC feel, realistic shadows and reflections. Audio: Pure ASMR: cardboard sounds, plastic crinkles, finger taps, button clicks, water pouring, soft mechanical fan sound, gentle airflow and mist sounds, subtle room ambience. No music and no voice-over. Important: Keep the same fan, same design, same color, same handle, and same visual identity in every scene. No random text, no distorted product, no extra objects, no logo changes, no flickering, and no unnatural hand movements.

Soaima

59,206 次观看 • 2 个月前

This looks so neat and clean Created by using GPT Image 2 + Seedance 2.0 on TapNow Prompt Ultra-luxury cinematic fashion construction film. STRICTLY follow all 12 storyboard panels sequentially without skipping, merging, shortening, reordering, or improvising any panel. Every shot must transition smoothly into the next in exact numerical order from Panel 1 through Panel 12. Total runtime exactly 155 seconds. Maintain absolute continuity in lighting, material behavior, camera language, scale progression, and object identity throughout the entire film. Only ONE shoe exists during the entire video — never show a pair under any circumstance. Visual format: 65mm IMAX film aesthetic, macro-capable Panavision anamorphic lens, ultra-sharp macro detail, shallow cinematic depth of field, fine editorial film grain throughout, subtle horizontal anamorphic lens flares ONLY from thread highlights and suede edge speculars. Infinity cyclorama studio environment with seamless pale grey-to-white gradient background where the floor curves upward into the wall with no visible horizon line. Warm-neutral soft key light from above camera-left creating one consistent clean shadow falling back-right in every shot. Lighting inspired by Loewe / Hermès luxury editorial campaigns — soft but directional, warm and premium, never harsh, never blue, never high contrast, never crushed blacks. Stable cinematography only. No jitter, no AI morphing, no flicker, no ghosting. The entire narrative is a meditative material-transformation journey where a single deep crimson liquid droplet gradually evolves into a handcrafted suede slingback heel through couture construction and hidden comfort engineering. Every material interaction obeys realistic physics. Diegetic sound only — no music, no score. PANEL 1 — THE VOID (00:00–00:10) Wide locked-off cinematic shot of an empty infinity cyclorama studio with pale grey-to-white seamless gradient background. Atmospheric dust floating slowly in warm studio light. Exposure breathing subtly. Silence and soft room tone dominate. After several seconds, one tiny deep crimson droplet slowly falls into frame from above in near weightless slow motion, rotating slightly while catching warm highlights. The droplet lands center frame on the polished cyclorama floor with realistic liquid surface tension physics. It briefly holds spherical form before gently flattening outward. One soft shadow falls back-right. Sound: low room tone, elegant bell-like tick on impact, delicate reverb decay. PANEL 2 — SURFACE TENSION (00:10–00:22) Cut to macro floor-level close-up. Camera slowly orbits around the flattened crimson liquid pool. Surface tension creates organic rounded edges and subtle thickness variation. Warm key light reflects softly like satin lacquer. Tiny ripples propagate outward and gradually settle. Floating dust visible in the beam of light. The liquid slowly begins thickening microscopically as if memory is forming beneath the surface. Edges transition from glossy wetness toward velvety softness. Sound: soft viscous liquid movement, faint atmospheric resonance. PANEL 3 — THE FIRST FIBERS (00:22–00:36) Extreme macro push-in across the crimson surface. Thousands of microscopic suede nap fibers begin extruding upward organically in rhythmic waves. Individual fibers catch warm highlights differently depending on density and angle. The transformation moves naturally across the surface like wind through grass. Matte suede texture gradually replaces liquid gloss entirely. Camera glides slowly across the newly forming velvet landscape. Sound: microscopic fiber rustling, delicate textile friction. PANEL 4 — MATERIAL MEMORY (00:36–00:50) Macro tracking shot across fully formed crimson suede terrain. Every velvet strand visible in extreme detail. Invisible pressure waves beneath the suede subtly shift the nap direction, creating tonal changes across the material surface. Warm light rolls gently over the velvet texture. The material gradually lifts upward from the floor, beginning to imply the sculptural shape of a pointed shoe toe. Sound: soft velvet brushing, low warm resonance. PANEL 5 — THE THREAD ARRIVES (00:50–01:06) Extreme-extreme macro couture construction sequence. One single crimson thread enters frame illuminated by warm directional light. FPV-style camera flies beside the advancing thread as it stitches into the suede surface. Thread fibers visibly twist under tension. The thread enters the suede, disappears beneath the surface, emerges again at the next stitch peak, pulls taut, and repeats rhythmically. Camera passes over every stitch mountain in sequence. Each stitch slightly reshapes surrounding suede. Sound: couture stitching ticks, thread tension tightening, soft textile compression. PANEL 6 — CONSTRUCTION OF FORM (01:06–01:20) Transition from macro to medium scale. Behind the advancing stitch line, the shoe body begins solidifying into recognizable structure. Pointed toe box forms first, then elegant sidewalls rise upward with sculptural precision. The slingback silhouette slowly emerges from previously flat suede terrain. Camera performs a slow floating cinematic arc around the forming structure. Matte crimson suede texture remains perfectly consistent. Sound: restrained structural textile movement, distant stitching continuation. PANEL 7 — THE INTERIOR (01:20–01:34) Macro cutaway revealing the inside of the forming shoe. Cream-colored lambskin lining flows organically into place beneath the crimson suede shell. The lining smooths itself naturally against elegant internal curves. Strong visual contrast between warm cream lambskin and deep crimson suede under soft editorial lighting. Materials appear tactile and luxurious. Sound: soft leather settling, delicate tactile friction. PANEL 8 — ENGINEERED COMFORT (01:34–01:48) Macro cross-sectional engineering sequence. Internal comfort layers assemble one by one with realistic material physics. Dense foam base layer forms first with subtle porous texture. Softer memory foam settles gently above and compresses naturally under its own weight. Cream lambskin velvet seals the upper layer. The completed cushion compresses once slowly and rebounds naturally, demonstrating softness and resilience. Camera glides across microscopic velvet interior texture. Sound: soft pneumatic settling, muted resonance, cushion compression. PANEL 9 — THE HEEL SCULPTURE (01:48–02:02) Macro cinematic focus on the kitten heel gradually forming from the same crimson suede structure beneath the shoe body. Elegant curvature emerges slowly and becomes refined and balanced. Camera tracks upward along the heel contour toward the slingback strap. Warm highlights skim softly across suede edges. Sound: low structural resonance, faint textile shaping. PANEL 10 — FINAL REFINEMENT (02:02–02:18) Medium macro editorial beauty detailing. Camera slowly explores completed craftsmanship: stitch consistency, velvet nap direction, edge finishing, cream lambskin softness, seamless slingback geometry. Tiny dust particles drift through warm studio light. The shoe settles microscopically as if materials are naturally relaxing into final form. Sound: quiet room tone, soft textile creaks, near silence. PANEL 11 — HERO EMERGENCE (02:18–02:32) Slow cinematic pullback from macro detail into full product reveal. The fully completed deep crimson suede slingback heel stands alone centered on the infinity cyclorama floor. Same warm-neutral key light from above camera-left and same single clean shadow falling back-right for continuity with Panel 1. Camera movement extremely slow and controlled. Every material reads clearly: deep crimson suede upper, cream lambskin interior, sculpted kitten heel, elegant slingback strap. Sound: deep low resonant tone gradually fading into room tone. PANEL 12 — THE FINAL HOLD (02:32–02:35) Locked-off front three-quarter hero composition. The single crimson suede slingback heel remains perfectly still at center frame on the seamless infinity cyclorama. Velvet nap subtly catches warm light with natural tonal variation. Silence gradually overtakes the room tone. Hold on pure luxury restraint. No text. No logo. No end card. Global Constraints: Only ONE shoe visible at all times. Never show a pair. No hardware, buckles, laces, or metallic elements. No logos, subtitles, typography, branding, or watermarks. No lighting changes between shots. Maintain consistent deep crimson suede color. Preserve ultra-sharp macro clarity and stable cinematography. No morphing artifacts, no flicker, no surreal deformation. Realistic liquid surface tension. Realistic suede microfiber extrusion. Visible thread twist and accurate stitch tension. Natural foam compression and rebound physics. Consistent matte velvet nap behavior. Diegetic sound only — liquid, textile, stitching, room resonance. No music. No soundtrack.
0:15

This looks so neat and clean Created by using GPT Image 2 + Seedance 2.0 on TapNow Prompt Ultra-luxury cinematic fashion construction film. STRICTLY follow all 12 storyboard panels sequentially without skipping, merging, shortening, reordering, or improvising any panel. Every shot must transition smoothly into the next in exact numerical order from Panel 1 through Panel 12. Total runtime exactly 155 seconds. Maintain absolute continuity in lighting, material behavior, camera language, scale progression, and object identity throughout the entire film. Only ONE shoe exists during the entire video — never show a pair under any circumstance. Visual format: 65mm IMAX film aesthetic, macro-capable Panavision anamorphic lens, ultra-sharp macro detail, shallow cinematic depth of field, fine editorial film grain throughout, subtle horizontal anamorphic lens flares ONLY from thread highlights and suede edge speculars. Infinity cyclorama studio environment with seamless pale grey-to-white gradient background where the floor curves upward into the wall with no visible horizon line. Warm-neutral soft key light from above camera-left creating one consistent clean shadow falling back-right in every shot. Lighting inspired by Loewe / Hermès luxury editorial campaigns — soft but directional, warm and premium, never harsh, never blue, never high contrast, never crushed blacks. Stable cinematography only. No jitter, no AI morphing, no flicker, no ghosting. The entire narrative is a meditative material-transformation journey where a single deep crimson liquid droplet gradually evolves into a handcrafted suede slingback heel through couture construction and hidden comfort engineering. Every material interaction obeys realistic physics. Diegetic sound only — no music, no score. PANEL 1 — THE VOID (00:00–00:10) Wide locked-off cinematic shot of an empty infinity cyclorama studio with pale grey-to-white seamless gradient background. Atmospheric dust floating slowly in warm studio light. Exposure breathing subtly. Silence and soft room tone dominate. After several seconds, one tiny deep crimson droplet slowly falls into frame from above in near weightless slow motion, rotating slightly while catching warm highlights. The droplet lands center frame on the polished cyclorama floor with realistic liquid surface tension physics. It briefly holds spherical form before gently flattening outward. One soft shadow falls back-right. Sound: low room tone, elegant bell-like tick on impact, delicate reverb decay. PANEL 2 — SURFACE TENSION (00:10–00:22) Cut to macro floor-level close-up. Camera slowly orbits around the flattened crimson liquid pool. Surface tension creates organic rounded edges and subtle thickness variation. Warm key light reflects softly like satin lacquer. Tiny ripples propagate outward and gradually settle. Floating dust visible in the beam of light. The liquid slowly begins thickening microscopically as if memory is forming beneath the surface. Edges transition from glossy wetness toward velvety softness. Sound: soft viscous liquid movement, faint atmospheric resonance. PANEL 3 — THE FIRST FIBERS (00:22–00:36) Extreme macro push-in across the crimson surface. Thousands of microscopic suede nap fibers begin extruding upward organically in rhythmic waves. Individual fibers catch warm highlights differently depending on density and angle. The transformation moves naturally across the surface like wind through grass. Matte suede texture gradually replaces liquid gloss entirely. Camera glides slowly across the newly forming velvet landscape. Sound: microscopic fiber rustling, delicate textile friction. PANEL 4 — MATERIAL MEMORY (00:36–00:50) Macro tracking shot across fully formed crimson suede terrain. Every velvet strand visible in extreme detail. Invisible pressure waves beneath the suede subtly shift the nap direction, creating tonal changes across the material surface. Warm light rolls gently over the velvet texture. The material gradually lifts upward from the floor, beginning to imply the sculptural shape of a pointed shoe toe. Sound: soft velvet brushing, low warm resonance. PANEL 5 — THE THREAD ARRIVES (00:50–01:06) Extreme-extreme macro couture construction sequence. One single crimson thread enters frame illuminated by warm directional light. FPV-style camera flies beside the advancing thread as it stitches into the suede surface. Thread fibers visibly twist under tension. The thread enters the suede, disappears beneath the surface, emerges again at the next stitch peak, pulls taut, and repeats rhythmically. Camera passes over every stitch mountain in sequence. Each stitch slightly reshapes surrounding suede. Sound: couture stitching ticks, thread tension tightening, soft textile compression. PANEL 6 — CONSTRUCTION OF FORM (01:06–01:20) Transition from macro to medium scale. Behind the advancing stitch line, the shoe body begins solidifying into recognizable structure. Pointed toe box forms first, then elegant sidewalls rise upward with sculptural precision. The slingback silhouette slowly emerges from previously flat suede terrain. Camera performs a slow floating cinematic arc around the forming structure. Matte crimson suede texture remains perfectly consistent. Sound: restrained structural textile movement, distant stitching continuation. PANEL 7 — THE INTERIOR (01:20–01:34) Macro cutaway revealing the inside of the forming shoe. Cream-colored lambskin lining flows organically into place beneath the crimson suede shell. The lining smooths itself naturally against elegant internal curves. Strong visual contrast between warm cream lambskin and deep crimson suede under soft editorial lighting. Materials appear tactile and luxurious. Sound: soft leather settling, delicate tactile friction. PANEL 8 — ENGINEERED COMFORT (01:34–01:48) Macro cross-sectional engineering sequence. Internal comfort layers assemble one by one with realistic material physics. Dense foam base layer forms first with subtle porous texture. Softer memory foam settles gently above and compresses naturally under its own weight. Cream lambskin velvet seals the upper layer. The completed cushion compresses once slowly and rebounds naturally, demonstrating softness and resilience. Camera glides across microscopic velvet interior texture. Sound: soft pneumatic settling, muted resonance, cushion compression. PANEL 9 — THE HEEL SCULPTURE (01:48–02:02) Macro cinematic focus on the kitten heel gradually forming from the same crimson suede structure beneath the shoe body. Elegant curvature emerges slowly and becomes refined and balanced. Camera tracks upward along the heel contour toward the slingback strap. Warm highlights skim softly across suede edges. Sound: low structural resonance, faint textile shaping. PANEL 10 — FINAL REFINEMENT (02:02–02:18) Medium macro editorial beauty detailing. Camera slowly explores completed craftsmanship: stitch consistency, velvet nap direction, edge finishing, cream lambskin softness, seamless slingback geometry. Tiny dust particles drift through warm studio light. The shoe settles microscopically as if materials are naturally relaxing into final form. Sound: quiet room tone, soft textile creaks, near silence. PANEL 11 — HERO EMERGENCE (02:18–02:32) Slow cinematic pullback from macro detail into full product reveal. The fully completed deep crimson suede slingback heel stands alone centered on the infinity cyclorama floor. Same warm-neutral key light from above camera-left and same single clean shadow falling back-right for continuity with Panel 1. Camera movement extremely slow and controlled. Every material reads clearly: deep crimson suede upper, cream lambskin interior, sculpted kitten heel, elegant slingback strap. Sound: deep low resonant tone gradually fading into room tone. PANEL 12 — THE FINAL HOLD (02:32–02:35) Locked-off front three-quarter hero composition. The single crimson suede slingback heel remains perfectly still at center frame on the seamless infinity cyclorama. Velvet nap subtly catches warm light with natural tonal variation. Silence gradually overtakes the room tone. Hold on pure luxury restraint. No text. No logo. No end card. Global Constraints: Only ONE shoe visible at all times. Never show a pair. No hardware, buckles, laces, or metallic elements. No logos, subtitles, typography, branding, or watermarks. No lighting changes between shots. Maintain consistent deep crimson suede color. Preserve ultra-sharp macro clarity and stable cinematography. No morphing artifacts, no flicker, no surreal deformation. Realistic liquid surface tension. Realistic suede microfiber extrusion. Visible thread twist and accurate stitch tension. Natural foam compression and rebound physics. Consistent matte velvet nap behavior. Diegetic sound only — liquid, textile, stitching, room resonance. No music. No soundtrack.

kold Coffee

33,588 次观看 • 5 个月前

1/ Wednesday, 31 December 2025, my wife and I were part of the three thousand five hundred guests or so who attended the Celestial Chorus Soirée, Third Edition, a Thanksgiving Year-End Event hosted by Dr K.R. and Mrs S. Tagwirei at the Harare International Conference Centre. Preceding the main event was a dinner banquet characterised by a lot of feasting, eating, song, and dance. Guests were served with a wide range of cuisine - Italian, French, Chinese cuisine, you name it. Being a Seventh-day Adventist event in the main, missing from the menu were alcoholic beverages. The dinner was served outside the Rainbow Hotel building, on the north side overlooking Samora Machel Avenue, in a specially designed construction complete with floor and roof, and well lit to the extent that you would mistake it for a permanent structure or appendage to the hotel building. I am short of words to describe the grandeur of the banquet, save to borrow from Johanne Masowe eChishanu. Guests were treated to a “Sapatina” to the accompaniment of serenading music - calm and light music. Of the music, to share, I took photographs of what impressed me the most, namely the three ladies dressed in angelic style, with immaculate dresses flowing to the floor, standing on raised platforms and belting out music from musical instruments as guests arrived. On the floor, as part of the cast, were girls donning angelic wings, waving and flowing with the music. After “the Sapatina, the food of angels”, guests trooped to the HICC Main Auditorium. As we strode into the auditorium, what immediately caught my eye, or rather what I looked at in amazement, was how the stage was set. It blew my mind off. Just in front of and below where I was sitting on the terraces was the full cast of an orchestra symphony. Right ahead was the illusion of a hill/mountain to climb, with performers dressed in white at different heights of this illusionary hill/mountain. In between the orchestra and the illusionary hill/mountain lay two platforms, with the one immediately next to the orchestra serving as a platform for presenter-singers, and the platform immediately in front of the illusionary hill/mountain serving as the location of the Director of Ceremonies and the pianist. The Director of Ceremonies, the very talented Everton Mlalazi, doubled up as director of ceremonies and presenter-singer. On either side of the singers’ platform, as part of the stage, were white-robed singers/dancers. As guests, we were treated to an unforgettable night of gospel music, with performers and audience coming from Zimbabwe, South Africa, Uganda, Nigeria, Zambia, Tanzania, etc. The gospel music performances took us to midnight and into the New Year, 2026, when guests trooped outside the hotel to watch the spectacular drone fireworks display. Those who have eyes, let them “eye”, and those who have ears, let them “ear”. Nokuti hatigoni kurega kutaura izvotakaona neizvotakanzwa.
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1/ Wednesday, 31 December 2025, my wife and I were part of the three thousand five hundred guests or so who attended the Celestial Chorus Soirée, Third Edition, a Thanksgiving Year-End Event hosted by Dr K.R. and Mrs S. Tagwirei at the Harare International Conference Centre. Preceding the main event was a dinner banquet characterised by a lot of feasting, eating, song, and dance. Guests were served with a wide range of cuisine - Italian, French, Chinese cuisine, you name it. Being a Seventh-day Adventist event in the main, missing from the menu were alcoholic beverages. The dinner was served outside the Rainbow Hotel building, on the north side overlooking Samora Machel Avenue, in a specially designed construction complete with floor and roof, and well lit to the extent that you would mistake it for a permanent structure or appendage to the hotel building. I am short of words to describe the grandeur of the banquet, save to borrow from Johanne Masowe eChishanu. Guests were treated to a “Sapatina” to the accompaniment of serenading music - calm and light music. Of the music, to share, I took photographs of what impressed me the most, namely the three ladies dressed in angelic style, with immaculate dresses flowing to the floor, standing on raised platforms and belting out music from musical instruments as guests arrived. On the floor, as part of the cast, were girls donning angelic wings, waving and flowing with the music. After “the Sapatina, the food of angels”, guests trooped to the HICC Main Auditorium. As we strode into the auditorium, what immediately caught my eye, or rather what I looked at in amazement, was how the stage was set. It blew my mind off. Just in front of and below where I was sitting on the terraces was the full cast of an orchestra symphony. Right ahead was the illusion of a hill/mountain to climb, with performers dressed in white at different heights of this illusionary hill/mountain. In between the orchestra and the illusionary hill/mountain lay two platforms, with the one immediately next to the orchestra serving as a platform for presenter-singers, and the platform immediately in front of the illusionary hill/mountain serving as the location of the Director of Ceremonies and the pianist. The Director of Ceremonies, the very talented Everton Mlalazi, doubled up as director of ceremonies and presenter-singer. On either side of the singers’ platform, as part of the stage, were white-robed singers/dancers. As guests, we were treated to an unforgettable night of gospel music, with performers and audience coming from Zimbabwe, South Africa, Uganda, Nigeria, Zambia, Tanzania, etc. The gospel music performances took us to midnight and into the New Year, 2026, when guests trooped outside the hotel to watch the spectacular drone fireworks display. Those who have eyes, let them “eye”, and those who have ears, let them “ear”. Nokuti hatigoni kurega kutaura izvotakaona neizvotakanzwa.

ZanuPF Treasurer General - Patrick Chinamasa

25,596 次观看 • 9 个月前