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Coordinates Deluxe. March 17th Song Title: Prelude Additional Vocals: Scottypwavey Directed by: Kevin “Erk Tha Jerk” Allen Executive Produced by: Damian Lillard The Big Bad Wolves Front Page Music

Brookfield Duece

2,597 subscribers

10,966 次观看 • 3 年前 •via X (Twitter)

教育音乐艺术

Anya Rossi• Live Now

Private livecam show

4 条评论

KeLLe🧚🏽 的头像

KeLLe🧚🏽3 年前

@Scottychapo @KevinAllenMusic @Dame_Lillard @GrandNationxl @FrontPageMusic @ManiDraper @JonesOnTheNBA @ChiLottery Thatz Right…Alright❤️‍🔥

Ferrari Fawcet 的头像

Ferrari Fawcet3 年前

DM my X and I didn’t get caught SLIPPIN …. 😮‍💨

Brookfield Duece 的头像

Brookfield Duece3 年前

Bar lol

#ProdByWizzo 的头像

#ProdByWizzo3 年前

@Scottychapo @KevinAllenMusic @Dame_Lillard @GrandNationxl @FrontPageMusic @ManiDraper @JonesOnTheNBA @ChiLottery 🔥🔥🔥

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85,296 次观看 • 11 个月前

Rosa Salazar and sci-fi/horror fans! The first episode of the all new, full-length, AI anthology series BLURRED HORIZON has just dropped! ROSA SALAZAR (Lead actress in JAMES CAMERON & Robert Rodriguez’ ALITA: BATTLE ANGEL, Amazon’s UNDONE, BRAND NEW CHERRY FLAVOR on Netflix) and RYAN O’NAN (FARGO) star. Created and written by Jeff Synthesized. Directed and synthemated by Eike Swoboda. Executive Producers: Trey Callaway (HOUSE OF DAVID), Jeff T. Thomas (FUBAR). Producer: Kevin Tancharoen (BOOK OF BOBA FETT). Featuring music by THIRTY SECONDS TO MARS & JARED LETO; title track by PHOTEK. This premiere drops a twist that’ll shatter your world! Watch in 4K YT Link. (IG link in bio). Powered by Kling AI Cross post @neocinemastudios, Eike.ai , #rosasalazar, #ryanonan JARED LETO THIRTY SECONDS TO MARS photek Kevin Tancharoen , SHANNON LETO #JamesCameron Jeff T. Thomas #blurredhorizon

Jeff_synthesized

30,361 次观看 • 8 个月前

On behalf of Ettore “Big E” Ewen, Jonathan Davenport and myself, we are proud to share our NAACP Image Awards® nominated short film "Bridges" right here in its entirety. From Our Heroes Rock!, "Bridges" is an animated short film about a lonely 12-year-old girl whose bouts of social anxiety keep her from connecting with other kids until a field trip to a futuristic Museum and the story of Ruby Bridges -- the first Black American to attend a white elementary school in 1960 -- help her see things in a brand new light. Featuring the original song "My Name is Ruby Bridges" by Rapsody and produced by erick the architect. Our Heroes Rock is: - Executive Producer Ettore “Big E” Ewen (also the voice of E-Tour) - Writer/Director Jonathan Davenport - Music Supervisor Andreas Hale Produced in conjunction with Something's Awry Music by Dan Rufolo & Adam Kromelow Please enjoy and share!

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491,008 次观看 • 1 年前

Reimagine the music you love with Covers! Covers can transform anything, from a simple voice recording to a fully-produced track, into an entirely new style all while preserving the original melody that’s uniquely yours. Our newest feature, now available in early-access beta, helps you experiment with new genres, add lyrics to instrumentals, and even transform your own singing voice. Additional Creative Possibilities: 🦋 Transform Audio Uploads: Try uploading a clip of your singing, humming or playing an instrument, then create a cover. 🎤 Instrumental to Vocal: Try covering an instrumental song by adding lyrics to create a layered musical piece. How to make a Cover: 1. Find your song in the Library or on the Create page. 2. Hit the 3 dots, Create, then Cover Song. 3. Type or select a new Style of Music. We’ll automatically pull your original lyrics into this new style. For the best results, keep the lyrics the same to start, but feel free to experiment and change them as you go.

Reimagine the music you love with Covers! Covers can transform anything, from a simple voice recording to a fully-produced track, into an entirely new style all while preserving the original melody that’s uniquely yours. Our newest feature, now available in early-access beta, helps you experiment with new genres, add lyrics to instrumentals, and even transform your own singing voice. Additional Creative Possibilities: 🦋 Transform Audio Uploads: Try uploading a clip of your singing, humming or playing an instrument, then create a cover. 🎤 Instrumental to Vocal: Try covering an instrumental song by adding lyrics to create a layered musical piece. How to make a Cover: 1. Find your song in the Library or on the Create page. 2. Hit the 3 dots, Create, then Cover Song. 3. Type or select a new Style of Music. We’ll automatically pull your original lyrics into this new style. For the best results, keep the lyrics the same to start, but feel free to experiment and change them as you go.

Suno

59,187 次观看 • 1 年前

Introducing 'The Mandia Song': A Melody of Hope, Health, and Harmony. Grammy Award winner Ricky Kej joins us on a heartfelt journey, spreading awareness about the wonders of millets. Tune in to embrace the power of these tiny grains in nourishing our bodies, empowering our communities, and preserving our planet. Let the music inspire you to join the millet revolution and create a brighter, sustainable future for all. 🌾🎵 'ମାଣ୍ଡିଆ ଗୀତ' : ଆଶା, ସ୍ୱାସ୍ଥ୍ୟ ଏବଂ ସମନ୍ୱୟର ଏକ ମେଲୋଡି | ଗ୍ରାମୀ ପୁରସ୍କାର ବିଜେତା ରିକି କେଜ ଏକ ହୃଦୟସ୍ପର୍ଶୀ ଯାତ୍ରାରେ ଯୋଗ ଦେଇ ମିଲେଟର ଚମତ୍କାରିତା ବିଷୟରେ ସଚେତନତା ବିସ୍ତାର କରିଥିଲେ | ଆମ ଶରୀରକୁ ପୁଷ୍ଟିକର କରିବା, ଆମ ସମ୍ପ୍ରଦାୟକୁ ସଶକ୍ତ କରିବା ଏବଂ ଆମ ଗ୍ରହକୁ ସଂରକ୍ଷଣ କରିବାରେ ଏହି ଶସ୍ୟର ଭୂମିକା ବେଶ୍ ଗୁରୁତ୍ବପୂର୍ଣ୍ଣ | ଏହି ସଂଗୀତ ଆପଣଙ୍କୁ ମିଲେଟ ବିପ୍ଳବରେ ଯୋଗଦେବାକୁ ପ୍ରେରଣା ଦେବ ଏବଂ ସମସ୍ତଙ୍କ ପାଇଁ ଏକ ଉଜ୍ଜ୍ୱଳ, ସ୍ଥାୟୀ ଭବିଷ୍ୟତ ସୃଷ୍ଟି କରିବ Featuring 5 Grammy Award Winners: Grammy/Award Winner - Ricky Kej Grammy Award Winner - Vanil Veigas Grammy Award Winner - Lonnie Park Grammy Award Winner - Lucy Kalantari Grammy Award Winner - Jim Kimo West Music Composed & Produced by: Ricky Kej Conceived & Produced by: NILAMADHAB PANDA ନୀଳମାଧବ ପଣ୍ଡା Executive Producer: Manav Rath Lyrics: Varshita Ramesh, Ricky Kej Tribal Lyrics: Bapu Goswami Lead Vocals: Lonnie Park, Lucy Kalantari, Varshita Ramesh Tribal Vocals: Narasingha Hantala Keyboards: Ricky Kej Guitars: Jim Kimo West Drums & Percussion: Vanil Veigas Bass: Dominic D'Cruz Field Recordings: Eleeanora Images Pvt Ltd CMO Odisha Naveen Patnaik Arabinda K Padhee Ranendra Pratap Swain Prem chaudhary କୃଷି ବିଭାଗ, ଓଡ଼ିଶା International Year Of Millets 2023 RRA NETWORK IHM Bhubaneswar Food and Agriculture Organization World Food Programme RRA Network Watershed Support Services and Activities Network CGIAR Millets Indian Institute of Millets Research (ICAR-IIMR) #OdishaMilletsMission #MilletsMission #MilletsForHealth #TheMandiaSong #RickyKej #MilletRevolution #SustainableFuture #NourishOurBodies #EmpowerOurCommunities #PreserveOurPlanet #MusicForACause #HopeHealthHarmony #JoinTheRevolution #NaveenPatnaik #CMO #Odisha #OdishaMillets #InternationalYearOfMillets

Introducing 'The Mandia Song': A Melody of Hope, Health, and Harmony. Grammy Award winner Ricky Kej joins us on a heartfelt journey, spreading awareness about the wonders of millets. Tune in to embrace the power of these tiny grains in nourishing our bodies, empowering our communities, and preserving our planet. Let the music inspire you to join the millet revolution and create a brighter, sustainable future for all. 🌾🎵 'ମାଣ୍ଡିଆ ଗୀତ' : ଆଶା, ସ୍ୱାସ୍ଥ୍ୟ ଏବଂ ସମନ୍ୱୟର ଏକ ମେଲୋଡି | ଗ୍ରାମୀ ପୁରସ୍କାର ବିଜେତା ରିକି କେଜ ଏକ ହୃଦୟସ୍ପର୍ଶୀ ଯାତ୍ରାରେ ଯୋଗ ଦେଇ ମିଲେଟର ଚମତ୍କାରିତା ବିଷୟରେ ସଚେତନତା ବିସ୍ତାର କରିଥିଲେ | ଆମ ଶରୀରକୁ ପୁଷ୍ଟିକର କରିବା, ଆମ ସମ୍ପ୍ରଦାୟକୁ ସଶକ୍ତ କରିବା ଏବଂ ଆମ ଗ୍ରହକୁ ସଂରକ୍ଷଣ କରିବାରେ ଏହି ଶସ୍ୟର ଭୂମିକା ବେଶ୍ ଗୁରୁତ୍ବପୂର୍ଣ୍ଣ | ଏହି ସଂଗୀତ ଆପଣଙ୍କୁ ମିଲେଟ ବିପ୍ଳବରେ ଯୋଗଦେବାକୁ ପ୍ରେରଣା ଦେବ ଏବଂ ସମସ୍ତଙ୍କ ପାଇଁ ଏକ ଉଜ୍ଜ୍ୱଳ, ସ୍ଥାୟୀ ଭବିଷ୍ୟତ ସୃଷ୍ଟି କରିବ Featuring 5 Grammy Award Winners: Grammy/Award Winner - Ricky Kej Grammy Award Winner - Vanil Veigas Grammy Award Winner - Lonnie Park Grammy Award Winner - Lucy Kalantari Grammy Award Winner - Jim Kimo West Music Composed & Produced by: Ricky Kej Conceived & Produced by: NILAMADHAB PANDA ନୀଳମାଧବ ପଣ୍ଡା Executive Producer: Manav Rath Lyrics: Varshita Ramesh, Ricky Kej Tribal Lyrics: Bapu Goswami Lead Vocals: Lonnie Park, Lucy Kalantari, Varshita Ramesh Tribal Vocals: Narasingha Hantala Keyboards: Ricky Kej Guitars: Jim Kimo West Drums & Percussion: Vanil Veigas Bass: Dominic D'Cruz Field Recordings: Eleeanora Images Pvt Ltd CMO Odisha Naveen Patnaik Arabinda K Padhee Ranendra Pratap Swain Prem chaudhary କୃଷି ବିଭାଗ, ଓଡ଼ିଶା International Year Of Millets 2023 RRA NETWORK IHM Bhubaneswar Food and Agriculture Organization World Food Programme RRA Network Watershed Support Services and Activities Network CGIAR Millets Indian Institute of Millets Research (ICAR-IIMR) #OdishaMilletsMission #MilletsMission #MilletsForHealth #TheMandiaSong #RickyKej #MilletRevolution #SustainableFuture #NourishOurBodies #EmpowerOurCommunities #PreserveOurPlanet #MusicForACause #HopeHealthHarmony #JoinTheRevolution #NaveenPatnaik #CMO #Odisha #OdishaMillets #InternationalYearOfMillets

Shree Anna Abhiyan

87,933 次观看 • 3 年前

YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE

YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE

David Bowie Official

70,334 次观看 • 1 年前

On March 26, 2000, the song Blame Canada from South Park: Bigger, Longer & Uncut was nominated for Best Original Song at the Oscars. But that night something also debuted that became an immediate hit. The I Am Canadian Rant. Let's learn more! 🇨🇦✊👇 I Am Canadian was a slogan for Molson Canadian that debuted in 1994. The focus of the campaign was on Canadian nationalism. There were many great commercials related to the I Am Canadian campaign but nothing reached the level of "The Rant". In the ad, a man named Joe stands in front of a cinema screen that shows images related to Canadian culture. He then speaks about what is and what is not Canadian, including ranting against stereotypes of Canadians by Americans. A good example is the line "I say 'about' not 'aboot'" The man in the ad was Nova Scotian actor Jeff Douglas. The ad was written by Canadian Glen Hunt, although it was directed by American Kevin Donovan. The public relations agency behind the ad was Thornley Fallis. After testing the ad with movie audiences in Ottawa, it went national during the Academy Awards in 2000. The ad was an immediate hit. Not only did it bring in local, national and international awards such as the Gold Quill Award, and the International Public Relations Award, but it made Jeff Douglas famous across the country. At one point Douglas, who was referred to as "Joe Canada", went coast-to-coast in 26 hours visiting provinces to recite the rant. There were many parodies of the ad including I Am Not Canadian, I Am An Albertan, I Am A British Columbian and I Am A Newfoundlander. William Shatner performed a version at Just For Laughs, ranting against Trekkies and his typecasting as Capt. Kirk. At the 2022 Juno Awards, actor Simu Liu opened the ceremony with an updating version of the rant that spoke on rising housing prices, marijuana legalization and multicultural food. As for Jeff Douglas, he has appeared on Ancestors in the Attic and hosted Jetman Live for National Geographic. From 2011 - 2019, he was the co-host of CBC Radio One's As It Happens. Since 2019, he has hosted Mainstreet on CBHA-FM in Halifax. He has received three Gemini nominations for his acting. If you enjoy my Canadian history work, you can support my work with a donation at

On March 26, 2000, the song Blame Canada from South Park: Bigger, Longer & Uncut was nominated for Best Original Song at the Oscars. But that night something also debuted that became an immediate hit. The I Am Canadian Rant. Let's learn more! 🇨🇦✊👇 I Am Canadian was a slogan for Molson Canadian that debuted in 1994. The focus of the campaign was on Canadian nationalism. There were many great commercials related to the I Am Canadian campaign but nothing reached the level of "The Rant". In the ad, a man named Joe stands in front of a cinema screen that shows images related to Canadian culture. He then speaks about what is and what is not Canadian, including ranting against stereotypes of Canadians by Americans. A good example is the line "I say 'about' not 'aboot'" The man in the ad was Nova Scotian actor Jeff Douglas. The ad was written by Canadian Glen Hunt, although it was directed by American Kevin Donovan. The public relations agency behind the ad was Thornley Fallis. After testing the ad with movie audiences in Ottawa, it went national during the Academy Awards in 2000. The ad was an immediate hit. Not only did it bring in local, national and international awards such as the Gold Quill Award, and the International Public Relations Award, but it made Jeff Douglas famous across the country. At one point Douglas, who was referred to as "Joe Canada", went coast-to-coast in 26 hours visiting provinces to recite the rant. There were many parodies of the ad including I Am Not Canadian, I Am An Albertan, I Am A British Columbian and I Am A Newfoundlander. William Shatner performed a version at Just For Laughs, ranting against Trekkies and his typecasting as Capt. Kirk. At the 2022 Juno Awards, actor Simu Liu opened the ceremony with an updating version of the rant that spoke on rising housing prices, marijuana legalization and multicultural food. As for Jeff Douglas, he has appeared on Ancestors in the Attic and hosted Jetman Live for National Geographic. From 2011 - 2019, he was the co-host of CBC Radio One's As It Happens. Since 2019, he has hosted Mainstreet on CBHA-FM in Halifax. He has received three Gemini nominations for his acting. If you enjoy my Canadian history work, you can support my work with a donation at

Craig Baird - Canadian History Ehx

84,391 次观看 • 2 年前

If you have followed my journey as a solo artiste and even before, you will notice that I give people their due credit where necessary as I am a firm believer in team work; I know my strengths, where I need assistance or guidance I am not afraid to ask or work with those who are strong in the areas I am not; this includes the process of creating music, executing concepts and ideas etc. I will always give people their due credit for their contributions to my projects. Sometime in June 2022, I stumbled upon a producer based in Ghana named Vampire, and had my team and I also personally reached out to him via DM, that I liked his work and was interested in working with him. Before getting him to Lagos, I presented the idea of this producer to my twin brother and our team, getting their buy in before I got him flight tickets and flew him to Lagos. It was when he got into Lagos I asked if he would be open to working on P-SQUARE’s next album project, that the 5 songs I had penned down from my end to be presented to our A&R team for the album project these were: JAIYE, WINNING, FIND SOMEBODY, LEGENDARY, and ATTENTION, based on tracks he had produced. We started with my own 5 songs that needed to be submitted for PSQUARE's album, which he produced for me: The idea for WINNING came from one of his beats that I discovered. I came up with the idea of changing the chord progression from the original version to what it is today with my own producer Goldswarm who is the co-producer of the song WINNING. I had also engaged a songwriter known as CALYPSO who wrote and composed the song WINNING and sent it to me on the beats through a voice note. And we started working on the song. Mind you, he worked on some other songs that were to make the album as well, so my brother was aware of his input to the production as we were all in the studio during this period. Then when my twin brother heard the song WINNING, which we had already created the hook/chorus for, he then wanted to start creating a verse. Our agreed-on process for each song presented by us was: arrange the song, leave a verse for the other person, then we both harmonise the chorus and refrain bits together. He wasn’t supposed to until Calypso and I finished it as part of my own song submission to the LEGENDARY ALBUM. After that, we finished and shared verses among ourselves. I do not wish to get into details of why the album didn’t see the light of day till date but it takes a different level of psychosis for one to steal what is theirs already; as since the release of this song, I have been labeled and called all sorts online and they have even gone as far as asking for the song to be taken down on various platforms, to what end? It was never part of his 5, now 6 (according to him) songs for submission, yet when he felt I was not interested in making music because I chose my sanity over the constant berating and drama that seemed to come up over creative direction in the group. If it were his song, why do I have all the music data including initial conversations and picture/video evidence on the above-mentioned titles/songs? Which of his songs do I have its data in my possession in that case? All because he was hoping for me to quit music. Even when I learnt that he had removed my vocals on songs we did together, suggesting that he sing the entire songs including the ones that he planned to present for the album without my input (a very absurd idea as we both make up the duo not just the one), but we both perform them on stage, I begun to have a rethink of the entire situation. Let me leave this here. Maybe because I was not posting anything music related on my social media page for over 4 months. He believes I have lost interest in music. I took a breather to get my mind and head in the right space and when that was done, my epiphany was WINNING!

If you have followed my journey as a solo artiste and even before, you will notice that I give people their due credit where necessary as I am a firm believer in team work; I know my strengths, where I need assistance or guidance I am not afraid to ask or work with those who are strong in the areas I am not; this includes the process of creating music, executing concepts and ideas etc. I will always give people their due credit for their contributions to my projects. Sometime in June 2022, I stumbled upon a producer based in Ghana named Vampire, and had my team and I also personally reached out to him via DM, that I liked his work and was interested in working with him. Before getting him to Lagos, I presented the idea of this producer to my twin brother and our team, getting their buy in before I got him flight tickets and flew him to Lagos. It was when he got into Lagos I asked if he would be open to working on P-SQUARE’s next album project, that the 5 songs I had penned down from my end to be presented to our A&R team for the album project these were: JAIYE, WINNING, FIND SOMEBODY, LEGENDARY, and ATTENTION, based on tracks he had produced. We started with my own 5 songs that needed to be submitted for PSQUARE's album, which he produced for me: The idea for WINNING came from one of his beats that I discovered. I came up with the idea of changing the chord progression from the original version to what it is today with my own producer Goldswarm who is the co-producer of the song WINNING. I had also engaged a songwriter known as CALYPSO who wrote and composed the song WINNING and sent it to me on the beats through a voice note. And we started working on the song. Mind you, he worked on some other songs that were to make the album as well, so my brother was aware of his input to the production as we were all in the studio during this period. Then when my twin brother heard the song WINNING, which we had already created the hook/chorus for, he then wanted to start creating a verse. Our agreed-on process for each song presented by us was: arrange the song, leave a verse for the other person, then we both harmonise the chorus and refrain bits together. He wasn’t supposed to until Calypso and I finished it as part of my own song submission to the LEGENDARY ALBUM. After that, we finished and shared verses among ourselves. I do not wish to get into details of why the album didn’t see the light of day till date but it takes a different level of psychosis for one to steal what is theirs already; as since the release of this song, I have been labeled and called all sorts online and they have even gone as far as asking for the song to be taken down on various platforms, to what end? It was never part of his 5, now 6 (according to him) songs for submission, yet when he felt I was not interested in making music because I chose my sanity over the constant berating and drama that seemed to come up over creative direction in the group. If it were his song, why do I have all the music data including initial conversations and picture/video evidence on the above-mentioned titles/songs? Which of his songs do I have its data in my possession in that case? All because he was hoping for me to quit music. Even when I learnt that he had removed my vocals on songs we did together, suggesting that he sing the entire songs including the ones that he planned to present for the album without my input (a very absurd idea as we both make up the duo not just the one), but we both perform them on stage, I begun to have a rethink of the entire situation. Let me leave this here. Maybe because I was not posting anything music related on my social media page for over 4 months. He believes I have lost interest in music. I took a breather to get my mind and head in the right space and when that was done, my epiphany was WINNING!

Mr Psquare

713,107 次观看 • 1 年前