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D-Max lugia solo. Target attack: future sight AoE: sky attack Max mushroom: on Adventure effect: dynamax cannon 31 helpers. Zacian with metal claw/behemoth blade. Metagross with shadow claw/meteor mash. (Attacker)G-max Grimmsnarl with bite/dark pulse. This one was the hardest.

therahamies TL 80🇫🇮 1,5B xp

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17,296 Aufrufe • vor 9 Monaten •via X (Twitter)

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D-max Ho-Oh solo Battle. Target attack: earthquake AoE attack: fire blast Max mushroom: on Adventure effect: dynamax cannon Counters: Omastar with water gun/hydro pump Gigalith with smackdown/rock slide And lugia shielding earthquakes Normal speed video⬇️

D-max Ho-Oh solo Battle. Target attack: earthquake AoE attack: fire blast Max mushroom: on Adventure effect: dynamax cannon Counters: Omastar with water gun/hydro pump Gigalith with smackdown/rock slide And lugia shielding earthquakes Normal speed video⬇️

therahamies TL 80🇫🇮 1,5B xp

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D-max entei solo: Target attack: iron head AOE attack: scorching sands Behemoth blade: on Max mushroom: on G-max inteleon as an attacker with water gun & surf. 2 blisseys is just taking hits.

D-max entei solo: Target attack: iron head AOE attack: scorching sands Behemoth blade: on Max mushroom: on G-max inteleon as an attacker with water gun & surf. 2 blisseys is just taking hits.

therahamies TL 80🇫🇮 1,5B xp

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G-Max Gengar duo: Target: sludge wave AoE: shadow punch Mushroom: on (both) Adventure effect: dynamax cannon (Both) Helpers: 15 I used Zamazenta/G-Max Snorlax/G-Max Grimsnarl. Jurtaani used Zamazenta/Blissey/G-Max Gengar. Normal speed video.

G-Max Gengar duo: Target: sludge wave AoE: shadow punch Mushroom: on (both) Adventure effect: dynamax cannon (Both) Helpers: 15 I used Zamazenta/G-Max Snorlax/G-Max Grimsnarl. Jurtaani used Zamazenta/Blissey/G-Max Gengar. Normal speed video.

therahamies TL 80🇫🇮 1,4B xp

17,200 Aufrufe • vor 4 Monaten

DYNAMAX LUGIA DUO with my wife 🫶 We both had the Max Mushroom buff active, and I also turned on the Eternatus Adventure Effect for extra damage 🐉 We both used Level 50 Zacian, plus I had G-Max Gengar and my wife had G-Max Toxtricity. It’s not easy, but it can be soloed. Maybe I’ll give the solo a shot later 👀 #PokemonGO

DYNAMAX LUGIA DUO with my wife 🫶 We both had the Max Mushroom buff active, and I also turned on the Eternatus Adventure Effect for extra damage 🐉 We both used Level 50 Zacian, plus I had G-Max Gengar and my wife had G-Max Toxtricity. It’s not easy, but it can be soloed. Maybe I’ll give the solo a shot later 👀 #PokemonGO

G47IX

54,665 Aufrufe • vor 9 Monaten

❤️Mooncaller Misaki "The moonlight is so beautiful tonight... care to share a drink with me?" Her fair skin glows like moonlight, adorned with the ceremonial garments of Yoh. Wooden clogs echo softly as this beauty steps closer and closer. Beneath the crescent moon, sharp as a blade, how could one simply stop at a taste... 🔥Basic Attack The target takes damage equal to a certain amount of ATK. 🗡️Special Skill The target takes damage equal to a certain amount of ATK. Inflict Hemorrhage on target for 2 turns. Inflict Frostbite on target for 2 turns. This Skill's Frostbite status inflicts damage each turn, equal to a certain amount of caster's ATK. Passive: When the caster's HP is below 80%, all allies' ATK will increase by an additional amount. When the caster's HP is below 60%, all allies' ATK will further increase by an additional amount. ⚔️Ultimate Skill The caster loses HP equal to 25% of max HP Inflict Moon Arsenic on all enemies for 3 turns. This damage is guaranteed to hit. Inflict Frostbite on target all enemies for 3 turns. This Skill's Frostbite status inflicts damage each turn, equal to a certain amount of caster's ATK. This skill will not reduce the caster's HP to less than 1 [Event Exclusive Code]：9FQ9MRzF6pG #RiseofEros #TheWayoftheKings #Misaki

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❤️Mooncaller Misaki "The moonlight is so beautiful tonight... care to share a drink with me?" Her fair skin glows like moonlight, adorned with the ceremonial garments of Yoh. Wooden clogs echo softly as this beauty steps closer and closer. Beneath the crescent moon, sharp as a blade, how could one simply stop at a taste... 🔥Basic Attack The target takes damage equal to a certain amount of ATK. 🗡️Special Skill The target takes damage equal to a certain amount of ATK. Inflict Hemorrhage on target for 2 turns. Inflict Frostbite on target for 2 turns. This Skill's Frostbite status inflicts damage each turn, equal to a certain amount of caster's ATK. Passive: When the caster's HP is below 80%, all allies' ATK will increase by an additional amount. When the caster's HP is below 60%, all allies' ATK will further increase by an additional amount. ⚔️Ultimate Skill The caster loses HP equal to 25% of max HP Inflict Moon Arsenic on all enemies for 3 turns. This damage is guaranteed to hit. Inflict Frostbite on target all enemies for 3 turns. This Skill's Frostbite status inflicts damage each turn, equal to a certain amount of caster's ATK. This skill will not reduce the caster's HP to less than 1 [Event Exclusive Code]：9FQ9MRzF6pG #RiseofEros #TheWayoftheKings #Misaki

Rise of Eros

31,441 Aufrufe • vor 1 Jahr

$How is $OPEN is going to reduce its bloated G&A? This isn't Kaz's first rodeo. est. 85% headcount reduction 1,400 → 200 employees align cost structure w/ cyclical business "The company on a tactical level just has too much of a bloated G&A. It's always had too much of a G&A that was way out of control since 2015. We need to fix that. There's 1,400 employees. There should be, like, more like 200 or 300 max. And one of the things he [Kaz] did at Shopify when he got promoted to be COO was cut their G&A as exp- as a fraction of revenue from 14% to 4%. And I think they're on target next year to be at 1%. So it's even more important for a non-software-based business to have a G&A that's in line with the cost structure that's in line with the cycles that real estate, always goes through." Keith Rabois$

How is $OPEN is going to reduce its bloated G&A? This isn't Kaz's first rodeo. est. 85% headcount reduction 1,400 → 200 employees align cost structure w/ cyclical business "The company on a tactical level just has too much of a bloated G&A. It's always had too much of a G&A that was way out of control since 2015. We need to fix that. There's 1,400 employees. There should be, like, more like 200 or 300 max. And one of the things he [Kaz] did at Shopify when he got promoted to be COO was cut their G&A as exp- as a fraction of revenue from 14% to 4%. And I think they're on target next year to be at 1%. So it's even more important for a non-software-based business to have a G&A that's in line with the cost structure that's in line with the cycles that real estate, always goes through." Keith Rabois

Molly O’Shea

93,010 Aufrufe • vor 1 Jahr

🇩🇪🇨🇳 A German economist who called the last crash says Europe's most likely future is a dependency inside a shrinking American empire Max Otte wrote 639 pages on this before anyone was talking about a changing world order, and his three scenarios have not aged kindly. A multipolar world with a genuinely independent Europe was his preference and his least likely outcome. All-out war came second. The one he expects is a bipolar split: an ossified, retreating American empire that keeps Europe and Japan as dependencies, a Chinese sphere opposite it, and countries like Turkey drifting between. Russia gets shoved toward Beijing by the West's own policy. He also thinks Europe's elites have adopted the Ukraine war as their ticket out of Washington's shadow, which is a strange way to buy independence. Otte puts the odds of Germany's political firewall breaking at 30 to 40 percent, and only if the economy gets much worse first. Max Otte Brandon Weichert

🇩🇪🇨🇳 A German economist who called the last crash says Europe's most likely future is a dependency inside a shrinking American empire Max Otte wrote 639 pages on this before anyone was talking about a changing world order, and his three scenarios have not aged kindly. A multipolar world with a genuinely independent Europe was his preference and his least likely outcome. All-out war came second. The one he expects is a bipolar split: an ossified, retreating American empire that keeps Europe and Japan as dependencies, a Chinese sphere opposite it, and countries like Turkey drifting between. Russia gets shoved toward Beijing by the West's own policy. He also thinks Europe's elites have adopted the Ukraine war as their ticket out of Washington's shadow, which is a strange way to buy independence. Otte puts the odds of Germany's political firewall breaking at 30 to 40 percent, and only if the economy gets much worse first. Max Otte Brandon Weichert

Mario Nawfal

240,652 Aufrufe • vor 4 Tagen

Legora sets the bar for operating at AI speed. Watching them become one of the fastest growing software companies of all time these past few years has provided constant lessons on what’s required to win in this new world. Fresh off Legora's $550M Series D, CEO Max Junestrand joined logan bartlett and me on Unsupervised Learning to provide a masterclass on building an AI-native company. He shared some amazing lessons around - Constantly rebuilding for the bleeding edge of model capabilities - Partnering with customers for both immediate impact and long-term transformation - Running Legora differently from traditional software companies He also included some spicy takes on - Why foundation models entering legal is good for Legora - Pricing AI products - The future of the legal industry It’s impossible to listen to Max and not pick up the infectious energy that makes Legora such a special company. Check out the full episode: YouTube: Spotify: Apple: 0:00 Intro 1:16 Legora’s Series D Story 3:24 Why You Need Low Ego to Build in AI 5:58 From 60% to 100% Accuracy in One Summer 7:04 Law Firm Economics Shift 14:09 Pricing Seats Vs Outcomes 18:31 Why Foundation Models Entering Legal Helps Legora 30:10 Convincing a 75-Year-Old Partner to Go All In 33:02 Hiring Legal Engineers 34:32 Running an AI-Native Company 35:57 The Opus 4.5 Christmas Breakthrough 40:02 Building With Customers 44:01 All In On US Expansion 51:22 Stockholm Startup DNA

Legora sets the bar for operating at AI speed. Watching them become one of the fastest growing software companies of all time these past few years has provided constant lessons on what’s required to win in this new world. Fresh off Legora's $550M Series D, CEO Max Junestrand joined logan bartlett and me on Unsupervised Learning to provide a masterclass on building an AI-native company. He shared some amazing lessons around - Constantly rebuilding for the bleeding edge of model capabilities - Partnering with customers for both immediate impact and long-term transformation - Running Legora differently from traditional software companies He also included some spicy takes on - Why foundation models entering legal is good for Legora - Pricing AI products - The future of the legal industry It’s impossible to listen to Max and not pick up the infectious energy that makes Legora such a special company. Check out the full episode: YouTube: Spotify: Apple: 0:00 Intro 1:16 Legora’s Series D Story 3:24 Why You Need Low Ego to Build in AI 5:58 From 60% to 100% Accuracy in One Summer 7:04 Law Firm Economics Shift 14:09 Pricing Seats Vs Outcomes 18:31 Why Foundation Models Entering Legal Helps Legora 30:10 Convincing a 75-Year-Old Partner to Go All In 33:02 Hiring Legal Engineers 34:32 Running an AI-Native Company 35:57 The Opus 4.5 Christmas Breakthrough 40:02 Building With Customers 44:01 All In On US Expansion 51:22 Stockholm Startup DNA

Jacob Effron

32,227 Aufrufe • vor 6 Monaten

🚨Max Blumenthal on the Bondi Beach terror attack and the Chabad-Lubavitch movement: ‘There are many people of diverse perspectives who were targeted in this attack simply for being Jewish. Jews are increasingly targeted and resented because of Israel’s attempt to claim the mantle of world Judaism and claim to be the global voice of Judaism. As Israeli soldiers now take gigantic Hanukkah menorahs into the ruins of Gaza and light gigantic candles over the destroyed homes of people they massacred. There was a lighting of a menorah in the occupied West Bank city of Tulkarm. These kinds of displays encourage antisemitism. Israel is the singular engine of anti-Jewish attitudes, and by design, because it justifies Israel’s existence to cultivate anti-Jewish hatred outside the Spartan fortified frontiers that Israel controls. So you have one of the casualties in Bondi Beach, a rabbi for the Chabad-Lubavitch movement, which is deeply intertwined with Israel’s fascistic settlement enterprise. The Chabad-Lubavitch movement believes that Palestinians essentially are not human. They work closely with the Israeli military. And this rabbi himself had gone to Gaza and participated in the genocide, blessing Israeli soldiers as they destroyed homes, as they massacred civilians. Nothing justifies his death. But at the same time, I’m not going to memorialise or honour a figure like this. The Chabad-Lubavitch movement attempts to proselytise within Judaism, and so they actually targeted me for proselytisation when I was much younger. I got to know them and understand their genocidal attitudes. It’s something that helped turn me against Zionism. This is a movement that is also very closely connected with the Trump administration: Commerce Secretary Howard Lutnick, Trump’s son-in-law Jared Kushner. These are some of the Chabad fellow travellers. It’s a very influential and fascistic movement.’ -Max Blumenthal joins us for Saturday’s episode of Going Underground Don’t miss it, follow us on X and follow our Rumble channel, link below in the replies👇

🚨Max Blumenthal on the Bondi Beach terror attack and the Chabad-Lubavitch movement: ‘There are many people of diverse perspectives who were targeted in this attack simply for being Jewish. Jews are increasingly targeted and resented because of Israel’s attempt to claim the mantle of world Judaism and claim to be the global voice of Judaism. As Israeli soldiers now take gigantic Hanukkah menorahs into the ruins of Gaza and light gigantic candles over the destroyed homes of people they massacred. There was a lighting of a menorah in the occupied West Bank city of Tulkarm. These kinds of displays encourage antisemitism. Israel is the singular engine of anti-Jewish attitudes, and by design, because it justifies Israel’s existence to cultivate anti-Jewish hatred outside the Spartan fortified frontiers that Israel controls. So you have one of the casualties in Bondi Beach, a rabbi for the Chabad-Lubavitch movement, which is deeply intertwined with Israel’s fascistic settlement enterprise. The Chabad-Lubavitch movement believes that Palestinians essentially are not human. They work closely with the Israeli military. And this rabbi himself had gone to Gaza and participated in the genocide, blessing Israeli soldiers as they destroyed homes, as they massacred civilians. Nothing justifies his death. But at the same time, I’m not going to memorialise or honour a figure like this. The Chabad-Lubavitch movement attempts to proselytise within Judaism, and so they actually targeted me for proselytisation when I was much younger. I got to know them and understand their genocidal attitudes. It’s something that helped turn me against Zionism. This is a movement that is also very closely connected with the Trump administration: Commerce Secretary Howard Lutnick, Trump’s son-in-law Jared Kushner. These are some of the Chabad fellow travellers. It’s a very influential and fascistic movement.’ -Max Blumenthal joins us for Saturday’s episode of Going Underground Don’t miss it, follow us on X and follow our Rumble channel, link below in the replies👇

Going Underground

46,222 Aufrufe • vor 9 Monaten

HERMES AGENT IS PULLING AHEAD OF OPENCLAW. 8 FEATURES THAT WILL MAKE YOU SWITCH. 1. HERMES GETS SMARTER EVERY RUN. Hermes updates its own skills after every completed task. what worked gets saved. what failed gets refined. the Curator runs in the background every 7 days. prunes unused skills. consolidates duplicates. archives stale procedures to .archive/ (recoverable). your skill library stays clean without manual work. agents with 20+ self-created skills finish similar tasks ~40% faster. 2. CHECKPOINTS BEFORE EVERY FILE CHANGE. before Hermes touches your files, it snapshots the working directory with a shadow git store. if anything breaks: /rollback # restore last checkpoint /rollback 3 # go back 3 checkpoints config: → max 20 snapshots per project → max 10MB per file, 500MB total store → auto-prune after 7 days → opt-in: set checkpoints.enabled: true you can also restore a single file without affecting the rest of the directory. 3. STABLE RELEASES. Hermes ships fewer updates. the ones it ships go through 500+ PRs per release with community testing before merge. v0.16.0 had 874 commits and 542 merged PRs. the update system runs syntax validation after every pull. if anything breaks, it auto-rolls back to the last working state. 4. 27+ MESSAGING PLATFORMS. Telegram, Discord, Slack, WhatsApp, Signal, iMessage, SMS, Email, Teams, Matrix, and 17 more. one gateway process covers all of them. 5. PROFILE ISOLATION. separate agents with their own model, memory, skills, cron jobs, and SOUL.md. run a researcher on GPT-5.5 and a coder on Fable 5 simultaneously on the same machine. 6. KANBAN + DISPATCHER. task orchestration with 60-second dispatch cycle, zombie detection, heartbeat tracking, retry budgets. assign tasks to agents from a visual board. 7. /GOAL WITH JUDGE MODEL. persistent objectives across turns. a judge evaluates after each turn: done or continue. runs for hours autonomously. 8. BUILT-IN MIGRATION FROM OPENCLAW. hermes claw migrate one command moves your OpenClaw setup to Hermes. supports --dry-run to preview before changing anything. also migrates legacy Clawdbot and Moldbot setups. OpenClaw still has the bigger ecosystem and more community integrations. both tools are open source. both are actively developed. this is about which architecture compounds better over months of use. full Hermes SOUL . MD guide 👇

YanXbt

19,573 Aufrufe • vor 3 Monaten

Introducing Analong Studios the NFT studio behind my creative disruption It’s also time to announce my debut solo art project: Max Extractors I’ve reflected a lot on my past in crypto and about where I want to go in the future It’s time to transition from just a “founder or trader” and start allowing myself to create freely as an artist too I figured what better way to announce this transition than by absolutely ragebaiting everyone with my debut work which is polarizing and controversial MAX EXTRACTORS The concept is simple, right now the most popular NFTs are ones that pay you to hold them or in other words… make you money. So I am releasing an NFT that you have to pay to hold. Yes, you read that right. There artwork begins with 44,444 Max Extractors Each Extractor costs 0.0000444 ETH per day to exist. If the daily deposit is not met, the NFT is extracted from the collection and burned forever. 44,444 -> 44,443 The more people that hate this project, hate the idea, hate me, hate the art, the better. Less demand for Max Extractors means more Max Extractors getting burned. In other words, this artwork is intended to ragebait as many people as possible. Arguably the best ragebait is the art itself, it’s just a default profile picture... pixelated. Anybody could make it. The PFP isn’t the only art though, the mechanic is the art. The collection is permanently deflationary until the collection size drops to 444. The final 444 become immortal and no longer require the daily extraction fee. These 444 are the finale of my debut artwork and there is nothing I can do to determine which art makes it to the finale or how long it takes to get there. The extraction happens everyday at 4:44pm EST. There is a 24 hour clock on the site to track how many Extractors are at risk, a full dashboard to manage them, and anything else you need to follow along. How do you mint a Max Extractors? You don’t. The entire collection of 44,444 was airdropped to Spritehood Wisp holders. One to one, 1 wisp = 1 extractor. This artwork begins with them. The future of it is entirely up to them. Whether they decide to keep them, let the extraction burn them, or sell them, it’s out of my hands. Let the extraction begin. Q&A / Concerns ⬇️ "What is your plan with this?" It’s just a PFP. You can choose to keep it, use, let it burn, or whatever you want. That’s it. No utility, no game, nothing more than the daily extraction mechanic and some cool art. “Cole you’re not an artist, you can’t just say you’re an artist.” Actually I can, I just did. In fact, this is the exact reaction I am looking for. I'm hoping this strikes emotion into people, good or bad, that's the art. “I don’t have time to deposit ETH everyday” You can deposit as many days in advance as you like and then you are hands off. You can even deposit ETH for other people so your friends can help out of your on vacation or traveling. The days transfer to the new owner if you sell. You can also let it burn, there is no incentive to keep it if you don’t want it. “What about Spritehood?” The development of Spritehood is going fantastic. The art is about 75% done. I’ve spent months working on it and there was some serious setbacks including me nuking the entire trait list and restarting to make it higher quality. I curate it more everyday and it has 100% of my focus. Spritehood is my passion project, people will try and twist it to say that I gave up on it for this but that's quite the opposite, this is just a little fun art gift that people can PFP while I continue cooking Spritehood. “What is Analong Studios?” It’s the NFT design studio that will be the battlestation of all my current and future endeavors. Not much to say about that but there is a fun minigame on the site. "Why does my Max Extractor already have days deposited?" If you were holding a divine spritehood wisp, you received 4 days deposited and if you were holding a enhanced spritehood wisp, you received 44 days deposited + the rarest color palette.

Cole

143,535 Aufrufe • vor 15 Tagen

Promised to ship before the movie so... 📅 53 days 🤖 731 vibe coded commits ⚡️ Powered by Three.js 🚀 Inspired by a space plumber 🙋‍♂️ AMA, no secrets, no shame High level, grouped list of what's in this game: Galaxy DNA - Lumas - Star Bits - Spin attack with air boost + ground-cancel - Galaxy gravity - Octoombas - Gateway Galaxy music track Vibe Coding Process - Claude Code (Opus) for ~95% of all code - CLAUDE.md project instructions file (163 lines of rules + constraints) - 87 implementation plans written before coding - 36 AI code reviews (ECS, architecture, performance) - 11 retrospectives after major features - 60 extracted skills (reusable knowledge from debugging sessions) - Constraints doc that grows every time something breaks (115 lines) - /lets-build workflow: discovery → plan → review → implement → verify - Every feature: plan first, review the plan, then build in atomic commits - Custom level construction CLI (AI-assisted placement) - this evolved over 53 days Architecture - Custom ECS engine (Structure-of-Arrays, zero-alloc hot paths) - Benchmarks faster than bitECS on packed iteration - 117 ECS systems orchestrated in explicit update order - Data-oriented Process system (sequential/parallel composition) - 30+ process types: UI animations, camera arcs, sfx Rendering - Three.js + Pixi.js sharing one WebGL2 context - Three renders 3D, Pixi renders UI — no extra canvases - Half-res bloom, color grading, occlusion silhouettes - Fresnel rim lighting + hemisphere ambient for Galaxy-style polish Physics - Rapier3D WASM physics (SIMD build) - Kinematic character controllers for player + all enemies Gravity - Galaxy-style gravity fields (walk around surfaces) - 4 gravity field types - Priority-based gravity resolution with distance tiebreakers - Convex hull letter platforms with per-face gravity - Spring-damped gravity transitions Shadows - Multi-pass gravity-aware shadow system - Per-instance shadow filtering via vertex shader attributes - InstancedMesh candidates promoted across gravity fields - Dynamic frustum sized from camera FOV each frame Camera - camera system with 12 critically damped springs - Follow-gravity mode (trailing orbit in tangent plane) - Fixed-up mode (screen stays level on letter platforms) - Top-down mode (Galaxy overhead cam, roll-free quaternion) - Camera collision via 4-direction spherecast repulsion - Override blend system for boss fights + pipe travel - Catmull-Rom spline intro flythrough with per-waypoint duration Space - Procedural space nebula (simplex noise shader, 3 octaves) - 1,800 seeded stars with per-star brightness + color variety - Galaxy-authentic palette across all screens Enemies - 5 enemy types with full AI state machines - Goomba, Koopa, Spiny, Bob-omb, Octoomba - 3D distance → FOV cone → LOS raycast detection pipeline - Editor-placed OBB avoidance zones with deflection hysteresis - Recoil, stun, shell, fuse, and ranged attack behaviors Boss Fight - Bowser Jr. boss fight - Multi-phase combat with Bob-omb spawning - Controlled intro/outro sequence Mario - Galaxy-style spin attack - Rainbow diamond particle burst (InstancedMesh, 64 pool) - Hit-stop with global time scale freeze + camera shake - Air boost, ground-cancel, shell kick at extended range - Invulnerability frames during active spin Yoshi - mount/ride system with shield HP - +3 extra HP ring on mount, damage depletes shield first - Overflow damage carries to Mario - Forced dismount on shield break with poof effect Objects - Coin system with InstancedMesh rendering (256 max) - Per-instance opacity via shader patching - Pop → float → shrink → fade collection animation - Swap-and-pop O(1) entity removal - Star bit burst spawning with attraction system - Pipe warp travel with camera override blend - Parallel-transported screen-right vector during crossfade - Shadow field updates for traveling entities - trampoline - 3D assets from Hello Mario Framework (now archived) and game rips Audio - 17+ wired sound effects with spatial audio - Bob-omb fuse sound: per-entity lifecycle, looping playback tracking - Distance-based volume for poof and explosion effects UI - Odyssey-style ring HP meter with shield inner ring - Number roll + arc lerp stagger on health changes - Gold coin counter HUD - Loading screen with code-split fast first paint - Pretext layout flow in "legal" screen with retro Mario Controls - Mobile touch controls: virtual joystick + A/B buttons - Proportional analog stick with walk/run speed switching - Gamepad support: Xbox, PlayStation, Switch Pro - Dead zones, auto-reconnect, synthetic DOM key bridge Dev Tooling - experimental CLI level construction tool with undo history - 18 placement types with type-safe defaults - Atomic file writes, auto-backup (max 20), live reload - Dev server auto-save plugin for visual editor - Two-panel debug editor (Tweakpane) - Hierarchy + inspector with gravity field live editing - Translation/rotation gizmos with gravity-relative local space - Per-waypoint camera preview for intro spline tuning 731 commits. 53 days. 95%+ vibe coded.

Promised to ship before the movie so... 📅 53 days 🤖 731 vibe coded commits ⚡️ Powered by Three.js 🚀 Inspired by a space plumber 🙋‍♂️ AMA, no secrets, no shame High level, grouped list of what's in this game: Galaxy DNA - Lumas - Star Bits - Spin attack with air boost + ground-cancel - Galaxy gravity - Octoombas - Gateway Galaxy music track Vibe Coding Process - Claude Code (Opus) for ~95% of all code - CLAUDE.md project instructions file (163 lines of rules + constraints) - 87 implementation plans written before coding - 36 AI code reviews (ECS, architecture, performance) - 11 retrospectives after major features - 60 extracted skills (reusable knowledge from debugging sessions) - Constraints doc that grows every time something breaks (115 lines) - /lets-build workflow: discovery → plan → review → implement → verify - Every feature: plan first, review the plan, then build in atomic commits - Custom level construction CLI (AI-assisted placement) - this evolved over 53 days Architecture - Custom ECS engine (Structure-of-Arrays, zero-alloc hot paths) - Benchmarks faster than bitECS on packed iteration - 117 ECS systems orchestrated in explicit update order - Data-oriented Process system (sequential/parallel composition) - 30+ process types: UI animations, camera arcs, sfx Rendering - Three.js + Pixi.js sharing one WebGL2 context - Three renders 3D, Pixi renders UI — no extra canvases - Half-res bloom, color grading, occlusion silhouettes - Fresnel rim lighting + hemisphere ambient for Galaxy-style polish Physics - Rapier3D WASM physics (SIMD build) - Kinematic character controllers for player + all enemies Gravity - Galaxy-style gravity fields (walk around surfaces) - 4 gravity field types - Priority-based gravity resolution with distance tiebreakers - Convex hull letter platforms with per-face gravity - Spring-damped gravity transitions Shadows - Multi-pass gravity-aware shadow system - Per-instance shadow filtering via vertex shader attributes - InstancedMesh candidates promoted across gravity fields - Dynamic frustum sized from camera FOV each frame Camera - camera system with 12 critically damped springs - Follow-gravity mode (trailing orbit in tangent plane) - Fixed-up mode (screen stays level on letter platforms) - Top-down mode (Galaxy overhead cam, roll-free quaternion) - Camera collision via 4-direction spherecast repulsion - Override blend system for boss fights + pipe travel - Catmull-Rom spline intro flythrough with per-waypoint duration Space - Procedural space nebula (simplex noise shader, 3 octaves) - 1,800 seeded stars with per-star brightness + color variety - Galaxy-authentic palette across all screens Enemies - 5 enemy types with full AI state machines - Goomba, Koopa, Spiny, Bob-omb, Octoomba - 3D distance → FOV cone → LOS raycast detection pipeline - Editor-placed OBB avoidance zones with deflection hysteresis - Recoil, stun, shell, fuse, and ranged attack behaviors Boss Fight - Bowser Jr. boss fight - Multi-phase combat with Bob-omb spawning - Controlled intro/outro sequence Mario - Galaxy-style spin attack - Rainbow diamond particle burst (InstancedMesh, 64 pool) - Hit-stop with global time scale freeze + camera shake - Air boost, ground-cancel, shell kick at extended range - Invulnerability frames during active spin Yoshi - mount/ride system with shield HP - +3 extra HP ring on mount, damage depletes shield first - Overflow damage carries to Mario - Forced dismount on shield break with poof effect Objects - Coin system with InstancedMesh rendering (256 max) - Per-instance opacity via shader patching - Pop → float → shrink → fade collection animation - Swap-and-pop O(1) entity removal - Star bit burst spawning with attraction system - Pipe warp travel with camera override blend - Parallel-transported screen-right vector during crossfade - Shadow field updates for traveling entities - trampoline - 3D assets from Hello Mario Framework (now archived) and game rips Audio - 17+ wired sound effects with spatial audio - Bob-omb fuse sound: per-entity lifecycle, looping playback tracking - Distance-based volume for poof and explosion effects UI - Odyssey-style ring HP meter with shield inner ring - Number roll + arc lerp stagger on health changes - Gold coin counter HUD - Loading screen with code-split fast first paint - Pretext layout flow in "legal" screen with retro Mario Controls - Mobile touch controls: virtual joystick + A/B buttons - Proportional analog stick with walk/run speed switching - Gamepad support: Xbox, PlayStation, Switch Pro - Dead zones, auto-reconnect, synthetic DOM key bridge Dev Tooling - experimental CLI level construction tool with undo history - 18 placement types with type-safe defaults - Atomic file writes, auto-backup (max 20), live reload - Dev server auto-save plugin for visual editor - Two-panel debug editor (Tweakpane) - Hierarchy + inspector with gravity field live editing - Translation/rotation gizmos with gravity-relative local space - Per-waypoint camera preview for intro spline tuning 731 commits. 53 days. 95%+ vibe coded.

Tommy Leung

185,083 Aufrufe • vor 5 Monaten

The ‘America First’ honeymoon between Nick Fuentes and Tucker Carlson is officially over. Nick: “I won't say Fck Tucker because I was in his cabin and everything, but, buddy, he is up to something. This guy is up to something. You know? And I don't like that he was so two faced. He's a two faced. I don't like two faces…. Maybe you're two faced up in New England, in Fox News. You know, in that world where you come from, we're not two faced out here. And so you bring me on the show, and you say one thing, and then you go everywhere and say, well, ‘you attacked my dad’. I didn't attack your dad. You lied. You lied. You said you didn't know your dad was in the CIA. He was. That's not an attack. ‘He attacked my dad.’ No. No. You attacked me…. You worked with Max Blumenthal, son of Sydney Blumenthal, to get a hit piece written about me in the gray zone calling me a fed… And then (Tucker) proceeds to say, well, I don't approve of his antisemitism. I don't even know what that means. I don't hate anybody. I'm not a Jew hater. I don't hate anybody. I just recognize, like everybody does now, that we live in a Jewish oligarchy. Okay?”

The ‘America First’ honeymoon between Nick Fuentes and Tucker Carlson is officially over. Nick: “I won't say Fck Tucker because I was in his cabin and everything, but, buddy, he is up to something. This guy is up to something. You know? And I don't like that he was so two faced. He's a two faced. I don't like two faces…. Maybe you're two faced up in New England, in Fox News. You know, in that world where you come from, we're not two faced out here. And so you bring me on the show, and you say one thing, and then you go everywhere and say, well, ‘you attacked my dad’. I didn't attack your dad. You lied. You lied. You said you didn't know your dad was in the CIA. He was. That's not an attack. ‘He attacked my dad.’ No. No. You attacked me…. You worked with Max Blumenthal, son of Sydney Blumenthal, to get a hit piece written about me in the gray zone calling me a fed… And then (Tucker) proceeds to say, well, I don't approve of his antisemitism. I don't even know what that means. I don't hate anybody. I'm not a Jew hater. I don't hate anybody. I just recognize, like everybody does now, that we live in a Jewish oligarchy. Okay?”

Open Source Intel

884,568 Aufrufe • vor 9 Monaten

This is real footage of a kamikaze attack. Here is the terrifying part. Even if the gunners hit the plane, it often kept coming. Even if the pilot was killed, the aircraft could still continue on its dive toward the ship. To survive, they didn't just have to hit it. They had to blow it out of the sky. This is the story of the men behind those guns.. A NEW KIND OF NIGHTMARE By the last year of the war in the Pacific, the men on American warships faced a new kind of nightmare. The Japanese had begun sending pilots to deliberately crash their bomb-laden aircraft into Allied ships. These were the kamikaze. A conventional attacking plane could be driven off or made to miss. A kamikaze could not. The pilot was not trying to survive. He was aiming his entire aircraft, like a guided missile made of metal and fuel and one human being, straight at the deck of your ship. This changed everything for the gunners. Against a conventional attack, damaging the aircraft or forcing the pilot to break off was often enough. Against a kamikaze, that could be useless. Even a mortally wounded pilot, even a dead one, could keep falling on the same deadly path. The only reliable way to stop him was to destroy the aircraft or knock it off its attack path before it reached the ship. THE WALL OF FIRE To do that, an American aircraft carrier bristled with anti-aircraft guns, layered from the biggest down to the smallest, so that an attacker had to survive one killing zone after another to reach the deck. Farthest out, the larger 5-inch guns firing radar-directed, proximity-fuzed shells could begin engaging attackers miles away. These shells did not even need a direct hit. They were designed to explode automatically as they passed close to an aircraft, and they made the fleet's heavy guns dramatically deadlier late in the war. Closer in came the workhorse, the 40mm Bofors, a hard-hitting automatic cannon that fired explosive shells fast enough to shred an aircraft. It was so effective that during the peak kamikaze months, this one weapon accounted for around half of all the aircraft shot down by US Navy ships. And closest of all was the 20mm Oerlikon, the last line of defense before a plane reached the ship. THE MEN BEHIND THE GUNS The men who fired those close-in guns were among the most exposed human beings in the entire war. The gunner on a 20mm Oerlikon had little protection, often just a small shield, and he aimed the weapon by physically swinging the gun with his own strength, firing over simple sights. There was no turret to climb inside, no armor to hide behind. That meant he was looking directly down the flight path of the plane trying to kill him. As a kamikaze dove, the gunner had to stand his ground in the open, hold his aim, and keep firing straight into the face of an enemy pilot who was diving to his death and trying to take as many Americans as he could with him. He could not run. He could not hide. He could only keep firing and hope he stopped the plane before it arrived. WHEN HITTING WASN'T ENOUGH And here was the cruelest part. Often, even hitting the plane was not enough. The 20mm guns in particular proved increasingly inadequate against the fast, heavily loaded kamikazes of the late war. Gunners would hit the diving aircraft, watch pieces fly off it, and see it keep coming anyway, continuing its dive even after the pilot had been killed. Unless the plane was actually broken apart or knocked off its path, its momentum carried it home. This was exactly why, as the war went on, many ships stripped off some of their smaller guns and packed on more of the harder-hitting Bofors. The volume of fire this demanded was staggering. When a raid came in, a carrier under attack became a floating volcano of tracer and flak, every barrel firing at once, throwing up a wall of fire that an attacker had to fly straight through to reach the deck. Yet the Navy knew even that was not always enough, and kept racing to improve, with better radar, better proximity-fuzed ammunition, and plans for more powerful guns. THE LAST LINE OF DEFENSE So it came down to the men. To the gunners standing at their mounts, firing continuously, sometimes with a plane coming apart in the air right in front of them, sometimes with one that would not come apart no matter how many rounds they poured into it. They stood in the open with little protection and did not leave their guns, because the hundreds of men below deck, and the ship itself, depended on them holding their aim in the last few seconds before impact. Some of those gunners were killed at their posts, still firing, when a plane they could not stop finally struck home. The footage of a kamikaze diving on a carrier is dramatic to watch from a distance. But every one of those attacks was decided by young men standing behind those guns, in the open, with only seconds to stop an enemy from killing them all. This is the story of the men behind the guns. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

This is real footage of a kamikaze attack. Here is the terrifying part. Even if the gunners hit the plane, it often kept coming. Even if the pilot was killed, the aircraft could still continue on its dive toward the ship. To survive, they didn't just have to hit it. They had to blow it out of the sky. This is the story of the men behind those guns.. A NEW KIND OF NIGHTMARE By the last year of the war in the Pacific, the men on American warships faced a new kind of nightmare. The Japanese had begun sending pilots to deliberately crash their bomb-laden aircraft into Allied ships. These were the kamikaze. A conventional attacking plane could be driven off or made to miss. A kamikaze could not. The pilot was not trying to survive. He was aiming his entire aircraft, like a guided missile made of metal and fuel and one human being, straight at the deck of your ship. This changed everything for the gunners. Against a conventional attack, damaging the aircraft or forcing the pilot to break off was often enough. Against a kamikaze, that could be useless. Even a mortally wounded pilot, even a dead one, could keep falling on the same deadly path. The only reliable way to stop him was to destroy the aircraft or knock it off its attack path before it reached the ship. THE WALL OF FIRE To do that, an American aircraft carrier bristled with anti-aircraft guns, layered from the biggest down to the smallest, so that an attacker had to survive one killing zone after another to reach the deck. Farthest out, the larger 5-inch guns firing radar-directed, proximity-fuzed shells could begin engaging attackers miles away. These shells did not even need a direct hit. They were designed to explode automatically as they passed close to an aircraft, and they made the fleet's heavy guns dramatically deadlier late in the war. Closer in came the workhorse, the 40mm Bofors, a hard-hitting automatic cannon that fired explosive shells fast enough to shred an aircraft. It was so effective that during the peak kamikaze months, this one weapon accounted for around half of all the aircraft shot down by US Navy ships. And closest of all was the 20mm Oerlikon, the last line of defense before a plane reached the ship. THE MEN BEHIND THE GUNS The men who fired those close-in guns were among the most exposed human beings in the entire war. The gunner on a 20mm Oerlikon had little protection, often just a small shield, and he aimed the weapon by physically swinging the gun with his own strength, firing over simple sights. There was no turret to climb inside, no armor to hide behind. That meant he was looking directly down the flight path of the plane trying to kill him. As a kamikaze dove, the gunner had to stand his ground in the open, hold his aim, and keep firing straight into the face of an enemy pilot who was diving to his death and trying to take as many Americans as he could with him. He could not run. He could not hide. He could only keep firing and hope he stopped the plane before it arrived. WHEN HITTING WASN'T ENOUGH And here was the cruelest part. Often, even hitting the plane was not enough. The 20mm guns in particular proved increasingly inadequate against the fast, heavily loaded kamikazes of the late war. Gunners would hit the diving aircraft, watch pieces fly off it, and see it keep coming anyway, continuing its dive even after the pilot had been killed. Unless the plane was actually broken apart or knocked off its path, its momentum carried it home. This was exactly why, as the war went on, many ships stripped off some of their smaller guns and packed on more of the harder-hitting Bofors. The volume of fire this demanded was staggering. When a raid came in, a carrier under attack became a floating volcano of tracer and flak, every barrel firing at once, throwing up a wall of fire that an attacker had to fly straight through to reach the deck. Yet the Navy knew even that was not always enough, and kept racing to improve, with better radar, better proximity-fuzed ammunition, and plans for more powerful guns. THE LAST LINE OF DEFENSE So it came down to the men. To the gunners standing at their mounts, firing continuously, sometimes with a plane coming apart in the air right in front of them, sometimes with one that would not come apart no matter how many rounds they poured into it. They stood in the open with little protection and did not leave their guns, because the hundreds of men below deck, and the ship itself, depended on them holding their aim in the last few seconds before impact. Some of those gunners were killed at their posts, still firing, when a plane they could not stop finally struck home. The footage of a kamikaze diving on a carrier is dramatic to watch from a distance. But every one of those attacks was decided by young men standing behind those guns, in the open, with only seconds to stop an enemy from killing them all. This is the story of the men behind the guns. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

Untold War Stories

158,378 Aufrufe • vor 2 Monaten