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David Benavidez believes previous sparring sessions may be why Dmitry Bivol is avoiding a unification bout: "They can say whatever they want to say… he’s felt my power up close and personal. I felt his power up close and personal too, but I got the better of that. I...

29,408 görüntüleme • 4 ay önce •via X (Twitter)

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mark explained the confidence behind his big decision “that kind of thing felt so precious. i mean, even putting aside security, money, all these things.. the fact that i still had something i wanted to achieve. that felt so precious. ive always wanted to do things well, to really reach the top in everything. as someone who wakes up every day with this drive to live at my best, i began to wonder, “what does ‘the best’ actually mean? and whats my ultimate dream? what is the greatest thing i can leave behind in this life, in this world?” so everything started connecting. and if this is the greatest dream i believe in, then i needed to commit to it with my absolute best effort. honestly, everyone in this world is living by their own standards and who you are depends on, the standards you live by. but honestly, ive always had a bit of a loser mindset, what a man should be? and i never felt like that matched who i am. ive always had a complex about that, like rough or edgy and not too exemplary either. but suddenly i got confused about all that. i ended up talking about it to david, david kept asking me “what is that coolness you have in your head?” that made me dig deep and really think. i realized i should actually live by what’s ‘good’ and i need to express that through music. so i found this dream of showing ‘goodness’, i want to show the world what real goodness is and making music like that. ultimately, for the next generation.. i really want to show the next generation what that is. so my dream became very clear. you can be good and also be cool, i want to create a new kind of cool. i truly want that and i want to live it and achieve it in my own life. i realized this is truly something worth dedicating your life to.”

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32,996 görüntüleme • 1 ay önce

Mark: It's been on my mind, and I just felt like I had to get this off my chest. And so I just felt like I had to turn this live on and to really just tell you guys how I felt regarding the T-shirt with the Confederate flag on it. I am aware of the pain that it brought to a lot of people, and especially to my black fans, to the black community. And I know that I should have. I am very responsible for it. But I really wanted to directly tell you guys that it really wasn't my intention, with me knowing the meaning of the flag, the historical significance of it. It really shouldn't have happened, and it really does not reflect who I am as a person. But seeing so many fans being hurt by it, it really hurt me as well. I had no intention knowing the meaning of the flag, and I should have. There are no excuses to that. But I just wanted to promise you guys directly that something like that will never happen again. With me and my whole team, we have made, we have taken steps to make sure that something like that doesn't happen. But I just, and I know that a lot of people have been waiting for me to kind of address this directly. And I've been sitting on this for a while, and I really wanted to get this off my chest. And so I thought today was the right time for me to tell you guys. It really breaks my heart to think that maybe the trust has been broken. But I promise you that I'll make it up to you guys, just with my actions and with my music. I'll make sure to make it up to you guys if you will allow me to have one more chance. I'll try my best in that. And so once again, I truly would like to apologize for the pain that that picture has brought to a lot of people. And I promise to educate myself more on that matter as well. When I first heard about it actually, I read about it. I was shocked, and we and our entire team made sure that it wasn't on any official content, but the picture got leaked, and we instantly uploaded an apology as well. But now I really felt like I had to personally take action for this. And so once again, I'd like to apologize for bringing so much pain to a lot of people. It really doesn't. It had no intention, no personal intention. So yeah. And thank you for taking the time to wait for me to really address this. I know a lot of fans have also been believing in me. But yeah, thank you for waiting till this moment.

먛¹⁹⁹⁹ #TheFirstfruit🫑

21,373 görüntüleme • 23 gün önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 8 ay önce