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“I’ve had shoots where we just couldn’t finish because they couldn’t take my size” legendary adult performer Dredd reveals, opening up about the harsh reality of performing anal scenes on set: "Has your size ever caused issues during a shoot?" "Oh yeah. On pro sets, I've had shoots where... we just couldn't finish because they couldn't take it. I've had a few of those shooting content as well, and that always sucks because you want to finish and have a good time." "What happens when a girl tries to push through the pain?" "There will be girls where a turn-on for me is if she's struggling, but then she's like, 'No, no, no, I'm okay, we can keep going.' And I'm like, 'Man, nah, that's not going to cut it.'" "Do performers know what to expect before booking a scene with you?" "Thankfully for me, my name's out there enough now where girls kind of know what they're walking into."show more

Dickson

5,403 subscribers

100,749 görüntüleme • 3 gün önce •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

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Booty timessports3 gün önce

I think dread is low-key gay. He's obsessed with butthole

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Djnise5863 gün önce

Why are all male pornstars lame af lol

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Mike Adriano vs Dredd who fuvkrd the best women?

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Jesus Espinosa Jr2 gün önce

Shit happens

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Ft @BougieShow

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Dredd explains the reality of working with an oversized package on the Bougie Show: "Is that something you've experienced?" "Oh yes. That I have. I've had shoots that just couldn't, you know, couldn't finish 'em, because they couldn't take it. And then I've had a few of those just shooting content as well." "Right." "And that always sucks, man. You always want to finish it and have a good time... A turn off for me is if the girl is like struggling." "Yeah, 'cause then... yeah." "And then it's still like, 'No, no, no, I'm okay! I'm alright!' and I'm like, nah, that's not gonna cut it." "Right." "Thankfully for me, man, my name's out there enough where girls kind of know." "What they walking into!"

Dredd explains the reality of working with an oversized package on the Bougie Show: "Is that something you've experienced?" "Oh yes. That I have. I've had shoots that just couldn't, you know, couldn't finish 'em, because they couldn't take it. And then I've had a few of those just shooting content as well." "Right." "And that always sucks, man. You always want to finish it and have a good time... A turn off for me is if the girl is like struggling." "Yeah, 'cause then... yeah." "And then it's still like, 'No, no, no, I'm okay! I'm alright!' and I'm like, nah, that's not gonna cut it." "Right." "Thankfully for me, man, my name's out there enough where girls kind of know." "What they walking into!"

CIP3R

48,751 görüntüleme • 27 gün önce

Dredd explains what happens when women in the porn industry agree to shoot with him knowing exactly how big his p&nis is, including times when his size was too much for them to finish the scene. “Sometimes having a big isn't a great thing.” “I've had a woman literally leave me and said, ‘Hey, I can't be with you, your penis is too big.’” “I've had shoots that just could not... you couldn't finish them because they couldn't take it.” “I've had a few of those just shooting content as well.” “That always sucks, man.” “You always want to finish it and have a good time.” “There will be girls that I'll shoot with and a turn off for me is if the girl is like struggling.” “Thankfully for me, my name's out there enough where girls kind of know what they're walking into.” “They prep for that.”

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Dredd explains what happens when women in the porn industry agree to shoot with him knowing exactly how big his p&nis is, including times when his size was too much for them to finish the scene. “Sometimes having a big isn't a great thing.” “I've had a woman literally leave me and said, ‘Hey, I can't be with you, your penis is too big.’” “I've had shoots that just could not... you couldn't finish them because they couldn't take it.” “I've had a few of those just shooting content as well.” “That always sucks, man.” “You always want to finish it and have a good time.” “There will be girls that I'll shoot with and a turn off for me is if the girl is like struggling.” “Thankfully for me, my name's out there enough where girls kind of know what they're walking into.” “They prep for that.”

The Jedi M@n 🧑‍🦯

284,714 görüntüleme • 12 gün önce

Ava Addams reveals the ultimate "goodbye" scene that studios refused to let her shoot "A lot of people are like, 'Are you out of your mind? We can't shoot that, that's kidnapping'" "I wanted to do a scene where like I get thrown into a trunk of the car and they put me in a room and I have like a hood on me, people just start f***ing me and have no idea who it is" "I just thought it would be kind of hot to like not know who's doing what to me... I kind of have a dark side to me I guess, you know, my little inner goth girl will always be there" "It's not kidnapping if you consented to it" "I had a real life stalker, not as crazy as this thank God. I just moved to a gated community and I still have security cuz I'm like, oh hell no. You can never be too safe" source : AvaAddams || Youtube show

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Ava Addams reveals the ultimate "goodbye" scene that studios refused to let her shoot "A lot of people are like, 'Are you out of your mind? We can't shoot that, that's kidnapping'" "I wanted to do a scene where like I get thrown into a trunk of the car and they put me in a room and I have like a hood on me, people just start f***ing me and have no idea who it is" "I just thought it would be kind of hot to like not know who's doing what to me... I kind of have a dark side to me I guess, you know, my little inner goth girl will always be there" "It's not kidnapping if you consented to it" "I had a real life stalker, not as crazy as this thank God. I just moved to a gated community and I still have security cuz I'm like, oh hell no. You can never be too safe" source : AvaAddams || Youtube show

Molaxbaby

2,414,386 görüntüleme • 1 ay önce

Elle Brooke reveals what really happened behind the scenes with Johnny Sins on Bangin’ with Chloe Veitch: "Have you ever had to stop in the middle of a shoot because it was too much?" "I’ve never fully stopped a scene, but with Johnny Sins, he was going so hard that I genuinely couldn't take it anymore." "Wait, what happened?!" "During the scene, I was screaming, 'Yes, harder, harder!' for the camera, but inside I was in pure agony. He was pounding into me with so much force that I finally had to tell him: 'You need to finish right now.'" "You had to tell him to finish?!" "Yes! I had to say, 'We need to wrap this up immediately,' because my insides literally felt completely ruined. There comes a point where your body just cannot take any more damage."

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Elle Brooke reveals what really happened behind the scenes with Johnny Sins on Bangin’ with Chloe Veitch: "Have you ever had to stop in the middle of a shoot because it was too much?" "I’ve never fully stopped a scene, but with Johnny Sins, he was going so hard that I genuinely couldn't take it anymore." "Wait, what happened?!" "During the scene, I was screaming, 'Yes, harder, harder!' for the camera, but inside I was in pure agony. He was pounding into me with so much force that I finally had to tell him: 'You need to finish right now.'" "You had to tell him to finish?!" "Yes! I had to say, 'We need to wrap this up immediately,' because my insides literally felt completely ruined. There comes a point where your body just cannot take any more damage."

𝗥𝘢n͎d̆̈o̥ͦ爪

660,652 görüntüleme • 2 gün önce

Adam22 and Dredd discuss male enhancement procedures and rumors surrounding size-increasing techniques on the No Jumper podcast: "Let me ask you this,In terms of men increasing the size of their hardware... how common is that, and what are the forms that you see it taking at this point?" "Bro, I don't know, I think in this day and age, we're close to doctors coming up with something that'll increase your size... Back in the day, when I would read Playboy or Hustler or Penthouse, they'd have these editorials about increasing your size, like taking a shoelace and tying it tight around your dick and stretching it.... crazy shit like that." "Tying a padlock to it and just letting it hang all day. You used to hear about that." "Right, same here" "It kind of makes sense to me" "It does! I tried it! Bro, I used to do that shit! So then some people would go, 'So then obviously it worked for you, right?' And I'm like, 'I don't know'... I don't know if there is a way to naturally do it." "But you hear about the injecting of silicone or goop or whatever. Do you think that's pretty common?" "I don't know, but dude, I think we are close to getting to a point where it will be common," "They're going to come up with some method for guys to just increase their shit, and I think it's going to add a whole new level to what's going on... But people ask me every day, 'How did you do it?'" "So they think you just did a really great job at managing the size or editing it," "For sure, in fact, there are people that speculate that what I did in my time off was... you know where I'm going. 'Oh, we know what he did when he took that time off, he went and got his dick redone'. And I'm like, 'Yo, think about what you're saying right now'." "Because that surgery where it's supposed to pull it out of your body is only supposed to add like an inch and a half or something," "Right. From when I got in the game, that's why I was in the game... because of my size. Every guy's dick is different... I got a distinct curve, and in my mind, if I was ever to go that route of getting a surgery, I'd have the straightest, most perfect dick. I'd want my money back if this is what I paid for!" "To think that there might one day be a surgery to remove a curve from your dick is kind of mind-blowing," "I've had a few guys hit me up going, 'Man, you know they have this procedure?' I said, 'Nah, man. I've been rolling with this my whole life, I'm not going to change anything up. This is how I'm going out'."

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Adam22 and Dredd discuss male enhancement procedures and rumors surrounding size-increasing techniques on the No Jumper podcast: "Let me ask you this,In terms of men increasing the size of their hardware... how common is that, and what are the forms that you see it taking at this point?" "Bro, I don't know, I think in this day and age, we're close to doctors coming up with something that'll increase your size... Back in the day, when I would read Playboy or Hustler or Penthouse, they'd have these editorials about increasing your size, like taking a shoelace and tying it tight around your dick and stretching it.... crazy shit like that." "Tying a padlock to it and just letting it hang all day. You used to hear about that." "Right, same here" "It kind of makes sense to me" "It does! I tried it! Bro, I used to do that shit! So then some people would go, 'So then obviously it worked for you, right?' And I'm like, 'I don't know'... I don't know if there is a way to naturally do it." "But you hear about the injecting of silicone or goop or whatever. Do you think that's pretty common?" "I don't know, but dude, I think we are close to getting to a point where it will be common," "They're going to come up with some method for guys to just increase their shit, and I think it's going to add a whole new level to what's going on... But people ask me every day, 'How did you do it?'" "So they think you just did a really great job at managing the size or editing it," "For sure, in fact, there are people that speculate that what I did in my time off was... you know where I'm going. 'Oh, we know what he did when he took that time off, he went and got his dick redone'. And I'm like, 'Yo, think about what you're saying right now'." "Because that surgery where it's supposed to pull it out of your body is only supposed to add like an inch and a half or something," "Right. From when I got in the game, that's why I was in the game... because of my size. Every guy's dick is different... I got a distinct curve, and in my mind, if I was ever to go that route of getting a surgery, I'd have the straightest, most perfect dick. I'd want my money back if this is what I paid for!" "To think that there might one day be a surgery to remove a curve from your dick is kind of mind-blowing," "I've had a few guys hit me up going, 'Man, you know they have this procedure?' I said, 'Nah, man. I've been rolling with this my whole life, I'm not going to change anything up. This is how I'm going out'."

CIP3R

166,529 görüntüleme • 9 gün önce

Draymond Green reflects on punching Jordan Poole: "For five seconds, I forgot where I was" “I've had a bunch of situations like that growing up. Sometimes I was the guy who get hit, sometimes I wasn't. Regardless, we move on. That's how I've always approached it” “So when that situation happened, I'm like, all right, cool. We move on. And then when we couldn't, I was like, huh?” “For a while, it made me think, man, this dude nothing like me. Because when those things happen, you just move on” “But it taught me so much. It taught me, you're right, he may not be like you. He ain't from where you from. The things you went through, the way you had to come up, he may not have came up like that” “For that five seconds, I forgot where I was at because I immediately went to what I know. But what you know don't really work here” “Everybody says, ‘Oh man, but you was 10 years in. You should know better.’ Still learning nine years in” “It's lessons like that that ultimately make me who I am to this day because, man, I fucked that up”

Draymond Green reflects on punching Jordan Poole: "For five seconds, I forgot where I was" “I've had a bunch of situations like that growing up. Sometimes I was the guy who get hit, sometimes I wasn't. Regardless, we move on. That's how I've always approached it” “So when that situation happened, I'm like, all right, cool. We move on. And then when we couldn't, I was like, huh?” “For a while, it made me think, man, this dude nothing like me. Because when those things happen, you just move on” “But it taught me so much. It taught me, you're right, he may not be like you. He ain't from where you from. The things you went through, the way you had to come up, he may not have came up like that” “For that five seconds, I forgot where I was at because I immediately went to what I know. But what you know don't really work here” “Everybody says, ‘Oh man, but you was 10 years in. You should know better.’ Still learning nine years in” “It's lessons like that that ultimately make me who I am to this day because, man, I fucked that up”

dank

866,389 görüntüleme • 3 ay önce

Natasha Nice admits that she still shoots for adult film studios because she's terrified of relying on independent content platforms "I'm afraid of the legal landscape of content creation. Because of what all the sites are going through having to prove legitimacy and age verification, any day now they could take it down. I don't want to be left in a situation where I have money that I can no longer rely on. I think I'm just scared. I stick with mainstream porn cause it's a little safer. It's like diversifying a portfolio."

Natasha Nice admits that she still shoots for adult film studios because she's terrified of relying on independent content platforms "I'm afraid of the legal landscape of content creation. Because of what all the sites are going through having to prove legitimacy and age verification, any day now they could take it down. I don't want to be left in a situation where I have money that I can no longer rely on. I think I'm just scared. I stick with mainstream porn cause it's a little safer. It's like diversifying a portfolio."

Nico

25,569 görüntüleme • 29 gün önce

Natasha Nice admits that she still shoots for adult film studios because she's terrified of relying on independent content platforms "I'm afraid of the legal landscape of content creation. Because of what all the sites are going through having to prove legitimacy and age verification, any day now they could take it down. I don't want to be left in a situation where I have money that I can no longer rely on. I think I'm just scared. I stick with mainstream porn cause it's a little safer. It's like diversifying a portfolio."

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Natasha Nice admits that she still shoots for adult film studios because she's terrified of relying on independent content platforms "I'm afraid of the legal landscape of content creation. Because of what all the sites are going through having to prove legitimacy and age verification, any day now they could take it down. I don't want to be left in a situation where I have money that I can no longer rely on. I think I'm just scared. I stick with mainstream porn cause it's a little safer. It's like diversifying a portfolio."

Chuks

243,017 görüntüleme • 29 gün önce

Bill Burr on Mass Surveillance: "They have this level of surveillance on us, not because of what we're doing, but because of what they are about to do. And they know the reaction that's going to happen. They've never had an army big enough to stop a revolution, but if you know what everybody's talking about and where they are at all times, you can just put out all these little fires."

Bill Burr on Mass Surveillance: "They have this level of surveillance on us, not because of what we're doing, but because of what they are about to do. And they know the reaction that's going to happen. They've never had an army big enough to stop a revolution, but if you know what everybody's talking about and where they are at all times, you can just put out all these little fires."

Orwell Day

64,287 görüntüleme • 5 gün önce

There are no words to justify the anger that I feel there are no words to explain the pain that my family went through. Like yeah, we made it out at the end of the day, but those scars are going to forever be on our hearts and in our minds. So when you hear people like me say that we want justice it’s because of what we lived through. Some people can pretend that it was a fever dream, but it was a harsh reality for a lot of us. the stories and the horror that people went through are flooding my comments on both social media platforms. The truth is out there now it can’t continue to be ignored. This can’t be something that just gets swept under the rug because if there is no accountability, if there is no justice, this will happen again.

There are no words to justify the anger that I feel there are no words to explain the pain that my family went through. Like yeah, we made it out at the end of the day, but those scars are going to forever be on our hearts and in our minds. So when you hear people like me say that we want justice it’s because of what we lived through. Some people can pretend that it was a fever dream, but it was a harsh reality for a lot of us. the stories and the horror that people went through are flooding my comments on both social media platforms. The truth is out there now it can’t continue to be ignored. This can’t be something that just gets swept under the rug because if there is no accountability, if there is no justice, this will happen again.

Ellie May❤️🤍💙

11,796 görüntüleme • 2 ay önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 görüntüleme • 8 ay önce

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”

dank

39,598 görüntüleme • 2 ay önce

Reggie opens up about the Clover Boyz not wanting to be a content group 😳 "I just feel like Clover, as a content group, they just don't want it no more as much as they did in the beginning." "I truly feel like the bros was only there for me in certain times where they felt like... a lot of people only be there for you when they feel like it's going to be beneficial to them later on." "I do feel like we at the point now where they just don't want it, and you can tell. That's why there's no group stuff."

Reggie opens up about the Clover Boyz not wanting to be a content group 😳 "I just feel like Clover, as a content group, they just don't want it no more as much as they did in the beginning." "I truly feel like the bros was only there for me in certain times where they felt like... a lot of people only be there for you when they feel like it's going to be beneficial to them later on." "I do feel like we at the point now where they just don't want it, and you can tell. That's why there's no group stuff."

yoxic

427,726 görüntüleme • 2 gün önce

Will Ferrell reveals he brought a briefcase of fake money to his meeting with Lorne Michaels “I had read a story how Adam Sandler had done some crazy bit, had a five-minute meeting and was hired on the spot. And I thought, be free, be yourself and just be crazy” “My version of craziness was, I bought a whole bunch of fake money from a novelty store. I had a briefcase, and I was gonna let him talk and just start piling money on his desk” “I was like, ‘Lorne, we can keep talking till the cows come home, but we know what really talks: money. I’m going to stack this money up on your desk. No one’s going to know. You can take it or leave it. It’s up to you’” “Then I was going to pack up my thing and walk out. That was going to be my meeting” “I walk in there with my briefcase and the atmosphere is like: not that. What comedian walks in with a briefcase? I’ve got my little briefcase and I’m, ‘Okay, so don’t do that. Throw out my entire audition’” “Lorne was like, ‘Steve, do you have anything you want to ask?’ He’s like, ‘Nice briefcase.’ I’m like, ‘Yeah, thanks. You have no idea’”

Will Ferrell reveals he brought a briefcase of fake money to his meeting with Lorne Michaels “I had read a story how Adam Sandler had done some crazy bit, had a five-minute meeting and was hired on the spot. And I thought, be free, be yourself and just be crazy” “My version of craziness was, I bought a whole bunch of fake money from a novelty store. I had a briefcase, and I was gonna let him talk and just start piling money on his desk” “I was like, ‘Lorne, we can keep talking till the cows come home, but we know what really talks: money. I’m going to stack this money up on your desk. No one’s going to know. You can take it or leave it. It’s up to you’” “Then I was going to pack up my thing and walk out. That was going to be my meeting” “I walk in there with my briefcase and the atmosphere is like: not that. What comedian walks in with a briefcase? I’ve got my little briefcase and I’m, ‘Okay, so don’t do that. Throw out my entire audition’” “Lorne was like, ‘Steve, do you have anything you want to ask?’ He’s like, ‘Nice briefcase.’ I’m like, ‘Yeah, thanks. You have no idea’”

Casper

1,742,422 görüntüleme • 2 ay önce

Trump: Do you ever go into a new home where you have a shower where the water doesn't come out of the shower head? They put a restrictor on. I took all the restrictors off. I took them off. I've had the experience. I take a shower. I want that beautiful head of hair to be nice and wet. Lather. I want it to be lathered beautifully. And I get the best stuff you can buy and I dump it all over and I'm, and then I turn on the water and the damn water drips out takes me, I can't get this stuff out of my hair, it’s a horrible thing. No, it's terrible. You turn on the sink and the faucet, you turn it and no water, practically no water comes. So you leave your hands under there. You're trying to get the water. Isn't that terrible? And these are areas that have a lot of water where they don't know what to do with it. It goes out to sea and we'll turn it back on

Trump: Do you ever go into a new home where you have a shower where the water doesn't come out of the shower head? They put a restrictor on. I took all the restrictors off. I took them off. I've had the experience. I take a shower. I want that beautiful head of hair to be nice and wet. Lather. I want it to be lathered beautifully. And I get the best stuff you can buy and I dump it all over and I'm, and then I turn on the water and the damn water drips out takes me, I can't get this stuff out of my hair, it’s a horrible thing. No, it's terrible. You turn on the sink and the faucet, you turn it and no water, practically no water comes. So you leave your hands under there. You're trying to get the water. Isn't that terrible? And these are areas that have a lot of water where they don't know what to do with it. It goes out to sea and we'll turn it back on

Headquarters

1,472,523 görüntüleme • 2 yıl önce

Whitney Webb "It sucks to find out that the mob runs the world... [so] do you want to say, screw you guys, we're going to... get off your... slave plantation?... [because] we can't really keep losing money and rights without being so deep in a hole that we can't... climb out" This clip of Webb (Whitney Webb), a contributing editor of Unlimited Hangout and author of One Nation Under Blackmail, is taken from an interview with Peter McCormack (The Peter McCormack Show) posted to YouTube on September 4, 2025. -----------------Partial transcription of clip-------------- "It's not just about burning it down, it's about putting something better in its place. Of course. And so I think the solutions there, you know, some people are like, oh, Whitney, your work is so demoralizing. Well, I'm like, yeah, it sucks to find out that the mob runs the world, you know, but the question is, or do you just want to let them keep running it because it bums you out, or do you want to say, screw you guys, we're going to build something else and get off your, you know, slave plantation? "And I am in the group of, I would like to build something else. I have three kids. I do not want them living in a world run by the mob. So what are you going to do about it? I mean, it starts locally, it starts with your community, because that's where we can actually affect change. Voting for left or right, blue or red. I mean, it's just this ping pong thing where nothing fundamental is changing. "And so to affect that change, we have to do it ourselves. And you think this would be a core American value? Individualism, individual responsibility. But a lot of people just don't care. And so, you know, that sucks. But I think those of us that do care need, to take steps to be as independent from the system as possible. Because every so often, this predator class, they do wealth transfers or they orchestrate and manufacture events and they make a big grab, not just for our money, but for our rights. And we're at the point where we can't really keep losing money and rights without being so deep in a hole that we can't climb ourself out. Can't climb out. "So what, what should we do before that happens? There is an important window of time to do something about it in our local community and for our families and our friends and our neighbors. And we have to do something because if we don't and that thing happens. Oh, well, I watched all these podcasts and learned about how corrupt everything is. But, you know, and I think they spend a lot of time trying to keep us distracted on all sorts of things and sucked into things that don't matter. So that we just don't give them the finger, basically. And that's what we really need to do."

Whitney Webb "It sucks to find out that the mob runs the world... [so] do you want to say, screw you guys, we're going to... get off your... slave plantation?... [because] we can't really keep losing money and rights without being so deep in a hole that we can't... climb out" This clip of Webb (Whitney Webb), a contributing editor of Unlimited Hangout and author of One Nation Under Blackmail, is taken from an interview with Peter McCormack (The Peter McCormack Show) posted to YouTube on September 4, 2025. -----------------Partial transcription of clip-------------- "It's not just about burning it down, it's about putting something better in its place. Of course. And so I think the solutions there, you know, some people are like, oh, Whitney, your work is so demoralizing. Well, I'm like, yeah, it sucks to find out that the mob runs the world, you know, but the question is, or do you just want to let them keep running it because it bums you out, or do you want to say, screw you guys, we're going to build something else and get off your, you know, slave plantation? "And I am in the group of, I would like to build something else. I have three kids. I do not want them living in a world run by the mob. So what are you going to do about it? I mean, it starts locally, it starts with your community, because that's where we can actually affect change. Voting for left or right, blue or red. I mean, it's just this ping pong thing where nothing fundamental is changing. "And so to affect that change, we have to do it ourselves. And you think this would be a core American value? Individualism, individual responsibility. But a lot of people just don't care. And so, you know, that sucks. But I think those of us that do care need, to take steps to be as independent from the system as possible. Because every so often, this predator class, they do wealth transfers or they orchestrate and manufacture events and they make a big grab, not just for our money, but for our rights. And we're at the point where we can't really keep losing money and rights without being so deep in a hole that we can't climb ourself out. Can't climb out. "So what, what should we do before that happens? There is an important window of time to do something about it in our local community and for our families and our friends and our neighbors. And we have to do something because if we don't and that thing happens. Oh, well, I watched all these podcasts and learned about how corrupt everything is. But, you know, and I think they spend a lot of time trying to keep us distracted on all sorts of things and sucked into things that don't matter. So that we just don't give them the finger, basically. And that's what we really need to do."

Sense Receptor

46,951 görüntüleme • 1 yıl önce

Qullamaggie’s Amazing Motivational Talk "Here is where I started trading. May 2011. Ever since I started reading or listening or watching financial media. All of these bears they always talk about what can go wrong, but no one ever talks about what can go right. We had a correction in 2015 and 2016, and yes there will be eventually a bear market. But what good is it to call a bear market if you’re wrong for five years? For 10 years? It’s just so stupid. Only thing one really needs to do is follow the price; all these worthless opinions, all the experts and these people - no one really knows anything. I’ve never traded this much size before. Like 3, 4 million dollar positions, so that’s kind of exhausting. But this was a good experience because now that’s how you take your trading to a new level; you have to force yourself to push size and get used to big PnL swings, you know. I see a lot of successful traders on Twitter - but they cannot push their size like they trade the same size they were trading 5, 7 years ago. They’re so deep in their comfort zone. Every year I want to increase my size, every year I want to get better, and bigger, and I’ve done it successfully for many years now. Personally, I just want to push my size to infinity, you know. That’s the only way. You have to push yourself.

Qullamaggie’s Amazing Motivational Talk "Here is where I started trading. May 2011. Ever since I started reading or listening or watching financial media. All of these bears they always talk about what can go wrong, but no one ever talks about what can go right. We had a correction in 2015 and 2016, and yes there will be eventually a bear market. But what good is it to call a bear market if you’re wrong for five years? For 10 years? It’s just so stupid. Only thing one really needs to do is follow the price; all these worthless opinions, all the experts and these people - no one really knows anything. I’ve never traded this much size before. Like 3, 4 million dollar positions, so that’s kind of exhausting. But this was a good experience because now that’s how you take your trading to a new level; you have to force yourself to push size and get used to big PnL swings, you know. I see a lot of successful traders on Twitter - but they cannot push their size like they trade the same size they were trading 5, 7 years ago. They’re so deep in their comfort zone. Every year I want to increase my size, every year I want to get better, and bigger, and I’ve done it successfully for many years now. Personally, I just want to push my size to infinity, you know. That’s the only way. You have to push yourself.

Lone

21,517 görüntüleme • 1 yıl önce

Charlie Sheen reveals he was spending $15,000 to $30,000 a day on crack "Yeah it was a lot. There was a moment where my supplier, my middleman, a guy named Marco, terrific guy, and his south of the border connection was where it was coming from" "They at one point said, 'We got to talk to your guy because we didn't give him permission to be a dealer'" "And it was like this moment where we had to convince them otherwise. They were like, 'Oh, okay. Well, geez. Is he okay?'"

Charlie Sheen reveals he was spending $15,000 to $30,000 a day on crack "Yeah it was a lot. There was a moment where my supplier, my middleman, a guy named Marco, terrific guy, and his south of the border connection was where it was coming from" "They at one point said, 'We got to talk to your guy because we didn't give him permission to be a dealer'" "And it was like this moment where we had to convince them otherwise. They were like, 'Oh, okay. Well, geez. Is he okay?'"

dank

3,101,158 görüntüleme • 3 ay önce

$ABCL CEO Carl Hansen explains the net negative overall value creation in biotech and how AbCellera plans to beat it: “I really think it can be beat because there’s a lot of mistakes that get made in where you allocate capital.” “If you’re a biotech and you start a company on a drug, and you go public and have a drug, and now the data is looking not that great, you just keep running that drug. … Because if you quit that drug, the company is done.” “So, because you’re so concentrated on one thing, you end up having blinders. It’s like a cult of a molecule. And even a real, practical, capital access problem that makes you continue to move things forward” ______________________________________ “Another problem is that many of the drugs that get started, get started by people who don’t understand the competitive or commercial landscape and have no intent of ever actually manufacturing it. … Because they know someone else is going to buy it. So then their framework is not ‘Am I making a drug that’s going to make a difference for people?’ The framework is ‘Can I make something that I think someone will take off my hands?’ And that happens a lot.” “There are many acquisitions where a big pharma company spends $10B, $20B, and it’s a complete bust. So really no value is generated for patients but someone was able to get a good exit on that because they anticipated what someone would want. And a lot of decision making gets done like that”. _______________________________________ “I’m not saying that we have this all solved. But what we’re trying to do is create a framework where we are able to take many bets so that we don’t fall in love with anything, or we don’t have to fall in love with anything. … And then always hold up very explicitly what we know and what we don’t know along the dimensions that matter. The dimensions that matter are - Will it work? That’s a science. - When it gets where will people care? - Is it differentiated? - Does it solve a big problem? In order to get it there, is there a path with our resources and expertise that would allow us to see it through?” “When you start to hold things up like that, you start to see where the mistakes are, where the uncertainties are, and you can be more rational in deciding ‘We’re going to run it to here because we get to flip the card and if the card goes the wrong way we’re going to kill it because we’ve got something else behind it.’” “I do think that if done right, and if you can pick the right opportunities, the success rate can be well higher than an order of magnitude better. … And there are examples of this… companies I’ve mentioned, you know, Regeneron, their success rate is at least 10x the industry in bringing programs forward and getting them approved. … So it’s… you can do it better that way”

$ABCL CEO Carl Hansen explains the net negative overall value creation in biotech and how AbCellera plans to beat it: “I really think it can be beat because there’s a lot of mistakes that get made in where you allocate capital.” “If you’re a biotech and you start a company on a drug, and you go public and have a drug, and now the data is looking not that great, you just keep running that drug. … Because if you quit that drug, the company is done.” “So, because you’re so concentrated on one thing, you end up having blinders. It’s like a cult of a molecule. And even a real, practical, capital access problem that makes you continue to move things forward” “Another problem is that many of the drugs that get started, get started by people who don’t understand the competitive or commercial landscape and have no intent of ever actually manufacturing it. … Because they know someone else is going to buy it. So then their framework is not ‘Am I making a drug that’s going to make a difference for people?’ The framework is ‘Can I make something that I think someone will take off my hands?’ And that happens a lot.” “There are many acquisitions where a big pharma company spends $10B, $20B, and it’s a complete bust. So really no value is generated for patients but someone was able to get a good exit on that because they anticipated what someone would want. And a lot of decision making gets done like that”. _ “I’m not saying that we have this all solved. But what we’re trying to do is create a framework where we are able to take many bets so that we don’t fall in love with anything, or we don’t have to fall in love with anything. … And then always hold up very explicitly what we know and what we don’t know along the dimensions that matter. The dimensions that matter are - Will it work? That’s a science. - When it gets where will people care? - Is it differentiated? - Does it solve a big problem? In order to get it there, is there a path with our resources and expertise that would allow us to see it through?” “When you start to hold things up like that, you start to see where the mistakes are, where the uncertainties are, and you can be more rational in deciding ‘We’re going to run it to here because we get to flip the card and if the card goes the wrong way we’re going to kill it because we’ve got something else behind it.’” “I do think that if done right, and if you can pick the right opportunities, the success rate can be well higher than an order of magnitude better. … And there are examples of this… companies I’ve mentioned, you know, Regeneron, their success rate is at least 10x the industry in bringing programs forward and getting them approved. … So it’s… you can do it better that way”

Jack Prescott

31,665 görüntüleme • 1 ay önce