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Dustin Hoffman on why he was so emotionally involved in 'Kramer Vs Kramer' (1978): "Interviewer: Which film have you been most emotionally involved in? Hoffman: Probably Kramer Vs Kramer. I was getting divorced. I waited until I was 31 before I got married and I never thought this would...

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DepressedBergman

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454,615 次观看 • 8 个月前 •via X (Twitter)

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David Cronenberg on why "The Brood" (1979) was his version of "Kramer vs. Kramer" (1979): "Samantha Eggar really understood 'The Brood' (1979); she said that it reminded her of her own childhood. To me that meant she was seeing past the horror fantasy elements to the psychological elements, which were really the basic underpinning of the movie. I’ve said this ad nauseam, but 'The Brood' was my version of 'Kramer Vs Kramer' (1979). I was really trying to get to the reality, with a capital R, which is why I have disdain for Kramer. I think it’s false, fake, candy. There are unbelievable, ridiculous moments in it that to me are emotionally completely false, if you’ve ever gone through anything like that. 'The Brood' got to the real nightmare, horrific, unbelievable inner life of that situation. I’m not being facetious when I say I think it’s more realistic, even more naturalistic, than Kramer. I felt that bad. It was that horrible, that damaging. That’s why it had to be made then; it wanted to be made full blast. Getting philosophical and mellow, you make another movie. The reality needed to be expressed in what, if you’re a critic, are symbolic terms. I can’t remember if I tried a more obviously naturalistic version of it, but that wouldn’t have satisfied me. It wouldn’t have been cathartic enough. 'Kramer Vs Kramer' also had a kind of happy ending. Not my version of that situation." (Cronenberg on Cronenberg', 1992) "'The Brood' was ‘my version of Kramer vs. Kramer’, which was a movie about a divorce with a child involved, a Hollywood version of that situation with Meryl Streep and Dustin Hoffman, that was very popular then. I thought 'Kramer vs Kramer' was the most false, sentimental, bullsh!t movie ever — and people were loving it, you know. That also made me realise, in a very forceful way, that you could make a movie that had people weeping and crying and very emotional but which was a complete lie — and that it would sell, and I didn’t ever want to do that." ("David Cronenberg: Interviews with Serge Grünberg", 1992) P.S: "Kramer vs. Kramer" was only released in December, 1979. I believe Cronenberg might be confusing reading the 'Kramer vs. Kramer' novel with watching the movie before making 'The Brood'. The quote doesn't make sense in some parts. On this day, 47 years ago, "The Brood" (1979) premiered in Chicago, Illinois.
1:19

David Cronenberg on why "The Brood" (1979) was his version of "Kramer vs. Kramer" (1979): "Samantha Eggar really understood 'The Brood' (1979); she said that it reminded her of her own childhood. To me that meant she was seeing past the horror fantasy elements to the psychological elements, which were really the basic underpinning of the movie. I’ve said this ad nauseam, but 'The Brood' was my version of 'Kramer Vs Kramer' (1979). I was really trying to get to the reality, with a capital R, which is why I have disdain for Kramer. I think it’s false, fake, candy. There are unbelievable, ridiculous moments in it that to me are emotionally completely false, if you’ve ever gone through anything like that. 'The Brood' got to the real nightmare, horrific, unbelievable inner life of that situation. I’m not being facetious when I say I think it’s more realistic, even more naturalistic, than Kramer. I felt that bad. It was that horrible, that damaging. That’s why it had to be made then; it wanted to be made full blast. Getting philosophical and mellow, you make another movie. The reality needed to be expressed in what, if you’re a critic, are symbolic terms. I can’t remember if I tried a more obviously naturalistic version of it, but that wouldn’t have satisfied me. It wouldn’t have been cathartic enough. 'Kramer Vs Kramer' also had a kind of happy ending. Not my version of that situation." (Cronenberg on Cronenberg', 1992) "'The Brood' was ‘my version of Kramer vs. Kramer’, which was a movie about a divorce with a child involved, a Hollywood version of that situation with Meryl Streep and Dustin Hoffman, that was very popular then. I thought 'Kramer vs Kramer' was the most false, sentimental, bullsh!t movie ever — and people were loving it, you know. That also made me realise, in a very forceful way, that you could make a movie that had people weeping and crying and very emotional but which was a complete lie — and that it would sell, and I didn’t ever want to do that." ("David Cronenberg: Interviews with Serge Grünberg", 1992) P.S: "Kramer vs. Kramer" was only released in December, 1979. I believe Cronenberg might be confusing reading the 'Kramer vs. Kramer' novel with watching the movie before making 'The Brood'. The quote doesn't make sense in some parts. On this day, 47 years ago, "The Brood" (1979) premiered in Chicago, Illinois.

DepressedBergman

27,969 次观看 • 2 个月前

"There is one woman and one man in a room and he asked her, if this was our last conversation what would you never want me to forget? And she answered, that I am who I am because of you. So I want to say to you, that I am who I am because of you atiny." 😭
1:17

"There is one woman and one man in a room and he asked her, if this was our last conversation what would you never want me to forget? And she answered, that I am who I am because of you. So I want to say to you, that I am who I am because of you atiny." 😭

san archive

69,030 次观看 • 1 年前

Just listened to Erika Kirk on with Sean Hannity, and wow. “We check in with each other every single day, ‘How can I serve you better? What can I do for you to make it better when you get home? Is there anything that you need me to have ready for you?’ He asks me the same thing… You are a team and you guys are not at ends with each other. Work together, communicate, and grow together as an equally yoked partnership.” “He genuinely cared about how he could improve himself as a husband… ‘I wanna serve you because I love you and I wanna make sure that I can be the provider that you need spiritually, emotionally, and every other way with the children.’ We never looked at each other as competing roles… There was no daylight between us.” “We were always in lockstep with the Lord. We were equally yoked when we got married and we remained that way because our full focus and our full through line was the Lord… We had a fire at the covenant when we got married. That was not something that was just, ‘Oh, this is so cute.’ This is a big deal.” “And yes, there is some pain in that is deep pain… but the love that Charlie and I had and still have is something that transcends this world and into heaven. And that’s why I still feel so connected to him.” She’s now carrying forward the last book Charlie poured his life into the same wisdom he lived every day at home: put your phone down, pour into your family, lead with faith, serve the people God gave you. Death tried to silence him. Instead it just handed Erika the megaphone. Their marriage is still speaking. Their covenant is still winning. And every couple who grabs that book and starts asking “How can I serve you better today?” is proof the story isn’t over. The best chapters are still being written.
4:10

Just listened to Erika Kirk on with Sean Hannity, and wow. “We check in with each other every single day, ‘How can I serve you better? What can I do for you to make it better when you get home? Is there anything that you need me to have ready for you?’ He asks me the same thing… You are a team and you guys are not at ends with each other. Work together, communicate, and grow together as an equally yoked partnership.” “He genuinely cared about how he could improve himself as a husband… ‘I wanna serve you because I love you and I wanna make sure that I can be the provider that you need spiritually, emotionally, and every other way with the children.’ We never looked at each other as competing roles… There was no daylight between us.” “We were always in lockstep with the Lord. We were equally yoked when we got married and we remained that way because our full focus and our full through line was the Lord… We had a fire at the covenant when we got married. That was not something that was just, ‘Oh, this is so cute.’ This is a big deal.” “And yes, there is some pain in that is deep pain… but the love that Charlie and I had and still have is something that transcends this world and into heaven. And that’s why I still feel so connected to him.” She’s now carrying forward the last book Charlie poured his life into the same wisdom he lived every day at home: put your phone down, pour into your family, lead with faith, serve the people God gave you. Death tried to silence him. Instead it just handed Erika the megaphone. Their marriage is still speaking. Their covenant is still winning. And every couple who grabs that book and starts asking “How can I serve you better today?” is proof the story isn’t over. The best chapters are still being written.

Gunther Eagleman™

98,771 次观看 • 8 个月前

Candace to Erika: “you just got lucky and there Charlie was at the airport in Israel. And you saw him. And your mom said ‘go up to him.’ Because your mom’s a pusher. I always thought it was so strange how you never mentioned that I was at the airport with Charlie. You never said, ‘I saw Charlie with Candace.’ Because we were actually together on that trip.” Ok I’ve never been more convinced this woman was in love with Charlie. I can assure you that if another woman met the man she was going to marry while that man was on a business trip with me, and then proceeded to cut me out of their meeting story, I would feel absolutely nothing. This isn’t a thing women care about. Unless they’re in love. The fact that Charlie was on a platonic trip with Candace when Erika met him is irrelevant to both Charlie and Erika. What matters is that they met and fell in love and married. Everyone around becomes tertiary—especially when that person didn’t set you guys up or anything.
0:33

Candace to Erika: “you just got lucky and there Charlie was at the airport in Israel. And you saw him. And your mom said ‘go up to him.’ Because your mom’s a pusher. I always thought it was so strange how you never mentioned that I was at the airport with Charlie. You never said, ‘I saw Charlie with Candace.’ Because we were actually together on that trip.” Ok I’ve never been more convinced this woman was in love with Charlie. I can assure you that if another woman met the man she was going to marry while that man was on a business trip with me, and then proceeded to cut me out of their meeting story, I would feel absolutely nothing. This isn’t a thing women care about. Unless they’re in love. The fact that Charlie was on a platonic trip with Candace when Erika met him is irrelevant to both Charlie and Erika. What matters is that they met and fell in love and married. Everyone around becomes tertiary—especially when that person didn’t set you guys up or anything.

Natalie Jean Beisner

1,865,118 次观看 • 5 个月前

Rebecca Ferguson reveals she literally banned a co-star from her set for being an 'absolute idiot' "I did a film with an absolute idiot of a co-star" "I was so vulnerable and comfortable that I got screamed at." "But because this person was number one on a call sheet, there was no safety net for me." "This person would literally look at me in front of the whole crew and say, 'you call yourself an actor? this is what I have to work with?'" "The next day I walked on and I said, 'you get off my set.'" "I looked at this person and I said, 'you can F off. I'm going to work towards a tennis ball I never want to see you again.'" "The producers came up and said you can't do this to number one, we have to let this person be on set." "And I said, 'but the person can turn around and I can act to the back head.' And I did." "This human being was being so insecure and angry because this person couldn't get the scenes out"
0:58

Rebecca Ferguson reveals she literally banned a co-star from her set for being an 'absolute idiot' "I did a film with an absolute idiot of a co-star" "I was so vulnerable and comfortable that I got screamed at." "But because this person was number one on a call sheet, there was no safety net for me." "This person would literally look at me in front of the whole crew and say, 'you call yourself an actor? this is what I have to work with?'" "The next day I walked on and I said, 'you get off my set.'" "I looked at this person and I said, 'you can F off. I'm going to work towards a tennis ball I never want to see you again.'" "The producers came up and said you can't do this to number one, we have to let this person be on set." "And I said, 'but the person can turn around and I can act to the back head.' And I did." "This human being was being so insecure and angry because this person couldn't get the scenes out"

Rixlerr

3,407,468 次观看 • 1 个月前

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)
1:23

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 次观看 • 7 个月前

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo
4:33

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo

ROSALÍA archive

84,513 次观看 • 4 个月前

"Is there one that got away, is there a no that you above everything else, really regret?" "...300...That was like a story my grandmother used to tell me as a kid, she always told me Greek myth stories. She was a classics professor, and I was so close to it that I thought we should do it for real, and I saw this comic book, the Miller book, and I thought, 'Oh come on. You can't do it like that.'" "Does it make you feel better, I did too. Because we had Zack Snyder off of Dawn of the Dead. And we had a book that we were developing in the same space with another prominent filmmaker, and we felt like we couldn't do it. "'Ridley Scott should do it! Ridley Scott should do it like Gladiator!'" "It wasn't obvious, and I mean kudos to you guys because it wasn't obvious until it was obvious, right?" "At the time when Zack Snyder came in, I said 'Okay, are there swords in this movie, yes. Are there sandals, arrows, yes, shields, yes.' I said, 'Come on, we just did Troy 20 minutes ago. How could we do that?'" And we took partners in it."
1:21

"Is there one that got away, is there a no that you above everything else, really regret?" "...300...That was like a story my grandmother used to tell me as a kid, she always told me Greek myth stories. She was a classics professor, and I was so close to it that I thought we should do it for real, and I saw this comic book, the Miller book, and I thought, 'Oh come on. You can't do it like that.'" "Does it make you feel better, I did too. Because we had Zack Snyder off of Dawn of the Dead. And we had a book that we were developing in the same space with another prominent filmmaker, and we felt like we couldn't do it. "'Ridley Scott should do it! Ridley Scott should do it like Gladiator!'" "It wasn't obvious, and I mean kudos to you guys because it wasn't obvious until it was obvious, right?" "At the time when Zack Snyder came in, I said 'Okay, are there swords in this movie, yes. Are there sandals, arrows, yes, shields, yes.' I said, 'Come on, we just did Troy 20 minutes ago. How could we do that?'" And we took partners in it."

Zack Snyder Film

129,263 次观看 • 7 个月前

#ฟรีนเบค #FreenBecky #เสน่หาวาโย #4Elements 🐰: …acting and working together as a team... everyone, it’s like we’ve been filming for so long with all four stories, i feel that everyone is incredibly talented, we’ve finally made it through to this point. but this isn’t the ‘end’ of the project, because there are still the air and the fire coming up, and right now, the story of p’nam is airing. i can really feel the warmth and the unity of this group, which is something i never thought i’d see anywhere else quite like this. it was unexpected and has far exceeded my expectations. so i want to tell everyone, please don’t forget to be very proud of yourselves, as we are all doing an amazing job. i hope each of you achieves success in the way you truly want to. i hope this story becomes something that stays in everyone’s memories forever. thank you to everyone involved. thank you so much!
0:59

#ฟรีนเบค #FreenBecky #เสน่หาวาโย #4Elements 🐰: …acting and working together as a team... everyone, it’s like we’ve been filming for so long with all four stories, i feel that everyone is incredibly talented, we’ve finally made it through to this point. but this isn’t the ‘end’ of the project, because there are still the air and the fire coming up, and right now, the story of p’nam is airing. i can really feel the warmth and the unity of this group, which is something i never thought i’d see anywhere else quite like this. it was unexpected and has far exceeded my expectations. so i want to tell everyone, please don’t forget to be very proud of yourselves, as we are all doing an amazing job. i hope each of you achieves success in the way you truly want to. i hope this story becomes something that stays in everyone’s memories forever. thank you to everyone involved. thank you so much!

S 🦦

16,701 次观看 • 4 个月前

Reporter: The FIFA decision. Millions of American soccer fans are obviously very happy, but what do you say to the critics who say this sets a precedent that other powerful leaders— Trump: Well, I don’t know. I mean, I can only say this: I had nothing to do with the decision. What I did do is say, “I think that should be reviewed,” because I watched the play, and he didn’t do anything wrong. You’ve got to look at it. By the way, if he did, I’d probably feel differently. If he punched him in the face or did something wrong… I thought your young, wonderful basketball player, Caitlin—I thought she was treated rather rough, if you want to know the truth. That was a much different kind of an event. That was a pretty bad event. But in this case, he didn’t do anything wrong. Two people ran into each other. And by the way, if you look at that game, there were 10 instances that were much rougher than that. So I think it starts with the fact that it shouldn’t have been a foul. Then you have to look at the person who raised the card, and that’s up to you people. You look at it. But I didn’t think it was very good because it was not good.
1:56

Reporter: The FIFA decision. Millions of American soccer fans are obviously very happy, but what do you say to the critics who say this sets a precedent that other powerful leaders— Trump: Well, I don’t know. I mean, I can only say this: I had nothing to do with the decision. What I did do is say, “I think that should be reviewed,” because I watched the play, and he didn’t do anything wrong. You’ve got to look at it. By the way, if he did, I’d probably feel differently. If he punched him in the face or did something wrong… I thought your young, wonderful basketball player, Caitlin—I thought she was treated rather rough, if you want to know the truth. That was a much different kind of an event. That was a pretty bad event. But in this case, he didn’t do anything wrong. Two people ran into each other. And by the way, if you look at that game, there were 10 instances that were much rougher than that. So I think it starts with the fact that it shouldn’t have been a foul. Then you have to look at the person who raised the card, and that’s up to you people. You look at it. But I didn’t think it was very good because it was not good.

Acyn

109,598 次观看 • 1 个月前

Things that YinWar like about each other Yin: I like you bcz you're harmless, I can feel it from my heart and you are a lovely/cute person War: I like you because you are a person who is dedicated and serious about your work Yin: I like you bcz you are a person who gives great talent and brilliant ideas, only 2% of people have his skills War: I like you because this is a good time. The past 6 years have been so good for me, they mean a lot to me. And you were there every time *Yin said it was profund and asked permission to look away* Yin: I like you bcz throughout the time we've been together, you have also been by my side. At first I could feel it 2hen I said I was upsate, but in reality, you were really by side *Yin pointed out that War was about to cry* War: I like you because you make me feel lucky to have a partner like you. I feel very lucky #MyAmbulovexYinWar YINWAR X GOYNATTYDREAM
1:59

Things that YinWar like about each other Yin: I like you bcz you're harmless, I can feel it from my heart and you are a lovely/cute person War: I like you because you are a person who is dedicated and serious about your work Yin: I like you bcz you are a person who gives great talent and brilliant ideas, only 2% of people have his skills War: I like you because this is a good time. The past 6 years have been so good for me, they mean a lot to me. And you were there every time *Yin said it was profund and asked permission to look away* Yin: I like you bcz throughout the time we've been together, you have also been by my side. At first I could feel it 2hen I said I was upsate, but in reality, you were really by side *Yin pointed out that War was about to cry* War: I like you because you make me feel lucky to have a partner like you. I feel very lucky #MyAmbulovexYinWar YINWAR X GOYNATTYDREAM

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41,751 次观看 • 1 年前

Philip Seymour Hoffman on getting sober at 22: In this interview, Hoffman is asked about his decision to stop drinking and using drugs. The interviewer notes he went into rehab early, at 25. Hoffman corrects him. "I got sober. I was 22 years old." When asked whether it was drugs or alcohol, he doesn't hedge: "Yes. All that stuff. Anything I get my hands on. I liked it all." Then the interviewer asks the real question: Why did he decide to stop? His answer comes down to a single word, repeated: "You get panicked. You get panicked. I was 22 and I got panicked for my life." He's careful not to dramatise it. But he explains what that panic was really about. It wasn't abstract. It was the fear that the life he wanted was slipping out of reach: "Whatever I was doing made me worry if I was going to be able to do the things I wanted to do with my life. And I was putting myself in situations and predicaments that were dangerous." What stayed with him, even years later, was the clarity of that moment at 22: "I do remember thinking there's things I want to do, you know, there's things I want to do and I'm not going to do them. If I keep doing this, it's not going to happen."
1:14

Philip Seymour Hoffman on getting sober at 22: In this interview, Hoffman is asked about his decision to stop drinking and using drugs. The interviewer notes he went into rehab early, at 25. Hoffman corrects him. "I got sober. I was 22 years old." When asked whether it was drugs or alcohol, he doesn't hedge: "Yes. All that stuff. Anything I get my hands on. I liked it all." Then the interviewer asks the real question: Why did he decide to stop? His answer comes down to a single word, repeated: "You get panicked. You get panicked. I was 22 and I got panicked for my life." He's careful not to dramatise it. But he explains what that panic was really about. It wasn't abstract. It was the fear that the life he wanted was slipping out of reach: "Whatever I was doing made me worry if I was going to be able to do the things I wanted to do with my life. And I was putting myself in situations and predicaments that were dangerous." What stayed with him, even years later, was the clarity of that moment at 22: "I do remember thinking there's things I want to do, you know, there's things I want to do and I'm not going to do them. If I keep doing this, it's not going to happen."

History Nerd

94,949 次观看 • 1 个月前

#PraewTalkTVxForceBook #ForceBook #fforce_ #kasibook 🎤: Im just curious, because Im a woman myself, so you guys are friends w e/o, and then you work together, especially because its a boy-love project, you guys must have had to adjust a lot innerly about how you communicate your relationship and feelings. I mean like adjusting yourself to feel that way 🦊: How to tune into the characters right? 🎤: That’s right, to become the characters. Was it hard, given that you guys are really close to each other? Was it hard to break down that barrier? 🍅: It was hard in the beginning 🦊: I thought it was hard too 🍅: I remembered playing with Force for the very first time, our kiss scene 🎤: How did you feel? 🍅: So we kissed and as soon as it was over, we each sat in our own corner like this 🦊: Blanking out 🍅: And it took us 5 days to finally reconvene and talk about it and it went something like “Force, that day I felt like that.” I went home and sat… 🎤: Reflecting on yourself? 🍅: Yep reflecting on myself, and Force was like that too 🦊: Yep I did the same thing 🍅: Which I still think is so funny up until now 🦊: Yep, I can still remember that day, after filming the kiss scene and all, I went home and stared at the ceiling like this… 🎤: 555 Like it was eye opening to you? 🍅: Book was sitting like this… *hugging his knees* thinking like “Hmmm… So what was that?” 5555 🦊: Ive been living for 24 years and I just kissed a boy, something like that. I’ll admit that, I came prepared for work. I mean like, I came prepared both mentally and physically, knowing this was the work that I was supposed to do. But then when I came to the real set and did it for real for real, it was a kind of feeling that got stuck behind. So I kept thinking about it nonstop. But then in the end, I though that, well we both want the best for each other, and we’re friends. So why make a fuss? We can just love each other like normal. It’s just the unfamiliarity at the very beginning, like a change of sort, because we’ve never done that before, it’s something new to both of us. So I think it’s not strange for us to feel nervous and anxious at the beginning 🎤: So being in characters help leading the way too. But its just that first sense of actual physical contact that might have had you taken aback, just a bit, just because it was eye-opening to both of you 🦊🍅: It was our first time too 🎤: Yep that’s true. I was just curious because I feel like if it was 2 strangers coming in not knowing anything about each other, maybe it would be easier 🍅: Yep it might be easier 🎤: Yep, like for me, if you were to tell me to do GL with my friends right now 🍅: It might take you a while too 🎤: Yep, I might need quite some time to tune into it, so I just wanted to know how it was like for both of you 🍅: It was like that for us too
2:11

#PraewTalkTVxForceBook #ForceBook #fforce_ #kasibook 🎤: Im just curious, because Im a woman myself, so you guys are friends w e/o, and then you work together, especially because its a boy-love project, you guys must have had to adjust a lot innerly about how you communicate your relationship and feelings. I mean like adjusting yourself to feel that way 🦊: How to tune into the characters right? 🎤: That’s right, to become the characters. Was it hard, given that you guys are really close to each other? Was it hard to break down that barrier? 🍅: It was hard in the beginning 🦊: I thought it was hard too 🍅: I remembered playing with Force for the very first time, our kiss scene 🎤: How did you feel? 🍅: So we kissed and as soon as it was over, we each sat in our own corner like this 🦊: Blanking out 🍅: And it took us 5 days to finally reconvene and talk about it and it went something like “Force, that day I felt like that.” I went home and sat… 🎤: Reflecting on yourself? 🍅: Yep reflecting on myself, and Force was like that too 🦊: Yep I did the same thing 🍅: Which I still think is so funny up until now 🦊: Yep, I can still remember that day, after filming the kiss scene and all, I went home and stared at the ceiling like this… 🎤: 555 Like it was eye opening to you? 🍅: Book was sitting like this… *hugging his knees* thinking like “Hmmm… So what was that?” 5555 🦊: Ive been living for 24 years and I just kissed a boy, something like that. I’ll admit that, I came prepared for work. I mean like, I came prepared both mentally and physically, knowing this was the work that I was supposed to do. But then when I came to the real set and did it for real for real, it was a kind of feeling that got stuck behind. So I kept thinking about it nonstop. But then in the end, I though that, well we both want the best for each other, and we’re friends. So why make a fuss? We can just love each other like normal. It’s just the unfamiliarity at the very beginning, like a change of sort, because we’ve never done that before, it’s something new to both of us. So I think it’s not strange for us to feel nervous and anxious at the beginning 🎤: So being in characters help leading the way too. But its just that first sense of actual physical contact that might have had you taken aback, just a bit, just because it was eye-opening to both of you 🦊🍅: It was our first time too 🎤: Yep that’s true. I was just curious because I feel like if it was 2 strangers coming in not knowing anything about each other, maybe it would be easier 🍅: Yep it might be easier 🎤: Yep, like for me, if you were to tell me to do GL with my friends right now 🍅: It might take you a while too 🎤: Yep, I might need quite some time to tune into it, so I just wanted to know how it was like for both of you 🍅: It was like that for us too

Khenh 🖤

133,049 次观看 • 8 个月前

Interviewer: "Men cheating is way worse than women cheating." First Woman: "Men cheating is way worse than women cheating." Interviewer: "False. Why?" First Woman: "A man cheats without a reason. A woman always has a reason." Man in Mesh Top: "When a man cheats, it's because he's thinking about one thing and that's all it is. A woman has to be fed up, tired, done, before she emotionally even gets close enough to a man for her to want to cheat with him." Third Speaker (Guy in street): "Men and women cheat for different reasons. Men cheat because they're impulsive James J. Sexton: "I mean, I got to tell you, I don't like the phrasing of it, but I can't argue with the concept." Host: "Really? I thought you were going to disagree with that one. James J. Sexton: "No, I mean, look, I don't think the way they parsed it is correct, which is that women never like, men, it's always an impulsive act, and women, it's never an impulsive act. Because I think sometimes alcohol gets involved, and sometimes people make bad decisions. But I will say that, yeah, I mean, I have had a lot more women I've dealt with a lot of, I've had a lot of clients that have cheated that were male, a lot of clients that have cheated that were women, okay? And have been caught, or who left for the paramour or whatever it might be. So I've seen this from every angle. I represent the cheater and the cheated-on. I've really been through all of the permutations of this." "A lot of the men, by an order of magnitude, say, 'Yeah, this had nothing to do with my wife. This was just like, yeah, I was just distracted. It was like a shiny object and I went after it. Like it really was like a moment of weakness.' Or it was like, 'Yeah, I just like, I don't know, I wasn't getting enough s*x, and I didn't have the courage to have the conversation about that, so I just ended up meeting my needs outside of...' Host: "But isn't that a reason?" James J. Sexton: "Of course! I mean, there's a chapter in my book called 'Go Without or Go Elsewhere.'" Host: "Yeah." James J. Sexton: "Which basically says like, if your partner's not meeting your needs sexually, you either have to go without which no one likes or go elsewhere, which always ends in bad things. So the goal should be to try to keep your relationship in a place where you don't ever have to go without or go elsewhere, where you can share with your partner what it is that you need s*xually, and openly and honestly have discussions about how you can meet each other's sexual needs, especially if you've decided, 'We are going to only sleep with each other'bwhich you don't have to decide! But you've decided that. So if you've decided that, and you've said, 'You're the only person allowed to do this job,' then take the job seriously and try to be good at it. Because if you're the only person if you're saying to me,'The only person I'm allowed to sleep with is you,' then you have to sleep with me. That's how that works! Because otherwise, we're going to delegate that responsibility to somebody else. Because the other option is just 'go without,' and nobody wants to go without."
3:12

Sensitive content

Interviewer: "Men cheating is way worse than women cheating." First Woman: "Men cheating is way worse than women cheating." Interviewer: "False. Why?" First Woman: "A man cheats without a reason. A woman always has a reason." Man in Mesh Top: "When a man cheats, it's because he's thinking about one thing and that's all it is. A woman has to be fed up, tired, done, before she emotionally even gets close enough to a man for her to want to cheat with him." Third Speaker (Guy in street): "Men and women cheat for different reasons. Men cheat because they're impulsive James J. Sexton: "I mean, I got to tell you, I don't like the phrasing of it, but I can't argue with the concept." Host: "Really? I thought you were going to disagree with that one. James J. Sexton: "No, I mean, look, I don't think the way they parsed it is correct, which is that women never like, men, it's always an impulsive act, and women, it's never an impulsive act. Because I think sometimes alcohol gets involved, and sometimes people make bad decisions. But I will say that, yeah, I mean, I have had a lot more women I've dealt with a lot of, I've had a lot of clients that have cheated that were male, a lot of clients that have cheated that were women, okay? And have been caught, or who left for the paramour or whatever it might be. So I've seen this from every angle. I represent the cheater and the cheated-on. I've really been through all of the permutations of this." "A lot of the men, by an order of magnitude, say, 'Yeah, this had nothing to do with my wife. This was just like, yeah, I was just distracted. It was like a shiny object and I went after it. Like it really was like a moment of weakness.' Or it was like, 'Yeah, I just like, I don't know, I wasn't getting enough s*x, and I didn't have the courage to have the conversation about that, so I just ended up meeting my needs outside of...' Host: "But isn't that a reason?" James J. Sexton: "Of course! I mean, there's a chapter in my book called 'Go Without or Go Elsewhere.'" Host: "Yeah." James J. Sexton: "Which basically says like, if your partner's not meeting your needs sexually, you either have to go without which no one likes or go elsewhere, which always ends in bad things. So the goal should be to try to keep your relationship in a place where you don't ever have to go without or go elsewhere, where you can share with your partner what it is that you need s*xually, and openly and honestly have discussions about how you can meet each other's sexual needs, especially if you've decided, 'We are going to only sleep with each other'bwhich you don't have to decide! But you've decided that. So if you've decided that, and you've said, 'You're the only person allowed to do this job,' then take the job seriously and try to be good at it. Because if you're the only person if you're saying to me,'The only person I'm allowed to sleep with is you,' then you have to sleep with me. That's how that works! Because otherwise, we're going to delegate that responsibility to somebody else. Because the other option is just 'go without,' and nobody wants to go without."

Hecto Crypto | NetLink ⛓

232,922 次观看 • 26 天前

Philip Seymour Hoffman on the moment he realized he had to get sober. In an interview, Hoffman was asked about entering rehab at a young age. The interviewer mentioned he was 25, but Hoffman quickly corrected him. "I got sober. I was 22 years old." When asked whether it was drugs or alcohol, he didn't hesitate: "Yes. All that stuff. Anything I get my hands on. I liked it all." Then came the obvious question: Why did he stop? His answer centered on one feeling: "You get panicked. You get panicked. I was 22 and I got panicked for my life." He didn't describe it as a dramatic turning point. Instead, he explained that he feared he was losing the future he wanted. "Whatever I was doing made me worry if I was going to be able to do the things I wanted to do with my life. And I was putting myself in situations and predicaments that were dangerous." Years later, he still remembered the clarity of that realization. "I do remember thinking there's things I want to do, you know, there's things I want to do and I'm not going to do them. If I keep doing this, it's not going to happen." Source: 60 Minutes interview with Steve Kroft (2012)
1:14

Philip Seymour Hoffman on the moment he realized he had to get sober. In an interview, Hoffman was asked about entering rehab at a young age. The interviewer mentioned he was 25, but Hoffman quickly corrected him. "I got sober. I was 22 years old." When asked whether it was drugs or alcohol, he didn't hesitate: "Yes. All that stuff. Anything I get my hands on. I liked it all." Then came the obvious question: Why did he stop? His answer centered on one feeling: "You get panicked. You get panicked. I was 22 and I got panicked for my life." He didn't describe it as a dramatic turning point. Instead, he explained that he feared he was losing the future he wanted. "Whatever I was doing made me worry if I was going to be able to do the things I wanted to do with my life. And I was putting myself in situations and predicaments that were dangerous." Years later, he still remembered the clarity of that realization. "I do remember thinking there's things I want to do, you know, there's things I want to do and I'm not going to do them. If I keep doing this, it's not going to happen." Source: 60 Minutes interview with Steve Kroft (2012)

History Nerd

65,222 次观看 • 22 天前

"He got down on one knee and I started crying immediately because it was so charming and moving. He was like, "I wanted to do it like this because the reason I want to marry you is that I want normalcy. I want you in your big T-shirt and no makeup. I want a life life."
1:20

"He got down on one knee and I started crying immediately because it was so charming and moving. He was like, "I wanted to do it like this because the reason I want to marry you is that I want normalcy. I want you in your big T-shirt and no makeup. I want a life life."

Naya🌙

12,261 次观看 • 6 个月前

Sharon Stone says her marriage ended in the room after her husband became furious over her decision to have breast surgery “The doctor had come out to my house and said, ‘Look, we think you should have a bilateral mastectomy. This is really bad. And usually when they’re all the way up into here, we know before we go in that they’re cancer’” “And I said, ‘I don’t have cancer.’ And he said, ‘You don’t get to decide that’” “And I said, ‘I do. I do get to decide that. I’m deciding. But I am deciding that I will have a bilateral because I’m not f*cking around’” “And my husband said, ‘This is ridiculous,’ and got up and left the room” David: “Which part was ridiculous?” Sharon: “That I would have a bilateral. He was furious” David: “Not that the cancer, if it was true, might kill you? He was mad about the breasts being removed” Sharon: “And so the doctor said to him, ‘If I had more patients like her, we’d have more women alive today. You need to sit down’” “And I said, ‘I make the decisions, not you.’ That was the end of the marriage. That was it. He was done with me then. It was over” David: “Oh, it ended because he ended it, not you” Sharon: “It was just over in the room. You could just tell it was over”
1:28

Sharon Stone says her marriage ended in the room after her husband became furious over her decision to have breast surgery “The doctor had come out to my house and said, ‘Look, we think you should have a bilateral mastectomy. This is really bad. And usually when they’re all the way up into here, we know before we go in that they’re cancer’” “And I said, ‘I don’t have cancer.’ And he said, ‘You don’t get to decide that’” “And I said, ‘I do. I do get to decide that. I’m deciding. But I am deciding that I will have a bilateral because I’m not f*cking around’” “And my husband said, ‘This is ridiculous,’ and got up and left the room” David: “Which part was ridiculous?” Sharon: “That I would have a bilateral. He was furious” David: “Not that the cancer, if it was true, might kill you? He was mad about the breasts being removed” Sharon: “And so the doctor said to him, ‘If I had more patients like her, we’d have more women alive today. You need to sit down’” “And I said, ‘I make the decisions, not you.’ That was the end of the marriage. That was it. He was done with me then. It was over” David: “Oh, it ended because he ended it, not you” Sharon: “It was just over in the room. You could just tell it was over”

sara

1,391,655 次观看 • 5 天前

😑 “You know, when I did the 250, there was nothing I could do. It was 250. It was 250. So I can't see -- that was my baby. The country happened to be 250 years old. But what I did do is during my first term, I got the Olympics, and I got the Great Soccer. You know that whole deal, right? I got -- we call it soccer. They call it football. I got them both. I got the Olympics. First, I got the Olympics, and I got it. I was president. And I said, you know, it's a shame. It's a shame. I got the World Cup, and I have the Olympics, and I did it. And you have no idea. President Obama didn't want to make a call to the Olympics. You know why? Because he went to Switzerland or wherever, and he said, you know, if a president goes to get the Olympics, you have to have a deal. You have to be chosen. He went there, and he came in fourth, so he hated them, I guess. And he was unwilling to make a call, and they called me up. The Democrats called me up, actually, from Los Angeles, and I said, I'll do it. I made the call, and I couldn't get the people off the phone because they were so starved for love, because nobody would call them from -- anyway, we made a deal. I got the Olympics. Then we got the World Cup with Johnny. We got the World Cup, and I got them both, and I looked at my people. I said, isn't it a shame? I got these two, but it wasn't in the next four years. It was right after that, and the one after that. And I got the Olympics, and I got the World Cup, and we also have 250, so that's a pretty wild term. But I got these two things that are incredible. Nobody else could have done it. I'm telling you, everybody wanted it. Nobody could have done it. And I said, and I won't be president, because I'll be president for four more years, but it won't be -- and then they cheated and rigged the election. They rigged -- you know, they don't even turn off the cameras when I say that now, because now they know it's true, too. But they knew it was true before. Remember, the cameras used to immediately turn off. You see all those beautiful red lights go off. Now I can say whatever I want, because then they know it's true. But they knew it was true before. It's fake news. That's why they call it. But you know what? This term is much more consequential than if I had done it the more traditional way. This was slightly harder, believe me. It's slightly more dangerous, because they're criminals on the other side that tried to put your president in jail and went after him, just like they do in third-world countries. And we all beat em together. We beat em because our level of popularity was so high.”
2:32

😑 “You know, when I did the 250, there was nothing I could do. It was 250. It was 250. So I can't see -- that was my baby. The country happened to be 250 years old. But what I did do is during my first term, I got the Olympics, and I got the Great Soccer. You know that whole deal, right? I got -- we call it soccer. They call it football. I got them both. I got the Olympics. First, I got the Olympics, and I got it. I was president. And I said, you know, it's a shame. It's a shame. I got the World Cup, and I have the Olympics, and I did it. And you have no idea. President Obama didn't want to make a call to the Olympics. You know why? Because he went to Switzerland or wherever, and he said, you know, if a president goes to get the Olympics, you have to have a deal. You have to be chosen. He went there, and he came in fourth, so he hated them, I guess. And he was unwilling to make a call, and they called me up. The Democrats called me up, actually, from Los Angeles, and I said, I'll do it. I made the call, and I couldn't get the people off the phone because they were so starved for love, because nobody would call them from -- anyway, we made a deal. I got the Olympics. Then we got the World Cup with Johnny. We got the World Cup, and I got them both, and I looked at my people. I said, isn't it a shame? I got these two, but it wasn't in the next four years. It was right after that, and the one after that. And I got the Olympics, and I got the World Cup, and we also have 250, so that's a pretty wild term. But I got these two things that are incredible. Nobody else could have done it. I'm telling you, everybody wanted it. Nobody could have done it. And I said, and I won't be president, because I'll be president for four more years, but it won't be -- and then they cheated and rigged the election. They rigged -- you know, they don't even turn off the cameras when I say that now, because now they know it's true, too. But they knew it was true before. Remember, the cameras used to immediately turn off. You see all those beautiful red lights go off. Now I can say whatever I want, because then they know it's true. But they knew it was true before. It's fake news. That's why they call it. But you know what? This term is much more consequential than if I had done it the more traditional way. This was slightly harder, believe me. It's slightly more dangerous, because they're criminals on the other side that tried to put your president in jail and went after him, just like they do in third-world countries. And we all beat em together. We beat em because our level of popularity was so high.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

2,108,927 次观看 • 1 年前