Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Deep strokes.

Bad boy. | NOT @_Theory1

1,728 subscribers

57,578 views • 4 days ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Long deep strokes are like that when you’re gaming

Long deep strokes are like that when you’re gaming

Autumn Ivy

17,636 views • 4 months ago

Deep dive on the range with PGA TOUR rookie David Ford, whose Strokes Gained: Off-the-Tee (.729) trails only Scottie Scheffler 😮

Deep dive on the range with PGA TOUR rookie David Ford, whose Strokes Gained: Off-the-Tee (.729) trails only Scottie Scheffler 😮

PGA TOUR

76,458 views • 11 months ago

Anterior Choroidal Artery territory ⬇️⬇️ important as strokes here may be caused by ✨cardioembolism ✨distal ICA steno-occlusive disease ⚠️Not just the typical small vessel that defines other deep territory strokes Cool video map from Stroke AHA/ASA

Anterior Choroidal Artery territory ⬇️⬇️ important as strokes here may be caused by ✨cardioembolism ✨distal ICA steno-occlusive disease ⚠️Not just the typical small vessel that defines other deep territory strokes Cool video map from Stroke AHA/ASA

Casey Albin, MD

59,932 views • 3 years ago

We all know how hard it’s to fall asleep when your mind is loud and your heart is restless, yet it took Cihan only a few words, a few seconds, a few gentle strokes along her back to lull Alya into a deep sleep. His presence alone is enough to calm even the fiercest of her storms

We all know how hard it’s to fall asleep when your mind is loud and your heart is restless, yet it took Cihan only a few words, a few seconds, a few gentle strokes along her back to lull Alya into a deep sleep. His presence alone is enough to calm even the fiercest of her storms

Lamara 🤍

11,667 views • 8 months ago

NEW EPISODE: “We learned dynamics over time. When you’re starting out, it's a nervous excitement–it's full blast. I remember thinking that until we get better, let's not play our music with all the pedals and all the sound because we'll get tired of it, and by the time we play it well, we might not like it. I remember discovering, as a band, those kinds of lessons, which are actually really deep, impactful things to know about creating music.” - Albert Hammond Jr of The Strokes

NEW EPISODE: “We learned dynamics over time. When you’re starting out, it's a nervous excitement–it's full blast. I remember thinking that until we get better, let's not play our music with all the pedals and all the sound because we'll get tired of it, and by the time we play it well, we might not like it. I remember discovering, as a band, those kinds of lessons, which are actually really deep, impactful things to know about creating music.” - Albert Hammond Jr of The Strokes

Tetragrammaton

29,547 views • 2 months ago

Too often, our rappers are vilified, painted with broad strokes that ignore the depth of their humanity and the impact of their presence. The truth is, many of these artists are pillars in their communities, serving as voices for the voiceless, reflections of resilience, and living proof that you can rise from the ashes and still give back. Even those still navigating the complexities of this life often display a level of loyalty, love, and integrity that deserves not just acknowledgment, but deep reverence. Salute to NBA YoungBoy for putting up $250,000 in bail for Karmelo Anthony. That’s more than just a gesture, it’s an act of solidarity, a display of communal responsibility, and a reminder that we take care of our own. That’s what Black love looks like. That’s what legacy in motion feels like.

Too often, our rappers are vilified, painted with broad strokes that ignore the depth of their humanity and the impact of their presence. The truth is, many of these artists are pillars in their communities, serving as voices for the voiceless, reflections of resilience, and living proof that you can rise from the ashes and still give back. Even those still navigating the complexities of this life often display a level of loyalty, love, and integrity that deserves not just acknowledgment, but deep reverence. Salute to NBA YoungBoy for putting up $250,000 in bail for Karmelo Anthony. That’s more than just a gesture, it’s an act of solidarity, a display of communal responsibility, and a reminder that we take care of our own. That’s what Black love looks like. That’s what legacy in motion feels like.

IG: RahiemShabazz

20,869 views • 1 year ago

This is something people are not talking about enough. A nurse with 16 years of experience just went public about what she’s seeing in her hospital since 2021: Diabetes in new patients is up 75% Heart and kidney issues are “out of control” “Turbo cancers,” mysterious pneumonia, and shocking strokes are “through the roof” Bizarre symptoms: bleeding behind the eyes, wounds that refuse to heal People dying at a rate that “blows my ever-loving mind” — she’s never seen anything like it And what do most doctors do when these new diabetes patients walk in? Prescribe medication. That’s it. No deep conversation about root causes. like if they got the COVID vaccine. No real push on food, lifestyle, or why these conditions are exploding so fast. Just another prescription while the system buckles under the weight of millions of sicker patients. She’s been a nurse for 16 years and says this is unlike anything she’s ever witnessed. This silent crisis isn’t going away. When do we start demanding answers beyond more pills?

This is something people are not talking about enough. A nurse with 16 years of experience just went public about what she’s seeing in her hospital since 2021: Diabetes in new patients is up 75% Heart and kidney issues are “out of control” “Turbo cancers,” mysterious pneumonia, and shocking strokes are “through the roof” Bizarre symptoms: bleeding behind the eyes, wounds that refuse to heal People dying at a rate that “blows my ever-loving mind” — she’s never seen anything like it And what do most doctors do when these new diabetes patients walk in? Prescribe medication. That’s it. No deep conversation about root causes. like if they got the COVID vaccine. No real push on food, lifestyle, or why these conditions are exploding so fast. Just another prescription while the system buckles under the weight of millions of sicker patients. She’s been a nurse for 16 years and says this is unlike anything she’s ever witnessed. This silent crisis isn’t going away. When do we start demanding answers beyond more pills?

Dr. Dawn Michael

45,405 views • 1 month ago

Sen. Ron Johnson breaks down how deep the FDA cover-up of Covid-19 vaccine injuries really goes: “It’s not just Peter Marks.” “It was other senior FDA officials.” “They’re all complicit.” Top FDA officials had evidence the shots caused: “Sudden cardiac death.” “Pulmonary infarction.” “Bell’s palsy.” “And different types of strokes.” In 2021, Dr. Peter Marks was “briefed that the [VAERS] algorithm… was actually hiding and masking safety signals.” “He probably breathed a huge sigh of relief.” “He’s gone, ‘I got my answer here, so we’ll maintain doing this algorithm even though they’re developing a new one that will unmask these safety signals.’” “‘We’ll keep using this.’” “‘We’ll say we’ve got to be consistent.’” “‘And then I can go to the American public and lie to them bald-faced and say, we’re just not seeing safety signals.’” “The problem is, Dr. Ana Szarfman did more than just brief him that their algorithm was already invalid and they were developing a new one.” “They developed a new algorithm that showed that the current algorithm had 49 severe cases of masking.” “And the new algorithm showed 25 safety signals of very severe adverse events.” “For 3 months, she kept showing them more safety signals, but they didn’t pin a medal on her chest.” “They sent her off to the side.” “They ordered her to cease and desist.” Senator Ron Johnson CHDTV Live

Sen. Ron Johnson breaks down how deep the FDA cover-up of Covid-19 vaccine injuries really goes: “It’s not just Peter Marks.” “It was other senior FDA officials.” “They’re all complicit.” Top FDA officials had evidence the shots caused: “Sudden cardiac death.” “Pulmonary infarction.” “Bell’s palsy.” “And different types of strokes.” In 2021, Dr. Peter Marks was “briefed that the [VAERS] algorithm… was actually hiding and masking safety signals.” “He probably breathed a huge sigh of relief.” “He’s gone, ‘I got my answer here, so we’ll maintain doing this algorithm even though they’re developing a new one that will unmask these safety signals.’” “‘We’ll keep using this.’” “‘We’ll say we’ve got to be consistent.’” “‘And then I can go to the American public and lie to them bald-faced and say, we’re just not seeing safety signals.’” “The problem is, Dr. Ana Szarfman did more than just brief him that their algorithm was already invalid and they were developing a new one.” “They developed a new algorithm that showed that the current algorithm had 49 severe cases of masking.” “And the new algorithm showed 25 safety signals of very severe adverse events.” “For 3 months, she kept showing them more safety signals, but they didn’t pin a medal on her chest.” “They sent her off to the side.” “They ordered her to cease and desist.” Senator Ron Johnson CHDTV Live

Children’s Health Defense

69,613 views • 3 months ago

Big Pharma's 'Clot Busting' Drug, UROKINASE, Is A Billion Dollar Industry Steeped In Unethical Deception... Historically, Derived From Human Urine Collected From 1000s Of Gallons From Public Portable Toilets. Today, Most Urokinase Is Made From The Kidneys Of Stillborn Babies. Enzymes of America collected urine from the portable toilets of its subsidiary, Porta-John. This allowed the company to obtain the human urine needed to extract valuable enzymes & proteins for sale to pharmaceutical companies. Enzymes of America was originally formed to make use of the vast amount of waste collected by the portable toilet business. Business grew exponentially & it became labor intensive to keep up with demand. Blood Clot Eliminating (Clot Busting) medications like Urokinase are used for pulmonary embolisms & deep vein thrombosis, heart attacks & strokes. These conditions have skyrocketed in recent years, thus the demand for Urokinase is at an all time high. The high volume of Urokinase production & extraction today is from human kidneys, specifically neonatal kidneys from (stillborn) unborn babies, where the Urokinase enzyme is extracted straight from the kidneys after organ harvesting. Microbix Biologics Brand Kinlytic states, "Kidney donations are obtained exclusively in the United States from neonates (birth to 28 days) for whom death has not been attributed to infectious causes & that have exhibited no evidence of an infectious disease based in part, on an examination of the maternal & neonatal donor medical records." Some of today's Urokinase also comes from recombinant DNA using CHO Chinese Hamster Ovary as the growth factor. For recombinant Urokinase, the human gene that codes for Urokinase is inserted into CHO cells. These cells are then grown in large bioreactors to express & produce the Urokinase enzyme protein. 👇Urokinase From Unborn Human Babies👇 👇Unethical Trafficked Kidneys For Urokinase👇 👇Chinese Hamster Ovary For Urokinase Use👇 Speaker: Jason Shurka Jason Shurka Podcast: Elisabeth Carson Elisabeth Carson

Valerie Anne Smith

103,985 views • 1 year ago

Bold lips. Brilliant confidence. Own every moment with Flova , Own Your Bold. 💄 Generated entirely on FlovaAI with skill of product commercials, bringing beauty campaigns to life with cinematic visuals. #FlovaAI #FlovaCPP | FlovaAI Japan Prompt : Create a cinematic 60-second luxury TV commercial for the makeup brand FLOVA in ultra-high resolution, photorealistic cinematic style, shot on 35mm film with rich color grading (deep reds, gold, soft skin tones, elegant black). Smooth camera movements, high-end fashion lighting, no text until the final card. Elegant orchestral + modern beat soundtrack that builds confidence. Soft confident female voiceover. 0-6s: Close-up of a woman’s hand slowly opening a luxurious matte black Flova box. Inside, the iconic Flova Red Lipstick and matching Red Nail Polish sit on black velvet. Soft golden light catches the packaging. Logo “FLOVA” is clearly visible. 6-14s: Extreme close-up of the red lipstick being twisted up. Perfect deep red bullet. She applies it in slow motion – clean, precise, glossy finish. Cut to fingers applying matching red nail polish in elegant strokes. Both products look rich and high-end. 14-24s: Quick glamorous montage: - Woman applies Flova mascara, lashes look long and defined - Soft highlighter on cheekbones creates a natural glow - She presses a Flova compact powder for flawless skin Camera moves smoothly between products and her face. Strong product branding throughout. 24-36s: The transformation reveal. She looks into a mirror. The camera pulls back to show a sophisticated woman in a black dress, perfect red lips and red nails, glowing skin. She walks confidently through a modern luxury apartment with large windows and soft light. Every movement feels powerful and elegant. 36-48s: She steps outside onto a city balcony at golden hour. Wind gently moves her hair. She smiles with quiet confidence. Slow-motion close-ups of her red lips and red nails catching the light. Other women notice and smile back – subtle empowerment moment. 48-55s: Final product hero shot. All Flova essentials arranged beautifully on a black marble surface: Red Lipstick, Red Nail Polish, mascara, highlighter, compact. Soft particles of light float around them. Voiceover: “Flova. Every essential. One bold statement.” 55-60s: Clean black end card. Centered elegant white Flova logo. Tagline appears: “Own Your Bold.” Below it in smaller text: “Discover the collection at flova .com”. Soft red glow fades in behind the logo. Style: Premium global TVC (Chanel / Dior level), strong branding on every product shot, clear advertising value, memorable message, flawless skin and product consistency, elegant and empowering mood. 16:9 cinematic aspect ratio, 24fps. Memorable Brand Message “Flova – Own Your Bold”

Ai Girllie

39,298 views • 2 months ago

My first test with the new Gemini Deep Think 3 🔥🔥🔥 Build a complete Three.js scene in a single HTML file that renders a fully 3D interior room indistinguishable from a classical oil painting hanging in a museum. The Painterly Rendering System Write custom GLSL shaders that replace all standard rendering with oil paint simulation. Every pixel must feel painted by hand. The system needs these layers working together. Brushstroke normals. Generate a procedural brushstroke normal map using layered directional noise at varying scales. Large bold strokes for walls and floors following the plane direction. Small delicate strokes for fine details like metal and glass. Circular strokes for rounded objects. The brushstrokes must catch sidelight and cast tiny shadows into their grooves exactly like real impasto paint on canvas. Paint thickness. Use parallax occlusion mapping to give highlights genuine physical thickness. Where the original painter would load their brush with white or yellow to hit a bright highlight, the paint should visibly sit above the surface. In dark shadow areas, the paint should appear thinner, letting canvas weave show through slightly. Color palette. Restrict the entire scene to a historical oil palette. Titanium white, naples yellow, yellow ochre, raw sienna, burnt sienna, burnt umber, raw umber, ivory black, vermillion used sparingly, and a muted blue-grey. No modern saturated colors. All color mixing should feel subtractive and warm. Edge treatment. No hard edges anywhere in the scene. Object silhouettes must soften and blur slightly as if the painter's brush feathered where one form meets another. Implement this as a screen-space edge-detection pass that blurs based on depth discontinuity and overlays brushstroke texture at boundaries. Canvas texture. The entire final image must have a linen canvas weave overlay rendered with its own normal map that interacts with the scene lighting. As you orbit, the canvas tooth should glint differently. This sells the illusion more than anything else. Varnish layer. Apply a post-processing pass that simulates aged oil varnish. A warm amber tint that is slightly uneven, thicker in corners and thinner in center. A subtle gloss reflection that shifts as you move the camera. Very fine craquelure, hairline crack patterns, visible only when you zoom in close. The Scene. A Dutch Golden Age Study. Model everything procedurally with no external assets. A small intimate room with rough plastered walls in thick paint, warm grey-ochre. A single tall window on the left wall. Leaded glass with thick mullions letting in one dominant shaft of warm light. The window glass should have slight imperfections like bubbles and waviness visible in the paint treatment. A heavy dark wood table positioned center-left. On the table place a brass candlestick with a half-melted candle where the wax drips are modeled and painted with naples yellow impasto highlights. A pewter plate with a half-peeled lemon, the peel curling off the edge of the plate, the exposed fruit flesh a jewel of thick yellow paint catching light. A partially unfolded letter with a broken red wax seal. A small glass of dark wine catching a single highlight. A dark velvet cloth draped from the table edge falling in heavy folds to the floor. The velvet should have that characteristic oil painting treatment where shadows go almost black and the fabric catches light in soft broken highlights. The floor is wide dark wooden planks painted with long horizontal brushstrokes. Against the back wall, barely visible in shadow, a tall wooden cabinet with a few old leather-bound books leaning against each other. A single beam of light from the window cuts diagonally across the scene illuminating floating dust motes painted as soft tiny dots of naples yellow, not CG particles. The rest of the room falls into rich warm shadow. Lighting One dominant directional light from the left simulating window light. Warm, strong, with soft VSM shadows. A very subtle fill from the right in cool blue-grey at perhaps 5% intensity. No ambient light. The shadows should be genuinely dark and warm. This is Vermeer lighting. The contrast between the luminous light-struck areas and the deep velvety shadows is what makes the painting breathe. Post-Processing Chain Render pass. Painterly edge softening pass. Canvas texture overlay pass. Varnish and aging pass. Heavy vignette like a dark gallery frame encroaching. Very subtle bloom only on the brightest impasto highlights. Film grain that mimics canvas tooth texture rather than photographic noise. Interaction OrbitControls with very slow damping at 0.02 and limited orbit range so you can look around the painting but not flip it upside down. Slow zoom. The feeling should be like leaning closer to a painting in a museum and discovering more detail. The Standard When someone opens this file and takes a screenshot, people should genuinely argue whether it is a photograph of a real oil painting or a digital render.

My first test with the new Gemini Deep Think 3 🔥🔥🔥 Build a complete Three.js scene in a single HTML file that renders a fully 3D interior room indistinguishable from a classical oil painting hanging in a museum. The Painterly Rendering System Write custom GLSL shaders that replace all standard rendering with oil paint simulation. Every pixel must feel painted by hand. The system needs these layers working together. Brushstroke normals. Generate a procedural brushstroke normal map using layered directional noise at varying scales. Large bold strokes for walls and floors following the plane direction. Small delicate strokes for fine details like metal and glass. Circular strokes for rounded objects. The brushstrokes must catch sidelight and cast tiny shadows into their grooves exactly like real impasto paint on canvas. Paint thickness. Use parallax occlusion mapping to give highlights genuine physical thickness. Where the original painter would load their brush with white or yellow to hit a bright highlight, the paint should visibly sit above the surface. In dark shadow areas, the paint should appear thinner, letting canvas weave show through slightly. Color palette. Restrict the entire scene to a historical oil palette. Titanium white, naples yellow, yellow ochre, raw sienna, burnt sienna, burnt umber, raw umber, ivory black, vermillion used sparingly, and a muted blue-grey. No modern saturated colors. All color mixing should feel subtractive and warm. Edge treatment. No hard edges anywhere in the scene. Object silhouettes must soften and blur slightly as if the painter's brush feathered where one form meets another. Implement this as a screen-space edge-detection pass that blurs based on depth discontinuity and overlays brushstroke texture at boundaries. Canvas texture. The entire final image must have a linen canvas weave overlay rendered with its own normal map that interacts with the scene lighting. As you orbit, the canvas tooth should glint differently. This sells the illusion more than anything else. Varnish layer. Apply a post-processing pass that simulates aged oil varnish. A warm amber tint that is slightly uneven, thicker in corners and thinner in center. A subtle gloss reflection that shifts as you move the camera. Very fine craquelure, hairline crack patterns, visible only when you zoom in close. The Scene. A Dutch Golden Age Study. Model everything procedurally with no external assets. A small intimate room with rough plastered walls in thick paint, warm grey-ochre. A single tall window on the left wall. Leaded glass with thick mullions letting in one dominant shaft of warm light. The window glass should have slight imperfections like bubbles and waviness visible in the paint treatment. A heavy dark wood table positioned center-left. On the table place a brass candlestick with a half-melted candle where the wax drips are modeled and painted with naples yellow impasto highlights. A pewter plate with a half-peeled lemon, the peel curling off the edge of the plate, the exposed fruit flesh a jewel of thick yellow paint catching light. A partially unfolded letter with a broken red wax seal. A small glass of dark wine catching a single highlight. A dark velvet cloth draped from the table edge falling in heavy folds to the floor. The velvet should have that characteristic oil painting treatment where shadows go almost black and the fabric catches light in soft broken highlights. The floor is wide dark wooden planks painted with long horizontal brushstrokes. Against the back wall, barely visible in shadow, a tall wooden cabinet with a few old leather-bound books leaning against each other. A single beam of light from the window cuts diagonally across the scene illuminating floating dust motes painted as soft tiny dots of naples yellow, not CG particles. The rest of the room falls into rich warm shadow. Lighting One dominant directional light from the left simulating window light. Warm, strong, with soft VSM shadows. A very subtle fill from the right in cool blue-grey at perhaps 5% intensity. No ambient light. The shadows should be genuinely dark and warm. This is Vermeer lighting. The contrast between the luminous light-struck areas and the deep velvety shadows is what makes the painting breathe. Post-Processing Chain Render pass. Painterly edge softening pass. Canvas texture overlay pass. Varnish and aging pass. Heavy vignette like a dark gallery frame encroaching. Very subtle bloom only on the brightest impasto highlights. Film grain that mimics canvas tooth texture rather than photographic noise. Interaction OrbitControls with very slow damping at 0.02 and limited orbit range so you can look around the painting but not flip it upside down. Slow zoom. The feeling should be like leaning closer to a painting in a museum and discovering more detail. The Standard When someone opens this file and takes a screenshot, people should genuinely argue whether it is a photograph of a real oil painting or a digital render.

Emily

20,940 views • 7 months ago