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Dating sim dialogue at its finest, for your entertainment XD Fnaf sb visual novel when?? 🤫 . Better resolution and maybe Monty wallpapers on insta. . #FNAF #fnaffanart #fnafart #monteddy #furryart #fnafsecuritybreach #SecurityBreach #montgomerygator

WhenSoulsCollide

41,410 subscribers

55,253 views • 2 years ago •via X (Twitter)

NSFW #FNAF #fnaffanart #fnafart #monteddy #furryart #fnafsecuritybreach #SecurityBreach #montgomerygator

Anya Rossi• Live Now

Private livecam show

9 Comments

WhenSoulsCollide2 years ago

Sadly the quality is a bit wonky on Freddy’s part

WhenSoulsCollide2 years ago

Here for the peeps asking

Rosa (Anime Girl Trash)💗2 years ago

These faces bro I can't 🤣🤣 (Btw.....Monty tho🥴🥴)

🔞RaptorBones🔞2 years ago

Monty knows EXACTLY what he is.

Sir_Sqwanch2 years ago

I will always love Freddy, but there is just something about Monty… 👀👀👀👀

Monster_ling2 years ago

damn 😳 Now I wish we had Bonnie and Foxy versions too

karina2 years ago

…holy god.. you make Monty so FUCKING HOT

Lycan🌕🐺2 years ago

🤔 I think you making a Dating sim vn is definitely going to be popular if you ever make one your storys are amazing and you draw amazing!

Beani2 years ago

Bonnie's like "Boi"

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For my Roxy Stan’s out there XD Let’s throw back some nostalgia to the good ole days, but this time in reel forms. . But Ty again y’all for the support and have fun. . #fnaf #fnafsb #roxannewolf #fnaffanart #fnafart #fnafsecuritybreach #Freddy #MontgomeryGator #glamrockchica

For my Roxy Stan’s out there XD Let’s throw back some nostalgia to the good ole days, but this time in reel forms. . But Ty again y’all for the support and have fun. . #fnaf #fnafsb #roxannewolf #fnaffanart #fnafart #fnafsecuritybreach #Freddy #MontgomeryGator #glamrockchica

WhenSoulsCollide

14,781 views • 2 years ago

When Someone Goes Risk-On, Everyone Goes Risk-On “Salesforce is the dominant SaaS company at $180 billion to $200 billion, and Service Cloud is maybe 25% of that, so a pure Service Cloud replacement is only worth 50. To justify $15 billion or $20 billion in market cap, Sierra can’t just build a slightly better next-generation Service Cloud. It has to become the entire customer ecosystem for your whole business, coming right at its former parent. And then everyone else has to follow. When someone goes risk-on, everyone goes risk-on.” Rory O'Driscoll Love to hear your thoughts; does Bret’s clear ambition to eat Salesforce require all providers to move beyond customer service Jesse Zhang Des Traynor Jamin Ball Chetan Puttagunta Steve Hind

When Someone Goes Risk-On, Everyone Goes Risk-On “Salesforce is the dominant SaaS company at $180 billion to $200 billion, and Service Cloud is maybe 25% of that, so a pure Service Cloud replacement is only worth 50. To justify $15 billion or $20 billion in market cap, Sierra can’t just build a slightly better next-generation Service Cloud. It has to become the entire customer ecosystem for your whole business, coming right at its former parent. And then everyone else has to follow. When someone goes risk-on, everyone goes risk-on.” Rory O'Driscoll Love to hear your thoughts; does Bret’s clear ambition to eat Salesforce require all providers to move beyond customer service Jesse Zhang Des Traynor Jamin Ball Chetan Puttagunta Steve Hind

Harry Stebbings

23,598 views • 9 days ago

WAIT… PALWORLD ALSO HAS A DATING SIM COMING SOON?! (i kept going down the rabbit hole and this one sounds crazy but its real) Pal♡world! More Than Just Pals is a dating simulator that started as an April Fools joke in 2024. Pocketpair dropped a ridiculous trailer for a Palworld dating sim where you attend Palpagos Private Academy, build relationships with Pals and human characters, and depending on your choices, things can go from cute school romance to something much darker. A year later they came back with an actual Steam page, another trailer, new characters, and confirmed the game was really being developed. Then in 2026 they doubled down again with another special video and an expanded cast. (basically they kept the joke going long enough that eventually the joke became a real product, coming soon™️ lol) The actual game is a single player romance visual novel with choices and different relationship paths. You have characters like Katress, Lovander, Zoe, Chillet, Quivern, Saya, Tarantriss and Splatterina, each written around completely different dating sim archetypes. Lovander treats romance like hunting, Katress gets jealous, Splatterina is basically the obsessive yandere character, and Saya is the flirty school nurse. Pocketpair is also very deliberately mixing all of that with horror. The official Steam page straight up warns that the game contains horror elements, and even asks whether you’ll remain friends, fall in love, or dismantle and eat them. 😳 And before anyone thinks this is a “gooner” game, Pocketpair has already clarified that the real game is not supposed to be an explicit NSFW game. The original April Fools marketing joked about an adult version, but their publishing head later clarified that they’re not actually going that far. (what I’m more interested in is who this game is actually for lol) Palfarm makes sense if Pocketpair wants to reach the cozy gaming, Animal Crossing and Stardew Valley crowd. More Than Just Pals goes in almost the complete opposite direction. Now they’re targeting visual novel fans, dating sim players, anime audiences, romance fans, horror fans, and the part of internet culture that was already making Lovander memes five minutes after Palworld released. (and judging by the comments i’ve been reading, pocketpair absolutely knows who they’re dealing with. half the reaction is “why does this exist” and the other half has apparently had this thing wishlisted since the steam page went live) This is the part I keep coming back to. You don’t necessarily need every Palworld player to want every Palworld product. You need different Palworld products that give different types of people their own entry point into the IP. And interestingly, Pocketpair itself says these spinoffs aren’t some calculated attempt to build a giant “media empire.” Bucky has said projects like Palfarm and the dating sim came largely because their huge community kept asking for different ways to interact with the characters. More Than Just Pals is also one of the projects Pocketpair is actually working on internally, unlike some of the licensed Palworld projects being handled by outside companies. (that’s also the strategy without them even calling it a strategy. listen to the community, find the weird little subcultures already forming around the ip, then give each of them something they actually want) I don’t think More Than Just Pals needs to become some massive game for this experiment to work. If a person who would never spend 100 hours grinding materials in Palworld suddenly cares about Katress, Lovander or Tarantriss because they played a visual novel, Pocketpair just expanded the audience for those characters without changing the original game at all. That’s what makes this interesting to me. Palfarm is testing how far Palworld can stretch across genres. More Than Just Pals might be testing how far it can stretch across demographics. (sounds absolutely ridiculous but it’s genius)

WAIT… PALWORLD ALSO HAS A DATING SIM COMING SOON?! (i kept going down the rabbit hole and this one sounds crazy but its real) Pal♡world! More Than Just Pals is a dating simulator that started as an April Fools joke in 2024. Pocketpair dropped a ridiculous trailer for a Palworld dating sim where you attend Palpagos Private Academy, build relationships with Pals and human characters, and depending on your choices, things can go from cute school romance to something much darker. A year later they came back with an actual Steam page, another trailer, new characters, and confirmed the game was really being developed. Then in 2026 they doubled down again with another special video and an expanded cast. (basically they kept the joke going long enough that eventually the joke became a real product, coming soon™️ lol) The actual game is a single player romance visual novel with choices and different relationship paths. You have characters like Katress, Lovander, Zoe, Chillet, Quivern, Saya, Tarantriss and Splatterina, each written around completely different dating sim archetypes. Lovander treats romance like hunting, Katress gets jealous, Splatterina is basically the obsessive yandere character, and Saya is the flirty school nurse. Pocketpair is also very deliberately mixing all of that with horror. The official Steam page straight up warns that the game contains horror elements, and even asks whether you’ll remain friends, fall in love, or dismantle and eat them. 😳 And before anyone thinks this is a “gooner” game, Pocketpair has already clarified that the real game is not supposed to be an explicit NSFW game. The original April Fools marketing joked about an adult version, but their publishing head later clarified that they’re not actually going that far. (what I’m more interested in is who this game is actually for lol) Palfarm makes sense if Pocketpair wants to reach the cozy gaming, Animal Crossing and Stardew Valley crowd. More Than Just Pals goes in almost the complete opposite direction. Now they’re targeting visual novel fans, dating sim players, anime audiences, romance fans, horror fans, and the part of internet culture that was already making Lovander memes five minutes after Palworld released. (and judging by the comments i’ve been reading, pocketpair absolutely knows who they’re dealing with. half the reaction is “why does this exist” and the other half has apparently had this thing wishlisted since the steam page went live) This is the part I keep coming back to. You don’t necessarily need every Palworld player to want every Palworld product. You need different Palworld products that give different types of people their own entry point into the IP. And interestingly, Pocketpair itself says these spinoffs aren’t some calculated attempt to build a giant “media empire.” Bucky has said projects like Palfarm and the dating sim came largely because their huge community kept asking for different ways to interact with the characters. More Than Just Pals is also one of the projects Pocketpair is actually working on internally, unlike some of the licensed Palworld projects being handled by outside companies. (that’s also the strategy without them even calling it a strategy. listen to the community, find the weird little subcultures already forming around the ip, then give each of them something they actually want) I don’t think More Than Just Pals needs to become some massive game for this experiment to work. If a person who would never spend 100 hours grinding materials in Palworld suddenly cares about Katress, Lovander or Tarantriss because they played a visual novel, Pocketpair just expanded the audience for those characters without changing the original game at all. That’s what makes this interesting to me. Palfarm is testing how far Palworld can stretch across genres. More Than Just Pals might be testing how far it can stretch across demographics. (sounds absolutely ridiculous but it’s genius)

808

72,138 views • 1 month ago

Raise your hand if you were a fan of this one. Some games excelled at storytelling with minimal or even no dialogue. Another World comes to mind, but Flashback (Delphine Software, 1992) did it extremely well too. It’s a great game, often mistaken for a sequel to Another World. However, the two are unrelated, and Éric Chahi was not involved. It was created by Paul Cuisset, who had previously worked with Chahi on Future Wars, which may explain the similarities in gameplay and design. Like Another World, Flashback was highly cinematic and story-driven for its era, relying mostly on short animated cutscenes and very brief text-based dialogue. The story unfolded primarily through stunning visuals that still hold up well today. The game was very well received and sold nearly a million copies, a great number for the early 90s. If you were a gamer back then, chances are you played Flashback. I enjoyed it, but it didn’t have quite the same "wow" factor that Another World did when I first played it. Maybe the expectation was unfair, since you naturally cherish the "original" more, I suppose?

Raise your hand if you were a fan of this one. Some games excelled at storytelling with minimal or even no dialogue. Another World comes to mind, but Flashback (Delphine Software, 1992) did it extremely well too. It’s a great game, often mistaken for a sequel to Another World. However, the two are unrelated, and Éric Chahi was not involved. It was created by Paul Cuisset, who had previously worked with Chahi on Future Wars, which may explain the similarities in gameplay and design. Like Another World, Flashback was highly cinematic and story-driven for its era, relying mostly on short animated cutscenes and very brief text-based dialogue. The story unfolded primarily through stunning visuals that still hold up well today. The game was very well received and sold nearly a million copies, a great number for the early 90s. If you were a gamer back then, chances are you played Flashback. I enjoyed it, but it didn’t have quite the same "wow" factor that Another World did when I first played it. Maybe the expectation was unfair, since you naturally cherish the "original" more, I suppose?

exQUIZitely 🕹️

10,913 views • 2 months ago

🚨 New a16z request for startups: "delightful utility" apps 🚨 Have you spun the discount wheel while shopping on Temu? Or grown emotionally attached to the Duolingo owl? Maybe you cycle harder on Peloton when you see your position on the leaderboard drop or log back into Snapchat just for your streak. The bar to create the next breakout hit is now higher because we've satiated many consumer needs. New apps need to not only provide core utility for users, but wrap that value in an experience that's genuinely engaging and delightful. A few illustrative ideas: - Visual-first no-code platforms that make AI prompting intuitive and rewarding - AI matchmakers (for dating/hiring/groups) with distinct personalities that users bond with - Social credit card games with real stakes and competition - IP-driven AI companions that offer both entertainment and emotional support When the competition for attention is fierce, sometimes the moat is engagement itself—delivering value, but in a way that's more captivating than competitors. We're looking for: - Fast time to delight: Games put you immediately in the action. How quickly can you deliver the magic moment to users? What subsequent moments keep them coming back? - Founders with viral instincts. Driving attention isn't random—it's a repeatable skill set. In today's competitive landscape, founders need to naturally generate buzz and drive attention to themselves. - Monetization that scales with engagement. The best apps offer spending opportunities proportional to user investment. Simple subscriptions create a step-function demand curve, think like a game and monetize discretely along the entire curve. - Genuine stickiness. High retention across both paid and free users signals true product-market resonance. This can't be faked—it proves your core loop works. If you're building in this space, apply to speedrun. We want to back founders who are creating delightful experiences and take fun seriously.

🚨 New a16z request for startups: "delightful utility" apps 🚨 Have you spun the discount wheel while shopping on Temu? Or grown emotionally attached to the Duolingo owl? Maybe you cycle harder on Peloton when you see your position on the leaderboard drop or log back into Snapchat just for your streak. The bar to create the next breakout hit is now higher because we've satiated many consumer needs. New apps need to not only provide core utility for users, but wrap that value in an experience that's genuinely engaging and delightful. A few illustrative ideas: - Visual-first no-code platforms that make AI prompting intuitive and rewarding - AI matchmakers (for dating/hiring/groups) with distinct personalities that users bond with - Social credit card games with real stakes and competition - IP-driven AI companions that offer both entertainment and emotional support When the competition for attention is fierce, sometimes the moat is engagement itself—delivering value, but in a way that's more captivating than competitors. We're looking for: - Fast time to delight: Games put you immediately in the action. How quickly can you deliver the magic moment to users? What subsequent moments keep them coming back? - Founders with viral instincts. Driving attention isn't random—it's a repeatable skill set. In today's competitive landscape, founders need to naturally generate buzz and drive attention to themselves. - Monetization that scales with engagement. The best apps offer spending opportunities proportional to user investment. Simple subscriptions create a step-function demand curve, think like a game and monetize discretely along the entire curve. - Genuine stickiness. High retention across both paid and free users signals true product-market resonance. This can't be faked—it proves your core loop works. If you're building in this space, apply to speedrun. We want to back founders who are creating delightful experiences and take fun seriously.

robin

134,178 views • 1 year ago

My latest AIGC film "Him" is here ( finally )! "Quan, a girl from Haixian, sets out on a journey to Min City in search of him. But when she finally arrives at her destination, everything takes an unexpected turn…" Image:Midjourney V6.1 Video: Dreamina AI 3.0 Eight months have passed since the release of The Thin Man The Gun The Hotpot, and my new work, Him, is finally ready to meet the audience. This film marks a significant departure from my previous creative style. One of my original intentions in making Him was to explore a new visual language and narrative rhythm. I was fortunate to utilize the Dreamina AI Video 3.0 model in the production of this film. At the same time, Him is also my tribute to the genre of “cruel youth” stories. For teenageers, the world often appears more pure—yet that very purity makes emotions feel all the more weighty.Him is a love story. It’s not a love story. And at its core—it is still a love story. I’ve retained the Sichuan-Chongqing setting, but placed it within a fictional world to create an experience that feels both familiar and fresh. The visual style of this piece is inspired by the gouache illustrations once found in old Chinese language textbooks—imagery that defined the visual memories of an entire generation. To me, those gouache paintings have become synonymous with nostalgia. I’m curious to see how audiences will respond to this stylistic approach. On a deeper level, I hope this story can deliver a moment of genuine emotional resonance—something I wasn’t quite able to achieve in The Thin man The Gun The Hotpot. Due to family and work responsibilities, the production of Him, which began in February, has progressed in fits and starts. I want to express my heartfelt gratitude to the Dreamina team for their tremendous support. The Dreamina Action provided invaluable inspiration and insights during the writing stage. It was like a creative partner, brainstorming and shaping the story with me. If you liked Sailor Suit and Machine Gun, or Better Days, then maybe—just maybe—you’ll like Him too. Thank you for watching! For 4K, you can watch it at

My latest AIGC film "Him" is here ( finally )! "Quan, a girl from Haixian, sets out on a journey to Min City in search of him. But when she finally arrives at her destination, everything takes an unexpected turn…" Image:Midjourney V6.1 Video: Dreamina AI 3.0 Eight months have passed since the release of The Thin Man The Gun The Hotpot, and my new work, Him, is finally ready to meet the audience. This film marks a significant departure from my previous creative style. One of my original intentions in making Him was to explore a new visual language and narrative rhythm. I was fortunate to utilize the Dreamina AI Video 3.0 model in the production of this film. At the same time, Him is also my tribute to the genre of “cruel youth” stories. For teenageers, the world often appears more pure—yet that very purity makes emotions feel all the more weighty.Him is a love story. It’s not a love story. And at its core—it is still a love story. I’ve retained the Sichuan-Chongqing setting, but placed it within a fictional world to create an experience that feels both familiar and fresh. The visual style of this piece is inspired by the gouache illustrations once found in old Chinese language textbooks—imagery that defined the visual memories of an entire generation. To me, those gouache paintings have become synonymous with nostalgia. I’m curious to see how audiences will respond to this stylistic approach. On a deeper level, I hope this story can deliver a moment of genuine emotional resonance—something I wasn’t quite able to achieve in The Thin man The Gun The Hotpot. Due to family and work responsibilities, the production of Him, which began in February, has progressed in fits and starts. I want to express my heartfelt gratitude to the Dreamina team for their tremendous support. The Dreamina Action provided invaluable inspiration and insights during the writing stage. It was like a creative partner, brainstorming and shaping the story with me. If you liked Sailor Suit and Machine Gun, or Better Days, then maybe—just maybe—you’ll like Him too. Thank you for watching! For 4K, you can watch it at

Jim HuiHui

15,144 views • 1 year ago

claude bot made $700,000 in a month for its owner. thanks to one file. > $42,921 today > $160,086 past week > $692,922 past month everyone writes claude motivational speeches: - "be a senior engineer" - "think step by step" - "be careful" doesn't work - claude already knows all that. what's missing is a CLAUDE.md like this guy's: ## Project high-frequency arbitrage on polymarket btc + eth 5-min and 15-min markets. dual-entry strategy. fixed risk, fixed profit target. ## Strategy: DUAL mode ## Mode A: high-confidence (60% of capital) - enter at 50-70c when poly_implied agrees with spot trend - target +50-100% per trade (~$6k profit) - size: $4,000-$8,000 per position ## Mode B: tail bets (40% of capital) - enter at 3-25c when own model says 35%+ probability - target +200-1300% per trade - size: $400-$1,800 per position ## IMPORTANT IMPORTANT: hold all positions to resolution. NO early exit IMPORTANT: skip if same market hit our books in last 60s IMPORTANT: cap daily risk at $50,000. hard stop ## Rules - NEVER exit before market resolution - NEVER trade on news (CPI, FOMC, ETF decisions) - NEVER size > 8% of bankroll on single position - skip first 60 sec of any 5-min market (illiquid) - pause 5 min after any $100+ BTC move ## Out of scope - never touch the wallet. read-only access - do not chase: skip if same market touched within 60s one rule = one mistake claude won't make again. each of his trades, around $6,000 profit. how? because that's what's written in CLAUDE.md: "target ~$6K per trade". not more, not less. > the system doesn't get nervous, doesn't chase, doesn't wait for a better price. > sees edge ≥ 4c and enters. > sees a tail 3c with own probability 35% - enters. > waits for resolution. > takes profit. > moves to next market. 29,596 times. his profile: this is the difference between "user of claude" and "operator of claude". the first writes wishes. the second writes technical specs. don't waste your time, level up your claude before it's too late.

Mnimiy

88,856 views • 4 months ago

I didn’t expect Crimson Desert to grow on me this much, but here we are. 🫢 After putting more hours into Crimson Desert and getting close to the ten hour mark, I’ll be honest: my opinion of the game has shifted in a much more positive direction. Combat feels significantly better now that I’ve unlocked more skills, exploration is a ton of fun, and while the story is basically nonexistent, I personally don’t mind since I’m not the type of player who needs heavy narrative to enjoy a game. I’ve also done a few puzzles, and so far I’m really enjoying them. I genuinely appreciate that the game does not hold your hand. Enough with the yellow paint in every modern game. Developers should just force us to actually think 🤣 I’m constantly unlocking or discovering something new every couple of minutes. The game is absolutely massive. On the technical side, most of the visual issues I had are now gone after turning off DLSS and playing at native resolution, along with lowering lighting from Max to Cinematic. One of these changes, or maybe both, made the game far more stable, and visually it now looks phenomenal. I still find myself stopping just to admire how beautiful it is. My rating has gone from a 7-7.5 to an 8.5-9, and based on what I’ve played so far, that jump feels completely justified. The overall takeaway is that Crimson Desert does not fully click until you unlock more of its systems. The early hours undersell it, but once combat, exploration, puzzles and the world open up, the experience becomes dramatically better. I also love this intro when you start the game or load a save. It gives the whole experience a special feeling and sets the tone perfectly every single time. :)

I didn’t expect Crimson Desert to grow on me this much, but here we are. 🫢 After putting more hours into Crimson Desert and getting close to the ten hour mark, I’ll be honest: my opinion of the game has shifted in a much more positive direction. Combat feels significantly better now that I’ve unlocked more skills, exploration is a ton of fun, and while the story is basically nonexistent, I personally don’t mind since I’m not the type of player who needs heavy narrative to enjoy a game. I’ve also done a few puzzles, and so far I’m really enjoying them. I genuinely appreciate that the game does not hold your hand. Enough with the yellow paint in every modern game. Developers should just force us to actually think 🤣 I’m constantly unlocking or discovering something new every couple of minutes. The game is absolutely massive. On the technical side, most of the visual issues I had are now gone after turning off DLSS and playing at native resolution, along with lowering lighting from Max to Cinematic. One of these changes, or maybe both, made the game far more stable, and visually it now looks phenomenal. I still find myself stopping just to admire how beautiful it is. My rating has gone from a 7-7.5 to an 8.5-9, and based on what I’ve played so far, that jump feels completely justified. The overall takeaway is that Crimson Desert does not fully click until you unlock more of its systems. The early hours undersell it, but once combat, exploration, puzzles and the world open up, the experience becomes dramatically better. I also love this intro when you start the game or load a save. It gives the whole experience a special feeling and sets the tone perfectly every single time. :)

𝑨𝒔𝒉𝒆𝒏 𝑶𝒏𝒆

26,852 views • 6 months ago

Y Combinator CEO, Garry Tan, took the stage for 42 minutes at Startup School 2026 and explained how to build your own personal AGI better than any paid AI course. This is what he told the room: 1. The leverage is in your context, not the model. Tan watches hundreds of founders use identical models every batch. "There are 2x people and there are 100x people who are using the same Claude. Same weights, same context window size, same API. But the leverage is not in the weights." The gap between users is now bigger than the gap between models. 2. One person's output went up 400x. In 2013 Tan shipped maybe 14 useful lines of code a day as a YC partner, dead on the median for programmer productivity. "I did the math on my output, and I'm at about 400x what I did in 2013." 3. Agents run on a different working memory. Humans hold 7 things in their head at once. Every org chart and checklist ever built is a patch for that limit. "An AI agent holds a million tokens. That's about a thousand pages. Three Harry Potter books sitting open on its head all at once." You're still running your week on tools built for the 7-digit brain. 4. Markdown is code now. Tan's stack is mostly skill files: pages of plain English an agent can execute. "If you can write clear instructions in English, you're a programmer. The compiler is a language model." At YC, finance and events staff who never opened a terminal are building automations. 5. Your history is your moat. Tan's agent runs on a personal wiki: about 220,000 markdown pages covering 25 years of email, meetings, notes and decisions. "When my agent does anything, it does knowing everything I know. And that's the difference between an assistant and a colleague." No frontier model has your context. That's the one asset nobody can replicate. 6. Never do one-off work. Most people run a task with an agent, close the window and throw the learning away. Tan ends every task by having the agent turn what it did into a reusable skill file. "If you have to ask for something twice, you failed." Captured skills compound daily. Amnesia resets you to zero every morning. 7. Own your skill files before your employer does. A skill file is your judgment, extracted and executable. The only question is who controls it. "Own your skills because if you don't, your job becomes a skill file." Files in your repo compound your career. Files in the company's repo run your judgment without you. Watch it, then read the step-by-step guide on becoming an AI engineer.

Y Combinator CEO, Garry Tan, took the stage for 42 minutes at Startup School 2026 and explained how to build your own personal AGI better than any paid AI course. This is what he told the room: 1. The leverage is in your context, not the model. Tan watches hundreds of founders use identical models every batch. "There are 2x people and there are 100x people who are using the same Claude. Same weights, same context window size, same API. But the leverage is not in the weights." The gap between users is now bigger than the gap between models. 2. One person's output went up 400x. In 2013 Tan shipped maybe 14 useful lines of code a day as a YC partner, dead on the median for programmer productivity. "I did the math on my output, and I'm at about 400x what I did in 2013." 3. Agents run on a different working memory. Humans hold 7 things in their head at once. Every org chart and checklist ever built is a patch for that limit. "An AI agent holds a million tokens. That's about a thousand pages. Three Harry Potter books sitting open on its head all at once." You're still running your week on tools built for the 7-digit brain. 4. Markdown is code now. Tan's stack is mostly skill files: pages of plain English an agent can execute. "If you can write clear instructions in English, you're a programmer. The compiler is a language model." At YC, finance and events staff who never opened a terminal are building automations. 5. Your history is your moat. Tan's agent runs on a personal wiki: about 220,000 markdown pages covering 25 years of email, meetings, notes and decisions. "When my agent does anything, it does knowing everything I know. And that's the difference between an assistant and a colleague." No frontier model has your context. That's the one asset nobody can replicate. 6. Never do one-off work. Most people run a task with an agent, close the window and throw the learning away. Tan ends every task by having the agent turn what it did into a reusable skill file. "If you have to ask for something twice, you failed." Captured skills compound daily. Amnesia resets you to zero every morning. 7. Own your skill files before your employer does. A skill file is your judgment, extracted and executable. The only question is who controls it. "Own your skills because if you don't, your job becomes a skill file." Files in your repo compound your career. Files in the company's repo run your judgment without you. Watch it, then read the step-by-step guide on becoming an AI engineer.

Alex Prompter

249,533 views • 1 month ago

👽 New Davis: They're in Control 🔥 "The NHIs are not gonna really let [Trump] go the full monty on Disclosure. The phenomenon seems to be in control over the human forces on Earth." ~Dr. Eric Davis (Obvious, Davis is speculating here. I've always downplayed when Davis said the release of info. is driven by the phenomenon, but UAP Juan thought it meant more. Juan was right.) ~ Alan Steinfeld: "The release of information is driven strictly by the [Phenomenon] itself." Dr. Eric Davis: "Exactly." Steinfeld:: "Well, what does that mean? The [Phenomenon] is directing the action, or responsible...? Can you explain what that means to...?" Davis: "I don't know how to explain that. All I know is that the evidence appears that the phenomenon seems to be in control over the human forces on Earth. They're our government, our contractors, other governments, to... It seems to be some sort of control system, and [Vallée has} always called it an intelligent control system, and he correctly has done so because we observed that in action on the ranch for the five or six years I was working for Bigelow, and it is an intelligent control system. "It's just...I think it doesn't want the human... I'm guessing it doesn't want the human race knowing what it is, where it comes from, and why it's really here. And what its agenda is. That's the thing you're asking. We don't know the agenda. But, obviously, it does play a role in preventing... I think it's gonna prevent disclosure. "I gave Trump less than 10% of a chance of success [at full Disclosure]. I actually wrote less than 1%, and I thought, well, maybe I better give him a little slack. And I thought, a factor of 10 more slack, taking it from less than 1% to less than 10% was more than fair and accurate. "I think that's because, I'm thinking in the back of my mind that the NHIs are not gonna really let him go the full monty on Disclosure. They're going to pull the strings, however they pull the strings, to prevent Trump from going the full monty. [You'll have] human forces on [the] inside that are gonna work against it, and then you're gonna have the intelligent-control system working on the outside, that's gonna work against it."

👽 New Davis: They're in Control 🔥 "The NHIs are not gonna really let [Trump] go the full monty on Disclosure. The phenomenon seems to be in control over the human forces on Earth." ~Dr. Eric Davis (Obvious, Davis is speculating here. I've always downplayed when Davis said the release of info. is driven by the phenomenon, but UAP Juan thought it meant more. Juan was right.) ~ Alan Steinfeld: "The release of information is driven strictly by the [Phenomenon] itself." Dr. Eric Davis: "Exactly." Steinfeld:: "Well, what does that mean? The [Phenomenon] is directing the action, or responsible...? Can you explain what that means to...?" Davis: "I don't know how to explain that. All I know is that the evidence appears that the phenomenon seems to be in control over the human forces on Earth. They're our government, our contractors, other governments, to... It seems to be some sort of control system, and [Vallée has} always called it an intelligent control system, and he correctly has done so because we observed that in action on the ranch for the five or six years I was working for Bigelow, and it is an intelligent control system. "It's just...I think it doesn't want the human... I'm guessing it doesn't want the human race knowing what it is, where it comes from, and why it's really here. And what its agenda is. That's the thing you're asking. We don't know the agenda. But, obviously, it does play a role in preventing... I think it's gonna prevent disclosure. "I gave Trump less than 10% of a chance of success [at full Disclosure]. I actually wrote less than 1%, and I thought, well, maybe I better give him a little slack. And I thought, a factor of 10 more slack, taking it from less than 1% to less than 10% was more than fair and accurate. "I think that's because, I'm thinking in the back of my mind that the NHIs are not gonna really let him go the full monty on Disclosure. They're going to pull the strings, however they pull the strings, to prevent Trump from going the full monty. [You'll have] human forces on [the] inside that are gonna work against it, and then you're gonna have the intelligent-control system working on the outside, that's gonna work against it."

Joe Murgia

14,096 views • 11 days ago

HOLY SHIT Yesterday I wrote an article on how to create your own Claude Bot step by step As an example, I mentioned a Claude bot that turned $300 → $2.4M in just 4 months Most of you reacted negatively, while some reacted positively-thank you all I spent a sleepless night trying to understand why this bot is so successful : > analyzed the BTC, ETH, and SOL charts over the last 4 months > why the bot entered or didn’t enter a position > in which sessions does the bot trade better: London, New York, or Asia > when it closes positions and when it adds to them Whole night without sleep, and in the morning I put the bot on a backtest I slept for about 8 hours, so I won’t say how long the backtest itself took When I woke up, I realized that I had succeeded Backtesting was able to do what this Claude Bot did: Also here you can copy its positions without any knowledge of code👆🏼 Most of you will say that this is a scam and won’t even try, and that’s why most people are poor. All you need to successfully create a bot is: - Patience - Willingness - A little free time (maybe a bit more than you think) Just read this article.From A to Z and try to get started Believe me, you’ll be amazed at what Claude is capable of I would be grateful for your support, and if any questions arise, I’ll try to answer everyone in DMs. I also prepared an article for you about the closed version of Claude Mythos, which everyone says can hack anything So follow and turn on notifications so you don’t miss a lot of interesting things. Good luck

HOLY SHIT Yesterday I wrote an article on how to create your own Claude Bot step by step As an example, I mentioned a Claude bot that turned $300 → $2.4M in just 4 months Most of you reacted negatively, while some reacted positively-thank you all I spent a sleepless night trying to understand why this bot is so successful : > analyzed the BTC, ETH, and SOL charts over the last 4 months > why the bot entered or didn’t enter a position > in which sessions does the bot trade better: London, New York, or Asia > when it closes positions and when it adds to them Whole night without sleep, and in the morning I put the bot on a backtest I slept for about 8 hours, so I won’t say how long the backtest itself took When I woke up, I realized that I had succeeded Backtesting was able to do what this Claude Bot did: Also here you can copy its positions without any knowledge of code👆🏼 Most of you will say that this is a scam and won’t even try, and that’s why most people are poor. All you need to successfully create a bot is: - Patience - Willingness - A little free time (maybe a bit more than you think) Just read this article.From A to Z and try to get started Believe me, you’ll be amazed at what Claude is capable of I would be grateful for your support, and if any questions arise, I’ll try to answer everyone in DMs. I also prepared an article for you about the closed version of Claude Mythos, which everyone says can hack anything So follow and turn on notifications so you don’t miss a lot of interesting things. Good luck

AdiiX

129,523 views • 5 months ago

Ever seen a fresh (20x) Claude Max account's 5-hour usage allowance get drained in ~14 minutes? Feast your eyes on my bizarre life now with this screen recording of a recent live work session, something I've gotten at least 100 requests for over the past month. Maybe you can understand now why I need so many accounts and how I can work on so many different projects. You can also see the truth of what I was saying recently about how, once your plan is done and the beads made and polished, it's mostly just machine-tending the swarm that doesn't require much thought. Lots of just telling it to get the next bead and work on it, to review code, to re-read AGENTS dot md after a compaction, etc. And you can see how I use gemini-cli for code review. I give Google a lot of crap for the harness being broken and the capacity overloads, but when it works, it's actually really good for this code review use case. I don't usually let it write new code, though, because I think Opus and 5.2 do a better job. Also, sorry the recording is a bit blurry; I have a 5K resolution monitor and screen recordings usually are hard to watch from it. And btw, this really wasn't that normal of a session for me, it was more frenetic than usual, because I don't want to dox myself or my clients by accident. Hence all the ceaseless terminal tab swirling. I usually do more planning work while this stuff is going on, but I wanted to minimize the chances of leaking important information. That's also why I didn't refresh the Gemini login in the WezTerm window, which killed me, trust me. It's the reason I hate doing these screen recordings in the first place; it kills my productivity. Anyway, hope you liked it. I will also post to YouTube, see reply for link. Thanks for watching.

Ever seen a fresh (20x) Claude Max account's 5-hour usage allowance get drained in ~14 minutes? Feast your eyes on my bizarre life now with this screen recording of a recent live work session, something I've gotten at least 100 requests for over the past month. Maybe you can understand now why I need so many accounts and how I can work on so many different projects. You can also see the truth of what I was saying recently about how, once your plan is done and the beads made and polished, it's mostly just machine-tending the swarm that doesn't require much thought. Lots of just telling it to get the next bead and work on it, to review code, to re-read AGENTS dot md after a compaction, etc. And you can see how I use gemini-cli for code review. I give Google a lot of crap for the harness being broken and the capacity overloads, but when it works, it's actually really good for this code review use case. I don't usually let it write new code, though, because I think Opus and 5.2 do a better job. Also, sorry the recording is a bit blurry; I have a 5K resolution monitor and screen recordings usually are hard to watch from it. And btw, this really wasn't that normal of a session for me, it was more frenetic than usual, because I don't want to dox myself or my clients by accident. Hence all the ceaseless terminal tab swirling. I usually do more planning work while this stuff is going on, but I wanted to minimize the chances of leaking important information. That's also why I didn't refresh the Gemini login in the WezTerm window, which killed me, trust me. It's the reason I hate doing these screen recordings in the first place; it kills my productivity. Anyway, hope you liked it. I will also post to YouTube, see reply for link. Thanks for watching.

Jeffrey Emanuel

86,071 views • 8 months ago

🚨 SPOILERS, obviously. But they're super light, you are likely fine to watch/read this before the episode 🚨 This week's Cutthroat aired maybe four seconds of an actual competition and spent the other 49 minutes documenting grown adults unraveling in real time, which is to say, it was perfect. They made everyone solve a life-size sliding puzzle while standing in teacups, because nothing says elite athletic competition like Disney World filing for bankruptcy and running its rides in a flooded parking garage. Bananas got carried to a win by his team so hard it should've counted as a rideshare, briefly reliving the golden era when teammates did his job for him IYKYK. Meanwhile Tori went full mermaid on nothing but raw Pisces conviction and a horoscope app, at a party lit like Euphoria threw up at a Spirit Halloween that's going out of business. And the soul collection continues. Bananas keeps running his gym and podcast like a decade-long favor factory, quietly pre-loading alliances from rookies who don't know they've signed anything yet. Nurys got offered a love triangle and declined on the grounds of altitude, ending a short king's entire bloodline with one sentence, she's not dating, she's just harvesting souls as a side quest. And Cara Maria pulled off "badass man" better in one episode than Paulie managed across his entire career. 🍿 Want the full, unhinged, frame-by-frame breakdown with all the takes too spicy for the grid? That's what the Patreon is for. Six years of the most reliable Challenge recaps in the game, new drops every single week. Link in bio, come get messy with me. 🔗

🚨 SPOILERS, obviously. But they're super light, you are likely fine to watch/read this before the episode 🚨 This week's Cutthroat aired maybe four seconds of an actual competition and spent the other 49 minutes documenting grown adults unraveling in real time, which is to say, it was perfect. They made everyone solve a life-size sliding puzzle while standing in teacups, because nothing says elite athletic competition like Disney World filing for bankruptcy and running its rides in a flooded parking garage. Bananas got carried to a win by his team so hard it should've counted as a rideshare, briefly reliving the golden era when teammates did his job for him IYKYK. Meanwhile Tori went full mermaid on nothing but raw Pisces conviction and a horoscope app, at a party lit like Euphoria threw up at a Spirit Halloween that's going out of business. And the soul collection continues. Bananas keeps running his gym and podcast like a decade-long favor factory, quietly pre-loading alliances from rookies who don't know they've signed anything yet. Nurys got offered a love triangle and declined on the grounds of altitude, ending a short king's entire bloodline with one sentence, she's not dating, she's just harvesting souls as a side quest. And Cara Maria pulled off "badass man" better in one episode than Paulie managed across his entire career. 🍿 Want the full, unhinged, frame-by-frame breakdown with all the takes too spicy for the grid? That's what the Patreon is for. Six years of the most reliable Challenge recaps in the game, new drops every single week. Link in bio, come get messy with me. 🔗

Wes Bergmann 🌋

32,283 views • 1 month ago

Blades of Fire | Hands-On Gameplay Impressions ▪️Recap: New action-adventure IP from MercurySteam (Metroid Dread, Castlevania: Lords of Shadow) ▪️Coming to PS5, Xbox and PC on May 22 ▪️Around 60-70 hours long to complete ▪️You play as Aran de Lira, a forger and warrior who, after suffering a personal tragedy, "finds himself in possession of a magic hammer that lets him enter the forge of the gods to create the only weapons able to defeat Queen Nerea’s forces" ▪️The world is "squarely in fantasy territory", "rich, overabundant, lavish fantasy, as well as occasionally brutal and twisted" ▪️Magic courses through a land teeming with flowers and buzzing with wildlife, and creatures like trolls and elementals romp around ▪️Soldiers sort of look a bit like the Locust from Gears of War, chunky, loitering around. The whole game feels like it has a "chunkiness" to it, a bit like Blizzard games (hands and arms are oversized, buildings/walls are double thick). Combines to make a pleasing visual picture and give a sturdy, hefty feel ▪️"Wildly customizable weapons saves it from being just another action game", "combat is refreshingly different" ▪️Combat: Rooted in directional attacks that use every face button on a controller. On a DualSense for example, Δ aims for the head, X goes for the torso, while ⏹️ and ⭕️ swipe left and right respectively ▪️An enemy holding up a blade to protect their face for instance, can be overcome by aiming low and skewering through their gut ▪️Example: A troll boss can have a second health bar that can only be chipped away after dismembering it. If you use your right hand attacks, you can cut off its club-wielding left arm or cut off its entire face, leaving it blind and aimlessly flailing until it can regrow its eyes back ▪️Your attack and dodge stamina must be manually restored by holding the block button instead of automatically regenerating ▪️You can swap between 4 different weapons on the fly, wield your weapons via different stances, either slashing with the sharp edge or thrusting with the pointed tip; assess enemies to determine which methods are the most effective ▪️Rather than finding new weapons out in the game world, every weapon's life starts in the Forge ▪️You can create up to 7 different weapon types, from twin axes to polearms ▪️You start with your choice of a basic weapon template and tweak and modify and name, for example you can adjust the length of a spear's pole and the shape of its spear head which affects its stats ▪️A longer pole increases the spear's range, while its head shape dictates if its better at slashing or piercing ▪️Different materials also affect a weapon's weight which has an effect on your stamina pool ▪️You then physically hammer out the metal in-game on the anvil through a "remarkably involved minigame", where you control the length, force and angle of every hammer strike ▪️There is a curved line onscreen that represents the ideal weapon, you arrange a series of vertical bars to try and match the shape of that curved line with each hammer strike. Overworking results in a weaker weapon. You're rewarded with a star rating, the more stars you get, the more you can repair your weapon before it permanently breaks ▪️You can instantly remake weapons you've made before to save time ▪️Some found the weapon forging system to be "frustratingly obtuse", as there didn't seem to be a clear connection between the areas struck and the resulting shape of the metal; hoping for better tutorial or improvements before launch ▪️MercurySteam wants you to feel deeply attached to the weapons you create and carry them with you for the duration of your journey ▪️If you die, you lose your weapon upon respawning, but you can go back to where you died to retrieve them ▪️After playing for 3 hours, some hands-on impressions were unsure if the game can support a variety of a 60 hour game ("within 3 hours I’d fought the same gatekeeping miniboss 3 times") ▪️Others also felt there were uneven difficulty spikes, the game chucks multiple types of enemies at you, sometimes in confined areas. Can sometimes feel like you waste precious weapons, rest at an anvil to reforge and then enemies respawn again ▪️One previewer noted that when they started slowing down and nosing through the game's menus and built-in tips to see what they were doing wrong, they learned the game's nuances and it clicked Previews IGN: Full IGN Gameplay: Mirror: Eurogamer: #BladesofFire

Blades of Fire | Hands-On Gameplay Impressions ▪️Recap: New action-adventure IP from MercurySteam (Metroid Dread, Castlevania: Lords of Shadow) ▪️Coming to PS5, Xbox and PC on May 22 ▪️Around 60-70 hours long to complete ▪️You play as Aran de Lira, a forger and warrior who, after suffering a personal tragedy, "finds himself in possession of a magic hammer that lets him enter the forge of the gods to create the only weapons able to defeat Queen Nerea’s forces" ▪️The world is "squarely in fantasy territory", "rich, overabundant, lavish fantasy, as well as occasionally brutal and twisted" ▪️Magic courses through a land teeming with flowers and buzzing with wildlife, and creatures like trolls and elementals romp around ▪️Soldiers sort of look a bit like the Locust from Gears of War, chunky, loitering around. The whole game feels like it has a "chunkiness" to it, a bit like Blizzard games (hands and arms are oversized, buildings/walls are double thick). Combines to make a pleasing visual picture and give a sturdy, hefty feel ▪️"Wildly customizable weapons saves it from being just another action game", "combat is refreshingly different" ▪️Combat: Rooted in directional attacks that use every face button on a controller. On a DualSense for example, Δ aims for the head, X goes for the torso, while ⏹️ and ⭕️ swipe left and right respectively ▪️An enemy holding up a blade to protect their face for instance, can be overcome by aiming low and skewering through their gut ▪️Example: A troll boss can have a second health bar that can only be chipped away after dismembering it. If you use your right hand attacks, you can cut off its club-wielding left arm or cut off its entire face, leaving it blind and aimlessly flailing until it can regrow its eyes back ▪️Your attack and dodge stamina must be manually restored by holding the block button instead of automatically regenerating ▪️You can swap between 4 different weapons on the fly, wield your weapons via different stances, either slashing with the sharp edge or thrusting with the pointed tip; assess enemies to determine which methods are the most effective ▪️Rather than finding new weapons out in the game world, every weapon's life starts in the Forge ▪️You can create up to 7 different weapon types, from twin axes to polearms ▪️You start with your choice of a basic weapon template and tweak and modify and name, for example you can adjust the length of a spear's pole and the shape of its spear head which affects its stats ▪️A longer pole increases the spear's range, while its head shape dictates if its better at slashing or piercing ▪️Different materials also affect a weapon's weight which has an effect on your stamina pool ▪️You then physically hammer out the metal in-game on the anvil through a "remarkably involved minigame", where you control the length, force and angle of every hammer strike ▪️There is a curved line onscreen that represents the ideal weapon, you arrange a series of vertical bars to try and match the shape of that curved line with each hammer strike. Overworking results in a weaker weapon. You're rewarded with a star rating, the more stars you get, the more you can repair your weapon before it permanently breaks ▪️You can instantly remake weapons you've made before to save time ▪️Some found the weapon forging system to be "frustratingly obtuse", as there didn't seem to be a clear connection between the areas struck and the resulting shape of the metal; hoping for better tutorial or improvements before launch ▪️MercurySteam wants you to feel deeply attached to the weapons you create and carry them with you for the duration of your journey ▪️If you die, you lose your weapon upon respawning, but you can go back to where you died to retrieve them ▪️After playing for 3 hours, some hands-on impressions were unsure if the game can support a variety of a 60 hour game ("within 3 hours I’d fought the same gatekeeping miniboss 3 times") ▪️Others also felt there were uneven difficulty spikes, the game chucks multiple types of enemies at you, sometimes in confined areas. Can sometimes feel like you waste precious weapons, rest at an anvil to reforge and then enemies respawn again ▪️One previewer noted that when they started slowing down and nosing through the game's menus and built-in tips to see what they were doing wrong, they learned the game's nuances and it clicked Previews IGN: Full IGN Gameplay: Mirror: Eurogamer: #BladesofFire

Shinobi602

113,003 views • 1 year ago

$ASTS | Scott Wisniewski at JP Morgan conference, May 18, 2026 Transcript - part 1 Good afternoon, everyone. I'm Sebastiano Petty, and I cover the telecom, cable, and satellite space here at J.P. Morgan. I'd like to welcome Scott Wisniewski, President and Chief Strategy Offer of ASTS Space Mobile. Scott, thanks for joining us. Thank you for having me. You're good. You're live. Can you hear me? All right. Thank you for having me. Great. So, Scott, just to start, let's zoom out. As you sit here in mid-2026, with Bluebirds launching, commercial service activation approaching, and the government pipeline accelerating, where are you spending most of your time as President and Chief Strategy Officer? And more broadly, what are your two to three highest priority objectives over the next 18 months as you transition from what has primarily been an R&D and manufacturing story into a scaled revenue-generating operating company? Thank you. And for those who don't know us that well, we were founded about a decade ago around the direct-to-device opportunity. That's what we do. That's our entire strategy. It's from space, of course, and we build our own satellites, and we'll be operating them and selling capacity on them. But at its core, we are a direct-to-device pure play. And over the years, I met our founder in January 2019, but over the years, telling our equity story, people always asked three questions. Does it work? Can you fund it? And how big will the market be, or will there be a market? And that's our traditional private company questions that we still got even as a public company for a while, and we really retired those risks in 2023, 2024, and 2025. And so this year, yeah, you're exactly right. Traditional growth stuff, scaling stuff is where we are. And for us, if I were to say two simple things, one is network deployment. The vast majority of the folks in the company are focused on exactly that, network deployment now for revenue in 2026 and 2027 and beyond. And then the second one is, I think, building the market out in the right way. This is a brand new service. It's a service that is at the very heart of connectivity. Remember, we all know the trends in connectivity. When I started my career in connectivity, there was a question, bubble, what inning are we in? When is the expansion going to end? And then, of course, AI comes along, and there's always something every couple of years. So for us, we're at the heart of connectivity. We can do coverage better than any terrestrial footprint by its very nature. And making connectivity work for our partners, the mobile network operators, and ultimately for the consumer mass market among other markets, is our focus. So building out that market is our second priority. Great. And let's address the news from last week. AT&T, Verizon, and T-Mobile announced a proposed joint venture to extend mobile connectivity using satellite-based D2D technologies. You guys put out a statement commending the announcement. Unpack this for us. What does this mean for ASTS in practice? Does it change your commercial positioning with the carriers? Does it accelerate or maybe even complicate your path to service? So we really value the carrier relationship. We've organized the business, the technology, the go-to-market strategy. Everything we do, really, is about making connectivity better for the mobile network operators. And so you see that in where we've prioritized the company over the years. You see that in how we've built out the tech. And even the network stack is organized with the RAN on the ground, so the operators control it. So that's really been our focus. We share their spectrum, although we also have our own spectrum now. And that's always been the approach. Part1, 1 (of 2)

Peter LINDM🅰️RK

29,453 views • 4 months ago

You guys asked for a deeper sim and that's what 2.9 is. Submitted. Rebuilt Avatars: Player avatars completely redone. 14 hairstyles, 8 skin tones, 6 hair colors, beard options, all at higher resolution. Over 50,000 combinations across the 4,700+ players the game generates. Coach avatars got the same revamp. Player Cards: Cards rebuilt from scratch to feel like a broadcast graphic. Team-color gradient hero that pulls each program's actual colors, oversized OVR display, archetype line, headline stat strip, and tabs for stats, ratings, game logs, and bio. Coaching Systems: Biggest gameplay shift in this build. You pick an offensive scheme and a defensive scheme and they change how your team plays. 6 offensive options (Run & Gun, Motion, Pick & Roll, Princeton, Post-Centric, Balanced) and 6 defensive options (Man, 2-3, 3-2, 1-3-1, Press/Trap, Pack Line). Run & Gun teams shoot more threes and turn the ball over more. Pack Line teams give up fewer paint points but allow more open looks. Same modifiers run in live games and background sims so your scheme matters either way. Scout Cards: Tap any team and you can now see their offensive and defensive playstyle laid out in full. Real game-planning is finally possible. Facing a Press team, you can scheme around it. Facing a 2-3 zone, you can prep your shooters. Pull up an opponent before tipoff and actually know what you're up against. Recruiting Pipelines: Recruit generation now mirrors real basketball geography. Top talent clusters in real hotbeds. Class rank, position rank, and state rank show on every recruit. All-American badges flag elite prospects and State Player of the Year badges call out standouts in smaller states, but neither is an auto cheat code. An All-American is a strong prospect on paper, development still matters, and not every one pans out. State POY varies a lot by state. The real edge is taking a job in a strong pipeline state. Better states produce better players more often, and coaching in a hotbed gives you home state advantage on recruits everyone else is fighting over. Smarter Rankings + Bug Fixes: Rankings rebuilt to reflect who's actually playing the best. Quality wins matter, strength of schedule matters, bad losses hurt. Plus a long list of bug fixes from your Discord reports. If you posted a bug, it's been looked at even if I didn't reply directly. Android: Thank you for everyone who has been testing! We have finally got aversion that is ready for release and I am submitting it right now! I will keep you guys updated on when it drops❤️

You guys asked for a deeper sim and that's what 2.9 is. Submitted. Rebuilt Avatars: Player avatars completely redone. 14 hairstyles, 8 skin tones, 6 hair colors, beard options, all at higher resolution. Over 50,000 combinations across the 4,700+ players the game generates. Coach avatars got the same revamp. Player Cards: Cards rebuilt from scratch to feel like a broadcast graphic. Team-color gradient hero that pulls each program's actual colors, oversized OVR display, archetype line, headline stat strip, and tabs for stats, ratings, game logs, and bio. Coaching Systems: Biggest gameplay shift in this build. You pick an offensive scheme and a defensive scheme and they change how your team plays. 6 offensive options (Run & Gun, Motion, Pick & Roll, Princeton, Post-Centric, Balanced) and 6 defensive options (Man, 2-3, 3-2, 1-3-1, Press/Trap, Pack Line). Run & Gun teams shoot more threes and turn the ball over more. Pack Line teams give up fewer paint points but allow more open looks. Same modifiers run in live games and background sims so your scheme matters either way. Scout Cards: Tap any team and you can now see their offensive and defensive playstyle laid out in full. Real game-planning is finally possible. Facing a Press team, you can scheme around it. Facing a 2-3 zone, you can prep your shooters. Pull up an opponent before tipoff and actually know what you're up against. Recruiting Pipelines: Recruit generation now mirrors real basketball geography. Top talent clusters in real hotbeds. Class rank, position rank, and state rank show on every recruit. All-American badges flag elite prospects and State Player of the Year badges call out standouts in smaller states, but neither is an auto cheat code. An All-American is a strong prospect on paper, development still matters, and not every one pans out. State POY varies a lot by state. The real edge is taking a job in a strong pipeline state. Better states produce better players more often, and coaching in a hotbed gives you home state advantage on recruits everyone else is fighting over. Smarter Rankings + Bug Fixes: Rankings rebuilt to reflect who's actually playing the best. Quality wins matter, strength of schedule matters, bad losses hurt. Plus a long list of bug fixes from your Discord reports. If you posted a bug, it's been looked at even if I didn't reply directly. Android: Thank you for everyone who has been testing! We have finally got aversion that is ready for release and I am submitting it right now! I will keep you guys updated on when it drops❤️

Hardwood Empire

33,594 views • 4 months ago

Is Traditional Software Engineering Dead? “Does this mean that traditional software engineering is dead? Absolutely not. Software engineers—even the ones who are not necessarily tuning or training AI models—these are now among the most leveraged people on earth. Sure, the guys who are training and tuning models are even more leveraged because they’re building the tool set that software engineers are using. But software engineers still have two massive advantages on you. First, they think in code, so they actually know what’s going on underneath. And all abstractions are leaky. So when you have a computer programming for you—when you have Claude Code or equivalent programming for you—it’s going to make mistakes. It’s going to have bugs. It’s going to have suboptimal architecture. So it’s not going to be quite right. And someone who understands what’s going on underneath will be able to plug the leaks as they occur. So if you want to build a well-architected application, if you want to be able to even specify a well-architected application, if you want to be able to make it run at high performance, if you want it to do its best, if you want to catch the bugs early, then you’re going to want to have a software engineering background. The traditional software engineer is going to be able to use these tools much better. And there are still many kinds of problems in software engineering that are out of scope for these AI programs today. The easiest way to think about those is problems that are outside of their data distribution. For example, if they need to do a binary sort or reverse a linked list, they’ve seen countless examples of that, so they’re extremely good at it. But when you start getting out of their domain—where you have to write very high-performance code, when you’re running on architectures that are novel or brand new, when you’re actually creating new things or solving new problems, then you still need to get in there and hand code it. At least until either there are so many of those examples that new models can be trained on them, or until these models can sufficiently reason at even higher levels of abstraction and crack it on their own… And remember: there is no demand for average. The average app—nobody wants it, at least as long as it’s not filling some niche that is filled by a superior app. The app that is better will win essentially a hundred percent of the market. Maybe there’s some small percentage that will bleed off to the second-best app because it does some little niche feature better than the main app, or it’s cheaper, or something of the sort. But generally speaking, people only want the best of anything. So the bad news is there’s no point in being number two or number three—like in the famous Glengarry Glen Ross scene where Alec Baldwin says, “First place gets a Cadillac Eldorado, second place gets a set of steak knives, and third place you’re fired.” That’s absolutely true in these winner-take-all markets. That’s the bad news: You have to be the best at something if you want to win. However, the set of things you can be best at is infinite. You can always find some niche that is perfect for you, and you can be the best at that thing. This goes back to an old tweet of mine where I said, “Become the best in the world at what you do. Keep redefining what you do until this is true.” And I think that still applies in this age of AI.”

Naval

861,904 views • 6 months ago

Dear Ian Carroll, I want to take a moment to address what you said about me and my comments in your video—without snark or personal animus. When you say, “The Jews are wonderful,” and insist you’re merely exploring a connection between Israel, Epstein, and Jewish influence, I want to believe you. But based on your past statements, I think at best, you are naively playing with fire, and at worst, you are being disingenuous—aware that making certain insinuations under the guise of intellectual curiosity is enough to set in motion others who will state more explicitly what you only imply. It’s not any single remark that alarms me, but the pattern of statements you’ve made, including: 1.Suggesting that Israel was behind 9/11 and that Israelis—or Jews—celebrated the attacks, even going so far as to claim Israel mocked 9/11 in its 10/7 post about “dancing again.” 2.Claiming that the Scofield Bible was bankrolled by the Rothschilds as a Zionist operation to subvert Christianity and advance Jewish/Zionist interests. 3.Failing to push back in a conversation on the Hodgetwins podcast when it was suggested that Jews are “behind pornography” as part of an anti-civilizational plot. Instead, you commented that you had heard about it and found it intriguing. While you didn’t originate the claim, public figures have a responsibility to challenge such narratives when they are put forward in front of large audiences. Again, this isn’t about one isolated comment but the totality of your rhetoric, which indicates you are either recklessly entertaining antisemitic tropes or deliberately introducing them in a way that lets others take them further. As with all conspiracy theories, there are kernels of truth. No theory is entirely fabricated—they gain traction because they weave in elements of reality. But that doesn’t make them harmless. I believe you are irresponsibly connecting horrific events—9/11, pedophilia sex rings, and the subversion of Christianity—directly to the only Jewish nation on earth. While you may insist you are only criticizing Israel’s government, your language and framing suggest otherwise. Maybe this is naïveté on your part. I’m not saying the rise in antisemitism—or the increasing risk Jews face in America—is solely your responsibility. But you are, knowingly or not, helping lay the groundwork for the kind of rhetoric that has historically fueled antisemitic oppression and violence. I hope you reflect honestly on this, even if only small parts resonate with you. I will always defend your right to say whatever you want—I’m not calling for you to be deplatformed or banned. But I am asking you to consider the responsibility that comes with influence, and the ways in which our words can shape discourse for better or worse. Thank you for your time.

Dear Ian Carroll, I want to take a moment to address what you said about me and my comments in your video—without snark or personal animus. When you say, “The Jews are wonderful,” and insist you’re merely exploring a connection between Israel, Epstein, and Jewish influence, I want to believe you. But based on your past statements, I think at best, you are naively playing with fire, and at worst, you are being disingenuous—aware that making certain insinuations under the guise of intellectual curiosity is enough to set in motion others who will state more explicitly what you only imply. It’s not any single remark that alarms me, but the pattern of statements you’ve made, including: 1.Suggesting that Israel was behind 9/11 and that Israelis—or Jews—celebrated the attacks, even going so far as to claim Israel mocked 9/11 in its 10/7 post about “dancing again.” 2.Claiming that the Scofield Bible was bankrolled by the Rothschilds as a Zionist operation to subvert Christianity and advance Jewish/Zionist interests. 3.Failing to push back in a conversation on the Hodgetwins podcast when it was suggested that Jews are “behind pornography” as part of an anti-civilizational plot. Instead, you commented that you had heard about it and found it intriguing. While you didn’t originate the claim, public figures have a responsibility to challenge such narratives when they are put forward in front of large audiences. Again, this isn’t about one isolated comment but the totality of your rhetoric, which indicates you are either recklessly entertaining antisemitic tropes or deliberately introducing them in a way that lets others take them further. As with all conspiracy theories, there are kernels of truth. No theory is entirely fabricated—they gain traction because they weave in elements of reality. But that doesn’t make them harmless. I believe you are irresponsibly connecting horrific events—9/11, pedophilia sex rings, and the subversion of Christianity—directly to the only Jewish nation on earth. While you may insist you are only criticizing Israel’s government, your language and framing suggest otherwise. Maybe this is naïveté on your part. I’m not saying the rise in antisemitism—or the increasing risk Jews face in America—is solely your responsibility. But you are, knowingly or not, helping lay the groundwork for the kind of rhetoric that has historically fueled antisemitic oppression and violence. I hope you reflect honestly on this, even if only small parts resonate with you. I will always defend your right to say whatever you want—I’m not calling for you to be deplatformed or banned. But I am asking you to consider the responsibility that comes with influence, and the ways in which our words can shape discourse for better or worse. Thank you for your time.

Frank McCormick

279,553 views • 1 year ago

Did you hear Danielle Smith wants to privatize your local hospital? She wants to take hospitals away from AHS and hand them over to other people to run. Maybe Covenant Health, maybe someone else. Nobody knows. Remember, the UCP privatized lab services in 2020 and it was a disaster. Endless waits to get an appointment, even longer waits to get results, and doctors sounding the alarm about mistakes in tests. Eventually the UCP had to reverse the whole thing at a massive cost. It was a dangerous and expensive failure, and that’s what Smith wants to try with hospitals. Let me tell you why I'm concerned. The Premier doesn’t understand healthcare, hospitals, or how competition works. She’s barely said a word about her plans for AHS since announcing that she's going to break it up. Instead, we hear these drips and drabs at members-only meetings in the lead-up to Smith’s UCP leadership review. Second, she said she wants a health care system that is ruled by “competition and fear.” This is bizarre, and it’s not going to work. Systems that are based on fear will inevitably collapse and those incentives don’t work in public service delivery. The folks at Covenant Health do amazing work right across the province every day, but we must recognize that Covenant facilities do not offer the full range of healthcare that Albertans expect, particularly in reproductive health and end of life issues. And despite what the Premier said, Covenant has been forced to shutter some of their emergency rooms, just as AHS has, because they have the same problem – a UCP government that is hostile to healthcare professionals. Changing the sign outside doesn’t create new doctors. Even if Tyler Shandro is on the board. Maybe Smith is just musing and saying the first thing that she thinks will please the person she’s talking to. Again. The problem is when you’re Premier, people work to turn your musings into reality. I’m concerned Smith is taking us down a path she hasn’t thought through at all. We need a government that is competent. That is not ideological, that does not make up its plans on the fly to save itself. We need better, and that’s what Alberta’s New Democrats promise.

Did you hear Danielle Smith wants to privatize your local hospital? She wants to take hospitals away from AHS and hand them over to other people to run. Maybe Covenant Health, maybe someone else. Nobody knows. Remember, the UCP privatized lab services in 2020 and it was a disaster. Endless waits to get an appointment, even longer waits to get results, and doctors sounding the alarm about mistakes in tests. Eventually the UCP had to reverse the whole thing at a massive cost. It was a dangerous and expensive failure, and that’s what Smith wants to try with hospitals. Let me tell you why I'm concerned. The Premier doesn’t understand healthcare, hospitals, or how competition works. She’s barely said a word about her plans for AHS since announcing that she's going to break it up. Instead, we hear these drips and drabs at members-only meetings in the lead-up to Smith’s UCP leadership review. Second, she said she wants a health care system that is ruled by “competition and fear.” This is bizarre, and it’s not going to work. Systems that are based on fear will inevitably collapse and those incentives don’t work in public service delivery. The folks at Covenant Health do amazing work right across the province every day, but we must recognize that Covenant facilities do not offer the full range of healthcare that Albertans expect, particularly in reproductive health and end of life issues. And despite what the Premier said, Covenant has been forced to shutter some of their emergency rooms, just as AHS has, because they have the same problem – a UCP government that is hostile to healthcare professionals. Changing the sign outside doesn’t create new doctors. Even if Tyler Shandro is on the board. Maybe Smith is just musing and saying the first thing that she thinks will please the person she’s talking to. Again. The problem is when you’re Premier, people work to turn your musings into reality. I’m concerned Smith is taking us down a path she hasn’t thought through at all. We need a government that is competent. That is not ideological, that does not make up its plans on the fly to save itself. We need better, and that’s what Alberta’s New Democrats promise.

Naheed Nenshi

401,976 views • 2 years ago