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Don’t take this the wrong way—this tradition is called ‘Ghar Bhari,’ a pre-wedding custom from Bihar. 🙏 A unique cultural moment is going viral where a traditional ritual known as “Ghar Bhari” is being shown from Bihar. This is an old pre-wedding custom where the bride and groom take... show more

Shantanu Khuntia

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168,194 次观看 • 4 个月前 •via X (Twitter)

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This Ethiopian cultural tradition is mainly practiced in the Wollo and Raya regions. It is a noble custom that celebrates womanhood, health and natural beauty and has been passed down through generations.

This Ethiopian cultural tradition is mainly practiced in the Wollo and Raya regions. It is a noble custom that celebrates womanhood, health and natural beauty and has been passed down through generations.

Mike Sonko

1,860,857 次观看 • 7 个月前

The Domba dance is a traditional dance of the Venda people of South Africa, closely associated with the Domba initiation tradition. Its slow, synchronized movements, often resembling a serpent, are performed collectively and carry deep cultural and symbolic meaning. More than entertainment, Domba has traditionally been part of the education and initiation of young Venda women, where cultural knowledge, values, responsibilities, and social traditions are passed from one generation to another. Today, the Domba dance remains an important expression of Venda identity and heritage - a living connection between community, culture, tradition, and generations.

The Domba dance is a traditional dance of the Venda people of South Africa, closely associated with the Domba initiation tradition. Its slow, synchronized movements, often resembling a serpent, are performed collectively and carry deep cultural and symbolic meaning. More than entertainment, Domba has traditionally been part of the education and initiation of young Venda women, where cultural knowledge, values, responsibilities, and social traditions are passed from one generation to another. Today, the Domba dance remains an important expression of Venda identity and heritage - a living connection between community, culture, tradition, and generations.

CR8

15,305 次观看 • 24 天前

Here it is in all its grotesque glory: a child (a literal child) being forced into marriage with an old man while her family and community look on as the groom claims his "prize". This isn’t some quaint cultural ritual. This is child trafficking wrapped in the language of tradition. An innocent girl’s life stolen so an aging predator can have a wife he can control and a family can offload a "burden." Laws exist. They are ignored. Communities enable it. Old men participate without shame. And the rest of the country pretends this is someone else’s problem until another viral clip like this forces the horror back into view. If your first instinct is to defend this as "culture," you are part of why it continues. A child is not a bride. Period.

Here it is in all its grotesque glory: a child (a literal child) being forced into marriage with an old man while her family and community look on as the groom claims his "prize". This isn’t some quaint cultural ritual. This is child trafficking wrapped in the language of tradition. An innocent girl’s life stolen so an aging predator can have a wife he can control and a family can offload a "burden." Laws exist. They are ignored. Communities enable it. Old men participate without shame. And the rest of the country pretends this is someone else’s problem until another viral clip like this forces the horror back into view. If your first instinct is to defend this as "culture," you are part of why it continues. A child is not a bride. Period.

Lj Priest (Trader Jill)

66,916 次观看 • 4 个月前

This is the Someshwar Devta Kafuwa tradition from Uttarkashi, Uttarakhand. during the procession devotees carry the palanquin of Someshwar Devta, and some are believed to enter a sacred trance ("Pashwa"), performing ritual dances while carrying traditional weapons such as axes and tridents. Uttarakhand is blessed with countless ancient traditions like this that deserve global recognition. 🕉️❤️

This is the Someshwar Devta Kafuwa tradition from Uttarkashi, Uttarakhand. during the procession devotees carry the palanquin of Someshwar Devta, and some are believed to enter a sacred trance ("Pashwa"), performing ritual dances while carrying traditional weapons such as axes and tridents. Uttarakhand is blessed with countless ancient traditions like this that deserve global recognition. 🕉️❤️

Berlin 🚩

59,366 次观看 • 3 个月前

Ethiopia 🇪🇹 The Wollo and Raya regions in Ethiopia practicethis cultural tradition. Other parts of Ethiopia and Africa still practise this important tradition It is a noble custom that celebrates womanhood, health and natural beauty, passed down through generations.

Ethiopia 🇪🇹 The Wollo and Raya regions in Ethiopia practicethis cultural tradition. Other parts of Ethiopia and Africa still practise this important tradition It is a noble custom that celebrates womanhood, health and natural beauty, passed down through generations.

Africa Today Media Group

25,660 次观看 • 7 个月前

My friend Abdi Mohamud had mentioned an urgent matter which is the misappropriation of Somali culture under the “East African “ banner: Somali culture is rich, vibrant, and distinct, with unique traditions ranging from the elegant Dirac dress to the lively baati parties and flavorful cuisine. However, there has been a growing trend of cultural appropriation where certain individuals and groups, particularly from neighboring East African countries like Uganda, Kenya, Tanzania, Ethiopia and Burundi, claim Somali cultural elements as part of a vague “East African” identity. This practice not only erases Somali heritage but also misattributes iconic Somali traditions, such as the Dirac and Alindi clothing, to unrelated cultures like those of the Arab world or India, despite these regions not wearing such garments in their traditional contexts. The Dirac, a flowing, colorful dress adorned by Somali women for special occasions, is a hallmark of Somali identity. Similarly, the Alindi, a traditional clothing, carries deep cultural significance. Yet, these garments are often mislabeled as “Arab” or “Indian” by those seeking to dilute their Somali origins. While Arab and Indian cultures have their own distinct clothing styles, they do not include the Dirac or Alindi, making such attributions inaccurate and dismissive of Somali craftsmanship and heritage. Somali cuisine, with its aromatic spices, unique dishes, and communal dining traditions, is another target of appropriation. Under the broad label of “East African cuisine,” Somali culinary contributions are often lumped together with those of other nations, ignoring their distinct preparation methods and cultural significance. This generalization strips away the specificity of Somali foodways, which are deeply tied to the nomadic and coastal heritage of the Somali people. Perhaps most striking is the hypocrisy in this cultural dynamic. Countries like Uganda, Kenya, Tanzania, and Burundi rarely, if ever, share their own cultural practices with Somalis or acknowledge Somali influence in their traditions. Yet, they freely claim Somali cultural elements under the convenient umbrella of “East African” identity. This one-sided appropriation disregards the unique history, language, and traditions of the Somali people, who have maintained a distinct cultural identity despite regional proximity. This misappropriation is not just a misunderstanding but an act of erasure. By labeling Somali culture as broadly “East African” or attributing its elements to unrelated regions, the unique contributions of the Somali people are diminished. It’s time to recognize and respect Somali culture for what it is a vibrant, standalone heritage that deserves to be celebrated on its own terms, not subsumed under inaccurate or opportunistic labels.

My friend Abdi Mohamud had mentioned an urgent matter which is the misappropriation of Somali culture under the “East African “ banner: Somali culture is rich, vibrant, and distinct, with unique traditions ranging from the elegant Dirac dress to the lively baati parties and flavorful cuisine. However, there has been a growing trend of cultural appropriation where certain individuals and groups, particularly from neighboring East African countries like Uganda, Kenya, Tanzania, Ethiopia and Burundi, claim Somali cultural elements as part of a vague “East African” identity. This practice not only erases Somali heritage but also misattributes iconic Somali traditions, such as the Dirac and Alindi clothing, to unrelated cultures like those of the Arab world or India, despite these regions not wearing such garments in their traditional contexts. The Dirac, a flowing, colorful dress adorned by Somali women for special occasions, is a hallmark of Somali identity. Similarly, the Alindi, a traditional clothing, carries deep cultural significance. Yet, these garments are often mislabeled as “Arab” or “Indian” by those seeking to dilute their Somali origins. While Arab and Indian cultures have their own distinct clothing styles, they do not include the Dirac or Alindi, making such attributions inaccurate and dismissive of Somali craftsmanship and heritage. Somali cuisine, with its aromatic spices, unique dishes, and communal dining traditions, is another target of appropriation. Under the broad label of “East African cuisine,” Somali culinary contributions are often lumped together with those of other nations, ignoring their distinct preparation methods and cultural significance. This generalization strips away the specificity of Somali foodways, which are deeply tied to the nomadic and coastal heritage of the Somali people. Perhaps most striking is the hypocrisy in this cultural dynamic. Countries like Uganda, Kenya, Tanzania, and Burundi rarely, if ever, share their own cultural practices with Somalis or acknowledge Somali influence in their traditions. Yet, they freely claim Somali cultural elements under the convenient umbrella of “East African” identity. This one-sided appropriation disregards the unique history, language, and traditions of the Somali people, who have maintained a distinct cultural identity despite regional proximity. This misappropriation is not just a misunderstanding but an act of erasure. By labeling Somali culture as broadly “East African” or attributing its elements to unrelated regions, the unique contributions of the Somali people are diminished. It’s time to recognize and respect Somali culture for what it is a vibrant, standalone heritage that deserves to be celebrated on its own terms, not subsumed under inaccurate or opportunistic labels.

Abla عبلة

35,240 次观看 • 1 年前

President Donald Trump was welcomed to the United Arab Emirates on Thursday by a group of dancers performing Khaleeji, a dance that involves the performer swinging their hair from one shoulder to another. The performance is a popular dance in the UAE, which has its roots deeply embedded in the Bedouin lifestyle and traditions. It serves as a symbol of national identity and unity, reflecting the heritage of Emirati culture. Women in white dresses flip their hair in rhythm while men drum and chant poetry behind them with swords, representing peace and togetherness. The inclusion of women in the performance highlights the evolving roles and contributions of women in preserving and promoting cultural traditions. It is recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity, recognizing its importance as a cultural expression and its role in fostering social cohesion and cultural continuity.

President Donald Trump was welcomed to the United Arab Emirates on Thursday by a group of dancers performing Khaleeji, a dance that involves the performer swinging their hair from one shoulder to another. The performance is a popular dance in the UAE, which has its roots deeply embedded in the Bedouin lifestyle and traditions. It serves as a symbol of national identity and unity, reflecting the heritage of Emirati culture. Women in white dresses flip their hair in rhythm while men drum and chant poetry behind them with swords, representing peace and togetherness. The inclusion of women in the performance highlights the evolving roles and contributions of women in preserving and promoting cultural traditions. It is recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity, recognizing its importance as a cultural expression and its role in fostering social cohesion and cultural continuity.

CBS News

31,543 次观看 • 1 年前

In Chinese corporate culture there is an unusual morning ritual — the “money-chasing dance” Employees perform simple movements to music: they pretend to “collect” money from the air around them, swipe their fingers as if on a screen, and make gestures similar to “catching” money. It is believed that this sets a sales-oriented mindset and increases efficiency, regardless of the field of work. The ritual is seen as a form of team motivation and corporate discipline, although from the outside it looks quite strange.

In Chinese corporate culture there is an unusual morning ritual — the “money-chasing dance” Employees perform simple movements to music: they pretend to “collect” money from the air around them, swipe their fingers as if on a screen, and make gestures similar to “catching” money. It is believed that this sets a sales-oriented mindset and increases efficiency, regardless of the field of work. The ritual is seen as a form of team motivation and corporate discipline, although from the outside it looks quite strange.

NEXTA

142,866 次观看 • 3 个月前

$The Reason christian theology and its apologetics think the "perfect" state in Heaven is asexual is because its early theologians were influenced by Greek dualism, which came from Plato. This was the idea that the spirit is good, but the body (and its desires) is "fleshly" or corrupt. And so from early on Christian theologians like Augustine baked a deep-seated suspicion of physical pleasure into the faith. This created a fractured spirituality where the 'flesh' is seen as a rival to the soul In contrast, Islam teaches that the body is a trust from God, where even physical intimacy with a spouse is an act of Sadaqah (spiritual charity) that earns divine reward. Similarly, African traditions view the body holistically as the vessel of vital force and ancestral lineage, where there is no 'shame' in the physical because it is inseparable from the spiritual. This is precisely why many Christian critics attack Islamic concepts of Paradise, such as the Hooris. Because their own theology cannot reconcile holiness with pleasure, they view a physical afterlife as 'low' or 'profane.' They are unable to fathom a reality where physical ecstasy and spiritual devotion are interconnected, ultimately projecting their own cultural 'body-shame' onto traditions that have always seen the human experience as a unified, sacred whole."$

The Reason christian theology and its apologetics think the "perfect" state in Heaven is asexual is because its early theologians were influenced by Greek dualism, which came from Plato. This was the idea that the spirit is good, but the body (and its desires) is "fleshly" or corrupt. And so from early on Christian theologians like Augustine baked a deep-seated suspicion of physical pleasure into the faith. This created a fractured spirituality where the 'flesh' is seen as a rival to the soul In contrast, Islam teaches that the body is a trust from God, where even physical intimacy with a spouse is an act of Sadaqah (spiritual charity) that earns divine reward. Similarly, African traditions view the body holistically as the vessel of vital force and ancestral lineage, where there is no 'shame' in the physical because it is inseparable from the spiritual. This is precisely why many Christian critics attack Islamic concepts of Paradise, such as the Hooris. Because their own theology cannot reconcile holiness with pleasure, they view a physical afterlife as 'low' or 'profane.' They are unable to fathom a reality where physical ecstasy and spiritual devotion are interconnected, ultimately projecting their own cultural 'body-shame' onto traditions that have always seen the human experience as a unified, sacred whole."

Hamza K

87,589 次观看 • 7 个月前

A high-energy video of men performing a traditional Balochi rifle-firing dance in full cultural attire is going massively viral and for a good reason. Already a huge buzz is created around it, due to Dhurandhar 2, in a scene featuring this very dance tradition. The film draws from Baloch war dances, native to the Balochistan region. This video is real thing of the movie version. #Dhurandhar #AdityaDhar #Dhurandhar2TheRevenge

A high-energy video of men performing a traditional Balochi rifle-firing dance in full cultural attire is going massively viral and for a good reason. Already a huge buzz is created around it, due to Dhurandhar 2, in a scene featuring this very dance tradition. The film draws from Baloch war dances, native to the Balochistan region. This video is real thing of the movie version. #Dhurandhar #AdityaDhar #Dhurandhar2TheRevenge

Tathvam-asi

94,892 次观看 • 6 个月前

🚨🚨Contrary to social media rumors claiming she was left stranded after visiting a boyfriend who switched off his phone, this video actually captures a traditional Southern African cultural event or pre-wedding ceremony. The setup—sitting on a woven grass mat (icansi) with her legs stretched out while wearing ceremonial sash attire and custom beadwork—is a deeply rooted Nguni and Sotho cultural custom reserved for maiden rites of passage, honoring a bride, or celebrating events like Heritage Day. Rather than a scene of abandonment, the gathering is a celebratory community event held publicly on a neighborhood street, complete with traditional music, onlookers, and family members honoring her.

🚨🚨Contrary to social media rumors claiming she was left stranded after visiting a boyfriend who switched off his phone, this video actually captures a traditional Southern African cultural event or pre-wedding ceremony. The setup—sitting on a woven grass mat (icansi) with her legs stretched out while wearing ceremonial sash attire and custom beadwork—is a deeply rooted Nguni and Sotho cultural custom reserved for maiden rites of passage, honoring a bride, or celebrating events like Heritage Day. Rather than a scene of abandonment, the gathering is a celebratory community event held publicly on a neighborhood street, complete with traditional music, onlookers, and family members honoring her.

Mwalimu Wanjala IGCSE ®️

237,793 次观看 • 2 个月前

Sick video from Iran, where under the mullahs paedophilia is becoming normalised. Asking the bride: “How old are you?” Bride: “I’m 14” Asking the groom: “How old are you?” Groom: “I’m 17” “May you live a happy life God willing. The bride is expecting a little one too. Congratulations.” Yes, the bride in this video is 14 and PREGNANT ALREADY. This is sickening and tragic. And of course the barbarian regime takes no issue with this trend at all - in fact, they encourage it.

Sick video from Iran, where under the mullahs paedophilia is becoming normalised. Asking the bride: “How old are you?” Bride: “I’m 14” Asking the groom: “How old are you?” Groom: “I’m 17” “May you live a happy life God willing. The bride is expecting a little one too. Congratulations.” Yes, the bride in this video is 14 and PREGNANT ALREADY. This is sickening and tragic. And of course the barbarian regime takes no issue with this trend at all - in fact, they encourage it.

𝐍𝐢𝐨𝐡 𝐁𝐞𝐫𝐠 🇮🇷 ✡︎

1,101,992 次观看 • 10 个月前

The "Ring Shout" is recognized as one of the oldest surviving African performance traditions, deeply rooted in the coastal Georgia and South Carolina lowcountry, including Savannah, where enslaved people maintained their Gullah/Geechee culture. It is a religious, dancelike movement performed in a counter-clockwise circle. Developed by enslaved Africans in the 18th and 19th centuries who merged West African traditions with American experiences, The ring shout evolved by blending African spiritual traditions with American Christian religious practices, such as spirituals. It combines singing, call-and-response, and a rhythmic, shuffling, "shouting" motion. The ring shout is still practiced today as part of the Gullah heritage in the region.

The "Ring Shout" is recognized as one of the oldest surviving African performance traditions, deeply rooted in the coastal Georgia and South Carolina lowcountry, including Savannah, where enslaved people maintained their Gullah/Geechee culture. It is a religious, dancelike movement performed in a counter-clockwise circle. Developed by enslaved Africans in the 18th and 19th centuries who merged West African traditions with American experiences, The ring shout evolved by blending African spiritual traditions with American Christian religious practices, such as spirituals. It combines singing, call-and-response, and a rhythmic, shuffling, "shouting" motion. The ring shout is still practiced today as part of the Gullah heritage in the region.

The Cake Lady

28,296 次观看 • 5 个月前

This bridge, reportedly located in Jamui, Bihar, has become hollow from inside, and one can clearly see through it from end to end. This is not just negligence it is a serious threat to public safety. Such a dangerous condition exists only because of the complete failure of monitoring and vigilance by the authorities. This is a clear example of how lives are being put at risk due to administrative apathy. We strongly urge the Bihar Government to take immediate cognizance of this matter, conduct a high-level inquiry, fix accountability, and ensure urgent repair or reconstruction before an irreversible tragedy occurs. How many warnings does the system need before lives are lost?

This bridge, reportedly located in Jamui, Bihar, has become hollow from inside, and one can clearly see through it from end to end. This is not just negligence it is a serious threat to public safety. Such a dangerous condition exists only because of the complete failure of monitoring and vigilance by the authorities. This is a clear example of how lives are being put at risk due to administrative apathy. We strongly urge the Bihar Government to take immediate cognizance of this matter, conduct a high-level inquiry, fix accountability, and ensure urgent repair or reconstruction before an irreversible tragedy occurs. How many warnings does the system need before lives are lost?

The Nalanda Index

14,511 次观看 • 8 个月前

A lot of people have seen this video and tagged me, saying that Catholicism is full of fake and evil practices, covered up with lies and evil rituals. Some have asked, “Why are they pouring salt into the water? Are they invoking evil spirits? Isn’t this a pagan practice?” Now, I want you all to listen: this is not an invocation of evil spirits or a pagan ritual, as some of you are claiming. This is the Sacramental Blessing and Exorcism of Water and Salt. During some ceremonies, blessed and exorcised salt is added to a natural water source, such as a river or stream, as a sign of purification, spiritual protection, and blessing for the local community and its surroundings. This practice has a biblical reference in 2 Kings 2:19–22, where the prophet Elisha used salt in connection with the purification of water. In the traditional Roman Rite, salt is first exorcised and blessed before being added to water. The salt symbolizes preservation, incorruptibility, purification, and spiritual protection. This rite is therefore not simply about the physical water. It is a sacramental act of the Church, asking God to bless, purify, and protect the people and the place through prayer and the use of blessed elements.

A lot of people have seen this video and tagged me, saying that Catholicism is full of fake and evil practices, covered up with lies and evil rituals. Some have asked, “Why are they pouring salt into the water? Are they invoking evil spirits? Isn’t this a pagan practice?” Now, I want you all to listen: this is not an invocation of evil spirits or a pagan ritual, as some of you are claiming. This is the Sacramental Blessing and Exorcism of Water and Salt. During some ceremonies, blessed and exorcised salt is added to a natural water source, such as a river or stream, as a sign of purification, spiritual protection, and blessing for the local community and its surroundings. This practice has a biblical reference in 2 Kings 2:19–22, where the prophet Elisha used salt in connection with the purification of water. In the traditional Roman Rite, salt is first exorcised and blessed before being added to water. The salt symbolizes preservation, incorruptibility, purification, and spiritual protection. This rite is therefore not simply about the physical water. It is a sacramental act of the Church, asking God to bless, purify, and protect the people and the place through prayer and the use of blessed elements.

Rev .Vitus

40,574 次观看 • 7 天前

The UFO/UAP phenomenon is ancient. It has been here long before us, and it is connected to a grand hierarchy created by God. They are coming from higher dimensions, something that religions would describe as the Tree of Life. The phenomenon is part of us, and our soul is part of this grand system. We are currently in the lowest dimension, chakra, sefirot, or part of the soul, known as Malkhut in Kabbalah, Muladhara in Hinduism, and Khat in ancient Egypt. We are made of matter, but our soul is made of fire, and it is time for an upgrade. The Geophysical Event is connected to this transformation.

The UFO/UAP phenomenon is ancient. It has been here long before us, and it is connected to a grand hierarchy created by God. They are coming from higher dimensions, something that religions would describe as the Tree of Life. The phenomenon is part of us, and our soul is part of this grand system. We are currently in the lowest dimension, chakra, sefirot, or part of the soul, known as Malkhut in Kabbalah, Muladhara in Hinduism, and Khat in ancient Egypt. We are made of matter, but our soul is made of fire, and it is time for an upgrade. The Geophysical Event is connected to this transformation.

Open Minded Approach

136,661 次观看 • 4 个月前

. THIS IS SO HEART-BROKEN 💔💔 This is the current situation of some states and places in the northern part of Nigeria. And yet the government says nothing about it, an evil act is being seen as a normal act. Nigeria has become a country without conscience. Where immor@lity becomes morality. Where ev!l becomes good, where dignity has no value. Imagine seeing this little boy without parents. Oh Lord have Mercy!

. THIS IS SO HEART-BROKEN 💔💔 This is the current situation of some states and places in the northern part of Nigeria. And yet the government says nothing about it, an evil act is being seen as a normal act. Nigeria has become a country without conscience. Where immor@lity becomes morality. Where ev!l becomes good, where dignity has no value. Imagine seeing this little boy without parents. Oh Lord have Mercy!

𝐏𝐫𝐞𝐚𝐜𝐡 𝐓𝐡𝐞 𝐆𝐨𝐬𝐩𝐞𝐥

22,006 次观看 • 10 个月前

This is the Trevi fountain in Rome. Millions of tourists make sure to visit and take photos every year because of its beauty and historical significance. But it takes a civilized eye to appreciate it. To this gentleman here, it’s just a pond, no different from the ones in whatever jungle he crawled out of. People throw coins in it, though. Lots of them. So it’s an upgrade from his old pond. Still just a pond. And in a few short decades, when this fine gentleman becomes the “average European”, all these monuments and centuries of preserved culture will be treated exactly the same way. Just random old shit and ponds.

This is the Trevi fountain in Rome. Millions of tourists make sure to visit and take photos every year because of its beauty and historical significance. But it takes a civilized eye to appreciate it. To this gentleman here, it’s just a pond, no different from the ones in whatever jungle he crawled out of. People throw coins in it, though. Lots of them. So it’s an upgrade from his old pond. Still just a pond. And in a few short decades, when this fine gentleman becomes the “average European”, all these monuments and centuries of preserved culture will be treated exactly the same way. Just random old shit and ponds.

Rothmus 🏴

30,006 次观看 • 3 个月前

This happened inside Masjid Al-Aqsa today… An Israeli settler wearing a kippah stood facing the Dome of the Rock, lifted his hands in prayer, and walked backwards in a clear Talmudic ritual act before exiting Masjid Al-Aqsa through Bab Al-Silsilah. This is not random. This is part of a daily pattern designed to impose Talmudic ritual presence inside Masjid Al-Aqsa and erase its Islamic identity from within. These acts are deliberate steps to change what Masjid Al-Aqsa is, how it is perceived, and who holds authority over it. The identity of Masjid Al-Aqsa is being reshaped right before our eyes! If we remain passive, their abnormal becomes the new norm.

This happened inside Masjid Al-Aqsa today… An Israeli settler wearing a kippah stood facing the Dome of the Rock, lifted his hands in prayer, and walked backwards in a clear Talmudic ritual act before exiting Masjid Al-Aqsa through Bab Al-Silsilah. This is not random. This is part of a daily pattern designed to impose Talmudic ritual presence inside Masjid Al-Aqsa and erase its Islamic identity from within. These acts are deliberate steps to change what Masjid Al-Aqsa is, how it is perceived, and who holds authority over it. The identity of Masjid Al-Aqsa is being reshaped right before our eyes! If we remain passive, their abnormal becomes the new norm.

DOAM

134,223 次观看 • 10 个月前