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Dad shows appreciation for his devoted Son at and #DevotedSon #creaking #leather #masturbation #RudeDad #jacket #uncut #jockstrap #cock #DadGetsCockOut #belt #BeltBuckle #denim #appreciation #OldManFuck #CigarDad

CigarDad65 (30K)

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29,917 views • 1 year ago •via X (Twitter)

NSFW #DevotedSon #creaking #leather #masturbation #RudeDad #jacket #uncut #jockstrap #cock #DadGetsCockOut #belt #BeltBuckle #denim #appreciation #OldManFuck #CigarDad

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I’ve always had an appreciation for this small moment from The Clone Wars where Ahsoka rescues Anakin from Buzz Droids destroying his Jedi Interceptor. It’s a brief, fun scene, but one that shows a lot of growth for Ahsoka’s character, and how exactly Anakin’s training has ultimately equipped her for survival. Also perfectly foreshadows Anakin saving Obi-Wan from a Buzz Droid attack at the start of Revenge of the Sith. It’s like poetry, it rhymes!

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jacob

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This afternoon, I had the pleasure of speaking with a man I respect a lot, the legendary Aloysius Joy Matovu. For 47 years now, he has dedicated his life to Ugandan theatre, touching countless lives through his work as an actor and playwright. His passion for the craft remains as inspiring today as it was when he began his journey in 1979. This weekend, we have a chance to celebrate and support a living legend. Aloysius Matovu and his team will be performing at the National Theatre on Saturday and Sunday, with two shows each day, one at 2:30 PM and another at 7:00 PM. The performances will celebrate mothers and the special place they hold in our lives. If you can, please make time and attend. Let us support our theatre, celebrate our mothers, and show appreciation to one of the people who has dedicated decades of his life to entertaining, educating, and inspiring us. See you at the National Theatre.

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Journalist handing Messi this gift is exactly why he puts it all on the line for his people 🇦🇷❤️ Translation: “Leo, here’s a little gift for you. It’s a rosary blessed at the Vatican. For you, for your children, for Antonella, for your dad, and for your mum. In appreciation for all the joy you’ve given us over these past 20 years. Everyone is always asking you for something, hitting you up or favors and that’s perfectly understandable. But you have been a source of joy for millions, from the little ones just entering the world to the old folks nearing the end of their journey. Anyways, this rosary is to watch over you in everything you undertake in life. Wishing you and your family good health and on behalf of all Argentines. Thank you Thank you”

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Trad West

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🚨WOW!!!! A Vietnam vet gave up his dream car, a '69 Mustang Mach 1, to raise his 6 sons. He never let them see what it cost him. 50 years later, his youngest traded away his OWN Mustang to track down the exact car... and handed his dad the keys on Father's Day. His name is Daniel Allen and he came home from the Vietnam war and bought his dream car. It was a white 1969 Mustang Mach 1. Black hood, red stripes, four-speed. And then he gave it up. Because one baby became two. Then three. Then six sons. And a two-door muscle car can't raise a family. So Daniel traded away his dream, the way good fathers do. He never made his boys feel the cost of it. But his youngest son, Shane, was always listening. Every time his dad told the story of "the one that got away," it stuck. The two of them even made a tradition of it, going to Father's Day car shows together, hunting for Mustangs, reminiscing. So this year, Shane found it. A white '69 Mach 1, exactly like the one his father described for decades. He traded away his OWN restored Mustang GT to get it, then had it repainted and reupholstered to match his dad's memory down to the detail. And to get it, he traded away his OWN restored Mustang. On Father's Day, at their car show, Daniel walked past a Mach 1 and noticed a name tag hanging from the mirror that read "Daniel." He figured it was a coincidence. Half-joking, he said, "Where are my keys?" His son reached out and put the keys in his hand and told him to fire it up. This grown man. This veteran. He climbed out of that car, asked his son how on earth he'd pulled it off, and when Shane told him he'd traded his own custom Mustang to do it... ...Daniel broke down and wrapped his boy in his arms. Fifty years later, the dream he laid down for his kids... his kid handed right back to him. God bless the Allen family. That's what it's all about.

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Sometimes, change doesn’t arrive with loud protests. It shows up in a single, quiet word. At a wedding ritual where a baby boy is placed in the bride’s lap, the question is familiar and so is the expected answer. When asked “whom are you playing with?”, most women are nudged to say “son” — a reflection of generations of conditioning. But this bride chose differently. She simply said “kid.” No confrontation. No disruption. Just a calm shift in the answer that refused to assign preference, and in doing so, gently questioned a belief many don’t even notice. The video has since gone viral, not for outrage, but for appreciation. Many are calling it a dignified break from tradition — a reminder that change doesn’t always need to be loud to be powerful. Credits : kritikabedwal on IG #EverydayChange #SocialShift #IndianWeddings #breakingpatriarchy [Gender Norms, Cultural Conditioning, Social Change, India, Breaking Patriarchy]

Sometimes, change doesn’t arrive with loud protests. It shows up in a single, quiet word. At a wedding ritual where a baby boy is placed in the bride’s lap, the question is familiar and so is the expected answer. When asked “whom are you playing with?”, most women are nudged to say “son” — a reflection of generations of conditioning. But this bride chose differently. She simply said “kid.” No confrontation. No disruption. Just a calm shift in the answer that refused to assign preference, and in doing so, gently questioned a belief many don’t even notice. The video has since gone viral, not for outrage, but for appreciation. Many are calling it a dignified break from tradition — a reminder that change doesn’t always need to be loud to be powerful. Credits : kritikabedwal on IG #EverydayChange #SocialShift #IndianWeddings #breakingpatriarchy [Gender Norms, Cultural Conditioning, Social Change, India, Breaking Patriarchy]

The Better India

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It’s possible to nurture independence in your toddler while maintaining attachment, trust, and safety. There’s a video that’s gone super viral this week. Maybe you’ve seen it? It shows a father and his toddler son walking down a path that is blocked, at a point, by a set of three low-hanging ropes. Dad steps over them easily, but they’re right at waist/chest level for his son. The father turns around to see how the toddler will navigate the obstacle and the little one lifts his arms, signaling for dad to lift him over the barrier. Instead, dad silently turns his back and walks away. Distressed, the toddler yells for his father and begins attempting to navigate the ropes. As he does he becomes entangled - at which point dad returns, picks the toddler up, places him back where he started, and again turns his back and walks off. After some effort - and several more distressed vocalizations - our hero finally does manage to make his way to the other side (at which point the father applauds and returns to congratulate him). The reaction has been split - with many praising the father for encouraging independence and problem solving and others less enamored. Count me in the second camp, but not because I disagree with his intent. The thing is that it’s possible to nurture independence without withdrawing safety, support, and encouragement. Contrast that video with this one of a toddler working hard to overcome an obstacle of her own. The challenge: descend a set of outdoor stairs. Both videos depict parents encouraging independence and problem solving. But where one parent goes radio silent, physically distances himself, and creates a needlessly stressful situation, the other stays in close proximity, providing reassurance and verbal encouragement… (before improvising an amazing “happy dance” song). Promoting appropriate levels of independence is a worthy goal (in both instances). But the approaches we take make a difference. Note that the mother here doesn’t intervene physically, leaving her toddler to navigate the challenge entirely on her own. (She actually provides less intervention than the father does in this regard.) What’s more, she provides no verbal instruction, limiting her comments to simple encouragements (“Let’s do it! Come on!”). But her actions and presence send a message that says “you can do it” rather than “I’m leaving.” Her approach promotes independence, attachment, and trust all at the same time. And that’s a combination that actually encourages problem solving. (Note that at the end of the video her daughter climbs back up the stairs to try the whole thing over again.) Be like this mom. This video - which is far more deserving of viral status - shared to IG by asheybashy.

It’s possible to nurture independence in your toddler while maintaining attachment, trust, and safety. There’s a video that’s gone super viral this week. Maybe you’ve seen it? It shows a father and his toddler son walking down a path that is blocked, at a point, by a set of three low-hanging ropes. Dad steps over them easily, but they’re right at waist/chest level for his son. The father turns around to see how the toddler will navigate the obstacle and the little one lifts his arms, signaling for dad to lift him over the barrier. Instead, dad silently turns his back and walks away. Distressed, the toddler yells for his father and begins attempting to navigate the ropes. As he does he becomes entangled - at which point dad returns, picks the toddler up, places him back where he started, and again turns his back and walks off. After some effort - and several more distressed vocalizations - our hero finally does manage to make his way to the other side (at which point the father applauds and returns to congratulate him). The reaction has been split - with many praising the father for encouraging independence and problem solving and others less enamored. Count me in the second camp, but not because I disagree with his intent. The thing is that it’s possible to nurture independence without withdrawing safety, support, and encouragement. Contrast that video with this one of a toddler working hard to overcome an obstacle of her own. The challenge: descend a set of outdoor stairs. Both videos depict parents encouraging independence and problem solving. But where one parent goes radio silent, physically distances himself, and creates a needlessly stressful situation, the other stays in close proximity, providing reassurance and verbal encouragement… (before improvising an amazing “happy dance” song). Promoting appropriate levels of independence is a worthy goal (in both instances). But the approaches we take make a difference. Note that the mother here doesn’t intervene physically, leaving her toddler to navigate the challenge entirely on her own. (She actually provides less intervention than the father does in this regard.) What’s more, she provides no verbal instruction, limiting her comments to simple encouragements (“Let’s do it! Come on!”). But her actions and presence send a message that says “you can do it” rather than “I’m leaving.” Her approach promotes independence, attachment, and trust all at the same time. And that’s a combination that actually encourages problem solving. (Note that at the end of the video her daughter climbs back up the stairs to try the whole thing over again.) Be like this mom. This video - which is far more deserving of viral status - shared to IG by asheybashy.

Dan Wuori

671,838 views • 2 years ago

Let’s get to the facts Baby D 🍼 There is no way Drake’s fans are going to set here and let you get this bs off! You being a Cole fan and me being a Drake fan I’m calling your weird tactics out. How dare you say Drake didn’t help J Cole and that they only had a business relationship… what you won’t get to do is pretend like Drake didn’t have a big impact on Cole’s career! Drake famously bought copies of J. Cole's Born Sinner album at Best Buy to support him early in their careers. Drake bought J. Cole a yellow gold Rolex Day-Date Presidential, which J. Cole confirmed in his 2019 song "Middle Child". In the lyrics, J. Cole mentions, "Just put the Rollie right back on my wrist, this watch came from Drizzy he gave me a gift”. They've made music together on tracks like "First Person Shooter" and "Jodeci Freestyle". They've surprised fans by appearing at each other's shows and tours, including Dreamville Fest. Drake has called Cole his "brother" and one of the greatest artists, while Cole expresses deep appreciation for Drake's help in his career. During the Drake-Kendrick Lamar feud, J. Cole initially sided with Drake but later withdrew, leading to speculation. In his song "Port Antonio," Cole clarified his stance, stating he didn't want conflict and acknowledged Drake's significant role in his career. I have attached articles and screenshots seeing that you are oblivious of the friendship between Drake and J Cole!

Let’s get to the facts Baby D 🍼 There is no way Drake’s fans are going to set here and let you get this bs off! You being a Cole fan and me being a Drake fan I’m calling your weird tactics out. How dare you say Drake didn’t help J Cole and that they only had a business relationship… what you won’t get to do is pretend like Drake didn’t have a big impact on Cole’s career! Drake famously bought copies of J. Cole's Born Sinner album at Best Buy to support him early in their careers. Drake bought J. Cole a yellow gold Rolex Day-Date Presidential, which J. Cole confirmed in his 2019 song "Middle Child". In the lyrics, J. Cole mentions, "Just put the Rollie right back on my wrist, this watch came from Drizzy he gave me a gift”. They've made music together on tracks like "First Person Shooter" and "Jodeci Freestyle". They've surprised fans by appearing at each other's shows and tours, including Dreamville Fest. Drake has called Cole his "brother" and one of the greatest artists, while Cole expresses deep appreciation for Drake's help in his career. During the Drake-Kendrick Lamar feud, J. Cole initially sided with Drake but later withdrew, leading to speculation. In his song "Port Antonio," Cole clarified his stance, stating he didn't want conflict and acknowledged Drake's significant role in his career. I have attached articles and screenshots seeing that you are oblivious of the friendship between Drake and J Cole!

BoveiDaDon♥️🦉

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100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 views • 2 months ago

From earlier this morning, Joint Chiefs Chairman Dan Caine’s update on the two airmen rescued in Iran... “We’ve had — the Secretary and I have had the profound honor of speaking directly with many of the warfighters on that mission, from the downed crew that that were picked up to those forces that went and got them. Hearing these stories firsthand has only deepened our appreciation for their tenacity, creativity, courage, and grit of the American Joint Force. This is a story that gets to the very heart and soul of who we are as a joint force, who we are as Americans. Selfless sacrifice in service of others. From the back seater, Dude 44 Bravo, whose pure and unadulterated joy at seeing those helicopters come into the valley to get his front seater in daylight because he knew the front seater did not have a jacket and was so filled with heart leaping joy at his front seater, getting picked up to the nighttime folks that went in and then got him to the tanker forces that did the things that they had to do to give their own gas away to the support packages, to those that went into the desert landing site not once, not twice, but three times as we fought through multiple contingencies. This was and is a joint force that has the guts to try, that does not quit, and who each and every day does the things that we must to dare to win. No lives were lost. We succeeded because the Joint Force is always at the ready. They trust each other, they trust their leaders and they trust their training. And they remember first and foremost and always, that we do these things so that others may live. And we will never leave anyone behind.”

From earlier this morning, Joint Chiefs Chairman Dan Caine’s update on the two airmen rescued in Iran... “We’ve had — the Secretary and I have had the profound honor of speaking directly with many of the warfighters on that mission, from the downed crew that that were picked up to those forces that went and got them. Hearing these stories firsthand has only deepened our appreciation for their tenacity, creativity, courage, and grit of the American Joint Force. This is a story that gets to the very heart and soul of who we are as a joint force, who we are as Americans. Selfless sacrifice in service of others. From the back seater, Dude 44 Bravo, whose pure and unadulterated joy at seeing those helicopters come into the valley to get his front seater in daylight because he knew the front seater did not have a jacket and was so filled with heart leaping joy at his front seater, getting picked up to the nighttime folks that went in and then got him to the tanker forces that did the things that they had to do to give their own gas away to the support packages, to those that went into the desert landing site not once, not twice, but three times as we fought through multiple contingencies. This was and is a joint force that has the guts to try, that does not quit, and who each and every day does the things that we must to dare to win. No lives were lost. We succeeded because the Joint Force is always at the ready. They trust each other, they trust their leaders and they trust their training. And they remember first and foremost and always, that we do these things so that others may live. And we will never leave anyone behind.”

Curtis Houck

63,794 views • 5 months ago

RFK Jr’s true character shows in this raw, candid video that was captured by Cody’s dad in the hospital when RFK Jr. called my boy via face-time and talked to us late at night- not with news cameras or media in the background. His only motive was to support a young man who he heard was in the hospital in a life or death situation suffering a terminal illness from his Covid-19 vaccine. He looked my son in the eye and thanked him for his courage speaking out about his injury. Eye to eye. Cody might sound OK, but he was in the hospital for multiple clots in all four limbs and his condition did not respond to the hospital’s multiple month long attempts at anticoagulation therapy. He is terminally ill as he can die of uncontrolled clotting at any time. He had already one stroke and multiple hospitalizations for Pulmonary embolisms in 2021 and 2022 before this 2023 hospitalization. His condition began to rapidly decline and RFK Jr heard about Cody’s plight and stepped away from his own party to call my kid. My son had a blood clot in one of the veins in his brain and three strokes after this call. Bobby Kennedy Jr’s kindness, integrity and intentions are pure. He called to encourage a young man who is fighting for his life. Secretary Kennedy’s heart is pure. I saw it through and through we felt it through and through. This is my two cents. I am a national vaccine injured citizen’s advocate, author of Cody’s Law (FL) that was just recently revised along with the support of Dr. Ladapo to submit to federal policy to expedite medical care programs to the vaccine injured nationwide. I am also Cody’s mom. Our family supports RFK Jr. completely. President Donald J. Trump Senator Ron Johnson Thomas Massie Marjorie Taylor Greene 🇺🇸 Nancy Mace Chip Roy Attorney General Ken Paxton Joseph A. Ladapo, MD, PhD JD Vance Vice President JD Vance Marty Makary MD, MPH marla maples Mary Talley Bowden MD James Lyons-Weiler Elon Musk Brian Hooker, PhD Secretary Kennedy Donald J. Trump Dr. Drew Children’s Health Defense Erin Elizabeth Health Nut News🥜 Camus John Rich🇺🇸 Chris Martenson Independent Medical Alliance World Council for Health (WCH)

RFK Jr’s true character shows in this raw, candid video that was captured by Cody’s dad in the hospital when RFK Jr. called my boy via face-time and talked to us late at night- not with news cameras or media in the background. His only motive was to support a young man who he heard was in the hospital in a life or death situation suffering a terminal illness from his Covid-19 vaccine. He looked my son in the eye and thanked him for his courage speaking out about his injury. Eye to eye. Cody might sound OK, but he was in the hospital for multiple clots in all four limbs and his condition did not respond to the hospital’s multiple month long attempts at anticoagulation therapy. He is terminally ill as he can die of uncontrolled clotting at any time. He had already one stroke and multiple hospitalizations for Pulmonary embolisms in 2021 and 2022 before this 2023 hospitalization. His condition began to rapidly decline and RFK Jr heard about Cody’s plight and stepped away from his own party to call my kid. My son had a blood clot in one of the veins in his brain and three strokes after this call. Bobby Kennedy Jr’s kindness, integrity and intentions are pure. He called to encourage a young man who is fighting for his life. Secretary Kennedy’s heart is pure. I saw it through and through we felt it through and through. This is my two cents. I am a national vaccine injured citizen’s advocate, author of Cody’s Law (FL) that was just recently revised along with the support of Dr. Ladapo to submit to federal policy to expedite medical care programs to the vaccine injured nationwide. I am also Cody’s mom. Our family supports RFK Jr. completely. President Donald J. Trump Senator Ron Johnson Thomas Massie Marjorie Taylor Greene 🇺🇸 Nancy Mace Chip Roy Attorney General Ken Paxton Joseph A. Ladapo, MD, PhD JD Vance Vice President JD Vance Marty Makary MD, MPH marla maples Mary Talley Bowden MD James Lyons-Weiler Elon Musk Brian Hooker, PhD Secretary Kennedy Donald J. Trump Dr. Drew Children’s Health Defense Erin Elizabeth Health Nut News🥜 Camus John Rich🇺🇸 Chris Martenson Independent Medical Alliance World Council for Health (WCH)

Heather Hudson

122,044 views • 1 year ago

Someone on here said they wish they had opportunities to wear nice clothes, but as a dad with growing kids, they have to wear things that allow them to do chores. I don't think dressing well is the same as dressing up. I also don't think that your relationship to clothes has to be about impressing others. So even if someone doesn't find your outfit cool or stylish, there can be elements in the attire that make you feel your best. Of course, I can't easily lay out this wardrobe for you, not least because we're on Twitter. Getting people into the right clothes requires time, conversations, and experimentation. But if I were a dad with growing kids and needed clothes suitable for chores, I'd opt for stylish versions of workwear. Such clothes can be as cheap or expensive as you'd like. For instance, you can find fatigues at Army surplus stores for about $50 or at specialty boutiques such as Bryceland's for $388. Carhartt's double-knee pants are $65, but Polo Ralph Lauren sells a pair I especially like for $400. Levi's has double-knee jeans on sale right now for $40; Self Edge, my favorite denim shop, has an endless selection of Japanese raw denim selvage jeans for $250 and up. None of these are necessarily better or worse than the others; it's about figuring out which you prefer. Actor Rajiv Surendra, whose YouTube channel I really enjoy, recently addressed this when talking about a pair of white Filson pants that he's been wearing when working with red clay. White pants, of course, are notoriously difficult to keep clean. But when made in a more rugged workwear style and rendered in a heavier, sturdier material, they can withstand wear and tear and look better with age. By wearing these pants when he makes pottery, Surendra has stained his white pants a slightly dusty red — and they look better for it. You can get lots of clothes like this: work shirts made from chambray or denim; stout cotton sweatshirts instead of fine merinos. If the clothes snag or rip, great—learn to repair them yourself or send them to a mender. Visible mending can actually add charm to a garment (as you can see in the last slide). A few years ago, I interviewed my friend Andrew Chen, co-founder of one of my favorite denim brands, 3sixteen. At the time, he was raising two young sons (they are older now) and thus needed durable clothes that could be easily thrown into a wash. He said he favored materials that are easy to care for and suit his busy lifestyle. That meant heavier, textured flannel shirts (what's known as a "low-tension" weave in the industry), denim trucker and jungle cloth deck jackets, waxed leather roper boots, and of course, raw denim jeans. My friend Brian Davis, founder of one of my favorite vintage menswear shops (Wooden Sleepers in Tuckahoe, NY), is also a father. He favors vintage LL Bean, Champion sweats, and militaria. I imagine if he could speak to you now, he would recommend getting a pair of vintage US Army fatigues (pre-1980s, so they're made from pure cotton instead of a poly-blend), vintage oxford cloth button-down shirts (Brooks Brothers), and a Lee 101 trucker for summer and an LL Bean barn coat for fall. There are two reasons why you may enjoy these clothes. First, they are durable and will last a long time. Second, they will show patina with age. Over time, you will notice that your jeans are getting threadbare around the knees from playing with your kids on the floor; the chambray work shirt will have stains from where they chucked food at you. On dressier garments, these may spoil the aesthetic, but in workwear, they only add to the charm. The fades, rips, stains, and repairs are part of the look. Since such stains are related to people you love, the clothes will only be more cherished, incentivizing you to repair things rather than throw them away. Getting to this position requires knowing a bit about the history of these garments, so you know how to style them, as well as something about materiality. It helps to understand different fabric weights (e.g., 10oz vs 16oz cotton), materials (e.g., drill, duck canvas, chambray), and dyeing or finishing techniques (e.g., raw, unsanforized, mercerized). I'll will try to cover these here in the future. For now, you can also find this kind of information at Put This On and Die, Workwear, where I've done the bulk of my menswear writing for the last fifteen years. The information is available for free (no paywall or subscription service necessary). Relevant channels mentioned: Rajiv Surendra's YouTube: rajivsurendra Andrew Chen's Instagram: andrew3sixteen 3sixteen's Instagram: 3sixteen Wooden Sleeper's Instagram: woodensleepers

Someone on here said they wish they had opportunities to wear nice clothes, but as a dad with growing kids, they have to wear things that allow them to do chores. I don't think dressing well is the same as dressing up. I also don't think that your relationship to clothes has to be about impressing others. So even if someone doesn't find your outfit cool or stylish, there can be elements in the attire that make you feel your best. Of course, I can't easily lay out this wardrobe for you, not least because we're on Twitter. Getting people into the right clothes requires time, conversations, and experimentation. But if I were a dad with growing kids and needed clothes suitable for chores, I'd opt for stylish versions of workwear. Such clothes can be as cheap or expensive as you'd like. For instance, you can find fatigues at Army surplus stores for about $50 or at specialty boutiques such as Bryceland's for $388. Carhartt's double-knee pants are $65, but Polo Ralph Lauren sells a pair I especially like for $400. Levi's has double-knee jeans on sale right now for $40; Self Edge, my favorite denim shop, has an endless selection of Japanese raw denim selvage jeans for $250 and up. None of these are necessarily better or worse than the others; it's about figuring out which you prefer. Actor Rajiv Surendra, whose YouTube channel I really enjoy, recently addressed this when talking about a pair of white Filson pants that he's been wearing when working with red clay. White pants, of course, are notoriously difficult to keep clean. But when made in a more rugged workwear style and rendered in a heavier, sturdier material, they can withstand wear and tear and look better with age. By wearing these pants when he makes pottery, Surendra has stained his white pants a slightly dusty red — and they look better for it. You can get lots of clothes like this: work shirts made from chambray or denim; stout cotton sweatshirts instead of fine merinos. If the clothes snag or rip, great—learn to repair them yourself or send them to a mender. Visible mending can actually add charm to a garment (as you can see in the last slide). A few years ago, I interviewed my friend Andrew Chen, co-founder of one of my favorite denim brands, 3sixteen. At the time, he was raising two young sons (they are older now) and thus needed durable clothes that could be easily thrown into a wash. He said he favored materials that are easy to care for and suit his busy lifestyle. That meant heavier, textured flannel shirts (what's known as a "low-tension" weave in the industry), denim trucker and jungle cloth deck jackets, waxed leather roper boots, and of course, raw denim jeans. My friend Brian Davis, founder of one of my favorite vintage menswear shops (Wooden Sleepers in Tuckahoe, NY), is also a father. He favors vintage LL Bean, Champion sweats, and militaria. I imagine if he could speak to you now, he would recommend getting a pair of vintage US Army fatigues (pre-1980s, so they're made from pure cotton instead of a poly-blend), vintage oxford cloth button-down shirts (Brooks Brothers), and a Lee 101 trucker for summer and an LL Bean barn coat for fall. There are two reasons why you may enjoy these clothes. First, they are durable and will last a long time. Second, they will show patina with age. Over time, you will notice that your jeans are getting threadbare around the knees from playing with your kids on the floor; the chambray work shirt will have stains from where they chucked food at you. On dressier garments, these may spoil the aesthetic, but in workwear, they only add to the charm. The fades, rips, stains, and repairs are part of the look. Since such stains are related to people you love, the clothes will only be more cherished, incentivizing you to repair things rather than throw them away. Getting to this position requires knowing a bit about the history of these garments, so you know how to style them, as well as something about materiality. It helps to understand different fabric weights (e.g., 10oz vs 16oz cotton), materials (e.g., drill, duck canvas, chambray), and dyeing or finishing techniques (e.g., raw, unsanforized, mercerized). I'll will try to cover these here in the future. For now, you can also find this kind of information at Put This On and Die, Workwear, where I've done the bulk of my menswear writing for the last fifteen years. The information is available for free (no paywall or subscription service necessary). Relevant channels mentioned: Rajiv Surendra's YouTube: rajivsurendra Andrew Chen's Instagram: andrew3sixteen 3sixteen's Instagram: 3sixteen Wooden Sleeper's Instagram: woodensleepers

derek guy

178,383 views • 1 month ago

This was recorded last Thursday morning at SPCA in Lancaster, Pennsylvania. The man is Gerald. He's 81 years old. He came in at 9:15 AM, right when the shelter opened. He had a tan Beagle on a worn leather leash. The dog's name is Otto. He's eight years old. Gerald and Otto have been together for seven years. Otto was a one-year-old shelter dog when Gerald's late wife Eleanor suggested they go for a drive one afternoon and ended up at the Lancaster County shelter. Eleanor picked Otto. Gerald said he was too energetic. Within three months, Gerald admitted he was wrong. Otto had been Gerald's constant companion since Eleanor passed away four years ago. Through the quiet mornings. Through the hard evenings. Through every slow walk around the neighborhood that gave Gerald's days a beginning and an end. Gerald's son Robert had been working for months on finding Gerald a place at Willow Valley Communities — a well-regarded facility twenty minutes from Robert's house. Gerald had resisted at first. Then a small health concern last fall made the conversation more urgent. Gerald agreed in December. Millstream was the right choice. Gerald knew it. Robert knew it Willow Valley didn't allow pets. Robert had searched for solutions. Family friends. Neighbors. His own home — but his wife had a serious allergy. He'd reached out to three different rescue organizations about finding Otto a good placement. Nothing had come together in time. Gerald had made the appointment at Pinewood himself. He didn't tell Robert until the morning of. Robert offered to come. Gerald said he needed to do it alone. He arrived at 9:15 with Otto on the worn leather leash and a paper bag with Otto's food, his two favorite toys, and a handwritten care sheet Gerald had spent two evenings writing - Otto's schedule, his preferences, the way he liked to sleep, the fact that he was nervous around loud trucks, the fact that he liked to sit on the left side of whoever he was with. The intake coordinator, a young man named Philip, took the paper bag carefully. The security footage shows Gerald standing at the intake desk. His shoulders are rounded forward. He's filling out the forms with his head down. Otto sits at his feet. Calm. Tail doing a slow, easy wag. Looking up at Gerald with the complete comfortable trust of a dog who has been on dozens of errands with this man and knows they always go back home together. Otto nudges Gerald's hand with his nose. Gerald doesn't look down. Otto nudges again, then rests his chin on Gerald's shoe. Gerald finishes the last form. Sets the pen down. Then he turns and crouches — slowly, with the careful movement of a man whose knees have earned the right to take their time — and takes Otto's face gently in both hands. He presses his forehead against Otto's. Stays there. Otto's tail wags. He doesn't pull away. He just sits there with his face in Gerald's hands, calm and trusting, tail going softly. Gerald stays for a long time. Then he stands. Hands the leash to Philip. Turns toward the door. He doesn't look back. Philip stood at the desk for a moment holding the leash. Otto was still looking toward the door. Philip told us later: "Otto had no idea. He was completely relaxed the whole time. I kept watching his face and he just looked like he was waiting for Gerald to finish up so they could leave together. He trusted Gerald completely. Completely." He paused. "That's the part that stays with me. Otto had no idea. And Gerald knew everything. And he still did it right. He did it gently and he did it because he loved Otto enough to make sure he was cared for." Robert called that afternoon. He's working with them on finding a permanent home for Otto. He said he told Gerald that evening how the drop-off had gone. Gerald didn't say anything for a moment. Then he asked if Otto had eaten his dinner. Philip had already left a note in the file. ( continued at first comment )

This was recorded last Thursday morning at SPCA in Lancaster, Pennsylvania. The man is Gerald. He's 81 years old. He came in at 9:15 AM, right when the shelter opened. He had a tan Beagle on a worn leather leash. The dog's name is Otto. He's eight years old. Gerald and Otto have been together for seven years. Otto was a one-year-old shelter dog when Gerald's late wife Eleanor suggested they go for a drive one afternoon and ended up at the Lancaster County shelter. Eleanor picked Otto. Gerald said he was too energetic. Within three months, Gerald admitted he was wrong. Otto had been Gerald's constant companion since Eleanor passed away four years ago. Through the quiet mornings. Through the hard evenings. Through every slow walk around the neighborhood that gave Gerald's days a beginning and an end. Gerald's son Robert had been working for months on finding Gerald a place at Willow Valley Communities — a well-regarded facility twenty minutes from Robert's house. Gerald had resisted at first. Then a small health concern last fall made the conversation more urgent. Gerald agreed in December. Millstream was the right choice. Gerald knew it. Robert knew it Willow Valley didn't allow pets. Robert had searched for solutions. Family friends. Neighbors. His own home — but his wife had a serious allergy. He'd reached out to three different rescue organizations about finding Otto a good placement. Nothing had come together in time. Gerald had made the appointment at Pinewood himself. He didn't tell Robert until the morning of. Robert offered to come. Gerald said he needed to do it alone. He arrived at 9:15 with Otto on the worn leather leash and a paper bag with Otto's food, his two favorite toys, and a handwritten care sheet Gerald had spent two evenings writing - Otto's schedule, his preferences, the way he liked to sleep, the fact that he was nervous around loud trucks, the fact that he liked to sit on the left side of whoever he was with. The intake coordinator, a young man named Philip, took the paper bag carefully. The security footage shows Gerald standing at the intake desk. His shoulders are rounded forward. He's filling out the forms with his head down. Otto sits at his feet. Calm. Tail doing a slow, easy wag. Looking up at Gerald with the complete comfortable trust of a dog who has been on dozens of errands with this man and knows they always go back home together. Otto nudges Gerald's hand with his nose. Gerald doesn't look down. Otto nudges again, then rests his chin on Gerald's shoe. Gerald finishes the last form. Sets the pen down. Then he turns and crouches — slowly, with the careful movement of a man whose knees have earned the right to take their time — and takes Otto's face gently in both hands. He presses his forehead against Otto's. Stays there. Otto's tail wags. He doesn't pull away. He just sits there with his face in Gerald's hands, calm and trusting, tail going softly. Gerald stays for a long time. Then he stands. Hands the leash to Philip. Turns toward the door. He doesn't look back. Philip stood at the desk for a moment holding the leash. Otto was still looking toward the door. Philip told us later: "Otto had no idea. He was completely relaxed the whole time. I kept watching his face and he just looked like he was waiting for Gerald to finish up so they could leave together. He trusted Gerald completely. Completely." He paused. "That's the part that stays with me. Otto had no idea. And Gerald knew everything. And he still did it right. He did it gently and he did it because he loved Otto enough to make sure he was cared for." Robert called that afternoon. He's working with them on finding a permanent home for Otto. He said he told Gerald that evening how the drop-off had gone. Gerald didn't say anything for a moment. Then he asked if Otto had eaten his dinner. Philip had already left a note in the file. ( continued at first comment )

Gabriele Corno

3,305,292 views • 2 months ago

🎥| “Oh, he's great, he's great (Freddie). I like... I'll play him like a couple. You know what it's like? he's nine. So, like you get the attention span for maybe two songs, six minutes, and he's into it and then I know, you know he's had enough. [Interviewer: Does he like music?] Yeah , he's definitely started like I've definitely noticed him like, you know, singing and like humming to himself little bit more. I'm encourage... I'm trying to encourage him to play guitar. I think he is up for it. But yeah, at that age you just you want to time that perfectly cuz I can remember being a young lad and if someone put a guitar in my hand at the wrong age... But also you got to be a old enough to understand that it's really cool to play the guitar. So yeah, we we'll get there. But he's doing great. [Interviewer: Does he go to some of the shows?] He'll... he normally comes to the LA show which is always that's a real tough one for me cuz it's like all I want to do is a be dad and then it's a real justosition but it's emotional. He brings his own signs, makes his own signs and stuff like yeah dead dead sweet.” ❤️ — Louis Tomlinson talking about his son Freddie in an interview with iHeartRadio!

🎥| “Oh, he's great, he's great (Freddie). I like... I'll play him like a couple. You know what it's like? he's nine. So, like you get the attention span for maybe two songs, six minutes, and he's into it and then I know, you know he's had enough. [Interviewer: Does he like music?] Yeah , he's definitely started like I've definitely noticed him like, you know, singing and like humming to himself little bit more. I'm encourage... I'm trying to encourage him to play guitar. I think he is up for it. But yeah, at that age you just you want to time that perfectly cuz I can remember being a young lad and if someone put a guitar in my hand at the wrong age... But also you got to be a old enough to understand that it's really cool to play the guitar. So yeah, we we'll get there. But he's doing great. [Interviewer: Does he go to some of the shows?] He'll... he normally comes to the LA show which is always that's a real tough one for me cuz it's like all I want to do is a be dad and then it's a real justosition but it's emotional. He brings his own signs, makes his own signs and stuff like yeah dead dead sweet.” ❤️ — Louis Tomlinson talking about his son Freddie in an interview with iHeartRadio!

World Tomlinson

129,138 views • 11 months ago

The reactions to this tweet are telling. About a year ago, I spoke with someone who has worked in the high-end denim industry for a few decades. He's traveled the world to meet with some of the best indigo dyers, fabric weavers, and cut-and-sew factories. He lives and breathes denim. We talked about whether the US could ever create a high-end denim industry that could rival Japan's. His answer, delivered to me without any sentimentality, was a straightforward "No." According to him, the issue isn't just history. To be sure, Japan has a long history of weaving textiles, which has led to a particularly robust denim industry in and around Okayama Prefecture. It was here, after all, that farmers found that the soil was too saline for rice cultivation sometime in the 17th century, so they switched to cotton. Over the next four hundred years, cotton cultivation here supported the development of yarn spinning, fabric weaving, and eventually a cut-and-sew industry that specialized in producing some of the world's best jeans. Economists call these "industrial clusters," which can be remarkably durable and particularly fruitful for innovation. But according to my friend, history is not enough to explain why Japan excels at producing high-end denim. He believes culture also plays a role. It can be uncomfortable to invoke culture as an explanatory variable, especially in today’s political climate. To be sure, sometimes "culture" is just used as a lazy variable to explain things when someone doesn't know enough about history, institutions, or laws. It's not the first variable I turn to when trying to understand social outcomes. However, my friend feels strongly that differences between Japanese and American culture lead craftspeople in Japan to approach spinning, dyeing, and weaving more as an art than as an industrial processes. They are also more open to experimentation — tinkering with machines to get neppy weaves, using slubby yarns, dyeing hanks in unique ways. In the US, he claims, people are much more focused on profit and efficiency. There's less appreciation for craft and therefore less incentive to produce the kinds of unusual, labor-intensive fabrics that distinguish high-end Japanese denim. I still think some structural factors are involved. In a nation of 350 million people, I'm confident that there are tens of thousands of people interested in craft. However, they can't become artisans because few apprenticeship programs exist. Skyrocketing rents and car dependency make it hard to earn a living as an artist or craftsperson, as you have to forgo earning a lot of money for a long time. The US government also provides little support for apprenticeships and craft-based businesses. Additionally, US fashion media focuses much more on trends and celebrities. In Japan, you can find hundreds of speciality publications that really get into the weeds about bourbon, woodworking, denim, tailoring, and any other hobby you can imagine. This creates an informed consumer base ready to purchase things from artisans. This came to mind as I scrolled through the replies to this tweet — the incredulity of jeans costing $300 and confident claims that jeans are just jeans. Lots of people insisting that some brand's $100 jeans are the same as these that cost $300. $300 for jeans is not even expensive in this corner of menswear. This Business Insider episode below gets into why a pair of Momotaro jeans can cost upwards of $2,000. It has much to do with how the material is dyed and the fabric is handwoven. Is this ridiculous? Yes, on some level. But to my mind, no more ridiculous than a lot of stuff celebrated in the US, such as monster truck rallies, sports memorabilia culture, and the garages full of expensive recreational equipment that gets used once a decade. Textiles are one of our earliest forms of art, so it's never a surprise to me to hear that some prosaic garment can be made in a more artisanal and thus expensive manner. Of course, whether you're willing to pay the price of these garments is another matter. But appreciating craftsmanship is always free.

derek guy

864,593 views • 1 month ago

I received this email from a Canadian father trying to save his 8-year-old boy from medical transition. I’ve removed all identifying info, and I’m working on finding him pro-bono lawyers. The school has already started socially transitioning his son with a girl’s name and pronouns, in SECRET! The father was not informed, despite having 50% custody, and the school did so without any psychological oversight. And a psychologist is already discussing puberty blockers, having never even met the child! This father needs help. Here’s the email: Hi Chris, My name is _______. I’m a father in _______, currently representing myself in the Supreme Court. I wanted to reach out because my case is unfolding right here in our backyard, and it shows how deep the ideological capture has gone. On July 16th, an arbitrator issued an award directing that my 8-year-old son be assessed for gender dysphoria by the head of ______ Gender Clinic. The arbitrator treated WPATH guidelines as if they were law, referred to my son by a different name, and ignored the evidence I filed — including an affidavit where my son said: “Mommy said I am trans.” For the past two years, my ex has been feeding him trans information without my knowledge. The school also began socially transitioning him in secret, effectively becoming the emotional and psychological caretakers of this identity. The arbitrator swept all of this aside, ruling as if affirmation was the only path. I had one call with the chosen psychologist. I didn’t even get to ask all my questions, but what shocked me is that puberty blockers were already discussed and tabled — despite this clinician never having met my son. This shows the conveyor belt in action: assessment, affirmation, and medicalization are treated as foregone conclusions. I’m now applying to have the award set aside. My only aim is to protect my son from being railroaded down this path. The arbitrator did find there was no “family violence” in my not affirming him, but everything else points toward ideological capture. It’s a lonely road. Most people seem to be walking around with moral blinders on. But I’ve followed your work, and I wanted to let you know about this case because it’s happening right here in ______. I look up to your courage and consistency — you’ve been one of the few willing to speak the truth. If you’d like to connect, I’d welcome it. *** I’ve now spoken at length with him and he’s extremely sharp, professional, etc. His son says he wants to have a big family one day. He wants to have 10 kids of his own, and of course doesn’t understand what ‘trans’ even means. The way things currently stand, with the entire system stacked up against the father, his boy will end up sterilized from puberty blockers and cross-sex hormones.

I received this email from a Canadian father trying to save his 8-year-old boy from medical transition. I’ve removed all identifying info, and I’m working on finding him pro-bono lawyers. The school has already started socially transitioning his son with a girl’s name and pronouns, in SECRET! The father was not informed, despite having 50% custody, and the school did so without any psychological oversight. And a psychologist is already discussing puberty blockers, having never even met the child! This father needs help. Here’s the email: Hi Chris, My name is ___. I’m a father in _, currently representing myself in the Supreme Court. I wanted to reach out because my case is unfolding right here in our backyard, and it shows how deep the ideological capture has gone. On July 16th, an arbitrator issued an award directing that my 8-year-old son be assessed for gender dysphoria by the head of Gender Clinic. The arbitrator treated WPATH guidelines as if they were law, referred to my son by a different name, and ignored the evidence I filed — including an affidavit where my son said: “Mommy said I am trans.” For the past two years, my ex has been feeding him trans information without my knowledge. The school also began socially transitioning him in secret, effectively becoming the emotional and psychological caretakers of this identity. The arbitrator swept all of this aside, ruling as if affirmation was the only path. I had one call with the chosen psychologist. I didn’t even get to ask all my questions, but what shocked me is that puberty blockers were already discussed and tabled — despite this clinician never having met my son. This shows the conveyor belt in action: assessment, affirmation, and medicalization are treated as foregone conclusions. I’m now applying to have the award set aside. My only aim is to protect my son from being railroaded down this path. The arbitrator did find there was no “family violence” in my not affirming him, but everything else points toward ideological capture. It’s a lonely road. Most people seem to be walking around with moral blinders on. But I’ve followed your work, and I wanted to let you know about this case because it’s happening right here in __. I look up to your courage and consistency — you’ve been one of the few willing to speak the truth. If you’d like to connect, I’d welcome it. *** I’ve now spoken at length with him and he’s extremely sharp, professional, etc. His son says he wants to have a big family one day. He wants to have 10 kids of his own, and of course doesn’t understand what ‘trans’ even means. The way things currently stand, with the entire system stacked up against the father, his boy will end up sterilized from puberty blockers and cross-sex hormones.

Billboard Chris 🌎

123,509 views • 1 year ago