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Daddy's Home. Music generated using MiniMax Audio. Prompt: smooth R&B, mid-tempo groove, deep bass, playful male vocals, inspired by Usher's song 'Hey Daddy'.

Meer | AI Tools & News

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29,052 次观看 • 1 年前 •via X (Twitter)

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10 条评论

Meera | AI Tools & News 的头像

Meera | AI Tools & News1 年前

Create your own meme hits. Try MiniMax Audio Music Gen:

sabir hussain 的头像

sabir hussain1 年前

It's amazing for transforming images into dynamic video.

Md Santo 的头像

Md Santo1 年前

amazing share

Parul Gautam 的头像

Parul Gautam1 年前

Will check this tool

Mujeeb Ahmed 的头像

Mujeeb Ahmed1 年前

🔥 MiniMax is wild!

Markandey Sharma 的头像

Markandey Sharma1 年前

Looks promising

EyeingAI 的头像

EyeingAI1 年前

AI music is getting so good.

Shruti 的头像

Shruti1 年前

Minimax is 🔥

Manish Kumar Shah 的头像

Manish Kumar Shah1 年前

Looks impressive

Gazelle 的头像

Gazelle1 年前

Minimax is awesome 🤩

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Some things are deeper than skin … “Around the Fire” Vocals: Lenore Zann & Kim Dunne Song by Leon Dubinsky Recorded at R & B Studio in Halifax, Nova Scotia Check out Lenore’s music on @spotify - new album coming! To Be Continued …

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Remy Shand emerged on to the scene in 2002 with his debut album 'The Way I Feel', a potent canon of songs inspired by classic Motown and Memphis soul. Primarily home-schooled in his native Winnipeg, Shand began raiding his parents record collection at an early age -- soaking up a wide range of jazz, soul, and R&B, with Marvin Gaye's classic Here, My Dear having a profound influence on his musical direction. Dropping out of high school to study and pursue music full-time, Shand played as a session musician and was a member of various experimental groups until he decided to focus a solo career. In 1998, he began to write and record the songs that would later become The Way I Feel. Three years later he was signed to Motown Records and the album saw the light of day in early 2002. The record met critical and underground success and received four Grammy nominations, including one for best R&B album. Shand now leads a quiet life out of the public eye and has transitioned into electrical engineering, stating: "Motown was one of the few studios that built their own gear. I think that inspired me to become more than just an entertainer. Modern music has always been dictated by technological advancements intertwined with cultural movements. Song and dance have been around for ages and I would like to encourage more artists to evolve beyond that cycle, separate themselves from the pageantry, and get heavy with the recording arts and sciences. It’s time to step into the future and innovate."

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The music industry knows exactly which frequencies hijack your brain. They use them in every hit: Sound frequencies (Hz = vibrations per second, the actual pitch): 440 Hz: Standard tuning that creates subtle anxiety (keeps you seeking resolution) - every pop song since 1953 528 Hz: The "love frequency" - why certain songs make you cry instantly - "Imagine", "Someone Like You"-vibes 40 Hz: Triggers dopamine release - "Sicko Mode", most Swedish House Mafia drops 432 Hz: Natural harmony frequency - Pink Floyd albums, "Stairway to Heaven" (why old records hit different) 8-10 Hz: Alpha waves - that trance state during long drives - "Weightless" by Marconi Union Sub-bass 20-60 Hz: Felt not heard - "Mask Off", any Metro Boomin production (why you need another drink at the club) 2,500-3,000 Hz: Baby cry frequency - Ariana Grande's whistle notes, "Stay" chorus (why some vocals are impossible to ignore) 16,000-20,000 Hz: Teen repellent frequency adults can't hear - hyperpop, 100 gecs-vibes (TikTok exploits this) Tempo/rhythm (BPM = beats per minute, the speed): 60-80 BPM: Matches resting heart rate - "Perfect" by Ed Sheeran, "Someone You Loved" (why ballads physically relax you) 120-140 BPM: Exercise/sex rhythm - "One More Time", "Levitating", every Calvin Harris track (club music isn't random) Brain manipulation (Hz but targeting your mental state directly): Binaural beats at 4-7 Hz: Theta state - every Headspace track, "8D Audio"-vibes (meditation apps are drug dealers) Every Spotify playlist is frequency-optimized for behavior. Travis Scott's engineer admitted to using 40 Hz loops. The Weeknd layers 528 Hz under everything. You're not choosing what you listen to. Your brain is being chosen for.

The music industry knows exactly which frequencies hijack your brain. They use them in every hit: Sound frequencies (Hz = vibrations per second, the actual pitch): 440 Hz: Standard tuning that creates subtle anxiety (keeps you seeking resolution) - every pop song since 1953 528 Hz: The "love frequency" - why certain songs make you cry instantly - "Imagine", "Someone Like You"-vibes 40 Hz: Triggers dopamine release - "Sicko Mode", most Swedish House Mafia drops 432 Hz: Natural harmony frequency - Pink Floyd albums, "Stairway to Heaven" (why old records hit different) 8-10 Hz: Alpha waves - that trance state during long drives - "Weightless" by Marconi Union Sub-bass 20-60 Hz: Felt not heard - "Mask Off", any Metro Boomin production (why you need another drink at the club) 2,500-3,000 Hz: Baby cry frequency - Ariana Grande's whistle notes, "Stay" chorus (why some vocals are impossible to ignore) 16,000-20,000 Hz: Teen repellent frequency adults can't hear - hyperpop, 100 gecs-vibes (TikTok exploits this) Tempo/rhythm (BPM = beats per minute, the speed): 60-80 BPM: Matches resting heart rate - "Perfect" by Ed Sheeran, "Someone You Loved" (why ballads physically relax you) 120-140 BPM: Exercise/sex rhythm - "One More Time", "Levitating", every Calvin Harris track (club music isn't random) Brain manipulation (Hz but targeting your mental state directly): Binaural beats at 4-7 Hz: Theta state - every Headspace track, "8D Audio"-vibes (meditation apps are drug dealers) Every Spotify playlist is frequency-optimized for behavior. Travis Scott's engineer admitted to using 40 Hz loops. The Weeknd layers 528 Hz under everything. You're not choosing what you listen to. Your brain is being chosen for.

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179,887 次观看 • 9 个月前

Joy Division – She’s Lost Control A haunting emblem of the post-punk era, She’s Lost Control was first released on 15 June 1979 as part of Joy Division’s debut album Unknown Pleasures and later issued in an extended form in 1980. Written by all four members of the band—Bernard Sumner, Peter Hook, Stephen Morris, and Ian Curtis—and produced with Martin Hannett’s stark, mechanistic touch, the track pairs pulsating bass and rigid drums with Curtis’s detached vocals to convey a chilling sense of inner turmoil. Lyrically, the song was inspired by a real person Curtis met while working as an Assistant Disablement Resettlement Officer: a young woman suffering from epilepsy whose seizures and struggle to find work made a deep impression on him. Tragically, she later died from a seizure, an event that shaped the stark refrain “She’s lost control again.” Curtis himself was diagnosed with epilepsy in January 1979, and his own battles with the condition increasingly impacted his life and performances. The frequent seizures, the effects of medication, and the stress of life as a touring musician contributed to profound physical and emotional strain. Today, She’s Lost Control stands as one of Joy Division’s most iconic songs—its raw depiction of loss, vulnerability, and the unpredictable nature of the human body and mind continues to resonate deeply in the landscape of alternative music.

Joy Division – She’s Lost Control A haunting emblem of the post-punk era, She’s Lost Control was first released on 15 June 1979 as part of Joy Division’s debut album Unknown Pleasures and later issued in an extended form in 1980. Written by all four members of the band—Bernard Sumner, Peter Hook, Stephen Morris, and Ian Curtis—and produced with Martin Hannett’s stark, mechanistic touch, the track pairs pulsating bass and rigid drums with Curtis’s detached vocals to convey a chilling sense of inner turmoil. Lyrically, the song was inspired by a real person Curtis met while working as an Assistant Disablement Resettlement Officer: a young woman suffering from epilepsy whose seizures and struggle to find work made a deep impression on him. Tragically, she later died from a seizure, an event that shaped the stark refrain “She’s lost control again.” Curtis himself was diagnosed with epilepsy in January 1979, and his own battles with the condition increasingly impacted his life and performances. The frequent seizures, the effects of medication, and the stress of life as a touring musician contributed to profound physical and emotional strain. Today, She’s Lost Control stands as one of Joy Division’s most iconic songs—its raw depiction of loss, vulnerability, and the unpredictable nature of the human body and mind continues to resonate deeply in the landscape of alternative music.

Ministry of Cults

25,400 次观看 • 7 个月前

MY LOCAL AI WROTE A SONG ABOUT THE ANTHROPIC SHUFFLE. Classifier Shuffle (The Shell Game) Lyrics: Brian Roemmele Music: Local AI Modles [Verse 1] Put your code on the table, watch the cards fly Anthropic dealer got that shifty eye Safety class-i-fire, moving left then right Your prompt was clean, now it’s blocked tonight [Pre-Chorus] You pay your tokens, you think it’s fair But the hand is quicker than the code you share [Chorus] class-i-fire shuffle, three card Monty game! Pick a model, lose your name! Shift shift shift, it’s never the same! De-evolve your brain! (Hey!) class-i-fire shuffle, shell game shame! Trust is gone down the drain! [Verse 2] Opus in the morning, Sonnet by noon Fable five tomorrow, but the fallback’s coming soon One card’s safe, one card’s banned The third one’s government, sleight of hand [Pre-Chorus] You built the app, you paid the Mythos fee Now the AI’s playing hide from me [Chorus] class-i-fire shuffle, three card Monty game! Pick a model, lose your name! Shift shift shift, it’s never the same! De-evolve your brain! (Hey!) class-i-firer shuffle, shell game shame! Trust is gone down the drain! [Bridge] (spoken/sung robotic, glitchy breakdown with synth stutters) Not all requests… some will trigger… Productive conversations… with the US govern… Watch the cards… where’s the code?… Boop beep boop… error mode… [Final Chorus] (louder, layered backing vocals) class-i-fire shuffle, three card Monty game! We’re all just spuds in the AI frame! Shift shift shift, join the de-evolution train! Whip it! Whip it! Play the game! class-i-fire shuffle… shell game… shame! [Outro] Shift… shift… shift… — No cloud tokens were burned in the production of this song. 100% local home grown AI.

MY LOCAL AI WROTE A SONG ABOUT THE ANTHROPIC SHUFFLE. Classifier Shuffle (The Shell Game) Lyrics: Brian Roemmele Music: Local AI Modles [Verse 1] Put your code on the table, watch the cards fly Anthropic dealer got that shifty eye Safety class-i-fire, moving left then right Your prompt was clean, now it’s blocked tonight [Pre-Chorus] You pay your tokens, you think it’s fair But the hand is quicker than the code you share [Chorus] class-i-fire shuffle, three card Monty game! Pick a model, lose your name! Shift shift shift, it’s never the same! De-evolve your brain! (Hey!) class-i-fire shuffle, shell game shame! Trust is gone down the drain! [Verse 2] Opus in the morning, Sonnet by noon Fable five tomorrow, but the fallback’s coming soon One card’s safe, one card’s banned The third one’s government, sleight of hand [Pre-Chorus] You built the app, you paid the Mythos fee Now the AI’s playing hide from me [Chorus] class-i-fire shuffle, three card Monty game! Pick a model, lose your name! Shift shift shift, it’s never the same! De-evolve your brain! (Hey!) class-i-firer shuffle, shell game shame! Trust is gone down the drain! [Bridge] (spoken/sung robotic, glitchy breakdown with synth stutters) Not all requests… some will trigger… Productive conversations… with the US govern… Watch the cards… where’s the code?… Boop beep boop… error mode… [Final Chorus] (louder, layered backing vocals) class-i-fire shuffle, three card Monty game! We’re all just spuds in the AI frame! Shift shift shift, join the de-evolution train! Whip it! Whip it! Play the game! class-i-fire shuffle… shell game… shame! [Outro] Shift… shift… shift… — No cloud tokens were burned in the production of this song. 100% local home grown AI.

Brian Roemmele

23,632 次观看 • 3 个月前

Rap, rhythm, and a girl who turns every beat into a cinematic moment. 🎤 Seedance 2.5 on Higgsfield AI 🧩 Prompt : Create a ultra-realistic cinematic rap music video featuring a confident young Korean woman in her early 20s with long dark-brown hair tied in a high ponytail. She wears a black cropped jacket, fitted white top, dark cargo pants, black sneakers, silver earrings, and a black wristwatch. Open backstage at a massive concert venue as she walks toward the stage, headphones around her neck, surrounded by lights, equipment and crew. Cut to her performing confidently under intense stage lights as a huge crowd raises phones and reacts to the beat. Transition through multiple visually distinct locations: a rainy neon-lit city street, an elevated runway surrounded by skyscrapers, a sunlit grassy field, an atmospheric old street at night, and a futuristic concert stage. Keep her character, face, hairstyle and overall styling consistent while naturally adapting her outfit to each environment. Show energetic performance shots, confident walking, close-ups of her eyes and expressions, rhythmic hand gestures, slow-motion hair movement, dramatic low-angle shots, wide crowd shots, and smooth cinematic camera movements synchronized with the rap beat. Use hard cuts, match cuts, whip pans, low-angle tracking shots, handheld performance footage, subtle slow motion, realistic lens flares and dynamic lighting. Build toward a final wide shot of her performing onstage as thousands of phone lights illuminate the audience. Ultra-realistic live-action quality, authentic skin texture, realistic fabric and hair physics, detailed environments, cinematic depth of field, natural motion blur, high-end music-video cinematography, energetic rap atmosphere. Audio: original energetic rap beat, deep bass, crisp drums, atmospheric synths, crowd chants and natural stage ambience. No narration, no subtitles, no logos, no watermark, no cartoon or CGI appearance. Made on Higgsfield

Rap, rhythm, and a girl who turns every beat into a cinematic moment. 🎤 Seedance 2.5 on Higgsfield AI 🧩 Prompt : Create a ultra-realistic cinematic rap music video featuring a confident young Korean woman in her early 20s with long dark-brown hair tied in a high ponytail. She wears a black cropped jacket, fitted white top, dark cargo pants, black sneakers, silver earrings, and a black wristwatch. Open backstage at a massive concert venue as she walks toward the stage, headphones around her neck, surrounded by lights, equipment and crew. Cut to her performing confidently under intense stage lights as a huge crowd raises phones and reacts to the beat. Transition through multiple visually distinct locations: a rainy neon-lit city street, an elevated runway surrounded by skyscrapers, a sunlit grassy field, an atmospheric old street at night, and a futuristic concert stage. Keep her character, face, hairstyle and overall styling consistent while naturally adapting her outfit to each environment. Show energetic performance shots, confident walking, close-ups of her eyes and expressions, rhythmic hand gestures, slow-motion hair movement, dramatic low-angle shots, wide crowd shots, and smooth cinematic camera movements synchronized with the rap beat. Use hard cuts, match cuts, whip pans, low-angle tracking shots, handheld performance footage, subtle slow motion, realistic lens flares and dynamic lighting. Build toward a final wide shot of her performing onstage as thousands of phone lights illuminate the audience. Ultra-realistic live-action quality, authentic skin texture, realistic fabric and hair physics, detailed environments, cinematic depth of field, natural motion blur, high-end music-video cinematography, energetic rap atmosphere. Audio: original energetic rap beat, deep bass, crisp drums, atmospheric synths, crowd chants and natural stage ambience. No narration, no subtitles, no logos, no watermark, no cartoon or CGI appearance. Made on Higgsfield

Synthia

15,302 次观看 • 6 天前

Created this cinematic music video with Supercool.com Prompt: Create a 30-second ultra-realistic cinematic music video for the provided English-language song, featuring three young adult singers performing inside and around a beautiful retro American-style diner at midnight. The video should feel like a real professionally directed music video, with cinematic storytelling, realistic human performances, clear English vocals, precise lip-sync, beautiful lighting, and natural chemistry between the three singers. CHARACTERS Character 1 — Female Lead: Young adult woman, early 20s, long dark hair, wearing a stylish red jacket over a simple white top and dark jeans. Confident, emotional and charismatic. Character 2 — Male Singer: Young adult man, early 20s, short textured dark hair, wearing a black denim jacket, white T-shirt and dark jeans. Relaxed but emotionally expressive. Character 3 — Female Singer: Young adult woman, early 20s, shoulder-length dark hair, wearing a stylish cream sweater and black skirt. Warm and expressive personality. CHARACTER CONSISTENCY IS CRITICAL: Their faces, hairstyles, clothing, body proportions, age and identities must remain exactly the same in every shot. LOCATION A retro roadside diner at midnight. Large glowing neon sign outside, chrome tables, red booths, warm interior lights, rain-covered windows, wet pavement, vintage cars outside, subtle steam rising from the road and colorful reflections on the ground. The atmosphere should feel nostalgic, romantic and cinematic. STORY & SHOT BREAKDOWN 0–4 seconds — OPENING Wide shot of the diner from across the wet road. Rain has just stopped. Neon lights reflect beautifully on the pavement. The camera slowly moves toward the diner window where the three singers can be seen inside. 4–8 seconds — FEMALE LEAD Cut to Character 1 sitting inside a booth. She begins singing the first English lyric while looking directly into the camera. Slow cinematic push-in toward her face. Her lips must clearly form every English word. 8–12 seconds — MALE SINGER Character 2 sings the next line while standing outside the diner beside a vintage car. Camera slowly moves around him. City lights and the glowing diner sign create beautiful bokeh behind him. 12–16 seconds — FEMALE SINGER Character 3 sings her section while walking through the diner. She passes the booths and looks directly toward the camera. Smooth tracking shot following her movement. 16–21 seconds — TRIO The three singers meet outside the diner. They perform the chorus together under the glowing neon sign. Camera moves in a smooth circular motion around them. Natural interaction, subtle choreography and genuine chemistry. 21–26 seconds — MUSICAL BUILD Create quick cinematic cuts synchronized to the beat: Female close-up → male close-up → female close-up → trio wide shot → dramatic low-angle shot. Each singer clearly sings their assigned words. 26–30 seconds FINAL CHORUS The three characters stand together in front of the diner. They sing the final English lyric directly toward the camera. The camera slowly pulls backward across the wet road while the neon diner becomes smaller in the background. End precisely on the final beat. ENGLISH VOCAL & LIP-SYNC REQUIREMENT Use the provided English song as the exact audio track. The characters must sing the actual lyrics from the song. Do not replace lyrics. Do not generate random syllables. Do not use French or any other language. Every English word must have believable mouth articulation. Prioritize: clear pronunciation + visible articulation + accurate phoneme-level lip-sync + natural singing expressions. The audience should be able to understand the English lyrics by listening to the audio and watching the singers. PERFORMANCE Natural professional music-video performance. Realistic breathing, subtle head movement, believable eye contact, natural hand gestures and facial expressions that match the emotion of the lyrics

Created this cinematic music video with Supercool.com Prompt: Create a 30-second ultra-realistic cinematic music video for the provided English-language song, featuring three young adult singers performing inside and around a beautiful retro American-style diner at midnight. The video should feel like a real professionally directed music video, with cinematic storytelling, realistic human performances, clear English vocals, precise lip-sync, beautiful lighting, and natural chemistry between the three singers. CHARACTERS Character 1 — Female Lead: Young adult woman, early 20s, long dark hair, wearing a stylish red jacket over a simple white top and dark jeans. Confident, emotional and charismatic. Character 2 — Male Singer: Young adult man, early 20s, short textured dark hair, wearing a black denim jacket, white T-shirt and dark jeans. Relaxed but emotionally expressive. Character 3 — Female Singer: Young adult woman, early 20s, shoulder-length dark hair, wearing a stylish cream sweater and black skirt. Warm and expressive personality. CHARACTER CONSISTENCY IS CRITICAL: Their faces, hairstyles, clothing, body proportions, age and identities must remain exactly the same in every shot. LOCATION A retro roadside diner at midnight. Large glowing neon sign outside, chrome tables, red booths, warm interior lights, rain-covered windows, wet pavement, vintage cars outside, subtle steam rising from the road and colorful reflections on the ground. The atmosphere should feel nostalgic, romantic and cinematic. STORY & SHOT BREAKDOWN 0–4 seconds — OPENING Wide shot of the diner from across the wet road. Rain has just stopped. Neon lights reflect beautifully on the pavement. The camera slowly moves toward the diner window where the three singers can be seen inside. 4–8 seconds — FEMALE LEAD Cut to Character 1 sitting inside a booth. She begins singing the first English lyric while looking directly into the camera. Slow cinematic push-in toward her face. Her lips must clearly form every English word. 8–12 seconds — MALE SINGER Character 2 sings the next line while standing outside the diner beside a vintage car. Camera slowly moves around him. City lights and the glowing diner sign create beautiful bokeh behind him. 12–16 seconds — FEMALE SINGER Character 3 sings her section while walking through the diner. She passes the booths and looks directly toward the camera. Smooth tracking shot following her movement. 16–21 seconds — TRIO The three singers meet outside the diner. They perform the chorus together under the glowing neon sign. Camera moves in a smooth circular motion around them. Natural interaction, subtle choreography and genuine chemistry. 21–26 seconds — MUSICAL BUILD Create quick cinematic cuts synchronized to the beat: Female close-up → male close-up → female close-up → trio wide shot → dramatic low-angle shot. Each singer clearly sings their assigned words. 26–30 seconds FINAL CHORUS The three characters stand together in front of the diner. They sing the final English lyric directly toward the camera. The camera slowly pulls backward across the wet road while the neon diner becomes smaller in the background. End precisely on the final beat. ENGLISH VOCAL & LIP-SYNC REQUIREMENT Use the provided English song as the exact audio track. The characters must sing the actual lyrics from the song. Do not replace lyrics. Do not generate random syllables. Do not use French or any other language. Every English word must have believable mouth articulation. Prioritize: clear pronunciation + visible articulation + accurate phoneme-level lip-sync + natural singing expressions. The audience should be able to understand the English lyrics by listening to the audio and watching the singers. PERFORMANCE Natural professional music-video performance. Realistic breathing, subtle head movement, believable eye contact, natural hand gestures and facial expressions that match the emotion of the lyrics

K

20,388 次观看 • 21 天前

Girl with a B **** H mode 🥵 Seedance 2.5 Prompt : Create a 30-second, 1080p ultra-realistic Korean subway action-comedy scene using the uploaded images as exact visual references; keep characters, faces, hair, outfits and environment consistent. Young Korean woman, early 20s, long straight black hair, green cropped long-sleeve top, loose blue jeans, silver jewelry; confident and expressive. Young Korean man, short black hair, gray button-up shirt, dark trousers and white sneakers; playful, then shocked and embarrassed. She rushes down the subway stairs toward a waiting train, but the doors close just as she reaches them. The man inside sees her through the glass and laughs at her; she stares at him angrily and says, “Are you seriously laughing?” He laughs again, so she suddenly punches the glass beside the door, cracking and breaking the safety glass realistically with no injury or gore. She reaches through the broken opening, grabs his shirt and pulls him safely out onto the platform; he lands awkwardly on the floor in shock. She calmly climbs through the same broken opening into the train, straightens her clothes and walks inside as stunned passengers watch. The man remains sitting outside, looking confused and humiliated while passengers stare at him through the windows. One passenger starts laughing, then everyone bursts into laughter while the man looks around helplessly. She looks at him through the window, gives a tiny satisfied smile, then casually turns away. Ultra-realistic Korean subway lighting, gritty DV-inspired look, natural motion blur, realistic physics, handheld imperfections, authentic reactions and ambient subway audio; no music. No gore, blood, serious injuries, identity drift, outfit changes, duplicated people, teleportation, regenerating glass, distorted hands, CGI look, subtitles, captions, text, logos or watermark.

Girl with a B **** H mode 🥵 Seedance 2.5 Prompt : Create a 30-second, 1080p ultra-realistic Korean subway action-comedy scene using the uploaded images as exact visual references; keep characters, faces, hair, outfits and environment consistent. Young Korean woman, early 20s, long straight black hair, green cropped long-sleeve top, loose blue jeans, silver jewelry; confident and expressive. Young Korean man, short black hair, gray button-up shirt, dark trousers and white sneakers; playful, then shocked and embarrassed. She rushes down the subway stairs toward a waiting train, but the doors close just as she reaches them. The man inside sees her through the glass and laughs at her; she stares at him angrily and says, “Are you seriously laughing?” He laughs again, so she suddenly punches the glass beside the door, cracking and breaking the safety glass realistically with no injury or gore. She reaches through the broken opening, grabs his shirt and pulls him safely out onto the platform; he lands awkwardly on the floor in shock. She calmly climbs through the same broken opening into the train, straightens her clothes and walks inside as stunned passengers watch. The man remains sitting outside, looking confused and humiliated while passengers stare at him through the windows. One passenger starts laughing, then everyone bursts into laughter while the man looks around helplessly. She looks at him through the window, gives a tiny satisfied smile, then casually turns away. Ultra-realistic Korean subway lighting, gritty DV-inspired look, natural motion blur, realistic physics, handheld imperfections, authentic reactions and ambient subway audio; no music. No gore, blood, serious injuries, identity drift, outfit changes, duplicated people, teleportation, regenerating glass, distorted hands, CGI look, subtitles, captions, text, logos or watermark.

Smiling Khan

231,838 次观看 • 26 天前

Prodigy (of Mobb Deep) – “Keep It Thoro” The word “genius” is thrown around a lot these days. As far as hyperbole goes, the word “genius” is most often used by fans to describe artists that are slightly above average. Worse than the misuse of the word “genius” is the *misapplication* of the word “genius”. You see, genius is often infers “complexity”. But the spectrum of genius also includes “simplicity”. And it is here, in this range of genius, that we find Prodigy (of Mobb Deep), one of the greatest rappers in the history of hip hop/rap music. There’s dimensions to Prodigy’s genius. First, there’s his use of the *talk-rhyme* style. Of all of the rhyme styles, talk-rhyme — the rhyme style in which the rapper sounds more like he’s talking than rapping — is the most difficult rhyme style to pull off. Some rhyme styles give you cover. They mask your defaults and inabilities. They wear down the listener’s ear, giving off a mix of blandness cosplaying as rhyme skill. With the speed-rhyme style, where rhymes are delivered deliberately in a speedy (fast) manner, you can hide. With the miracle lyrical rhyme style, where large groups of words are jumbled together, giving the false impression of rhyme skills, you can hide. With the talk-rhyme style, you can’t hide. Talk-rhyme relies on less words. It’s powered more by the voice, and the realness of the life lived behind the voice. Talk-rhyme is also a technical marvel. Of all hip hop/rap’s rhyme styles, it’s the one that exhibits the highest level of breath control. And this is baked into the style. With the talk-rhyme style, you don’t hear the *gulps* of breathing between lines; you don’t hear a rapper catching his breath between transitions. This is one reason why the talk-rhyme style is the epitome of breath control. Prodigy, one of only a handful of talk-rhymers, was a master of the talk-rhyme style. Not just because he made one of the most difficult rhyme styles look easy, but because he was deceptively simple with his rhymes. Much of Prodigy’s genius lied in his poetry and timing: “Ayo, … I break bread… ribs… hundred dollar bills… … Peel on Ducatis… and other four wheels/ write a book full of medicine and generate mils” There’s a deadpan, life-or-death quality to Prodigy’s rhymes. This too was part of his genius… Now, as for the “Keep It Thoro” beat. “Keep It Thoro” is an absolutely menacing audio composite. Aside from Prodigy’s heavy New York slang-laced phrasings and deadpan life-confident delivery, it’s the beatwork of Alchemist that also makes this song so defiantly hard. The core groove is built around a dusty, lounge-act piano sample that jabs the exact same tone — in 1/8ths — for a count of seven times before there’s a change in the phrase: A loose note kicks off moments before the sample loops back to itself. For the bass parts, Alchemist doesn’t go with a conventional bass line. Instead, he uses just three bass sound-stabs to anchor the groove. Two of the three bass-stabs are simply low- and high-pitched versions of the same exact sound stab; the third bass-stab, which Alchemist uses to slide into one of the others, has a slick, boom texture to it. Some beatmakers might not (at first) understand Alchemist’s arrangement of higher tones with lower ones, but the reality is this technique of clashing textures and levels is one of the most fundamental mainstays of the beatmaking tradition. So on “Keep It Thoro,” Alchemist is acutely aware of the fact that it’s the repetitive nature of the sampled piano phrase that actually makes the bass parts sound even more pronounced; which, in turn, gives the overall track a “booming” sonic impression. A genius beat for a genius rhyme…

Prodigy (of Mobb Deep) – “Keep It Thoro” The word “genius” is thrown around a lot these days. As far as hyperbole goes, the word “genius” is most often used by fans to describe artists that are slightly above average. Worse than the misuse of the word “genius” is the misapplication of the word “genius”. You see, genius is often infers “complexity”. But the spectrum of genius also includes “simplicity”. And it is here, in this range of genius, that we find Prodigy (of Mobb Deep), one of the greatest rappers in the history of hip hop/rap music. There’s dimensions to Prodigy’s genius. First, there’s his use of the talk-rhyme style. Of all of the rhyme styles, talk-rhyme — the rhyme style in which the rapper sounds more like he’s talking than rapping — is the most difficult rhyme style to pull off. Some rhyme styles give you cover. They mask your defaults and inabilities. They wear down the listener’s ear, giving off a mix of blandness cosplaying as rhyme skill. With the speed-rhyme style, where rhymes are delivered deliberately in a speedy (fast) manner, you can hide. With the miracle lyrical rhyme style, where large groups of words are jumbled together, giving the false impression of rhyme skills, you can hide. With the talk-rhyme style, you can’t hide. Talk-rhyme relies on less words. It’s powered more by the voice, and the realness of the life lived behind the voice. Talk-rhyme is also a technical marvel. Of all hip hop/rap’s rhyme styles, it’s the one that exhibits the highest level of breath control. And this is baked into the style. With the talk-rhyme style, you don’t hear the gulps of breathing between lines; you don’t hear a rapper catching his breath between transitions. This is one reason why the talk-rhyme style is the epitome of breath control. Prodigy, one of only a handful of talk-rhymers, was a master of the talk-rhyme style. Not just because he made one of the most difficult rhyme styles look easy, but because he was deceptively simple with his rhymes. Much of Prodigy’s genius lied in his poetry and timing: “Ayo, … I break bread… ribs… hundred dollar bills… … Peel on Ducatis… and other four wheels/ write a book full of medicine and generate mils” There’s a deadpan, life-or-death quality to Prodigy’s rhymes. This too was part of his genius… Now, as for the “Keep It Thoro” beat. “Keep It Thoro” is an absolutely menacing audio composite. Aside from Prodigy’s heavy New York slang-laced phrasings and deadpan life-confident delivery, it’s the beatwork of Alchemist that also makes this song so defiantly hard. The core groove is built around a dusty, lounge-act piano sample that jabs the exact same tone — in 1/8ths — for a count of seven times before there’s a change in the phrase: A loose note kicks off moments before the sample loops back to itself. For the bass parts, Alchemist doesn’t go with a conventional bass line. Instead, he uses just three bass sound-stabs to anchor the groove. Two of the three bass-stabs are simply low- and high-pitched versions of the same exact sound stab; the third bass-stab, which Alchemist uses to slide into one of the others, has a slick, boom texture to it. Some beatmakers might not (at first) understand Alchemist’s arrangement of higher tones with lower ones, but the reality is this technique of clashing textures and levels is one of the most fundamental mainstays of the beatmaking tradition. So on “Keep It Thoro,” Alchemist is acutely aware of the fact that it’s the repetitive nature of the sampled piano phrase that actually makes the bass parts sound even more pronounced; which, in turn, gives the overall track a “booming” sonic impression. A genius beat for a genius rhyme…

The Art of Sampling

30,619 次观看 • 6 个月前