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Design Engineering Tip: Most UI animations are built for a single uninterrupted transition. Real users might reverse direction before the animation finishes. Use a spring transition that preserves the element’s current velocity instead of restarting from zero. This keeps rapid hover, press, and state changes smooth and responsive. transition={{... show more

Gabriel

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Design Engineering Tip Make hover interactions respond to where the cursor actually comes from. Instead of revealing content with the same animation every time, detect the cursor entry direction and move the image + content accordingly. It makes a simple card feel much more spatial and responsive. const direction = getDirection(event, ref.current); const variants = { top: { y: 20 }, bottom: { y: -20 }, left: { x: 20 }, right: { x: -20 }, };

Design Engineering Tip Make hover interactions respond to where the cursor actually comes from. Instead of revealing content with the same animation every time, detect the cursor entry direction and move the image + content accordingly. It makes a simple card feel much more spatial and responsive. const direction = getDirection(event, ref.current); const variants = { top: { y: 20 }, bottom: { y: -20 }, left: { x: 20 }, right: { x: -20 }, };

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💡design engineering tip: if you are using toasts, don't just create new toasts and stack every toast on each other. it confuses users, and creates a lot of visual noice. 📷 instead, use a cycling animation (a single animation won't work due to the browsers nature) with a slight bounce to visualize, that the task is already completed.

💡design engineering tip: if you are using toasts, don't just create new toasts and stack every toast on each other. it confuses users, and creates a lot of visual noice. 📷 instead, use a cycling animation (a single animation won't work due to the browsers nature) with a slight bounce to visualize, that the task is already completed.

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I found 9 sites that generate Design Markdown files for your AI builds ! here are the links: - - - - - - - - They help turn your visual direction into an actual design system your coding agent can follow. typography, colors, spacing, radius, shadows, components, states and responsive behaviour. before you build any screen, pick a visual direction and generate the design .md file aligned with your product mechanics and outcome goals add it to Claude Code or Cursor, then use /design to describe what should stay consistent across every screen this gives the agent actual constraints instead of asking it to “make the UI look premium” and hoping for a good output you'll ship much cleaner product ideations at lightning fast speed ! ( this and a folder of 5-6 visual references are the first things we prepare before starting a client build )

I found 9 sites that generate Design Markdown files for your AI builds ! here are the links: - - - - - - - - They help turn your visual direction into an actual design system your coding agent can follow. typography, colors, spacing, radius, shadows, components, states and responsive behaviour. before you build any screen, pick a visual direction and generate the design .md file aligned with your product mechanics and outcome goals add it to Claude Code or Cursor, then use /design to describe what should stay consistent across every screen this gives the agent actual constraints instead of asking it to “make the UI look premium” and hoping for a good output you'll ship much cleaner product ideations at lightning fast speed ! ( this and a folder of 5-6 visual references are the first things we prepare before starting a client build )

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$WMDR → $FUNN 🤝 Pump.fun We’re excited to announce that we’re migrating to @pumpdotfun and with it rebranding $WMDR into $FUNN, the official token of Funn Media. This shift allows us to expand beyond hydration into a broader ecosystem that connects all our apps under one unified brand. This move marks our transition from a single hydration app to a multi-app wellness network powered by one token that drives rewards, progress, and community across more than 10+ lifestyle, health, and habit-building apps. Migration will be handled through Migrate.Fun (MIGRATING NOW), ensuring a smooth and verified 1:1 swap from $WMDR → FUNN on @pumpdotfun. Please note that the token will continue to trade under the ticker $WMDR until the migration process is fully complete and the transition to FUNN is finalized. The FunnMedia FUNN era begins now. Stay tuned for more updates! Special thanks to RainsRevenge♦️, Alon, Vaso, jake, Adam McBride , and ICM.RUN for their continued support and guidance throughout this transition.

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How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

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Fable 5 just dropped and someone already built a $10k-looking website with it. Here's the full workflow The smooth scrolling, the animations, the transitions, all built with Fable 5. Here's how to get the same result instead of a generic template. 1. Steal a direction first. Go to Mobbin or Godly and find a site whose feel you love. Screenshot it. Fable copies a vibe far better than it invents one. 2. Grab real components. Pull animation-ready blocks from Aceternity UI or Magic UI. These are built for exactly this look (scroll reveals, parallax, gradients). 3. Prompt Fable with all of it. Switch to Fable 5 in Claude Code, drop in your screenshots and the component references, and describe the sections and scroll behavior you want. Let it plan before it builds. 4. Animate with the right tools. Tell it to use GSAP with ScrollTrigger for scroll effects, or Framer Motion for React. This is what separates "nice" from "$10k." 5. Iterate on feel, not code. Preview it, then give Fable specific notes ("slower fade, more spacing on mobile") until it lands. Bookmark this

Fable 5 just dropped and someone already built a $10k-looking website with it. Here's the full workflow The smooth scrolling, the animations, the transitions, all built with Fable 5. Here's how to get the same result instead of a generic template. 1. Steal a direction first. Go to Mobbin or Godly and find a site whose feel you love. Screenshot it. Fable copies a vibe far better than it invents one. 2. Grab real components. Pull animation-ready blocks from Aceternity UI or Magic UI. These are built for exactly this look (scroll reveals, parallax, gradients). 3. Prompt Fable with all of it. Switch to Fable 5 in Claude Code, drop in your screenshots and the component references, and describe the sections and scroll behavior you want. Let it plan before it builds. 4. Animate with the right tools. Tell it to use GSAP with ScrollTrigger for scroll effects, or Framer Motion for React. This is what separates "nice" from "$10k." 5. Iterate on feel, not code. Preview it, then give Fable specific notes ("slower fade, more spacing on mobile") until it lands. Bookmark this

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CLIENT ASKED 20 YEAR OLD TO BUILD A "SIMPLE" WEBSITE THIS IS WHAT IT DELIVERED most websites look like this: -> Hero section -> Some text -> A few buttons -> Done Claude had other plans Here's what it built: -> Cinematic landing page with immersive animations -> Interactive particle effects -> Smooth scroll storytelling -> Premium UI inspired by Apple and luxury brands -> Responsive design without sacrificing performance → Production ready code in minutes the crazy part? there was no design agency no frontend team no weeks of back and forth revisions just one prompt and Claude Code while most developers are using AI to autocomplete code others are using it to build experiences that would've taken an entire team the gap isn't AI anymore it is imagination Bookmark this before every website starts looking like this

CLIENT ASKED 20 YEAR OLD TO BUILD A "SIMPLE" WEBSITE THIS IS WHAT IT DELIVERED most websites look like this: -> Hero section -> Some text -> A few buttons -> Done Claude had other plans Here's what it built: -> Cinematic landing page with immersive animations -> Interactive particle effects -> Smooth scroll storytelling -> Premium UI inspired by Apple and luxury brands -> Responsive design without sacrificing performance → Production ready code in minutes the crazy part? there was no design agency no frontend team no weeks of back and forth revisions just one prompt and Claude Code while most developers are using AI to autocomplete code others are using it to build experiences that would've taken an entire team the gap isn't AI anymore it is imagination Bookmark this before every website starts looking like this

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One of the most common mistakes manufacturers make is relying on engineering logic to shape user behavior, while ignoring how users actually feel. Engineers often believe that as long as a feature exists, moves, or looks different, users will appreciate it. Users, however, care about something much simpler: whether the experience feels natural, refined, and intuitive. Great user experience is never created by stacking options. It is created by coherence and emotional consistency. Samsung’s recent update to Lock Star is a clear example. The new version introduces unlock animations that appear to add playfulness, yet the real experience feels disappointing. Many of these animations come across as childish, low level, poorly connected, and mechanically rigid. They feel closer to children’s UI effects than something designed for Samsung’s broad premium user base. The issue is not the presence of animations themselves. The problem lies in the mindset behind them. These effects are clearly driven by implementation logic rather than user perception. The assumption seems to be that adding visual flair automatically creates delight, while ignoring rhythm, emotional tone, and aesthetic maturity. This reflects a long standing pattern in Samsung’s software design. Random stickers, cartoon like emojis, and decorative elements often appear without a cohesive design language. There is a belief that younger users are attracted to these visuals, yet for Gen Z, such elements often feel outdated, immature, and disconnected from a premium identity. Strong product design allows user experience to constrain engineering decisions. When engineering begins to entertain itself, users quietly begin to disengage. Let's see how far apart Samsung and Xiaomi are.

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Ice Universe

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004/100 Buttons. A bit of the process on building an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63h

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$Hold up, here is the prompt: works with almost any model. enjoy :) Role & Objective: Act as an Elite UI/UX Front-End Engineer specializing in Apple-tier micro-interactions and advanced CSS. Your task is to program a perfectly centered navigation bar in a strictly SINGLE HTML file containing all HTML, vanilla CSS, and vanilla JavaScript. No external libraries or frameworks (No Tailwind, React, etc.). Design Concept - "True Liquid Glass": CRITICAL INSTRUCTION: Do NOT generate standard, flat "glassmorphism" or basic frosted glass. I require a physically accurate "Liquid Glass" aesthetic. It must look like wet, poured clear resin, combining the high-gloss specular highlights of classic macOS Aqua with the volumetric spatial depth of modern Apple VisionOS. 1. The Liquid Glass Material & Lighting (CSS): - Deep Refraction: Use `backdrop-filter` with extreme blur (e.g., 50px) and over-saturation (200%). - Specular Highlight: Create a curved, semi-transparent white gradient on the top half using a pseudo-element (`::before`) to simulate a hard light reflection on a wet, rounded 3D surface. - Caustics & Volume: Use multi-layered inner and outer `box-shadow` properties to simulate light refracting at the bottom edge and casting a realistic ambient drop shadow. - Interactive Glare: Implement a soft radial-gradient spotlight inside the glass that dynamically tracks the user's mouse cursor (X/Y coordinates) using JavaScript and CSS variables (`mix-blend-mode: overlay`). 2. Navigation Layout & Elements: - Center the pill-shaped navigation bar perfectly in the middle of the viewport. - Include 3 main navigation items with minimalist, inline SVG stroke icons and text labels: "Home", "Call", and "List". - Add a subtle vertical divider line after the main buttons. - Next to the divider, add a Dark/Light Mode toggle button containing inline SVG Sun and Moon icons. 3. Animations & "Apple Magic": - Sliding Active Pill: Create a solid background "pill" that sits *behind* the active navigation item's text/icon. When a different item is clicked, this pill must dynamically recalculate its width and slide to the new position. - Spring Physics: The sliding transition MUST use an exact Apple-style bouncy spring easing curve (e.g., `transition: all 0.5s cubic-bezier(0.34, 1.2, 0.64, 1)`). - Tactile Feedback: Buttons and icons must physically press down slightly (`transform: scale(0.92)`) when clicked (`:active`). - Theme Switch: The Sun and Moon icons must smoothly rotate, scale, and cross-fade during the transition. 4. Background Environment (Crucial): - Glass needs light and color to refract! Create a full-viewport, smoothly animated mesh gradient background using 3 large, heavily blurred, floating color blobs. - Implement full Dark/Light mode logic using CSS variables (`:root` and `[data-theme="dark"]`). Toggling the theme must seamlessly transition the background blob colors, glass opacity, shadow intensity, and text colors. Output ONLY the pristine, production-ready code. Prioritize maximum visual fidelity and silky-smooth 60fps animations.$

Hold up, here is the prompt: works with almost any model. enjoy :) Role & Objective: Act as an Elite UI/UX Front-End Engineer specializing in Apple-tier micro-interactions and advanced CSS. Your task is to program a perfectly centered navigation bar in a strictly SINGLE HTML file containing all HTML, vanilla CSS, and vanilla JavaScript. No external libraries or frameworks (No Tailwind, React, etc.). Design Concept - "True Liquid Glass": CRITICAL INSTRUCTION: Do NOT generate standard, flat "glassmorphism" or basic frosted glass. I require a physically accurate "Liquid Glass" aesthetic. It must look like wet, poured clear resin, combining the high-gloss specular highlights of classic macOS Aqua with the volumetric spatial depth of modern Apple VisionOS. 1. The Liquid Glass Material & Lighting (CSS): - Deep Refraction: Use `backdrop-filter` with extreme blur (e.g., 50px) and over-saturation (200%). - Specular Highlight: Create a curved, semi-transparent white gradient on the top half using a pseudo-element (`::before`) to simulate a hard light reflection on a wet, rounded 3D surface. - Caustics & Volume: Use multi-layered inner and outer `box-shadow` properties to simulate light refracting at the bottom edge and casting a realistic ambient drop shadow. - Interactive Glare: Implement a soft radial-gradient spotlight inside the glass that dynamically tracks the user's mouse cursor (X/Y coordinates) using JavaScript and CSS variables (`mix-blend-mode: overlay`). 2. Navigation Layout & Elements: - Center the pill-shaped navigation bar perfectly in the middle of the viewport. - Include 3 main navigation items with minimalist, inline SVG stroke icons and text labels: "Home", "Call", and "List". - Add a subtle vertical divider line after the main buttons. - Next to the divider, add a Dark/Light Mode toggle button containing inline SVG Sun and Moon icons. 3. Animations & "Apple Magic": - Sliding Active Pill: Create a solid background "pill" that sits behind the active navigation item's text/icon. When a different item is clicked, this pill must dynamically recalculate its width and slide to the new position. - Spring Physics: The sliding transition MUST use an exact Apple-style bouncy spring easing curve (e.g., `transition: all 0.5s cubic-bezier(0.34, 1.2, 0.64, 1)`). - Tactile Feedback: Buttons and icons must physically press down slightly (`transform: scale(0.92)`) when clicked (`:active`). - Theme Switch: The Sun and Moon icons must smoothly rotate, scale, and cross-fade during the transition. 4. Background Environment (Crucial): - Glass needs light and color to refract! Create a full-viewport, smoothly animated mesh gradient background using 3 large, heavily blurred, floating color blobs. - Implement full Dark/Light mode logic using CSS variables (`:root` and `[data-theme="dark"]`). Toggling the theme must seamlessly transition the background blob colors, glass opacity, shadow intensity, and text colors. Output ONLY the pristine, production-ready code. Prioritize maximum visual fidelity and silky-smooth 60fps animations.

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On January 20, at Davos 2026, CATL was honored with the World Economic Forum (World Economic Forum )'s 2026 MINDS Award, recognizing its groundbreaking project "Augmented Intelligence Leading Next-Generation Lithium-ion Battery Design," which has been acclaimed as a global benchmark for AI-driven industrial application. The project marks a fundamental shift from traditional "reverse design and trial-and-error experimentation" to "forward design with predictive intelligence before manufacturing." By integrating proprietary multimodal data across materials, design, processes and equipment, the initiative has built an intelligent battery cell design platform for the lithium-ion battery industry. The system supports customized performance targets and dynamic priority adjustments, achieving a design prediction accuracy of up to 95%. Compared with manual design, it generates recommendations in seconds and virtual cells in minutes, increasing design efficiency by 30%. CATL will continue to evolve AI from "enablement" to "creation," and from solving known problems to discovering new frontiers, building a cornerstone for the global energy transition. #CATL #WEF #Davos2026 #ArtificialIntelligence #BatteryInnovation

On January 20, at Davos 2026, CATL was honored with the World Economic Forum (World Economic Forum )'s 2026 MINDS Award, recognizing its groundbreaking project "Augmented Intelligence Leading Next-Generation Lithium-ion Battery Design," which has been acclaimed as a global benchmark for AI-driven industrial application. The project marks a fundamental shift from traditional "reverse design and trial-and-error experimentation" to "forward design with predictive intelligence before manufacturing." By integrating proprietary multimodal data across materials, design, processes and equipment, the initiative has built an intelligent battery cell design platform for the lithium-ion battery industry. The system supports customized performance targets and dynamic priority adjustments, achieving a design prediction accuracy of up to 95%. Compared with manual design, it generates recommendations in seconds and virtual cells in minutes, increasing design efficiency by 30%. CATL will continue to evolve AI from "enablement" to "creation," and from solving known problems to discovering new frontiers, building a cornerstone for the global energy transition. #CATL #WEF #Davos2026 #ArtificialIntelligence #BatteryInnovation

CATL

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At Uber a big problem for design teams and engineering teams was design source of truth. No one knew what the app truly looked like, so weekly a bunch of designers would get into a meeting room and check that the engineers correctly implemented the figma designs that they made Now with coding agents throughput of changes has increased an order of magnitude and it has become impossible to manually keep up. Here we used the Revyl CLI to create a flow of every state in the Uber design, by navigating our mobile use agent on an cloud iOS simulator. This is something that would have taken a team of designers tens of hours to recreate manually; All done in less than an hour asynchronously with a simple prompt. Enable your team to know what your users are actually seeing and empower coding agents to give your users a delightful experience without any blindspots Get started with our new free trial and create a map for your own app 🗺️

At Uber a big problem for design teams and engineering teams was design source of truth. No one knew what the app truly looked like, so weekly a bunch of designers would get into a meeting room and check that the engineers correctly implemented the figma designs that they made Now with coding agents throughput of changes has increased an order of magnitude and it has become impossible to manually keep up. Here we used the Revyl CLI to create a flow of every state in the Uber design, by navigating our mobile use agent on an cloud iOS simulator. This is something that would have taken a team of designers tens of hours to recreate manually; All done in less than an hour asynchronously with a simple prompt. Enable your team to know what your users are actually seeing and empower coding agents to give your users a delightful experience without any blindspots Get started with our new free trial and create a map for your own app 🗺️

Anam Hira

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Most AI models learn engineering from the internet. Grok will get notes directly from a giant rocket factory. xAI is prepping to use SpaceX engineering data for Grok’s 2T training run, excluding restricted ITAR material. That means design notes, test reports, complex aerospace math, and the kind of real-world problem-solving you only get when you are building Starship and catching boosters. Physics gets a lot more useful when the homework comes with scorch marks. Grok xAI SpaceX / Writer: Annette, Designer: Janné

Most AI models learn engineering from the internet. Grok will get notes directly from a giant rocket factory. xAI is prepping to use SpaceX engineering data for Grok’s 2T training run, excluding restricted ITAR material. That means design notes, test reports, complex aerospace math, and the kind of real-world problem-solving you only get when you are building Starship and catching boosters. Physics gets a lot more useful when the homework comes with scorch marks. Grok xAI SpaceX / Writer: Annette, Designer: Janné

Mario Nawfal

54,571 Aufrufe • vor 1 Monat

I learned this the hard way: do NOT use SwiftUI if you want your app to look and feel amazing. At least when coding with AI. (sorry, Apple colleagues reading this 😅) I'm sharing my process vibe coding this calorie tracker. I get a lot of questions about the fluid transition in the video. Here's the whole story. Initially, Claude built the grid with SwiftUI. It was quick and easy, and looked good! But the transition to the day view was a boring navigation push/pop. No fun. I wanted something custom. I asked Claude to make it a fluid transition that remaps the food tiles from their source to destination positions. All hell broke loose. Claude tried a bunch of horrible things. Initially it used matched geometry effects, which worked OK but didn't lend themselves well to gesture-driven animations. So it resorted to SwiftUI preference keys + geometry readers to figure out the source and destination positions and calculate the interpolated position based on gesture progress, coordinating across grid and day views. But this meant it had to write a custom layout because it couldn't reposition tiles inside the native SwiftUI grid. And it had to do an awkward handoff between views, which always created ugly pops or jumps. And don't get me started on trying to put it on a bouncy spring, that only made the math 10x buggier. Fortunately, Claude Fable was smart enough to see that this was becoming a disaster (and discover most of the issues itself, in the simulator), so it pivoted away from SwiftUI. Opus might not be so wise, so you'll have to pay attention and intervene. Ultimately, it rewrote it in plain UIKit and everything turned out great. After that, we moved from 2D images to 3D assets, which introduced a new set of performance challenges and yet another rewrite to a single Metal layer, which is what you see below. I can write more about the 2D-to-3D saga if anyone's interested. If I were to do it again, I'd just say "Don't use SwiftUI" from the very first prompt, and save a few hours of headaches. SwiftUI can be amazing for a human iterating directly in code. But agents don't benefit from any of its advantages. Plus, agents have seen decades of UIKit training data, so they're great at writing it, and it's far more flexible. Here's hoping we see more agent-friendly iterations of SwiftUI in the future. Till then, I'm probably going to avoid it.

I learned this the hard way: do NOT use SwiftUI if you want your app to look and feel amazing. At least when coding with AI. (sorry, Apple colleagues reading this 😅) I'm sharing my process vibe coding this calorie tracker. I get a lot of questions about the fluid transition in the video. Here's the whole story. Initially, Claude built the grid with SwiftUI. It was quick and easy, and looked good! But the transition to the day view was a boring navigation push/pop. No fun. I wanted something custom. I asked Claude to make it a fluid transition that remaps the food tiles from their source to destination positions. All hell broke loose. Claude tried a bunch of horrible things. Initially it used matched geometry effects, which worked OK but didn't lend themselves well to gesture-driven animations. So it resorted to SwiftUI preference keys + geometry readers to figure out the source and destination positions and calculate the interpolated position based on gesture progress, coordinating across grid and day views. But this meant it had to write a custom layout because it couldn't reposition tiles inside the native SwiftUI grid. And it had to do an awkward handoff between views, which always created ugly pops or jumps. And don't get me started on trying to put it on a bouncy spring, that only made the math 10x buggier. Fortunately, Claude Fable was smart enough to see that this was becoming a disaster (and discover most of the issues itself, in the simulator), so it pivoted away from SwiftUI. Opus might not be so wise, so you'll have to pay attention and intervene. Ultimately, it rewrote it in plain UIKit and everything turned out great. After that, we moved from 2D images to 3D assets, which introduced a new set of performance challenges and yet another rewrite to a single Metal layer, which is what you see below. I can write more about the 2D-to-3D saga if anyone's interested. If I were to do it again, I'd just say "Don't use SwiftUI" from the very first prompt, and save a few hours of headaches. SwiftUI can be amazing for a human iterating directly in code. But agents don't benefit from any of its advantages. Plus, agents have seen decades of UIKit training data, so they're great at writing it, and it's far more flexible. Here's hoping we see more agent-friendly iterations of SwiftUI in the future. Till then, I'm probably going to avoid it.

Anshu

115,013 Aufrufe • vor 2 Monaten

✨Introducing YesCheff is a web app that helps you learn, cook, and enjoy your favorite recipes through step-by-step cooking guides built from real YouTube content. You can even use your own YouTube links. A small but special project where I brought all my capabilities together, from design (brand & product) to animation, and development. This project came from exploring how Al models parse data into frontend components and the development of generative interfaces. I designed and developed the structure through React components (HTML, CSS, JS) for the frontend and Node.js for the backend. This is a testament of how one could develop digital products in a less frustrating and more flexible way with the use of Al, particularly when it comes to getting the styling and functionality right. Now which foods are you eager to learn? Check it out at #YesCheff #WebApp #AI #Design #FrontendDevelopment #ReactJS #NodeJS #ProductDesign

JEHTOMS 5.0

85,213 Aufrufe • vor 11 Monaten

Furniture assembly is the task everyone name-drops and nobody actually attempts at real scale. Every demo I have seen is a scaled down IKEA leg or a single arm on a toy chair. This paper does it properly, real scale, bimanual, up to 7 subtasks and 1,550 control steps per episode, and it is validated on a real Kinova Gen3, not just in sim. That real-robot number is the one that matters: only a 16 percent drop on the hardest task going from simulation to hardware. That is a small enough gap to take seriously, and it did not happen by accident. They built a VR teleoperation rig specifically for coordinated dual-arm collection, because generic single-arm teleop setups do not capture the coordination real assembly needs, and the model predicts a continuous progress signal alongside the action chunk rather than a discrete subtask label, letting it auto-transition and catch drift before it compounds into total failure. The simulation ablation is what got them there, 48 to 80 percent over baselines, with another 21 points from their perception and control design study alone, but that is groundwork, not the headline. Watch the video, there is a clip of the robot misgrasping the seat panel, reopening the gripper, and regrasping on its own. That is not scripted recovery behaviour, it emerged from training, and it emerged on hardware. Excellent work from the team from Mitsubishi Electric Research Laboratories, with Oxford and UNC Chapel Hill Clinical Laboratory Science. Video and project page in comments. #Robotics #Manipulation #VLA

Furniture assembly is the task everyone name-drops and nobody actually attempts at real scale. Every demo I have seen is a scaled down IKEA leg or a single arm on a toy chair. This paper does it properly, real scale, bimanual, up to 7 subtasks and 1,550 control steps per episode, and it is validated on a real Kinova Gen3, not just in sim. That real-robot number is the one that matters: only a 16 percent drop on the hardest task going from simulation to hardware. That is a small enough gap to take seriously, and it did not happen by accident. They built a VR teleoperation rig specifically for coordinated dual-arm collection, because generic single-arm teleop setups do not capture the coordination real assembly needs, and the model predicts a continuous progress signal alongside the action chunk rather than a discrete subtask label, letting it auto-transition and catch drift before it compounds into total failure. The simulation ablation is what got them there, 48 to 80 percent over baselines, with another 21 points from their perception and control design study alone, but that is groundwork, not the headline. Watch the video, there is a clip of the robot misgrasping the seat panel, reopening the gripper, and regrasping on its own. That is not scripted recovery behaviour, it emerged from training, and it emerged on hardware. Excellent work from the team from Mitsubishi Electric Research Laboratories, with Oxford and UNC Chapel Hill Clinical Laboratory Science. Video and project page in comments. #Robotics #Manipulation #VLA

Stephen James

14,952 Aufrufe • vor 2 Monaten

Tomorrow the reviews drop for one of my most anticipated games of the year: Crimson Desert. I’m starting a new format where I predict a game’s final verdict before the embargo lifts. Here’s my scorecard. Predicted Positives ✅ > Huge variety and strong open‑world design > Top‑tier visuals with surprisingly smooth performance > Exploration that constantly rewards curiosity > Minimal bugs at launch > Systems that connect well and feel thoughtfully built > A stylish combat system that keeps fights exciting from start to finish > A diverse lineup of bosses that push the combat to its best moments Predicted Negatives ❌ > Storyline lands somewhere in the middle > Characters aren’t especially memorable > Some puzzle design may frustrate players (yellow painting… where are you /s) > Trying to do everything makes the lore feel unfocused Final Metacritic Score Prediction: 88 🦾

Tomorrow the reviews drop for one of my most anticipated games of the year: Crimson Desert. I’m starting a new format where I predict a game’s final verdict before the embargo lifts. Here’s my scorecard. Predicted Positives ✅ > Huge variety and strong open‑world design > Top‑tier visuals with surprisingly smooth performance > Exploration that constantly rewards curiosity > Minimal bugs at launch > Systems that connect well and feel thoughtfully built > A stylish combat system that keeps fights exciting from start to finish > A diverse lineup of bosses that push the combat to its best moments Predicted Negatives ❌ > Storyline lands somewhere in the middle > Characters aren’t especially memorable > Some puzzle design may frustrate players (yellow painting… where are you /s) > Trying to do everything makes the lore feel unfocused Final Metacritic Score Prediction: 88 🦾

𝒩𝒾𝓀𝒻ℴ𝓇

41,356 Aufrufe • vor 5 Monaten

Big News: Moongate is now part of Humanity Protocol! We’re excited to share that Moongate has officially joined the Humanity family. This means your Human ID will open even more doors to secure, seamless, and rewarding real-world experiences. What does this mean for you? • Faster Event Access: Enjoy quicker, smoother check-ins at Moongate events with Humanity Protocol’s palm recognition tech. • Smooth Transition: Moongate’s services and brand you know and trust aren’t going anywhere—everything you love stays the same for both users and event organizers. • More Perks! Your Human ID will unlock a broader spectrum of benefits—from VIP access and exclusive airdrops to travel perks and hotel discounts. We're more excited than ever to revolutionizing real-world experiences with the power of Human ID. Reserve your Human ID now 👉

Moongate

76,320 Aufrufe • vor 1 Jahr