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Dredd explains the reality of working with an oversized package on the Bougie Show: "Is that something you've experienced?" "Oh yes. That I have. I've had shoots that just couldn't, you know, couldn't finish 'em, because they couldn't take it. And then I've had a few of those just...

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CIP3R

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48,751 次观看 • 27 天前 •via X (Twitter)

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“I’ve had shoots where we just couldn’t finish because they couldn’t take my size” legendary adult performer Dredd reveals, opening up about the harsh reality of performing anal scenes on set: "Has your size ever caused issues during a shoot?" "Oh yeah. On pro sets, I've had shoots where we just couldn't finish because they couldn't take it. I've had a few of those shooting content as well, and that always sucks because you want to finish and have a good time." "What happens when a girl tries to push through the pain?" "There will be girls where a turn-on for me is if she's struggling, but then she's like, 'No, no, no, I'm okay, we can keep going.' And I'm like, 'Man, nah, that's not going to cut it.'" "Do performers know what to expect before booking a scene with you?" "Thankfully for me, my name's out there enough now where girls kind of know what they're walking into."
2:37

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“I’ve had shoots where we just couldn’t finish because they couldn’t take my size” legendary adult performer Dredd reveals, opening up about the harsh reality of performing anal scenes on set: "Has your size ever caused issues during a shoot?" "Oh yeah. On pro sets, I've had shoots where we just couldn't finish because they couldn't take it. I've had a few of those shooting content as well, and that always sucks because you want to finish and have a good time." "What happens when a girl tries to push through the pain?" "There will be girls where a turn-on for me is if she's struggling, but then she's like, 'No, no, no, I'm okay, we can keep going.' And I'm like, 'Man, nah, that's not going to cut it.'" "Do performers know what to expect before booking a scene with you?" "Thankfully for me, my name's out there enough now where girls kind of know what they're walking into."

Dickson

100,749 次观看 • 3 天前

Dredd explains what happens when women in the porn industry agree to shoot with him knowing exactly how big his p&nis is, including times when his size was too much for them to finish the scene. “Sometimes having a big isn't a great thing.” “I've had a woman literally leave me and said, ‘Hey, I can't be with you, your penis is too big.’” “I've had shoots that just could not... you couldn't finish them because they couldn't take it.” “I've had a few of those just shooting content as well.” “That always sucks, man.” “You always want to finish it and have a good time.” “There will be girls that I'll shoot with and a turn off for me is if the girl is like struggling.” “Thankfully for me, my name's out there enough where girls kind of know what they're walking into.” “They prep for that.”
1:00

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Dredd explains what happens when women in the porn industry agree to shoot with him knowing exactly how big his p&nis is, including times when his size was too much for them to finish the scene. “Sometimes having a big isn't a great thing.” “I've had a woman literally leave me and said, ‘Hey, I can't be with you, your penis is too big.’” “I've had shoots that just could not... you couldn't finish them because they couldn't take it.” “I've had a few of those just shooting content as well.” “That always sucks, man.” “You always want to finish it and have a good time.” “There will be girls that I'll shoot with and a turn off for me is if the girl is like struggling.” “Thankfully for me, my name's out there enough where girls kind of know what they're walking into.” “They prep for that.”

The Jedi M@n 🧑‍🦯

283,610 次观看 • 11 天前

Zendaya and Robert Pattinson can't agree on whether honesty is good in a relationship Zendaya: "I'm honest, if I don't like something, I'll tell you that I don't like it. You don't want someone to tell you that they don't like it?" Robert: "Actually, no, I don't. If I'm coming in and saying do you like it, really I just want you to agree with me" "So you just gotta say, yeah, cool, you look great. Also why does it matter?" Zendaya: "I want an honest opinion" Robert: "And if they say no and you go, well I like it so I'm gonna go out anyway, it's not great vibes afterwards" Zendaya: "Yeah, but then don't ask for the opinion" Robert: "That's the thing, you just shouldn't ask. Communication is not key"
0:46

Zendaya and Robert Pattinson can't agree on whether honesty is good in a relationship Zendaya: "I'm honest, if I don't like something, I'll tell you that I don't like it. You don't want someone to tell you that they don't like it?" Robert: "Actually, no, I don't. If I'm coming in and saying do you like it, really I just want you to agree with me" "So you just gotta say, yeah, cool, you look great. Also why does it matter?" Zendaya: "I want an honest opinion" Robert: "And if they say no and you go, well I like it so I'm gonna go out anyway, it's not great vibes afterwards" Zendaya: "Yeah, but then don't ask for the opinion" Robert: "That's the thing, you just shouldn't ask. Communication is not key"

sara

1,731,468 次观看 • 2 个月前

Ava Addams reveals the ultimate "goodbye" scene that studios refused to let her shoot "A lot of people are like, 'Are you out of your mind? We can't shoot that, that's kidnapping'" "I wanted to do a scene where like I get thrown into a trunk of the car and they put me in a room and I have like a hood on me, people just start f***ing me and have no idea who it is" "I just thought it would be kind of hot to like not know who's doing what to me... I kind of have a dark side to me I guess, you know, my little inner goth girl will always be there" "It's not kidnapping if you consented to it" "I had a real life stalker, not as crazy as this thank God. I just moved to a gated community and I still have security cuz I'm like, oh hell no. You can never be too safe" source : AvaAddams || Youtube show
1:43

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Ava Addams reveals the ultimate "goodbye" scene that studios refused to let her shoot "A lot of people are like, 'Are you out of your mind? We can't shoot that, that's kidnapping'" "I wanted to do a scene where like I get thrown into a trunk of the car and they put me in a room and I have like a hood on me, people just start f***ing me and have no idea who it is" "I just thought it would be kind of hot to like not know who's doing what to me... I kind of have a dark side to me I guess, you know, my little inner goth girl will always be there" "It's not kidnapping if you consented to it" "I had a real life stalker, not as crazy as this thank God. I just moved to a gated community and I still have security cuz I'm like, oh hell no. You can never be too safe" source : AvaAddams || Youtube show

Molaxbaby

2,414,386 次观看 • 1 个月前

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”
2:31

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 次观看 • 3 个月前

Dredd calls out Lana Rhoades for "biting the hand that fed her": "When you see something where Lana Rhoades had this high profile, brief time spent in the porn world, and then she kind of pivots out of it... and she kind of regrets it." "What is it like for you when you see somebody say that? Because I'm surrounded by girls who look at porn like, 'This is the thing that changed my life'... Most of the girls I know would say that their happiness with them having done porn is a 10 out of 10." "I think that's like a common thing with a lot of girls, not all, but a lot of them who once they step out, they want to talk in a negative way about it. "And it's like, 'Damn, don't do that, it's bad, this, that, whatever.'" "It was funny for me with her, I shot with her a few times... She was great, you know, when she was shooting... She was the real deal, there's no doubt on that. So I'm always surprised when a girl..."
1:18

Dredd calls out Lana Rhoades for "biting the hand that fed her": "When you see something where Lana Rhoades had this high profile, brief time spent in the porn world, and then she kind of pivots out of it... and she kind of regrets it." "What is it like for you when you see somebody say that? Because I'm surrounded by girls who look at porn like, 'This is the thing that changed my life'... Most of the girls I know would say that their happiness with them having done porn is a 10 out of 10." "I think that's like a common thing with a lot of girls, not all, but a lot of them who once they step out, they want to talk in a negative way about it. "And it's like, 'Damn, don't do that, it's bad, this, that, whatever.'" "It was funny for me with her, I shot with her a few times... She was great, you know, when she was shooting... She was the real deal, there's no doubt on that. So I'm always surprised when a girl..."

nexa_sama

33,444 次观看 • 1 个月前

Violet Myers discusses scene strategy, industry contracts, and working with Vixen on No Jumper with Adam22: "In terms of doing the more extreme, crazy porn stuff, are you still in that bag? Like, are you still trying to do gangbangs and like double penetration, crazy stuff?" "Yeah, I'm actually getting ready actually for—I'm doing a DP in the end of March, and then my first gangbang DP in April." "Wow." "Yeah, with Vixen, you know. So, I was like—when I was deciding who to sell my asshole to, which is funny—I was like, I want to give it to Vixen because their Tushy scenes and the way they shoot is like scripted, it'll take my vision to another level versus shooting it with other studios. And they were the ones that actually offered me the most money." "Right." "So I was like, I get to shoot how I want, and they're offering me a lot of money, like it's a double win for me. So, now we're getting to the end of the contract now, and I was like, we gotta go all out. Like, we were just gonna go straight to DP gangbang. I was like, 'Oh no, I gotta do my DP first, because then my first DP is useless.'" "Right. That's a good point." "So that's why I'm doing it. So I'm asking all my DP friends, like I'm asking Angela White, like all my friends who are like pros in DPs, and they're like, 'It's easier than anal.' I'm like, 'Oh, then I'll love it.'" "I don't understand that. How is it easier than anal?" "'Cause you're getting double penetrated, so you're getting fucked in your vagina and your asshole." "Yeah, I know, but how is that easier?" "I don't know." "The only difference is there's an extra dick in the vagina." "They're saying it's easier, and I'm—they've shot so many, so I'm taking their advice. I'm just stretching." "Yeah, that's the only thing. I like that you're still going for it, 'cause you could probably pretty easily just coast and be like, 'No, I'm not gonna do all that crazy stuff.' But I respect a porn star who wants to actually do all the hardcore porn star shit while they're in their prime, you know?" "Yeah, and also like I watch a lot of anime, I like—love that. The DP gangbangs, and I'm like, I'm sure my fans want to see that, so..."
1:54

Violet Myers discusses scene strategy, industry contracts, and working with Vixen on No Jumper with Adam22: "In terms of doing the more extreme, crazy porn stuff, are you still in that bag? Like, are you still trying to do gangbangs and like double penetration, crazy stuff?" "Yeah, I'm actually getting ready actually for—I'm doing a DP in the end of March, and then my first gangbang DP in April." "Wow." "Yeah, with Vixen, you know. So, I was like—when I was deciding who to sell my asshole to, which is funny—I was like, I want to give it to Vixen because their Tushy scenes and the way they shoot is like scripted, it'll take my vision to another level versus shooting it with other studios. And they were the ones that actually offered me the most money." "Right." "So I was like, I get to shoot how I want, and they're offering me a lot of money, like it's a double win for me. So, now we're getting to the end of the contract now, and I was like, we gotta go all out. Like, we were just gonna go straight to DP gangbang. I was like, 'Oh no, I gotta do my DP first, because then my first DP is useless.'" "Right. That's a good point." "So that's why I'm doing it. So I'm asking all my DP friends, like I'm asking Angela White, like all my friends who are like pros in DPs, and they're like, 'It's easier than anal.' I'm like, 'Oh, then I'll love it.'" "I don't understand that. How is it easier than anal?" "'Cause you're getting double penetrated, so you're getting fucked in your vagina and your asshole." "Yeah, I know, but how is that easier?" "I don't know." "The only difference is there's an extra dick in the vagina." "They're saying it's easier, and I'm—they've shot so many, so I'm taking their advice. I'm just stretching." "Yeah, that's the only thing. I like that you're still going for it, 'cause you could probably pretty easily just coast and be like, 'No, I'm not gonna do all that crazy stuff.' But I respect a porn star who wants to actually do all the hardcore porn star shit while they're in their prime, you know?" "Yeah, and also like I watch a lot of anime, I like—love that. The DP gangbangs, and I'm like, I'm sure my fans want to see that, so..."

CIP3R

23,907 次观看 • 1 个月前

Draymond Green reflects on punching Jordan Poole: "For five seconds, I forgot where I was" “I've had a bunch of situations like that growing up. Sometimes I was the guy who get hit, sometimes I wasn't. Regardless, we move on. That's how I've always approached it” “So when that situation happened, I'm like, all right, cool. We move on. And then when we couldn't, I was like, huh?” “For a while, it made me think, man, this dude nothing like me. Because when those things happen, you just move on” “But it taught me so much. It taught me, you're right, he may not be like you. He ain't from where you from. The things you went through, the way you had to come up, he may not have came up like that” “For that five seconds, I forgot where I was at because I immediately went to what I know. But what you know don't really work here” “Everybody says, ‘Oh man, but you was 10 years in. You should know better.’ Still learning nine years in” “It's lessons like that that ultimately make me who I am to this day because, man, I fucked that up”
1:14

Draymond Green reflects on punching Jordan Poole: "For five seconds, I forgot where I was" “I've had a bunch of situations like that growing up. Sometimes I was the guy who get hit, sometimes I wasn't. Regardless, we move on. That's how I've always approached it” “So when that situation happened, I'm like, all right, cool. We move on. And then when we couldn't, I was like, huh?” “For a while, it made me think, man, this dude nothing like me. Because when those things happen, you just move on” “But it taught me so much. It taught me, you're right, he may not be like you. He ain't from where you from. The things you went through, the way you had to come up, he may not have came up like that” “For that five seconds, I forgot where I was at because I immediately went to what I know. But what you know don't really work here” “Everybody says, ‘Oh man, but you was 10 years in. You should know better.’ Still learning nine years in” “It's lessons like that that ultimately make me who I am to this day because, man, I fucked that up”

dank

866,389 次观看 • 3 个月前

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."
1:51

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴

374,056 次观看 • 6 个月前

D: A part of me I have like a 10% that I had doubt that Pangjie might have feelings for u but I'm not sure. 🍁: Yeah, i feel it too. But I don't know what she thinks. If we're totally ready, then we just go for it. D: I'm shy. 🍁: That's actually what I think. She's always flirting with me. Today was the same, we were just drinking using the same straw and she said, "Oops, an indirect kiss." Yeah, she said it like that as if it were something normal. Everyone should go and listen. #BleJie #mable_siriwalee #pangjiewr #เบิ้ลจี่
0:51

D: A part of me I have like a 10% that I had doubt that Pangjie might have feelings for u but I'm not sure. 🍁: Yeah, i feel it too. But I don't know what she thinks. If we're totally ready, then we just go for it. D: I'm shy. 🍁: That's actually what I think. She's always flirting with me. Today was the same, we were just drinking using the same straw and she said, "Oops, an indirect kiss." Yeah, she said it like that as if it were something normal. Everyone should go and listen. #BleJie #mable_siriwalee #pangjiewr #เบิ้ลจี่

yin

251,134 次观看 • 9 个月前

Post Malone Reveals His Terrifying Experience With Depersonalization "Yeah, I remember you asked me if I wanted to smoke, and I can't... I don't really smoke anymore. Um, and I actually talked... for the longest time in my whole life, I couldn't really explain this. I couldn't like really like... bring it to like words and try to explain it to where I wasn't like... where it just because was... uh, it made no sense." "But, uh, I talked to a couple of my buddies and they were like, "Oh, it's the same thing." So, a lot of my friends, from smoking weed, it's like almost like a depersonalization thing. To where it feels like for the longest time, uh, since I had... I smoked one bad joint. And for the longest time ever since then, it's felt like I've been almost like watching my life happen instead of actually like living it. Does that make sense?" "It does." "And, and it just feels like a lot of the time, it's like... it's like I'm not doing it, it's like almost as like... I'm watching it happen." "Still, to this day?" "To this day, a lot of the time, yeah."
1:10

Post Malone Reveals His Terrifying Experience With Depersonalization "Yeah, I remember you asked me if I wanted to smoke, and I can't... I don't really smoke anymore. Um, and I actually talked... for the longest time in my whole life, I couldn't really explain this. I couldn't like really like... bring it to like words and try to explain it to where I wasn't like... where it just because was... uh, it made no sense." "But, uh, I talked to a couple of my buddies and they were like, "Oh, it's the same thing." So, a lot of my friends, from smoking weed, it's like almost like a depersonalization thing. To where it feels like for the longest time, uh, since I had... I smoked one bad joint. And for the longest time ever since then, it's felt like I've been almost like watching my life happen instead of actually like living it. Does that make sense?" "It does." "And, and it just feels like a lot of the time, it's like... it's like I'm not doing it, it's like almost as like... I'm watching it happen." "Still, to this day?" "To this day, a lot of the time, yeah."

Ryze

177,763 次观看 • 3 个月前

MrBeast explains why he calculates the dollar value of every date he goes on and what it means for any future partner "All I've ever wanted is someone to just read books with me, watch documentaries, and just learn with me. Because then if you're not learning, then it's like I can make 100 grand an hour or whatever. So it's like how can I justify spending an hour of time with you if I'm not becoming a better person?" Andrew Schulz: "What a flex that was." MrBeast: "So that's why it's like I have to be getting better with my partner. Or how the f*** am I going to invest 20, 30,000 hours?" Andrew Schulz: "You literally know the value of your time." MrBeast: "Yeah, basically. Like every time you go on a date with her, you were spending an immense amount of money. And that's why I was so particular because it's hard because I've optimized my life so much in a way where down to the numbers. I can't just shut it off and be like, oh, well, this doesn't count. I know the value of that two-hour date at f***ing Red Lobster. I know it. And so if I'm not getting smarter, it just literally destroys my entire psychology. And I just lose my mind. I'll have a mental f***ing breakdown. I'll be like, this is not — if I extrapolate this out over 10 years, I'm f***ed."
0:56

MrBeast explains why he calculates the dollar value of every date he goes on and what it means for any future partner "All I've ever wanted is someone to just read books with me, watch documentaries, and just learn with me. Because then if you're not learning, then it's like I can make 100 grand an hour or whatever. So it's like how can I justify spending an hour of time with you if I'm not becoming a better person?" Andrew Schulz: "What a flex that was." MrBeast: "So that's why it's like I have to be getting better with my partner. Or how the f*** am I going to invest 20, 30,000 hours?" Andrew Schulz: "You literally know the value of your time." MrBeast: "Yeah, basically. Like every time you go on a date with her, you were spending an immense amount of money. And that's why I was so particular because it's hard because I've optimized my life so much in a way where down to the numbers. I can't just shut it off and be like, oh, well, this doesn't count. I know the value of that two-hour date at f***ing Red Lobster. I know it. And so if I'm not getting smarter, it just literally destroys my entire psychology. And I just lose my mind. I'll have a mental f***ing breakdown. I'll be like, this is not — if I extrapolate this out over 10 years, I'm f***ed."

voided intern

12,173 次观看 • 3 个月前

Viktor Hovland says he’s been struggling with visualising shots and has been seeing shots that he didn’t even think were possible. I think this is something that anyone who’s played competitive golf can relate to: “That's one of the things that's been very difficult, especially when you've been going through some struggles like I have. “Some of the shots that I've seen are just like, Whoa, how is that even possible? Like, I've never seen some of those shots before. Then I've had moments where, okay, I think I'm onto something, it feels good, and then that one big miss comes back again. “So even if you're playing good golf it's still kind of in the back of your mind a little bit, like, Oh, are we over it, are we good. And you have a little bit of doubt still in there, even though you're hitting good shots. I don't know if there's like this one point where you go, Oh, I got it now, it just kind of those big misses stop happening and then you just expect to see the ball going straight. Kind of like what happened this week. “Because even U.S. Open last week, I thought I drove it a lot better, but I had one big miss on the 12th hole out there in the left-to-right wind that went OB, so I had one bad shot that cost me two shots for the tournament and I missed the cut by a shot. “Canada was a lot better. But still it felt like I was maybe guiding it a little bit, not quite as comfortable as I would have liked. But it was definitely a huge step in the right direction. So I've been like progressing the whole way, but still having a little bit of doubt in there. But this week I just kind of went to work and felt comfortable.” PGA Tour TravelersChamp
1:46

Viktor Hovland says he’s been struggling with visualising shots and has been seeing shots that he didn’t even think were possible. I think this is something that anyone who’s played competitive golf can relate to: “That's one of the things that's been very difficult, especially when you've been going through some struggles like I have. “Some of the shots that I've seen are just like, Whoa, how is that even possible? Like, I've never seen some of those shots before. Then I've had moments where, okay, I think I'm onto something, it feels good, and then that one big miss comes back again. “So even if you're playing good golf it's still kind of in the back of your mind a little bit, like, Oh, are we over it, are we good. And you have a little bit of doubt still in there, even though you're hitting good shots. I don't know if there's like this one point where you go, Oh, I got it now, it just kind of those big misses stop happening and then you just expect to see the ball going straight. Kind of like what happened this week. “Because even U.S. Open last week, I thought I drove it a lot better, but I had one big miss on the 12th hole out there in the left-to-right wind that went OB, so I had one bad shot that cost me two shots for the tournament and I missed the cut by a shot. “Canada was a lot better. But still it felt like I was maybe guiding it a little bit, not quite as comfortable as I would have liked. But it was definitely a huge step in the right direction. So I've been like progressing the whole way, but still having a little bit of doubt in there. But this week I just kind of went to work and felt comfortable.” PGA Tour TravelersChamp

Flushing It

74,025 次观看 • 3 个月前

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'
3:56

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 次观看 • 8 个月前

Mia Malkova says she gets TURNED ON watching her partner with other people and used to get off to her ex-husband’s porn with other girls "I had a, I had done a scene with my ex-husband, and like honestly, anytime he would grab somebody else to come, I'd always be insulted. Which I shouldn't have been, 'cause it... Everybody does. Yeah. It's so normal. Yeah, it's human nature." "And we can, I can control my jealousy... I'd say something afterwards, but I'm also not a, or I'm not, what is it? I wouldn't say I'm a cuck, but like I act-- I've always gotten turned on by watching my significant other, like, bang other people. So anytime I've had threesomes, it's always been like, 'Oh, wow, you know, that's really fucking hot.'" "I feel the need to get in there... I have watched, and I can watch... As long as I'm sexually attracted, like, like, yeah, but I'd prefer to be in there." "But yeah, like my first husband, who I'm not attracted to at all anymore, I'm gonna say that, throw that out there. We don't get along... Sorry, but I used to watch his porn with other girls, and that was like what I would watch to get off. It's like him just enjoying fucking other girls... This is so wrong, but then I'd also be super turned on, like this is so right."
1:46

Mia Malkova says she gets TURNED ON watching her partner with other people and used to get off to her ex-husband’s porn with other girls "I had a, I had done a scene with my ex-husband, and like honestly, anytime he would grab somebody else to come, I'd always be insulted. Which I shouldn't have been, 'cause it... Everybody does. Yeah. It's so normal. Yeah, it's human nature." "And we can, I can control my jealousy... I'd say something afterwards, but I'm also not a, or I'm not, what is it? I wouldn't say I'm a cuck, but like I act-- I've always gotten turned on by watching my significant other, like, bang other people. So anytime I've had threesomes, it's always been like, 'Oh, wow, you know, that's really fucking hot.'" "I feel the need to get in there... I have watched, and I can watch... As long as I'm sexually attracted, like, like, yeah, but I'd prefer to be in there." "But yeah, like my first husband, who I'm not attracted to at all anymore, I'm gonna say that, throw that out there. We don't get along... Sorry, but I used to watch his porn with other girls, and that was like what I would watch to get off. It's like him just enjoying fucking other girls... This is so wrong, but then I'd also be super turned on, like this is so right."

Dunmola♋

120,116 次观看 • 24 天前

Freya Doom discloses she turned down a $20,000 bag after walking onto a set that tried to ambush her with an unscripted gangbang: "Don't do anything for money. People are gonna throw thousands of dollars—like I got offered 20 grand to do an anal scene, and I still said fuck no because I own my shit. And a lot of people will be like, 'Oh my god, what the fuck is wrong with you?'" "And I'm like, for me personally, I have too much love for myself to like sell myself for anything that I'm not comfortable with. If I'm not comfortable doing a scene, I don't care how much money you're gonna throw my way, I'm not gonna do it. And a lot of these girls—mostly girls, sometimes guys, but mostly girls—will show up on set, and it's not the set that they signed up for." "Like one time I showed up, and it was only supposed to be a boy-girl-girl scene. I walked in, I was doing paperwork, and I saw all these guys around me and I was like, 'Oh cool, it's just crew.' Next thing I know, they were trying to do a gangbang scene, and they were throwing me like thousands of dollars to do it, and I just looked at them and I was like, 'No.'" "Like this is not—I don't care how much you pay me, I'm gonna stand by what I wanna do. A lot of girls that I talk to about that, they're like, 'But they offered this much, I would fucking do it.' And I'm like, 'But how would you feel afterwards?'" "Because at the end of the day, they're not going home with you, you have to go home to yourself. So you have to be very comfortable with yourself, you have to fucking own that shit and love yourself. And know that whatever you're doing is respectable to yourself."
1:17

Freya Doom discloses she turned down a $20,000 bag after walking onto a set that tried to ambush her with an unscripted gangbang: "Don't do anything for money. People are gonna throw thousands of dollars—like I got offered 20 grand to do an anal scene, and I still said fuck no because I own my shit. And a lot of people will be like, 'Oh my god, what the fuck is wrong with you?'" "And I'm like, for me personally, I have too much love for myself to like sell myself for anything that I'm not comfortable with. If I'm not comfortable doing a scene, I don't care how much money you're gonna throw my way, I'm not gonna do it. And a lot of these girls—mostly girls, sometimes guys, but mostly girls—will show up on set, and it's not the set that they signed up for." "Like one time I showed up, and it was only supposed to be a boy-girl-girl scene. I walked in, I was doing paperwork, and I saw all these guys around me and I was like, 'Oh cool, it's just crew.' Next thing I know, they were trying to do a gangbang scene, and they were throwing me like thousands of dollars to do it, and I just looked at them and I was like, 'No.'" "Like this is not—I don't care how much you pay me, I'm gonna stand by what I wanna do. A lot of girls that I talk to about that, they're like, 'But they offered this much, I would fucking do it.' And I'm like, 'But how would you feel afterwards?'" "Because at the end of the day, they're not going home with you, you have to go home to yourself. So you have to be very comfortable with yourself, you have to fucking own that shit and love yourself. And know that whatever you're doing is respectable to yourself."

nexa_sama

35,919 次观看 • 25 天前

Ella Emhoff, stepdaughter of former Vice President Kamala Harris, from 16 December last year: "...I'm just sitting here crocheting, waiting for a friend, and I was just listening to this podcast that The Wall Street Journal put out about SSRIs and anti-anxiety meds and kind of the over-prescription of them in America. "And it was making me think a lot because I've been on SSRIs for over a decade, almost fifteen years probably, and they were calling out the lack of research on long-term use of these things. "They were calling out the lack of information that doctors give about coming off of these meds and kind of the psychological effects they can have. "And it really got me thinking how little I've thought about that, naively, obviously. "But I've noticed that every time I've gone off of it for a week or missed it or for whatever reason, like, it has been really hard for me, and I've had a really hard time. "And I guess this is just something I was wondering if you guys have thought about or relate to or kind of consider when you're thinking about going on meds like that. "Because I don't know if this is something that I feel like is being talked about enough because I feel like so many of us are on these meds, and this is, like, actually happening. "Like, people get off of them, and they kind of break down, and it can be really bad. So yeah, I guess I just want your general thoughts."
1:35

Ella Emhoff, stepdaughter of former Vice President Kamala Harris, from 16 December last year: "...I'm just sitting here crocheting, waiting for a friend, and I was just listening to this podcast that The Wall Street Journal put out about SSRIs and anti-anxiety meds and kind of the over-prescription of them in America. "And it was making me think a lot because I've been on SSRIs for over a decade, almost fifteen years probably, and they were calling out the lack of research on long-term use of these things. "They were calling out the lack of information that doctors give about coming off of these meds and kind of the psychological effects they can have. "And it really got me thinking how little I've thought about that, naively, obviously. "But I've noticed that every time I've gone off of it for a week or missed it or for whatever reason, like, it has been really hard for me, and I've had a really hard time. "And I guess this is just something I was wondering if you guys have thought about or relate to or kind of consider when you're thinking about going on meds like that. "Because I don't know if this is something that I feel like is being talked about enough because I feel like so many of us are on these meds, and this is, like, actually happening. "Like, people get off of them, and they kind of break down, and it can be really bad. So yeah, I guess I just want your general thoughts."

fireworks and confetti

4,166,382 次观看 • 4 个月前