Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Created liquid metal effect using CSS and JS from our Figma tutorial. 7 layers of radial gradient with "difference" blend mode. Animated with framer-motion by changing gradient spread and rotation of a base layer. Reply in the comments or DM to get a link to the code.

alex_barashkov's profile picture

Alex Barashkov

30,557 subscribers

34,691 Aufrufe • vor 2 Jahren •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

11 Kommentare

Profilbild von kavgle
kavglevor 2 Jahren

wow whats the code? looks f'ing gd

Profilbild von jakub
jakubvor 2 Jahren

🙏

Profilbild von TomaCaraca
TomaCaracavor 2 Jahren

nice

Profilbild von ‎Derek
‎Derekvor 2 Jahren

Please, send me

Profilbild von Alex Barashkov
Alex Barashkovvor 2 Jahren

Sent

Profilbild von Arnaud ⚡️
Arnaud ⚡️vor 2 Jahren

Amazing ! Would love to try it ✨

Profilbild von Alex Barashkov
Alex Barashkovvor 2 Jahren

Thank you! Shared

Profilbild von Aaron Brodeur
Aaron Brodeurvor 2 Jahren

Please figma gods give me this magic

Profilbild von Alex Barashkov
Alex Barashkovvor 2 Jahren

Shared!

Profilbild von Tobias Geiselmann
Tobias Geiselmannvor 2 Jahren

👋🏻

Profilbild von Alex Barashkov
Alex Barashkovvor 2 Jahren

Shared

Ähnliche Videos

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.
0:36

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Seso

169,060 Aufrufe • vor 3 Jahren

Designers, Radiant Gradient. Open PS to a white background and a black smart object text layer. Add a white to black gradient with colors of your choice in-between and a white anchor in the middle. Blur gallery, add any blur effect.
0:44

Designers, Radiant Gradient. Open PS to a white background and a black smart object text layer. Add a white to black gradient with colors of your choice in-between and a white anchor in the middle. Blur gallery, add any blur effect.

Seso

43,787 Aufrufe • vor 1 Jahr

#tinyCSStip You may have seen some of my demos using this on CodePen.IO already. Pure CSS halftone effect in 3 declarations: ✨ background layering a pattern and a map ✨ blend mode multiplication of the two layers ✨ contrast bump up to push all greys to either black or white
0:20

#tinyCSStip You may have seen some of my demos using this on CodePen.IO already. Pure CSS halftone effect in 3 declarations: ✨ background layering a pattern and a map ✨ blend mode multiplication of the two layers ✨ contrast bump up to push all greys to either black or white

Ana Tudor 🐯 (find me on Bluesky/ Mastodon)

27,203 Aufrufe • vor 2 Jahren

Trained a single layer neural network in C to predict AND GATE from scratch using gradient descent and Batch training of dataset in almost 300K epochs
0:22

Trained a single layer neural network in C to predict AND GATE from scratch using gradient descent and Batch training of dataset in almost 300K epochs

AADITYANSHA

81,238 Aufrufe • vor 5 Monaten

Introducing Better Gradient, a collaboration between Plugin Play and Ravie "The Gradient Guys" .co Now available at - Save gradient presets - Customize your color interpolation with graph easing - Significantly improved color rendering to get rid of the gross grays AE typically produces between color stops. - Animate gradients along paths with shadows - and so much more! Effortlessly blend colors into mesmerizing kaleidoscopes of gradient joy. Mapping, paths, you name it, you can gradient it. Launch video direction, design, and animation from Sam Essanoussi and Justin De Leon.
0:20

Introducing Better Gradient, a collaboration between Plugin Play and Ravie "The Gradient Guys" .co Now available at - Save gradient presets - Customize your color interpolation with graph easing - Significantly improved color rendering to get rid of the gross grays AE typically produces between color stops. - Animate gradients along paths with shadows - and so much more! Effortlessly blend colors into mesmerizing kaleidoscopes of gradient joy. Mapping, paths, you name it, you can gradient it. Launch video direction, design, and animation from Sam Essanoussi and Justin De Leon.

Austin Bauwens

18,305 Aufrufe • vor 14 Tagen

CSS Trick! ⚡️ You can create gradient borders by using transparent borders 👀 No extra elements 🤙 article { background: // layer them up with different origin! linear-gradient(var(--bg), var(--bg)) padding-box, var(--gradient) border-box; border: 4px solid transparent; } The trick is to layer background images using different background-origin ⭐️ Then use a transparent border to define how thick the border is! padding-box positions a background relative to an element's padding. border-box positions a background relative to the border-box 🔥 The ✨magic✨ part? You get that nested radius for free 😅 Check out the exploded view in the video and have a play with different values in the demo 🎞️ CodePen.IO link below! 👇
0:33

CSS Trick! ⚡️ You can create gradient borders by using transparent borders 👀 No extra elements 🤙 article { background: // layer them up with different origin! linear-gradient(var(--bg), var(--bg)) padding-box, var(--gradient) border-box; border: 4px solid transparent; } The trick is to layer background images using different background-origin ⭐️ Then use a transparent border to define how thick the border is! padding-box positions a background relative to an element's padding. border-box positions a background relative to the border-box 🔥 The ✨magic✨ part? You get that nested radius for free 😅 Check out the exploded view in the video and have a play with different values in the demo 🎞️ CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

647,284 Aufrufe • vor 2 Jahren

CSS Trick! 🤙 What's powering this button effect? One property ⭐️ You can create the effect by placing a button over your content and using mix-blend-mode 🫶 button { mix-blend-mode: difference; 👈 position: fixed; } It's a really easy one to play around with and you can get some pretty interesting results. It certainly adds some visual interest. But, be careful with what images you use and try to make sure your text is still readable 🙏 CodePen.IO link below! 👇
0:36

CSS Trick! 🤙 What's powering this button effect? One property ⭐️ You can create the effect by placing a button over your content and using mix-blend-mode 🫶 button { mix-blend-mode: difference; 👈 position: fixed; } It's a really easy one to play around with and you can get some pretty interesting results. It certainly adds some visual interest. But, be careful with what images you use and try to make sure your text is still readable 🙏 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

177,830 Aufrufe • vor 2 Jahren

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx
1:32

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 Aufrufe • vor 2 Jahren

In today's tutorial, you can learn how to make an interactive vibrant card animation in Rive. By following this technique, you can create reusable component and bring the same nice effect on cards on your site. Send me DM or reply in the comments to get Figma + Rive file.
3:23

In today's tutorial, you can learn how to make an interactive vibrant card animation in Rive. By following this technique, you can create reusable component and bring the same nice effect on cards on your site. Send me DM or reply in the comments to get Figma + Rive file.

Alex Barashkov

51,275 Aufrufe • vor 2 Jahren

Learn how to design a glowing jellyfish bento card in Figma by following this tutorial. There are many cool techniques shared to achieve these effects. I hope you will love it. Send me DM or reply in the comments to get Figma file.
20:59

Learn how to design a glowing jellyfish bento card in Figma by following this tutorial. There are many cool techniques shared to achieve these effects. I hope you will love it. Send me DM or reply in the comments to get Figma file.

Alex Barashkov

68,723 Aufrufe • vor 2 Jahren

CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #​fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.​style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #​fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇
1:09

CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #​fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.​style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #​fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

1,180,399 Aufrufe • vor 2 Jahren

Engineers with taste will make a lot of so-called designers irrelevant. It’s 2026. With all the vibe-coding tools we have now, you can build real working prototypes of almost anything in a few hours. So when I see another “iOS 27 concept” that is just a Figma screenshot with a gradient or a circular one, and some fake Liquid Glass layer on top, that’s laziness at the next level for the sake of engagement.
0:35

Engineers with taste will make a lot of so-called designers irrelevant. It’s 2026. With all the vibe-coding tools we have now, you can build real working prototypes of almost anything in a few hours. So when I see another “iOS 27 concept” that is just a Figma screenshot with a gradient or a circular one, and some fake Liquid Glass layer on top, that’s laziness at the next level for the sake of engagement.

Tykra

29,757 Aufrufe • vor 3 Monaten

CSS Trick! ⭐️ You can create this sparkly backdrop with a single element using mask-composite whilst animating the mask-position 😷 .canvas { background: var(--gradient); mask: var(--dots), var(--noise); mask-composite: intersect /* source-in, xor */; animation: flicker; } @​keyframes flicker { to { mask-position: 50% 50% , 0 50%; } } The trick is to layer the masks and then use the intersect value on the mask-composite ✨ Intersect works as it would in SVG by combining the masks and taking their intersection. The dots mask is a basic radial-gradient that is repeated across the element: mask: radial-gradient(circle at 50% 50%, white 2px, transparent 2.5px) 50% 50% / 40px 40px; The noise mask is a generated image of Perlin Noise (h/t to JohnPhamous for finding the site for that). That becomes the second mask: mask: url("noise.png") 50% 50% / 256px 256px; Once they are intersected. The last piece is to animate the mask-position as shown above 👆 Have a play with the demo and see what you think! CodePen.IO link below! 👇
0:59

CSS Trick! ⭐️ You can create this sparkly backdrop with a single element using mask-composite whilst animating the mask-position 😷 .canvas { background: var(--gradient); mask: var(--dots), var(--noise); mask-composite: intersect /* source-in, xor */; animation: flicker; } @​keyframes flicker { to { mask-position: 50% 50% , 0 50%; } } The trick is to layer the masks and then use the intersect value on the mask-composite ✨ Intersect works as it would in SVG by combining the masks and taking their intersection. The dots mask is a basic radial-gradient that is repeated across the element: mask: radial-gradient(circle at 50% 50%, white 2px, transparent 2.5px) 50% 50% / 40px 40px; The noise mask is a generated image of Perlin Noise (h/t to JohnPhamous for finding the site for that). That becomes the second mask: mask: url("noise.png") 50% 50% / 256px 256px; Once they are intersected. The last piece is to animate the mask-position as shown above 👆 Have a play with the demo and see what you think! CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

279,699 Aufrufe • vor 2 Jahren

CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇
0:37

CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

269,847 Aufrufe • vor 2 Jahren

The future of AI deployment should be fast, affordable, and owned by all. Introducing Gradient Cloud, the all-in-one station for building with AI, powered by the Gradient distributed AI stack. Run frontier models at production speed for a fraction of the cost.
0:30

The future of AI deployment should be fast, affordable, and owned by all. Introducing Gradient Cloud, the all-in-one station for building with AI, powered by the Gradient distributed AI stack. Run frontier models at production speed for a fraction of the cost.

Gradient

128,367 Aufrufe • vor 11 Monaten

3d hover effect made only using css. no javascript or framer motion used here. im utilizing css `preserve-3d` transform-style. the parent tilts 55deg (X-axis) and spins -45deg (Z-axis). and on hover, im translating cards' Z 20px to have that elevation. with proper easing.
0:34

3d hover effect made only using css. no javascript or framer motion used here. im utilizing css `preserve-3d` transform-style. the parent tilts 55deg (X-axis) and spins -45deg (Z-axis). and on hover, im translating cards' Z 20px to have that elevation. with proper easing.

Soren

21,757 Aufrufe • vor 9 Monaten

A designer who can ship code is one of the most valuable hires in tech today. Here's my new episode with Felix Lee (CEO of ADPList) where he showed me how to use Claude Code and Figma MCP to go from: ✅ Figma → Code: Design to website in 15 min ✅ Code → Figma: App back to editable design Felix also demoed a few apps he's designed and built in Claude Code, including a 3D globe website and a landing page analyzer. Some takeaways from Felix: 1. Stop pasting screenshots into Claude Code. Instead, use Figma MCP to pull in all your assets, icons, and images automatically. 2. You can use the same MCP to convert code back into editable Figma layers to explore more variations. 3. An underrated way to build: Use FigJam to plan a flowchart of your app first, then paste the link into Claude Code with the MCP. 📌 Watch now: Thanks to our sponsors: Replit ⠕: Plan, design, and build with AI agents Linear: The AI agent platform for modern teams
0:48

A designer who can ship code is one of the most valuable hires in tech today. Here's my new episode with Felix Lee (CEO of ADPList) where he showed me how to use Claude Code and Figma MCP to go from: ✅ Figma → Code: Design to website in 15 min ✅ Code → Figma: App back to editable design Felix also demoed a few apps he's designed and built in Claude Code, including a 3D globe website and a landing page analyzer. Some takeaways from Felix: 1. Stop pasting screenshots into Claude Code. Instead, use Figma MCP to pull in all your assets, icons, and images automatically. 2. You can use the same MCP to convert code back into editable Figma layers to explore more variations. 3. An underrated way to build: Use FigJam to plan a flowchart of your app first, then paste the link into Claude Code with the MCP. 📌 Watch now: Thanks to our sponsors: Replit ⠕: Plan, design, and build with AI agents Linear: The AI agent platform for modern teams

Peter Yang

77,115 Aufrufe • vor 5 Monaten

controlling a 3D globe with hand gestures 🌎 map zoom, rotation, layer view toggle runs in real-time on the web with a regular laptop + webcam created with Cesium, Three.js, and mediapipe computer vision 🔗 demo + code + tutorial below GeoGuessr next?
1:02

controlling a 3D globe with hand gestures 🌎 map zoom, rotation, layer view toggle runs in real-time on the web with a regular laptop + webcam created with Cesium, Three.js, and mediapipe computer vision 🔗 demo + code + tutorial below GeoGuessr next?

AA

27,819 Aufrufe • vor 1 Jahr

I modifyed the official example "compute fluid particles" to make it look more liquid. Simply blur the *depth texture* to obtain a smooth surface which has differentiable gradient. Made with #threejs live demo (all source code is in html of the page) -&gt;
0:33

I modifyed the official example "compute fluid particles" to make it look more liquid. Simply blur the *depth texture* to obtain a smooth surface which has differentiable gradient. Made with #threejs live demo (all source code is in html of the page) -&gt;

Maeda Mameo

18,141 Aufrufe • vor 1 Jahr