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Detroit Become Human: Kara's Previous BBC Master #bbc #blacked #interracial #kara #detroit #game #rule34 #r34 #animation #3d #audio #nsfw #nsfwtwt Check out the Longer Version on

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🚨PLEASE HELP ME SHARE THIS DISGUSTING BBC WORLD BEHAVIOR FAR AND WIDE🚨 BBC World were right to make China-based cameraman Edward Lawrence redundant. During a manufactured altercation with an aggrieved local, Edward can be heard pushing Stephen to escalate tensions: "Keep going Steve! Keep going Steve!" BBC later aired their manufactured story with the titles / headers: 🔴"Watch: BBC China reporter pushed away from filming at car attack scene" 🔴"When horror hits China, the first instinct is shut it down" 🔴"The moment BBC China reporter is pushed away from filming at car attack scene" We already knew his colleague, BBC News (World) China correspondent Stephen McDonell (Stephen McDonell) was a bad actor... ...but now it is absolutely clear that BBC World cameraman Edward Lawrence Edward Lawrence, who has since been made redundant by the BBC and will leave China next month, is also an unethical, fake news propagandist. In the following clip, which I only uncovered while wearing headphones and editing my original video – I can guarantee Edward and Stephen didn't realize the audio was broadcast, either! – you can hear Edward egging on Stephen, who is inciting a situation with an aggrieved Chinese man at the scene of a deadly tragedy. As the altercation starts to lose steam, Edward is heard (if you listen VERY carefully) off camera saying: "Keep going Steve! Keep going Steve!" Absolutely disgusting. When push comes to shove, Edward will claim that he is telling Stephen to leave, to walk away. I don't believe that for a second. WATCH and SHARE the following short clip, and check out my longer report in the quoted tweet below.

Andy Boreham 安柏然

124,238 views • 1 year ago

ALERT: Another Media hoax Trump: "Our whole country will end up being like Detroit if she's (Harris) your president." The local press and politician are going berserk here in Michigan. The Outrage! (Watch the Harris commercial during the Lions/Cowboys game today.) Except it's fake. A 6 second clip was ripped from 7,380 seconds of Trump's speech delivered to the Detroit Economic Club last week, and disseminated by a bumptious blowhard who thinks his colonoscopy is worthy of a tweet. But look closer (or watch below). As has become custom with the increasingly irrelevant media, Trump's statement was taken wildly out of context. Trump spoke at great length and quite clearly about how the auto industry thrived here until politicians, greedy corporate leaders, their lobbyists and the gullible media pushed for terrible trade deals that have allowed foreign nations to come in and take our markets, jobs and factories. Trump rattled off tariffs on US products in other countries. He rightly said this was happening not only with cars but with other American products with no reciprocal pushback from US political and business leaders. He railed against neo-liberal/neo-con globalists who are destroying our country's manufacturing base and gutting our cities. That, if we let them keep going, America ad a whole will suffer as Detroit has. That was his point. About an hour into his speech, Trump said if you elect Harris, you'll get more of the same: "Our whole country will end up being like Detroit if she's your president." The media ripped this 6 seconds and presented it in isolation. Misleading snippets. Ugly stuff. A true threat to democracy. What the press does not report: On Monday, before Trump's speech, ~2,500 Chrysler workers in Warren, Michigan were shown the door by their corporate masters, now headquartered in Europe. On Friday, after Trump's speech, ~2,000 Detroit Jeep workers we're put on extended "temporary" layoff. The press plays political games. And the corrupt politicians take them to lunch. They're running a hustle on us. I have attached the mayor of Detroit's tantrum tweet. Let's fact check him: + Detroit's crime data is heavily massaged to put it generously. Nevertheless, the Motor City remains rated as America's second most dangerous city. + Detroit's population would continue to be sinking if it weren't for the influx of illegal immigrants. + Detroit's tax revenues, when adjusted for inflation, are less than they were during the year of its historic bankruptcy. + Meanwhile, property taxes remain the highest of any major American city, and the schools among the worst. You are correct Mr. Mayor. You did that all by yourself.

Charlie LeDuff

91,685 views • 1 year ago

Are the Dirt Heaps at the Northland Mall Poisoned? The Detroit Inspector General said toxic dirt came from Southfield, but local politicians haven't admitted there's a problem yet By Charlie LeDuff Charlie LeDuff Southfield — I filed a complaint with the Southfield Police Department this week, requesting an investigation into potential crimes against humanity. Are the citizens of Southfield—like the people of neighboring Detroit—the unwitting victims of a mass poisoning? If there is a benign explanation, we’d love to hear it. But officials from the city of Southfield, the county of Oakland, the state of Michigan, and U.S. federal authorities have not provided one. Thus, we found ourselves at the Southfield PD. It is no secret that there is a sprawling criminal investigation into the origins of dirt used to fill holes in Detroit Mayor Mike Duggan’s decade-long demolition blitz. The Detroit Office of the Inspector General alleges that at least one unscrupulous contractor, Brian McKinney (a man with close ties to Duggan and Detroit Mayor Mary Sheffield), diverted contaminated soil into Detroit and used it to fill holes where houses once stood. The IG has had some holes excavated. Tests reveal soil so toxic that it is unsafe for human contact. So where did the sickening soil come from? The IG alleges that at least some of it came from the old Northland Mall site just across 8 Mile Road, in Southfield, a city that bills itself as “The Center of It All.” The question here is obvious: If the people of Detroit have been poisoned, then what about the people of Southfield? Their city leaders, fancying themselves high-end developers, purchased the 100 acres of buildings and parking lots that comprised the iconic, and abandoned, Northland Mall. While demolition was ongoing, Mayor Ken Siver encouraged contractors from around the region to bring him dirt. Mountains of it. “Stockpiling clean dirt for free and storing it on site because we have the space,” Siver told Fox 2 back in 2017. Free, clean dirt? Really? Remember, this was the same time Detroit was caught up in a federal grand jury investigation, suspected of using contaminated highway slag because no clean, affordable dirt could be found. The soil from Southfield that was dumped into Detroit has tested positive for excessive levels of mercury, lead, chromium, and PAH—contamination consistent with roadways and industrial slag. Southfield found itself buried in heavy losses in 2021 and sold the site to a private developer with the promise of up to $200 million in public incentives if he built “a city within a city.” Five years later, there are some half-built condos missing windows and wiring and walls. The developer began excavating the mountain of contaminated dirt to the area's landfills. Eventually, the IG claims, the poisoned dirt made its way to Detroit. But not all of it. Huge mounds of the stuff can be seen today all the way from 9 Mile Road. The tops of the slag heaps have been flattened over the years by whipping winds, giving them the look of the grand mesas of the Colorado Plateau. Seagulls wade in lagoons of brackish water that flow into the sewers and streets. The vista gives one the sickening feeling of staring into a Super Fund site. And Enjoyer has learned that the development company was fined last year for performing work without first removing asbestos. “You know, it’s been here so long, I just sort of got used to it,” said a man working on his building directly across Greenfield Road. “Nobody’s told us a thing about it. We deserve that much. We all got children.” The city that calls itself “The Center of It All” has indeed become the center of it all… all the wrong things. The center of a potential mass poisoning. The center of wasted tax dollars. The center of incompetent political leadership that prefers to bury its head than dig itself out of the problem. The center of a growing environmental scandal. How bad is it? Who knows? The answer, my friend, is blowing in the wind.

Michigan Enjoyer

46,422 views • 3 months ago

🚀 Announcing Echo — our new frontier model for 3D world generation. Echo turns a simple text prompt or image into a fully explorable, 3D-consistent world. Instead of disconnected views, the result is a single, coherent spatial representation you can move through freely. This is part of a bigger shift in AI: from generating pixels and tokens to generating spaces. Echo predicts a geometry-grounded 3D scene at metric scale, meaning every novel view, depth map, and interaction comes from the same underlying world — not independent hallucinations. Once generated, the world is interactive in real time. You control the camera, explore from any angle, and render instantly — even on low-end hardware, directly in the browser. High-quality 3D world exploration is no longer gated by expensive equipment. Under the hood, Echo infers a physically grounded 3D representation and converts it into a renderable format. For our web demo, we use 3D Gaussian Splatting (3DGS) for fast, GPU-friendly rendering — but the representation itself is flexible and can be easily adapted. Why this matters: consistent 3D worlds unlock real workflows — digital twins, 3D design, game environments, robotics simulation, and more. From a single photo or a line of text, Echo builds worlds that are reliable, editable, and spatially faithful. Echo also enables scene editing and restyling. Change materials, remove or add objects, explore design variations — all while preserving global 3D consistency. Editing no longer breaks the world. This is only the beginning. Echo is the foundation for future world models with dynamics, physical reasoning, and richer interaction — environments that don’t just look right, but behave right. Explore the generated worlds on our website and sign up for the closed beta. The era of spatial intelligence starts here. 🌍 #Echo #WorldModels #SpatialAI #3DFoundationModels Check it out:

SpAItial AI

175,909 views • 7 months ago

I often think about the technical limitations that game designers of the 80s had to work with - both in terms of software and hardware. The game that stands at the very top is Elite. Think about this for a second: The core game code on the BBC Micro version occupied roughly 22 KB of memory. Now think about what Braben and Bell turned that into: a universe with eight galaxies, each containing 256 star systems (for a total of 2,048 planets/systems). Each system featured unique details: government type, economy, technology level, population, commodity prices, and even descriptive text (e.g., a planet known for "carnivorous arts graduates" or similar quirky combinations). If you still need a bit more help to contextualize that, try this: Elite was smaller than many modern text files or desktop icons, yet it contained (and let you freely explore) a multi-galaxy-spanning universe that felt vast and limitless. Oh, and by the way, the game also rendered 3D wireframe ships, stations, and planets in real time on a 2 MHz 6502 processor. This is no slight on today’s game designers. They work with what they have, and that's okay. But when you think about the worlds that some programmers created with the tools they were given, it sometimes breaks my brain trying to understand how they did it. Elite is a true masterpiece on so many levels. I played the C64 version back in the day, and even 40+ years later it still feels like one of the most incredible programming wonders ever.

exQUIZitely 🕹️

148,523 views • 3 months ago

It’s outrageous that President Donald Trump has threatened to sue the British Broadcasting Corporation (BBC), say many in the media. “You have to admire the chutzpah,” wrote one columnist. “Donald Trump describing the BBC as ‘corrupt’ while threatening to take legal action….The man has never been known for his self-awareness, so it’s safe to say the irony has almost certainly passed him by.” But there is no question that BBC employees deliberately manipulated Trump’s remarks on January 6, 2021, to make it sound like he had encouraged violence. An independent outside auditor, Michael Prescott, wrote a major report on the BBC’s bias, which concluded that the BBC had “spliced together two clips” to create “the impression that Trump said something he did not and, in doing so, materially misled viewers.” Americans might think this story doesn’t concern them because it’s about a British media company. Few Americans listen to the BBC. But the story is highly relevant to Americans because US news media companies are guilty of manipulating their coverage of Trump, transgenderism, and race in nearly identical ways as the BBC. And given the BBC’s longstanding reputation as one of the most credible news organizations in the world, Prescott’s independent report has rightly sparked a major international media discussion. Over the weekend, the BBC’s CEO and its Director-General both stepped down. “The Future of the BBC is Now in Doubt,” writes Tim Stanley, an influential columnist, in the Daily Telegraph. Prescott’s report should inspire reform-minded owners of US news media companies to clean up their act. For example, CNN falsely claimed that January 6 was an “insurrection” that resulted in the deaths of five people and did a similarly manipulative edit of Trump’s speech, noted an investigator on X, MAZE. “It may not be technically as bad as what the BBC did,” he noted, “because there was a quick flash transition, but the goal was the same. Make the speech sound worse than it was. Take everything out of context and put it together in an order that makes it sound as bad as possible.” Last year, we criticized CNN and other news media for deliberately twisting the meaning of Trump’s remarks about Liz Cheney for being a war hawk, and Prescott makes the same observation. “Mr. Trump was clearly criticising politicians who readily send US troops to war without thinking about the human cost,” he notes. And yet “the BBC repeatedly pushed this inaccurate version of what Trump said.” Readers of Public are aware that we have been critical of the BBC’s fact-checking program, “BBC Verify.” One purpose of BBC Verify appears to be to label stories with which the BBC disagrees as “misinformation” and thus as something that social media platforms should censor. Last year, the BBC’s Director General, Tim Davie, said, “Disinformation, propaganda, and partial news is [sic] weakening our shared understanding of the world, undermining trust in our institutions and our democratic process,” shortly after the BBC had buried a large package of investigative stories on the problems with giving children and adolescents puberty blockers and cross-sex hormones. BBC’s first “disinformation” reporter, Mariana Spring, apologized in 2023 after she was caught lying on her resume. Spring remains employed at BBC as its “Social Media Investigations Senior Correspondent.” Prescott described how BBC Verify spread misinformation. “BBC audiences were being encouraged to believe Britain’s major insurers were, intentionally or unintentionally, racist and charging high prices to customers based on their ethnicity,” notes Prescott. “The central claim implied causation, (that being an ethnic minority resulted in you being charged more), but the reporting and commentary did not consider other issues that can affect insurance charges.” Adds Prescott, “the entire report was taken down, which I understand is very rare. It had taken six months for the BBC to take decisive action about a story that was not fit for purpose and spread damaging misinformation. As far as I know, no one has ever been disciplined for this hugely embarrassing episode and worrying questions remain.” Another example of the BBC’s bias concerned a major story about doctors causing serious harm to children, adolescents, and vulnerable adults. Readers of Public will recall that in the Spring of last year, we released documents, The WPATH Files, which a whistleblower had given to us. “In March 2024,” writes Prescott, “there was widespread media coverage of leaked documents from the World Professional Association for Transgender Health [WPATH] which raised concerns about the quality of care given to gender-distressed children. It was picked up by the Mail, Economist, Observer, Washington Post, the Times, and others, but not the BBC.” Prescott points out other examples of the BBC's censorship and bias on transgenderism. It refused to cover detransitioners, people who regretted taking hormones or receiving surgeries in an attempt to change their sex or gender. It didn’t cover a major lawsuit by a group of nurses after their hospital allowed a man to use their changing room. And, beyond WPATH, the BBC gave little to no coverage of the trans medical scandal, even though the UK government has banned puberty blockers. By contrast, the BBC produced “a surprisingly high number of stories about drag queens,” celebrated a male wrestler who competed in the women’s category, and published an article last year headlined, “Transgender woman guilty of rape after night out.” Wrote the reporter, “Lexi Secker, 35, of Lowbourne, near Melksham, was living as a man when she attacked a woman in Blunsdon, Wiltshire, on 23 April 2023.” More information about the scandal may come out. Just today, Cath Leng, BBC’s former chief writer, says she was “forced out” in 2023 after 25 years because she was critical of transgender ideology. Prescott identified other areas of bias, including on race and the war in Gaza, all of which pointed to a single significant underlying problem. “My view is that the Executive repeatedly failed to implement measures to resolve highlighted problems, and in many cases simply refused to acknowledge there was an issue at all,” he writes. “Indeed, I would argue that the Executive’s attitude when confronted with evidence of serious and systemic problems is now a systemic problem in itself - meaning the last recourse for action is the Board.” All of this is deeply damaging to the BBC, regardless of whether Trump decides to sue it. “BBC staff have destroyed their own trump card in future negotiations over the licence fee,” writes Stanley at the Daily Telegraph. “The problem is this: in the modern, post-TV world, the licence fee is entirely unjustifiable. The BBC has to explain why, when there’s so much else available, it should be allowed to compel us to pay for it – just when tastes are diverging, national identity is fractured and the quality of the BBC’s output is in doubt…” What, then, explains the BBC’s fall from grace? Please subscribe now to support Public's award-winning journalism, read the rest of the article, and watch the full video!

Michael Shellenberger

43,703 views • 8 months ago

Back in 2015, in Zutter, he wrote an incredibly brutal line: “나는 어릴 적에 살쪄봐서 돈(豚) 맛을 알아” (“I used to be fat as a kid, so I know the taste of money/pig”) The lyric plays on the Korean word “돈” (don), which can mean both “money” and “pig”. And the way “맛을 알아” flows in pronunciation subtly hints at the English word “slaughter”. In the MV, he holds a kitchen knife, and the blood spraying out is green ~ the color of U.S. dollars. Back then, he thought success meant cutting off the weak, clumsy, not-good-enough version of himself. Killing that kid so “T.O.P” could sit on the throne. He really believed that killing was the only way. Eleven years later, in Desperado, he writes something completely different: “Your angle and mine” Now he’s no longer holding a knife. Instead, he wants to face the other version of himself, talk to him, reach the same angle as him. That “you” is Tempo, the person he was before debut. He doesn’t want to kill him anymore. He wants to fully absorb him back into himself, to love him “like crazy, like it’s the last time”. After going in circles for more than a decade, he finally understood something: real wholeness doesn’t come from killing your past self. It comes from letting him return and learning to coexist with him. The two “burials” mean completely different things. In Zutter (2015), he buried the “not good enough” version of himself so he could become a god in other people’s eyes. In Desperado (2026), he buries the version of himself that was once “T.O.P” so he can become a human being again in his own eyes. It took him eleven years to go from attacking himself to finally being able to calmly hold a ceremony for the person he used to be. He’s no longer trying to kill the overweight, insecure, not-shiny-enough Choi Seunghyun. Instead, he lets that person live on in his music, as Tempo. That’s the real meaning of T.O.P stepping down from the throne and returning to being human. #탑 #TOP #최승현 #CHOISEUNGHYUN #TTTOP #ANOTHER_DIMENSION

ashlms⁵💗

22,097 views • 2 months ago

Ropilot is essentially just Claude Code, repackaged at $50/month, on top of charging you per action. As a benchmark, a single prompt can easily consume hundreds of actions (often ~500). In practice, you’re paying more for less. That’s not innovation - that’s repackaging. In this video, Superbullet demonstrates that it can do the same without a $50/month paywall. Superbullet, on the other hand, is a true Roblox AI game creator. Core features like AI playtesting and live Roblox instance viewing are already available for free. We’re also already soon to close our $3M–$4M seed round soon - backed by real traction, execution, not marketing demos. What’s being marketed here is frankly misleading. This tool cannot genuinely create a Roblox game from scratch. Ask the obvious questions: - How does it handle 3D assets? - Animations? - Building? - VFX? - Asset pipelines? - Game-scale architecture? What was actually shown is very limited: - Editing pre-existing systems written by human developers (e.g. a shop system) - A pre-polished UI - An MCP tool to start/stop playtesting - An MCP tool to run client or server code - And underneath it all: Claude Code, which already costs $20/month directly On top of that, setting this up requires you to be a programmer and too complicated. That’s not a Roblox game creator. That’s a thin wrapper. We have many technologies already live on SuperbulletAI not mentioned here. If you care about real AI-native game creation, not demos or buzzwords, look deeper. 👉 Check out Superbullet, try the product, and judge based on what actually ships. ( nahh man, i need to get a macbook 😂)

Froredion

17,346 views • 5 months ago

Check out our latest #Earth2 #creation the #MotorwayMarauder🌍✌️From #ConceptArt to #gameready, gives me #MadMax & #Terminator vibes - love it! Some #IMPORTANT things to remember about #Earth2 #drops leading up to #E2V1👇 1⃣Acquiring #skins is completely optional 2⃣ Notably, the #skins we drop leading up to the #E2V1 release will more likely have a ‘Limited Supply’, something that rewards our early supporters with increased rarity. These Limited Supply drops will become less frequent in the future being replaced with drops of unlimited supply but restricted availability requiring Players to wait for a skin to become available in the skin store or hope to acquire it via game play inside #E2V1 3⃣ Our goal is not to have these early #skin drops sell out during their maiden release, but rather provide an opportunity for our early supporters to secure skins they like at a discounted price with the welcoming guarantee of an all time Limited Supply. 4⃣ Most of the early #skin drops will naturally allow #Players to resell them, but importantly many will also be assigned with a once ever discount rate. #Skins that have Future Price Reduction assigned with “No” means that if the #skin does not sell out on its maiden drop and subsequently gets listed in store again at a future date, #Earth2 will never resell that #skin at any discounted rate. 5⃣ #Earth2 is building a modular clothing system, meaning that most items of clothing, especially if sold separately, will be interchangeable on avatars making them more useful and giving the #Player more ways to mix up their outfits, look the part & express themselves. 6⃣ The version of the skin you see in store is the base version you receive with the skin, however, there will also be opportunities to tailor outfits in game allowing for the adjustment in fabrics, prints, colours and more (be prepared for a little legwork though, unless you want to take your clothing items to another #Player who specialises in tailoring). 7⃣ #Earth2 is proud to have uniquely designed the #skins you listed in our store & it is important to remember that these #skins are the end result of a long and stringent internal character pipeline we have developed. Each skin starts from concept art which is reviewed and iterated on numerous times before being approved. Once approval is given, it is handed to our 3D modelling team for sculpting into high poly, then low poly, while receiving numerous reviews and adhering to our pipeline protocols. When the low poly version is finished, the 3D team then finishes with UV mapping and texture baking and runs their own QA process. Once the entire 3D sculpting process is approved, the models enter the skinning, rigging and weight painting process and are then passed to the animation team for further testing with various animations and another set of QA such as minimising clipping and identifying any other potential flaws in the model. The model then needs to go through the final process with a game developer to ensure it passed the final tests and is game ready for #E2V1. 8⃣ The above steps only represent a light explanation of our character and clothing pipeline, but as you can see we’re not simply selling static concept art images or a high poly 3D model that lacks any kind of optimisations resulting in little chance of it ever being game ready in its advertised state - there is a lot of work that takes place in order to get these skins to the stage our #Players see them in the video footage. Each skin sold helps support different parts of the development of Earth 2 providing us with new opportunities to further expand our team, speed up development and keep stepping closer to our short and long term goals for #E2V1 and #Earth2. 9⃣ We understand that fashion will become a big part of the #Metaverse, but we want to remind people that while some #Players may decide to set rules for certain skins being required for access or a ticket to entry under certain circumstances, from #Earth2’s perspective these skins are for cosmetic purposes only. 🔟 These skin drops also give #Earth2 the chance to show off our ability and versatility in avatar creation and accessories so even if you’re not keen on picking up a skin, remember to have fun and simply enjoy the progress! Also take heart every time you see a #skindrop, if the #E2V1 pre-alpha was not launching this year I wouldn't be dropping skins. We want to have at least some diversity for #avatars inside #E2V1 from the early stages! #Earth2 #Metaverse #Skins #Fashion #Collectibles #3DWorld #WIP #prealpha2024

Shane Isaac 🌍2️⃣

19,007 views • 2 years ago