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Do you remember that famous hallway sequence from Oldboy? I did something similar, but in anime style and with monsters. What you can do with Kling 2.6 is absolutely spectacular. Prompt: Chaotic anime corridor fight, narrow space overrun with grotesque creatures, close-quarters brutality, elbows, kicks and blades striking at... show more

OscarAI

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71,952 Aufrufe • vor 7 Monaten •via X (Twitter)

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3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?

3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?

Kvintestar⛩️ Anime Artist

15,599 Aufrufe • vor 1 Jahr

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)

Miko

57,115 Aufrufe • vor 13 Tagen

Phoebe Chibi can fight really well Made with Seedance 2.0 on Yapper Tutorial below 👇🏻 Prompt Cinematic 15-Second WuWa-Style Anime Video Prompt (With Cut Scenes) Highly detailed 15-second video in the visual style of Wuthering Waves anime 3D gameplay. Vibrant, high-saturation color palette with glowing teal, purple, gold, and electric blue accents. Strong cinematic bloom, particle effects, motion trails, and dynamic lighting. Smooth 60fps, 4K resolution, vertical format (9:16). Fast-paced meme edit with clean transitions, slow-motion beats, subtle screen shake, and stylized VFX. PART 1 (0–4s) — Exploration + Soft HookWide cinematic shot of an anime-style female character standing on a glowing open-world cliff at sunset. Wind flows through her hair and outfit, particles floating in the air.Cut → tracking shot as she begins running forward, light trails forming behind her 2.4s: soft Korean-style “ee ee” voice plays as she tilts her head slightly, subtle cute expression. PART 2 (4–8s) — Action Build-UpCut → mid-air dash sequence with dynamic camera following from behind.Cut → side angle slow-motion as she flips and draws her weapon, glowing energy forming around it.Cut → close-up of her eyes sharpening with focus, reflections of neon particles intensify, environment reacting with slight distortion. PART 3 (8–12.7s) — Power MomentCut → wide combat shot as she unleashes a flashy ability, spinning with bright teal and purple energy trails.Cut → top-down shot showing circular AoE effects expanding outward.Cut → slow-motion impact moment with bloom lighting and screen shake.Everything builds visually toward a peak. PART 4 (12.7–13.5s) — Punchline ShiftSudden tonal switch.Close-up zoom on her face with exaggerated cute expression.Warm pastel overlay replaces previous dramatic 12.7s: voice line “hah baby jovi” plays, synced with a slight head bob and playful eye movement. PART 5 (13.5–15s) — Meme Loop EndingCut → chibi-style or softened version of the character.She makes a silly or adorable expression (puffed cheeks or blink loop).Text or subtle bounce animation.Voice repeats: “baby chubi baby chubi” in sync with rhythmic head movement. Overall Style NotesSeamless quick cuts (every 0.5–1.5s), energetic pacing, balanced mix of cinematic and meme humor.Strong contrast between epic action build-up and cute comedic payoff.Consistent lighting transitions from dramatic neon to soft pastel at the punchline. #WutheringWaves #流萤 #Firefly #ホタル #HonkaiStarRail📷 #崩壊スターレイル #AIイラスト #AIart️️️️️️️️️️️️️️️️️️️️️ #ArknightsEndfield #phoebechibi #seedance2

Phoebe Chibi can fight really well Made with Seedance 2.0 on Yapper Tutorial below 👇🏻 Prompt Cinematic 15-Second WuWa-Style Anime Video Prompt (With Cut Scenes) Highly detailed 15-second video in the visual style of Wuthering Waves anime 3D gameplay. Vibrant, high-saturation color palette with glowing teal, purple, gold, and electric blue accents. Strong cinematic bloom, particle effects, motion trails, and dynamic lighting. Smooth 60fps, 4K resolution, vertical format (9:16). Fast-paced meme edit with clean transitions, slow-motion beats, subtle screen shake, and stylized VFX. PART 1 (0–4s) — Exploration + Soft HookWide cinematic shot of an anime-style female character standing on a glowing open-world cliff at sunset. Wind flows through her hair and outfit, particles floating in the air.Cut → tracking shot as she begins running forward, light trails forming behind her 2.4s: soft Korean-style “ee ee” voice plays as she tilts her head slightly, subtle cute expression. PART 2 (4–8s) — Action Build-UpCut → mid-air dash sequence with dynamic camera following from behind.Cut → side angle slow-motion as she flips and draws her weapon, glowing energy forming around it.Cut → close-up of her eyes sharpening with focus, reflections of neon particles intensify, environment reacting with slight distortion. PART 3 (8–12.7s) — Power MomentCut → wide combat shot as she unleashes a flashy ability, spinning with bright teal and purple energy trails.Cut → top-down shot showing circular AoE effects expanding outward.Cut → slow-motion impact moment with bloom lighting and screen shake.Everything builds visually toward a peak. PART 4 (12.7–13.5s) — Punchline ShiftSudden tonal switch.Close-up zoom on her face with exaggerated cute expression.Warm pastel overlay replaces previous dramatic 12.7s: voice line “hah baby jovi” plays, synced with a slight head bob and playful eye movement. PART 5 (13.5–15s) — Meme Loop EndingCut → chibi-style or softened version of the character.She makes a silly or adorable expression (puffed cheeks or blink loop).Text or subtle bounce animation.Voice repeats: “baby chubi baby chubi” in sync with rhythmic head movement. Overall Style NotesSeamless quick cuts (every 0.5–1.5s), energetic pacing, balanced mix of cinematic and meme humor.Strong contrast between epic action build-up and cute comedic payoff.Consistent lighting transitions from dramatic neon to soft pastel at the punchline. #WutheringWaves #流萤 #Firefly #ホタル #HonkaiStarRail📷 #崩壊スターレイル #AIイラスト #AIart️️️️️️️️️️️️️️️️️️️️️ #ArknightsEndfield #phoebechibi #seedance2

Sharon Riley

12,700 Aufrufe • vor 3 Monaten

How do you turn a scene idea into a Prompt? All you need to do is roughly describe what's in your head to an LLM. It doesn't have to be perfect or highly detailed. Once it understands the core idea, it can help turn it into a well-structured prompt. In my case, I use a custom skill file that I built myself. After I provide the idea, it generates both a storyboard and video prompts for me. I then review the outputs and refine them through iteration, giving feedback like "make this shot wider," "change this action," or "move the camera here." After a few rounds of adjustments, I usually arrive at the final result. The process is much closer to directing than writing a perfect prompt from scratch. The Idea: Two characters face each other. Serenity fights like a Wing Chun master. She unleashes a rapid barrage of punches into Ruk's abdomen. The fight should feel highly energetic and sakuga-driven, with exaggerated action beats and dynamic choreography. Use 14 panels. The final attack should show Serenity launching high into the sky, then diving straight down at extreme speed. She lands with both feet on Ruk's head, driving him deep into the ground and burying him on impact. All other scenes should be equally creative and visually inventive. Emphasize fast pacing, flash cuts, burst cuts, sudden perspective changes, dramatic impact moments, and imaginative camera angles. Use aggressive screen direction, strong momentum shifts, dynamic framing, and escalating choreography to create a thrilling, high-energy martial arts sequence. This is the final video, you can check the prompts in the replies. Used tools: Midjourney, Codex, GPT Image 2, Seedance 2.0, Suno, Capcut

How do you turn a scene idea into a Prompt? All you need to do is roughly describe what's in your head to an LLM. It doesn't have to be perfect or highly detailed. Once it understands the core idea, it can help turn it into a well-structured prompt. In my case, I use a custom skill file that I built myself. After I provide the idea, it generates both a storyboard and video prompts for me. I then review the outputs and refine them through iteration, giving feedback like "make this shot wider," "change this action," or "move the camera here." After a few rounds of adjustments, I usually arrive at the final result. The process is much closer to directing than writing a perfect prompt from scratch. The Idea: Two characters face each other. Serenity fights like a Wing Chun master. She unleashes a rapid barrage of punches into Ruk's abdomen. The fight should feel highly energetic and sakuga-driven, with exaggerated action beats and dynamic choreography. Use 14 panels. The final attack should show Serenity launching high into the sky, then diving straight down at extreme speed. She lands with both feet on Ruk's head, driving him deep into the ground and burying him on impact. All other scenes should be equally creative and visually inventive. Emphasize fast pacing, flash cuts, burst cuts, sudden perspective changes, dramatic impact moments, and imaginative camera angles. Use aggressive screen direction, strong momentum shifts, dynamic framing, and escalating choreography to create a thrilling, high-energy martial arts sequence. This is the final video, you can check the prompts in the replies. Used tools: Midjourney, Codex, GPT Image 2, Seedance 2.0, Suno, Capcut

Kōda

23,234 Aufrufe • vor 1 Monat

Seedance 2.0 1080p Infinite Fight Scenes From One Prompt Created a parametric prompt for epic fight scenes. You can generate unlimited variations just by changing the parameters. Tested one generation in 1080p with Seedance 2.0 on Higgsfield. More examples with prompts are in the replies. Prompt Template: FORMAT: 15s / continuous fight CHARACTERS A: [character_A] B: [character_B] ENVIRONMENT [short description] FIGHT PROFILE STYLE: [brutal / elegant / tactical / chaotic / cinematic] ENERGY: [low / medium / high / explosive] WEAPONS: [none / melee / mixed] INTENT: [duel / assassination / survival / dominance / training] VISUAL Cinematic realism, physical lighting, shallow DOF, subtle grain, natural motion blur. DIRECTIVE No fixed choreography. Fight emerges dynamically from characters, environment, and momentum. BEHAVIOR - Use environment freely (walls, ground, objects) - Allow verticality (climb, wall-run, elevation shifts) - Encourage unexpected but physically valid actions RULES - Momentum chain only, no isolated actions - Clear positioning at all times - Continuous, motivated camera (POV / OTS / wide / low-high as needed) - Environment actively reacts (splashes, debris, sparks) IMPACT Strong contacts: 2-frame hold + brightness spike + micro shake resume MOTION Secondary delay (~2 frames) on hair, fabric, environment. RHYTHM Fast exchanges + micro pauses + 1–2 slow-motion beats (0.5–1s) ESCALATION Intensity rises. Include: - one vertical/environment-driven move - one decisive high-impact action HERO MOMENT (CRITICAL) Generate one standout finishing beat: - visually dominant, clearly readable - uses environment or full-body motion - slow-motion entry → sharp impact → brief aftermath hold - ends with strong silhouette or positional advantage GUARDRAILS - Keep character identity and position consistent (no teleporting) - Respect weight and inertia (no floaty or impossible motion) - Ensure clear cause → effect in every action - Keep camera readable and motivated (no random spins or cuts) - Use environment logically (no clipping or mismatch) - Prioritize clarity and physical realism over complexity OUTPUT Fluid, physical, cinematic fight with clear spatial logic, dynamic camera, environmental interaction, and a memorable final highlight moment.

Kōda

44,598 Aufrufe • vor 3 Monaten

The world sees beauty first. She makes you remember the strength behind it. GPT Image 2 + Seedance 2.0 on Thank You AI prompt A cinematic, high-intensity fight sequence in a dark, gritty industrial warehouse at night with dim overhead lights, green peeling walls, chain-link fences, metal scaffolding, and scattered debris. A beautiful East Asian woman with long flowing black hair, visible facial scratches and intense determined expressions, is engaged in a raw, dynamic hand-to-hand combat against a male attacker in dark clothing. She wears a delicate, flowing baby pink dress (instead of her original jacket) that contrasts dramatically with the violent action — the soft pink fabric billows, swirls, and tears slightly during the fierce movements, hair whipping wildly. The sequence includes: close-ups of her fierce face and flowing hair, powerful punches and kicks with motion blur, grappling, throwing the man down, dramatic spins, hair flips, kneeling over the defeated attacker, then rising victoriously while breathing heavily. Moody teal-green color grading, realistic particle effects like dust and fabric motion, intense choreography, dramatic camera angles (handheld, tracking shots, low angles), high detail, filmic lighting, 4K cinematic quality, emotional and empowering tone. write hook captions for this

The world sees beauty first. She makes you remember the strength behind it. GPT Image 2 + Seedance 2.0 on Thank You AI prompt A cinematic, high-intensity fight sequence in a dark, gritty industrial warehouse at night with dim overhead lights, green peeling walls, chain-link fences, metal scaffolding, and scattered debris. A beautiful East Asian woman with long flowing black hair, visible facial scratches and intense determined expressions, is engaged in a raw, dynamic hand-to-hand combat against a male attacker in dark clothing. She wears a delicate, flowing baby pink dress (instead of her original jacket) that contrasts dramatically with the violent action — the soft pink fabric billows, swirls, and tears slightly during the fierce movements, hair whipping wildly. The sequence includes: close-ups of her fierce face and flowing hair, powerful punches and kicks with motion blur, grappling, throwing the man down, dramatic spins, hair flips, kneeling over the defeated attacker, then rising victoriously while breathing heavily. Moody teal-green color grading, realistic particle effects like dust and fabric motion, intense choreography, dramatic camera angles (handheld, tracking shots, low angles), high detail, filmic lighting, 4K cinematic quality, emotional and empowering tone. write hook captions for this

Sharon Riley

65,052 Aufrufe • vor 10 Tagen

Made with Seednace 2 on OpenArt Prompt: CAMERA: Handheld DV 16mm camcorder aesthetic, first-person/selfie POV. CHASE always holds the camera. Natural hand shake, imperfect framing, delayed autofocus, clumsy zooms, occasional face cropping. The camcorder is never visible. LOOK: Soft vintage DV tape quality with slight blur, subtle tape noise, mild highlight bloom, flickering auto-exposure, muted contrast, natural skin tones. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: CHASE, Korean female idol in her 20s. Long straight black hair, dewy skin, elegant Korean features, coral lips, large eyes, slim curvy figure. Wearing a stylish stage outfit with subtle glam makeup and sparkly earrings. SETTING: Backstage hallway of a music show studio with dressing room doors, CHASE's name tag on one door, snack table, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "Hey guys, we're backstage!" 2. Whip pan down the corridor. "This hallway is so long!" 3. Stops at her dressing room, points at her name tag. "That's me!" 4. Close-up of the name tag as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "How do I look?" 6. At the snack table, grabs a snack. "Don't mind if I do." 7. Mid-bite, PA announcement interrupts. She laughs: "Wait—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "That's my cue—see you after the stage!"

Made with Seednace 2 on OpenArt Prompt: CAMERA: Handheld DV 16mm camcorder aesthetic, first-person/selfie POV. CHASE always holds the camera. Natural hand shake, imperfect framing, delayed autofocus, clumsy zooms, occasional face cropping. The camcorder is never visible. LOOK: Soft vintage DV tape quality with slight blur, subtle tape noise, mild highlight bloom, flickering auto-exposure, muted contrast, natural skin tones. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: CHASE, Korean female idol in her 20s. Long straight black hair, dewy skin, elegant Korean features, coral lips, large eyes, slim curvy figure. Wearing a stylish stage outfit with subtle glam makeup and sparkly earrings. SETTING: Backstage hallway of a music show studio with dressing room doors, CHASE's name tag on one door, snack table, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "Hey guys, we're backstage!" 2. Whip pan down the corridor. "This hallway is so long!" 3. Stops at her dressing room, points at her name tag. "That's me!" 4. Close-up of the name tag as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "How do I look?" 6. At the snack table, grabs a snack. "Don't mind if I do." 7. Mid-bite, PA announcement interrupts. She laughs: "Wait—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "That's my cue—see you after the stage!"

WasifAI

262,869 Aufrufe • vor 9 Tagen

Thank you Anna Ann YuDan(🦄,🦄) for the magical evening 🦄🌈 Great pleasure to chat with BULL 0xAndy.eth and Michelle from X Layer (indeed looking interesting to expand our ICM ecosystem into alongside BNB Chain), and what moved me the most was Ann’s sincere and heartfelt talk: “The reason why I have been putting myself into this, is because I have something that I really want to do.” “I want to build something truly meaningful, with people who believe in me, and our shared ideals.” Keep going Ann 💜 The journey of pursuing dream and ideals may be filled with trails and tears, but one thing I can assure you, is that we will never be alone in this journey. Keep shining keep building, keep following your heart and kindred spirits will gather around and shape the better world we envision together. Even in this industry. Idealism and longtermism will win. I truly believe that. “For the future beyond our imagination.”🦄🌈

Thank you Anna Ann YuDan(🦄,🦄) for the magical evening 🦄🌈 Great pleasure to chat with BULL 0xAndy.eth and Michelle from X Layer (indeed looking interesting to expand our ICM ecosystem into alongside BNB Chain), and what moved me the most was Ann’s sincere and heartfelt talk: “The reason why I have been putting myself into this, is because I have something that I really want to do.” “I want to build something truly meaningful, with people who believe in me, and our shared ideals.” Keep going Ann 💜 The journey of pursuing dream and ideals may be filled with trails and tears, but one thing I can assure you, is that we will never be alone in this journey. Keep shining keep building, keep following your heart and kindred spirits will gather around and shape the better world we envision together. Even in this industry. Idealism and longtermism will win. I truly believe that. “For the future beyond our imagination.”🦄🌈

Natsuki Freya

20,821 Aufrufe • vor 9 Monaten

Our tropical FOX Model just updated, and is interesting for sure. Continues on the point that the Texas coastline to Louisiana should keep tabs closely with Hurricane Beryl. I think the most likely path at now would be more into far SE TX or NE Mexico, but there is clearly a wide range of outcomes. The FOX Model did good with Hurricane Ian's southward track from range. It did good so far with #Beryl and it's track from this weekend. The test is Wednesday, it takes the center basically over southern Jamaica, as opposed to keeping the center out over the water. Watch how it is on the "edge" of the cone this weekend in the Gulf, then "feels" that window of renewed favorable conditions for strengthening. Definitely do not think "tossing" this outcome is reasonable. Once it crosses Jamaica Wednesday I think (hope) maybe some more clarity will come in. Water temps are still extremely high in the Gulf remember too.

Our tropical FOX Model just updated, and is interesting for sure. Continues on the point that the Texas coastline to Louisiana should keep tabs closely with Hurricane Beryl. I think the most likely path at now would be more into far SE TX or NE Mexico, but there is clearly a wide range of outcomes. The FOX Model did good with Hurricane Ian's southward track from range. It did good so far with #Beryl and it's track from this weekend. The test is Wednesday, it takes the center basically over southern Jamaica, as opposed to keeping the center out over the water. Watch how it is on the "edge" of the cone this weekend in the Gulf, then "feels" that window of renewed favorable conditions for strengthening. Definitely do not think "tossing" this outcome is reasonable. Once it crosses Jamaica Wednesday I think (hope) maybe some more clarity will come in. Water temps are still extremely high in the Gulf remember too.

Noah Bergren

1,072,997 Aufrufe • vor 2 Jahren

Would you fight for your survival? Made by using Nano Banana 2 + Seedance 2.0 on TapNow prompt A dynamic, cinematic action sequence in a futuristic sci-fi arena with sleek metallic walls, geometric concrete barriers, glowing blue holographic elements, and dramatic god rays streaming through large windows creating haze and lens flares. A beautiful Western woman with long wavy blonde hair in a high ponytail, fair skin, athletic build, wearing a fitted white tank top and black leggings, is fighting multiple advanced humanoid combat robots with shiny silver armor and glowing blue visors/eyes. Start with a medium close-up of her standing confidently facing camera, robots positioned behind her in formation. Cut to fast-paced action: she sprints and dodges at high speed through the arena (motion blur), leaps and performs acrobatic maneuvers. Intense hand-to-hand combat — she punches and kicks robots, creating bright sparks and metal debris. She disarms a robot, grabs its large futuristic rifle, and fires back while evading. Quick cuts between close combat, wide tracking shots, and slow-motion impacts. Climax shows her standing victorious in the center of the arena as defeated robots lie broken and smoking on the floor around her, dramatic low-angle wide shot with strong backlighting and atmospheric smoke. High-energy, Hollywood-style action like Atomic Blonde meets sci-fi, 8-second loopable clip, realistic lighting, detailed textures, 4K cinematic quality.

Would you fight for your survival? Made by using Nano Banana 2 + Seedance 2.0 on TapNow prompt A dynamic, cinematic action sequence in a futuristic sci-fi arena with sleek metallic walls, geometric concrete barriers, glowing blue holographic elements, and dramatic god rays streaming through large windows creating haze and lens flares. A beautiful Western woman with long wavy blonde hair in a high ponytail, fair skin, athletic build, wearing a fitted white tank top and black leggings, is fighting multiple advanced humanoid combat robots with shiny silver armor and glowing blue visors/eyes. Start with a medium close-up of her standing confidently facing camera, robots positioned behind her in formation. Cut to fast-paced action: she sprints and dodges at high speed through the arena (motion blur), leaps and performs acrobatic maneuvers. Intense hand-to-hand combat — she punches and kicks robots, creating bright sparks and metal debris. She disarms a robot, grabs its large futuristic rifle, and fires back while evading. Quick cuts between close combat, wide tracking shots, and slow-motion impacts. Climax shows her standing victorious in the center of the arena as defeated robots lie broken and smoking on the floor around her, dramatic low-angle wide shot with strong backlighting and atmospheric smoke. High-energy, Hollywood-style action like Atomic Blonde meets sci-fi, 8-second loopable clip, realistic lighting, detailed textures, 4K cinematic quality.

Sharon Riley

31,821 Aufrufe • vor 3 Tagen

Seedance 2.0 is now available in Europe in capcut🔥 Animated short with Multi-shot sequence and dialogues Ep 01 15 seconds Text to Video Prompt 👇 A humorous Pixar-style animated short featuring two anthropomorphic toothbrushes debating in a bright modern bathroom: grumpy old manual toothbrush with worn bristles, tiny arms, and expressive face vs. sleek confident electric toothbrush with glowing LED eyes, vibrating body, and influencer attitude. Multi-shot sequence: medium shot of manual toothbrush shaking angrily on the counter, close-up push-in on electric toothbrush proudly vibrating with flashing lights, over-the-shoulder shot during argument, chaotic wide shot as toothpaste flies everywhere, ending in sink with both looking defeated but friendly. Manual toothbrush complains: "Back in my day we scrubbed with elbow grease! You just sit there buzzing like a lazy phone on vibrate!" E lectric replies: "Bro, I clean 40,000 times per minute while you’re doing cardio. I’m basically a gym membership for teeth!" Twist: both get dropped in the sink, manual says "Truce?", electric buzzes weakly "Fine… but I still win on TikTok." Vibrant colors, bouncy physics, exaggerated facial expressions, cartoon sound effects including angry shakes, buzzing vibrations, toothpaste splats, and dramatic whooshes. Dynamic camera: quick cuts, zooms, and playful pans. Soft morning lighting with shiny reflections on tiles. High quality, smooth animation, 15-second duration, funny and relatable tech vs old-school vibe.

Seedance 2.0 is now available in Europe in capcut🔥 Animated short with Multi-shot sequence and dialogues Ep 01 15 seconds Text to Video Prompt 👇 A humorous Pixar-style animated short featuring two anthropomorphic toothbrushes debating in a bright modern bathroom: grumpy old manual toothbrush with worn bristles, tiny arms, and expressive face vs. sleek confident electric toothbrush with glowing LED eyes, vibrating body, and influencer attitude. Multi-shot sequence: medium shot of manual toothbrush shaking angrily on the counter, close-up push-in on electric toothbrush proudly vibrating with flashing lights, over-the-shoulder shot during argument, chaotic wide shot as toothpaste flies everywhere, ending in sink with both looking defeated but friendly. Manual toothbrush complains: "Back in my day we scrubbed with elbow grease! You just sit there buzzing like a lazy phone on vibrate!" E lectric replies: "Bro, I clean 40,000 times per minute while you’re doing cardio. I’m basically a gym membership for teeth!" Twist: both get dropped in the sink, manual says "Truce?", electric buzzes weakly "Fine… but I still win on TikTok." Vibrant colors, bouncy physics, exaggerated facial expressions, cartoon sound effects including angry shakes, buzzing vibrations, toothpaste splats, and dramatic whooshes. Dynamic camera: quick cuts, zooms, and playful pans. Soft morning lighting with shiny reflections on tiles. High quality, smooth animation, 15-second duration, funny and relatable tech vs old-school vibe.

Dheepan Ratnam

46,015 Aufrufe • vor 4 Monaten

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

DAN · MXVDXN

17,749 Aufrufe • vor 4 Monaten

"Look at the dust on the road to your temple. Drive there next Saturday. Walk the last mile if you can. Approach it the way the early Saints approached Kirtland. On foot, in the open air, with time to reflect on what you are about to do. The modern temple experience has been engineered for convenience. The parking lot is right there. The locker room is right there. The session begins at a posted time and ends at a posted time and you are out and on with your day. This convenience is mercy. The Brethren have made the temple accessible to a busy people, and the accessibility is itself a gift. But the convenience has cost us something. The early Saints walked. They walked from Far West to Kirtland for the dedication. They walked from Nauvoo to the unfinished temple on the hill. They walked from their wagon trains to the Endowment House in the valley. The walking was preparation. By the time they crossed the threshold, they had already left the world behind in their bodies, in their feet, in their breath. They arrived primed for the encounter. You will not walk a thousand miles. You can walk a mile. You can fast that morning. You can sit in the car for fifteen minutes before going in, with no phone, doing nothing but settling your spirit. You can treat the approach to the temple as part of the temple, the way they did. The temple has not been diminished by our convenience, but our reception of it has been. Restore the approach. Make the journey, however short, into something that prepares you. The temple will then meet you with a fullness it cannot give to someone who walks in distracted."

"Look at the dust on the road to your temple. Drive there next Saturday. Walk the last mile if you can. Approach it the way the early Saints approached Kirtland. On foot, in the open air, with time to reflect on what you are about to do. The modern temple experience has been engineered for convenience. The parking lot is right there. The locker room is right there. The session begins at a posted time and ends at a posted time and you are out and on with your day. This convenience is mercy. The Brethren have made the temple accessible to a busy people, and the accessibility is itself a gift. But the convenience has cost us something. The early Saints walked. They walked from Far West to Kirtland for the dedication. They walked from Nauvoo to the unfinished temple on the hill. They walked from their wagon trains to the Endowment House in the valley. The walking was preparation. By the time they crossed the threshold, they had already left the world behind in their bodies, in their feet, in their breath. They arrived primed for the encounter. You will not walk a thousand miles. You can walk a mile. You can fast that morning. You can sit in the car for fifteen minutes before going in, with no phone, doing nothing but settling your spirit. You can treat the approach to the temple as part of the temple, the way they did. The temple has not been diminished by our convenience, but our reception of it has been. Restore the approach. Make the journey, however short, into something that prepares you. The temple will then meet you with a fullness it cannot give to someone who walks in distracted."

Kirk Rollins

21,874 Aufrufe • vor 24 Tagen

$What would you do if a monster charged at you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.$

What would you do if a monster charged at you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.

Sharon Riley

58,551 Aufrufe • vor 24 Tagen

I cannot display energy transfer any more plainly than this. The powers that be can do with it what they want. I did stick figure tests so it could be understood by stick figure mentality No sense in me spending alot of time and money on extravagant tests. Nobody is paying me to do their homework but i hope this sheds some light to consumers and makes them ask questions Remember hurt feelings do not require a wheelchair however sometimes bad designs do I love racing and have dedicated my whole life to it from driving, to wrenching, to building, repairing, and owning. Im sure most of you don’t need to see my resume when it comes to dealing with crashed race car frames of all types Hope everyone has a great week Sincerely, Flea Ruzic ✌🏼😘

I cannot display energy transfer any more plainly than this. The powers that be can do with it what they want. I did stick figure tests so it could be understood by stick figure mentality No sense in me spending alot of time and money on extravagant tests. Nobody is paying me to do their homework but i hope this sheds some light to consumers and makes them ask questions Remember hurt feelings do not require a wheelchair however sometimes bad designs do I love racing and have dedicated my whole life to it from driving, to wrenching, to building, repairing, and owning. Im sure most of you don’t need to see my resume when it comes to dealing with crashed race car frames of all types Hope everyone has a great week Sincerely, Flea Ruzic ✌🏼😘

Flea Ruzic

46,255 Aufrufe • vor 2 Jahren

Seednace 2 on OpenArt Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in natural light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots. Backstage buzz and pre-show excitement underneath the casual, candid tone. Character CHASE — a Korean idol in her 20s. Long straight black hair past her chest, elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy build (33C-26-34). Wearing a stage-ready outfit (fitted top, statement skirt or trousers, bold but tasteful) with subtle stage makeup and sparkly earrings. Bright, energetic, faces the lens throughout. Setting A backstage hallway at a music show broadcast studio — narrow corridor with dressing room doors, her name printed on a small tag on one door, a snack/craft table further down the hall, a speaker mounted near the ceiling for PA announcements. Staff and other crew occasionally blur past in the background. Storyboard 1. *(~2s, front-facing selfie, arm's length)* She peeks around a corner into the hallway, leans into the lens with a bright smile. CHASE: "Hey guys, we're backstage right now!" 2. *(~2s, quick whip pan, handheld POV)* Camera swings down the corridor, passing dressing room doors, catching a blur of a staff member walking by. CHASE (off-screen, playful): "Look how long this hallway is!" 3. *(~2s, medium handheld, stopping at a door)* She pauses in front of a door with her name tag on it, points at it excitedly, does a little happy bounce. CHASE: "That's me! That's my name!" 4. *(~1.5s, macro insert, shallow DOF)* Close-up on the name tag, tape blur softening the edges, her fingers tapping it lightly. No dialogue — soft ambient hallway noise only. 5. *(~2s, medium handheld, quick outfit check)* She steps back, does a quick spin to show off her outfit, tugging at the hem, checking her look in a nearby mirror or reflective surface. CHASE: "Okay, outfit check — how do I look?" 6. *(~2s, snappy cut, at the snack table)* She wanders to the snack table, picks up a small snack, holds it up to the camera with a grin. CHASE: "Ooh, snack table! Don't mind if I do." 7. *(~1.5s, quick punch-in, tight selfie)* Mid-bite, she suddenly reacts — eyes widening — as the PA speaker crackles to life overhead. CHASE (mouth half full, laughing): "Wait, wait—" 8. *(~2s, arm's-length selfie finish)* The countdown announcement echoes over the PA. Her face shifts to excited urgency, quick wave, hand-heart, then she dashes off down the hallway — camera swings and blurs as she moves, ending on a shaky glimpse of the corridor. CHASE (calling back, excited): "That's my cue — see you guys after the stage!"

Seednace 2 on OpenArt Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in natural light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots. Backstage buzz and pre-show excitement underneath the casual, candid tone. Character CHASE — a Korean idol in her 20s. Long straight black hair past her chest, elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy build (33C-26-34). Wearing a stage-ready outfit (fitted top, statement skirt or trousers, bold but tasteful) with subtle stage makeup and sparkly earrings. Bright, energetic, faces the lens throughout. Setting A backstage hallway at a music show broadcast studio — narrow corridor with dressing room doors, her name printed on a small tag on one door, a snack/craft table further down the hall, a speaker mounted near the ceiling for PA announcements. Staff and other crew occasionally blur past in the background. Storyboard 1. (~2s, front-facing selfie, arm's length) She peeks around a corner into the hallway, leans into the lens with a bright smile. CHASE: "Hey guys, we're backstage right now!" 2. (~2s, quick whip pan, handheld POV) Camera swings down the corridor, passing dressing room doors, catching a blur of a staff member walking by. CHASE (off-screen, playful): "Look how long this hallway is!" 3. (~2s, medium handheld, stopping at a door) She pauses in front of a door with her name tag on it, points at it excitedly, does a little happy bounce. CHASE: "That's me! That's my name!" 4. (~1.5s, macro insert, shallow DOF) Close-up on the name tag, tape blur softening the edges, her fingers tapping it lightly. No dialogue — soft ambient hallway noise only. 5. (~2s, medium handheld, quick outfit check) She steps back, does a quick spin to show off her outfit, tugging at the hem, checking her look in a nearby mirror or reflective surface. CHASE: "Okay, outfit check — how do I look?" 6. (~2s, snappy cut, at the snack table) She wanders to the snack table, picks up a small snack, holds it up to the camera with a grin. CHASE: "Ooh, snack table! Don't mind if I do." 7. (~1.5s, quick punch-in, tight selfie) Mid-bite, she suddenly reacts — eyes widening — as the PA speaker crackles to life overhead. CHASE (mouth half full, laughing): "Wait, wait—" 8. (~2s, arm's-length selfie finish) The countdown announcement echoes over the PA. Her face shifts to excited urgency, quick wave, hand-heart, then she dashes off down the hallway — camera swings and blurs as she moves, ending on a shaky glimpse of the corridor. CHASE (calling back, excited): "That's my cue — see you guys after the stage!"

WasifAI

33,901 Aufrufe • vor 12 Tagen