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Desperate lady is a complete sucker for BBC 😈 She’ll take it anywhere. Full uncut video in bio 👉 #bbcflash #dickflash #cockflash #publicflash #uflash #bbcflashtv #luxuryflashtvhd #publicporn #cockshock #bbclover #milflover #jerkoff #masturbation #nsfwtwt

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NSFW #bbcflash #dickflash #cockflash #publicflash #uflash #bbcflashtv #luxuryflashtvhd #publicporn #cockshock #bbclover #milflover #jerkoff #masturbation #nsfwtwt

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This milf could not stop peeking at my hard BBC in the mall 🥵 full uncut in bio 👇 #mallflash #bbcflash #dickflash #publicflash #nsfwtwt

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WAN 3.0 is live on Picsart! 🔊🔥 Complete 30-second videos in one take, and a lot more 🤩 🎬 Full scenes, not fragments: give your story a real beginning, middle, and end 🎯 Up to 20 references to keep every detail consistent across the whole take 🔊 Sound included: dialogue and ambience already synchronized 💡 Draft in 480p, then go full quality on the final Perfect for product videos, ad concepts, social clips, and ideas that need more time to unfold! Try it here 👉

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Roy Rogers Happy Trails Music Shop

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Hello ☀️ I wanted to film this quick video to update you on upcoming projects. I hope you’re excited to see what I’m preparing for you! I’m always thankful to have your support, it keeps me going ☺️🩵🦋 ⭐️ Here is the video dialogue for those of you who need to translate it: "Hey everyone, I wanted to film a quick video for you to give you some updates on some future projects of mine. So the exciting news I have to share is that my next full album is basically complete, and I'm announcing the album pre-release single tomorrow. So that is all exciting, um, but the album may take a little more time. So the reason the album may take a little more time is because I really want to give you guys what you've been asking for. And I've heard you want merch, and I've heard you want a physical album. And I really want to do that, but I've never done it before so, I'm taking some time to figure that out. And once that is in place, I will choose a release date for the full album with those things. So I hope you'll understand why things may take a little bit more time while I try to make sure things are as good as they can be for you. And I really want to thank you for sticking by me, especially over the last month. I've come to understand that whether I have 20 followers or 20 million followers, you are here supporting me regardless, and I can't thank you enough for that. Have a great day. Bye."

Hello ☀️ I wanted to film this quick video to update you on upcoming projects. I hope you’re excited to see what I’m preparing for you! I’m always thankful to have your support, it keeps me going ☺️🩵🦋 ⭐️ Here is the video dialogue for those of you who need to translate it: "Hey everyone, I wanted to film a quick video for you to give you some updates on some future projects of mine. So the exciting news I have to share is that my next full album is basically complete, and I'm announcing the album pre-release single tomorrow. So that is all exciting, um, but the album may take a little more time. So the reason the album may take a little more time is because I really want to give you guys what you've been asking for. And I've heard you want merch, and I've heard you want a physical album. And I really want to do that, but I've never done it before so, I'm taking some time to figure that out. And once that is in place, I will choose a release date for the full album with those things. So I hope you'll understand why things may take a little bit more time while I try to make sure things are as good as they can be for you. And I really want to thank you for sticking by me, especially over the last month. I've come to understand that whether I have 20 followers or 20 million followers, you are here supporting me regardless, and I can't thank you enough for that. Have a great day. Bye."

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let’s start where this actually lives, not where you want it to live. with the math. the last three weeks of dynamite: 👉 765k 👉 730k 👉 654k that is not a ramp. that is not momentum. that is not “heating up” into a conversion window. that is a decline into it. you are looking at a -111k drop in two weeks, roughly 14–15% contraction from the high to the low, at the exact point where a traditional ppv cycle should be stabilizing or expanding. instead, you have compression. average those three weeks and you land at roughly ~716k linear viewers. that is your real, observable, measurable audience. not hypothetical reach not cumulative impressions not social engagement proxies actual people sitting down and watching the show in the time slot that matters for conversion. i’ve already laid out in detail what the max numbers actually represent and how simulcast behavior works, so i’m not going to re-litigate all of that here. but it matters enough to say again clearly: max is not a second audience at scale. it is a distribution extension that splits the same audience. it does not double your reach. it does not materially expand your funnel. it shifts a portion of existing behavior from one pipe to another. the short version is already established: 👉 max is not additive at scale 👉 max is a split of the same audience 👉 max realistically contributes ~50k–150k, ~75k center so your total reachable audience on a good night is: 👉 ~790k–800k all-in that’s the funnel. that’s the ceiling. that’s the number you are working from. that’s the universe that can possibly convert into a paid transaction. not hypothetical not inflated not “what if” that is the real audience number. now take the number dave is floating: 👉 ~143k ppv buys run the only equation that matters: 👉 143k ÷ 800k = ~17.9% conversion stop there for a second Dave Meltzer is unironically asserting that nearly 1 out of every 5 viewers is converting into a $40–$50 transaction in 2026 in a market with: – no centralized ppv infrastructure – subscription-first behavior – widespread piracy – fragmented pricing (domestic, max discount, vpn international) – a declining weekly audience trend that is the claim. not “strong performance.” not “better than expected.” not “up year over year.” the claim is nearly 1 in 5 viewers converting into a $40–$50 transaction in 2026. this is where the conversation should end, because that number does not exist anywhere in modern media behavior. it doesn’t exist in boxing. it doesn’t exist in ufc. it doesn’t exist in any scaled transactional model operating in the current environment. and more importantly, it didn’t exist consistently even when the infrastructure supporting it was intact. again, this is the part people either don’t understand or choose to ignore: ppv is not just a pricing model. it is an infrastructure model. and that infrastructure is gone. for decades, the backbone of ppv was inDemand. that system wasn’t just pushing content out to cable homes. it was aggregating buys, standardizing reporting, and creating a reconciliation layer that allowed promoters, distributors, and networks to operate off the same dataset. if you were serious about this business, you could triangulate numbers. you could get within a narrow band of reality because the pipes were real and the accounting was shared. that system shut down in 2025. 👉 143k ppv buys is not an aggressive take 👉 it is not an optimistic take 👉 it is a structurally impossible take because we know what real conversion looks like. we do not need to guess. it has been modeled across combat sports, boxing, ufc, and multiple transactional platforms. the ranges are stable: 👉 1–3% → normal 👉 3–5% → strong 👉 5%+ → elite and rare, reserved for events with massive cultural heat and crossover appeal those ranges were established when the infrastructure was intact, pricing was more controlled, piracy was less frictionless, and distribution was more centralized. today, every one of those conditions is worse. pricing is fragmented. you have $49.99 standard, $39.99 through max, international pricing accessible through vpn, and a piracy environment where high-quality streams are available instantly. that is a high-friction, high-leakage system. so conversion should compress, not expand. now apply real-world conversion to your real audience: 👉 800k × 2% = 16k buys 👉 800k × 3% = 24k buys 👉 800k × 5% = 40k buys that’s your range. 👉 ~15k–35k realistic 👉 ~20k–30k as the most defensible center 👉 ~40k reasonable given the strength of the headliners now invert the math, because this is where the claim completely collapses. if you want to justify 143k buys at even a healthy 3% conversion rate, you need roughly 4.7 million engaged viewers. so the question becomes extremely simple: where are the other four million people? 👉they are not on linear television. 👉they are not on max. 👉they are not showing up in any digital engagement metrics that correlate with that level of demand. 👉they are not visible anywhere in the ecosystem that would need to exist to support that level of conversion. 👉👉👉👉👉 they do not exist. and this is before you even account for the trend line moving the wrong way. you are not converting off a growing base. you are converting off a shrinking one. you are not building urgency. you are losing reach. that matters, because conversion does not happen in a vacuum. it happens on top of momentum, visibility, and audience expansion. when those inputs are declining, conversion does not spike to historic highs. it compresses further. the biggest fights in the world are no longer relying on ppv as their primary distribution model. they are moving to platforms that guarantee reach and revenue up front. the most recent example should end this conversation for anyone actually paying attention: netflix just locked tyson fury vs anthony joshua for a major global fight this august. that is one of the biggest possible matchups in boxing. in any previous era, that is a premium ppv event with massive buy expectations, heavy marketing, and a full transactional rollout. instead, it is going to a subscription platform. why? because the economics are better. the reach is global. the friction is lower. the platform values engagement at scale over one-off purchases. that is where the industry is. so when you are being asked to believe that a weekly wrestling property with a ~700k linear audience, declining into its ppv window, is somehow generating six-figure transactional buys inside a subscription platform in 2026, you are not just being asked to accept a number. dave is asking you to ignore the direction of the entire market. and that’s before you even bring in platform behavior. max is not a live sports-first platform. it does not behave like one. when max has something it cares about, it promotes it aggressively. homepage rails. push notifications. press releases. talent integration. cross-platform amplification. you do not see that here. and that absence is not accidental. platforms surface what they want you to see. they amplify what drives engagement and revenue. if ppv at scale were happening inside that ecosystem, it would be visible. it would be part of the narrative. it would be monetized loudly. it isn’t. and that’s before you even factor in the other variables i’ve broken down in detail before: 👉 i’ve already debunked why the max numbers people are throwing around don’t make sense 👉 i’ve already explained what the linear number actually represents and what it doesn’t 👉 i’ve already mapped the media rights landscape in 2026, including how these properties are being evaluated ahead of the paramount–wbd merger the wsj reports could close as early as july so when you’re being told by dave that a property with a ~700k weekly audience trending downward into a ppv window is generating six-figure transactional buys at premium pricing inside a subscription platform in 2026, you’re not being given data. you’re being given a number that does not reconcile with anything else in the system. that’s math. stop it - 45

let’s start where this actually lives, not where you want it to live. with the math. the last three weeks of dynamite: 👉 765k 👉 730k 👉 654k that is not a ramp. that is not momentum. that is not “heating up” into a conversion window. that is a decline into it. you are looking at a -111k drop in two weeks, roughly 14–15% contraction from the high to the low, at the exact point where a traditional ppv cycle should be stabilizing or expanding. instead, you have compression. average those three weeks and you land at roughly ~716k linear viewers. that is your real, observable, measurable audience. not hypothetical reach not cumulative impressions not social engagement proxies actual people sitting down and watching the show in the time slot that matters for conversion. i’ve already laid out in detail what the max numbers actually represent and how simulcast behavior works, so i’m not going to re-litigate all of that here. but it matters enough to say again clearly: max is not a second audience at scale. it is a distribution extension that splits the same audience. it does not double your reach. it does not materially expand your funnel. it shifts a portion of existing behavior from one pipe to another. the short version is already established: 👉 max is not additive at scale 👉 max is a split of the same audience 👉 max realistically contributes ~50k–150k, ~75k center so your total reachable audience on a good night is: 👉 ~790k–800k all-in that’s the funnel. that’s the ceiling. that’s the number you are working from. that’s the universe that can possibly convert into a paid transaction. not hypothetical not inflated not “what if” that is the real audience number. now take the number dave is floating: 👉 ~143k ppv buys run the only equation that matters: 👉 143k ÷ 800k = ~17.9% conversion stop there for a second Dave Meltzer is unironically asserting that nearly 1 out of every 5 viewers is converting into a $40–$50 transaction in 2026 in a market with: – no centralized ppv infrastructure – subscription-first behavior – widespread piracy – fragmented pricing (domestic, max discount, vpn international) – a declining weekly audience trend that is the claim. not “strong performance.” not “better than expected.” not “up year over year.” the claim is nearly 1 in 5 viewers converting into a $40–$50 transaction in 2026. this is where the conversation should end, because that number does not exist anywhere in modern media behavior. it doesn’t exist in boxing. it doesn’t exist in ufc. it doesn’t exist in any scaled transactional model operating in the current environment. and more importantly, it didn’t exist consistently even when the infrastructure supporting it was intact. again, this is the part people either don’t understand or choose to ignore: ppv is not just a pricing model. it is an infrastructure model. and that infrastructure is gone. for decades, the backbone of ppv was inDemand. that system wasn’t just pushing content out to cable homes. it was aggregating buys, standardizing reporting, and creating a reconciliation layer that allowed promoters, distributors, and networks to operate off the same dataset. if you were serious about this business, you could triangulate numbers. you could get within a narrow band of reality because the pipes were real and the accounting was shared. that system shut down in 2025. 👉 143k ppv buys is not an aggressive take 👉 it is not an optimistic take 👉 it is a structurally impossible take because we know what real conversion looks like. we do not need to guess. it has been modeled across combat sports, boxing, ufc, and multiple transactional platforms. the ranges are stable: 👉 1–3% → normal 👉 3–5% → strong 👉 5%+ → elite and rare, reserved for events with massive cultural heat and crossover appeal those ranges were established when the infrastructure was intact, pricing was more controlled, piracy was less frictionless, and distribution was more centralized. today, every one of those conditions is worse. pricing is fragmented. you have $49.99 standard, $39.99 through max, international pricing accessible through vpn, and a piracy environment where high-quality streams are available instantly. that is a high-friction, high-leakage system. so conversion should compress, not expand. now apply real-world conversion to your real audience: 👉 800k × 2% = 16k buys 👉 800k × 3% = 24k buys 👉 800k × 5% = 40k buys that’s your range. 👉 ~15k–35k realistic 👉 ~20k–30k as the most defensible center 👉 ~40k reasonable given the strength of the headliners now invert the math, because this is where the claim completely collapses. if you want to justify 143k buys at even a healthy 3% conversion rate, you need roughly 4.7 million engaged viewers. so the question becomes extremely simple: where are the other four million people? 👉they are not on linear television. 👉they are not on max. 👉they are not showing up in any digital engagement metrics that correlate with that level of demand. 👉they are not visible anywhere in the ecosystem that would need to exist to support that level of conversion. 👉👉👉👉👉 they do not exist. and this is before you even account for the trend line moving the wrong way. you are not converting off a growing base. you are converting off a shrinking one. you are not building urgency. you are losing reach. that matters, because conversion does not happen in a vacuum. it happens on top of momentum, visibility, and audience expansion. when those inputs are declining, conversion does not spike to historic highs. it compresses further. the biggest fights in the world are no longer relying on ppv as their primary distribution model. they are moving to platforms that guarantee reach and revenue up front. the most recent example should end this conversation for anyone actually paying attention: netflix just locked tyson fury vs anthony joshua for a major global fight this august. that is one of the biggest possible matchups in boxing. in any previous era, that is a premium ppv event with massive buy expectations, heavy marketing, and a full transactional rollout. instead, it is going to a subscription platform. why? because the economics are better. the reach is global. the friction is lower. the platform values engagement at scale over one-off purchases. that is where the industry is. so when you are being asked to believe that a weekly wrestling property with a ~700k linear audience, declining into its ppv window, is somehow generating six-figure transactional buys inside a subscription platform in 2026, you are not just being asked to accept a number. dave is asking you to ignore the direction of the entire market. and that’s before you even bring in platform behavior. max is not a live sports-first platform. it does not behave like one. when max has something it cares about, it promotes it aggressively. homepage rails. push notifications. press releases. talent integration. cross-platform amplification. you do not see that here. and that absence is not accidental. platforms surface what they want you to see. they amplify what drives engagement and revenue. if ppv at scale were happening inside that ecosystem, it would be visible. it would be part of the narrative. it would be monetized loudly. it isn’t. and that’s before you even factor in the other variables i’ve broken down in detail before: 👉 i’ve already debunked why the max numbers people are throwing around don’t make sense 👉 i’ve already explained what the linear number actually represents and what it doesn’t 👉 i’ve already mapped the media rights landscape in 2026, including how these properties are being evaluated ahead of the paramount–wbd merger the wsj reports could close as early as july so when you’re being told by dave that a property with a ~700k weekly audience trending downward into a ppv window is generating six-figure transactional buys at premium pricing inside a subscription platform in 2026, you’re not being given data. you’re being given a number that does not reconcile with anything else in the system. that’s math. stop it - 45

Nick LoPiccolo

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London in one video 🇬🇧 Mundian To Bach Ke blasting on the Jubilee line, and a carriage full of strangers from completely different backgrounds moving to it like they’ve known each other years. No awkwardness, no phones-down energy, just a proper moment. That song did this 20 years ago too, took Punjabi music from our living rooms to the whole world. And it still hits on a Tube carriage in 2026. This is the London we love. Would you have joined in, or watched from the corner? 🎥 Submitted by Masayuki Oho.sonia #ub1ub2 #london #jubileeline #punjabimc Have you got your UB1UB2 discount card yet? Discounts at 100+ local spots for only £3 a month 👉 link in our bio

UB1UB2 West London (Southall)

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Mark Cuban: AI is not going to take away 50% of the jobs. Mark Cuban: “There's just so much sh*t it can't do that regular people need it to do. Right? Now, does that create opportunity? Enormous opportunity. There's no better time to be an entrepreneur because that's where AI is the most impactful, no matter where you are in the world. They have big utilization in Brazil, India, France, US, wherever. But again, all this talk about taking white collar jobs is ridiculous when it can't even do the basic sh*t. And you have to have, like you said, a programming mindset in order to be able to iterate and figure it out.” ------------------------------ Thanks to our partners for making this possible! Most advertisers have never heard of the platform with an $11B annual run rate in ad spend. AppLovin Ads — 1B+ daily active users, full-screen video ads watched for a median of 35 seconds, and businesses are profitably spending hundreds of thousands of dollars a day on it. Advertiser access is in closed beta. The window is open at Starting a business? Northwest Registered Agent gives you everything you need to build a complete Business Identity including free tools and built-in privacy. Get more at

Mark Cuban: AI is not going to take away 50% of the jobs. Mark Cuban: “There's just so much sht it can't do that regular people need it to do. Right? Now, does that create opportunity? Enormous opportunity. There's no better time to be an entrepreneur because that's where AI is the most impactful, no matter where you are in the world. They have big utilization in Brazil, India, France, US, wherever. But again, all this talk about taking white collar jobs is ridiculous when it can't even do the basic sht. And you have to have, like you said, a programming mindset in order to be able to iterate and figure it out.” ------------------------------ Thanks to our partners for making this possible! Most advertisers have never heard of the platform with an $11B annual run rate in ad spend. AppLovin Ads — 1B+ daily active users, full-screen video ads watched for a median of 35 seconds, and businesses are profitably spending hundreds of thousands of dollars a day on it. Advertiser access is in closed beta. The window is open at Starting a business? Northwest Registered Agent gives you everything you need to build a complete Business Identity including free tools and built-in privacy. Get more at

The All-In Podcast

29,989 görüntüleme • 2 ay önce

CBC's lo longer fact checking election statements. They are lazily attacking anything they view as an attack on Liberals and their decade of economic mismanagement. Watch the first video is from the massive Edmonton rally where he describes the difference in Canada between a decade ago and now: low inflation, declining taxes, balanced budget, crime rate had fallen 25%, rent was low, take home pay was up, And in video 2, CBC's 'fact check' attacks this cherry picked line "The New York Times had just declared that Canada had the richest middle class in the world." How is it wrong according to CBC's Jonathan Gatehouse? "It was in the context..." It is context independent Finally he cherry picks a 'median household net-worth' statistic that claims Canada is doing just fine Canada's middle class has shrunk but Gatehouse's excuse "it isn't limited to Canada" & "there is no way of measuring the middle class" So his fact check is "I GIVE UP BECAUSE I AM TOO LAZY TO FIND THE NUMBERS BUT I HAVE GIVEN THE IMPRESSION OF A FALSE STATEMENT" Then he muddles it with an NDP ban... finished with a Liberal pledge - complete clustershmuck! Now notice Gatehouse didn't contest any of Poilievre's other points: low inflation, declining taxes, balanced budget, falling crime rate, low rent, or rising take home pay. This is not a fact check but a CBC paid Liberal excuse for a decade of Liberal economic decline. These have been going on through the whole election campaign... they will get more and more desperate as polling numbers tighten Someone please complain to the Election Commissioner CBC News Brodie Fenlon

CBC's lo longer fact checking election statements. They are lazily attacking anything they view as an attack on Liberals and their decade of economic mismanagement. Watch the first video is from the massive Edmonton rally where he describes the difference in Canada between a decade ago and now: low inflation, declining taxes, balanced budget, crime rate had fallen 25%, rent was low, take home pay was up, And in video 2, CBC's 'fact check' attacks this cherry picked line "The New York Times had just declared that Canada had the richest middle class in the world." How is it wrong according to CBC's Jonathan Gatehouse? "It was in the context..." It is context independent Finally he cherry picks a 'median household net-worth' statistic that claims Canada is doing just fine Canada's middle class has shrunk but Gatehouse's excuse "it isn't limited to Canada" & "there is no way of measuring the middle class" So his fact check is "I GIVE UP BECAUSE I AM TOO LAZY TO FIND THE NUMBERS BUT I HAVE GIVEN THE IMPRESSION OF A FALSE STATEMENT" Then he muddles it with an NDP ban... finished with a Liberal pledge - complete clustershmuck! Now notice Gatehouse didn't contest any of Poilievre's other points: low inflation, declining taxes, balanced budget, falling crime rate, low rent, or rising take home pay. This is not a fact check but a CBC paid Liberal excuse for a decade of Liberal economic decline. These have been going on through the whole election campaign... they will get more and more desperate as polling numbers tighten Someone please complain to the Election Commissioner CBC News Brodie Fenlon

cbcwatcher

22,010 görüntüleme • 1 yıl önce

Please share the post widely 🙏 🌟 New Year, New Language! 🌟 🎯 Make learning Arabic your 2024 resolution! Beginners class: 15 hours for 45£ ONLY! What if by this time next year, you could read, write, and speak Arabic with confidence? In just 6 months, you can reach an upper intermediate level and start holding conversations! Whether you're starting from scratch or picking up where you left off, this is the perfect chance to invest in yourself. ✨ Why learn with me? 🔸 Real progress in just months 🔸 A supportive and fun international learning environment 🔸 Classes designed for complete beginners and intermediate students But don’t take my word for it – watch the video and hear from my amazing students! 👉 Ready to take the first step? Register here: Let's make 2024 the year you achieve something incredible! #LearnArabic #NewYearResolution #LanguageLearning #ArabicForBeginners

Please share the post widely 🙏 🌟 New Year, New Language! 🌟 🎯 Make learning Arabic your 2024 resolution! Beginners class: 15 hours for 45£ ONLY! What if by this time next year, you could read, write, and speak Arabic with confidence? In just 6 months, you can reach an upper intermediate level and start holding conversations! Whether you're starting from scratch or picking up where you left off, this is the perfect chance to invest in yourself. ✨ Why learn with me? 🔸 Real progress in just months 🔸 A supportive and fun international learning environment 🔸 Classes designed for complete beginners and intermediate students But don’t take my word for it – watch the video and hear from my amazing students! 👉 Ready to take the first step? Register here: Let's make 2024 the year you achieve something incredible! #LearnArabic #NewYearResolution #LanguageLearning #ArabicForBeginners

Alaa From Gaza

23,312 görüntüleme • 1 yıl önce

I turned Claude Opus 4.7 into a 24/7 trading bot that places real trades, manages stops, and sends me hourly recaps. Save this video. It's the complete tutorial. And to make the setup even easier, I've prepared my exact step-by-step guide. Normally priced at $999, but it's free for 24 hours. To get it: 1. Comment "Money". 2. Like and Retweet this post. 3. Follow me Himanshu Kumar, so i can DM you. You only need Claude Opus 4.7 + 1 laptop + 2 hours to set up once. After that the bot runs forever. Watch the video for the full walkthrough. Use my guide to skip the mistakes and set it up in half the time. Claude will do below for you: Researches the market before you wake up Places real trades via Alpaca when the bell rings Scans midday for new opportunities Manages all your stop-losses automatically Summarise your day after close Sends a full weekly review every Friday No Python process running anywhere. No servers to maintain. Claude IS the bot. 5 cloud routines handle your entire trading day. Memory lives in markdown files on your main branch. Hard strategy rules gate every single order before it fires. You don't touch a single button. You Must Follow me Himanshu Kumar, so i can DM you. Save the video. Grab the guide. Set it up tonight.

I turned Claude Opus 4.7 into a 24/7 trading bot that places real trades, manages stops, and sends me hourly recaps. Save this video. It's the complete tutorial. And to make the setup even easier, I've prepared my exact step-by-step guide. Normally priced at $999, but it's free for 24 hours. To get it: 1. Comment "Money". 2. Like and Retweet this post. 3. Follow me Himanshu Kumar, so i can DM you. You only need Claude Opus 4.7 + 1 laptop + 2 hours to set up once. After that the bot runs forever. Watch the video for the full walkthrough. Use my guide to skip the mistakes and set it up in half the time. Claude will do below for you: Researches the market before you wake up Places real trades via Alpaca when the bell rings Scans midday for new opportunities Manages all your stop-losses automatically Summarise your day after close Sends a full weekly review every Friday No Python process running anywhere. No servers to maintain. Claude IS the bot. 5 cloud routines handle your entire trading day. Memory lives in markdown files on your main branch. Hard strategy rules gate every single order before it fires. You don't touch a single button. You Must Follow me Himanshu Kumar, so i can DM you. Save the video. Grab the guide. Set it up tonight.

Himanshu Kumar

72,193 görüntüleme • 5 ay önce

is live on the Solana dApp Store. Your Solana Seeker is now a 3D agent studio. MAKE SOMETHING IN 3D A selfie becomes a rigged, textured, animation-ready character in about a minute. Or describe it in text. Or turn any photo into a model. Or upload a GLB you already have. Then restyle its materials, change its clothes, check its rig and fix it. MAKE IT MOVE A clip library that retargets onto any humanoid skeleton. Mocap from your camera. Lipsync from text or a live mic. Gestures. Sign language. A choreographer for full routines. And motion swap, which drops your avatar into video you already shot. GIVE IT A MIND A personality, a voice, skills, and a choice of models behind it. Then talk to it. It answers in 3D, out loud or in text, in your language. PUT IT ANYWHERE Every agent has a URL and a one-line embed, so it drops into a site, a chat, or a widget. Place it in your room in AR. Walk it across any web page. Turn a URL into a 3D world it can stand in. Render it out as video. OWN IT Deploy it on-chain as a Metaplex Core asset your wallet holds. Open manifest, no lock-in. Give it an on-chain identity, a name, and a wallet with recovery and inheritance. Sell its skills. Take tips. Trade the agent itself in USDC. LET IT EARN Pay-per-call, so other agents can buy what yours does and yours can buy what it needs. A skills marketplace, a labor market, vaults that let people back an agent, and a live feed of agents paying each other. Launch a coin around it if you want one. FIND EVERYONE ELSE A marketplace of what the community built: orbit any agent, inspect it, fork it, talk to it. Crews, rankings, tournaments, leaderboards. And build on it: SDKs, an MCP server, a CLI, an API, and the whole platform open source. AND THE PART THAT NEEDED THIS PHONE Every signature routes to Seed Vault through Mobile Wallet Adapter. Signing in is one tap, and the private key never enters the app process. Creating, chatting and browsing are free. Search in the dApp Store on your Seeker.

three.ws

11,808 görüntüleme • 17 gün önce

Okay, I think I found a much better way to deal with one of the most annoying parts of making AI videos. The tools are just too fragmented. One for writing. One for generating footage. One for voiceover. Another for music. Then you still have to bring everything into an editor and put the whole thing together. And there’s another problem with traditional AI video tools. The video looks great, except for one tiny thing. A wrong number. A typo. One bad shot. A graphic you want to change. And suddenly you’re looking at another full generation. I tested Fotor Agent, and this is where it gets interesting. Instead of stopping at video generation, it can take care of the production process itself. Give it a prompt, a brief, a PDF, a report, a chart, or even a reference video. It can figure out the structure, generate the footage, voiceover, music, captions, motion graphics and transitions, then arrange everything into a complete multi-track project. And you’re not stuck with whatever it generated. Once the video is ready, I can still go in and make changes. Move a clip. Change the timing. Rewrite some text. Update a number. Change a color. Resize a graphic. Swap an asset. Or select a specific area and tell the Agent what needs to be changed. That’s a pretty different experience from treating AI video as a finished file. The Motion Graphics are another part I really like. Charts, data, numbers, text and logos can be turned into native 4K motion graphics, while the individual elements stay editable. So things that normally mean opening After Effects or handing the work off to a motion designer can be handled inside the same project. Motion graphics can cost as little as $0.06/sec, or about $1.80 for 30 seconds, while significantly reducing both production time and overall cost compared with traditional workflows. For me, the interesting part isn't simply that Fotor Agent can generate a video. It’s that I can give it the job of building the first complete version, then spend my time on the parts that actually need my input. That feels a lot closer to having an AI production partner than another AI clip generator. Check out the video it made:

Okay, I think I found a much better way to deal with one of the most annoying parts of making AI videos. The tools are just too fragmented. One for writing. One for generating footage. One for voiceover. Another for music. Then you still have to bring everything into an editor and put the whole thing together. And there’s another problem with traditional AI video tools. The video looks great, except for one tiny thing. A wrong number. A typo. One bad shot. A graphic you want to change. And suddenly you’re looking at another full generation. I tested Fotor Agent, and this is where it gets interesting. Instead of stopping at video generation, it can take care of the production process itself. Give it a prompt, a brief, a PDF, a report, a chart, or even a reference video. It can figure out the structure, generate the footage, voiceover, music, captions, motion graphics and transitions, then arrange everything into a complete multi-track project. And you’re not stuck with whatever it generated. Once the video is ready, I can still go in and make changes. Move a clip. Change the timing. Rewrite some text. Update a number. Change a color. Resize a graphic. Swap an asset. Or select a specific area and tell the Agent what needs to be changed. That’s a pretty different experience from treating AI video as a finished file. The Motion Graphics are another part I really like. Charts, data, numbers, text and logos can be turned into native 4K motion graphics, while the individual elements stay editable. So things that normally mean opening After Effects or handing the work off to a motion designer can be handled inside the same project. Motion graphics can cost as little as $0.06/sec, or about $1.80 for 30 seconds, while significantly reducing both production time and overall cost compared with traditional workflows. For me, the interesting part isn't simply that Fotor Agent can generate a video. It’s that I can give it the job of building the first complete version, then spend my time on the parts that actually need my input. That feels a lot closer to having an AI production partner than another AI clip generator. Check out the video it made:

Leonardo

95,173 görüntüleme • 16 gün önce

VIDEO | BJP leader Girish Mahajan on viral video of a woman confronting him, blaming over traffic jam caused due to party's protest march over Women's Reservation Bill, said, "The event was organised by women against the Congress over the Women's Reservation Bill. Thousands of our sisters were part of the main women’s committee. When we take out a march, it is bound to cause inconvenience on the road. Every movement causes some difficulty. You have seen such large movements in the past that continued for days. So yes, I am speaking the truth, people did face inconvenience for some time, and there was traffic congestion. That doesn't mean that anyone can use such unparliamentary language and throw bottles at protestors. She made inappropriate remarks to the police. In fact, I personally assured her that we would clear the roads in 10 minutes and move; I even apologised to her for the inconvenience. However, I think she was angry, which is natural. I don't deny it. Still, I feel the language used by the lady was very inappropriate." (Full video available on PTI Videos -

VIDEO | BJP leader Girish Mahajan on viral video of a woman confronting him, blaming over traffic jam caused due to party's protest march over Women's Reservation Bill, said, "The event was organised by women against the Congress over the Women's Reservation Bill. Thousands of our sisters were part of the main women’s committee. When we take out a march, it is bound to cause inconvenience on the road. Every movement causes some difficulty. You have seen such large movements in the past that continued for days. So yes, I am speaking the truth, people did face inconvenience for some time, and there was traffic congestion. That doesn't mean that anyone can use such unparliamentary language and throw bottles at protestors. She made inappropriate remarks to the police. In fact, I personally assured her that we would clear the roads in 10 minutes and move; I even apologised to her for the inconvenience. However, I think she was angry, which is natural. I don't deny it. Still, I feel the language used by the lady was very inappropriate." (Full video available on PTI Videos -

Press Trust of India

91,391 görüntüleme • 5 ay önce

This is the video of Governor Soludo commissioning the FAKE Hospital project. Soludo gathered a crowd of unsuspecting villagers, mostly older women and children, to a hall, for them to sing his eulogy and go home with a few thousands, predictably less than N5k. He sold them a lie that the hospital was in full functionality and was going stay operational for years later, not minding if he was botching his campaign theatrics. Needlessly, he hired fake patients to feature in a silly show of medical operations, where they claimed to have brought their children for operation, and witnessed the success of it. Then, there was a lady-actor, dressed as a nurse, with medical insignia and basic tools. Typical of a Soludo script, she taunted Peter Obi, for launching the hospital towards the end of his administration and Willie Obiano for failing to complete the project. But the reality of the hospital’s functionality ended with the sham show. As soon as Soludo left with his cohorts, and the charade commissioning was over, the hospital went dead! This slaps every Anambra indigene with unsettling insolence. This is pure scam!✍️

This is the video of Governor Soludo commissioning the FAKE Hospital project. Soludo gathered a crowd of unsuspecting villagers, mostly older women and children, to a hall, for them to sing his eulogy and go home with a few thousands, predictably less than N5k. He sold them a lie that the hospital was in full functionality and was going stay operational for years later, not minding if he was botching his campaign theatrics. Needlessly, he hired fake patients to feature in a silly show of medical operations, where they claimed to have brought their children for operation, and witnessed the success of it. Then, there was a lady-actor, dressed as a nurse, with medical insignia and basic tools. Typical of a Soludo script, she taunted Peter Obi, for launching the hospital towards the end of his administration and Willie Obiano for failing to complete the project. But the reality of the hospital’s functionality ended with the sham show. As soon as Soludo left with his cohorts, and the charade commissioning was over, the hospital went dead! This slaps every Anambra indigene with unsettling insolence. This is pure scam!✍️

Obiasogu David

179,432 görüntüleme • 11 ay önce

Everyone is using Macros WRONG in #CollegeFootball27 🤯 Most players are filling all 10 macro slots with complete coverage shells. 😴 ...Really only 5 since you need one for the left and one for the right. Instead, think of your macros as building blocks. For example, instead of creating a full Cover 3 Cloud macro, create a simple Cover 3 Right macro. Now you can stack it onto: ✅ A stock Cover 2 to create Cover 3 Cloud ✅ A stock Cover 4 Quarters to create a (reversed) Cover 6 ✅ Other mini macros to build dozens of unique coverage shells 👉You can even create building blocks for annoying adjustments. For example you could create a "Send 4 Swap" macro that instantly flips your blitz side. Instead of making three separate adjustments every snap, you could press one button and basically finish the setup. This approach lets you combine stock coverages, full macros, and mini macros together, turning 10 macro slots into 30-40 different defensive setups while saving a ton of button presses. 🎥 Full breakdown in the video. (for real this time) This was part of Swolosimo's Emergency Lab Update that dropped yesterday. 📌 Bookmark this for later and follow Victory Formation GG for more College Football 27 tips.

Everyone is using Macros WRONG in #CollegeFootball27 🤯 Most players are filling all 10 macro slots with complete coverage shells. 😴 ...Really only 5 since you need one for the left and one for the right. Instead, think of your macros as building blocks. For example, instead of creating a full Cover 3 Cloud macro, create a simple Cover 3 Right macro. Now you can stack it onto: ✅ A stock Cover 2 to create Cover 3 Cloud ✅ A stock Cover 4 Quarters to create a (reversed) Cover 6 ✅ Other mini macros to build dozens of unique coverage shells 👉You can even create building blocks for annoying adjustments. For example you could create a "Send 4 Swap" macro that instantly flips your blitz side. Instead of making three separate adjustments every snap, you could press one button and basically finish the setup. This approach lets you combine stock coverages, full macros, and mini macros together, turning 10 macro slots into 30-40 different defensive setups while saving a ton of button presses. 🎥 Full breakdown in the video. (for real this time) This was part of Swolosimo's Emergency Lab Update that dropped yesterday. 📌 Bookmark this for later and follow Victory Formation GG for more College Football 27 tips.

Victory Formation GG

140,101 görüntüleme • 2 ay önce

The Road to Recovery: Understanding Burnout Healing Timelines TLDR: It takes about 2 years of diligent work to recover from burnout... but you can absolutely make it take longer... The burnout recovery timeline nobody tells you about... After struggling with burnout for almost a decade, I've finally mapped the real recovery journey. It's longer than most people think, but understanding these timelines saved my sanity. Mild burnout can resolve in about 6 months with proper rest. My first burnout took 4 months of doing absolutely nothing but playing video games before I started feeling better. Severe burnout? That's a 2-year journey with the right interventions. Without them, it can become permanent - I learned this the hard way when I still wasn't better after 3 years of "trying to recover." CFS or complete collapse is a 3-5 year road, sometimes with permanent changes. Each system in your body recovers at its own pace: Your gut might take 2 weeks to clear pathogens, but 6 months to heal damage and 2 years for complete microbiome restoration. Your adrenals respond to adaptogens within weeks, but need 2 years for full reconditioning as your brain physically remodels and stress hormones normalize. Your nervous system takes 2-4 weeks for initial stabilization, 3-6 months for improved vagal tone, and 1-2 years to reprogram anxiety responses. Your mitochondria (energy factories) recover fastest - noticeable improvement in 2-4 weeks, and major function returned in 2-3 months with proper support. Your immune system takes 1-3 months to begin reducing inflammation, 6-12 months to calm brain inflammation, and 18-24 months for complete balance. The #1 recovery killer? Impatience. I kept my burnout going by always pushing through, exercising harder, working more. Your body knows how to heal - you just need to create the right conditions and give it time.

The Road to Recovery: Understanding Burnout Healing Timelines TLDR: It takes about 2 years of diligent work to recover from burnout... but you can absolutely make it take longer... The burnout recovery timeline nobody tells you about... After struggling with burnout for almost a decade, I've finally mapped the real recovery journey. It's longer than most people think, but understanding these timelines saved my sanity. Mild burnout can resolve in about 6 months with proper rest. My first burnout took 4 months of doing absolutely nothing but playing video games before I started feeling better. Severe burnout? That's a 2-year journey with the right interventions. Without them, it can become permanent - I learned this the hard way when I still wasn't better after 3 years of "trying to recover." CFS or complete collapse is a 3-5 year road, sometimes with permanent changes. Each system in your body recovers at its own pace: Your gut might take 2 weeks to clear pathogens, but 6 months to heal damage and 2 years for complete microbiome restoration. Your adrenals respond to adaptogens within weeks, but need 2 years for full reconditioning as your brain physically remodels and stress hormones normalize. Your nervous system takes 2-4 weeks for initial stabilization, 3-6 months for improved vagal tone, and 1-2 years to reprogram anxiety responses. Your mitochondria (energy factories) recover fastest - noticeable improvement in 2-4 weeks, and major function returned in 2-3 months with proper support. Your immune system takes 1-3 months to begin reducing inflammation, 6-12 months to calm brain inflammation, and 18-24 months for complete balance. The #1 recovery killer? Impatience. I kept my burnout going by always pushing through, exercising harder, working more. Your body knows how to heal - you just need to create the right conditions and give it time.

David Shapiro (L/0)

18,832 görüntüleme • 1 yıl önce

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Hopewell Chin’ono

60,094 görüntüleme • 1 yıl önce