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⚒️Editing Preview⚒️ Colors are an important factor in every video edited that an editor should at least dabble in !! Manipulating the color can have as much of a strong effect on a video as adding SFX's or different visual effects ! Even if it's just a slight COLOR...

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QbQube 👾🧊@DOKOMI2026

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17,051 görüntüleme • 6 ay önce •via X (Twitter)

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⚒️Editing Preview⚒️ While a video can be enough for any edit, in a lot of cases adding specific greenscreens or memes can HEAVILY enhance the editing script ! Even when an editor has to rewatch the footage x100 times, it tends to ALWAYS be worth the trouble !
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⚒️Editing Preview⚒️ While a video can be enough for any edit, in a lot of cases adding specific greenscreens or memes can HEAVILY enhance the editing script ! Even when an editor has to rewatch the footage x100 times, it tends to ALWAYS be worth the trouble !

QbQube 👾🧊

35,560 görüntüleme • 6 ay önce

⚒️Editing Preview⚒️ As editors improve while editing videos, It is extremely important to always have a reality check whenever possible ! As at the end of the day even if they are Godly at editing, it is the client's vision that has to be realised using YOUR skills !
0:21

⚒️Editing Preview⚒️ As editors improve while editing videos, It is extremely important to always have a reality check whenever possible ! As at the end of the day even if they are Godly at editing, it is the client's vision that has to be realised using YOUR skills !

QbQube 👾🧊@DOKOMI2026

43,901 görüntüleme • 6 ay önce

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 görüntüleme • 1 yıl önce

An interesting short that doesn't get talked about that much: Ub Iwerks' SKELETON FROLIC (1937), a color twist on his SKELETON DANCE animation for Disney back in 1929. It's not as classic as the original, but the colors and animation are quite nice and it's good spooky fun.
0:46

An interesting short that doesn't get talked about that much: Ub Iwerks' SKELETON FROLIC (1937), a color twist on his SKELETON DANCE animation for Disney back in 1929. It's not as classic as the original, but the colors and animation are quite nice and it's good spooky fun.

Vincent Alexander

59,625 görüntüleme • 2 ay önce

Wolverine's suit can absorb blood as if nothing ever happened. Only 2 explanations: 1st is that it's made of materials that absorb light so perfectly that they erase a color or an object's visual depth and are known as super-black materials or light-trapping arrays. The most famous examples are synthetic materials composed of vertically aligned carbon nanotubes (CNTs). Another explanation is that it's a video game, deal with it.
0:20

Wolverine's suit can absorb blood as if nothing ever happened. Only 2 explanations: 1st is that it's made of materials that absorb light so perfectly that they erase a color or an object's visual depth and are known as super-black materials or light-trapping arrays. The most famous examples are synthetic materials composed of vertically aligned carbon nanotubes (CNTs). Another explanation is that it's a video game, deal with it.

SpawnYaard 🎮

185,963 görüntüleme • 2 ay önce

Hey. If you're an employee at a company that offers a group RRSP, watch this video! Heck, watch it even if you're not as it's mesmerizing. Or not.
0:43

Hey. If you're an employee at a company that offers a group RRSP, watch this video! Heck, watch it even if you're not as it's mesmerizing. Or not.

David Chilton

50,244 görüntüleme • 2 yıl önce

The FDA created a loophole for “no artificial colors” on new food packaging “Have you noticed this at the grocery store lately, more packages are labeled ‘No artificial colors,’ so that must mean it's healthier, right? Not exactly” “Before, if a product had a label that said no artificial colors, it meant just that no added colors. But under a new policy by the FDA, only a specific group of dyes are considered artificial Petroleum-based dyes like red-40, yellow-5 and blue-2. Any other sort of added color gets a pass So that means ingredients like titanium dioxide can still be in the food. It's a synthetic whitening agent used to brighten foods like candies and cheeses. And by the way, it's banned as a food additive in the European Union. Consumer advocates say this new policy can mislead and confuse consumers because products can contain synthetic color additives and be labeled no artificial colors as long as they don't contain any petroleum-based dyes” The FDA created this new policy, the agency announced it would exercise enforcement discretion on voluntary “no artificial colors” - Previously “No artificial colors” generally meant no added colors at all (natural or synthetic) - Now manufacturers can use the “no artificial colors” claim on products that contain no petroleum-based certified color additives. Other added colors, including some synthetic or non-certified one, get a pass under this policy
1:05

The FDA created a loophole for “no artificial colors” on new food packaging “Have you noticed this at the grocery store lately, more packages are labeled ‘No artificial colors,’ so that must mean it's healthier, right? Not exactly” “Before, if a product had a label that said no artificial colors, it meant just that no added colors. But under a new policy by the FDA, only a specific group of dyes are considered artificial Petroleum-based dyes like red-40, yellow-5 and blue-2. Any other sort of added color gets a pass So that means ingredients like titanium dioxide can still be in the food. It's a synthetic whitening agent used to brighten foods like candies and cheeses. And by the way, it's banned as a food additive in the European Union. Consumer advocates say this new policy can mislead and confuse consumers because products can contain synthetic color additives and be labeled no artificial colors as long as they don't contain any petroleum-based dyes” The FDA created this new policy, the agency announced it would exercise enforcement discretion on voluntary “no artificial colors” - Previously “No artificial colors” generally meant no added colors at all (natural or synthetic) - Now manufacturers can use the “no artificial colors” claim on products that contain no petroleum-based certified color additives. Other added colors, including some synthetic or non-certified one, get a pass under this policy

Wall Street Apes

116,296 görüntüleme • 4 ay önce

90% of the people in this video are the SAME SKIN COLOR as her, but (in their minds), they think they are lighter, different from her, ..thats a mental illness. LMAO.
2:48

90% of the people in this video are the SAME SKIN COLOR as her, but (in their minds), they think they are lighter, different from her, ..thats a mental illness. LMAO.

Cornbread Mafioso 🖕🏾

929,291 görüntüleme • 2 ay önce

American feed manufacturers are now adding synthetic additives to chicken feed to change the yolk color This turns the color of the yolk orange and makes the eggs look like they have been grass fed on a farm “The industry uses something called xanthophyll, which is a feed additive. — That can make that yolk any color they want. So, whether the birds have lived out on green grass or they've never stepped foot outside, I can produce an or a yolk that's orange” “So then a lot of people are cracking this yolk open. They're like, oh, look at this beautiful orange yolk. And I'm like, that's not that's not orange because the birds are outside. That's from a a feed additive” Even when you try to be healthy in America, you can’t
0:50

American feed manufacturers are now adding synthetic additives to chicken feed to change the yolk color This turns the color of the yolk orange and makes the eggs look like they have been grass fed on a farm “The industry uses something called xanthophyll, which is a feed additive. — That can make that yolk any color they want. So, whether the birds have lived out on green grass or they've never stepped foot outside, I can produce an or a yolk that's orange” “So then a lot of people are cracking this yolk open. They're like, oh, look at this beautiful orange yolk. And I'm like, that's not that's not orange because the birds are outside. That's from a a feed additive” Even when you try to be healthy in America, you can’t

Wall Street Apes

819,947 görüntüleme • 1 yıl önce

NINE ELEVEN🪽 IS IT A BIRD?🪽 IS IT A PLANE?🪽 OR IS IT JUST SPECIAL EFFECTS?🪽 [Dictionary] Special Effects Meaning: Special effects (SFX) are techniques used in media like TV, film and video games to create visual illusions or enhance the realism or fantasy of a scene. These effects can be practical (created on set) or digital (created in post or live production). SFX are often used to simulate events that are impossible or impractical to capture in real-time, such as explosions, flying, or the creation of fantastical creatures.
36:56

NINE ELEVEN🪽 IS IT A BIRD?🪽 IS IT A PLANE?🪽 OR IS IT JUST SPECIAL EFFECTS?🪽 [Dictionary] Special Effects Meaning: Special effects (SFX) are techniques used in media like TV, film and video games to create visual illusions or enhance the realism or fantasy of a scene. These effects can be practical (created on set) or digital (created in post or live production). SFX are often used to simulate events that are impossible or impractical to capture in real-time, such as explosions, flying, or the creation of fantastical creatures.

ANUNNAKI🪽

52,647 görüntüleme • 1 yıl önce

🚨ELON MUSK: "That e-mail was misinterpreted as a performance review, but it's actually a pulse check review. Do you have a pulse and two neurons? If you have that you can reply to an e-mail. It's not a high bar. We think there are a number of people on the government payroll who are dead or not real people that are collecting paychecks. We're trying to figure out if people are real, if they're alive, and if they can write an e-mail. I think the American public would have at least that expectation of someone in the public sector."
0:55

🚨ELON MUSK: "That e-mail was misinterpreted as a performance review, but it's actually a pulse check review. Do you have a pulse and two neurons? If you have that you can reply to an e-mail. It's not a high bar. We think there are a number of people on the government payroll who are dead or not real people that are collecting paychecks. We're trying to figure out if people are real, if they're alive, and if they can write an e-mail. I think the American public would have at least that expectation of someone in the public sector."

Autism Capital 🧩

3,044,701 görüntüleme • 1 yıl önce

Every edit was a round-trip through the model Font swap. Color change. Nudge 20 pixels. Adjust an easing curve. Now they're a click in the Inspector panel HyperFrames Inspector is live npx hyperframes preview Full source code for this video in the replies ↓
0:45

Every edit was a round-trip through the model Font swap. Color change. Nudge 20 pixels. Adjust an easing curve. Now they're a click in the Inspector panel HyperFrames Inspector is live npx hyperframes preview Full source code for this video in the replies ↓

HeyGen

468,462 görüntüleme • 2 ay önce

Create compositing mattes in seconds with Aleph 2.0 Mattes let you isolate a subject from its background so you can composite, color or apply effects to just one part of your shot. 1. Upload your video 2. Prompt for a white silhouette on black 3. Review your preview 4. Hit generate 5. Set your matte clip as a luma matte in your editor Clean mattes, ready for compositing. No rotoscoping required.
0:56

Create compositing mattes in seconds with Aleph 2.0 Mattes let you isolate a subject from its background so you can composite, color or apply effects to just one part of your shot. 1. Upload your video 2. Prompt for a white silhouette on black 3. Review your preview 4. Hit generate 5. Set your matte clip as a luma matte in your editor Clean mattes, ready for compositing. No rotoscoping required.

Runway

41,170 görüntüleme • 2 ay önce

Watching these old films I have a slight impression that all visual records of the past are created by an AI much more advanced than what we have access to in the present.
2:36

Watching these old films I have a slight impression that all visual records of the past are created by an AI much more advanced than what we have access to in the present.

Bronze Giant

23,567 görüntüleme • 1 yıl önce

My take on Searle's Chinese Room: It's just milking a misleading visual metaphor. If you *actually* visualize what's going on in that room, the guy is using the book to process information at lightspeed, much like the operation of an H100 GPU or a brain.
4:26

My take on Searle's Chinese Room: It's just milking a misleading visual metaphor. If you *actually* visualize what's going on in that room, the guy is using the book to process information at lightspeed, much like the operation of an H100 GPU or a brain.

Liron Shapira

14,986 görüntüleme • 1 yıl önce

I was just messing around with the animation, then I noticed that the swimming animation would leave the ripple effect behind, and you can change the size of it, too And of course, you can do this even on a land surface (Imagine a scene with you standing on land, but have a water ripple effect, something like that) Also, in this video, I just learn how to use the sky environment It's really helped me a lot to find the perfect cloud and sky color And I'm really proud of what the final picture has turned into #GPOSER #GPOSERS
1:09:07

I was just messing around with the animation, then I noticed that the swimming animation would leave the ripple effect behind, and you can change the size of it, too And of course, you can do this even on a land surface (Imagine a scene with you standing on land, but have a water ripple effect, something like that) Also, in this video, I just learn how to use the sky environment It's really helped me a lot to find the perfect cloud and sky color And I'm really proud of what the final picture has turned into #GPOSER #GPOSERS

Lightny Lightningstorm

12,525 görüntüleme • 5 ay önce

My Tesla model S was the victim of an attempted deering this morning. Had just left the grocery store and it was still dark ~0615hrs. I saw a slight flash out of the corner of my right eye and hit the brakes right as the collision alert started blaring. It doesn't look as close as I think it was but it felt like the left front of my car could have touched the tail had I been even a second slower in reacting. As an aside editing video on a desktop browser doesn't seem to let you clip things. Go to 0:50s or so in the below video if you want to see the attempted Tesla killer
0:59

My Tesla model S was the victim of an attempted deering this morning. Had just left the grocery store and it was still dark ~0615hrs. I saw a slight flash out of the corner of my right eye and hit the brakes right as the collision alert started blaring. It doesn't look as close as I think it was but it felt like the left front of my car could have touched the tail had I been even a second slower in reacting. As an aside editing video on a desktop browser doesn't seem to let you clip things. Go to 0:50s or so in the below video if you want to see the attempted Tesla killer

Ryan Scanlan 👥

120,099 görüntüleme • 2 yıl önce

"It's going to be very soon until we can literally just type in a prompt and see something as a consumer, and you don't have to have any sort of skills as a visual effects artist," Caleb Ward, founder of Curious Refuge, says of the future of A.I. in film.
1:02

"It's going to be very soon until we can literally just type in a prompt and see something as a consumer, and you don't have to have any sort of skills as a visual effects artist," Caleb Ward, founder of Curious Refuge, says of the future of A.I. in film.

CNBC

29,497 görüntüleme • 3 yıl önce

Introducing "Mine Like A Chad" an entirely AI generated commercial for Tari Every single shot, every sound effect, the music, even the vfx are all AI generated. Breakdown of tools I used: Midjourney & Chat GPT - Image gen and Image editing Topaz Gigapixel - Image Upscale Kling, Luma & Higgsfield - Image to Video and VFX Eleven Labs - Sound Effects Udio - Music generation Davinci Resolve - Editing and Color Grade Huge shoutout to @RealJonahBlake and his Real agency for being amazing partners on this project and helping me out so much.
0:49

Introducing "Mine Like A Chad" an entirely AI generated commercial for Tari Every single shot, every sound effect, the music, even the vfx are all AI generated. Breakdown of tools I used: Midjourney & Chat GPT - Image gen and Image editing Topaz Gigapixel - Image Upscale Kling, Luma & Higgsfield - Image to Video and VFX Eleven Labs - Sound Effects Udio - Music generation Davinci Resolve - Editing and Color Grade Huge shoutout to @RealJonahBlake and his Real agency for being amazing partners on this project and helping me out so much.

Kyle Salazar

11,343 görüntüleme • 1 yıl önce