正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

elaboration

wayneward

1,252 subscribers

253,052 次观看 • 3 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

$BTC [video elaboration]

$BTC [video elaboration]

The Composite Trader

17,172 次观看 • 5 个月前

This breaks my heart 💔Good elaboration on what happened during the final war.

This breaks my heart 💔Good elaboration on what happened during the final war.

அர்ஜுன் தமிழீழவன் (Arjun)

19,408 次观看 • 2 年前

$BTC Elaboration on my HTF views and how I will be managing my current short position. Must watch:

$BTC Elaboration on my HTF views and how I will be managing my current short position. Must watch:

The Composite Trader

16,619 次观看 • 10 个月前

$DOGE [video elaboration] Elaborating on every possible playbook on DOGE to catch the potential LTF pivot entry for the HTF target. Must watch:

$DOGE [video elaboration] Elaborating on every possible playbook on DOGE to catch the potential LTF pivot entry for the HTF target. Must watch:

The Composite Trader

48,137 次观看 • 5 个月前

"Hinduism is Feminine - so we should get rid of Hinduism, and embrace Hindutva, the Masculine ideology" You'll love Shalini Mathur's elaboration🥰

"Hinduism is Feminine - so we should get rid of Hinduism, and embrace Hindutva, the Masculine ideology" You'll love Shalini Mathur's elaboration🥰

𝖢𝖺𝗍𝖺𝗅𝖾𝗒𝖺

14,466 次观看 • 1 年前

remember when paimon got annoyed with ajaw and she asked for someone to mute him, and mavuika just fucking did without any further elaboration?? 😭😭 this woman is hilarious LMAO

remember when paimon got annoyed with ajaw and she asked for someone to mute him, and mavuika just fucking did without any further elaboration?? 😭😭 this woman is hilarious LMAO

daria | mavuika truther⭑.ᐟ

302,327 次观看 • 10 个月前

Being the best and besting others To glory in your strength A manifest magnificence that needs no elaboration or defense If you don’t fuck with this then you are spiritually castrated

Being the best and besting others To glory in your strength A manifest magnificence that needs no elaboration or defense If you don’t fuck with this then you are spiritually castrated

Beachboy007

27,019 次观看 • 4 个月前

$BTC [video elaboration] If you follow my posts and market expectations this video is a must watch to understand all different scenario's and how to manage risk properly. Upcoming days are going to be extremely important.

$BTC [video elaboration] If you follow my posts and market expectations this video is a must watch to understand all different scenario's and how to manage risk properly. Upcoming days are going to be extremely important.

The Composite Trader

34,634 次观看 • 8 个月前

$DOGE [video elaboration] Hope all of you guys had an amazing weekend. Seeing some high-probability setups developing so let's see if the market presents a nice setup to end this amazing month of October.

$DOGE [video elaboration] Hope all of you guys had an amazing weekend. Seeing some high-probability setups developing so let's see if the market presents a nice setup to end this amazing month of October.

The Composite Trader

14,991 次观看 • 11 个月前

ELABORATION Why is Donald Trump putting the Trump Name on all of the buildings and structures that are being established. - It is all about Jurisdiction and the same reason their is a Gulf of America and Gulf of Mexico.

ELABORATION Why is Donald Trump putting the Trump Name on all of the buildings and structures that are being established. - It is all about Jurisdiction and the same reason their is a Gulf of America and Gulf of Mexico.

Capt Kyle

33,987 次观看 • 9 个月前

"In 'The Beyond' (1981), I tackle hell with an even more metaphysical elaboration than 'City of the Living De@d' (1980). My idea was to make an absolute film. It's a plotless film, there is no logic to it, just a succession of images." --- Lucio Fulci

"In 'The Beyond' (1981), I tackle hell with an even more metaphysical elaboration than 'City of the Living De@d' (1980). My idea was to make an absolute film. It's a plotless film, there is no logic to it, just a succession of images." --- Lucio Fulci

DepressedBergman

25,343 次观看 • 10 个月前

Tomorrow is the 50-year anniversary of the sinking of the Edmund Fitzgerald. I’ll be responding to all texts on Monday with “We’re holding our own” with no further elaboration to honor the captain’s final message. Pour one out for the Mighty Fitz.

Tomorrow is the 50-year anniversary of the sinking of the Edmund Fitzgerald. I’ll be responding to all texts on Monday with “We’re holding our own” with no further elaboration to honor the captain’s final message. Pour one out for the Mighty Fitz.

David Hookstead

18,972 次观看 • 10 个月前

🚨🇩🇪 HITLER WAS A COMMUNIST - ALICE WEIDEL After her 𝕏 space with Elon Musk, Alice Weidel gives us this brilliant elaboration: Hitler wanted to create a new type of person, marching in lockstep, social equity, synchronized media state-run economy Sounds familiar, doesn’t it?

🚨🇩🇪 HITLER WAS A COMMUNIST - ALICE WEIDEL After her 𝕏 space with Elon Musk, Alice Weidel gives us this brilliant elaboration: Hitler wanted to create a new type of person, marching in lockstep, social equity, synchronized media state-run economy Sounds familiar, doesn’t it?

Naomi Seibt

370,987 次观看 • 1 年前

happy episode 9 debut day! i am super excited to share the second scene specifically because of the elaboration of logan’s sexuality arc. getting to work on something like this and making that scene mine specifically meant more than words could ever say - #disventurecamp4 #dctwt

happy episode 9 debut day! i am super excited to share the second scene specifically because of the elaboration of logan’s sexuality arc. getting to work on something like this and making that scene mine specifically meant more than words could ever say - #disventurecamp4 #dctwt

jelly the jellyfish 🇵🇸

24,422 次观看 • 1 年前

$BTC Video elaboration on BTC's macro bearmarket bottoming formation. In this video I don't tell you what I want to happen for BTC, I tell and teach what NEEDS to happen in order for price to deliver macro bullish reversals. I advice you guys to watch the entire video, take notes and be on the correct side of the market from a HTF expectational orderflow perspective. Later I will write an in-depth post with different phases and potential playbooks within, but first I wanted to share my thoughts via video so every single one of you will understand the post better later on.

$BTC Video elaboration on BTC's macro bearmarket bottoming formation. In this video I don't tell you what I want to happen for BTC, I tell and teach what NEEDS to happen in order for price to deliver macro bullish reversals. I advice you guys to watch the entire video, take notes and be on the correct side of the market from a HTF expectational orderflow perspective. Later I will write an in-depth post with different phases and potential playbooks within, but first I wanted to share my thoughts via video so every single one of you will understand the post better later on.

The Composite Trader

260,231 次观看 • 7 个月前

This week’s music post is the Bach Violin Concerto in E Major. Baroque era music is a good entry point to ‘classical music’ because it is relatively easy to follow. This excerpt from the opening movement is in ritornello form, which means it is monothematic. Bach gives you the major idea/theme up front, and then he plays with it the entire time. The audience always knows what is going on. They have the theme clearly in their heads, and then they hear variations on it with brief divergent ideas and moves into different key areas. The audience never needs to know the technical details, because the twists and turns are obvious and intuitive. It’s very easy on the listener, yet complex in composition. Street pianos often rely on baroque era pieces for this exact reason. The listener who might drop some $$ into the basket doesn’t need to have been there from the beginning to understand. S/he can just show up and jump in because it’s one idea and some elaboration on it. Anyway - I will link this entire piece in the following post. It’s in 3 movements - all easy to follow. (Some of my musical friends are dim on Hillary Hahn - and maybe they’re right. But this is good enough for us, and video draws in more listeners than blank audio).

This week’s music post is the Bach Violin Concerto in E Major. Baroque era music is a good entry point to ‘classical music’ because it is relatively easy to follow. This excerpt from the opening movement is in ritornello form, which means it is monothematic. Bach gives you the major idea/theme up front, and then he plays with it the entire time. The audience always knows what is going on. They have the theme clearly in their heads, and then they hear variations on it with brief divergent ideas and moves into different key areas. The audience never needs to know the technical details, because the twists and turns are obvious and intuitive. It’s very easy on the listener, yet complex in composition. Street pianos often rely on baroque era pieces for this exact reason. The listener who might drop some $$ into the basket doesn’t need to have been there from the beginning to understand. S/he can just show up and jump in because it’s one idea and some elaboration on it. Anyway - I will link this entire piece in the following post. It’s in 3 movements - all easy to follow. (Some of my musical friends are dim on Hillary Hahn - and maybe they’re right. But this is good enough for us, and video draws in more listeners than blank audio).

FischerKing

162,519 次观看 • 9 个月前

The host finally succeeded but at what cost? 😆 COKE ZERO WITH JIMMY #CokeZeroZeroTikTokLivexJimmy 💬: Jimmy, if you had to send a Coke Zero Zero to someone... wow, that's a tough question. 💜: Tell you what, in all honesty, I really want to send it to Ai Force. 💬: Whoa, why Khun Force? 💜: I feel like Ai Force is just so bubbly. He’s seriously energetic and hyper. 💬: Just that? 💜: Just that. 💬: Care to elaborate? 💜: Nope, no elaboration needed. 💬: I'll throw in a bonus question for the fans. If you had the chance to send another one, besides Force, who would you send it to? 🗣️: 🤣🤣🤣 💜: Tsk 😬💦 Ai Book then! 💬: Why Book? Why send it to Book? 💜: Because if I'm sending one to Force, I have to send one to Book too. 💬: Ah, they're a package deal. 💜: Yeah, since I gave one to Force, Book gets one too. Hehe 😁😁 💬: ⌚️👀 We've got one minute left. You have to pass it on to one more person. 💜: One more person? 💬: Who is it going to? Time's running out! 💜: This is going to be the whole gang at this rate. The whole squad. 💬: The fans are probably saying, "Oh man, khun Mhor, we’re exhausted." 💜: Junior, Mark, and Ai Sea! That wraps up the whole gang! 💬: Okay, thank you so much! 👏🏻👏🏻 💜: 😁😁 💬: I’ve been trying to set this up for an hour, and it finally paid off at 7:57 PM. 💜: 😂👉🏻 “I'm literally begging 🙏🏻 you at this point!” 💬: 😆😆

The host finally succeeded but at what cost? 😆 COKE ZERO WITH JIMMY #CokeZeroZeroTikTokLivexJimmy 💬: Jimmy, if you had to send a Coke Zero Zero to someone... wow, that's a tough question. 💜: Tell you what, in all honesty, I really want to send it to Ai Force. 💬: Whoa, why Khun Force? 💜: I feel like Ai Force is just so bubbly. He’s seriously energetic and hyper. 💬: Just that? 💜: Just that. 💬: Care to elaborate? 💜: Nope, no elaboration needed. 💬: I'll throw in a bonus question for the fans. If you had the chance to send another one, besides Force, who would you send it to? 🗣️: 🤣🤣🤣 💜: Tsk 😬💦 Ai Book then! 💬: Why Book? Why send it to Book? 💜: Because if I'm sending one to Force, I have to send one to Book too. 💬: Ah, they're a package deal. 💜: Yeah, since I gave one to Force, Book gets one too. Hehe 😁😁 💬: ⌚️👀 We've got one minute left. You have to pass it on to one more person. 💜: One more person? 💬: Who is it going to? Time's running out! 💜: This is going to be the whole gang at this rate. The whole squad. 💬: The fans are probably saying, "Oh man, khun Mhor, we’re exhausted." 💜: Junior, Mark, and Ai Sea! That wraps up the whole gang! 💬: Okay, thank you so much! 👏🏻👏🏻 💜: 😁😁 💬: I’ve been trying to set this up for an hour, and it finally paid off at 7:57 PM. 💜: 😂👉🏻 “I'm literally begging 🙏🏻 you at this point!” 💬: 😆😆

Mhokstache ✨

18,729 次观看 • 2 个月前

Orson Welles: "Shakespeare said everything. Poetry has since then been neither necessary nor possible because when you can make the dawn over Elsinore with a lantern and a pot of paint there's no call for having a character stop in the middle of the action and say a line like, "But look, the morn, in russet mantle clad, walks o'er the dew of yon high eastern hill," even supposing you could write a line like it. You can't see and hear beauty, fully, at the same time... because poetry is its own scenery and because we've stuck to physical scenery and isolated our actor from his audience...we've stuck to prose. Before the Restoration, theatres were courtyards around platforms where you went to hear and be heard. Since then they've been birthday cakes in front of picture-frames where you go to see and to be seen...". "Shakespeare said everything. Brain to belly; every mood and minute of a man’s season. His language is starlight and fireflies and the sun and moon. He wrote it with tears and blood and beer, and his words march like heartbeats. He speaks to everyone and we all claim him but it’s wise to remember, if we would really appreciate him, that he doesn’t properly belong to us but to another world; a florid and entirely remarkable world that smelled assertively of columbine and gun powder and printer’s ink, and was vigorously dominated by Elizabeth. Shakespeare speaks everybody’s language, but with an Elizabethan accent. When he came squawking and red faced into it, England could carry a tune and was learning to talk. It was a kid of a country, waking up noisily and too suddenly into adolescence and bounding blithely into the sunny, early morning of modern times. About sixty years earlier, Columbus had bumped into a couple of new continents and the Conquistadors were busy opening them up and exploiting them. Down in Italy things had been happening. Men had taken the hoods of the dusty, dusky old Middle Ages off their heads and had begun to look around. Questions were being asked; books were being written instead of copied; people had stopped taking Aristotle’s word for it and were nosing about the world, taking it apart to see what made it run. All kinds of old established convictions were being questioned and money in huge sums was being made. By the time Shakespeare was a butcher’s boy in Stratford, all of this bustle and uncertainty and excitement had gotten across the channel and into the moist English air. An extraordinary woman was in charge and she was gathering about her throne still more extraordinary men. England was getting up on its hind legs. The touring companies of actors that came to Stratford still played rusty things that smacked of the old Moralities and the Miracle plays, but down in London real shows were being put on in place of masques and roustabouts and these plays were about real people instead of virtues and vices and other symbolic figures that never actually lived. By the time Shakespeare was married and teaching school, the Theatre, already the most complete expression of the times, was well started on a golden age. Peele and Greene and Lodge and Nash were turning out smash-hits. Kyd was busy with blood-and-thunder shockers like The Spanish Tragedy. Lyly was discovering that good plays could be written in prose and Marlowe was making dramatic poetry worth writing. The Theatre, along with a lot of other high doings, was in the air. So Shakespeare kissed his wife goodbye and went to London. London and the wide world are very lucky that he did. It was almost as though America was discovered, Elizabeth made Queen, and pirates and poets and other valorous people congregated in one age just so the young schoolteacher would come to London and we could have William Shakespeare. To know something about Shakespeare we must know something about that England in which he was born; still more important we must know something of that peculiarly pure theatre he found in London and for which he wrote. It was neither new nor clumsy. It was not a rude thing but rather, like the classic theatres and the theatres of high convention in China and Japan, a refinement. England’s stage came out of the church when the actors got too entertaining. It lingered for a couple of hundred years in front of it in the marketplace and then moved into the inn yard where it stayed until it got over being a holiday treat and became an institution and they built the first theatre. This was simply an inn yard fixed up for a play but without the inn. The stage platform was made permanent with a roof over it to protect the actors but the rabblement still had to stand around this platform in the rain or sun. An inner stage with a curtain and a level above it like a gallery was added inside. Benches were built in the spectators’ galleries where you sat if you had money and in veils if you were a lady, and there, with only slight elaboration over its daddy, the hotel courtyard, was the Elizabethan playhouse." Orson Welles's introduction to The Mercury Shakespeare, 1934 Audio: Hamlet - Orson Welles, Mercury 1936 ’Tis gone. We do it wrong, being so majestical, To offer it the show of violence It was about to speak when the cock crew. And then it started like a guilty thing Upon a fearful summons. But look, the morn in russet mantle clad Walks o’er the dew of yon high eastward hill.

Orson Welles: "Shakespeare said everything. Poetry has since then been neither necessary nor possible because when you can make the dawn over Elsinore with a lantern and a pot of paint there's no call for having a character stop in the middle of the action and say a line like, "But look, the morn, in russet mantle clad, walks o'er the dew of yon high eastern hill," even supposing you could write a line like it. You can't see and hear beauty, fully, at the same time... because poetry is its own scenery and because we've stuck to physical scenery and isolated our actor from his audience...we've stuck to prose. Before the Restoration, theatres were courtyards around platforms where you went to hear and be heard. Since then they've been birthday cakes in front of picture-frames where you go to see and to be seen...". "Shakespeare said everything. Brain to belly; every mood and minute of a man’s season. His language is starlight and fireflies and the sun and moon. He wrote it with tears and blood and beer, and his words march like heartbeats. He speaks to everyone and we all claim him but it’s wise to remember, if we would really appreciate him, that he doesn’t properly belong to us but to another world; a florid and entirely remarkable world that smelled assertively of columbine and gun powder and printer’s ink, and was vigorously dominated by Elizabeth. Shakespeare speaks everybody’s language, but with an Elizabethan accent. When he came squawking and red faced into it, England could carry a tune and was learning to talk. It was a kid of a country, waking up noisily and too suddenly into adolescence and bounding blithely into the sunny, early morning of modern times. About sixty years earlier, Columbus had bumped into a couple of new continents and the Conquistadors were busy opening them up and exploiting them. Down in Italy things had been happening. Men had taken the hoods of the dusty, dusky old Middle Ages off their heads and had begun to look around. Questions were being asked; books were being written instead of copied; people had stopped taking Aristotle’s word for it and were nosing about the world, taking it apart to see what made it run. All kinds of old established convictions were being questioned and money in huge sums was being made. By the time Shakespeare was a butcher’s boy in Stratford, all of this bustle and uncertainty and excitement had gotten across the channel and into the moist English air. An extraordinary woman was in charge and she was gathering about her throne still more extraordinary men. England was getting up on its hind legs. The touring companies of actors that came to Stratford still played rusty things that smacked of the old Moralities and the Miracle plays, but down in London real shows were being put on in place of masques and roustabouts and these plays were about real people instead of virtues and vices and other symbolic figures that never actually lived. By the time Shakespeare was married and teaching school, the Theatre, already the most complete expression of the times, was well started on a golden age. Peele and Greene and Lodge and Nash were turning out smash-hits. Kyd was busy with blood-and-thunder shockers like The Spanish Tragedy. Lyly was discovering that good plays could be written in prose and Marlowe was making dramatic poetry worth writing. The Theatre, along with a lot of other high doings, was in the air. So Shakespeare kissed his wife goodbye and went to London. London and the wide world are very lucky that he did. It was almost as though America was discovered, Elizabeth made Queen, and pirates and poets and other valorous people congregated in one age just so the young schoolteacher would come to London and we could have William Shakespeare. To know something about Shakespeare we must know something about that England in which he was born; still more important we must know something of that peculiarly pure theatre he found in London and for which he wrote. It was neither new nor clumsy. It was not a rude thing but rather, like the classic theatres and the theatres of high convention in China and Japan, a refinement. England’s stage came out of the church when the actors got too entertaining. It lingered for a couple of hundred years in front of it in the marketplace and then moved into the inn yard where it stayed until it got over being a holiday treat and became an institution and they built the first theatre. This was simply an inn yard fixed up for a play but without the inn. The stage platform was made permanent with a roof over it to protect the actors but the rabblement still had to stand around this platform in the rain or sun. An inner stage with a curtain and a level above it like a gallery was added inside. Benches were built in the spectators’ galleries where you sat if you had money and in veils if you were a lady, and there, with only slight elaboration over its daddy, the hotel courtyard, was the Elizabethan playhouse." Orson Welles's introduction to The Mercury Shakespeare, 1934 Audio: Hamlet - Orson Welles, Mercury 1936 ’Tis gone. We do it wrong, being so majestical, To offer it the show of violence It was about to speak when the cock crew. And then it started like a guilty thing Upon a fearful summons. But look, the morn in russet mantle clad Walks o’er the dew of yon high eastward hill.

films7

86,136 次观看 • 2 个月前