Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

Day 11 of learning how to script on Roblox!! 👀✨ I MADE MY FIRST SCRIPTED GAME ON MY OWN!! 🥳 I spent all day figuring this out. So basically, I have been following BrawlDev's beginner scripted series and on the last video it was how to create a small... show more

haizoop

1,853 subscribers

17,721 görüntüleme • 5 ay önce •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Kim Goeun at #ThePriceOfConfession presscon, about how she joined the work. > Actually, I first saw the script around 4 or 5 years ago when they were still in the early stage of planning. So at that time, it wasn’t something final. Just a casual ‘Do you want to just take a look at it?’ so I read it briefly. After that, I got busy working on other projects. Then I heard Jeon Doyeon sunbaenim was going to do it and I received the script again. And reading it this time, it felt completely different from how it felt when I first read it years ago. It’s not like I’m worrying about it. I just focused on what the script looks like. Then I thought “Ah I can do this well. I can do it well no matter what”. That’s how I joined this work. I said to them “Please let me in. I can do it well”. <

Kim Goeun at #ThePriceOfConfession presscon, about how she joined the work. > Actually, I first saw the script around 4 or 5 years ago when they were still in the early stage of planning. So at that time, it wasn’t something final. Just a casual ‘Do you want to just take a look at it?’ so I read it briefly. After that, I got busy working on other projects. Then I heard Jeon Doyeon sunbaenim was going to do it and I received the script again. And reading it this time, it felt completely different from how it felt when I first read it years ago. It’s not like I’m worrying about it. I just focused on what the script looks like. Then I thought “Ah I can do this well. I can do it well no matter what”. That’s how I joined this work. I said to them “Please let me in. I can do it well”. <

tan🫐

16,913 görüntüleme • 7 ay önce

Ok, Remotion is INSANE. I installed it on my OpenClaw this morning. I gave my logo, my landing page and the 14 steps I needed for that video. After 5 iterations, I got this 👇 Well... almost. I wasn't happy about the voiceover. So I sent the script that Marc (my OpenClaw agent) created to ElevenLabs (free plan). Then used Capcut to add the music + the voiceover from ElevenLabs. And I got this video. I am sure it's just a question of time until it becomes perfect (or a lack of skills on my side). But this will go straight to my landing page and I'll save $500 on a video editor.

Florian Darroman

152,536 görüntüleme • 4 ay önce

Ana Kasparian mocks the scripted Democrat party and laments how out of touch they are: Ana Kasparian: "Everytime I see what Democrats are up to, I die inside a little more. If someone gave me a script 'Hey read this because you're fighting for ___' I don't need a script. I have my own thoughts, views. This is the problem with the Democrats right now: They're so out of touch with their own base." 'I don't need a script. I have my own thoughts, views.' Democrats: 'We don't do that here.'

Ana Kasparian mocks the scripted Democrat party and laments how out of touch they are: Ana Kasparian: "Everytime I see what Democrats are up to, I die inside a little more. If someone gave me a script 'Hey read this because you're fighting for ___' I don't need a script. I have my own thoughts, views. This is the problem with the Democrats right now: They're so out of touch with their own base." 'I don't need a script. I have my own thoughts, views.' Democrats: 'We don't do that here.'

Eric Abbenante

43,918 görüntüleme • 1 yıl önce

On this day, 61 years ago, Sidney J. Furie's "The Ipcress File" (1965) was released in the U.K. On the first day of shooting, director Sidney J. Furie gathered the cast and said, "This is what I think of the script." He then set it on fire. Michael Caine on the incident: "The driver picked me up for the first day of shooting and asked me if I was an actor in the movie, and if I had read Len Deighton’s book. When I told him I was the lead in it, he told me, ‘The whole thing is a load of rubbish, isn’t it?’ Then, when I arrived on set, Sidney had everyone gather around. He asked if anyone had any matches, and I smoked at that time, so I handed mine over. Sidney took the script, lit the match, looked at everyone and said, ‘Here’s what I think of this script’ and set the match to it. That was his copy of the script, so he asked if anyone had another copy to consult after he had burned his own, so I gave him mine. But it was a gesture, an illustration. It was a hell of a way to be christened into being the lead in a film." Sidney J. Furie on the reason for the movie's peculiar style: "I was very depressed always when we started shooting, thinking that it was going to be really lousy and I didn’t know what to do, so I told myself I would come up with a style of shooting that is different. I put shoulders across the screen, I shot up at things, I shot down, just to make it different, to give it ambiance. It was done out of insecurity, with a little cognac spiked in my morning coffee to give me courage." ("Sidney J. Furie: Life and Films", Daniel Kremer, 2015)

On this day, 61 years ago, Sidney J. Furie's "The Ipcress File" (1965) was released in the U.K. On the first day of shooting, director Sidney J. Furie gathered the cast and said, "This is what I think of the script." He then set it on fire. Michael Caine on the incident: "The driver picked me up for the first day of shooting and asked me if I was an actor in the movie, and if I had read Len Deighton’s book. When I told him I was the lead in it, he told me, ‘The whole thing is a load of rubbish, isn’t it?’ Then, when I arrived on set, Sidney had everyone gather around. He asked if anyone had any matches, and I smoked at that time, so I handed mine over. Sidney took the script, lit the match, looked at everyone and said, ‘Here’s what I think of this script’ and set the match to it. That was his copy of the script, so he asked if anyone had another copy to consult after he had burned his own, so I gave him mine. But it was a gesture, an illustration. It was a hell of a way to be christened into being the lead in a film." Sidney J. Furie on the reason for the movie's peculiar style: "I was very depressed always when we started shooting, thinking that it was going to be really lousy and I didn’t know what to do, so I told myself I would come up with a style of shooting that is different. I put shoulders across the screen, I shot up at things, I shot down, just to make it different, to give it ambiance. It was done out of insecurity, with a little cognac spiked in my morning coffee to give me courage." ("Sidney J. Furie: Life and Films", Daniel Kremer, 2015)

DepressedBergman

55,813 görüntüleme • 4 ay önce

I know that people can wake up to reality because I did. I made this video in one take (I was out of breath by the end) when I discovered how wrong I had been. You can tell how bad I was at video editing then and can hear the traffic in the background, but it is a raw and real video that I had put together out of sheer frustration of the ridiculousness I was seeing.

I know that people can wake up to reality because I did. I made this video in one take (I was out of breath by the end) when I discovered how wrong I had been. You can tell how bad I was at video editing then and can hear the traffic in the background, but it is a raw and real video that I had put together out of sheer frustration of the ridiculousness I was seeing.

Defender of the Republic 🇺🇸

405,937 görüntüleme • 1 yıl önce

I was on my way to a mission and all of a sudden the cops were on me. I had no idea what I did but I wanted to see how the cops interact in this game so I pulled over and they gave me A WHOLE ASS SPEEDING TICKET how did this game not outsell GTA?????

I was on my way to a mission and all of a sudden the cops were on me. I had no idea what I did but I wanted to see how the cops interact in this game so I pulled over and they gave me A WHOLE ASS SPEEDING TICKET how did this game not outsell GTA?????

imjustkey

3,569,638 görüntüleme • 7 ay önce

ROSALÍA talks about what it was like to learn 13 languages to sing the songs on her new album “LUX”. “I speak a little Catalan because it’s my mother tongue. I speak a little Spanish and barely any English, but, you know… I love learning. I love learning things. So I wanted to learn different languages for a long time. I’ve been practicing on Duolingo, you know. But sometimes I’m like, ‘I need to do more.’ So while I was trying to figure out what the concept would be, because I was curious about learning from other cultures and how spirituality can be understood in many different places around the world in different ways, I was learning about different saints from all over the world. And I was reading, reading, reading so many hagiographies, hagiographies. Then I thought, ‘OK, let me put a map on the wall.’ Let me pin different stories, different women from around the world. And if I was making a song inspired by Joan of Arc, then I would do it in French. So depending on the story I wanted to reference, I would use one language or another. And then I would write about 20 different verse options and send them to a translator, a proper translator, get them back, tweak things, record, and then send them to people who would correct the pronunciation, all of it.”

ROSALÍA talks about what it was like to learn 13 languages to sing the songs on her new album “LUX”. “I speak a little Catalan because it’s my mother tongue. I speak a little Spanish and barely any English, but, you know… I love learning. I love learning things. So I wanted to learn different languages for a long time. I’ve been practicing on Duolingo, you know. But sometimes I’m like, ‘I need to do more.’ So while I was trying to figure out what the concept would be, because I was curious about learning from other cultures and how spirituality can be understood in many different places around the world in different ways, I was learning about different saints from all over the world. And I was reading, reading, reading so many hagiographies, hagiographies. Then I thought, ‘OK, let me put a map on the wall.’ Let me pin different stories, different women from around the world. And if I was making a song inspired by Joan of Arc, then I would do it in French. So depending on the story I wanted to reference, I would use one language or another. And then I would write about 20 different verse options and send them to a translator, a proper translator, get them back, tweak things, record, and then send them to people who would correct the pronunciation, all of it.”

ROSALÍA UPDATE

1,820,611 görüntüleme • 8 ay önce

How being in GMMTV shaped Gemini's personality 🤍 GEMINI CONCERT PRESS TOUR #GeminiConcertLive #GeminiConcert ♊️: Before I entered the industry, I felt like I was living in a bubble, like I was stuck inside a small box and didn't really know what the outside world was like. My life was basically just school and home. My parents would take me to school, then I'd come home, then school again, then home again. That was pretty much my whole life. I never really went anywhere ♊️: So when I came into GMMTV, it felt like my world really opened up. I started learning what working life is like, what the outside world is like, and how people live. At that time I was the youngest one, and most people around me were all older seniors, so I learned a lot from them, how they live, how they work, how they carry themselves. I feel like I grew up a lot because of that. I feel like I understand the world more now. And all of those experiences, working, meeting fans, meeting new people almost every day, have continuously shaped who I am ♊️: So if you ask whether I've changed, yes, I definitely have. But I think it's been a good change. I actually like this version of myself more than the one I used to be before ♊️: Back then, I used to be super extroverted, really, really extroverted. But after entering the industry, I feel like I became more introverted. Not to the point that I'm completely introverted, but I definitely think I've become more reserved and more private than I used to be

How being in GMMTV shaped Gemini's personality 🤍 GEMINI CONCERT PRESS TOUR #GeminiConcertLive #GeminiConcert ♊️: Before I entered the industry, I felt like I was living in a bubble, like I was stuck inside a small box and didn't really know what the outside world was like. My life was basically just school and home. My parents would take me to school, then I'd come home, then school again, then home again. That was pretty much my whole life. I never really went anywhere ♊️: So when I came into GMMTV, it felt like my world really opened up. I started learning what working life is like, what the outside world is like, and how people live. At that time I was the youngest one, and most people around me were all older seniors, so I learned a lot from them, how they live, how they work, how they carry themselves. I feel like I grew up a lot because of that. I feel like I understand the world more now. And all of those experiences, working, meeting fans, meeting new people almost every day, have continuously shaped who I am ♊️: So if you ask whether I've changed, yes, I definitely have. But I think it's been a good change. I actually like this version of myself more than the one I used to be before ♊️: Back then, I used to be super extroverted, really, really extroverted. But after entering the industry, I feel like I became more introverted. Not to the point that I'm completely introverted, but I definitely think I've become more reserved and more private than I used to be

𝒜𝒹ℯ𝓁 🪐🤍

17,244 görüntüleme • 13 gün önce

👤: that would be great but i cant be with you pi cheolin bc the script told me to reject you... when i saw that script i felt so sad! if i can sing a song by picheolin i've made it! but i cant do that bc the script says to reject u! THIS WAS SO FUNNY AHSAJJSSJ

👤: that would be great but i cant be with you pi cheolin bc the script told me to reject you... when i saw that script i felt so sad! if i can sing a song by picheolin i've made it! but i cant do that bc the script says to reject u! THIS WAS SO FUNNY AHSAJJSSJ

hannie ☻

38,488 görüntüleme • 1 ay önce

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

thelotachi 🔲⛓️

481,074 görüntüleme • 9 gün önce

this was the first thing I built and I was so proud of myself and then I went to turn it on and... :') #TearsOfTheKingdom #Zelda #NintendoSwitch

this was the first thing I built and I was so proud of myself and then I went to turn it on and... :') #TearsOfTheKingdom #Zelda #NintendoSwitch

nao @ clowning around 🤡

778,892 görüntüleme • 3 yıl önce

Emilia Clarke on learning Dothraki for “Game of Thrones”. "I put so much energy into learning it.. and then I read an article saying that I sucked at Dothraki. And then I was like "What?". It's not a real language, I can't suck at it. Me saying it on the TV is how it goes"

Emilia Clarke on learning Dothraki for “Game of Thrones”. "I put so much energy into learning it.. and then I read an article saying that I sucked at Dothraki. And then I was like "What?". It's not a real language, I can't suck at it. Me saying it on the TV is how it goes"

Emilia Clarke HQ

2,171,517 görüntüleme • 6 ay önce

🐹 “Back to Life” was made about two or three years ago. I really wanted to try making a full-on rock song, so I told producer Helix that I wanted to make something like that and asked him to send me a track. He sent me one, and then I started working on it. Even the very first draft had all English lyrics. Back then, I wrote everything by myself, so there were a lot of grammatical mistakes and parts where the expressions weren’t strong enough. I kept it as a guide for a while, and then this year, when talk came up about doing a SKZ-PLAYER, I thought maybe this would be the right song to bring back out. So I asked LB to work on the lyrics. Based on the message I wanted to convey, I asked him to help fix the grammar and flesh things out more, and that’s how the song was completed. I think this was the right timing to release it. So I rerecorded everything, revised the track too, and that’s how it came out. 🐹 “Where did you make ‘Back to Life’?” I made it at my old studio, not the one I’m using now. 🐹 “What program do you use?” Cubase! 🐹 “When did you film the music video?” You know how I sent that Bubble message really early in the morning saying that I was going to do a lot this year? I think I also said there was something I really wanted to show you. That was actually the day we filmed it.

🐹 “Back to Life” was made about two or three years ago. I really wanted to try making a full-on rock song, so I told producer Helix that I wanted to make something like that and asked him to send me a track. He sent me one, and then I started working on it. Even the very first draft had all English lyrics. Back then, I wrote everything by myself, so there were a lot of grammatical mistakes and parts where the expressions weren’t strong enough. I kept it as a guide for a while, and then this year, when talk came up about doing a SKZ-PLAYER, I thought maybe this would be the right song to bring back out. So I asked LB to work on the lyrics. Based on the message I wanted to convey, I asked him to help fix the grammar and flesh things out more, and that’s how the song was completed. I think this was the right timing to release it. So I rerecorded everything, revised the track too, and that’s how it came out. 🐹 “Where did you make ‘Back to Life’?” I made it at my old studio, not the one I’m using now. 🐹 “What program do you use?” Cubase! 🐹 “When did you film the music video?” You know how I sent that Bubble message really early in the morning saying that I was going to do a lot this year? I think I also said there was something I really wanted to show you. That was actually the day we filmed it.

깜푸비니

25,991 görüntüleme • 2 ay önce

Qullamaggie shows His First Run to 100k "Interested in the first run up to 200k,? No, to 100k. Want to see how large your spurts were? OK. So, let's see here. Yeah, it's kind of hard to see. But yeah, I went from about 43,000 to 100,000 in just three months, I think. Yeah, that was in a straight line. I went in a straight line to 135,000. So, I pretty much quadrupled my account. No, tripled my accounts in about three months back in early 2014. And then I shorted PLUG. And I kind of lost... That was my biggest loss back then. I think I lost like 35,000, 40,000. I'm gonna show you guys where I lost. That was my first big loss that I remember. I felt really shitty about it. I'm gonna move it. On this day here, or was... Yeah, on this day here, March 10, 2014. I think I lost about 30% of my account or 25% of my account shorting this thing. Then it crashed. I don't think I made many money that day. I don't think I had borrows or... There was something. But I do remember on this day here... These two days when it stopped bounce about 50% in two sessions. I made most of that big loss back. And after that, it was pretty much straight up again. As you can see on the chart, it's pretty much straight up. And the next big loss came back in October 2014 where I lost, I think I lost 50% of my money that day. Or close to. No, wait, I think it was... Anyway, I think it was 30 or 40% or something. I don't remember. Yeah, it's kind of hard to see. Yeah, up to 100k, 43k to 100k was pretty smooth. But yeah, I don't have the data. You know, the data from 2011, 2012 and 2013. Like back in 2011 and 2012, I blew up like three or four times. Unfortunately, I don't have the data for it. I didn't keep any records. And 2013, I kind of stabilized. I think I went sideways. And the second half of 2013 is when I started making money. I think my accounts went from like 6 or 8,000 to 43,000 in the last six months of 2013"

Qullamaggie shows His First Run to 100k "Interested in the first run up to 200k,? No, to 100k. Want to see how large your spurts were? OK. So, let's see here. Yeah, it's kind of hard to see. But yeah, I went from about 43,000 to 100,000 in just three months, I think. Yeah, that was in a straight line. I went in a straight line to 135,000. So, I pretty much quadrupled my account. No, tripled my accounts in about three months back in early 2014. And then I shorted PLUG. And I kind of lost... That was my biggest loss back then. I think I lost like 35,000, 40,000. I'm gonna show you guys where I lost. That was my first big loss that I remember. I felt really shitty about it. I'm gonna move it. On this day here, or was... Yeah, on this day here, March 10, 2014. I think I lost about 30% of my account or 25% of my account shorting this thing. Then it crashed. I don't think I made many money that day. I don't think I had borrows or... There was something. But I do remember on this day here... These two days when it stopped bounce about 50% in two sessions. I made most of that big loss back. And after that, it was pretty much straight up again. As you can see on the chart, it's pretty much straight up. And the next big loss came back in October 2014 where I lost, I think I lost 50% of my money that day. Or close to. No, wait, I think it was... Anyway, I think it was 30 or 40% or something. I don't remember. Yeah, it's kind of hard to see. Yeah, up to 100k, 43k to 100k was pretty smooth. But yeah, I don't have the data. You know, the data from 2011, 2012 and 2013. Like back in 2011 and 2012, I blew up like three or four times. Unfortunately, I don't have the data for it. I didn't keep any records. And 2013, I kind of stabilized. I think I went sideways. And the second half of 2013 is when I started making money. I think my accounts went from like 6 or 8,000 to 43,000 in the last six months of 2013"

Lone

61,148 görüntüleme • 8 ay önce

The World Cup + Sports betting affiliate is f*cking gold mine I made $20k with a TikTok account, a VA and Google Omni it takes me 2 hours a day to generate about 20 videos and costs me about $0.30 per video the best part is there's is literally 0 competition because no one knows how to make AI videos that look this good for this cheap All I do is: Get the script from a Claude skill I wrote, edit it a bit and send it to my jeet who then generates me the images based of the script using Pinterest and GPT 2 She then sends me the images, I generate the full AI video using my Omni method and I upload them across my TikTok accounts which funnels them to my domain The crazy thing is literally anyone could come in and run this by themselves and a few hours spare a day I put the whole method into a video for everyone including >How to generate AI UGC that is realistic enough to trick a 18 year old >How to creative direct a TikTok video so it goes viral >How to structure yapper style content to actually convert and go viral >The offer I'm using and my Claude skill I wrote as a bonus RT + Comment "YAPP" and I'll send you the video over (must be following so I can DM)

The World Cup + Sports betting affiliate is f*cking gold mine I made $20k with a TikTok account, a VA and Google Omni it takes me 2 hours a day to generate about 20 videos and costs me about $0.30 per video the best part is there's is literally 0 competition because no one knows how to make AI videos that look this good for this cheap All I do is: Get the script from a Claude skill I wrote, edit it a bit and send it to my jeet who then generates me the images based of the script using Pinterest and GPT 2 She then sends me the images, I generate the full AI video using my Omni method and I upload them across my TikTok accounts which funnels them to my domain The crazy thing is literally anyone could come in and run this by themselves and a few hours spare a day I put the whole method into a video for everyone including >How to generate AI UGC that is realistic enough to trick a 18 year old >How to creative direct a TikTok video so it goes viral >How to structure yapper style content to actually convert and go viral >The offer I'm using and my Claude skill I wrote as a bonus RT + Comment "YAPP" and I'll send you the video over (must be following so I can DM)

Pounds

40,480 görüntüleme • 22 gün önce

Ethan Hawke revealed he handwrites every script to memorize his lines. Sydney Sweeney: How did you prep for something like that? I mean, the immense amount of dialogue. Ethan Hawke: You really want to know? Sydney Sweeney: I’m always interested in how other people memorize everything. Ethan Hawke: Well, what I do, and I started doing this a really long time ago, is I handwrite everything like it’s my journal. When I’m memorizing, I’m not memorizing from a typewritten final draft page. I don’t want to have that in my brain, and I don’t want irrelevant stage directions to be part of it. Because sometimes scripts say, “Upset, he says: ‘Can I have a drink?’” and you can’t undo it. Sydney Sweeney: You can’t. You see it. You see it in your brain. Ethan Hawke: You see it in your brain: “Upset: Can I have a drink?” I’m like, I’m not sure. There are a lot of ways to play “upset.” It might be, “Can I have a drink?” You might even laugh on it, and that reveals something. There are all these possibilities, so you try to get rid of all that. I handwrite the whole script out. This script took forever to handwrite. Sydney Sweeney: I can imagine. Ethan Hawke: Then I do it again to see what I remember and what I don’t. Sydney Sweeney: Oh, you write it from memory? Ethan Hawke: I try to write it from memory. Then I look and see what I got wrong. That process really helps me realize, “No, it’s not that word. That word goes over here. Oh, I already used that word.” It also helps me become extremely critical of the writer, in a positive way. I can notice things like, “I’m using this same word four different times. It doesn’t seem like my character would keep using that word. Maybe this would be a better word.” You can start having those kinds of conversations. Then I try to record it with no acting. I’ll take three pages or something, try to learn them, record myself with no performance at all, then compare it to the script and see what I got wrong. Sometimes I change something that I actually like better, and then I can work that in and figure it out.

Ethan Hawke revealed he handwrites every script to memorize his lines. Sydney Sweeney: How did you prep for something like that? I mean, the immense amount of dialogue. Ethan Hawke: You really want to know? Sydney Sweeney: I’m always interested in how other people memorize everything. Ethan Hawke: Well, what I do, and I started doing this a really long time ago, is I handwrite everything like it’s my journal. When I’m memorizing, I’m not memorizing from a typewritten final draft page. I don’t want to have that in my brain, and I don’t want irrelevant stage directions to be part of it. Because sometimes scripts say, “Upset, he says: ‘Can I have a drink?’” and you can’t undo it. Sydney Sweeney: You can’t. You see it. You see it in your brain. Ethan Hawke: You see it in your brain: “Upset: Can I have a drink?” I’m like, I’m not sure. There are a lot of ways to play “upset.” It might be, “Can I have a drink?” You might even laugh on it, and that reveals something. There are all these possibilities, so you try to get rid of all that. I handwrite the whole script out. This script took forever to handwrite. Sydney Sweeney: I can imagine. Ethan Hawke: Then I do it again to see what I remember and what I don’t. Sydney Sweeney: Oh, you write it from memory? Ethan Hawke: I try to write it from memory. Then I look and see what I got wrong. That process really helps me realize, “No, it’s not that word. That word goes over here. Oh, I already used that word.” It also helps me become extremely critical of the writer, in a positive way. I can notice things like, “I’m using this same word four different times. It doesn’t seem like my character would keep using that word. Maybe this would be a better word.” You can start having those kinds of conversations. Then I try to record it with no acting. I’ll take three pages or something, try to learn them, record myself with no performance at all, then compare it to the script and see what I got wrong. Sometimes I change something that I actually like better, and then I can work that in and figure it out.

Ruzy.hl

292,234 görüntüleme • 6 gün önce

#THESTANDARDPOPxGirlRulesSeries #mimrattanawadee #มิ้มรัตนวดี ❓ : do you ever feel that you want to leave this industry? 🤍 : I was thinking about that because I’ve been working since I was young. Back then, I went to castings around 10–20 times, but I only got 1–2 jobs, sometimes I didn’t get any jobs. Sometimes I had to wait since the morning, but my casting was at night. I’m going to casting after school It was a time when I felt really discouraged because no matter how many castings I went to, I didn’t get any jobs. So I started to reflect on myself or my acting skill isn’t good enough? Or something I can improve myself. When I tried I made it through many rounds, but I still didn’t get the job in the end it make me feel like being actor isn’t my way. But one thing has always stayed with me I never give up. No matter how many times I have to get back up. So I feel everything depends on time and opportunity. I just do the best I can someday when opportunity comes it will be my day

#THESTANDARDPOPxGirlRulesSeries #mimrattanawadee #มิ้มรัตนวดี ❓ : do you ever feel that you want to leave this industry? 🤍 : I was thinking about that because I’ve been working since I was young. Back then, I went to castings around 10–20 times, but I only got 1–2 jobs, sometimes I didn’t get any jobs. Sometimes I had to wait since the morning, but my casting was at night. I’m going to casting after school It was a time when I felt really discouraged because no matter how many castings I went to, I didn’t get any jobs. So I started to reflect on myself or my acting skill isn’t good enough? Or something I can improve myself. When I tried I made it through many rounds, but I still didn’t get the job in the end it make me feel like being actor isn’t my way. But one thing has always stayed with me I never give up. No matter how many times I have to get back up. So I feel everything depends on time and opportunity. I just do the best I can someday when opportunity comes it will be my day

𝓼𝓱𝒾𝓂𝒶 (島) | ft. ท้ายมาดามมิน

48,320 görüntüleme • 3 ay önce

Qullamaggie shows Exit Strategy for Long Swings “What’s your exit strategy for such long swings? How do you decide this? Okay, that’s easy. Let’s take an example, ROKU. So I bought it here, on the opening range size. It gapped up on earnings, huge volume. All the things I’m looking for. You know, long range break had like a 6, 7-month range break had surprising good earnings. Great growth, etc. I sell some, maybe 15 to 20%. A quarter of my position, and then I trail it. Then I just start trailing it like the first close below this purple line. That’s the 10-day moving average. I sell maybe say a quarter or a third of what I still have left. The shares I have left after the ones I bought. Sold into strength, and then I sell another third or quarter when it hits the first close below the 20-day moving average, which is the yellow line. And then the next level is the red line, which is the 50-day, etc. So that’s how I scale out. So that’s what I use these moving averages for. I wait for them to be my stop pretty much. So I wait until the end of the day and I sell it. Then I also have a level. Let’s just take an example right here. I usually use the previous swing’s lows as my stop. Then I would get out at 79. Even though it turns up intraday and closes above this yellow line, I would have to stop. You know, you can get stopped out because you know. I can, so you know. Sometimes stocks, they go, they can go down, you know, 20%.50% in a day, even. You know mid and large cap names can do that sometimes. So, you know, if it hits my last resort stop, it is my last resort stop. I just sell it. If that was helpful, those are my sell rules, sell into strength and I trail the rest.”

Qullamaggie shows Exit Strategy for Long Swings “What’s your exit strategy for such long swings? How do you decide this? Okay, that’s easy. Let’s take an example, ROKU. So I bought it here, on the opening range size. It gapped up on earnings, huge volume. All the things I’m looking for. You know, long range break had like a 6, 7-month range break had surprising good earnings. Great growth, etc. I sell some, maybe 15 to 20%. A quarter of my position, and then I trail it. Then I just start trailing it like the first close below this purple line. That’s the 10-day moving average. I sell maybe say a quarter or a third of what I still have left. The shares I have left after the ones I bought. Sold into strength, and then I sell another third or quarter when it hits the first close below the 20-day moving average, which is the yellow line. And then the next level is the red line, which is the 50-day, etc. So that’s how I scale out. So that’s what I use these moving averages for. I wait for them to be my stop pretty much. So I wait until the end of the day and I sell it. Then I also have a level. Let’s just take an example right here. I usually use the previous swing’s lows as my stop. Then I would get out at 79. Even though it turns up intraday and closes above this yellow line, I would have to stop. You know, you can get stopped out because you know. I can, so you know. Sometimes stocks, they go, they can go down, you know, 20%.50% in a day, even. You know mid and large cap names can do that sometimes. So, you know, if it hits my last resort stop, it is my last resort stop. I just sell it. If that was helpful, those are my sell rules, sell into strength and I trail the rest.”

Lone

23,637 görüntüleme • 9 ay önce

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.

ᯓ★

43,569 görüntüleme • 5 ay önce

“When you then went to hug your mom and dad, it must have been an incredible emotion. It must have leveled up in a big way.” Lando: “Yeah. I mean I think by then I ran out of tears 'cause I did the whole in lap, like crying a bit, took my helmet off. I think I ran out a little bit and then when I hugged my mom, she was the first person I went to was my mom and my dad. I wouldn't be here. It's quite simple. I wouldn't be here without them. I wouldn't get to have - wouldn't have had the chance to live my dream to live an incredible life that I have. I'm such a lucky person. I know I am. And I think that's also why I understand that. I understand what a lucky person I am to have been given that opportunity to get to enjoy my life since such a young age, karting, traveling the world, doing what I do. I get to now say thank you in the biggest way possible. And I also just get to give back and it's so hard to do that. When you're in my position ‘cause you always feel like you're taking and everyone's behind you and you're the star. But I really - I don't like that aspect of it. I only like the fact that I get to come in and see everyone so happy. That's the craziest feeling in the world is knowing you can have such a big impact on everyone. And yeah, I mean to see my mom's crying. And my dad, you know, that just shows how much it means to them, how much it means to me that I get to say thank you in that kind of way.”

“When you then went to hug your mom and dad, it must have been an incredible emotion. It must have leveled up in a big way.” Lando: “Yeah. I mean I think by then I ran out of tears 'cause I did the whole in lap, like crying a bit, took my helmet off. I think I ran out a little bit and then when I hugged my mom, she was the first person I went to was my mom and my dad. I wouldn't be here. It's quite simple. I wouldn't be here without them. I wouldn't get to have - wouldn't have had the chance to live my dream to live an incredible life that I have. I'm such a lucky person. I know I am. And I think that's also why I understand that. I understand what a lucky person I am to have been given that opportunity to get to enjoy my life since such a young age, karting, traveling the world, doing what I do. I get to now say thank you in the biggest way possible. And I also just get to give back and it's so hard to do that. When you're in my position ‘cause you always feel like you're taking and everyone's behind you and you're the star. But I really - I don't like that aspect of it. I only like the fact that I get to come in and see everyone so happy. That's the craziest feeling in the world is knowing you can have such a big impact on everyone. And yeah, I mean to see my mom's crying. And my dad, you know, that just shows how much it means to them, how much it means to me that I get to say thank you in that kind of way.”

naenia ¹ ⁶³

15,751 görüntüleme • 7 ay önce